{"title":"AboveGroundFX","description":null,"products":[{"product_id":"abovegroundfx-compressor-pedal","title":"AboveGroundFX Compressor Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eAboveGroundFX Compressor Pedal\u003c\/strong\u003e is quite possibly the quietest full-bandwidth flat response compressor we have come across. The OTA-based Compressor circuit focuses on altering just the amplitude of the signal not the bandwidth. This combined with a slightly slower response time means none of the tone-suck and internal noise associated with most compressor pedals. This kind of superior performance isn’t by accident. Peña’s singular focus on perfect circuit layout means that signal interference is minimized to the point that no additional tone-killing noise filtering is required.\u003cbr\u003e\u003cbr\u003e With a flat response from 20Hz-22kHz, Compressor gives you a lot of creative control over your signal, from slight compression to super squished. All that clean bandwidth also sounds killer when used with bass guitar. If you’ve been avoiding adding a compressor to your rig because it’s like throwing a mud-soaked blanket over your amp, AboveGround’s Compressor will change your mind forever.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44449516912743,"sku":"31453","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_compressor_front_1_505a2dde-fe05-488c-95e4-1aa215da364c.jpg?v=1787089283"},{"product_id":"abovegroundfx-rebote-delay-pedal","title":"AboveGroundFX Rebote Delay Pedal","description":"\u003cp\u003eDelay pedal sounds are defined by the technology behind them—warm analog delays, sterile digital delays or tape echoes with warmth and wobbliness. In the boutique pedal universe, users are accustomed to seeing anachronistic technology like discreet germanium transistors brought back from the dead because, well, if the tone you want is a geranium fuzz, nothing really does it like the real thing. As the old Bulgarian proverb says,  “If you wish to drown, why torture yourself with shallow water?”\u003c\/p\u003e\r\n\u003cp\u003eThat’s why the hip players cling to analog delays and crusty tape echoes. With digital delays, the repeated notes are exact copies of the original, whereas bucket-brigade analog is forced to use stronger noise filtering on the repeats causing high frequency content loss on each repeat. Whilst technically abhorrent, this creates the warm sound players dig. Tape echoes are even freakier in the way they mutate repeats by introducing analog distortion and pitch shift plus a key musical artifact—each repeat is increasingly lower fidelity than the previous, making the repeats distinct among themselves as well.\u003c\/p\u003e\r\n\u003cp\u003eSince this whole boutique thing is supposed to be about thinking outside the box, Peña figured he could use a PT-2399 delay chip to do the signal delay in an efficient fashion, without the noise, power consumption and expense of hard to acquire analog chips.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eRebote Delay\u003c\/strong\u003e circuit takes the dry signal to the output maintaining signal bandwidth integrity, then each repeat is filtered with analog circuitry that resembles tape technology. When pushing the limits of Rebote’s delay time, the quality of the repeats degrades allowing distinct tone between the dry signal and the repeats. The results are responsive rhythmic echoes that sound musical and decay naturally, from slap back echo to 560ms of delay.\u003c\/p\u003e\r\n\u003cp\u003eThe results speak for themselves. Rebote Delay pumps out gobs of deliciously warm echoes that go straight to whatever part of our animal brain that goes goofy over good delay sound. The Rebote Delay’s tones have some sort of psycho acoustic effect that we find hard to describe with mere words. Its repeats have a soothing yet weird underwater quality that is more pleasantly drifting than panic drowning. Rebote Delay is fantastic for any style of playing where delay is integral to the tone—from Rockabilly to spacey epic Pink Floyd style solos.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44449516978279,"sku":"31445","price":71.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_rebote_delay_front_1a5318f9-55f5-4ac9-8f25-189c8ae42ffb.jpg?v=1787089283"},{"product_id":"abovegroundfx-tone-control-booster-pedal","title":"AboveGroundFX Tone Control Booster Pedal","description":"\u003cp\u003eLike all of AboveGround’s pedals, the \u003cstrong\u003eTone Control\/Booster\u003c\/strong\u003e is a unique design that performs its tone mutation duties in a novel and very effective way. Tone Control\/Booster modifies the signal content just outside the fundamental frequencies of the guitar in a soft response curve. This manipulation of adjacent corner frequencies makes it super easy to dial in the amount of harmonics and sub harmonics, greatly expanding the tonal possibilities of any guitar.  \u003cbr\u003e\u003cbr\u003e Tone Control\/Booster’s discrete, two-transistor circuit is incredibly amp-like in its tonal quality and feel because it’s of the Shelving Control Filter variety instead of the usual parametric. This incredible flexibility means it can be used anywhere in the signal chain for different purposes. You can use it to define your foundation tone, or as a clean tone change for different parts of a song or different songs in a set. With 15dB-18dB of boost within the audio spectrum Tone Control\/Booster can alter the tone and boost output when paired with another pedal or pedal chain, or boost the bejeezus out of your amp’s input. And if that’s not enough to get you interested, it’s also great for recording direct to the mixing board. Tone Control\/Booster’s wicked flexibility makes it one of our all-time favorite pedals.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44449517043815,"sku":"31451","price":68.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_tone_control_front_1_b7f1b9b2-6441-41d9-af45-2091cb47bfff.jpg?v=1787089283"},{"product_id":"abovegroundfx-venue-reverb-pedal","title":"AboveGroundFX Venue Reverb Pedal","description":"\u003cp\u003eAmazingly transparent and warm, \u003cstrong\u003eVenue Reverb\u003c\/strong\u003e shames other digital boxes that dare to call themselves reverb. Minimum active circuitry in the dry signal path ensures super-clean yet warm tones. Utilizing many of the same analog circuits as the Rebote Delay, the Venue Reverb creates luscious illusions of acoustic space without the cold and jagged “I’ve run out of Prozac” feel associated with digital reverb. \u003cbr\u003e\u003cbr\u003e Simple Filter, Reverb and Mix controls allow you to dial in an astounding number of useable reverb sounds and effects from subtle to enormous, like the Rebote Delay, there is an element to Venue’s sound that is extremely psychologically pleasing. Perhaps if we had advanced degrees in Psycho-acoustic engineering we could explain it clearer, but it has to be experienced to understand. Venue’s output jack is one of those tricky TRS affairs that outputs stereo with a TRS insert splitter cable, doubling its trip-a-delic qualities. With such huge bandwidth, Venue works great with bass too.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44449517011047,"sku":"31446","price":149.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_venue_front_3b60af1f-3a15-41d5-b273-3ea0ff7b01c0.jpg?v=1787089283"},{"product_id":"abovegroundfx-tap-tremolo-pedal","title":"AboveGroundFX Tap Tremolo Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eAboveGroundFX Tap Tremelo\u003c\/strong\u003e provides clean and full bandwidth sound for the least coloration on an entirely analog signal path. As with all AboveGroundFX pedals, the Tap Tremelo is true bypass. The ratio knob affects the factor which the tempo is multiplied by in fixed stepped amounts, from 4x to 1\/4x the tapped frequency.\u003cbr\u003e\u003cbr\u003eThe oscillator frequency is set by tapping any even number of times on the foot switch.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44449575993447,"sku":"31449","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tap_tremolo_ii_908a4802-53a1-4b7e-a6e2-8fc623d60a64.jpg?v=1787089531"},{"product_id":"abovegroundfx-tap-tremolo-pedal-demo-deal","title":"AboveGroundFX Tap Tremolo Pedal (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAboveGroundFX Tap Tremelo\u003c\/strong\u003e provides clean and full bandwidth sound for the least coloration on an entirely analog signal path. As with all AboveGroundFX pedals, the Tap Tremelo is true bypass. The ratio knob affects the factor which the tempo is multiplied by in fixed stepped amounts, from 4x to 1\/4x the tapped frequency.\u003cbr\u003e\u003cbr\u003eThe oscillator frequency is set by tapping any even number of times on the foot switch.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44450133049447,"sku":"81151","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tap_tremolo_ii_1_737dddc8-f504-4f57-9360-f2331a384ca4.jpg?v=1787091830"},{"product_id":"abovegroundfx-tone-control-booster-pedal-demo-deal","title":"AboveGroundFX Tone Control Booster Pedal (Demo Deal)","description":"\u003cp\u003eLike all of AboveGround’s pedals, the \u003cstrong\u003eTone Control\/Booster\u003c\/strong\u003e is a unique design that performs its tone mutation duties in a novel and very effective way. Tone Control\/Booster modifies the signal content just outside the fundamental frequencies of the guitar in a soft response curve. This manipulation of adjacent corner frequencies makes it super easy to dial in the amount of harmonics and sub harmonics, greatly expanding the tonal possibilities of any guitar.  \u003cbr\u003e\u003cbr\u003e Tone Control\/Booster’s discrete, two-transistor circuit is incredibly amp-like in its tonal quality and feel because it’s of the Shelving Control Filter variety instead of the usual parametric. This incredible flexibility means it can be used anywhere in the signal chain for different purposes. You can use it to define your foundation tone, or as a clean tone change for different parts of a song or different songs in a set. With 15dB-18dB of boost within the audio spectrum Tone Control\/Booster can alter the tone and boost output when paired with another pedal or pedal chain, or boost the bejeezus out of your amp’s input. And if that’s not enough to get you interested, it’s also great for recording direct to the mixing board. Tone Control\/Booster’s wicked flexibility makes it one of our all-time favorite pedals.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44450167259239,"sku":"89031","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_tone_control_front_1_2_700f12af-067f-46af-a6a6-369193a03ff1.jpg?v=1787091956"},{"product_id":"abovegroundfx-venue-reverb-pedal-demo-deal","title":"AboveGroundFX Venue Reverb Pedal (Demo Deal)","description":"\u003cp\u003eAmazingly transparent and warm, \u003cstrong\u003eVenue Reverb\u003c\/strong\u003e shames other digital boxes that dare to call themselves reverb. Minimum active circuitry in the dry signal path ensures super-clean yet warm tones. Utilizing many of the same analog circuits as the Rebote Delay, the Venue Reverb creates luscious illusions of acoustic space without the cold and jagged “I’ve run out of Prozac” feel associated with digital reverb. \u003cbr\u003e\u003cbr\u003e Simple Filter, Reverb and Mix controls allow you to dial in an astounding number of useable reverb sounds and effects from subtle to enormous, like the Rebote Delay, there is an element to Venue’s sound that is extremely psychologically pleasing. Perhaps if we had advanced degrees in Psycho-acoustic engineering we could explain it clearer, but it has to be experienced to understand. Venue’s output jack is one of those tricky TRS affairs that outputs stereo with a TRS insert splitter cable, doubling its trip-a-delic qualities. With such huge bandwidth, Venue works great with bass too.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44450168471655,"sku":"89296","price":149.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_venue_front_1_82555056-6d6f-4808-a2d1-04e44d95628b.jpg?v=1787091961"},{"product_id":"abovegroundfx-rebote-delay-pedal-demo-deal","title":"AboveGroundFX Rebote Delay Pedal (Demo Deal)","description":"\u003cp\u003eDelay pedal sounds are defined by the technology behind them—warm analog delays, sterile digital delays or tape echoes with warmth and wobbliness. In the boutique pedal universe, users are accustomed to seeing anachronistic technology like discreet germanium transistors brought back from the dead because, well, if the tone you want is a geranium fuzz, nothing really does it like the real thing. As the old Bulgarian proverb says,  “If you wish to drown, why torture yourself with shallow water?”\u003c\/p\u003e\r\n\u003cp\u003eThat’s why the hip players cling to analog delays and crusty tape echoes. With digital delays, the repeated notes are exact copies of the original, whereas bucket-brigade analog is forced to use stronger noise filtering on the repeats causing high frequency content loss on each repeat. Whilst technically abhorrent, this creates the warm sound players dig. Tape echoes are even freakier in the way they mutate repeats by introducing analog distortion and pitch shift plus a key musical artifact—each repeat is increasingly lower fidelity than the previous, making the repeats distinct among themselves as well.\u003c\/p\u003e\r\n\u003cp\u003eSince this whole boutique thing is supposed to be about thinking outside the box, Peña figured he could use a PT-2399 delay chip to do the signal delay in an efficient fashion, without the noise, power consumption and expense of hard to acquire analog chips.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eRebote Delay\u003c\/strong\u003e circuit takes the dry signal to the output maintaining signal bandwidth integrity, then each repeat is filtered with analog circuitry that resembles tape technology. When pushing the limits of Rebote’s delay time, the quality of the repeats degrades allowing distinct tone between the dry signal and the repeats. The results are responsive rhythmic echoes that sound musical and decay naturally, from slap back echo to 560ms of delay.\u003c\/p\u003e\r\n\u003cp\u003eThe results speak for themselves. Rebote Delay pumps out gobs of deliciously warm echoes that go straight to whatever part of our animal brain that goes goofy over good delay sound. The Rebote Delay’s tones have some sort of psycho acoustic effect that we find hard to describe with mere words. Its repeats have a soothing yet weird underwater quality that is more pleasantly drifting than panic drowning. Rebote Delay is fantastic for any style of playing where delay is integral to the tone—from Rockabilly to spacey epic Pink Floyd style solos.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44450168569959,"sku":"89297","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_rebote_delay_front_1_83aefeb5-8d69-43e8-b618-0caa0d27be95.jpg?v=1787091961"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/abovegroundfx.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}