{"title":"500 Series Deals","description":null,"products":[{"product_id":"great-river-mp-500nv","title":"Great River MP-500NV 500 Series Microphone Preamp\/DI","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGreat River MP-500NV\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles.\u003cspan\u003e \u003c\/span\u003eModern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options.\u003cspan\u003e \u003c\/span\u003eAll microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications.\u003cspan\u003e \u003c\/span\u003eAll specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out - 125ma current draw.\u003c\/span\u003e\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":44449236648039,"sku":"8888","price":716.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/great-river-mp500nv-23_8888_1.jpg?v=1787088256"},{"product_id":"api-512c-demo-deal","title":"API 512C (Demo Deal)","description":"\u003cp\u003eWhile it's entirely accurate to call the \u003cstrong\u003eAPI 512c\u003c\/strong\u003e an excellent all-around microphone preamp, that doesn't do it justice. The API 512c is arguably the most popular 500 Series module available, offering every bit of the classic API console sound in a single-channel 500 Series format. Some describe the character as \"pure.\" Some call it \"fast.\" However you define it, the 512c delivers 100% API sound...versatile and timeless.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFaithful to the original API circuit designs\u003c\/li\u003e\r\n\u003cli\u003ePopular for its remarkable versatility\u003c\/li\u003e\r\n\u003cli\u003e500 Series format\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFaithful to the original API circuit designs\u003c\/strong\u003e\u003cbr\u003eFor those of us who can't afford an original API console or simply don't have that kind of space, the API 512c is a gift. This single-channel mic preamp was faithfully designed to deliver the same distinct sound, at a price and in a format that makes sense for today's studios. The traditional fully discrete API circuit design is here, along with the famous API 2520 Op-amp. The API 512c also offers high headroom, with 65dB of gain on the mic preamp and 50dB on the line\/instrument side.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular for its remarkable versatility\u003c\/strong\u003e\u003cbr\u003eThe API 512c is possibly most noted for its versatility, just like the front end of the original API consoles that somehow sounded incredible no matter the application. You can get a huge, open vocal sound with the 512c, or use it for a certain \"pop\" on just about any source imaginable...cymbals, piano, acoustic guitar. It plays nicely with nearly any mic too. You'll hear the SM57 open up a bit. Or, pair it with your prized large-diaphragm condenser and notice all the details you love, with just the right of complementing color. The bottom line is, you really can't go wrong.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e500 Series format\u003c\/strong\u003e\u003cbr\u003eAPI truly pioneered the 500 Series format, finding a way to make their legendary sound available on a piece-by-piece basis to meet your specific needs. Within the format, the API 512c is a staple, an indispensable preamp for the vintage-minded studio with modern needs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449358020711,"sku":"14554","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_512c_cat_1.jpg?v=1787088693"},{"product_id":"api-500-6b-lunchbox-demo-deal","title":"API 500-6B - 6-Channel 500 Series Lunchbox (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI 500-6B Lunchbox\u003c\/strong\u003e is a 6-slot rack designed to accept all API standard 5.25\" X 1.5\" modules. The lunchbox is self-powered with a rear panel selected AC voltage switch and a removable power cord. The input\/output jacks are XLR. The lunchbox comes  standard with a +48 volt internal phantom power supply, bussed to pin  15 for interface with the API 512c Mic Preamplifier.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360183399,"sku":"16864","price":629.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_500-6b_unloaded_1.jpg?v=1787088703"},{"product_id":"api-500vpr-10-slot-rack-w-psu-demo-deal","title":"API 500VPR 10 Slot Rack w\/PSU (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI Model 500VPR\u003c\/strong\u003e is powered externally by a tri-polar power supply (included) and is designed to accept API standard format 5.25\" X 1.5\" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS. The input\/output jacks are both XLRs. The 500VPR can hold up to ten API modules. API makes several modules to fit this rack, including the 550A, 550B, 560, 525, and 512C. Like all API products, the 500VPR rack enjoys API's standard 5 year warranty. \u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003eThe 500V can be ordered with an optional 48 volt phantom power supply, bussed to pin 15 for the API 512C to access. It must be noted that the older API 560A series equalizers used pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers. API makes several modules to fit this rack, including the 550B, 560, 525, and 512C. These modules are designed to help expand existing limited input console configurations, allowing a facility an option to a larger console.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultitrack Recording of Acoustic and Electronic Audio Sources. \u003c\/li\u003e\n\u003cli\u003eSound Reinforcement Systems and Recording Live to Multitrack formats. \u003c\/li\u003e\n\u003cli\u003eMultiple facility projects where portability is a concern. \u003c\/li\u003e\n\u003cli\u003eBroadcast and Audio for Video Production. \u003c\/li\u003e\n\u003cli\u003eCustom Channel Input Strips. \u003c\/li\u003e\n\u003cli\u003eADAT Type Portable Recording Setups. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360216167,"sku":"14872","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-500vpr-10-slot-rack_1.jpg?v=1787088703"},{"product_id":"api-525-demo-deal","title":"API 525 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAPI 525\u003c\/span\u003e was originally released in the 70's, the API 525 is a \"feedback\" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional \"Ceiling\" fine tune function modifies threshold \u003ci\u003eand\u003c\/i\u003e make-up gain for precise changes in compression without changes in output. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.\u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe API 525 is perhaps the most successful solid state feedback compressor in history. It delivers dynamics control behavior unlike VCA \"feed forward\" compressors so common today. A remarkable multi-function \"ceiling\" control can increase gain reduction (lower threshold) while simultaneously raising output level to match, so the user can alter dynamics \"on the fly\" without level changes. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/p\u003e \u003cp\u003eRelease times vary with frequency, with high frequency\/full bandwidth content released faster than just low frequency for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the benefits of the API 525 are most obvious to those who use compression on a regular basis. \"Vintage\" dynamics control, an easy to use multi-function control set, and a wide range of 500 Series mounting options assure that the 525 will surpass your most critical applications. With the addition of a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules, the 525 is still, after 25 years—\"the sound\". Two or more 525s can be linked for multi-channel compression.\u003c\/p\u003e \u003cp\u003eThe 525 Feedback Compressor\/Limiter makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products. \u003c\/p\u003e\u003cp\u003eOriginally released in the 70's, the API 525 is a \"feedback\" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional \"Ceiling\" fine tune function modifies threshold \u003ci\u003eand\u003c\/i\u003e make-up gain for precise changes in compression without changes in output. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.\u003c\/p\u003e \u003cp\u003e\u003capi_warranty\u003e\u003c\/api_warranty\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360248935,"sku":"14219","price":1019.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_525_5_1.jpg?v=1787088703"},{"product_id":"api-527-demo-deal","title":"API 527 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAPI 527\u003c\/span\u003e compressor is a single channel module based on API's 225L discrete channel compressor. The 527 features comprehensive controls including variable attack, release, ratio, and outut gain controls. The unit also includes API's patented 'Thrust' circuit, first offered on the 2500 Stereo Bus Compressor. A 10 segment LED meter is switchable between gain reduction and output level. \u003cp\u003e\"Anyone who has used the 225L compressor found in API consoles has expressed a longing for the same kind of flexibility and control in the 500 Series for some time\" said Larry Droppa, President of API. \"We're delighted to now offer the 527 to complement our vintage 525 compressor, which has been many engineers' favorite compressor over the years.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360281703,"sku":"15618","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_527_3.jpg?v=1787088703"},{"product_id":"api-550a-demo-deal","title":"API 550A (Demo Deal)","description":"Few equalizers enjoy the respect and admiration of the coveted \u003cb\u003eAPI 550A\u003c\/b\u003e. Designed by the now legendary Saul Walker in the late 60's, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today. \u003cbr\u003e\u003cbr\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004. \u003cbr\u003e\u003cbr\u003eThe 550A provides reciprocal equalization at 15 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches and a push-button \"in\" switch allows the EQ to be silently inserted into the signal path. A small toggle switch is used to engage the band-pass filter.\u003cbr\u003e\u003cbr\u003eThe combination of Walker's incomparable 2520 op-amp, and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization. \u003cbr\u003e\u003cbr\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music. \u003cbr\u003e\u003cbr\u003e \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360314471,"sku":"13899","price":1069.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_550a_4.jpg?v=1787088703"},{"product_id":"api-550b-demo-deal","title":"API 550B (Demo Deal)","description":"The \u003cb\u003eAPI 550 discrete 4-band EQ\u003c\/b\u003e played a major part in the history of music recording in the USA during the 60's and 70's. Originally conceived for use in API's consoles, this latest 550 \"B\" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 op-amp), the 550B artfully blends the past with the present. So many hit records still depend on the unique 550 sound, that the 550B will be an invaluable tool you will turn to again and again. The API 550B—unlike any other you will ever use. \u003cp\u003eMany EQs today offer a huge assortment of complex features, but the API 550B provides exactly the right number of controls to the professional engineer. Deceptively simple at first glance, the 550B's four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves, selected through experience by a \"who's who\" list of the industry's most proficient engineers. This re-issue design has been taken from the original blueprints and spec control drawings from the API archives.\u003c\/p\u003e \u003cp\u003eMaking use of \"API Proportional-Q\", a design introduced by API in the 60's, the 550B intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings—without the need for additional bandwidth controls. This feature minimizes the \"phase-shift\" sound found in many equalizers. The reciprocal nature of the 550B enables the user to \"undo\" what has been done previously.\u003c\/p\u003e \u003cp\u003eThe benefits of the API 550B are most obvious to those who work with EQ on a continuous basis. The 550B's ability to affect or reverse tonal modifications is perhaps the most important feature. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 op-amp offers predictable and gentle \"analog\" performance under duress. With a surprisingly wide range of tonal variations, you can do no better than the API 550B.\u003c\/p\u003e  \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360347239,"sku":"15735","price":1166.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_550b_cat_1.jpg?v=1787088703"},{"product_id":"api-560-demo-deal","title":"API 560 (Demo Deal)","description":"The \u003cb\u003eAPI 560\u003c\/b\u003e was originally conceived for use in API consoles of the 60's and 70's. The API 560 re-issue is a unique device designed to accomplish tasks that no other EQ can do. It delivers that \"one-of-a-kind\" API sound, precision easy-set filtering and high headroom in a very small package. Extremely fast to set and reset using accurate zero detents, the curve-shaping potential of the 560 is unmatched. At home both in field recording and the studio environment, this \"new-old\" version is a re-issue of the original 560 with improved resolution in the critical area of ±4 dB. Incorporating API's exclusive circuitry and proprietary components (such as the legendary 2520 op-amp), the re-issue of the 560 artfully blends the past with present—layout with function. \u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe API 560 was created to fit all applications for the professional engineer. For most of the 70's and 80's, every remote recording console that API manufactured used this versatile graphic EQ. It is also ideal for studio and live sound applications, where a professional result is required. This re-issue design has been taken from the original blueprints and spec control drawings from the API archives.\u003c\/p\u003e \u003cp\u003eThe large number of available EQ bands makes the 560 an ideal companion to parametric EQ, as well as ideal for signal sweetening and room tuning. Not lacking in features, the 560 makes use of API's unique \"Proportional Q\" design introduced by API in the 60's, intuitively widening the filter bandwidth at lower boost\/cut levels and narrowing it at higher settings. In addition, boost and cut characteristics are identical, so previous actions can be undone.\u003c\/p\u003e \u003cp\u003eThe extraordinary headroom made possible with API's proprietary 2520 op-amp offers predictable and wonderful \"analog\" performance under duress. With a wider range of 500-series mounting options, the 560 will be a valuable asset to your performance-critical applications.\u003c\/p\u003e \u003cp\u003eThe 560 Graphic Equalizer makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/p\u003e  \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360412775,"sku":"14091","price":879.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_560_3.jpg?v=1787088704"},{"product_id":"avedis-ma5-microphone-pre-demo-deal","title":"Avedis Audio Electronics MA5 Microphone Pre (Demo Deal)","description":"After some requests from audio engineers, the \u003cb\u003eAvedis Audio MA5\u003c\/b\u003e was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70's British consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound. \u003cbr\u003e\u003cbr\u003e Much time was spent on the MA5, not only on the engineering side of the design, but also to extensive sound evaluations in observation of specific settings, gain structures, and key components spanning a time frame of a little over a year. \u003cbr\u003e\u003cbr\u003e We have always believed that even with some of the best audio test analyzers we own and use, our ears' sensitivity, coupled with good judgment of sound through experience, is still unparalleled. In the end, it is our ears we are trying to satisfy. \u003cbr\u003e\u003cbr\u003e","brand":"Avedis Audio Electronics","offers":[{"title":"Default Title","offer_id":44449360904295,"sku":"16587","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avedis_ma5_black_knob_2.jpg?v=1787088705"},{"product_id":"bae-312a-module-demo-deal","title":"BAE 312A Module (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cb\u003e 312A \u003c\/b\u003e\"500 Series\" mic preamps, made using the new Avedis 1122™ opamps, are punchy, have great bass and have a clear, extended top end. The sound is in your face and they don't compress transients. The low end is tight with good attack. They are excellent for drums and percussion. These pres are very cost effective. Many people buy racks of 6 or 11 to cover the entire drum kit. \u003cbr\u003e\u003cbr\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361199207,"sku":"13971","price":721.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_312a_1.jpg?v=1787088707"},{"product_id":"burl-audio-b1-mic-pre-demo-deal","title":"Burl Audio B1 Mic Pre (Demo Deal)","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals. \u003cbr\u003e\u003cbr\u003e The B1 comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. \u003cbr\u003e\u003cbr\u003e Use the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361592423,"sku":"13911","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl_b1_front_1.jpg?v=1787088708"},{"product_id":"buzz-audio-essence-demo-deal","title":"Buzz Audio Essence (Demo Deal)","description":"The essence control circuit design is based on the Buzz Audio SOC-1.1 Stereo Optical Compressor but the main audio path utilizes our BE40 and BE50 True Class A amplifiers along with high spec Lundahl input and output transformers. The input transformer is directly coupled to the Buzz proprietary Opto gain reduction element (completely passive input), amplified and then balanced via the output transformer - a very simple but gutsy signal path! \u003cbr\u003e\u003cbr\u003eThe essence control circuitry utilizes the Differential Drive Side Chain (DDSC) topology that was developed for the SOC-1.1. This system, which processes positive and negative audio waveform in separate paths, provides the incredibly musical characteristic you will hear with this unit. The DDSC design also provides for a much faster attack time compared to most other LDR based optical compressors. \u003cbr\u003e\u003cbr\u003eSimple side chain equalizers have been provided to allow the user to adjust the sensitivity of the compressor at high and low frequencies. In addition, a side chain insert point is provided for more complex EQ and compressor \"keying\". \u003cbr\u003e\u003cbr\u003eThe essence consumes 2 slots within a 500 Series rack. The input\/output (I\/O) connectors associated with the first slot carry the main audio path. The I\/O connectors associated with the second slot are used for a side chain insert point (send and return). The insert can be switched in\/out of circuit and monitored via front panel switches. \u003cbr\u003e\u003cbr\u003e\u003cb\u003ePLEASE NOTE - RACK COMPATIBILITY\u003c\/b\u003e Each \u003cb\u003eBuzz Audio Essence\u003c\/b\u003e module uses 2 rack spaces and draws 120mA +\/- 15-18 volts DC, as supplied by rack power supply. Most currently manufactured rack systems will easily power a full compliment of essence units, but some older rack systems may have insufficient power, if in doubt, please check with your rack manufacturer. We recommend the API Lunchbox and VPR500 racks. \u003cbr\u003e\u003cbr\u003e  \u003cb\u003eNOTE: Due to some misinformation during the design of the potion and essence 500 series compressors, the card edge connection for the linking of our 500 Series compressors is incorrect.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The potion and essence have PIN 11 designated as the link connection, when in actual fact the API* standard is PIN 6. This error can be easily remedied with a simple wire link soldered between PIN 6 and PIN 11 of the potion and\/or essence edge connector.","brand":"Buzz Audio","offers":[{"title":"Default Title","offer_id":44449361723495,"sku":"13912","price":919.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/buzz_audio_essence_1_1.jpg?v=1787088709"},{"product_id":"chandler-limited-little-devil-compressor-demo-deal","title":"Chandler Limited Little Devil Compressor (Demo Deal)","description":"Following in the rich tradition of English 60s and 70s console design, Chandler Limited enters the 500 race furiously with its new \u003cb\u003eLittle Devil Equalizers and Compressors\u003c\/b\u003e. \u003cbr\u003e\u003cbr\u003e With all discrete circuits, transformer balanced everything, and the American hand made quality you expect from Chandler the Devils combine Chandler’s best designs with the hottest designs from the past. \u003cbr\u003e\u003cbr\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449361887335,"sku":"13973","price":969.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_little_devil_compressor_1_1.jpg?v=1787088710"},{"product_id":"electrodyne-501-preamp-demo-deal","title":"Electrodyne 501 Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eElectrodyne 501\u003c\/span\u003e is a two-stage, discrete transistor, transformer-coupled preamp with active DI based primarily on the modules found in the classic 1608 console.  Each amp stage is individually optimized for peak performance using detailed Electrodyne factory engineering notes and select high performance components identical to the originals. In fact, the 501’s transformers are made by Electrodyne’s original supplier to exacting factory specifications.\u003cbr\u003e \u003cbr\u003e The new preamp’s active DI circuit presents an almost immeasurable load (over six megohms) to sensitive musical instrument outputs allowing incredibly accurate capture of the instrument’s true tone.  Furthermore, the output of the DI circuit is designed to directly connect and interact with the mic input transformer to permit an extremely broad spectrum of tonal options. \u003cbr\u003e \u003cbr\u003e The faceplate of the Electrodyne 501 features a large rotary gain control offering up to 68dB of gain – adjustable over 50dB in 2dB steps with two ranges via a 20dB pad switch – and a smaller output level pot infinitely adjustable from 0 (off) to +6dB over unity.  Additional switches for impedance selection (50 or 200 ohms), phase reverse, +48V phantom power and DI (with 1\/4\" input jack) are also present, as well as a clip LED that monitors all three amp stages and illuminates when any stage is 3dB from clipping.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain:\u003c\/strong\u003e 68db – adjustable over 50db in 2db steps with two ranges using 20db pad \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eOutput level control:\u003c\/strong\u003e Infinitely adjustable from 0 (off) to +6db over unity \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e Microphone, 50 \/ 200 ohms selectable. DI, over 7 megohms \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 150 ohms \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e 0.02% typical over entire gain range \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMaximum output:\u003c\/strong\u003e +30db at less than 0.8%thd. (+29.5db at 0.06%thd) \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e +\/- 0.25db, 10hz to 60khz \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eSignal to noise: \u003c\/strong\u003e-80db typ, -60db at absolute maximum gain \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eClip indicator: \u003c\/strong\u003eMonitors all three amp stages and illuminates when any stage is 3db from clip \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Electrodyne","offers":[{"title":"Default Title","offer_id":44449362477159,"sku":"14474","price":779.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electrodyne_501_1.jpg?v=1787088712"},{"product_id":"electrodyne-511-equalizer-demo-deal","title":"Electrodyne 511 Equalizer (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eElectrodyne 511\u003c\/span\u003e is a classic two-band, discrete transistor, reciprocal, active inductor-based equalizer using late-’60s\/early-’70s design technology. As with the 501, the 511’s custom inductors and output transformer are made by Electrodyne’s original provider to strict factory tolerances as small as two percent. This affords a consistent EQ performance and repeatability from channel to channel that was simply not possible in the 1960s. Smooth performance and EQ response from minimum to maximum gain at all frequencies provides unusually broad sonic and tonal options not experienced since the 1970s. \u003cbr\u003e \u003cbr\u003e The module’s faceplate sports twin large rotary EQ controls each offering ±12dB of boost and cut with four selectable frequencies per band (LF: 40, 100, 250 and 500Hz \/ HF: 1.5, 3, 5 and 10kHz). Shelving is available on all frequencies, with peaking offered at 250 and 500Hz in the LF band and 1.5, 3 and 5kHz in the HF band. An EQ in\/out switch with accompanying LED rounds out the front panel feature set.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInput: Active balanced discrete transistor impedance converter. \u003c\/li\u003e\r\n\u003cli\u003eOutput impedance: 150 ohms \u003c\/li\u003e\r\n\u003cli\u003e+\/-12 db gain range: Equalize or Attenuate \u003c\/li\u003e\r\n\u003cli\u003e4 frequencies selectable per band. LF: 40, 100, 250, 500hz. HF: 1.5k, 3k, 5k, 10k. \u003c\/li\u003e\r\n\u003cli\u003ePeak\/Shelf function on each band. Shelving at all frequencies, Peaking at 250, 500, 1.5k, 3k and 5k. \u003c\/li\u003e\r\n\u003cli\u003eDistortion: 0.03%typical. \u003c\/li\u003e\r\n\u003cli\u003eMaximum output: +30db at less than 0.8%thd. (+29.5db at 0.06%thd) \u003c\/li\u003e\r\n\u003cli\u003eFrequency response: +\/- 0.25db, 10hz to 70khz typical. \u003c\/li\u003e\r\n\u003cli\u003eSignal to noise: -85db typ.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Electrodyne","offers":[{"title":"Default Title","offer_id":44449362509927,"sku":"15047","price":929.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electrodyne_511_1.jpg?v=1787088712"},{"product_id":"great-river-mp-500nv-demo-deal","title":"Great River MP-500NV (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eGreat River MP-500NV\u003c\/span\u003e preamp module for the '500' series rack is now available! The MP-500NV is a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles. Modern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options. All microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications. All specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out. 125ma current draw.","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":44449363099751,"sku":"13932","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/great_river_mp500nv_1.jpg?v=1787088715"},{"product_id":"purple-audio-action-fet-compressor-demo-deal","title":"Purple Audio Action FET Compressor (Demo Deal)","description":"The \u003cb\u003e Purple Audio Action\u003c\/b\u003e features a constant impedance 600 ohm input attenuator feeding the input transformer, just like our MC77 units. This makes the input more resistant to overload by hot signals. After the input transformer, the signal is attenuated by the same gain reduction FET as in the MC77. The attenuated signal is buffered by our class A KDJ3 opamp, which feeds the output fader. Lastly, our class AB KDJ4 output opamp drives our custom hexafilar nickel and steel output transformer. The total gain (with no attenuation) is 45dB, just like the MC77. \u003cbr\u003e\u003cbr\u003e The attack and release times cover a broader range than the MC77, which can cause distortion... which may or may not be what you are looking for. Use at extremes with caution. The ratios are the same as the MC77, and the threshhold moves up as the ratio goes up, just like the MC77. \u003cbr\u003e\u003cbr\u003e In the center of the unit is an SMT sidechain and stereo link amplifier, below that is our SMT compression LED ladder meter driver. Behind that is the SMT input and output tricolor LED meter driver. \u003cbr\u003e\u003cbr\u003e Stereo linking is accomplished by cross connecting pins 3 \u0026amp; 6 on the edge connector. On the Purple Sweet Ten, there is a second output XLR that can be used to link two Actions. The link is accomplished using a XLR-F to XLR-F cable with pin 2 on one XLR-F connecting to pin 3 on the other XLR-F and vice versa. Plug in the cable, flip the front panel switch and you are linked. Non-Purple racks do not have an easy way to connect pins 3 and 6, and will need modification to link two Action units. \u003cbr\u003e\u003cbr\u003e The  \u003cb\u003eSpecifications:\u003c\/b\u003e \u003cli\u003e Total Gain: 45dBu \u003c\/li\u003e\u003cli\u003e Ratios: 4:1, 8:1, 12:1, 20:1, ∞:1 (\"All buttons in\") \u003c\/li\u003e\u003cli\u003e Attack time: Continuously Variable from over 800 microseconds to 20 microseconds \u003c\/li\u003e\u003cli\u003e Release time: Continuously Variable from over 1.1 seconds to 50 milliseconds \u003c\/li\u003e\u003cli\u003e Input impedance: 600 ohms \u003c\/li\u003e\u003cli\u003e Output impedance: 600 ohms \u003c\/li\u003e\u003cli\u003e Current consumption: 90ma \u003c\/li\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449366245479,"sku":"13949","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple_audio_action_fet_1_1.jpg?v=1787088728"},{"product_id":"purple-audio-biz-mk-demo-deal","title":"Purple Audio Biz Mk (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePurple Audio Biz\u003c\/strong\u003e is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500” racks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A\/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum output level +27dBu\u003c\/li\u003e\r\n\u003cli\u003eFrequency response 10hz – 70kHz +\/- 1db (3db down at 100kHz)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransformer input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMic mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 60dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 75dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLine mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 35dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 50dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDirect input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 30dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 40dB in dual mode\u003c\/li\u003e\r\n\u003cli\u003eBeginning Serial Number 1600 February 2008:\u003c\/li\u003e\r\n\u003cli\u003eOver Current Resettable Fused (prevents any module problem from affecting your rack)\u003c\/li\u003e\r\n\u003cli\u003eROHS – Lead Free\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449366311015,"sku":"14557","price":579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple-audio-biz-mk_5631_1.jpg?v=1787088728"},{"product_id":"purple-audio-odd-4-band-inductor-eq4-demo-deal","title":"Purple Audio Odd 4 Band Inductor EQ4 (Demo Deal)","description":"The \u003cb\u003ePurple Audio Odd Equalizer\u003c\/b\u003e is a modern update of the classic \"swinging inputs\" console EQ, with four easy to use bands. Each band uses a high quality inductor and carefully selected caps to give two switchable frequencies. The bands are carefully shaped and spaced to be musical, even at full 12dB boost or cut. The highest band can also be switched from bell to shelf, to boost frequencies extending well beyond 20kHz. \u003cbr\u003e\u003cbr\u003e There are illuminated pushbuttons for additional fixed low (red) and high (yellow) cut filters. A relay true bypass (green) allows for easy comparison with unprocessed source material. With the low and high cut switched out, and all four bands set to 0, the frequency response is +\/- 0.25dB from 15Hz to 25kHz, and -3dB at 60kHz. Has the same input and output transformer as the Biz \u003cbr\u003e\u003cbr\u003e With specialized input and output transformers, the Odd has plenty of headroom, even at full boost. The entire circuit is discrete, with no electrolytic capacitors in the signal path, and no servo amps. With only two active stages, the current draw is low enough to work in any rack, and leave plenty of juice for other modules. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecifications:\u003c\/b\u003e\u003cul\u003e \u003cli\u003eHigh Frequecy Peak\/Bell 12kHz\/8kHz \u003c\/li\u003e\n\u003cli\u003eHigh Mid Frequency 4Khz\/1k8kHz \u003c\/li\u003e\n\u003cli\u003eLow Mid Frequency 650Hz\/300Hz \u003c\/li\u003e\n\u003cli\u003eLow Frequency 150Hz\/75Hz \u003c\/li\u003e\n\u003cli\u003eLow Cut 50 Hz \u003c\/li\u003e\n\u003cli\u003eHigh Cut 12kHz\u003c\/li\u003e\n\u003c\/ul\u003e Designed by Ed Anderson for Purple Audio","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449366343783,"sku":"13950","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple-odd-4-23_13950_1_1.jpg?v=1787088728"},{"product_id":"roll-music-systems-rms5a7-tubule-demo-deal","title":"Roll Music Systems RMS5A7 Tubule (Demo Deal)","description":"Roll Music Systems Inc introduces new \u003cb\u003eRoll Music Systems RMS5A7\u003c\/b\u003e tube microphone preamplifier or \"Tubule\" in 500-series modular format. Roll Music Systems, manufacturer of the popular RMS216 Folcrom passive summing device and the acclaimed RMS755 Super Stereo compressor, are set to release their next innovative new product. \u003cbr\u003e\u003cbr\u003eWith the explosion of new modular products for the 500-series frames sold by various manufacturers, user requests for a tube-based module have been met almost universally with claims by designers and engineers that it couldn't be done. Roll Music Systems has proven it can be done, and be done well. \u003cbr\u003e\u003cbr\u003eThe Tubule is a real transformer-coupled tube mike preamp, getting all its amplification from a standard dual triode tube. It uses sophisticated modern power management circuitry to generate the high-voltage plate supply and the high-current heater supply to power the tube. Careful design of this high-efficiency power management circuitry has allowed for a preamp that fits within the space and power consumption limitations of a single module. \u003cbr\u003e\u003cbr\u003eThe Tubule features switches for -20dB input pad, polarity inversion, and phantom power, a 12-position gain control switch that ranges from 33 to 66dB in 3dB steps, and a continuously-variable input attenuator that ranges from 0 to -10dB for very accurate gain settings that can be easily recalled.","brand":"Roll Music Systems","offers":[{"title":"Default Title","offer_id":44449366605927,"sku":"13999","price":720.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roll_music_systems_rms5a7_tubule_1.jpg?v=1787088729"},{"product_id":"shadow-hills-industries-dual-vandergraph-demo-deal","title":"Shadow Hills Dual Vandergraph 500 Series Stereo Compressor (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Dual Vandergraph\u003c\/strong\u003e follows the lineage of the \u003ca href=\"https:\/\/vintageking.com\/shadow-hills-industries-mastering-compressor\"\u003eShadow Hills Mastering Compressor\u003c\/a\u003e maintaining its reputation of undeniable quality and exceptional performance, in a convenient 2-slot API 500 Series format module. Its inner components consist of the discrete gain cells from the Mastering Compressor combined with the Optograph’s extremely flexible Sidechain Filter matrix. It features a fully discrete Class A audio path and Shadow Hills' custom Iron Transformers. This combination provides exceptional dynamic control making the Dual Vandergraph a premium stereo compressor for your 500 Series rack!\u003c\/p\u003e\r\n\u003cp\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1. In addition to changing ratios, each selection changes preset attack and recover times. The Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003c\/p\u003e\r\n\u003cp\u003eThough the Dual Vandergraph operates in stereo, it is controlled by a single set of variable attenuators. It will function as normal with just one channel connected.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRatio\u003c\/li\u003e\r\n\u003cli\u003eFilter\u003c\/li\u003e\r\n\u003cli\u003eCompressor\u003c\/li\u003e\r\n\u003cli\u003eOutput\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449367031911,"sku":"15880","price":2339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow-hill-dual-vandergraph-23_13055_1_1.jpg?v=1787088731"},{"product_id":"vintech-573-demo-deal","title":"Vintech 573 (Demo Deal)","description":"Vintech 573 (Demo Deal)","brand":"Vintech Audio","offers":[{"title":"Default Title","offer_id":44449369456743,"sku":"17642","price":625.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vintech_573_1_1.jpg?v=1787088741"},{"product_id":"purple-audio-sweet-ten-rack-demo-deal","title":"Purple Audio Sweet Ten Rack (Demo Deal)","description":"Many manufacturers, including past Purple Audio prototypes, use linear\npower supplies for their racks. Traditional wisdom holds that linear\npower supplies are ideal for audio and generate less noise and\ninterference. In many cases, especially with poorly designed \"off the\nshelf\" switching power supplies, this is true. However, in the case of a\n10 slot series 500 rack, even a well designed linear power supply\ngenerates a substantial magnetic hum field and far too much heat to\nallow for internal mounting. This problem is caused in part by the wide\nvariation of line voltage across the world. External power supplies are\ncumbersome and inconvenient and consideration still has to be taken as\nto their placement in relation to other equipment. With the advancement\nof switching power supplies it is now possible to have a switcher that\ndoes not compromise audio performance and delivers or exceeds all\nspecified current needs. Purple Audio has spent years perfecting just\nsuch a power supply. They have comparatively tested all of theirs, and\nmany of their competitors, modules at full bandwidth (10Hz - 500kHz) on\nlab quality over built bench supplies to make sure that the Sweet Ten is\nnot compromising audio performance in any way. Simply put, your 500\nseries modules will perform at their highest level in a \u003cspan style=\"font-weight: bold;\"\u003ePurple Sweet Ten\u003c\/span\u003e rack. Audio performance improvements are considerable.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e10 Slot 500 Module Rack\u003c\/li\u003e\n\u003cli\u003eInternal 150K switching supply\u003c\/li\u003e\n\u003cli\u003e+\/- 16VDC 1.5A\u003c\/li\u003e\n\u003cli\u003e+48VDC 150ma\u003c\/li\u003e\n\u003cli\u003eSecond Balanced Output Utilizing Edge Connector 3 \u0026amp; 6\u003c\/li\u003e\n\u003cli\u003eSecond Balanced Input Utilizing Edge Connector 7 \u0026amp; 9\u003c\/li\u003e\n\u003cli\u003eFront Handles\u003c\/li\u003e\n\u003cli\u003eLocking Female XLR connectors\u003c\/li\u003e\n\u003cli\u003eNinth slot capable of accepting the Purple Audio Moiyn (8x2) Mixer Module (specs to come)\u003c\/li\u003e\n\u003cli\u003eNo PSU noise in adjacent slots\u003c\/li\u003e\n\u003cli\u003eRear Ground connector\u003c\/li\u003e\n\u003cli\u003eCapable of putting out the 500 module current spec 1.3A from 90VAC to 240VAC 50\/60hz\u003c\/li\u003e\n\u003cli\u003eCE, ROHS, \u0026amp; WEEE Marked\u003c\/li\u003e\n\u003c\/ul\u003e\nThe Sweet Ten top, side, and back panels are finished in trivalent\nyellow chromate cold rolled steel instead of painted steel for improved\ngrounding and shielding. Purple Audio's ground plane motherboards\nprovide additional grounding. Additionally, the rack motherboard has\n.1uf high frequency bypass capacitors at each slot to improve filtering,\nespecially for modules with DC\/DC converters. Functionally, the Sweet\nTen offers 2 inputs and 2 outputs per slot. Many of the Purple modules\nalready take advantage of second output and the Moiyn mixer module will\nuse the second input to allow for stereo balanced source injection.\nFuture uses of these connectors include fader loops on future modules as\nwell as a few surprises!","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":44449387839591,"sku":"18390","price":809.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/purple_sweet_ten_1_1.jpg?v=1787088813"},{"product_id":"millennia-hv-35-demo-deal","title":"Millennia HV-35 (Demo Deal)","description":"\u003cp\u003eThis might be music's purest preamp. It's no wonder the iconic \"HV-3\" first dazzled engineers who worked with classical and acoustic music, where each and every single detail matters. But, more and more engineers from all genres have discovered the magic of the HV-3's musically transparent circuitry. The fact is, you can never \"undo\" the color your microphone preamplifier adds. In contrast to preamps that lay on lots of color, the Millennia HV-3 is meticulously crafted to give you the full, authentic voice of your microphone. That way, you're not committed from the start, and you can easily sculpt your sound later with the exact character you want. Hear the detail today with the Millennia HV-3.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe HV-35: \"HV-3\" for 500 Series\u003c\/li\u003e\n\u003cli\u003ePure, musical, incredibly smooth preamplifier\u003c\/li\u003e\n\u003cli\u003ePreserves your sound for later processing\u003c\/li\u003e\n\u003cli\u003eKnown to save you time with EQ\u003c\/li\u003e\n\u003cli\u003eMillennia gear is made for detail\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe HV-35: \"HV-3\" for 500 Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt's here, the iconic HV-3 topology in a format perfect for your 500 Series rack. While Millennia was reworking the HV-3 to fit the form factor, they went ahead and incorporated all the push buttons that HV-3 fans had been asking for over the years. The easy-access buttons include a 15dB pad, a polarity flip, 48V phantom power, a 10dB switch for ribbon mics, a highpass filter, and switch for the front-panel hi-Z instrument input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePure, musical, incredibly smooth preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe HV-3 is there, but it's not there. And that's exactly how you want it. Built to offer the most transparent path from your microphone to the rest of your signal chain, the HV-3 features a transformerless input, balanced audio path, and minimal amplifier design. Aficionados of classical and acoustic-based music may have first discovered the promise of the HV-3's honest approach to preamplification, but the preamp is rapidly making its way into studios of all genres. Once you've heard it, you'll realize that no color is a color, too. What you give the HV-3, you get.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreserves your sound for later processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMuch of our gear is soaked with character and personality. It's easy to overdo it. The Millennia HV-3 is ideal for the engineer who wants to try on color, without committing to one sound from the start. When you've recorded with the HV-3, you know you're starting from square one, so you can precisely dial in the tone, flavor, and character you want from your outboard gear or plug-in processors. To put it another way, if you were deciding what sculpture to make, you'd most likely want to start with an unchiseled piece of stone. The HV-3 translates the sound of the performance and the voice of your microphone, without getting in the way.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKnown to save you time with EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you're used to processing colored audio from the start, working with an HV-3 preamplifier will be a change. But, it's an easy workflow to get into. In particular, engineers who have used the HV-3 often note that tracks are somehow easier to EQ. With the right mic, in the right place, the HV-3 delivers a smooth, natural response that seems to require less tinkering. Without the heavy hand of a preamp, tracks seem to fall together into place.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMillennia gear is made for detail\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFounder and chief designer John LaGrou takes the same approach to his exceptional audio gear as he does to the wine he cultivates in the California countryside. Detail matters, it's everything. Whether in a vintage of wine or your multi-track mix, taken together, those details can make a major difference in the end result. Millennia equipment celebrates those fine, subtle points, bringing you gear that's built with uncompromising quality to deliver purity in music.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Millennia Media","offers":[{"title":"Default Title","offer_id":44449389609063,"sku":"18893","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/millennia_hv-35_1.jpg?v=1787088819"},{"product_id":"maag-audio-eq4-demo-deal","title":"Maag Audio EQ4 (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMäag EQ4™\u003c\/span\u003e is a one channel 6  band equalizer with AIR BAND™ (shelf boost from 2.5 to 40kHz),  compatible with the API 500-6B lunchbox® and 500VPR rack systems.\u003cbr\u003e \u003cbr\u003e Following its EQ3 and EQ3-D predecessors, the EQ4 provides unparalleled  transparency and top end presence while maintaining the true natural  sound behind the mix. EQ adjustments are obtained with minimal phase  shift and detent controls allow for easy recallable settings.\u003cbr\u003e \u003cbr\u003e Presented in the flagship 500 Series format, the EQ4 offers the  legendary AIR BAND™ and five other sonically superior band passes.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response: -2 dB points, 10Hz \u0026amp; 75kHz\u003c\/li\u003e\r\n\u003cli\u003eNominal Input Impedance (XLR): 48 K Ohms, balanced\u003c\/li\u003e\r\n\u003cli\u003eNominal Output Impedance (XLR): 50 Ohms, balanced\u003c\/li\u003e\r\n\u003cli\u003eHeadroom: +27 dBu\u003c\/li\u003e\r\n\u003cli\u003eTHD + Noise: \u0026lt; 0.005%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e*Specifications subject to change without notice.\u003c\/p\u003e","brand":"Maag Audio","offers":[{"title":"Default Title","offer_id":44449427259495,"sku":"19577","price":1009.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/maag_eq4_1_1.jpg?v=1787088951"},{"product_id":"radial-engineering-powerstrip-demo-deal","title":"Radial Engineering PowerStrip (Demo Deal)","description":"The \u003cb\u003eRadial Engineering PowerStrip \u003c\/b\u003eis a three module rack-mount powered rack designed to bring the fun and excitement of 500 Series modular audio to everyone! \u003cbr\u003eUnlike other single-space power racks that are limited to two modules, the innovative triple-module design allows you to put together a traditional channel strip, combining a mic preamp with an equalizer and dynamic control using a compressor-limiter all within the confines of a single RU 19\" rack. With so many choices of modules available today, this opens the door to creating unique signal paths to allow your music to stand out. \u003cbr\u003e\u003cbr\u003eFollowing the criteria established by the Radial Workhorse, the PowerStrip is 100% backwards compatible with older API modules while being optimized for Radial's expanding range of preamps, processors and routing devices. Construction begins with 14 gauge steel and features dual gold contact EDAC 15-pin connectors for optimal signal transfer. To maximize headroom, the external supply delivers 800mA of current for voltage hungry modules plus a separate 48V phantom tap delivers 10mA of current for microphone preamps. Rear panel connectivity includes standard XLRs for each slot along with ¼\" TRS connectors for multing modules, cross patching and parallel processing. Instead of the traditional 'hardwire patch' system employed by others, The PowerStrip employs an innovative feed function that patches modules together in series without the need of cables. And stereo modules no longer need to be soldered to be paired, they can now be sync'd together using a simple switch. The PowerStrip is also equipped with Omniport on each slot. This TRS jack enables the module manufacturer to implement a unique function for a given module such as a key input on a gate.\u003cbr\u003e\u003cbr\u003eThe PowerStrip makes it easy to assemble a variety of modules to create the ultimate channel strip and the compact single RU design opens the door for use in both studio and concert touring.\u003cbr\u003e\u003cbr\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44449472774247,"sku":"29371","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/radial_powerstrip_1_651f4d40-cca3-4a1a-b926-ea994087c4b4.jpg?v=1787089086"},{"product_id":"a-designs-audio-p-1-demo-deal","title":"A-Designs Audio P-1 (Demo Deal)","description":"\u003cp\u003eA-Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the “Quad Eight Sound.”  Each has its own unique character.  Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings. \u003cbr\u003e\u003cbr\u003e The P-1 is based on our highly successful Pacifica. \u003cbr\u003e\u003cbr\u003e  \n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eCheck out these Quicktime Movies to SEE and HEAR A-Designs in action!\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eRight click to save\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449473167463,"sku":"29520","price":810.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_p1_2_c464c225-0b39-4ae0-91c6-b83ce02402b4.jpg?v=1787089088"},{"product_id":"neve-1073lb-demo-deal","title":"Neve 1073LB (Demo Deal)","description":"\u003cp\u003eDropped on the studio world in 1970, Neve’s \u003cstrong\u003e1073\u003c\/strong\u003e Audio Preamplifier immediately made its bones on the recording studio scene. Renown for its ability to capture, compliment and create a uniquely great sound no matter the source, the 1073 has been the go-to recording preamp of leading artists and producers from hit recordings too numerous to mention. If you think of any famous recording of the past 40 years, chances are more than good that the artists' voices, instruments or illegal activities first saw tape through a Neve 1073. \u003cbr\u003e\u003cbr\u003e And now it is available for your Lunchbox™ \u003cbr\u003e\u003cbr\u003e Today’s \u003cstrong\u003e1073LB\u003c\/strong\u003e is still manufactured in Great Britain to the exacting specs of Neve’s classic 1073 preamp. Featuring painstakingly recreated original spec hand-wound input and output transformers, matched components, as well as specially recreated tantalum coupling caps, the 1073LB bathes your ears in vintage Neve glory. With a build quality the British Admiralty would approve, the 1073LB’s massive input level switch contacts are gold-plated to withstand decades of marathon tracking sessions. \u003cbr\u003e\u003cbr\u003e As magical as owning a rare piece of vintage kit can appear, the lack of modern conveniences can ultimately detract from the recording experience. That’s why the boffins at Neve gave the 1073LB switchable microphone input impedance, signal presence LED and intelligent protected switching on the front combi-XLR input connector so you don’t accidentally fry a line-level device with 48v. The new Fine Trim control lets you squeeze the maximum level of sparkling clean signals or crank the gain for some Revolution distortion. The 1073LB Preamp’s smart Audio Processing Input design and Lunchbox Insert architecture allows you to create a classic Neve 1073 channel strip when used with a Neve 1073LB Series EQ. \u003cbr\u003e\u003cbr\u003e And all this sonic potential installs in an empty slot of your compatible Lunchbox™ rack, ready to inject your microphone or line level signals into that legendary universe of Neve sound.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eHighlights: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClassic transformer microphone preamp amp (Class A design)\u003c\/li\u003e\r\n\u003cli\u003eAudio path is absolutely 100% discrete and the same design as the 1073 Classic module mic\/pre circuit\u003c\/li\u003e\r\n\u003cli\u003eNeve designed hand-wound transformers\u003c\/li\u003e\r\n\u003cli\u003eBoth Mic and Line inputs are transformer balanced and earth free\u003c\/li\u003e\r\n\u003cli\u003eGain knob with Signal Presence LED\u003c\/li\u003e\r\n\u003cli\u003e+5\/-10dB level Trim control with integrated phantom power on\/off switch\u003c\/li\u003e\r\n\u003cli\u003ePhase, Impedance and Front Input selector switches\u003c\/li\u003e\r\n\u003cli\u003eFront combi-XLR connector with intelligent switching of phantom power\u003c\/li\u003e\r\n\u003cli\u003eAudio Processing Insert design allows processing from adjacent Neve modules in same Lunchbox to be inserted into the 1073LB's pre-output stage\u003c\/li\u003e\r\n\u003cli\u003eMicrophone Input: Gain -80db to -20dB in 5dB steps\u003c\/li\u003e\r\n\u003cli\u003eLine Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps\u003c\/li\u003e\r\n\u003cli\u003eOutput is transformer balanced and earth free\u003c\/li\u003e\r\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth)\u003c\/li\u003e\r\n\u003cli\u003eFreq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz\u003c\/li\u003e\r\n\u003cli\u003eCrafted in England by Neve engineers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cem\u003eLunchbox™ is a trademark of Automated Processes, Inc. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Note: The Neve 1073LB will not work with the A-Designs 500HR 2-slot rack or the Empirical Labs EL500 2-slot rack.\u003c\/em\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449473953895,"sku":"17305","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-1073lb_17305_1_d95e0384-3731-4590-9d0e-7098476e6faa.jpg?v=1787089091"},{"product_id":"shadow-hills-mono-gama-mic-pre-demo-deal","title":"Shadow Hills Industries Mono GAMA Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003e\"As victims of its bold styling and glowing reviews, we purchased a Mono GAMA for Kore Studios a year ago. It is one of those pieces that has an instant \"wow\" factor. Visiting engineers always seem to greet it with the sentence 'Oh yeah, these are supposed to be awesome!!' This unit has yet to disappoint. Its ability to dial up three such distinctive sounds with the satisfying click of its chunky dial makes this pre very popular. Our personal favorite is the 'steel' setting with an SM57 on electric guitar cabs but the GAMA will earn its respect on just about anything.\"\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e- George Apsion, \u003cem\u003eKore Studios\u003c\/em\u003e, London\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. If features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency.\u003c\/p\u003e\r\n\u003cp\u003eThe preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Discrete, Nickel, or Steel settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great mic pres in one.\u003c\/p\u003e\r\n\u003cp\u003eAll standard mic pre features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input.\u003c\/p\u003e\r\n\u003cp\u003eThe build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":44449474019431,"sku":"14002","price":1109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shadow_hills_mono_gama_cat_1.jpg?v=1787089092"},{"product_id":"neve-1073lbeq-demo-deal","title":"Neve 1073LBEQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNeve 1073LBEQ\u003c\/strong\u003e provides a Neve 1073 EQ circuit in a single 500-series module.The 1073 is widely considered the world’s premier mic preamp \u0026amp; EQ module, delivering the unique Neve sound featured on some of the most famous recordings of the past 40 years.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe big, punchy sound of the classic Neve 1073 module complements any musical genre, from rock to rap, jazz to classical. Its lush sound with classic Neve signature makes it the consummate mic-pre\/EQ module for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073LBEQ module, the highly sought-after classic EQ sound is now available in a 500-series form-factor.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHighlights\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLegendary 3-band EQ design\u003c\/li\u003e\r\n\u003cli\u003eWhen integrated with 1073LB preamp, the combination is 100% discrete and = genuine 1073 mic pre\/EQ\u003c\/li\u003e\r\n\u003cli\u003eRotary controls provide accurate adjustment of the 1073 3-band EQ and High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eSignal presence LED illuminates green from a level of -25dB and red from a level of +24dB\u003c\/li\u003e\r\n\u003cli\u003eSwitch for EQ IN\/OUT function, with LED indication\u003c\/li\u003e\r\n\u003cli\u003eElectronically balanced classic Neve circuits used in Line Input and Line Output stages for standalone module use. These stages are bypassed and the 1073LBEQ module is 100% discrete when combined with the1073LB mic preamp\u003c\/li\u003e\r\n\u003cli\u003eAudio Processing Insert design allows the audio to\/from the1073LBEQ module to be inserted into the audio path of an existing 1073LB (modules must be fitted in the same rack)\u003c\/li\u003e\r\n\u003cli\u003eHigh frequency concentric knobs perform two functions: HF shelf control and High Pass Filter control\u003c\/li\u003e\r\n\u003cli\u003eFully screened module packaged in Mu-metal case eliminates stray electromagnetic fields from Lunchbox PSU or other module types\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eThe 1073LBEQ provides the legendary sound of Neve in a remarkably simple format. A Line level input feeds an electronically balanced EQ circuit with 3-bands of adjustable EQ and a High Pass filter, which can easily be switched in\/out. The output is also an electronically balanced Line level output. A signal presence LED and Neve’s clever Audio Processing Insert design is also integrated into the module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 1073LBEQ can be modified to work as an inserted process with an existing 1073LB mic pre module. A modification is required inside both units and a cable, which is supplied with the 1073LBEQ module, is needed to connect the LB mic pre to the LB EQ. The result of this is a genuine 1073 mic\/pre input -\u0026gt; EQ -\u0026gt; output audio path when in this mode. 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Well, several things. The Class A gain stage sounds like no other design Chandler’s done. It’s big, yet open and full of life. Just about any parameter of the sound is changeable including the ability to change both the Feedback and Bias of the amplifier. The Feedback control increases harmonics thousands of times over the range of the control. The nature of clipping and distortion also changes and ranges from soft Class A clipping to super soft gushy tube type. The sounds range from a very colored and “over biased” tone to a gently colored and “in your face” tone. Other features of the Devil Pre include High and Low input impedance; transformer balanced line in for using the Devil as a color box on mixes or tracks; low cut; bright switch and more! This unit has no power-up issues with lunchboxes and rack systems.","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449474314343,"sku":"21122","price":805.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_little_devil_preamp_1_1.jpg?v=1787089093"},{"product_id":"neve-2264alb-demo-deal","title":"Neve 2264ALB (Demo Deal)","description":"Originally designed in 1974, the Neve 2264A mono Limiter\/Compressor unit  quickly became a legend. Delivering similar facilities and performance  as the earlier 2254 Limiter\/Compressor type, it did so despite being  packaged in a more compact form-factor. Discrete, Class A\/B design and  transformer-coupled circuits used in the input, innovative bridge-driver  design, side-chain and output stages ensured a totally unique sound.  The original 2264A units are still sought after, decades after  production stopped, and they remain one of the milestone pieces of  studio equipment. \u003cbr\u003e \u003cbr\u003e And now the 2264A is available for your 500 Series rack. \u003cbr\u003e \u003cbr\u003e Crafted in England by Neve engineers, the \u003cb\u003eNeve 2264ALB\u003c\/b\u003e retains  the unique sonic characteristics of the original 2264A by using the same  architecture, matching components and original hand-wound transformers  as its classic counterpart and adds new features: a Signal Presence  indicator LED and a Slow Attack option. And it delivers it in a modern  and portable form-factor which professional producers and engineers  demand. \u003cbr\u003e \u003cbr\u003e Simply install into an empty slot in your compatible 500 Series rack,  connect your line level signals and inject the legendary Neve dynamic  sound into your audio creations. 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Rather than try to stuff the Sta-Level into a 500 Series format, which could not be done while retaining the exact Sta-Level sound, Retro really went out of their way to build the Doublewide like any other piece of Retro gear. What you get is a USA-made tube compressor that's optimized for the format...one that's vibey, full of mojo, and perfect for your grab-and-go 500 Series rack.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClassic, vibey tube goodness in a compact format\u003c\/li\u003e\r\n\u003cli\u003eA full-fledged member of the Retro lineup\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eClassic, vibey tube goodness in a compact format\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDon't let the Doublewide's \"500 Series\" designation fool you. This mighty compressor proves that big things can come in very small packages. Retro would not have gone to surface-mount technology with the Doublewide. Instead, they chose to make the most out of the format and pack as much \"Retro\"-ness as possible. Sure, there are going to be design constraints with the format, but you'd be hard-pressed to hear them. The Doublewide has been consistently winning engineers over with its true tube personality. Inspired by the old B3 Hammond, you get that more vibey, more \"rubbery\" compression with the Doublewide that's a hallmark of classic gear. There's more spring to it, a little more liveliness and spunkiness than, say, the Sta-Level. Use it on vocals or bass and it'll make things pop really nicely. It's really adjustable, too. Send your drum overhead mic through it and you can bring out the rim sound. All in all, it's hard to name a compressor that gives you this much classic-vibed oomph in this price range or even double it, which is one reason we've seen more and more studios picking up pairs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eA full-fledged member of the Retro lineup\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you've been thinking about getting into Retro, there's no better gateway than the Doublewide. This USA-made 500 Series compressor is designed and painstakingly built like every other piece of Retro gear. You get a level of quality you won't find in most other 500 Series pieces. There's the REAL Retro meter, for starters. And, though it's hard to describe, there's just that Retro \"feel\" when using it – a 1950s sort of vibe. 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As a de-esser in the DS mode (HF Limit OFF), one can set the threshold to tame harsh S’s (sibilants) that result from an overly bright singer or from EQ’ing to make a vocal sound aggressive and clear. In this mode, the dyamic action is “level insensitive”, as the detector circuitry compares the High Frequency content to the low frequency content.  Overall signal level doesn’t matter at all. When there is enough HF compared to LF, the threshold is exceeded and the DerrEsser starts to turn down the frequencies above the crossover point set by the Frequency control on the front panel. Again, great care was taken to ensure this DS section meets the Empirical Labs reputation for originality and ease of use.  We use the latest technology VCA, specially selected for glitch free, distortion free, and noise free performance.  The time constants were carefully selected and the corner frequency is user adjustable with a high performance active crossover. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHF Limit\u003c\/strong\u003e – (Bypass Button IN, HF LIM IN, all other buttons OUT).  In this mode, the DerrEsser looks at the general level of the high frequencies only.  Think of it as a high frequency compressor. If there is enough high frequency content to exceed the threshold, then gain reduction occurs.  It is level sensitive, but responds much more to high frequencies. This mode can also act as a de-esser but is more of a general high frequency smoothing device.  The HF limiter is probably the first carefully tailored soft knee HF limiter in existence. 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With the LISTEN button IN, and the HP\/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic\/compression circuits.  This is a 12 dB per octave filter whose corner frequency can again, be adjusted by the Frequency knob. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing for the first time\u003c\/strong\u003e\u003cbr\u003eThe DerrEsser is not only a high frequency problem solver, but can be used as a super-quality HP or LP filter, AND as a coloring device to give a more analog sound to digital sources.  Use the DerrEsser when you have a vocalist with prominent unnatural “S’s.  The standard DS Mode is usually used, with the Frequency set to 2 – 6K.  Adjust the threshold till the S’es are tamed and not much else is affected.  The HF Limit will more generally smooth the high frequencies, gently subduing high frequencies that exceed the user adjusted threshold. 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With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNo matter if you want to set and forget or plunge deep into the secrets of compression, the xpressor 500 is for you. 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Frequency response: 20Hz to 20kHz +- 0.5dB\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +26dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eNoise: -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, buffer DSblip stage.\u003c\/li\u003e\n\u003cli\u003eInput level range: -10dBu to +10dBu\u003c\/li\u003e\n\u003cli\u003eSelf-contained on-board “boost” PSU.\u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dB, +4dbu \u0026amp; +10dbu Yellow = +13dB, Red = +16dbu.\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: Roll-off starts at 80Hz @ 12dB per Octave.\u003c\/li\u003e\n\u003cli\u003eGyratory-based EQ Frequency Centres: (4 Bands) High – 15K, 10K, Hi  Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz,  40Hz\u003c\/li\u003e\n\u003cli\u003eEQ Cut\/Boost Levels: 16dB Cut\/Boost Per Band, all EQ bands are  stepped\/detented to 21 positions for easy recall \u0026amp; stereo operations  for mastering or the mix bus.\u003c\/li\u003e\n\u003cli\u003eDRS-EQ\/500 has an overall output level with 15db of additional  gain even when the EQ is in bypass, allows the output fader  to be used  to drive the output stage \u0026amp; transformer to color \u0026amp; saturate your  sound, again even when the EQ is in bypass.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449503543399,"sku":"31011","price":509.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_drs_500_eq_1_72593599-f2a9-464e-8fdb-8b4bc63a0064.jpg?v=1787089233"},{"product_id":"elysia-nvelope-500-demo-deal","title":"Elysia Nvelope 500 (Demo Deal)","description":"The \u003cb\u003eelysia nvelope 500\u003c\/b\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003e\u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003e\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003e\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003e\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003e\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003e\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003e\u003cbr\u003eWe’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003e\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003e\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... As you can imagine, there are lots of possible combinations!\u003cbr\u003e\u003cbr\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449507836007,"sku":"31179","price":959.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_nvelope_500_1_31263bff-25a9-46de-b519-8985bd5cdf87.jpg?v=1787089251"},{"product_id":"kush-audio-electra-500-demo-deal","title":"Kush Audio Electra 500 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKush Audio Electra\u003c\/strong\u003e, or Electrified Transient Equalizer, is a 4-band, multi-topology eq designed to precisely and musically redefine how the transients and harmonic energy of a sound interrelate, opening up completely new creative possibilities for how sounds interlock, move air, and impact the emotions. The tone of this box is quite literally electric, with a crackling but incredibly smooth and detailed midrange, tightly defined low end, and unmistakably analog high frequencies.\u003cbr\u003e\u003cbr\u003eThe heart of the Electra is two fully sweepable Proportional-Q bands tailored to allow for extreme pushes without sounding stressed or unnatural. The more you boost or cut, the narrower these filters get, which makes them gentle at low gain and powerful at high gain. Their adaptively musical shape allows you to add a tight 'thwack' to snares, brighten a vocal without sacrificing warmth, or even completely rebalance the elements within a drum loop as if you had faders for the various elements.\u003cbr\u003e\u003cbr\u003eRounding out the bottom is a fixed low shelf which pairs beautifully with the the continuously variable (25-400Hz) 12db\/octave HPF. The HPF has just a touch of bite on the corner which makes it rewarding to clean up the mud; the shelf and HPF combined allow you to reshape, de-clutter, and tighten up even the most unruly low end.\u003cbr\u003e\u003cbr\u003eTopping it all off is a sparkling, fully sweepable (3.4-20k) high shelf reminiscent of the coveted vintage mastering EQ’s of yore; it'll give life to the darkest, murkiest sound, and adds a smooth top end that plugins simply cannot replicate. Ribbons, overheads, vocals... anything that needs shimmer will love the treatment this filter gives.\u003cbr\u003e\u003cbr\u003eThe Electra is analog at its finest, and represents Kush's ongoing commitment to pushing the envelope and creating processors that fuel the creative and artistic aspects of mix engineering and music production.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Kush Audio","offers":[{"title":"Default Title","offer_id":44449507868775,"sku":"31173","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kush_audio_electra_500_2_c323c23b-4ba6-4994-bfc0-83dfd5068c22.jpg?v=1787089251"},{"product_id":"bae-1073d-500-series-mic-pre-eq-demo-deal","title":"BAE 1073D 500 Series Mic Pre\/EQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003e1073D\u003c\/strong\u003e is the long-awaited 1073-style 500 Series mic pre\/EQ from BAE. Built using the exact same transformers, cards, swiches, etc. as the BAE 10 Series module. The \"D\" indicates that this is a deluxe version of the 1073, complete with switchable high frequencies and a direct instrument input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449514029159,"sku":"31397","price":2209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1073d_1_69af8abe-b6d8-4823-b309-2db7d4c36a3d.jpg?v=1787089272"},{"product_id":"phoenix-audio-drs-1r-500-demo-deal","title":"Phoenix Audio DRS-1R 500 (Demo Deal)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Phoenix Audio DRS-1R Mic Pre\/DI\u003c\/span\u003e uses their well proven and loved Class A output stage (DSOP-2), but also has Phoenix's latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. The DRS-1 also incorporates the Phoenix Audio high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +-0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Micinput stage. Microphone input: XLR'sRear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dbu, +4dbu \u0026amp; 0dBu, Yellow = +13dbu Red= +16dBu) \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch, 120hz 6db per octave \u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eMute : on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage\u003c\/li\u003e\n\u003cli\u003eDI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449519960167,"sku":"22020","price":609.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_drs-1r_500_1_51ffe103-a3cf-4524-bd90-a1c64fc65440.jpg?v=1787089295"},{"product_id":"wunder-audio-cobalt-pre-demo-deal","title":"Wunder Audio Cobalt Pre (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eWunder Audio Cobalt Pre\u003c\/strong\u003e is the result of years of testing, development and enhancements made by Wunder Audio in Austin, TX with the PEQ1 and PEQ2. The inside of this discrete Class A build-quality module is pristine, with meticulous wiring and impeccable soldering. Top-of-the-line components are used at every junction, highlighted by Wunder's own custom wound transformers. The transformers are made using the same custom laminations of Nickel\/Iron\/Cobalt that were used in the original Zeppelin \"Allotrope\" modules; which inspired the original Wunder Audio PEQ1. The transformers are so beefy that they barely fit in the unit's case.\u003c\/p\u003e\r\n\u003cp\u003eThe Cobalt Pre has the same circuit, input transformer, and output transformer as the Wunder Audio PEQ2. All aspects of this design, from the metalwork to the components in the circuit, are made to the same exact standards as the PEQ2 but remade for the 500 series format.\u003c\/p\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":44449520058471,"sku":"31777","price":747.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wunder_audio_cobalt_pre_angle_ac8445b3-8113-44c9-a762-25317ec4d5f9.jpg?v=1787089295"},{"product_id":"pete-s-place-audio-bac-500-demo-deal","title":"Pete's Place Audio BAC-500 (Demo Deal)","description":"\u003cp\u003eDesigned by Brad Avenson of Austin, Texas-based Avenson Audio, the \u003cstrong\u003ePete's Place Audio BAC\u003c\/strong\u003e (short for Brad Avenson Compressor) is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eFrom the top down, the BAC’s faceplate features a large silver rotary input knob, smaller pots for attack, release and ratio, and a large output knob at the bottom. Additional features include a three-position sidechain contour switch, eight-LED gain reduction meter, and pushbuttons for distortion and bypass.\u003cbr\u003e\u003cbr\u003eThe module’s attack control runs from fast to quite fast, while the release control exhibits a fairly wide range, enabling the compressor to go from “pumping, breathing fast” up to approximately a second and a half. This allows sounds to “hang” a bit when using the device purely as a leveler or limiter.\u003cbr\u003e\u003cbr\u003eThe ratio control features five positions ranging from 2:1 to 20:1, with a sixth position marked as “∞!”. According to Avenson, “The infinity control has a little exclamation point next to it because, not only is it really flat, but it also puts you in that spot where you can do some over-compression and other interesting things. It changes where the threshold starts to compress as well, so it gives you different varieties of tonal characteristics to play with.”\u003cbr\u003e\u003cbr\u003eThe BAC’s sidechain toggle switch offers a choice of three possible settings: flat, high-pass filter (cut off around 70 to 100 Hz), and an option that somewhat exaggerates the high end while simultaneously cutting the low end. “The overall effect of this third setting is somewhat like a de-esser fed into the sidechain, but it’s a little wider than that and quite good for taming a variety of things that are overly bright,” Avenson notes.\u003cbr\u003e\u003cbr\u003eWith all of the controls essentially cranked between the input and output knobs, the BAC is capable of delivering nearly 50 dB of gain, which can be very helpful in compensating for serious gain reduction issues caused by greatly compressing dynamic range.\u003cbr\u003e\u003cbr\u003eThe bypass button found below the output knob is a true relay bypass, while the adjacent distortion button allows the user to achieve a true bench FET compression sound. “A lot of FET compressors use tricks to linearize the FET as a compression element and make it sound cleaner because if they’re used solely by themselves, they’re really pretty raunchy sounding,” says the designer. “So this switch allows you to play with how much of the frequency response and distortion characteristics of the FET you get. By engaging it, you’re getting a lot more second harmonic distortion and aggressive sounds because we’re taking away some of the linearizing elements. It’s basically a way to kick in a more aggressive sounding compressor without changing any of the other settings. You can dial in the amount of dirt you want.”\u003cbr\u003e\u003cbr\u003eAvenson sums the BAC up by adding, “Although this product is largely designed to provide a bit of color and flavor—and not be too heavy handed—it really does possess that nice ‘bite’ that is characteristic of FET compressors and perfect for cranking down on things like drum room mics when you need it.”\u003cbr\u003e\u003cbr\u003ePete’s Place Audio is an umbrella organization founded to bring a wide variety of handcrafted, innovative, boutique recording and live audio products to market. Under the leadership of President Lisa Montessi and backed by the manufacturing expertise of A-Designs Audio, Pete’s Place collaborates with some of today’s most talented recording artists and engineers to help determine what products, regardless of how esoteric, they feel are missing in the studio and live performance environments.\u003c\/p\u003e","brand":"Pete's Place Audio","offers":[{"title":"Default Title","offer_id":44449532182631,"sku":"17956","price":809.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/petes_place_bac-500_1_443ea209-5854-4405-a28b-0fc0ab55ceea.jpg?v=1787089342"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/500-series-deals.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}