{"title":"After Later Audio","description":null,"products":[{"product_id":"after-later-audio-uoc-3u-micro-ornament-crime","title":"After Later Audio uO_C Micro Ornament \u0026 Crime Module - Black and Gold","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio uO_C\u003c\/strong\u003e is a new build of Micro Ornament \u0026amp; Crime, a variant of the popular Ornament \u0026amp; Crime designed by mxmxmx. The firmware is Stock by default. The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.\u003c\/p\u003e  \u003cp\u003eApps currently available in Ornament \u0026amp; Crime:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCopierMaschine is an enhanced version of the original quantising digital emulation of a four stage analogue shift register (ASR).\u003c\/li\u003e \u003cli\u003eHarrington 1200 provides basic neo-Riemannian Tonnetz transformations of triadic chords, triggered by the digital (gate\/trigger) inputs.\u003c\/li\u003e \u003cli\u003eAutomatonnetz combines Tonnetz transforms with a “vector” sequencer - it can be both a chord sequencer and a melody sequencer, but not of the usual kind.\u003c\/li\u003e \u003cli\u003eQuantermain is a quad pitch quantiser for external voltages, with editable scales; it can do clocked (trigger-driven) quantising, or continuous quantising, with a latency of under 100 microseconds; it also features quad Turing Machines, May-Verhulst logistic maps or byte beats as optional, semi-random, internally generated CV sources.\u003c\/li\u003e \u003cli\u003eMeta-Q is a dual-channel quantiser, similar to Quantermain, but also offering scale and note mask sequencing.\u003c\/li\u003e \u003cli\u003eQuadraturia is a wavetable quadrature LFO, based on the “Easter egg” in the Mutable Instruments Frames module.\u003c\/li\u003e \u003cli\u003eLow-rents is a dual Lorenz and Rössler (strange attractor) modulation generator, partially based on the “Easter egg” in the Mutable Instruments Streams module.\u003c\/li\u003e \u003cli\u003ePiqued is a quad voltage-controlled envelope generator, based on envelope generator code from the Mutable Instruments Peaks module, but extending it with voltage control, additional envelope types, including re-triggering (looping) envelopes, additional segment shapes, adjustable trigger delays, and a unique Euclidean “trigger filter” which turns the app into a Euclidean rhythm generator which can output envelopes, not just gate or trigger pulses.\u003c\/li\u003e \u003cli\u003eSequins is a dual-channel step sequencer offering 4 “tracks” of up to 16 steps each; tracks can themselves be sequenced.\u003c\/li\u003e \u003cli\u003eDialectic Ping Pong is a quad bouncing ball envelope generator, based on a hidden mode of the Mutable Instruments Peaks module.\u003c\/li\u003e \u003cli\u003eViznutcracker, sweet! is a quad “byte beat” equation generator, which can be used as an audio source to generate curious but often interesting 8-bit noises and tunes, or which can be clocked by an external source to produce “byte beat” control voltage sequences. “Byte beats” were first described in 2011 by viznut (aka Ville-Matias Heikkilä).\u003c\/li\u003e \u003cli\u003eAcid Curds is both a chord quantiser (sometimes called a “harmonic quantiser” for external pitch voltages), and a chord progression sequencer.\u003c\/li\u003e \u003cli\u003eReferences is an utility app that outputs specific reference voltages on each channel to help tune or calibrate VCOs and other modules. It also includes a high-precision frequency meter and note tuner, a high-precision BPM (beats per minute) tempo meter, and a closed-loop calibration mode.\u003c\/li\u003e \u003c\/ul\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870657127,"sku":"181559","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-uo-c_181559_1_2700a32d-5aed-4304-b9ed-07cafb8f46cd.jpg?v=1787094888"},{"product_id":"after-later-audio-uoc-1u-micro-ornament-crime-module","title":"After Later Audio uO_C 1U Micro Ornament \u0026 Crime Module - Black and Gold","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio uOC 1U\u003c\/strong\u003e is a rebuild of the Ornament \u0026amp; Crime for 1U Intellijel format. This is functionally identical to the 3U version, just re-oriented to fit in 1U racks. Ornament \u0026amp; Crime is designed by mxmxmx. This 1U version supports the mainline builds of Hemisphere as the hardware is identical to the 3U version.\u003c\/p\u003e  \u003cp\u003eThe apps currently available in Ornament \u0026amp; Crime:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCopierMaschine is an enhanced version of the original quantizing digital emulation of a four stage analogue shift register (ASR).\u003c\/li\u003e \u003cli\u003eHarrington 1200 provides basic neo-Riemannian Tonnetz transformations of triadic chords, triggered by the digital (gate\/trigger) inputs.\u003c\/li\u003e \u003cli\u003eAutomatonnetz combines Tonnetz transforms with a “vector” sequencer - it can be both a chord sequencer and a melody sequencer, but not of the usual kind.\u003c\/li\u003e \u003cli\u003eQuantermain is a quad pitch quantizer for external voltages, with editable scales; it can do clocked (trigger-driven) quantizing, or continuous quantizing, with a latency of under 100 microseconds; it also features quad Turing Machines, May-Verhulst logistic maps or byte beats as optional, semi-random, internally generated CV sources.\u003c\/li\u003e \u003cli\u003eMeta-Q is a dual-channel quantizer, similar to Quantermain, but also offering scale and note mask sequencing.\u003c\/li\u003e \u003cli\u003eQuadraturia is a wavetable quadrature LFO, based on the “Easter egg” in the Mutable Instruments Frames module.\u003c\/li\u003e \u003cli\u003eLow-rents is a dual Lorenz and Rössler (strange attractor) modulation generator, partially based on the “Easter egg” in the Mutable Instruments Streams module.\u003c\/li\u003e \u003cli\u003ePiqued is a quad voltage-controlled envelope generator, based on envelope generator code from the Mutable Instruments Peaks module, but extending it with voltage control, additional envelope types, including re-triggering (looping) envelopes, additional segment shapes, adjustable trigger delays, and a unique Euclidean “trigger filter” which turns the app into a Euclidean rhythm generator which can output envelopes, not just gate or trigger pulses.\u003c\/li\u003e \u003cli\u003eSequins is a dual-channel step sequencer offering 4 “tracks” of up to 16 steps each; tracks can themselves be sequenced.\u003c\/li\u003e \u003cli\u003eDialectic Ping Pong is a quad bouncing ball envelope generator, based on a hidden mode of the Mutable Instruments Peaks module.\u003c\/li\u003e \u003cli\u003eViznutcracker, sweet! is a quad “byte beat” equation generator, which can be used as an audio source to generate curious but often interesting 8-bit noises and tunes, or which can be clocked by an external source to produce “byte beat” control voltage sequences. “Byte beats” were first described in 2011 by viznut (aka Ville-Matias Heikkilä).\u003c\/li\u003e \u003cli\u003eAcid Curds is both a chord quantizer (sometimes called a “harmonic quantizer” for external pitch voltages), and a chord progression sequencer.\u003c\/li\u003e \u003cli\u003eReferences is an utility app that outputs specific reference voltages on each channel to help tune or calibrate VCOs and other modules. It also includes a high-precision frequency meter and note tuner, a high-precision BPM (beats per minute) tempo meter, and a closed-loop calibration mode.\u003c\/li\u003e \u003c\/ul\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870722663,"sku":"181561","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-uo-c-1u_181561_1_323c7a1d-2b3b-46a6-94c2-601003897ab3.jpg?v=1787094888"},{"product_id":"after-later-audio-tilt-function-generator-and-adsr-envelope-generator","title":"After Later Audio TILT Function Generator\/ADSR Envelope Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio Tilt Function Generator\/ADSR Envelope Generator\u003c\/strong\u003e is After Later's take on the classic Slope Generator module first introduced by Serge back in the 1970s. The module is really a jack of all trades as it can be a slew limiter, envelope generator, oscillator (both LFO and audio rate), and function generator.\u003c\/p\u003e  \u003cp\u003eThis stays true to the original design by offering both a unipolar and bipolar output while adding separate controls for exp\/log for both rise and fall and a gate\/sustain function to get full ADSR envelopes.\u003c\/p\u003e  \u003cp\u003eThe rise output is high during the rising portion of the cycle and fall output is high during the falling portion of the cycle.\u003c\/p\u003e  \u003cp\u003eUse the IN input to get standard slew limiter functionality.\u003c\/p\u003e  \u003cp\u003eUse the GATE input to trigger an ADSR envelope and then use the sustain control to control the level of the sustain. Rise will control the attack and fall controls both the decay and release times. You can also use the GATE input while using a cycle mode and this will adjust the 0V level to the sustain level. This gets some great effects with audio rate frequencies on the on the rise\/fall controls.\u003c\/p\u003e  \u003cp\u003eThere are two rate modes controllable by a jumper on the back. The module is set to AUDIO mode at the factory.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eLFO mode: 10 min\/cycle to 115 Hz\u003c\/li\u003e \u003cli\u003eAUDIO mode: 75 sec\/cycle to 1.2 kHz\u003c\/li\u003e \u003c\/ul\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870755431,"sku":"181571","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-tilt_181571_1_bab9bf6c-2040-4617-8261-f4b630e1735d.jpg?v=1787094888"},{"product_id":"after-later-audio-steps-random-looping-stepped-cv-and-burst-generator","title":"After Later Audio STEPS Random Looping Stepped CV and Burst Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio STEPS\u003c\/strong\u003e is a random looping stepped CV and burst generator for Eurorack.  It features three functional blocks:\u003c\/p\u003e  \u003cp\u003eInternal clock:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eRate control and output\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eBurst generator:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003ePulses output which generates 8 pulses on every trigger\u003c\/li\u003e \u003cli\u003eGate output which is high during the burst event\u003c\/li\u003e \u003cli\u003eEOB output which fires at the end of a burst event\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eRandom Looping Stepped CV Generator:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eR.gate output outputs a random gate during a burst event\u003c\/li\u003e \u003cli\u003eRandom stepped output or a loop of 8 steps\u003c\/li\u003e \u003cli\u003eSteps output with attenuverter, The Steps output is held low while there is no burst event\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eYou can either use this as a random stepped CV source or as a repeating 8 stepped CV source. You then can trigger the burst generator to play the 8 step loop or 8 random steps. All of this can use the internal or external clock signals. To get more complex patterns you can daisy chain STEPS modules together by tying together their clocks and sending EOB to TRIG. This way you can generate 16 step patterns (or longer).\u003c\/p\u003e  \u003cp\u003eWhen first turning on STEPS you will need to run the module in RAND mode for at least 8 steps to fill the shift register with data.\u003c\/p\u003e  \u003cp\u003eA caveat about STEPS: If a trigger is received off beat from the internal clock, the first step duration will be shortened.\u003c\/p\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870788199,"sku":"181567","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-steps_181567_1_f6527174-acde-4f00-a2ca-c48ad0d8e385.jpg?v=1787094888"},{"product_id":"after-later-audio-shth-sample-hold","title":"After Later Audio SHTH Sample \u0026 Hold Module","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio SHTH\u003c\/strong\u003e allows you to create stepped outputs using two different classic synthesis techniques, sample \u0026amp; hold and\/or track \u0026amp; hold.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSAMPLE \u0026amp; HOLD\u003c\/h3\u003e  \u003cp\u003eThe top four jacks make up the sample and hold section. There is a noise output that is normalled to the input so you can pass a gate\/trig signal into the SAMP input to get a stepped output at the OUT jack.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIN - Signal that will be sampled, normalled to NSE output\u003c\/li\u003e \u003cli\u003eSAMP - When high updates the voltage being sent to the output\u003c\/li\u003e \u003cli\u003eNSE - White noise output\u003c\/li\u003e \u003cli\u003eOUT - The sampled output (freezes the value from the IN jack when the SAMP jack receives a high signal)\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eTRACK \u0026amp; HOLD\u003c\/h3\u003e  \u003cp\u003eThe bottom four jacks make up the track and hold section. There is a walk signal (a randomish meandering voltage) that is normalled to the input. Track and hold is the opposite of sample and hold in that it will pass the IN value to the OUT jack until the TRACK input receives a high gate. While the TRACK input is high it will hold the value. After the TRACK input goes low, it will begin tracking the IN signal again.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIN - Signal that will be tracked\u003c\/li\u003e \u003cli\u003eTRACK - When high the value will be held at the output\u003c\/li\u003e \u003cli\u003eWALK - A meandering voltage\u003c\/li\u003e \u003cli\u003eOUT - The track output (follows IN while TRACK is low, held voltage while TRACK is high)\u003c\/li\u003e \u003cli\u003eCC-BY-SA Emelie Gillett\u003c\/li\u003e \u003c\/ul\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870820967,"sku":"181570","price":84.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-shth_181570_1_03bb714a-b287-4e5f-983b-672aff6eb0b1.jpg?v=1787094889"},{"product_id":"after-later-audio-resonate-full-size-rings-module","title":"After Later Audio Resonate Mutable Instruments Rings Clone Module","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio Resonate\u003c\/strong\u003e is an exact hardware replica of the Mutable Instruments Rings module. The Mutable Instruments Rings was designed to bring physical modeling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.\u003c\/p\u003e  \u003cp\u003eThree families of vibrating structures are simulated by the module, with CV control over their parameters:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eStrings, membranes and tubes as modeled by Elements’ resonator section (modal synthesis)\u003c\/li\u003e \u003cli\u003eStrings coupled together and vibrating in sympathy, with controllable intervals between them\u003c\/li\u003e \u003cli\u003eStrings with a variable amount of inharmonicity\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eRings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.\u003c\/p\u003e   \u003cp\u003eThe Mutable Instruments Rings brings physical modeling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.\u003c\/p\u003e  \u003cp\u003eThree families of vibrating structures are simulated by the module, with CV control over their parameters:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eStrings, membranes and tubes as modeled by Elements’ resonator section (modal synthesis)\u003c\/li\u003e \u003cli\u003eStrings coupled together and vibrating in sympathy, with controllable intervals between them\u003c\/li\u003e \u003cli\u003eStrings with a variable amount of inharmonicity\u003c\/li\u003e \u003cli\u003eRings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s), this unique take on polyphony allows the module to play strummed chords\u003c\/li\u003e \u003c\/ul\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870853735,"sku":"181572","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-resonate_181572_1.jpg?v=1787094889"},{"product_id":"after-later-audio-rainier-8hp-peaks","title":"After Later Audio Rainier Mutable Instruments Peaks Clone Module","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio Rainier\u003c\/strong\u003e is a smaller and extended version of Mutable Instruments Peaks with CV inputs and input \u0026amp; output attenuverters. It can be an ADSR-style envelope generator, an LFO and a drum emulator. By default we will load the Dead Man’s Catch (DMC) firmware which adds the Alt ENV, ALT LFO, ALT Tap, Alt Drum modes below. We are happy to load the stock firmware as well. Just send us a message with your order.\u003c\/p\u003e  \u003cp\u003eThe module is calibrated, comes with a power cable, and a one year warranty.\u003c\/p\u003e  \u003cp\u003eBasic (original modes):\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eEnvelope\u003c\/li\u003e \u003cli\u003eLFO\u003c\/li\u003e \u003cli\u003eTap LFO\u003c\/li\u003e \u003cli\u003eBass\/Snare Drums\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eAdditional Dead Man’s Catch firmware modes:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eAlternative ENV: Double attack envelope, Repeating attack envelope, Looping envelope, Randomized AD envelope, Bouncing ball envelope\u003c\/li\u003e \u003cli\u003eAlternative LFO: Frequency-modulated LFO (folded sine FM), Frequency-modulated LFO (random FM), Varying wave shape LFO ( folded sine WS mod), Varying wave shape LFO ( random WS mod), Phase-locked loop oscillator\u003c\/li\u003e \u003cli\u003eAlternative TAP Mini-sequencer: ModSequencer, Pulse Shaper, Pulse Randomizer, Turing Machine, Bytebeats\u003c\/li\u003e \u003cli\u003eAlternative DRUM: FM drum Generators, Randomized bass and snare drum generators, Randomized high hat\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe Mutable Instruments Peaks provides 4 different functions in a small 8-HP package: ADSR, LFO \/ Tap tempo LFO, and drum synth. Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works.\u003c\/p\u003e  \u003cp\u003ePeaks is a dual-channel module – making it very useful for duophonic patches or for controlling\/synthesizing the kick\/snare rhythmic backbone of a patch.\u003c\/p\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870886503,"sku":"181566","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-rainier_181566_1_da51778a-085b-4c9d-a4bd-074aef059fac.jpg?v=1787094889"},{"product_id":"after-later-audio-qarv-quad-attack-release-vca","title":"After Later Audio QARV Quad Attack, Release \u0026 VCA Module","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio QARV\u003c\/strong\u003e features four channels of function generator, oscillator, slew limiter, envelope, and VCAs. This module brings the ultimate in flexibility as it can be used as a standalone synth voice, a massive amount of modulation, or a four channel envelope generator with mixer. We believe this makes QARV a great first module and a great addition to the largest of systems.\u003c\/p\u003e  \u003cp\u003eAll four channels have the following features:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eUni-polar oscillator mode\u003c\/li\u003e \u003cli\u003eAttack and release time control via potentiometer and via input jack\u003c\/li\u003e \u003cli\u003eShape control that controls shape for both attack and release\u003c\/li\u003e \u003cli\u003eOutput attenuverter\u003c\/li\u003e \u003cli\u003eVCAs that normal to each subsequent channel (CH1 -\u0026gt; CH2, etc.). So you can get a mix of all four channels out of the CH4 VCA output (unless you patch a VCA output from an earlier channel)\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eChannels 1 \u0026amp; 4:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eVoltage source (CH1 - 5V \u0026amp; CH4 - 10V)\u003c\/li\u003e \u003cli\u003eCH1 \u0026amp; CH4 can be switched between IN (slew mode) and TRIG (envelope) mode\u003c\/li\u003e \u003cli\u003eRISE and FALL gates, you can use our G\u0026amp;T module to turn these gates into triggers\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eChannels 2 \u0026amp; 3:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eBi-polar oscillator mode\u003c\/li\u003e \u003cli\u003eDedicated IN and TRIG jacks (helpful for adding offset to a triggered ENV)\u003c\/li\u003e \u003cli\u003eBOTH input jack to simplify patching both the attack and release (also inverts the input to give more standard pitch tracking of higher voltage equals higher pitch)\u003c\/li\u003e \u003c\/ul\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870919271,"sku":"181557","price":224.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-audio-qarv-23_181557_1.jpg?v=1787094889"},{"product_id":"after-later-audio-popple-ripples-multimode-stereo-filter","title":"After Later Audio Popple Mutable Instruments Ripples Clone Module","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio Popple\u003c\/strong\u003e is an 8HP multimode stereo filter based on the Mutable Instruments Ripples V1 filter section. Popple maintains the buttery smoothness of Ripples filter while giving you two separate audio paths. The audio paths share a resonance control, a frequency cutoff control, resonance CV input, and a v\/oct cutoff CV input. Each channel then has its own cutoff CV input with attenuverters (which are normalled to a 2.5V signal).\u003c\/p\u003e  \u003cp\u003ePopple will also self-oscillate at high resonance settings, when coupled with the v\/oct CV control Popple can act as a dual sine wave oscillator as well.\u003c\/p\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450870952039,"sku":"181564","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-popple_181564_1_d94c2591-82f1-40d8-a11c-1330cc33b0ed.jpg?v=1787094889"},{"product_id":"after-later-audio-pique-micro-peaks","title":"After Later Audio Pique Micro Mutable Instruments Peaks Clone Module - Black and Gold","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio Pique\u003c\/strong\u003e is a micro version (4HP) of the popular Peaks module from Mutable Instruments.  It can be an ADSR-style envelope generator, an LFO and a drum emulator.  By default we will  load the Dead Man's Catch (DMC) firmware which adds the Alt ENV, ALT LFO, ALT Tap, Alt Drum modes below. \u003c\/p\u003e  \u003cp\u003eAdditional Dead Man’s Catch firmware modes:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eBasic (original modes): Envelope, LFO, Tap LFO, Bass\/Snare Drums\u003c\/li\u003e \u003cli\u003eAlternative ENV: Double attack envelope, Repeating attack envelope, Looping envelope, Randomized AD envelope, Bouncing ball envelope\u003c\/li\u003e \u003cli\u003eAlternative LFO: Frequency-modulated LFO (folded sine FM), Frequency-modulated LFO (random FM), Varying wave shape LFO ( folded sine WS mod), Varying wave shape LFO ( random WS mod), Phase-locked loop oscillator, Alternative TAP Mini-sequencer\u003c\/li\u003e \u003cli\u003eModSequencer: Pulse Shaper, Pulse Randomizer, Turing Machine, Bytebeats\u003c\/li\u003e \u003cli\u003eAlternative DRUM: FM drum Generators, Randomized bass and snare drum generators, Randomized high hat\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eThe Mutable Instruments Peaks provides 4 different functions in a small 8-HP package: ADSR, LFO \/ Tap tempo LFO, and drum synth. 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It features two separate voltage-controlled amplifiers, both with a gain and a response curve potentiometer, that is variable from linear to exponential. The outputs are normalized, so when no patch cable is present on output 1, output 2 will contain both signals, allowing the module to be used as a mixer. Several DVCAs can be daisy-chained for voltage-controlled mixer operation. It comes with jack lights that can be disabled via a jumper on the back.\u003c\/p\u003e  \u003cp\u003eThese modules use tall bushing potentiometers to offer a more stable feel. You can see the difference in the last picture. You will feel much less wiggle with the tall bushing (left) than with traditional trimmer style (right).\u003c\/p\u003e  \u003cp\u003eThe module is fully assembled and tested. Eurorack power cable included.\u003c\/p\u003e  \u003cp\u003eThe original Mutable Instruments Veils was designed to provide four VCAs with an adjustable response curve. 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You cannot program this sequencer, instead it builds random sequences that can be locked in.\u003c\/p\u003e  \u003cp\u003eAlan comes tested, calibrated and ready to bring random voltages.\u003c\/p\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":44450871246951,"sku":"181562","price":180.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/after-later-alan_181562_1_5b8aa661-ef6e-4df6-98b3-75a7681364c7.jpg?v=1787094890"},{"product_id":"after-later-audio-beehive-mutable-instruments-uplaits-clone-module-demo-deal","title":"After Later Audio Beehive Mutable Instruments uPlaits Clone Module (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAfter Later Audio Beehive\u003c\/strong\u003e is a functionally identical clone of the Mutable Instruments Plaits. 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Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.\u003c\/p\u003e  \u003cp\u003eThree families of vibrating structures are simulated by the module, with CV control over their parameters:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eStrings, membranes and tubes as modeled by Elements’ resonator section (modal synthesis)\u003c\/li\u003e \u003cli\u003eStrings coupled together and vibrating in sympathy, with controllable intervals between them\u003c\/li\u003e \u003cli\u003eStrings with a variable amount of inharmonicity\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eRings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). 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Not just a mkII version: its hardware and software have been redesigned from scratch.\u003c\/p\u003e  \u003cp\u003eJust like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.\u003c\/p\u003e  \u003cp\u003eGone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.\u003c\/p\u003e  \u003cp\u003eThanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. 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