{"title":"AEA","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look At AEA's History\u003c\/h2\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/Video-3_2x_43801a69-20a5-432c-b2db-6446acaed65f.jpg?v=1787060026\" alt=\"AEA\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eIn 1976, microphone engineer Dick Knoppow and AEA’s founder Wes Dooley struck up a relationship with RCA’s chief engineer to learn their installation methods. for microphone ribbons. AEA thus inherited the technical knowledge required to restore RCA microphones, a masterful service they still carry out using machined replacement parts, careful attention, and a passion for the craft. AEA was known for much more than microphone design: preamps, mixers, outboard gear, and even forensic sound. Although AEA was exceptionally well-rounded in all these areas, Wes Dooley shifted towards the goal of recreating the RCA 44BX using methods and tools obtained from Jon Sank at RCA. The pursuit was fruitful; the AEA R44C was born.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/Video_2x_30516320-a733-4f8e-963a-89d3168e53fe.jpg?v=1787060029\" alt=\"AEA\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe AEA R44 series replicates the iconic quality of the microphone that recorded many of the 20th century’s best recordings. , Using authentic new old stock RCA ribbon material, these reproductions generate unparalleled warmth. Musicians from intimate crooners to lively brass players love microphones from the R44 series for their ability to capture nuances of performance. Regardless of the model, all microphones in the R44 series are built with the same internals for consistent quality across the board. To ensure optimum performance of R44 series mics, AEA recommends pairing them with any member of its lineup of high-impedance, low-noise preamps specifically designed for ribbon microphones (the TRP2, RPQ2, or RPQ500).\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/Video-1_2x_6e28ab98-6e3a-4a0e-877c-3e54d64d816c.jpg?v=1787060033\" alt=\"AEA\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eAEA also makes modernized designs that challenge the way traditional ribbon mics perform. The AEA Nuvo N22 and Nuvo N8 are sleek, compact, lightweight examples that each thrive in their intended applications. The N22 is a rugged near-field ribbon mic with a balanced frequency response and resilience to proximity effects, ideal for close miking singular sources (amps, snares, acoustic guitars, etc). Alternatively, the N8 is a far-field mic that can capture the behavior of complex sources, along with the intricate detail of how transients sound in a room setting. Each mic has its uses, but AEA quality is unquestionably present in both models.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/Video-2_2x_f961fd50-627a-4453-b6c1-0ffbb2a9fd96.jpg?v=1787060036\" alt=\"AEA\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eFor open and honest tonality, there isn’t anything better than the AEA R88, a far-field stereo ribbon microphone featuring dual ribbons in a fixed Blumlein and mid-side configuration. Like the mono N8, it boasts the widest frequency range of any mic in the AEA lineup. The R88 retains the same sonic character of the R84 (an extended top-end and reduced proximity effect) but offers higher output and stable impedance. It’s sleek, balanced, and insanely versatile. Ask Blackbird Studios in Nashville, TN; they keep five on hand.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/Video-4_2x_5891eb2d-3cb6-4fc9-be8b-4075bf097cfc.jpg?v=1787060040\" alt=\"AEA\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eAEA microphones, like the super-cardioid KU4, are known as the most flexible ribbon microphones on the market. The KU4, in particular, rejects bleed and ambient room noise to capture the source while retaining its natural characteristics. It’s the brightest microphone in the AEA line, but it can record a number of different sources with exceptional balance. The KU4 doesn’t require precise placement like most figure-eight ribbon mics; it can be placed close without struggling with proximity effect. At 140+ dB SPL at 1 kHz, the KU4 can handle loud transients and still capture rich clarity with ease.\r\n\r\nAfter years of use, an AEA microphone becomes a true extension of musical artistry and an integral part of studio workflow. Whether it’s the R44, R84, KU5A, or N88, all AEA microphones are handcrafted with a dedication to serving musicians and engineers who value the subtleties of great sound.\u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"aea-a440-ribbon-microphone","title":"AEA A440 Active Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAEA A440\u003c\/strong\u003e is a preamp-flexible, Phantom-powered version of the R44 with 18 dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the \"X\" motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18 dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt the low frequency end the A440 delivers bass with effortless authority. It has a flat frequency response and holds an accurate figure-eight polar pattern down to 20 Hz. The A440 has a smooth and articulate midrange, and at the high end, transients are quick and detailed without hard edges.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE LEGENDARY BIG RIBBON SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe AEA A440 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, it bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the A440 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218429031,"sku":"9621","price":6999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea-a440-mic-23_9621_1_1_46223855-8446-471b-90a1-2ba92c4f6667.jpg?v=1787088188"},{"product_id":"aea-a840-active-ribbon-microphone","title":"AEA A840 Active Ribbon Microphone","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAEA A840\u003c\/span\u003e is different from other microphones.  One listen and the AEA A840 stands out with its big, clean sound. It’s an ideal spot mic with its tight pattern, smooth extended top, and less proximity bass boost than the R44 and A440.  The A840 effortlessly handles a broad range of applications from accent to ensemble.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHigh output\u003c\/li\u003e\r\n\u003cli\u003eCompatibility with any preamp and input source\u003c\/li\u003e\r\n\u003cli\u003eLow self noise of 17.5 dB (A)\u003c\/li\u003e\r\n\u003cli\u003eFast, accurate transient reproduction\u003c\/li\u003e\r\n\u003cli\u003eHigh SPL capability of 141 dB\u003c\/li\u003e\r\n\u003cli\u003eSingle-diaphragm with well-controlled, native figure-8 polar pattern\u003c\/li\u003e\r\n\u003cli\u003eWide-band response from below 20 Hz to beyond 20 kHz\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe AEA A840 and other AEA Big Ribbon mics are excellent digital recording tools.  Digital has different limitations than analog.  The digital recording process is capable of preserving razor sharp details for generations.  So it makes sense to use microphones that fit well into the final mix from the start. AEA Big Ribbon mics with their smooth, natural and easy-to-EQ sound have enjoyed a rebirth as digital recording has blossomed.\u003cbr\u003e\u003cbr\u003eOver 30 years of servicing ribbon mics taught AEA what users like, and they all like the big sound of the RCA 44.  Preserving and reintroducing that sound became an AEA mission.  The AEA R44 and A440s, robust, heavy, and expensive to manufacture, are now in daily use worldwide.  But that’s just the beginning of the story.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eHow can AEA preserve and update that Big Ribbon sound in a more affordable package using new technologies?\u003c\/span\u003e\u003cbr\u003eThe A840 uses the same big ribbon as the A440, is 5 pounds lighter, and less bulky.  Due to its active JFET impedance buffer circuitry the new A840 is insensitive to lower preamp input impedances.  The high output sensitivity reduces noise and allows long cable runs.  This allows you to use your favorite tube preamp without compromising your classic ribbon sound.  Designed for accent and solo work, its bass proximity effect is less pronounced and the upper 10 to 20 kHz octave is stronger than the A440.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWhy do the AEA Big Ribbon mics sound so different when compared to other microphones?\u003c\/span\u003e\u003cbr\u003eClassic condenser diaphragms are radially stretched.  They typically have sharp, narrow resonances in the 8 to 12 kHz range, the sound quality we refer to as “tizz”. AEA  Big Ribbon mics use a long rectangular diaphragm clamped only at the ends and tensioned lightly with a fundamental resonance below 20 Hz.  Less than 80 millionths of an inch thick, AEA's ultra low mass transducer has extended bass, excellent transient response and few resonances.  It’s one of the most sensitive and accurate transducers possible. Many have commented that AEA mics record exactly what your ear hears.  Excellent headroom and low distortion allow close micing with an A840 without sounding brittle. Additionally the smooth, non-resonant high end provides engineers considerable EQ flexibility. \u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218396263,"sku":"13205","price":1553.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_a840_zoom.jpg?v=1787088188"},{"product_id":"aea-r44cne","title":"AEA R44 CNE","description":"\u003cp\u003eThe \u003cstrong\u003eAEA R44CNE\u003c\/strong\u003e has the authentic sound, feel, and the look of a vintage RCA 44B and all parts interchange.  The ribbon element is only 1.8 microns thick, fabricated from NOS (New Old Stock) material originally manufactured for RCA. A black \/ bright chrome \"radio\" finish is standard.  The microphone package includes a cushion mount and AEA custom vertical storage and shipping case.  Each R44CNE is built to order and is individually numbered and signed.  The best part is that the sound will bring you right back to Bing Crosby singing \"White Christmas\" or breathe life into modern guitar parts, vocals and even drums!\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218363495,"sku":"100","price":2790.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r44_cne_d3db1e35-9bdb-4307-ae64-5deb8e8320ac.jpg?v=1787088187"},{"product_id":"aea-r44c","title":"AEA R44C Bi-Directional Ribbon Microphone","description":"\u003cp\u003eThe R44 is one of those rare mics that has remained relatively unchanged from its inception, and still sounds great some 75 years later. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers who designed and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B\/BX design to its original specifications, just as it was in the 1930s.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the RCA 44 born from years of experience are built to RCA specifications and The R44C is an exact replica of the RCA 44 born from years of experience with RCA repairs. All components are built to RCA specifications and the sonic quality is entirely true to the original. To record with an AEA R44C is to participate in the legacy of the most iconic ribbon mic in music history. the original. To record with an AEA R44C is to participate in the legacy of the most iconic ribbon\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eVINTAGE STYLE AND SOUND\u003c\/h3\u003e\r\n\u003cp\u003eRCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B\/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA 44's through the 90's, the availability of this wonderful ribbon mic to the studio was greatly endangered.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eBUILT FROM ORIGINAL RCA-STOCK RIBBON\u003c\/h3\u003e\r\n\u003cp\u003eThe 44 was RCA's best microphone from the 1930s into the '50s. Is AEA's R44 that good? Both listeners and measurements say that the R44 is better and AEA has been listening to both users and ex-RCA engineers for over 25 years. They start by using only ribbon material originally manufactured for RCA. This is the best way to ensure that AEA's R44 ribbon mics are as close as humanly possible to vintage RCA 44s.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIMPLEMENTS THE BEST OF VINTAGE DESIGN WITH MODERN TOUCHES\u003c\/h3\u003e\r\n\u003cp\u003eNext, they use modern magnet technology which is much more robust than period magnets. AEA also combined the original American undamped ribbon design with the British RCA 44 innovations that lower the weight and hum sensitivity. The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones are smaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today's ribbon microphones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining in continuous studio use. It is different, and its sound is unique.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eGREAT FOR A VARIETY OF USES\u003c\/h3\u003e\r\n\u003cp\u003eThe R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularly likes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds they sound good anywhere: brass, woodwinds, percussion, strings or voice work.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218494567,"sku":"99","price":4699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r44c_zoom.jpg?v=1787088188"},{"product_id":"aea-r84-matched-pair","title":"AEA R84 Ribbon Microphone - Matched Pair","description":"\u003cp\u003eBased on the character of the legendary R44, the \u003cstrong\u003eAEA R84 Ribbon Microphone\u003c\/strong\u003e provides classic tonality with extended top-end and reduced proximity effect for medium and close range recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn 2000, AEA sought to design a more compact, lighter and less expensive version of the hefty, eight-pound RCA 44BX. The result was the R84, which includes the best of the 44 series in a lower cost, three-pound package.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84 and original RCA 44 (now the R44C) share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the R84, the classic RCA ribbon sound is retained.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHowever, the R84 has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the R84 at numerous angles even with a straight stand.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA WORKHORSE RIBBON\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the R84, it is well-suited for both close-up and ambient mic applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84A retains the same sonic character of the R84 but offers an additional 12 dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA MODERN CLASSIC\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 is a staple in numerous recording studios because of its unique tonality and classic sound. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin vocals. It’s a mic that works well on practically any voice or musical instrument, making it useful tool in both recording and broadcast studios.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218461799,"sku":"1664","price":2698.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r84_pair_zoom.jpg?v=1787088188"},{"product_id":"aea-r84-ribbon-single","title":"AEA R84 Ribbon Microphone","description":"\u003cp\u003eBased on the character of the legendary R44, the \u003cstrong\u003eAEA R84 Ribbon Microphone\u003c\/strong\u003e provides classic tonality with extended top-end and reduced proximity effect for medium and close range recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn 2000, AEA sought to design a more compact, lighter and less expensive version of the hefty, eight-pound RCA 44BX. The result was the R84, which includes the best of the 44 series in a lower cost, three-pound package.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84 and original RCA 44 (now the R44C) share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the R84, the classic RCA ribbon sound is retained.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHowever, the R84 has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the R84 at numerous angles even with a straight stand.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA WORKHORSE RIBBON\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the R84, it is well-suited for both close-up and ambient mic applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84A retains the same sonic character of the R84 but offers an additional 12 dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA MODERN CLASSIC\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 is a staple in numerous recording studios because of its unique tonality and classic sound. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin vocals. It’s a mic that works well on practically any voice or musical instrument, making it useful tool in both recording and broadcast studios.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218560103,"sku":"112","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea-r84_112_1_8c5cfb4a-c18b-4bc0-9124-ed31d6f0ceef.jpg?v=1787088188"},{"product_id":"aea-r84-silver-limited-edition-sle","title":"AEA R84 Silver Limited Edition","description":"\u003cp\u003eTo commemorate 25 years of selling ribbon microphones, Audio Engineering Associates has created the \u003cspan style=\"font-weight: bold;\"\u003eAEA R84 Silver Limited Edition (SLE)\u003c\/span\u003e.  Two years ago AEA made a chrome R84 to display at trade shows.  Due to popular demand, they've decided to create a limited edition run in honor of twenty-five years of serving the ribbon microphone market.  The R84 SLE is limited to a run of only 125 units. \u003cbr\u003e \u003cbr\u003e The versatile \u003cspan style=\"font-weight: bold;\"\u003eAEA R84 Silver Limited Edition (SLE)\u003c\/span\u003e large ribbon microphone is suitable for a wide range of instruments, including brass, strings, percussion, electric guitar and bass.  At just 0.00007 of an inch the ultra-thin, low-tension ribbon element of the R84 ensures a quick response, whatever the application.  Capable of handling better than 165 dB SPL at higher frequencies, when used on vocals or instruments the R84 offers a performance that is intimate, warm and detailed, yet not ever harsh. \u003cbr\u003e\u003cbr\u003eThe AEA R84 is supplied in a complete system that includes a shock mount, 6' mic cable and sturdy foam-lined carrying case.  Weighing-in at under 2 lbs (0.9 Kg) and measuring 8\" (30 cm) tall and 2.7\" (7 cm) in diameter.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218527335,"sku":"15278","price":1103.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r84_sle_chrome_zoom.jpg?v=1787088188"},{"product_id":"aea-r88-microphone","title":"AEA R88 mk2 Stereo Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAEA R88 mk2 Stereo Ribbon Microphone\u003c\/strong\u003e is optimized for recording instruments and ensembles in stereo.  The R88 uses the large ribbon configuration of the classic RCA 44 series mics, which gives the mic solid 20Hz bass response and a smooth high end which is flattering to complex tones.\u003c\/p\u003e\r\n\u003cp\u003eThere is no easier way to track in stereo than with a stereo microphone with two configured transducers in a single sleek package.  A stereo microphone is highly useful in recording situations in which it is more convenient or aesthetically pleasing to have a single housing for both capsules, such as for drum overheads or live concert recordings.\u003c\/p\u003e\r\n\u003cp\u003eThe R88 has a natural sound because it is the pure sound of two undamped long ribbons.  If the basic characteristics of a transducer element are in accordance with a few primary physical laws, it will sound good without requiring any extra acrobatics. The simpler the physics, the less adulterated the sound of a transducer will be because it will introduce fewer artifacts into the electrical signal that were\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eR88 SERIES\u003c\/h3\u003e\r\n\u003cp\u003eR88 Series ribbon mics capture sound as your ears hear it, with an honest and open tonality. The R88 effortlessly record complex sources like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows.\u003c\/p\u003e\r\n\u003cp\u003eThe stereo R88 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.\u003c\/p\u003e\r\n\u003cp\u003eAlongside the mono AEA N8, it boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the R88 alone.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTHE ENGINEER’S SECRET WEAPON\u003c\/h3\u003e\r\n\u003cp\u003eR88 Series mics are an engineer’s secret weapon, offering a level of detail and balance in recording like no other microphone available. Packaged in a sleek, five-pound black shell designed for quick setup, it’s an excellent choice for remote recording.\u003c\/p\u003e\r\n\u003cp\u003eParticularly well suited for the rock, roots, classical, Americana and jazz genres, R88 Series microphones have such versatility that engineers like John Cuniberti use it as their one mic to capture an entire band performing live in the same room. There is a reason that legendary Blackbird Studios in Nashville owns five R88s.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eA RICH HISTORY\u003c\/h3\u003e\r\n\u003cp\u003eThe design of the R88 Series borrows from serious stereo recording tradition. In 1931, EMI engineer Alan Blumlein invented stereo recording by demonstrating the natural reproduction of the soundstage in one of the Abbey Road studios in London.\u003c\/p\u003e\r\n\u003cp\u003eToday, Blumlein’s XY coincident recording technique lives on in the AEA R88 Series, which uses two figure-of-8 ribbons for producing an authentic representation of a performance. The pair of elements are angled in perfect phase at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone.\u003c\/p\u003e\r\n\u003cp\u003eAs an alternative to Blumlein’s technique, the microphone can also be used for mid-side (MS) stereo, providing excellent mono compatibility and full control over the width of the stereo image.\u003c\/p\u003e\r\n\u003cp\u003eEither way, the R88 Series is so easy to use that any recording novice can do it. Simply choose where to place the mic and hit record. It’s that easy.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449218592871,"sku":"3003","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea-r88-mk2-mic-23_3003_2_1_1.jpg?v=1787088189"},{"product_id":"aea-r92-ribbon-microphone","title":"AEA R92 Ribbon Microphone","description":"\u003cp\u003eOffering a classic ribbon character in the form of a near-field, the dual-tone \u003cstrong\u003eAEA R92\u003c\/strong\u003e functions as a versatile creative tool with innumerable possibilities. Similar in sound to the R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. One side of the R92 yields a tonality distinct from the other, essentially providing two mics in one giving options on different sources. When supplemented with a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTWO SIDES — A CHOICE OF SONIC TONES\u003c\/h3\u003e\r\n\u003cp\u003eWith its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature — tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eNear-field mic with Character\u003c\/h3\u003e\r\n\u003cp\u003eThe R92 was designed to be positioned between 1 and 18 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. The R92 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths.\u003c\/p\u003e\r\n\u003cp\u003eNaturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/p\u003e\r\n\u003cp\u003eUnlike traditional ribbon mics, think of the R92s placement in terms of inches instead of feet. Of course, near-field mics can be positioned at a distance, but they have a more balanced sound close to the sound source.\u003c\/p\u003e\r\n\u003cp\u003eThe R92 not only handles the SPL levels of a high-gain amplifier and loud trombone with ease, but it also translates all the gritty details of an instrument that musicians seek.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eDESIGNED FOR EASY PLACEMENT\u003c\/h3\u003e\r\n\u003cp\u003eThe R92’s U-shaped yoke acts as a shock mount and also enables the user to position the mic at various angles even with a straight stand. This shock mount is attached to an integrated 360-degree swivel mount that enables easy setup and positioning in tight spaces. 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Its Low-Energy-Storage (LES™) circuitry recovers instantly from overloads, a big advantage with unpredicatable dynamics, and its exceptional No Load™ input impedance of over 10,000 Ω makes it an ideal active mic splitter. 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Title","offer_id":44449256570983,"sku":"96","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_ad1_thread_adapter.jpg?v=1787088340"},{"product_id":"aea-r44-g-option","title":"AEA R44 \"G\" Option","description":"Chrome finish grill for the R44 CNE. Must be ordered with mic.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449256603751,"sku":"97","price":90.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r44_g_option.jpg?v=1787088339"},{"product_id":"aea-r44c-x-option","title":"AEA R44C \"X\" Option","description":"6 db more output than the original RCA 44B and BX. Sound is slightly more forward. Red accent marking.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449257160807,"sku":"343","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r44_g_option_1.jpg?v=1787088342"},{"product_id":"aea-smp-17","title":"AEA SMP-17 Stereo Bar with Sliders","description":"\u003cp\u003eThe \u003cstrong\u003eAEA SMP-17\u003c\/strong\u003e is a 17-inch wide stereo bar that allows an unlimited amount of stereo configurations because of its unique slider technology. 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The international statndard for recording large instrumental groups.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449276624999,"sku":"6480","price":918.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_decca_tree.jpg?v=1787088405"},{"product_id":"aea-smp-slider","title":"AEA SMP Slider","description":"Replacement\/Add-On for mounting mics on MMP series positioners. Laser etched makings for 0, 30,45, 55 degree positioning angle. 5\/8\"-27 male thread and extra large diameter locking ring.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449292779623,"sku":"7632","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_smp_slider.jpg?v=1787088438"},{"product_id":"aea-super-tree-microphone-array","title":"AEA Super Tree Microphone Array","description":"Consists of three 1.25 meter bars, 4 SMP-S sliders, Decca Tree Bracket, and AEA-CP coupler. \n\nAEA-SW \"dead hang\" swivel adapter and AEA LMT not included.\n\nSimilar in appearance to the 1M x 2M Decca Tree.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449296613479,"sku":"8432","price":945.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_super_tree_microphone_array.jpg?v=1787088453"},{"product_id":"aea-13hdv","title":"AEA 13HDV","description":"\u003cp\u003eThese collapsible steel and aluminum stands handle large booms or arrays easily and can get your mics into all the best-sounding locations.  These stands are rated for a 66 lb. load capacity.  Articulated legs (the 13 has one, but the 24 has 3) keep stands vertical on stairs, slopes or uneven floors.  These stands are recommended if you need to boom out a significant amount of weight.  There are vertical extensions available which provide additional height, but also limit the load capacity to 22 lbs. 5\/8\"-27 mic threads are standard, European 3\/8\" or Japanese 1\/2\" are optional.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSteel with aluminum 53\" footprint tripod base\u003c\/li\u003e\n\u003cli\u003eCollapses to 56\"\u003c\/li\u003e\n\u003cli\u003eWeight 15 lbs.\u003c\/li\u003e\n\u003cli\u003eTripod diameter 53\"\u003c\/li\u003e\n\u003cli\u003eBlack finish\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449296646247,"sku":"8433","price":325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_13hdv.jpg?v=1787088453"},{"product_id":"aea-smp-mb-mini-decca-bracket","title":"AEA SMP-MB Mini Decca Bracket","description":"Converts SMP's to a Mini Decca tree","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449308704871,"sku":"11128","price":146.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_smp_mb_mini_decca_bracket.jpg?v=1787088496"},{"product_id":"aea-sw-dead-hang-swivel-apapter","title":"AEA SW Dead Hang Swivel Adapter","description":"\"Dead-hang\" microphone swivel adapter 5\/8\" - 27 hardware - black finish","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449333968999,"sku":"14512","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_sw_dead_hang_swivel_apapter.jpg?v=1787088595"},{"product_id":"aea-13hdv-1","title":"AEA 13MDV","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAEA 13MDV\u003c\/span\u003e medium duty stand line provides a good balance of portability and sturdiness.  All stands are black steel with a 22 lb. load capacity (more than enough to support a decca tree of M50s).  All medium duty stands feature an articulated leg.  They range from 5' (good for portable speaker stands) to 14'.  If you need more height, there is a vertical extension available (AEA-EX7) that will provide an additional 7.5' but will reduce the maximum load capacity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCollapses to 46\"\u003c\/li\u003e\n\u003cli\u003eWeight 8.8 lbs\u003c\/li\u003e\n\u003cli\u003eTripod base diameter 51\"\u003c\/li\u003e\n\u003cli\u003eBlack finish \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449342718055,"sku":"16196","price":281.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_13mdv.jpg?v=1787088630"},{"product_id":"aea-ku4","title":"AEA KU4 Supercardioid Ribbon Microphone","description":"\u003cp\u003eWith a supercardioid polar pattern, rich ribbon tone, and extended top-end, the \u003cstrong\u003eAEA KU4\u003c\/strong\u003e's directionality allows it to be positioned almost anywhere without capturing room tone and bleed, making it one of the most flexible ribbon mics in production today.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eA RIBBON WITHOUT ROOM TONE\u003c\/h3\u003e  \u003cp\u003eAEA’s KU4 is one of the most useful and unique ribbon microphones in the world. Its supercardioid polar pattern rejects bleed from other instruments and reflections in the room while retaining matchless top-end clarity. As the brightest mic in the AEA line, it retains the full spectrum sonic range that has made ribbon mics a staple in most of the world’s great recording studios. The KU4’s minimal proximity effect and accented mid-range make it an exceptional vocal mic that captures the presence and detail of a performance. Its near-field nature also lends to the close range recording of kick drums, strings, and woodwinds, providing a welcome brightness and balance in the mix.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTHE NEAR-FIELD SUPERCARDIOID\u003c\/h3\u003e  \u003cp\u003eThe KU4’s supercardioid polar pattern enables it to capture direct sound from a vocalist or instrument without room tone. This is an advantage when tracking musicians live in the same room or when used live on stage. With most figure-of-eight patterned ribbons, mic positioning can require a finesse to avoid other sources using the microphone’s nulls. The KU4 has none of these limitations.\u003c\/p\u003e  \u003cp\u003eBeing a near-field ribbon microphone, the microphone was designed to be positioned between one and 18 inches from the source. The mic’s proximity effect kicks in six inches away from the sound source. It can be placed close to an instrument while retaining a balanced frequency response. Unlike most traditional ribbon mics, think the KU4’s placement should be thought in terms of inches instead of feet. Of course, the KU4 can also be positioned at some distance from the sound source. It will just have a more balanced sound from up close. The KU4 can handle 140+ dB SPL at 1 kHz. That means it will not be hurt by loud sound sources.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eAN ALTERNATIVE TO SIBILANT CONDENSERS\u003c\/h3\u003e  \u003cp\u003eAfter getting used to bright condenser microphones, sometimes traditional ribbon mics sound darker than desired. The KU4, with its unique bright character, has the best elements of both condensers and ribbons– specifically, a smooth midrange that doesn’t accentuate sibilance in the same way that condensers often do. The mic’s supercardioid polar pattern, bright voicing, and near-field design offer the flexibility to use it in the exact same way as a condenser. This problem-solving microphone can be used in virtually any recording situation.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eA REINVENTION OF A CLASSIC MOTION PICTURE MICROPHONE\u003c\/h3\u003e  \u003cp\u003eThe KU4 is a redesign of the legendary RCA KU3A, a unidirectional microphone originally designed for boom use in Hollywood motion picture studios. It was RCA’s most expensive ribbon microphone and fewer than 600 units were ever manufactured. The KU3A combined the smooth ribbon sound of the classic RCA 44 with a unidirectional pattern, a wide sweet spot, and reduced proximity bass boost. It expanded the engineer’s range of placement choices and became a standard at film studios throughout the world.\u003c\/p\u003e  \u003cp\u003eToday, the KU3A is a rare collector’s item and only a handful of studios or rental houses own them. Original KU3As are notorious for their sonic inconsistencies due to production tolerances that included the use of the thick hair of English cows as a damping material. 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Many of the 20th century’s most iconic recordings were recorded by the R44. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE FIRST GREAT MUSIC MICROPHONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year AEA debuted their R44 reissue — called the AEA R44C — using RCA’s original methods and techniques.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHE LEGENDARY BIG RIBBON SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449351729255,"sku":"16156","price":3849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_r44ce_50506f81-54d8-4c69-8718-6151b2152b58.jpg?v=1787088664"},{"product_id":"aea-rpq-2-channel-ribbon-mic-preamp-demo-deal","title":"AEA RPQ 2 Channel Ribbon Mic Preamp (Demo Deal)","description":"The \u003cb\u003eAEA RPQ with Curve Shaping and P48 power\u003c\/b\u003e puts all the controls for ribbon mics at your fingertips: 80 dB of clean quiet JFET gain, P48 phantom power for active studio ribbons such as AEA’s A440, and LF trim and HF boost contols that are tuneable and defeatable so that you can tame proximity problems and\/or add a little more to the top. \u003cbr\u003e\u003cbr\u003e The RPQ has the speed, quietness, and headroom needed for high resolution ribbon recordings, and it sounds good with condenser and moving coil mics. AEA’s DC-coupled JFET topology delivers all the dynamics, subwoofer bass and fast transients that your ribbon and other mics are capable of. Its discrete front end and integrated circuit architecture meld the quietness of solid state with an openness reminiscent of tubes. \u003cbr\u003e\u003cbr\u003e Live and location recording is another area where the RPQ shines. Its Low-Energy-Storage (LES™) circuitry recovers instantly from overloads, a big advantage with unpredicatable dynamics, and its exceptional No Load™ input impedance of over 10,000 Ω makes it an ideal active mic splitter. Mic splits usually load down, changing a mic’s sound, but not the RPQ.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRPQ Electronics Specifications\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e80 dB of gain at 1 kHz, balanced-in to balanced-out\u003c\/li\u003e\n\u003cli\u003eNoise figure A-weighted \u0026lt; 2 dB, EIN \u0026lt; 129 dBu Aweighted\u003c\/li\u003e\n\u003cli\u003eFrequency response -3 dB \u0026lt;1 Hz and \u0026gt;200 kHz\u003c\/li\u003e\n\u003cli\u003e\u0026lt;.02 % THD at 1 kHz, 22 Hz to 22 kHz bandwidth\u003c\/li\u003e\n\u003cli\u003eBalanced mic input impedance \u0026gt;10 kΩ\u003c\/li\u003e\n\u003cli\u003eDC-coupled inputs protected from external P48 DC\u003c\/li\u003e\n\u003cli\u003eAC-coupled inputs with switchable P48 phantom power\u003c\/li\u003e\n\u003cli\u003eTwelve position stepped gain control from 7 to 55 dB\u003c\/li\u003e\n\u003cli\u003eTrim gain continuously adjustable from 0 to +19 dB\u003c\/li\u003e\n\u003cli\u003eSwitched LF trim: -3dB points tuneable from 18 to 350 Hz\u003c\/li\u003e\n\u003cli\u003eSwitched HF boost peak +6 dB at 12 noon, +16 dB max\u003c\/li\u003e\n\u003cli\u003eHF max boost +3dB points tuneable from 2 to 18 kHz\u003c\/li\u003e\n\u003cli\u003eXLR out has 6 dB gain, balanced or unbalanced load\u003c\/li\u003e\n\u003cli\u003eXLR max output+28 balanced, +22 unbalanced, 600 Ω\u003c\/li\u003e\n\u003cli\u003e¼” TRS max output unbalanced +22 dBu, 100 kΩ load\u003c\/li\u003e\n\u003cli\u003ePin 2 high on XLRs, tip high on ¼” TRS jacks\u003c\/li\u003e\n\u003cli\u003eGreen LED snaps on at ~ -5 dBu, Red at ~ +20 dBu\u003c\/li\u003e\n\u003cli\u003eYellow LED brightens from ~ 0 to +20 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eRPQ Physical Details\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eP48 Phantom \u0026amp; Polarity-Reverse pushbutton switches\u003c\/li\u003e\n\u003cli\u003eRotary potentionmeters (pots) detented at 12 noon\u003c\/li\u003e\n\u003cli\u003eGrayhill series 71 stepped gain switch and trim pot\u003c\/li\u003e\n\u003cli\u003eLF Cut pushbutton switch and one pot\u003c\/li\u003e\n\u003cli\u003eHF Boost pushbutton switch and two pots\u003c\/li\u003e\n\u003cli\u003ePushbutton power switch, LED power indicator\u003c\/li\u003e\n\u003cli\u003eInternal torroidal transformer with linear regulators\u003c\/li\u003e\n\u003cli\u003eMale recessed IEC power plug\u003c\/li\u003e\n\u003cli\u003eLaser engraved front panel markings\u003c\/li\u003e\n\u003cli\u003eMetalic blue and steel gray powder coat finish\u003c\/li\u003e\n\u003cli\u003eAluminum and steel chassis\u003c\/li\u003e\n\u003cli\u003eClear coated polished aluminum end caps\u003c\/li\u003e\n\u003cli\u003eDetachable polished aluminum rack ears\u003c\/li\u003e\n\u003cli\u003eChassis: 17.25” wide, 11” deep, by 1.7” high\u003c\/li\u003e\n\u003cli\u003eMetric: 44 cm wide, 28 cm deep, by 4.3 high\u003c\/li\u003e\n\u003cli\u003eWeight: 6.75 pounds, Metric: 3.1 Kg\u003c\/li\u003e\n\u003cli\u003eSpecifications as of Oct. 1, 2008, subject to change\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449359790183,"sku":"15991","price":1435.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_rpq_1.jpg?v=1787088701"},{"product_id":"aea-ex-7-vertical-extension","title":"AEA EX-7 Vertical Extension","description":"\u003cspan style=\"font-weight: bold;\"\u003eAEA EX-7 Medium-Duty Aluminum Vertical Extension\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eVertical Extension with 35\" to 7.5' Range.\u003c\/li\u003e\n\u003cli\u003eFor 5\/8\" stud. Weight 1.25 lbs.\u003c\/li\u003e\n\u003cli\u003eBlack finish \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449385709671,"sku":"18473","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_ex7.jpg?v=1787088805"},{"product_id":"aea-ku4-demo-deal","title":"AEA KU4 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAEA KU4\u003c\/strong\u003e celebrates the legendary RCA unidirectional KU3A, a high sensitivity microphone designed for the Hollywood movie studios.   Also known as a M-10001 for its manufacturing number, it was RCA’s most expensive ribbon microphone.  Fewer than 600 were ever manufactured. \u003cbr\u003e\u003cbr\u003eWhat made the KU3A special?  It combined the smooth ribbon sound of a 44 with a unidirectional pattern, a wide sweet spot and less proximity bass boost.  It expanded an engineer’s range of placement choices and became a standard at film studios around the world.\u003cbr\u003e\u003cbr\u003eAlthough condenser mics became the new standard by the end of the 1960s, ribbon mics are still appreciated today by experienced music recording engineers. However the KU3A is a rare microphone, a collector’s item, and few studios or rental houses own them.  Opportunities to work with a good KU3A are limited.\u003cbr\u003e\u003cbr\u003eWe are proud to expand your opportunities with the AEA KU4 featuring an RCA ribbon, interchangeable KU3A parts and consistent performance.\u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow is the KU4 different from other ribbon microphones?\u003c\/strong\u003e\u003cbr\u003eThe KU4’s suppressed rear lobe is useful when the back of a figure-of-eight would pick up undesirable sounds.  The KU4’s reduced proximity bass boost facilitates closer micing and its low-tuned ribbon delivers solid, undistorted bass.  These characteristics make the KU4 well suited for modern studio production. \u003cbr\u003e\u003cbr\u003eIts lightly-tensioned, ultra low mass ribbon has a frequency response out to 40 kHz and fast, accurate transients.  There is no upper midrange ringing common to large condenser mics.  The KU4’s ribbon is well protected and its field-tech replaceable pole piece and ribbon assembly is a real convenience if an accident occurs.\u003cbr\u003e\u003cbr\u003eThe KU4 is your ticket to discovering why the KU3A has been part of high-end studio life for over 60 years.  AEA is honored to play a part in its history, and invites you to listen to the KU4 and claim your part of this legacy.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Principle: Velocity microphone\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eFrequency Response: Below 30 Hz to above 20 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 140 + dB SPL above 200Hz for 1% third harmonic\u003c\/li\u003e\n\u003cli\u003eOutput Sensitivity: 2.8 mV\/Pa into unloaded circuit\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 300 Ω nominal\u003c\/li\u003e\n\u003cli\u003eRecommended Load: 1.2 KΩ or greater\u003c\/li\u003e\n\u003cli\u003ePhantom power: Not required or recommended\u003c\/li\u003e\n\u003cli\u003ePolarity: Pin 2 high for positive pressure at the front of the microphone.\u003c\/li\u003e\n\u003cli\u003eConnector: XLR-3M wired to a 1.5 meter captive cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOff Axis Response\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003ePolar Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eRelative Output at 180° (dB): -12\u003c\/li\u003e\n\u003cli\u003eAngle of Maximum Rejection: 135°\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransducer element\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eRibbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum\u003c\/li\u003e\n\u003cli\u003eRibbon Width: 0.082” (2.1 mm)\u003c\/li\u003e\n\u003cli\u003eRibbon Length: 1.25” (28.6 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessories\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eIncluded: Custom storage\/shipping case, stand adapter, manual and\u003c\/li\u003e\n\u003cli\u003eattached 1.5 meter microphone cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimited Warranty\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eThree years parts and labor, shipping not included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449389772903,"sku":"18870","price":4499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_ku4_1_zoom_1.jpg?v=1787088819"},{"product_id":"aea-rpq500","title":"AEA RPQ500 - Classic Look","description":"Originally designed to deliver the truest and most natural gain for   impedance and noise sensitive ribbon microphones, the full-rack AEA RPQ   preamp has proven itself to be the perfect match for any microphone,   ribbon or not. The \u003cb\u003eAEA RPQ500\u003c\/b\u003e module is based on this successful   design and provides the same ultra-clean, high-gain signal path that  has  earned AEA preamps their great reputation, in a 500 series package.  The  RPQ500 has been enhanced with additional features, turning it into  a  workhorse tool for your API 500 compatible rack.\u003cbr\u003e \u003cbr\u003e The RPQ500  delivers the bandwidth and quietness needed for high  resolution  recording. JFET circuit topology delivers all the dynamics,  subwoofer  bass, and fast transients that your microphones can record. No  Load™  input impedance above 10,000 Ω means the RPQ500 will not load  down a  mic and change its sound. Low Energy Storage™ circuit design  instantly  recovers from overloads for superior dynamic performance.\u003cbr\u003e \u003cbr\u003e The  CurveShaper™ offers a natural option for sculpting your sound right  at  the start of the signal path. Switchable and tunable low frequency  (LF)  and high frequency (HF) contour controls allow you to tame  proximity  problems and provide HF extension and slope control. The  high-frequency  CurveShaper™ excels at adding a touch of air or presence,  and the  low-frequency control can remove boxiness and boominess in a  fast and  unobtrusive way. The bottom line is a versatile channel strip  that will  deliver an unadulterated performance in any application.\u003cbr\u003e \u003cbr\u003e The  Line\/Mic switch bypasses the microphone gain stage and allows the EQ  to  be used for tracking with other preamps or during mixdown. Add the   output level control and the RPQ500 becomes a high-quality processing   tool that can be used for mixing and mastering when combined with   summing racks and mixers such as the Purple Audio Moiyn or the Roll   Music Folcrom.\u003cbr\u003e \u003cbr\u003e The original RPQ with CurveShaper™ was designed  to fully capture every  nuance of ribbon microphones: vintage or modern,  passive or phantom  powered. Engineers have discovered that the RPQ  also complements their  moving coil, tube and solid-state mics. By  virtue of its sonic qualities  and versatility, the AEA RPQ500 is the  tool of choice for all  microphones whenever a true and pristine signal  path is needed. It will  allow the best performance of all your  microphones with a cleaner, more  open, and more responsive sound than  you’ve ever heard.\u003cbr\u003e \u003cbr\u003e \u003cp\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449439219815,"sku":"19631","price":649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_rpq500_front_ecdb6e3b-2de3-43b6-8ac5-508e6643775c.jpg?v=1787088962"},{"product_id":"aea-r44c-x-option-used","title":"AEA R44C \"X\" Option #079944111CX (used)","description":"The \u003cb\u003eAEA R44\u003c\/b\u003e series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. They combine the 1930s US sound with British engineering from RCA that reduces the mic's weight and hum sensitivity. The R44 series microphones are all hand-crafted replicas in detail, using parts that are made to be interchangeable with an original RCA 44, even featuring ribbon material originally manufactured for RCA. The R44C was designed to meet or exceed the output of an RCA 44 when it was new. The R44CX is a high-output version of the R44C especially designed for scoring and other applications demanding a wide dynamic range with the \"classic 44\" sound.\u003cbr\u003e\u003cbr\u003eThe R44 series microphones are passive, like an RCA 44 is, and can be used in a wider range of situations without distorting than active microphones can.  This model has 6 db more output than the original RCA 44B and BX. Sound is slightly more forward.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449459339367,"sku":"21221","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_21221_1_a8ca7feb-0ab2-4b20-bf92-cd03b17623ba.jpg?v=1787089040"},{"product_id":"aea-r84-with-cloudlifter-cl-z-vk-gold-10-mic-cable-bundle","title":"AEA R84 with Cloudlifter CL-Z \u0026 VK Gold 10' Mic Cable Bundle","description":"\u003cp\u003eThe versatile \u003cstrong\u003eAEA R84\u003c\/strong\u003e large ribbon microphone is suitable for a wide range of instruments, including brass, strings, percussion, electric guitar and bass.  At just 0.00007 of an inch the ultra-thin, low-tension ribbon element of the R84 ensures a quick response, whatever the application.  Capable of handling better than 165 dB SPL at higher frequencies, when used on vocals or instruments the R84 offers a performance that is intimate, warm and detailed, yet not ever harsh. \u003cbr\u003e\u003cbr\u003eThe AEA R84 is supplied in a complete system that includes a shock mount, 6' mic cable and sturdy foam-lined carrying case.  Weighing-in at under 2 lbs (0.9 Kg) and measuring 8\" (30 cm) tall and 2.7\" (7 cm) in diameter.\u003c\/p\u003e\r\n\u003cbr\u003e\u003cbr\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eCloud Microphones Cloudlifter CL-Z \u003c\/strong\u003emic activator uses phantom  power from your preamp to solve an array of common issues with dyanmic  and ribbon microphones while maximizing your signal’s quality, making it  a must-have box for your studio or live toolset. It’s designed to be a  middleman between your mic and preamp, maximizing signal quality while  driving long cable runs. The direct-coupled, discrete JFET circuitry  preserves your signal’s integrity while the CL-Z goes to work. You get  control over the input impedance to get the best out of any mic, and a  variable output level (+12 to +24dB) so you can drive even the longest  cable runs with ease. You even get a variable low-cut filter to clean up  your signal before it ever graces your preamp. Whether you run live  sound or just use a variety mics on a daily basis in your studio, you’ll  love working with the CL-Z mic activator!\u003cbr\u003eVariable input impedance\u003cbr\u003e\u003cbr\u003eThe  Cloud Microphones CL-Z mic activator’s input features variable  impedance from 150 to 15k ohms. Since every microphone is different and  typically sound best at a specific input impedance, you can tailor the  CL-Z to any mic to get the best performance. And even if your preamp  features variable impedance, the CL-Z lets you control this near your  mic – great if your mic pres are across the room, let alone across a  crowded venue!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHot but clean output\u003c\/strong\u003e\u003cbr\u003eSometimes you need a  little extra juice to get a quality mic signal to your preamp,  especially with long cable runs. The Cloud Microphones CL-Z mic  activator makes it easy, adding 12 to 24dB of gain to your signal, while  the premium circuitry passes your audio un-colored. It’s great for  low-output ribbon and dynamic mics in your studio, and it’s awesome at  driving long cable runs from the stage to the board in live sound  settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePre-preamp control and flexibility\u003c\/strong\u003e\u003cbr\u003eThe CL-Z  from Cloud Microphones is placed between your mic and preamp, giving you  access to the additional gain and variable low-cut filter on the CL-Z.  In your studio, that makes it easy to optimize your signal before it  hits your preamp. Sure, your preamp may have a filter, and maybe even  variable impedance – but it’s across the room, maybe even in another  room. 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Includes original microphone case.\u003cbr\u003e\u003cp\u003eThe versatile \u003cb\u003eAEA R84\u003c\/b\u003e large ribbon microphone is suitable for a wide range of instruments, including brass, strings, percussion, electric guitar and bass. At just 0.00007 of an inch the ultra-thin, low-tension ribbon element of the R84 ensures a quick response, whatever the application. Capable of handling better than 165 dB SPL at higher frequencies, when used on vocals or instruments the R84 offers a performance that is intimate, warm and detailed, yet not ever harsh. \u003c\/p\u003e\u003cbr\u003eThe AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds (0.9 Kg) and measuring eight inches (30 cm) tall and 2.7 inches (7 cm) in diameter.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449527595111,"sku":"26395","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_aea_r84_mic__0894_cat_9ab4de76-339c-4db9-981d-22753944b6a5.jpg?v=1787089323"},{"product_id":"aea-rpq500-demo-deal","title":"AEA RPQ500 - Classic Look (Demo Deal)","description":"Originally designed to deliver the truest and most natural gain for   impedance and noise sensitive ribbon microphones, the full-rack AEA RPQ   preamp has proven itself to be the perfect match for any microphone,   ribbon or not. The \u003cb\u003eAEA RPQ500\u003c\/b\u003e module is based on this successful   design and provides the same ultra-clean, high-gain signal path that  has  earned AEA preamps their great reputation, in a 500 series package.  The  RPQ500 has been enhanced with additional features, turning it into  a  workhorse tool for your API 500 compatible rack.\u003cbr\u003e \u003cbr\u003e The RPQ500  delivers the bandwidth and quietness needed for high  resolution  recording. JFET circuit topology delivers all the dynamics,  subwoofer  bass, and fast transients that your microphones can record. No  Load™  input impedance above 10,000 Ω means the RPQ500 will not load  down a  mic and change its sound. Low Energy Storage™ circuit design  instantly  recovers from overloads for superior dynamic performance.\u003cbr\u003e \u003cbr\u003e The  CurveShaper™ offers a natural option for sculpting your sound right  at  the start of the signal path. Switchable and tunable low frequency  (LF)  and high frequency (HF) contour controls allow you to tame  proximity  problems and provide HF extension and slope control. The  high-frequency  CurveShaper™ excels at adding a touch of air or presence,  and the  low-frequency control can remove boxiness and boominess in a  fast and  unobtrusive way. The bottom line is a versatile channel strip  that will  deliver an unadulterated performance in any application.\u003cbr\u003e \u003cbr\u003e The  Line\/Mic switch bypasses the microphone gain stage and allows the EQ  to  be used for tracking with other preamps or during mixdown. Add the   output level control and the RPQ500 becomes a high-quality processing   tool that can be used for mixing and mastering when combined with   summing racks and mixers such as the Purple Audio Moiyn or the Roll   Music Folcrom.\u003cbr\u003e \u003cbr\u003e The original RPQ with CurveShaper™ was designed  to fully capture every  nuance of ribbon microphones: vintage or modern,  passive or phantom  powered. Engineers have discovered that the RPQ  also complements their  moving coil, tube and solid-state mics. By  virtue of its sonic qualities  and versatility, the AEA RPQ500 is the  tool of choice for all  microphones whenever a true and pristine signal  path is needed. It will  allow the best performance of all your  microphones with a cleaner, more  open, and more responsive sound than  you’ve ever heard.\u003cbr\u003e \u003cbr\u003e \u003cp\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449535459431,"sku":"22019","price":519.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_rpq_500_1_46e14bfb-60c3-4f19-b7a9-cc0317180cbc.jpg?v=1787089356"},{"product_id":"aea-n22-ribbon-microphone","title":"AEA N22 Active Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAEA N22\u003c\/strong\u003e is a modern near-field and active ribbon mic with a rugged lightweight design, extended top-end clarity, and reduced proximity effect making it perfect for close miking of instruments. It delivers clarity and balance in frequency response, even when positioned just inches from the source, and can stand alone in a mix without the need for the blending additional mic signals due to its extended top-end.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eA NEW APPROACH\u003c\/h3\u003e\r\n\u003cp\u003eThe N22 can be positioned inches away from an instrument and retain a balanced sound with extended top end while avoiding the room tone that can cause problems in smaller spaces or iso booths. This is what makes the N22 special.\u003c\/p\u003e\r\n\u003cp\u003eIt exhibits a high-frequency bump at 3 kHz making it ideal for recording vocals, electric guitar, bass cabs, kick drum, acoustic guitar, and percussion. It is best to think of the N22’s placement in terms of inches instead of feet.\u003c\/p\u003e\r\n\u003cp\u003eThe N22 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. Naturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDESIGNED FOR UP-CLOSE USE\u003c\/h3\u003e\r\n\u003cp\u003eThe N22 was designed to be positioned between 1 and 16 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/p\u003e\r\n\u003cp\u003eUnlike traditional ribbon mics, think of the N22s placement in terms of inches instead of feet. Of course, near-field mics can be positioned at a distance, but they have a more balanced sound close to the sound source.\u003c\/p\u003e\r\n\u003cp\u003eThe N22 not only handles the SPL levels of a high-gain amplifier and kick drum with ease, but it also translates all the gritty details of an instrument that musicians seek.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eAN ACTIVE RIBBON FOR A MODERN AGE\u003c\/h3\u003e\r\n\u003cp\u003eWith active electronics and a custom transformer, the N22 provides 12 dB of extra output and more preamp flexibility than traditional passive ribbon mics. The N22 uses the same custom transformer utilized in the AEA A440 and R84A microphones, enabling an additional 12 dB of output and a stable impedance. Though it still sounds great with any AEA ribbon-optimized preamp, it is not dependent on a high impedance, high gain preamp for proper use.\u003c\/p\u003e\r\n\u003cp\u003eThe extra output is a major advantage when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs and when near operating near large lighting rigs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eA RUGGED, ROADWORTHY COMPANION\u003c\/h3\u003e\r\n\u003cp\u003eWith increased durability and a small profile, it’s no wonder that a wide range of performers use AEA’s NUVO series microphones on the road. The mics are totally rugged and hold up to daily wear and tear.\u003c\/p\u003e\r\n\u003cp\u003eFrom outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the NUVO Windscreen, never worry about the ribbon – even at windy gigs.\u003c\/p\u003e\r\n\u003cp\u003eBands now using N8s and N22s on the road include Bonnie Raitt, Alicia Keys, Aerosmith, Grizzly Bear, Mitski, Marty Stuart and his Fabulous Superlatives, Alabama Shakes, War On Drugs, Local Natives, The Head and The Heart, Sara Watkins, Kurt Vile, Deerhunter, Jamestown Revival, JOHNNYSWIM, Brandi Carlile, Autolux, Foxygen, Kruger Brothers, Cam, Pedro the Lion, The Districts, Valerie June, King Krule, The Head and The Heart, Ben Harper, Ought and more.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eTESTIMONIALS:\u003c\/h3\u003e\r\n\u003cp\u003e\"The mics are a huge success! Our monitor guy and FOH guy want to buy a pair each... :)” \u003cbr\u003e\u003cem\u003e\u003cstrong\u003eHanan Rubinstein - Guitarist for Alicia Keys\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“I mix a lot of records for independent artists and singer-songwriters. I tried the AEA N22 on a wide range of sources and it always sounded good, which means that artists recording with the N22 will never deliver a bad sounding recording to me! The mic has a thickness and body that sounds very natural and that works great on instruments that can use a bit of heft and rounding off.“\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eRonan Chris Murphy - Producer\/engineer for King Crimson, Terry Bozzio, Steve Stevens\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“I’m excited by this mic. The mids are great and well voiced for electric guitar. No congestion in the low mid area makes it easy to control. It has a great 500 Hz ‘bark’ to it and pairs well with API or Neve preamps. It’s the brightest ribbon I have ever heard – but in a good way. This mic is taking my 100 Watt Marshall Plexi right up the gazoo ;-)”\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eBrett Chassen - Producer\/engineer\/session drummer for Kulick brothers, Bret Michaels, Lynch Mob\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“It’s a clear winner on acoustic guitar. The smooth midrange, and more open top end (compared with other ribbons) make it the perfect choice. On a male vocal, it was a really close call between the N22 and my Wagner U47. I was leaning towards the AEA N22, but the singer slightly preferred the U47 in a blind test.”\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eBen Tolliday - Producer\/engineer for Wolfmother, Alanis Morissette, Lord Huron\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449560035431,"sku":"34366","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_n22_front_ad743947-ed38-4e96-af59-66a57f104709.jpg?v=1787089460"},{"product_id":"aea-r84-microphone-8434-used","title":"AEA R84 Microphone #8434 (Used)","description":"Beautiful condition mic. Includes original microphone case.\u003cbr\u003e\u003cp\u003eThe versatile \u003cb\u003eAEA R84\u003c\/b\u003e large ribbon microphone is suitable for a wide range of instruments, including brass, strings, percussion, electric guitar and bass. At just 0.00007 of an inch the ultra-thin, low-tension ribbon element of the R84 ensures a quick response, whatever the application. Capable of handling better than 165 dB SPL at higher frequencies, when used on vocals or instruments the R84 offers a performance that is intimate, warm and detailed, yet not ever harsh. \u003c\/p\u003e\u003cbr\u003eThe AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds (0.9 Kg) and measuring eight inches (30 cm) tall and 2.7 inches (7 cm) in diameter.","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449566687335,"sku":"34451","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_aea_r84_mic__8434_cat_1301c64d-0544-4ab9-bc11-7db1c57013f8.jpg?v=1787089489"},{"product_id":"aea-trp-ribbon-mic-pre-0945-used","title":"AEA TRP Ribbon Mic Pre #0945 (Used)","description":"Very affordable used ribbon mic preamp! Combine this with an AEA R84 ribbon and you will NOT be disappointed. Check our 500 series section for the mono lunchbox version of this great mic pre.\u003cbr\u003e\u003cbr\u003e\u003cu\u003e\u003cb\u003eElectronics Specifications:\u003c\/b\u003e\u003c\/u\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e83 dB of gain\u003c\/li\u003e\n\u003cli\u003e-130 EIN noise figure\u003c\/li\u003e\n\u003cli\u003e-3 dB at 300 kH\u003c\/li\u003e\n\u003cli\u003eNo phantom power, 18,000 ohms input impedance\u003c\/li\u003e\n\u003cli\u003eGreen and Red LEDs indicates channel level\u003c\/li\u003e\n\u003cli\u003eBalanced XLR +4, and Unbalanced ¼ inch -10 outputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cu\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/u\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449579696231,"sku":"35083","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_aea_trp_ribbon_mic_pre__0945_cat_9f191219-5984-47c6-9ff8-e5c1e31a252f.jpg?v=1787089547"},{"product_id":"aea-n22-ribbon-microphone-demo-deal","title":"AEA N22 Ribbon Microphone (Demo Deal)","description":"\u003cp\u003eThe AEA NUVO Series is a range of modern microphones that are rooted in the RCA tradition just like other AEA ribbon microphones, but have been designed to offer a fresh approach of the ribbon transducer focusing on current application demands. The NUVO series represents Wes Dooley’s take on the evolution of the ribbon microphone. All NUVO microphones are designed with the needs of specific applications in mind.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAEA N22 Microphone\u003c\/strong\u003e\u003cbr\u003eThe AEA N22 microphone was designed with the singer-songwriter musician in mind. Artists work hard at honing their musical craft for many years, and they have probably spent a considerable sum of money on their instrument. They feel strongly about their personal tone, which they have developed over many hours of practice, so they are willing to invest into a microphone that translates their tone in recording. Nonetheless, they can’t and don’t want to invest into a giant mic locker, but rather need to fulfill all their recording needs with just a few pieces of gear. The new AEA N22 delivers on exactly those key points – providing a great ribbon tone without the need for EQ in most applications, flexibility, and ease of use in home recording setups. Most importantly, the N22 was designed by listening first, and measuring only after experienced musicians and engineers told us the microphone sounded great. At $899 street price it doesn’t break the bank, but delivers a handcrafted, US-made microphone that was built to last throughout a musician’s career. Bridging the gap between vintage and modern, ribbon and condenser, studio and live, the N22 is the perfect companion for musicians and engineers alike.\u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eApplication Examples\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAcoustic guitars (6\/12-string, banjo, etc.) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWell-defined tone without the need for EQ\u003c\/li\u003e\n\u003cli\u003eNo excessive bass build-up at close proximity like with classic ribbon mics\u003c\/li\u003e\n\u003cli\u003eFigure-of-8 pattern works exceptionally well in singer-songwriter applications with live guitar and live vocal performed at the same time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eVocals \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCut through in a busy mix without getting edgy thanks to low-tuned ribbon.\u003c\/li\u003e\n\u003cli\u003eGreat wind protection allows vocal recording without pop filter.\u003c\/li\u003e\n\u003cli\u003eReduced proximity effect allows close-up use without excessive bass.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eElectric guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExceptional tone right off the bat without any low-mid build-up even when used right up on the grill of a guitar cab.\u003c\/li\u003e\n\u003cli\u003eHighly protected ribbon allows very SPL levels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDrums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eModern tone combining the classic low-mid qualities of a ribbon with great upper mid definition.\u003c\/li\u003e\n\u003cli\u003eWell balanced for snare drums, toms, hi-hat, and small percussion.\u003c\/li\u003e\n\u003cli\u003eFigure-of-8 pattern offers exceptional bleed rejection in many applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eLive Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSturdy construction and highly protected ribbon that can take a beating.\u003c\/li\u003e\n\u003cli\u003ePhantom-powered buffer drives long mic lines and gives consistent sound.\u003c\/li\u003e\n\u003cli\u003eSmall footprint makes it easy to position the mic and allows placement in tight setups.\u003c\/li\u003e\n\u003cli\u003eReduced proximity effect means that the mic may be used at very close-up distances without excessive bass.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTestimonials\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"The mics are a huge success! Our monitor guy and FOH guy want to buy a pair each... :)” \u003cbr\u003e\u003cem\u003e\u003cstrong\u003eHanan Rubinstein - Guitarist for Alicia Keys\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“I mix a lot of records for independent artists and singer-songwriters. I tried the AEA N22 on a wide range of sources and it always sounded good, which means that artists recording with the N22 will never deliver a bad sounding recording to me! The mic has a thickness and body that sounds very natural and that works great on instruments that can use a bit of heft and rounding off.“\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eRonan Chris Murphy - Producer\/engineer for King Crimson, Terry Bozzio, Steve Stevens\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“I’m excited by this mic. The mids are great and well voiced for electric guitar. No congestion in the low mid area makes it easy to control. 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The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.\u003cbr\u003e\u003cbr\u003eThe N8’s unobtrusive size and black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8’s phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA.\u003cbr\u003e\u003cbr\u003eThe N8 is the second member of AEA’s NUVO series of microphones. 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The \u003cstrong\u003eAEA RPQ500\u003c\/strong\u003e module is based on this successful design and provides the same ultra-clean, high-gain signal path that has earned AEA preamps their great reputation, in a 500 series package. The RPQ500 has been enhanced with additional features, turning it into a workhorse tool for your API 500 compatible rack.\u003cbr\u003e \u003cbr\u003e The RPQ500 delivers the bandwidth and quietness needed for high resolution recording. JFET circuit topology delivers all the dynamics, subwoofer bass, and fast transients that your microphones can record. No Load™ input impedance above 10,000 Ω means the RPQ500 will not load down a mic and change its sound. Low Energy Storage™ circuit design instantly recovers from overloads for superior dynamic performance.\u003cbr\u003e \u003cbr\u003e The CurveShaper™ offers a natural option for sculpting your sound right at the start of the signal path. 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