{"title":"Aftersound","description":null,"products":[{"product_id":"aftersound-reverbophone-honey-oak-blond-grill","title":"AfterSound Reverbophone Reverberating Microphone - Honey Oak, Blond Grill","description":"\u003cp\u003eThe \u003cstrong\u003eAfterSound Reverbophone\u003c\/strong\u003e is a reverberating microphone that turns moving air into real, physical reverb—no DSP. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. The result is natural space and believable distance, from room to cathedral. Deep lows, smooth highs, powerful! Set the length. Record. Done.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eA VERY BIG STEREO MICROPHONE\u003c\/h3\u003e  \u003cp\u003eAt its core, the Reverbophone is a microphone. A very big microphone. You could there for maybe even call it a macrophone. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. Even though the plate is moving, it’s completely silent to the ear — all the sound exists only inside the microphones.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDECAY TIME\u003c\/h3\u003e  \u003cp\u003eThe decay length of the plate can be adjusted using the decay lever. When you move the lever, a secondary damping plate is brought closer to the main plate. This physically slows down the motion of the metal by restricting the air movement between the two surfaces, shortening the decay time. It’s a completely analog, mechanical process — no electronics, no algorithms, just pure acoustics shaping the reverb in real time. Depending on the lever position, the sound can range from a tight, room-like ambience to a rich, extended decay of up to around five to six seconds. Think of the Reverbophone as a door into a great-sounding room. Inside that room, you have two room mics capturing everything that happens. The size of the room can be adjusted with the decay lever, changing how long the sound lingers inside. Once you start thinking of it that way, everything about how it works will feel natural.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCONNECTING TO YOUR MICROPHONE PREAMP\u003c\/h3\u003e  \u003cp\u003eJust like any stereo microphone, the Reverbophone has two balanced XLR outputs — one for each internal microphone. Simply connect them to your preamps or interface, just as you would with any other mic. It requires phantom power to operate, and that’s all it needs. Once powered, it’s ready to use — just plug it in and start listening to the room behind the door. For best results, use a clean, low-noise preamp that lets the natural tone and dynamics of the plate come through clearly. The Reverbophone also features a sweepable high-pass filter ranging from 0 to 200 Hz, allowing you to control how much low-end resonance from the plate is passed through.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eUSING TWO REVERBOPHONES\u003c\/h3\u003e  \u003cp\u003eSome engineers may choose to use two Reverbophones when recording instruments like drums. Even a single unit already produces a full stereo image, so the reason for adding a second one isn’t to make the sound wider — it’s to capture more of the instrument from different positions in the room. By setting the two units to different decay lengths, you can record two distinct “room sizes” at once and balance them later in the mix for greater depth and flexibility.\u003c\/p\u003e","brand":"Aftersound","offers":[{"title":"Default Title","offer_id":44451390980199,"sku":"512312","price":6499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aftersound-reverbophone-oak-blond_512312_1.jpg?v=1787097058"},{"product_id":"aftersound-reverbophone-black-oak-blond-grill","title":"AfterSound Reverbophone Reverberating Microphone - Black Oak, Blond Grill","description":"\u003cp\u003eThe \u003cstrong\u003eAfterSound Reverbophone\u003c\/strong\u003e is a reverberating microphone that turns moving air into real, physical reverb—no DSP. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. The result is natural space and believable distance, from room to cathedral. Deep lows, smooth highs, powerful! Set the length. Record. Done.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eA VERY BIG STEREO MICROPHONE\u003c\/h3\u003e  \u003cp\u003eAt its core, the Reverbophone is a microphone. A very big microphone. You could there for maybe even call it a macrophone. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. Even though the plate is moving, it’s completely silent to the ear — all the sound exists only inside the microphones.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDECAY TIME\u003c\/h3\u003e  \u003cp\u003eThe decay length of the plate can be adjusted using the decay lever. When you move the lever, a secondary damping plate is brought closer to the main plate. This physically slows down the motion of the metal by restricting the air movement between the two surfaces, shortening the decay time. It’s a completely analog, mechanical process — no electronics, no algorithms, just pure acoustics shaping the reverb in real time. Depending on the lever position, the sound can range from a tight, room-like ambience to a rich, extended decay of up to around five to six seconds. Think of the Reverbophone as a door into a great-sounding room. Inside that room, you have two room mics capturing everything that happens. The size of the room can be adjusted with the decay lever, changing how long the sound lingers inside. Once you start thinking of it that way, everything about how it works will feel natural.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCONNECTING TO YOUR MICROPHONE PREAMP\u003c\/h3\u003e  \u003cp\u003eJust like any stereo microphone, the Reverbophone has two balanced XLR outputs — one for each internal microphone. Simply connect them to your preamps or interface, just as you would with any other mic. It requires phantom power to operate, and that’s all it needs. Once powered, it’s ready to use — just plug it in and start listening to the room behind the door. For best results, use a clean, low-noise preamp that lets the natural tone and dynamics of the plate come through clearly. The Reverbophone also features a sweepable high-pass filter ranging from 0 to 200 Hz, allowing you to control how much low-end resonance from the plate is passed through.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eUSING TWO REVERBOPHONES\u003c\/h3\u003e  \u003cp\u003eSome engineers may choose to use two Reverbophones when recording instruments like drums. Even a single unit already produces a full stereo image, so the reason for adding a second one isn’t to make the sound wider — it’s to capture more of the instrument from different positions in the room. By setting the two units to different decay lengths, you can record two distinct “room sizes” at once and balance them later in the mix for greater depth and flexibility.\u003c\/p\u003e","brand":"Aftersound","offers":[{"title":"Default Title","offer_id":44451391045735,"sku":"512417","price":6499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aftersound-reverbophone-black-blond_512417_1.jpg?v=1787097058"},{"product_id":"aftersound-reverbophone-black-oak-black-grill","title":"AfterSound Reverbophone Reverberating Microphone - Black Oak, Black Grill","description":"\u003cp\u003eThe \u003cstrong\u003eAfterSound Reverbophone\u003c\/strong\u003e is a reverberating microphone that turns moving air into real, physical reverb—no DSP. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. The result is natural space and believable distance, from room to cathedral. Deep lows, smooth highs, powerful! Set the length. Record. Done.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eA VERY BIG STEREO MICROPHONE\u003c\/h3\u003e  \u003cp\u003eAt its core, the Reverbophone is a microphone. A very big microphone. You could there for maybe even call it a macrophone. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. Even though the plate is moving, it’s completely silent to the ear — all the sound exists only inside the microphones.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDECAY TIME\u003c\/h3\u003e  \u003cp\u003eThe decay length of the plate can be adjusted using the decay lever. When you move the lever, a secondary damping plate is brought closer to the main plate. This physically slows down the motion of the metal by restricting the air movement between the two surfaces, shortening the decay time. It’s a completely analog, mechanical process — no electronics, no algorithms, just pure acoustics shaping the reverb in real time. Depending on the lever position, the sound can range from a tight, room-like ambience to a rich, extended decay of up to around five to six seconds. Think of the Reverbophone as a door into a great-sounding room. Inside that room, you have two room mics capturing everything that happens. The size of the room can be adjusted with the decay lever, changing how long the sound lingers inside. Once you start thinking of it that way, everything about how it works will feel natural.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCONNECTING TO YOUR MICROPHONE PREAMP\u003c\/h3\u003e  \u003cp\u003eJust like any stereo microphone, the Reverbophone has two balanced XLR outputs — one for each internal microphone. Simply connect them to your preamps or interface, just as you would with any other mic. It requires phantom power to operate, and that’s all it needs. Once powered, it’s ready to use — just plug it in and start listening to the room behind the door. For best results, use a clean, low-noise preamp that lets the natural tone and dynamics of the plate come through clearly. The Reverbophone also features a sweepable high-pass filter ranging from 0 to 200 Hz, allowing you to control how much low-end resonance from the plate is passed through.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eUSING TWO REVERBOPHONES\u003c\/h3\u003e  \u003cp\u003eSome engineers may choose to use two Reverbophones when recording instruments like drums. Even a single unit already produces a full stereo image, so the reason for adding a second one isn’t to make the sound wider — it’s to capture more of the instrument from different positions in the room. By setting the two units to different decay lengths, you can record two distinct “room sizes” at once and balance them later in the mix for greater depth and flexibility.\u003c\/p\u003e","brand":"Aftersound","offers":[{"title":"Default Title","offer_id":44451391078503,"sku":"512418","price":6499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aftersound-reverbophone-black-black_512418_1.jpg?v=1787097058"},{"product_id":"aftersound-reverbophone-honey-oak-black-grill","title":"AfterSound Reverbophone Reverberating Microphone - Honey Oak, Black Grill","description":"\u003cp\u003eThe \u003cstrong\u003eAfterSound Reverbophone\u003c\/strong\u003e is a reverberating microphone that turns moving air into real, physical reverb—no DSP. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. The result is natural space and believable distance, from room to cathedral. Deep lows, smooth highs, powerful! Set the length. Record. Done.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eA VERY BIG STEREO MICROPHONE\u003c\/h3\u003e  \u003cp\u003eAt its core, the Reverbophone is a microphone. A very big microphone. You could there for maybe even call it a macrophone. Inside the unit, a large tensioned plate begins to vibrate as sound waves from your voice or instrument hit its surface. Those vibrations are captured by two internal microphones mounted directly on the plate, picking up the complex motion and natural decay that the plate produces. Even though the plate is moving, it’s completely silent to the ear — all the sound exists only inside the microphones.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDECAY TIME\u003c\/h3\u003e  \u003cp\u003eThe decay length of the plate can be adjusted using the decay lever. When you move the lever, a secondary damping plate is brought closer to the main plate. This physically slows down the motion of the metal by restricting the air movement between the two surfaces, shortening the decay time. It’s a completely analog, mechanical process — no electronics, no algorithms, just pure acoustics shaping the reverb in real time. Depending on the lever position, the sound can range from a tight, room-like ambience to a rich, extended decay of up to around five to six seconds. Think of the Reverbophone as a door into a great-sounding room. Inside that room, you have two room mics capturing everything that happens. The size of the room can be adjusted with the decay lever, changing how long the sound lingers inside. Once you start thinking of it that way, everything about how it works will feel natural.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCONNECTING TO YOUR MICROPHONE PREAMP\u003c\/h3\u003e  \u003cp\u003eJust like any stereo microphone, the Reverbophone has two balanced XLR outputs — one for each internal microphone. Simply connect them to your preamps or interface, just as you would with any other mic. It requires phantom power to operate, and that’s all it needs. Once powered, it’s ready to use — just plug it in and start listening to the room behind the door. For best results, use a clean, low-noise preamp that lets the natural tone and dynamics of the plate come through clearly. The Reverbophone also features a sweepable high-pass filter ranging from 0 to 200 Hz, allowing you to control how much low-end resonance from the plate is passed through.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eUSING TWO REVERBOPHONES\u003c\/h3\u003e  \u003cp\u003eSome engineers may choose to use two Reverbophones when recording instruments like drums. Even a single unit already produces a full stereo image, so the reason for adding a second one isn’t to make the sound wider — it’s to capture more of the instrument from different positions in the room. By setting the two units to different decay lengths, you can record two distinct “room sizes” at once and balance them later in the mix for greater depth and flexibility.\u003c\/p\u003e","brand":"Aftersound","offers":[{"title":"Default Title","offer_id":44451391144039,"sku":"512415","price":6499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aftersound-reverbophone-oak-black_512415_1.jpg?v=1787097058"},{"product_id":"aftersound-remote-honey-oak","title":"AfterSound Reverbophone Remote Control - Honey Oak","description":"\u003cp\u003eWith the \u003cstrong\u003eAfterSound Reverbophone Remote Control\u003c\/strong\u003e you can dial in the perfect room size from the control room. The remote controls the length lever of the reverbophone so you can dial in the perfect room size from the control room. The remote is connected to the reverbophone unit via 3-pin XLR so you can run the remote signal through your regular mic lines. The cable length between remote and Reverbophone has been tested to 4000' (1200m) without any issues. One remote can control two Reverbophone units.\u003c\/p\u003e","brand":"Aftersound","offers":[{"title":"Default Title","offer_id":44451391111271,"sku":"512313","price":1499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aftersound-reverbophone-remote-control-oak_512313_1.jpg?v=1787097058"},{"product_id":"aftersound-remote-black-oak","title":"AfterSound Reverbophone Remote Control - Black Oak","description":"\u003cp\u003eWith the \u003cstrong\u003eAfterSound Reverbophone Remote Control\u003c\/strong\u003e you can dial in the perfect room size from the control room. The remote controls the length lever of the reverbophone so you can dial in the perfect room size from the control room. The remote is connected to the reverbophone unit via 3-pin XLR so you can run the remote signal through your regular mic lines. The cable length between remote and Reverbophone has been tested to 4000' (1200m) without any issues. One remote can control two Reverbophone units.\u003c\/p\u003e","brand":"Aftersound","offers":[{"title":"Default Title","offer_id":44451391176807,"sku":"512416","price":1499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aftersound-reverbophone-remote-control-black_512416_1.jpg?v=1787097059"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/aftersound.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}