{"title":"Apogee Digital","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look At Apogee's History\u003c\/h2\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_bottom_1.jpg?v=1787060028\" alt=\"Apogee Digital\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eApogee was there from the beginning. The origins of digital audio were met with certain problems, particularly distortion artifacts. Apogee was one of the first innovators that pursued the advancement of digital audio while chasing a sound that was reminiscent of analog warmth. The company founders succeeded in finding a solution to this problem by designing the first anti-aliasing filters. The 924 and 944 anti-aliasing filters were used in high-end Sony and Mitsubishi digital recording systems to make the CD format sound warmer and more like analog. This same technology became the fuel for other industry firsts, like the AD-500 and DA-1000. These landmark A\/D D\/A converters revealed what digital systems truly have to offer. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nDuring the late ‘90s, Apogee introduced the AD-8000 along with the AmBus HD card for Pro Tools integration. These developments sparked the shift towards more efficient workflow for computer-based recording, particularly during a time when developers were still pushing the limits of digital audio. The AD-8000 was the first multi-channel 24-bit audio interface. It pushed the envelope of digital audio quality, establishing Apogee as a key innovator in the field of professional audio. What followed was a range of high-resolution converter\/preamps, digital master clocks, and class compliant FireWire interfaces. Today, Apogee audio interfaces are regarded as the reference standard in the audio industry.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_bottom_2.jpg?v=1787060032\" alt=\"Apogee Digital\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe Symphony I\/O Mk2 is Apogee’s flagship audio interface for studio or home recording. It’s a configurable multi-channel interface for Thunderbolt, Pro Tools HD, Dante, and SoundGrid systems. It comes in four different I\/O configurations and can be expanded to process up to 32 channels of modular analog I\/O at ultra-low levels of latency. The customizable Symphony Control Software, fluid touchscreen display, and front panel options allow full control over one of the best per-channel Thunderbolt audio interfaces on the market.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_bottom_3.jpg?v=1787060035\" alt=\"Apogee Digital\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe Ensemble is a 30 x 34 I\/O Thunderbolt 2 audio interface that combines legendary Apogee conversion with a Core Audio-optimized DMA engine for processing additional plugins and virtual instruments. Its 8 mic preamps make best use of Apogee’s Advanced Stepped Gain Architecture for low distortion, ultra-low noise, and superior bandwidth. The preamp circuits are dynamically optimized at different gain settings, whereas most audio interfaces are designed with chips that generally struggle to perform consistently at gain extremes. The Ensemble is also designed to connect to any Element series interface or an additional Ensemble interface for extended I\/O. With other useful features, like talkback functionality, the Ensemble is one of Apogee’s strongest contenders.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_bottom_4.jpg?v=1787060039\" alt=\"Apogee Digital\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe Element series consists of three rugged models (24, 46, 88) that offer high-quality converters and premium mic preamps to capture every subtle detail in a recording. These interfaces can be paired alongside Element Control for Mac or Element Control Mobile iOS to harness versatile workflow options. Additionally, the Element series supports the Direct Monitoring feature in Apple’s Logic Pro X (10.3.2) to easily eliminate latency. As stated previously, any model in the Element series can be paired with the Apogee Ensemble. This makes Element interfaces an excellent stepping stone for larger projects, allowing for a nice mix of ways to configure any Element series interface to fit the workflow that appeals to you most.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_bottom_5.jpg?v=1787060042\" alt=\"Apogee Digital\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThere’s never a compromise on quality, so you can feel confident in the incredible value of Apogee’s well-priced desktop interfaces like the Duet, Quartet, and ONE. The most sophisticated interface in this family is the Symphony Desktop, a 10×14 USB Type C audio interface with vintage mic preamp emulation and premium native plugins. The Symphony Desktop has a zero latency workflow similar to the Apogee Ensemble due to its DualPath technology. This means you can enjoy the flexibility of using Apogee’s plugins both natively in your DAW and on the hardware-based DSP installed in your Symphony Desktop. All Apogee desktop audio interfaces are perfect for small home studios or mobile recording. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nApogee leads with innovation, value, and undeniable quality for its customers and partners. Vintage King can help you find the Apogee products and accessories that will best serve your professional or home studio.\u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"apogee-rosetta-800-192k","title":"Apogee Rosetta 800-192k","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eConnect the Apogee Rosetta 200 or Rosetta 800 directly to your Symphony System, Pro Tools HD, or to any Native DAW via the X-Symphony, X-HD or X-FireWire card\u003c\/span\u003e\u003cbr\u003eThe Rosetta Series gives you two channels or eight channels of superior AD\/DA conversion at sample rates of up to 192k, Apogee's “SoftLimit”, “UV22HR”, and our advanced “Intelliclock.”  The result is a premium digital recording solution that is built for the professional recording facility yet economical enough for the project studio.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eLegendary Apogee Conversion in High-Definition\u003c\/strong\u003e\u003cbr\u003e The most crucial process in the digital recording environment is high-quality analog to digital conversion and the most trusted and desirable converters are made by Apogee.  With up to 192k standard sample rates, the Rosetta Series combines Apogee’s legendary conversion quality with flexibility that complements any digital audio workstation.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSymphony Connection\u003c\/span\u003e\u003cbr\u003e Either with the Symphony PCIe card and the extremely powerful Mac Pro or the Symphony Mobile card with the portable yet powerful Mac Book Pro, the Rosetta Series will make a great front end for your Symphony system when only a few channels of I\/O are needed.  The great thing is that you can expand later by adding another Rosetta, or by adding from the AD-16X and DA-16X series converters.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePro Tools HD or Native FireWire connection\u003c\/strong\u003e\u003cbr\u003e Like the all new generation Apogee hardware, the Rosetta Series has an expansion card slot that accommodates all Apogee X-Series cards.  This gives the Rosetta Series outstanding connection capability to Pro Tools HD with the “X-HD” card, or connect to any native DAW using the “X-FireWire\" card.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003e Intelliclock: Dual Stage Jitter Reduction\u003c\/span\u003e\u003cbr\u003e Another essential for outstanding digital recording is maintaining an ultra-low-jitter clock signal.  To accomplish this, Rosetta Series utilizes Apogee’s Intelliclock. Intelliclock is really two clocks in one.  A fast-responding ´read´ clock with a wide locking range fills a dedicated FIFO buffer while an ultra-low-jitter ´write´ clock writes the data out of the buffer, and is used to clock the converters.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSoftLimit: Maximize Levels, Minimize Overs\u003c\/span\u003e\u003cbr\u003e One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion.  With Apogee’s SoftLimit, you can maximize digital output levels without overs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eUV22HR: Dither Down with 24-bit Detail\u003c\/span\u003e\u003cbr\u003e UV22HR is Apogee´s industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the Internet and CD mastering. UV22HR is also being employed to produce dramatically improved Internet and computer audio content without increased file sizes or data rates.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCODA: Audio Finishing Module (Rosetta 200 only)\u003c\/span\u003e\u003cbr\u003e Including the Aptomizer, Sample Rate Conversion (SRC), and UV22HR\u003cbr\u003e \u003cbr\u003e As higher definition audio becomes ever-present in the recording process and music continues to be delivered as a product at 44.1kHz\/16-bit you need tools to minimize the loss of detail and quality that can be inherent in the course of music production.\u003cbr\u003e \u003cbr\u003e To meet these challenges Apogee has developed CODA. Unique to the Rosetta 200, CODA offers a trio of tools that will preserve the integrity of hi-def recordings with a minimal loss of quality. Heading up the CODA threesome is Apogee’s “Aptomizer”. With the Apotimizer you can maximize levels with out increasing noise and distortion. Great for mastering, the Apotimizer’s “Learn” mode allows the Rosetta 200 to automatically determine the optimum level, and use it consistently to normalize incoming audio.\u003c\/p\u003e\n\u003cp\u003eAnother aspect of CODA is premium sample rate conversion (SRC). In the past, Apogee hardware has not offered sample rate conversion because the results were disappointing but recent advances have made SRC a viable option and now a vital part of CODA. With Apogee’s implementation of sample rate conversion you can up or down sample without noticeably affecting the quality of your audio. Apogee’s \"UV22HR\" dithering technology completes the CODA triangle by offering powerful reduction of high-resolution digital audio to 16 bits for the Internet and CD mastering. It is estimated that UV22HR is used on 8 out of 10 commercially released CDs in the U.S. The Rosetta 200 with CODA on board provides an end-to-end solution for capturing and optimizing high definition digital.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003ePower Trio\u003c\/span\u003e\u003cbr\u003e Apogee, Apple and Euphonix have been working together to provide a range of powerful integrated music creation tools that take the process of composing, recording, editing and mixing to a whole new level.\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449264861287,"sku":"4599","price":2690.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_rosetta_800-192k.jpg?v=1787088365"},{"product_id":"apogee-big-ben","title":"Apogee Big Ben","description":"\u003cp\u003eFor years audio professionals have been requesting that Apogee make their legendary clocking technology available in a stand-alone master clock. We have responded not only by making it available but by making it revolutionary.  Apogee’s \u003cstrong\u003eBig Ben\u003c\/strong\u003e is already astonishing users with its ability to bring amazing clarity and quality to audio production while providing flexibility and features like no other studio clock before.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eA Cure for the Jitters – Apogee’s new “C777” Clock\u003c\/strong\u003e\u003cbr\u003e At the heart of any word clock regeneration is a phase lock loop (PLL).  The PLL is a combination of analog and digital elements without the ability to dynamically adapt to the nature of the external clocks. In other words, the better the clock performance, the less flexibility it has.  And conversely, the more flexibility there is in a PLL, the less effective it is at jitter reduction.  Apogee’s new C777 is built to address these inadequacies.  The C777 utilizes an entirely digital process that Apogee has developed using the most advanced Direct Digital Synthesis (DDS) technology available along with DSP based digital filtering.  The result is the most aggressive jitter reduction ever.  With the flexibility and stability provided the C777, Big Ben is able to re-clock devices with excessive jitter and function as if it were the master clock.  The ultimate in flexibility combined with unprecedented levels of performance make the C777 unequaled in the world of clocking.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eAdded Flexibility with Format Conversion\u003c\/strong\u003e\u003cbr\u003e Not that you would expect it from a master clock, Big Ben gives you the option of real-time format conversion.  Use Big Ben's intuitive digital display to go from S\/PDIF to AES, AES to ADAT, ADAT to S\/PDIF, etc.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eX-Video Expansion Card for Video-Sync Generation\u003c\/strong\u003e\u003cbr\u003e The multi-standard X-Video card will allow Big Ben to function as a master video sync generator, outputting a composite video black-burst (including color burst for PAL and NTSC color).  When functioning as a master video sync generator Big Ben can perform as a clock slave to the video-board and generate digital audio clocks based on the video standard selected.  Alternatively, the X-Video card can function as a Slave video sync generator. In this mode the output video will be a regeneration of the input video.  The X-Video card will maintain the color-phase and field information through “Genlocking”, while simultaneously stripping the original signal from its pixel information.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003e“Adaptive Loop Filtering” (ALF)\u003c\/strong\u003e\u003cbr\u003e ALF maximizes BIG BEN’s clocking ability with an intelligent low pass filter.  Because the C777 has made all incoming signals into data (1’s and 0’s) Big Ben is able to dynamically compensate for excessive jitter and even improve already acceptable clock signals to levels unattainable until now.  No matter what your input looks like, ALF can adapt and overcome all obstacles to create a stable, reliable, low jitter clock source.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003e“SureLock”... Your Drop out Defense\u003c\/strong\u003e\u003cbr\u003e So, BIG BEN is masterfully handling external clock signals and all of their anomalies and you’ve got your jitters under control. What if Big Ben encounters the ultimate disturbance in clocking, a dropped signal?  Not to worry, with “SureLock” Big Ben will compensate by remaining locked on the last relevant frequency sent by the delinquent device.  When the signal resumes, Big Ben will gradually, and smoothly re-synchronize without interruption. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTermination Issues... A Thing of the Past\u003c\/strong\u003e\u003cbr\u003e Very often in an elaborate audio chain word clock signals are improperly terminated.  Big Ben will chime in with a visual indication of over or under termination on it’s digital display for each word clock output, allowing you to troubleshoot more quickly and get back to business.\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449264894055,"sku":"4600","price":1495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_big_ben.jpg?v=1787088365"},{"product_id":"apogee-x-hd-digi-expansion-card","title":"Apogee X-HD Digi Expansion Card","description":null,"brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449264926823,"sku":"4605","price":535.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_x-hd_digi_expansion_card.jpg?v=1787088365"},{"product_id":"apogee-x-vid-sync-gen-expansion-card","title":"Apogee X-Vid Sync Gen Expansion Card","description":"\u003cp\u003eThe Apogee X-Vid Sync Gen card is designed to fit in the X-Series card slot located in the rear panel of the Big Ben.   All functions controlled from the Big Ben user interface.  Generates video and provides genlocking function.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e• Support for PAL, NTSC and 60 Hz B\u0026amp;W standards \u003cbr\u003e• One composite video input and three composite video outputs \u003cbr\u003e• Operates as a master black-burst generator \u003cbr\u003e• Operates as genlocking slave device \u003cbr\u003e• Inputs: 1 x BNC 1Vpp at 75 ohm \u003cbr\u003e• Outputs: 3 x BNC 0.3Vpp, 75 ohm \u003cbr\u003e• Clocking: Temperature compensated crystal\u003cbr\u003e• Stability: 5 ppm \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupported standards: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• 625\/50 PAL composite black-burst with color burst \u003cbr\u003e• 525\/59.94 NTSC composite black-burst with color burst \u003cbr\u003e• 525\/60 B\u0026amp;W composite black-burst\u003c\/p\u003e\n\u003cp style=\"font-family: Arial;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449264959591,"sku":"4607","price":445.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_x-vid_sync_gen_expansion_card.jpg?v=1787088365"},{"product_id":"apogee-mini-rack-mount-tray","title":"Apogee Mini Rack Mount Tray","description":"\u003cp\u003eLucky enough to have the complete Mini-Series (or aspiring to)...?  Then you need a place to put them.  The Mini-Series rack tray is simple, strong and painted to match your Minis.  Includes solid mount for each unit via two screws on the bottom of all Mini-Series units.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (WxDxH):\u003c\/strong\u003e  19 x 8-1\/8 x 1-3\/4\"\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449264992359,"sku":"4621","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_mini_rack_mount_tray.jpg?v=1787088365"},{"product_id":"apogee-aes-16-digi-ifc-cable","title":"Apogee AES-16-DIGI-IFC Cable","description":"\u003cp\u003eTo connect the Apogee AD-16 and DA-16 to the Pro Tools HD 192 Digital I\/O, you can utilize a AES\/EBU connection at 96k.  This special cable connects the AD and DA-16 directly to the 192 Digital I\/O.\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449265025127,"sku":"4630","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_aes-16-digi-ifc_cable_def97277-3dc2-4da3-8f42-fcaa4db4bed7.jpg?v=1787088365"},{"product_id":"apogee-aes-8-ifc-cable","title":"Apogee AES-8-IFC Cable","description":"This cable connects an AMBus AES or AES+ card to standard AES\/EBU XLR connectors. The cable handles four pairs (eight channels) in each direction. The wiring is the same as Yamaha AES interfaces using the DB25 connector. Alternatives are available from Yamaha, Hosa and others.","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449265057895,"sku":"4632","price":179.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_aes-8-ifc_cable.jpg?v=1787088366"},{"product_id":"apogee-aes-8-digi-ifc-cable","title":"Apogee AES-8-DIGI-IFC Cable","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eAES8-DIGI-IFC\u003c\/strong\u003e\u003c\/span\u003e cable is used to connect the Apogee AD-16 and DA-16 to the Pro Tools HD 192 Digital I\/O, DB 25 to DB 25.\u003c\/p\u003e\n\u003cp\u003e3.3'\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449265090663,"sku":"4631","price":179.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_aes-8-digi-ifc_cable.jpg?v=1787088365"},{"product_id":"apogee-da-16-aes-ifc-cable","title":"Apogee DA-16-AES-IFC Cable","description":"\u003cb\u003eDescription:\u003cbr\u003e\u003c\/b\u003eSixteen channel AES\/EBU* input connection with 8 Neutrik XLR female connectors to a DB-25 multipin connector with a metal shell for improved grounding and RF rejection. This cable provides 16 channels of AES input as per the AES standard. Thumb screws are 2.6mm.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eApplication:\u003cbr\u003e\u003c\/b\u003eProvides 8 AES\/EBU* XLR inputs to a DB-25 multipin connector for DA-16X. Provides 16 channels of AES\/EBU input.","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449265156199,"sku":"4633","price":179.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_da-16-aes-ifc_cable.jpg?v=1787088366"},{"product_id":"apogee-ad-16-aes-ifc-cable","title":"Apogee AD-16-AES-IFC Cable","description":"\u003cb\u003eDescription:\u003cbr\u003e\u003c\/b\u003eSixteen channel AES\/EBU* output connection with 8 Neutrik XLR male connectors to a DB-25 multipin connector with a metal shell for improved grounding and RF rejection. This cable provides 16 channels of AES output as per the AES standard.Thumb screws are 2.6mm.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eApplication:\u003cbr\u003e\u003c\/b\u003eProvides 8 AES\/EBU* XLR outputs to a DB-25 multipin connector for AD-16X. 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A difference you will hear.\u003c\/span\u003e\u003cbr\u003e Using the very latest technology and drawing upon the experience of developing Apogee’s new flagship audio interface, Symphony I\/O, Apogee engineers rebuilt Duet to achieve a difference you can hear.\u003cbr\u003e \u003cbr\u003e From the mic preamps to the AD\/DA converters, Duet 2 offers the best of everything Apogee, allowing you to capture your audio with even more clarity and dimension than the original Duet.  This is professional sound quality you can take anywhere.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSmooth, detailed, and world class mic preamps\u003c\/span\u003e\u003cbr\u003e The Duet 2 mic preamps feature a new design, all new components and seamless click-free transitions as the gain increases and decreases throughout the incredible range of 0-75dB.  This unprecedented feature allows you to dial in the perfect level while delivering ultra-low noise and smooth, crisp detail.  Most importantly, the Duet 2 mic preamps are optimized for any sound source, so no matter what you are recording you’ll capture every detail. \u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003ePristine, next generation AD\/DA converters\u003c\/span\u003e\u003cbr\u003e Much like the mic preamps, the Duet 2 AD\/DA converters are an all-new design and deliver the purest recordings and best listening experience possible.  This totally new design takes the personal studio to the next level with state-of-the-art components and next-generation conversion.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFull Color OLED Display\u003c\/span\u003e\u003cbr\u003e New to Duet 2 is a full color OLED display.  This high resolution screen is the main control center for Duet 2, delivering visual feedback for multiple functions including metering, numeric value for input and output levels, input grouping, and phase, muting, phantom power and Soft Limit indication.  With this display you know the status of any input and output at any given moment without having to refer to Maestro or your recording software.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eConfigurable Touch Pads\u003c\/span\u003e\u003cbr\u003e Duet 2 also introduces configurable touch pads. The 2 touch pads, located on either side of the encoder knob, allow you to quickly access output functions such as “Mute Outputs”, “Dim Outputs”, “Sum to Mono” or “Toggle Headphone Source”. Each are assignable using a drop-down menu within Apogee’s new Maestro 2. This unique feature allows you to select the function you want and access it directly from Duet 2 without having to look at software.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eRedesigned Breakout Cable\u003c\/span\u003e\u003cbr\u003e Duet 2’s new breakout cable is greatly streamlined with 2 combination mic\/instrument connectors (XLR and 1\/4”) built into a single connector and 2 balanced 1\/4” connectors for speakers.  The elegant single cable-to-junction design allows for easy cable management and the locking connection to Duet 2 is robust and stylish.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eMade for the Mac, Core Audio compatible\u003c\/span\u003e\u003cbr\u003e Designed exclusively for the Mac and made for GarageBand and Logic, Duet 2 is the perfect centerpiece for any personal, Mac-based studio.  Duet 2 is also Core Audio compatible making it ideal for other music creation apps like Pro Tools, Ableton Live and Cubase.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eMaestro 2\u003c\/span\u003e\u003cbr\u003e Duet 2 not only benefits from Symphony I\/O’s sound quality development, it has been integrated into the completely redesigned Maestro 2 as well.   This full version update features a new look and familiar single window, multiple tab interface for quick access to all device and system settings. \u003cbr\u003e \u003cbr\u003e It also includes touch pad assignment, Soft Limit selection, output assignments, dim and mute output selection, sample rate selection and an improved low latency mixer. Now all Duet 2 parameters and functions are packaged into a single window design for the most streamlined and user-friendly experience.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSoft Limit\u003c\/span\u003e\u003cbr\u003e An Apogee technology first introduced in 1992 on Apogee’s AD-500 converter, Soft Limit can be heard on countless platinum selling records around the world. Once a technology exclusively reserved for Apogee’s most advanced audio converters, Soft Limit is now available in Duet.   This superior analog design prevents the digital clipping that causes distortion by instantaneously rounding off transient peaks before they hit the analog-to-digital converter.  Soft Limit allows several more decibels of apparent level to be recorded while subtly providing an analog-like warmth to the sound.\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449300709479,"sku":"17423","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_duet_2_1.jpg?v=1787088464"},{"product_id":"apogee-symphony-cable-5-0-meter","title":"Apogee Symphony Cable 5.0 Meter","description":"Digital interconnect cable for the Apogee Symphony PCI Express card. 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a workstation compatible with any Core Audio application. \u003cbr\u003e\u003cbr\u003e Symphony 64 features Extended Audio Routing with VBus and SBus technology.  VBus allows users to route demanding, stand-alone software instruments, directly between Core Audio based applications, instead of running them as plug-ins.  Symphony’s SBus doubles the DSP power of The Symphony System by facilitating the communication of digital audio between Symphony equipped Macs with a single cable.  Now it is possible to route audio to a second computer and back again for plug-in processing, sample libraries, soft-synth players, and session transfers from one Core Audio application to another. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSymphony 64 at a glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e64 channels of 24 bit 192 kHz Digital I\/O per card \u003c\/li\u003e\n\u003cli\u003eNear zero latency performance \u003c\/li\u003e\n\u003cli\u003eConnects directly to Apogee’s X-Series and Rosetta Series converters via the X-Symphony option card \u003c\/li\u003e\n\u003cli\u003eApogee’s VBus - virtual routing within a Core Audio application or between multiple applications. \u003c\/li\u003e\n\u003cli\u003eApogee’s SBus - 32 channel, 192 kHz digital audio network between two Mac computers \u003c\/li\u003e\n\u003cli\u003eApogee’s Maestro Software for advanced control and routing \u003c\/li\u003e\n\u003cli\u003eCompatibility with any Core Audio application \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449306935399,"sku":"10637","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_symphony_64_pcie_card.jpg?v=1787088489"},{"product_id":"apogee-symphony-i-o-chassis","title":"Apogee Symphony I\/O Chassis","description":"\u003cp\u003e\u003cstrong\u003eSymphony I\/O\u003c\/strong\u003e builds upon the award-winning design approaches of Apogee’s X-Series* and Rosetta Series converters*, the Big Ben master clock and the Trak2 mic preamps.  It also refines and updates these proven designs with fewer but more advanced components while optimizing their performance with efficient power distribution.  These enhancements allow audio to travel through less circuitry, offering lower converter latency, more accurate clocking and even more transparency and clarity in your recordings.\u003cbr\u003e \u003cbr\u003e *As of July 2010, Symphony I\/O will replace AD-16X, DA-16X and Rosetta 800\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Apogee Symphony I\/O Overview\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBest sounding Apogee interface ever with updated and optimized circuitry\u003c\/li\u003e\n\u003cli\u003eAudio Interface Mode (AIM): Easily configure Symphony I\/O for these modes: \n\u003cul\u003e\n\u003cli\u003eSymphony (connect to 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style=\"font-weight: bold;\"\u003eAnalog design, the cornerstone of Apogee quality\u003c\/span\u003e\u003cbr\u003e Apogee's engineers do not merely rely on specs and data sheets when selecting converter components, they listen.  Each component is auditioned and carefully selected to best reflect the characteristics of the Apogee sound.  Symphony I\/O’s audio path design is elegant and efficient, incorporating the most advanced opamps that offer better performance than multiple parts used in previous designs.\u003cbr\u003e \u003cbr\u003e This design improvement minimizes the audio path circuitry and maximizes sound quality.  And in the tradition of the X-Series and Rosetta series, the entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eTotal Flexibility: Symphony I\/O is built to grow with your studio\u003c\/span\u003e\u003cbr\u003e Symphony I\/O is an audio hardware platform, designed to deliver the most advanced recording technology available and the flexibility, scalability, and longevity required to power the modern studio.  Modular I\/O design, total software control, and direct connection to all popular DAWs make Symphony I\/O a long-term sound investment.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWhat makes Symphony I\/O a great choice for your studio now and for years to come:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlexible design architecture with a base unit and two I\/O module slots\u003c\/li\u003e\n\u003cli\u003eUp to 32 channels of I\/O per unit\u003c\/li\u003e\n\u003cli\u003eFuture proof connectivity with PCI, USB, Ethernet and all popular digital formats\u003c\/li\u003e\n\u003cli\u003eCompatibility with Logic, Pro Tools HD, Pro Tools LE and any Core Audio driven 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popular audio workstation environments.  This feature allows users of Logic and Pro Tools HD for example, to easily switch back and forth between the two DAWs with the click of a knob and swap of a cable.  If USB is your preferred mode, connecting to Core Audio compatible apps like Digital Performer and Cubase is just as easy. 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When using Logic Audio Mac Based System, latency is below 1.6ms (in the real world that’d the time it takes a sound wave to travel a few 4 inches from the speaker cone to your ear)\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449341636711,"sku":"15752","price":1695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_symphony_io_chassis.jpg?v=1787088626"},{"product_id":"apogee-symphony-i-o-8-mic-pre-amp-module","title":"Apogee Symphony I\/O 8 Mic Pre Amp Module","description":"\u003cp\u003eThe I\/O Modules are the sound and soul of Symphony I\/O, and represent 25 years of Apogee R\u0026amp;D and design excellence.  These powerful Modules deliver Apogee’s core competency, superior sounding digital audio recording.  With five available I\/O Modules, you can choose from standard configurations or customize the following: channel count, analog to digital input, digital to analog output, mic preamps and digital I\/O.  You compose your Symphony I\/O.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eApogee Symphony I\/O 8 Mic Pre Amp Module Features\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMic Preamps\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight digitally controlled, 85dB microphone preamps\u003c\/li\u003e\n\u003cli\u003eUpgrades functionality of Analog I\/O Module by adding mic preamps to the existing line inputs\u003c\/li\u003e\n\u003cli\u003eCreates a direct connection between the Mic Preamp Module and the Analog I\/O Module by inserting a mic preamp stage before the line inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eInputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour Hi-Z 1\/4” instrument inputs capable of handling high level instrument \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eInserts\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight fully balanced insert points\u003c\/li\u003e\n\u003cli\u003eSend 1-8 and Return 1-8 on 2 DSUB 25-pin connectors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449341702247,"sku":"15754","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_symphony_io_8_mic_preamp_module.jpg?v=1787088626"},{"product_id":"apogee-symphony-i-o-16-analog-in-16-optical-out-module","title":"Apogee Symphony I\/O - AI16 Module","description":"\u003cp\u003eThe I\/O Modules are the sound and soul of Symphony I\/O, and represent 25 years of Apogee R\u0026amp;D and design excellence.  These powerful Modules deliver Apogee’s core competency, superior sounding digital audio recording.  With five available I\/O Modules, you can choose from standard configurations or customize the following: channel count, analog to digital input, digital to analog output, mic preamps and digital I\/O. 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We have responded not only by making it available but by making it revolutionary. Apogee’s BIG BEN is already astonishing users with its ability to bring amazing clarity and quality to audio production while providing flexibility and features like no other studio clock before.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA Cure for the Jitters – Apogee’s new “C777” Clock\u003c\/b\u003e\u003cbr\u003e At the heart of any word clock regeneration is a phase lock loop (PLL). The PLL is a combination of analog and digital elements without the ability to dynamically adapt to the nature of the external clocks. In other words, the better the clock performance, the less flexibility it has. And conversely, the more flexibility there is in a PLL, the less effective it is at jitter reduction. Apogee’s new C777 is built to address these inadequacies. The C777 utilizes an entirely digital process that Apogee has developed using the most advanced Direct Digital Synthesis (DDS) technology available along with DSP based digital filtering. The result is the most aggressive jitter reduction ever. With the flexibility and stability provided the C777, Big Ben is able to re-clock devices with excessive jitter and function as if it were the master clock. The ultimate in flexibility combined with unprecedented levels of performance make the C777 unequaled in the world of clocking.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAdded Flexibility with Format Conversion\u003c\/b\u003e\u003cbr\u003e Not that you would expect it from a master clock, BIG BEN gives you the option of real-time format conversion. 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The X-Video card will maintain the color-phase and field information through “Genlocking”, while simultaneously stripping the original signal from its pixel information.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“Adaptive Loop Filtering” (ALF)\u003c\/b\u003e\u003cbr\u003e ALF maximizes BIG BEN’s clocking ability with an intelligent low pass filter. Because the C777 has made all incoming signals into data (1’s and 0’s) BIG BEN is able to dynamically compensate for excessive jitter and even improve already acceptable clock signals to levels unattainable until now. No matter what your input looks like, ALF can adapt and overcome all obstacles to create a stable, reliable, low jitter clock source.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“SureLock”... Your Drop out Defense\u003c\/b\u003e\u003cbr\u003e So, BIG BEN is masterfully handling external clock signals and all of their anomalies and you’ve got your jitters under control. 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And, not only does the X-Series hardware offer unequaled, groundbreaking technology but it makes it available at a fraction of the cost associated with previous, premium Apogee gear. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eAdvanced High-Definition Conversion\u003c\/b\u003e\u003cbr\u003e The most critical component in the digital recording environment is proper, high-quality conversion and since the dawn of digital recording the most desired converters have been made by Apogee. With up to 192k standard sample rates, the AD \u0026amp; DA-16X combine Apogee’s legendary conversion quality with the very latest in high-definition digital to provide unrivaled flexibility and quality. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRedesigned Power Supply\u003c\/b\u003e\u003cbr\u003e Enabling optimum conversion requires a state of the art power supply. The fully redesigned power system of the AD \u0026amp; DA-16X incorporates a specially designed Synchronous Switching power supply that works in conjunction with Apogee’s very stable low jitter clock and filtering technology to provide superior heat and noise performance and an improved transient response over our previous linear power supply. This creates a power system that delivers total efficiency and provides an ideal environment for premium conversion. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRedesigned Analog Section\u003c\/b\u003e\u003cbr\u003e Incorporated in the AD \u0026amp; DA-16X are the very latest developments in Apogee’s groundbreaking analog circuit design. Through sophisticated implementation and optimal configuration, the selection of premium, contemporary opamps allows the X-Series to deliver conversion performance never before heard, while maintaining the signature Apogee sound: Clear, transparent, focused and punchy. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eC777 Clocking used by Big Ben\u003c\/b\u003e\u003cbr\u003e The AD \u0026amp; DA 16-X use Apogee’s C777 clocking technology. Famous for keeping Big Ben on time, the C777 utilizes an entirely digital process that Apogee has developed with the most advanced Direct Digital Synthesis (DDS) technology and DSP-based digital filtering. With a stable, crystal based digital PLL handling the clocking, AD-16X and DA-16X are able to intelligently manipulate incoming signals and adapt to them accordingly. The result? The most aggressive jitter reduction ever and an astonishing and noticeable difference in sound quality. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eConnect Directly to Pro Tools HD or any FireWire Enabled Computer\u003c\/b\u003e\u003cbr\u003e Like their cousin the Rosetta 800, the AD \u0026amp; DA-16X offer an expansion card slot that greatly increases connectivity possibilities. Add an optional X-Series HD card and connect AD \u0026amp; DA-16X directly to your computer via your HD Core Card. Using Logic, Nuendo or any of the many native DAW’s? Add an X-FireWire card to your X-Series hardware and enjoy a direct, extremely low latency connection that supports FireWire 800 standards and has backwards compatibility with 400 standards. And, if you are buying multiple units, you can daisy chain up to a whopping 120 channels with incredibly low latency. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSoftLimit: Maximize Levels, Minimize Overs\u003c\/b\u003e\u003cbr\u003e One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. Soft Limit is an analog peak limiter that enables the capture of an additional 4-6 dB of level without going into an ‘over’ condition. Short of purchasing a very expensive stand-alone compressor\/limiter, there is currently no product on the market that handles this process better than SoftLimit. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eUV22HR: Dither Down with 24-bit Detail\u003c\/b\u003e\u003cbr\u003e UV22HR is Apogee´s industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the CD mastering. 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The result is a premium digital recording solution that is built for the professional recording facility yet economical enough for the project studio.\u003cbr\u003e \u003cbr\u003e Legendary Apogee Conversion in High-Definition\u003cbr\u003e The most crucial process in the digital recording environment is high-quality analog to digital conversion and the most trusted and desirable converters are made by Apogee. With up to 192k standard sample rates, the Rosetta Series combines Apogee’s legendary conversion quality with flexibility that complements any digital audio workstation.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSymphony Connection\u003c\/span\u003e\u003cbr\u003e Either with the Symphony PCIe card and the extremely powerful Mac Pro or the Symphony Mobile card with the portable yet powerful Mac Book Pro, the Rosetta Series will make a great front end for your Symphony system when only a few channels of I\/O are needed.The great thing is that you can expand later by adding another Rosetta, or by adding from the AD-16X and DA-16X series converters.\u003cbr\u003e \u003cbr\u003e Pro Tools HD or Native FireWire connection\u003cbr\u003e Like the all new generation Apogee hardware, the Rosetta Series has an expansion card slot that accommodates all Apogee X-Series cards. This gives the Rosetta Series outstanding connection capability to Pro Tools HD with the “X-HD” card, or connect to any native DAW using the “X-FireWire\" card.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003e Intelliclock: Dual Stage Jitter Reduction\u003c\/span\u003e\u003cbr\u003e Another essential for outstanding digital recording is maintaining an ultra-low-jitter clock signal. To accomplish this, Rosetta Series utilizes Apogee’s Intelliclock. Intelliclock is really two clocks in one. A fast-responding ´read´ clock with a wide locking range fills a dedicated FIFO buffer while an ultra-low-jitter ´write´ clock writes the data out of the buffer, and is used to clock the converters.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSoftLimit: Maximize Levels, Minimize Overs\u003c\/span\u003e\u003cbr\u003e One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. With Apogee’s SoftLimit, you can maximize digital output levels without overs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eUV22HR: Dither Down with 24-bit Detail\u003c\/span\u003e\u003cbr\u003e UV22HR is Apogee´s industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the Internet and CD mastering. UV22HR is also being employed to produce dramatically improved Internet and computer audio content without increased file sizes or data rates.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCODA: Audio Finishing Module (Rosetta 200 only)\u003c\/span\u003e\u003cbr\u003e Including the Aptomizer, Sample Rate Conversion (SRC), and UV22HR\u003cbr\u003e \u003cbr\u003e As higher definition audio becomes ever-present in the recording process and music continues to be delivered as a product at 44.1kHz\/16-bit you need tools to minimize the loss of detail and quality that can be inherent in the course of music production.\u003cbr\u003e \u003cbr\u003e To meet these challenges Apogee has developed CODA. Unique to the Rosetta 200, CODA offers a trio of tools that will preserve the integrity of hi-def recordings with a minimal loss of quality. Heading up the CODA threesome is Apogee’s “Aptomizer”. 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