{"title":"Audio Interface Deals","description":null,"products":[{"product_id":"prism-ada-8xr-standard-aes","title":"Prism ADA-8XR Standard AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449263681639,"sku":"2774","price":8236.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_61.jpg?v=1787088360"},{"product_id":"avid-hd-io-8x8x8","title":"Avid HD I\/O 8x8x8 Pro Tools HD Audio Interface","description":"\u003cp\u003eGet the absolute highest audio quality and unprecedented I\/O flexibility with \u003cspan style=\"font-weight: bold;\"\u003eAvid HD I\/O\u003c\/span\u003e, a high-performance Pro Tools HD Series audio interface that’s designed to completely integrate with Pro Tools|HD systems.  While its sleek look resembles its prior generation interfaces, HD I\/O has been completely redesigned on the inside with high-quality electronics, giving you pristine, best-in-class A\/D and D\/A conversion and the lowest possible latency.  Plus, with three configurations to choose from and a modular design, you can expand and customize the interface for your connection needs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePristine audio clarity and ultra low latency through state-of-the-art A\/D and D\/A conversion, premium analog circuitry, and meticulous attention to design\u003c\/li\u003e\r\n\u003cli\u003eAdapt the interface for your needs—choose from three configurations: \r\n\u003cul\u003e\r\n\u003cli\u003eGet a balance of analog and digital I\/O with HD I\/O 8x8x8\u003c\/li\u003e\r\n\u003cli\u003eMaximize your analog I\/O with HD I\/O 16x16 Analog\u003c\/li\u003e\r\n\u003cli\u003eGo all digital with HD I\/O 16x16 Digital\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O on all interfaces, with built-in sample rate conversion\u003c\/li\u003e\r\n\u003cli\u003eExpand or customize the I\/O with analog or digital option cards\u003c\/li\u003e\r\n\u003cli\u003eCompletely integrates with Pro Tools|HD for full input, output, and routing control\u003c\/li\u003e\r\n\u003cli\u003eTrack hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter\u003c\/li\u003e\r\n\u003cli\u003eKeep things in sync with dedicated Word Clock and Loop Sync I\/O\u003c\/li\u003e\r\n\u003cli\u003eKeep an eye on your levels easily through 32 4-segment metering LEDs\u003c\/li\u003e\r\n\u003cli\u003eRobust 2U rack-mountable chassis\u003c\/li\u003e\r\n\u003cli\u003eConnects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eA sonic improvement over its audio interface predecessors, HD I\/O features premium A\/D and D\/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\u003cbr\u003e\u003cbr\u003e HD I\/O comes in three configurations, so you can choose the interface that best suits your connection needs. What’s more, you can expand your analog or digital I\/O by simply installing an HD I\/O option card into any empty bay (HD I\/O 16x16 Analog cannot be expanded, as all four bays are occupied).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 8x8x8\u003c\/span\u003e\u003cbr\u003e The perfect choice when you need a balance of analog and digital I\/O for your music or post-production projects, with the option to expand your I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e8 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e8 analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O:\u003c\/li\u003e\r\n\u003cli\u003e8 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e8 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eOne empty bay for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Analog\u003c\/span\u003e\u003cbr\u003e The ideal choice for music productions—get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded).\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e16 analog outputs (using DB25)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Digital\u003c\/span\u003e\u003cbr\u003e The ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infraStructure, and want the option to expand the I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eVersatile digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e16 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e16 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eTwo empty bays for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAs your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I\/O by installing an option card. You can install one option card in HD I\/O 8x8x8 and up to two in HD I\/O 16x16 Digital. While HD I\/O 16x16 Analog comes with the maximum four cards, you can customize your I\/O by swapping out any card.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O AD Option:\u003c\/span\u003e Adds 8 high-fidelity analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O DA Option:\u003c\/span\u003e Adds 8 high-fidelity analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O Digital Option:\u003c\/span\u003e Adds 8 channels each of AES\/EBU (supports 192 kHz single-wire and dual-wire), TDIF, and ADAT (supports S\/MUX II and IV) I\/O\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eHD I\/O and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449342226535,"sku":"15930","price":2932.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid-hd-io-8x8x8_15930_1.jpg?v=1787088628"},{"product_id":"burl-audio-b2-bomber-dac-demo-deal","title":"Burl Audio B2 Bomber DAC (Demo Deal)","description":"The \u003cb\u003eBurl B2 Bomber DAC\u003c\/b\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an DAC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your DAC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube mic pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering. The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber DAC, the most significant piece of gear in your studio. \u003cul\u003e \u003cli\u003e44.1k Hz to 192k Hz, 24 bit, 2 channel ADC \u003c\/li\u003e\n\u003cli\u003eProprietary, high definition, BURL Audio BX1 transformer input \u003c\/li\u003e\n\u003cli\u003eAll class A, discrete transistors signal path with zero feedback, zero caps \u003c\/li\u003e\n\u003cli\u003eAudiophile quality 6 position attenuator with standard headroom settings \u003c\/li\u003e\n\u003cli\u003eHigh definition metering with simultaneous RMS and peak indication \u003c\/li\u003e\n\u003cli\u003eTwo AES and one SPDIF output with dual AES wire support \u003c\/li\u003e\n\u003cli\u003eBNC word clock input with two outputs of extremely low jitter clock \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 48kHz sample rate is 12Hz to 22kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 96kHz sample rate is 15Hz to 46kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 192kHz sample rate is 18Hz to 94kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003e120dB Dynamic Range (A- weighted), 117dB (no weighting) \u003c\/li\u003e\n\u003cli\u003e-100dB THD+N (+4dBU = -15dBFs) \u003c\/li\u003e\n\u003cli\u003e-94 dB THD+N (+18dBU = -1dBFs) \u003c\/li\u003e\n\u003cli\u003eRugged, Made in USA design\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361625191,"sku":"15736","price":2849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-da-25_10460_1_1.jpg?v=1787088709"},{"product_id":"burl-audio-b2-bomber-adc-demo-deal","title":"Burl Audio B2 Bomber ADC (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBurl B2 Bomber ADC\u003c\/strong\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet.  You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside.  You will see high quality components like tubes, large transformers and high quality capacitors.  Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface.  Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone.  For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings.  We try using tube mic pres and great compressors, but there is still something missing.  There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process.  By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings.  And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design.  With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.  The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for.  And don’t be afraid to run the B2 Bomber hot, it only sounds better.  Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361657959,"sku":"16602","price":2259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-ad-25_10459_1_1.jpg?v=1787088709"},{"product_id":"burl-audio-bda8-demo-deal","title":"Burl Audio BDA8 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBurl Audio BDA8\u003c\/strong\u003e is a state-of-the-art digital-to-analog converter daughter card for the for the B80 and B16 Mothership. Featuring eight channels of pristine audio conversion, Burl’s NextGen analog circuit and the BOPA14 discrete Class A op-amp, the BDA8 is the ultimate DAC.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic Analog Circuit Path\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BDA8 digital-to-analog converter daughter card is the result of over 25 years of research, development and experience. This world-class converter utilizes the exact same Class A discrete transistor circuit path as the best-selling B2 Bomber analog-to-digital converter. The BDA8 offers eight channels of Burl’s renowned audio quality in a compact daughter card format with DSUB connectivity for added flexibility.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBOPA14 Op-Amp\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BOPA14 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA14 is an all discrete, Class A op-amp with a minimal number of transistors. If you thought the original BOPA4 sounded good, this analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBurl Audio Mothership\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBurl Audio are known for their innovate B80 and B16 Mothership rack devices, which can be customized with preamps, digital audio converters, word clocks and more. Each daughter card is equipped with transformers in the input stage and op-amps in the output stage, combining the flexibility and pristine sound of digital audio with the character and attitude of an all Class A discrete signal path. Perfect for home studios, commercial recording studios and post-production houses and broadcast facilities, the Mothership can be customized to suit any session. And with digital control options for SoundGrid, Dante and more, the B80 Mothership can even be used as a studio-grade stage box in live sound applications.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449384857703,"sku":"18387","price":1689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl_bda8_1_1.jpg?v=1787088802"},{"product_id":"burl-audio-bad4-demo-deal","title":"Burl Audio BAD4 (Demo Deal)","description":"Burl Audio BAD4 4-channel ADC\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e44.1k Hz to 192k Hz, 24 bit, 4 channel ADC\u003c\/li\u003e\n\u003cli\u003eExact same circuit path as B2 Bomber ADC\u003c\/li\u003e\n\u003cli\u003eAll class A, discrete transistors signal path with zero feedback, zero caps\u003c\/li\u003e\n\u003cli\u003e4 XLR connectivity\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449384890471,"sku":"18388","price":1569.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl_bad4_1_1.jpg?v=1787088802"},{"product_id":"universal-audio-apollo-quad-demo-deal","title":"Universal Audio Apollo QUAD (Demo Deal)","description":"\u003cp\u003eApollo is one of the world’s most popular professional audio interfaces — delivering the sound, feel, and flow of analog recording to music creators everywhere. This 18 x 24 FireWire\/ Thunderbolt-ready* interface combines genuine UA analog design with class-leading sound quality and onboard Realtime UAD Processing. So you can track audio through a range of UAD analog emulation plug-ins — from Neve, Studer, Manley, Lexicon and more — in real time, with a sleek, elegant workflow on both Mac and Windows 7.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWith smart features including four ultra-transparent mic preamps, eight line inputs\/ouputs, dual headphone outs, and front panel instrument inputs, Apollo has all the right tools, all in the right place.     \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClass-Leading 24-bit\/192 kHz Sound Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDesigned to play a central role in a modern Mac- or Windows 7-based studio, Apollo incorporates an uncompromising approach to audio quality. Building upon decades of UA hardware heritage, it offers extremely high-resolution sound, with the lowest THD and highest dynamic range in its class. Apollo’s four premium mic preamps, top-end converters — and UA’s meticulous attention to circuit design — translate into greater accuracy and depth in your recordings, from tracking and overdubbing, to mixing and mastering. In fact, its sound quality is on par with dedicated converters costing thousands more.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRealtime UAD Plug-In Processing for Tracking, Mixing, and Mastering\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWhile Apollo’s “natural” sound is exceedingly open and transparent, it can quickly deliver a wide range of classic analog tones and color via its Realtime UAD Processing. Available with either DUO Core or QUAD Core processing onboard, Apollo’s onboard DSP Acceleration allows for recording through UAD Powered Plug-Ins — with as low as sub-2ms latency — so that producers can quickly monitor, audition, and “print” audio using classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.** Better still, Apollo's Realtime UAD Processing is also available during mixing and mastering, so that music producers can use UAD plug-ins (VST, RTAS, AU) throughout the creative process.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThunderbolt™: The Next Generation of Connectivity\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eApollo offers compatibility with Intel’s new high-bandwidth Thunderbolt technology on Macs. Available via a user-installable dual-port Thunderbolt Option Card\u003ca href=\"http:\/\/www.uaudio.com\/interfaces\/thunderbolt-option-card.html\"\u003e \u003c\/a\u003e(sold separately), Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates, and reduced UAD plug-in latency in the DAW versus Apollo’s standard FireWire connection.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eBecause Thunderbolt offers many times the bandwidth of FireWire, it allows music producers to connect numerous devices in series with the Apollo interface — including hard drives, processors, and additional computer monitors — all with fast, flawless performance. Thunderbolt also makes it easy to expand UAD plug-in processing power via a Thunderbolt-to-PCIe chassis and UAD-2 DSP Accelerator card(s).\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDeeper Integration with Pro Tools, Logic, Cubase, and More\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eApollo’s Core Audio and ASIO drivers ensure compatibility with all major DAWs, including Pro Tools, Logic Pro, Cubase, and more. The included Console application and companion Console Recall plug-in (VST\/AU\/RTAS) provide control and recall of all interface and Realtime UAD plug-in settings within your DAW sessions, even months and years later. A new “PT Mode” allows easier insertion of external hardware in Pro Tools, and a new Virtual I\/O feature allows Realtime UAD Processing of DAW tracks and virtual instruments.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eElegant Hardware Design and Workflow\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eOne key feature of Apollo isn’t really a “feature” at all. It’s the numerous design details that give you a fast, natural workflow — and better results. There are physical front-panel controls for all the most commonly used features, including Preamp and Monitor level knobs, channel selection, mic pad and low cut, phantom power, and dual headphone outs with independent level control. Smart Hi-Z inputs on the front panel detect when you've connected your guitar or bass, and automatically enable hardware and software monitoring.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eSonically, Apollo's Mic inputs and Monitor outputs are digitally controlled analog, so you don't lose audio resolution when you adjust gain. High-resolution\/high-contrast metering, derived from UA’s legendary 2192 interface, is designed to be viewable at nearly any angle. Finally, standalone operation means that you can use Apollo’s audio connections, and last-used DSP mixer settings, even without a computer connected.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e* Requires Windows 7 64-bit edition operating system and a qualified PCIe-to-FireWire adaptor. Thunderbolt option is Mac-only.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e** All trademarks are recognized as property of their respective owners. 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These are extraordinarily linear and transparent, high-headroom transformers. BUT, they let you keep one trick up your sleeves. You can push these transformers hard, truly dialing in a sweet spot on each and every channel. They're not colored, until you want them to be, and that's a beautiful thing. As you'd expect with a piece of Burl gear, each and every component has been selected for its ultimate sonic quality, from the input transformer to the custom op-amps on every output. If you've ever heard one of these or the two-channel unit in action, you know there's no going back. 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Titan is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analog summing, and critical listening applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTitan provides Prism Sound's renowned performance, sound quality, and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). 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The Atlas features a -20 dB pad on each mic channel to accommodate high sound pressure level (SPL) applications such as drums or close-miked guitars or brass. Prism's low-noise, low-distortion, extremely neutral mic preamp design has gained a cult popularity amongst existing Prism Sound users and we are pleased to be able to offer a single box 8-channel solution for producers, artists and engineers demanding high-quality front-end with the added benefits of Prism Sound A\/D and D\/A conversion.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eUNSURPASSED CLOCKING AND JITTER REJECTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePrism Sounds history in developing test and measurement equipment for the audio industry has allowed our engineers to get a much deeper understanding of digital clocking and its associated issues.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eDIGITAL MIXER WITH FLEXIBLE MONITORING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAtlas has a powerful built-in digital mixer that can be configured to provide a multitude of ultra-low latency feeds, Including foldback to performers, stereo and surround outputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eMIC PREAMPS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Atlas boasts 8 ultra-clean, low-noise microphone preamps that perfectly complement its transparent A\/D conversion (with software-controllable phantom power, -20 dB pad and Overkiller limiter switches on each channel.)\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eFUTURE PROOF CONNECTIVITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith a standard USB connection, Atlas can connect to the widest range of computers today and for the foreseeable future. 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What’s more, you can expand your analog or digital I\/O by simply installing an HD I\/O option card into any empty bay (HD I\/O 16x16 Analog cannot be expanded, as all four bays are occupied).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 8x8x8\u003c\/span\u003e\u003cbr\u003e The perfect choice when you need a balance of analog and digital I\/O for your music or post-production projects, with the option to expand your I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e8 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e8 analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O:\u003c\/li\u003e\r\n\u003cli\u003e8 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e8 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eOne empty bay for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Analog\u003c\/span\u003e\u003cbr\u003e The ideal choice for music productions—get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded).\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e16 analog outputs (using DB25)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Digital\u003c\/span\u003e\u003cbr\u003e The ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infraStructure, and want the option to expand the I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eVersatile digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e16 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e16 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eTwo empty bays for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAs your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I\/O by installing an option card. You can install one option card in HD I\/O 8x8x8 and up to two in HD I\/O 16x16 Digital. 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You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449695793255,"sku":"21123","price":2545.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid-hd-io-8x8x8_15930_1_1_2aa774b1-def0-4922-9a25-69d283431ca7.jpg?v=1787090024"},{"product_id":"apogee-duet-for-ipad-and-mac-demo-deal","title":"Apogee Duet for iPad and Mac (Demo Deal)","description":"\u003cp\u003eApogee Duet is an award-winning audio interface, headphone amp and MIDI interface making it easy to create professional recordings anywhere on your iPod touch, iPhone, iPad or Mac. 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Preferred by recording pros around the world, Apogee products like Duet, Ensemble and Symphony I\/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. 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This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. Duet’s mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSoft Limit \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSoft Limit for protection from digital overs\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eAn Apogee technology first introduced in 1992 on Apogee’s AD-500 converter, Soft Limit can be heard on countless platinum selling records around the world. 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And most apps are more affordable than their Mac based counterparts.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSetting up your studio has never been easier \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eiPad makes everything easier with a simplified user interface and plug and play connectivity for accessories like Apogee audio interfaces. 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Apogee’s Maestro lets you access all hardware parameters and monitor with a low latency mixer.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDirect digital connection to iPad \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eApogee ONE, Duet and Quartet for iPad and Mac feature special circuitry that makes a direct digital connection to iPad and iOS devices* and is certified by Apple’s MFi (Made for iOS) program.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDC power charges iPad\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn audio, adequate power is essential for excellent sound quality. 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The elegant single cable-to-junction design allows for easy cable management and the locking connection to Duet is robust and stylish.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e2 Analog Inputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDuet’s 2 combination input connectors (XLR and 1\/4”) allow you to connect microphones, guitars and keyboards or your favorite external mic preamps, compressors and EQs.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e4 Analog Outputs \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDuet includes 4 analog outputs. 2 1\/4” balanced outputs for connection to speakers or outboard equipment and a separate, independently controlled 1\/4” stereo headphone output.   With these 4 outputs it’s possible for a DJ to monitor a separate mix in headphones while sending a house mix to the club, a live performer to send a click track to in-ear monitors while sending a backing track to front-of-house, and a recording engineer to send a headphone mix to the performer while dedicating the main outputs to studio monitors.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMIDI \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDuet provides a single USB MIDI connection for your CoreMIDI compatible keyboard, synth, or DJ controller. This eliminates the need for an external MIDI interface and promotes an all-in-one music creation solution where Duet and Maestro manage all audio and MIDI. 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Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate\u003c\/li\u003e\r\n\u003cli\u003eAnalog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLine Inputs 1 \u0026amp; 2\u003c\/li\u003e\r\n\u003cli\u003eJack Type (combo mic\/line balanced inputs) Female ¼” TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 117.5 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 117.5 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –108 dBFS\u003c\/li\u003e\r\n\u003cli\u003eCommon-Mode Rejection Ratio (CMRR) Greater than 60 dB (10’ cable)\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance 10K Ohms\u003c\/li\u003e\r\n\u003cli\u003eGain Range +10 dB to +65 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain)18 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain) –37 dBV\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMicrophone Inputs 1 \u0026amp; 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type (combo mic\/line balanced inputs) Female XLR Balanced (pin 2 positive)\u003c\/li\u003e\r\n\u003cli\u003ePhantom Power (switchable per input) +48V\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –110 dBFS\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Input Noise –127 dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eCommon-Mode Rejection Ratio (CMRR) Greater than 70 dB (10’ cable)\u003c\/li\u003e\r\n\u003cli\u003eDefault Input Impedance 5.4K Ohms (variable via Unison preamp model)\u003c\/li\u003e\r\n\u003cli\u003eGain Range +10 dB to +65 dB\u003c\/li\u003e\r\n\u003cli\u003ePad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHi-Z Input\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type Female ¼” TS Unbalanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 117 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 117 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –101 dBFS\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance 1M Ohms\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain) 10 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain) –45 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eLine Outputs 3 \u0026amp; 4\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –107 dBFS\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 120 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 600 Ohms\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level 18 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor Outputs 1 \u0026amp; 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 115 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 115 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –105 dBFS\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 118 dB\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 600 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput Gain Range –96 dB to 0 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level 18 dBV\u003c\/li\u003e\r\n\u003cli\u003eOperating Reference Level +14 dBu, +20 dBu (selectable)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eStereo Headphones Output\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Stereo (unbalanced)\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 113 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 113 dB\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 110 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –101 dBFS\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.11 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 10 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput Gain Range –INF to 0 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Power 80 milliwatts into 600 Ohms\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eDigital I\/O\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eS\/PDIF\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eConnector Type Optical TOSLINK JIS F05 (shared with ADAT)\u003c\/li\u003e\r\n\u003cli\u003eFormat IEC958\u003c\/li\u003e\r\n\u003cli\u003eSupported Sample Rates (kHz) 44.1, 48, 88.2, 96\u003c\/li\u003e\r\n\u003cli\u003eS\/PDIF Input Channels Two (Stereo L\/R)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eADAT\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eConnector Type Optical TOSLINK JIS F05 (shared with S\/PDIF)\u003c\/li\u003e\r\n\u003cli\u003eFormat ADAT Digital Lightpipe with S\/MUX\u003c\/li\u003e\r\n\u003cli\u003eSupported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S\/MUX)\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S\/MUX)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eClock Synchronization Sources\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInternal, S\/PDIF, ADAT (digital clock sync source conditional per selected digital input type)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eElectrical\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePower Supply External AC to DC\u003c\/li\u003e\r\n\u003cli\u003eAC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)\u003c\/li\u003e\r\n\u003cli\u003eAC Requirements 100V – 240V AC, 50 – 60 Hz\u003c\/li\u003e\r\n\u003cli\u003eDC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive\u003c\/li\u003e\r\n\u003cli\u003eDC Requirements 12 VDC, ±5%\u003c\/li\u003e\r\n\u003cli\u003eMaximum Power Consumption 12 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmental\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eOperating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)\u003c\/li\u003e\r\n\u003cli\u003eStorage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)\u003c\/li\u003e\r\n\u003cli\u003eOperating Humidity Range 20% to 80%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eMechanical\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWidth 6.31”\u003c\/li\u003e\r\n\u003cli\u003eHeight 2.60”\u003c\/li\u003e\r\n\u003cli\u003eDepth, Chassis Only 5.86”\u003c\/li\u003e\r\n\u003cli\u003eDepth, Including Knob \u0026amp; Jack Protrusions 6.20”\u003c\/li\u003e\r\n\u003cli\u003eShipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eWeight\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eShipping Weight (with box \u0026amp; accessories) 3.85 pounds\u003c\/li\u003e\r\n\u003cli\u003eWeight (bare unit) 2.35 pounds\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003ePackage Contents\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApollo Twin USB DUO Unit\u003c\/li\u003e\r\n\u003cli\u003eExternal Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China\u003c\/li\u003e\r\n\u003cli\u003eURL Card\u003c\/li\u003e\r\n\u003cli\u003eSuperSpeed USB 3.0 cable\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44449828274279,"sku":"54779","price":749.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apollo_twin_duo_usb_top_1.jpg?v=1787090595"},{"product_id":"focusrite-red-4pre","title":"Focusrite Red 4Pre Audio Interface","description":"\u003cp\u003e\u003cstrong\u003eFocusrite Red 4Pre\u003c\/strong\u003e includes four of Focusrite's digitally-controlled, 'Air' enabled, Red Evolution mic preamps. Thunderbolt 2 connectivity and dual mini-DigiLink ports bring you the best of both Core Audio and Pro Tools | HD workflows, with easy switching between Pro Tools | HD and any Thunderbolt-connected DAW. Featuring 'parallel path summing' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eVersatile Connectivity\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFocusrite's 58-in\/64-out Red 4Pre includes Thunderbolt 2 connectivity for Focusrite's lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid interfaces, thanks to its twin DigiLink connectors. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSimple Switching Between DAWs\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSwitch between Pro Tools | HD and any DAW connected to the Thunderbolt interface using the Host Mode setting in the included RedNet Control software. For example, you can switch quickly and easily between Pro Tools | HD and Ableton, Logic or Pro Tools software - just keep both connected at all times and make the switch whenever you need.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFocusrite's Lowest Round-Trip Latency\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLow latency is a specific Focusrite design goal. Red 4Pre's latency is so low that you can track with your preferred plug-ins and record virtual instruments in real time. This low latency environment simplifies your workflow, allowing you to run a single mix on your DAW for both overdubbing and mixing, with your plug-ins in place, all the time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRed Evolution Air-Enabled Microphone Preamplifiers\r\nThe Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. The mic pres can be controlled digitally, for adjusting\/recalling settings and stereo linking via RedNet Control software. Focusrite also include the unique 'Air' effect, recreating the sound of the transformer-based mic preamps in the ISA range. When 'Air' is enabled, the microphone impedance is set to 2.1kΩ and the frequency response curve is given a subtle mid-high boost – all in the analogue domain.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFocusrite's Best Converter Performance\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFocusrite have been building mastering-quality digital audio converters for decades, and the converters you'll encounter in the Red 4Pre are the best Focusrite have ever made, employing a 'parallel path summing' configuration to lower the noise floor. They have selected high-performance, precision conversion chips and maximized sound quality through premium component selection, advanced design and optimized board layout. Red 4Pre's converter design strikes a precise balance between multiple factors – including dynamic range, distortion, noise floor and conversion latency – for the optimal overall sound. With 24-bit\/192kHz sampling capability and 118dB(A-D)\/121dB (D-A) dynamic range, it is ideal for high-resolution audio. The Red 4Pre delivers ≤0.0009% THD+Noise and a frequency response flat from 20Hz to 35kHz ±0.25 dB or better.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eExpansion Done Right\u003c\/h3\u003e\r\n\r\n\u003cp\u003eConnect up to 64 additional channels to the Red 4Pre via Ethernet-based Dante networking - a simple, single connection carrying both audio and built-in clocking. Whether the Red 4Pre is connected to the computer via Thunderbolt, DigiLink or Dante, simply connect units such as two RedNet A16R (32 channels of analogue I\/O), four RedNet MP8R (32 channels of RedNet mic pre), or other Dante-enabled products via Ethernet as desired. Place mic preamps where the music is, and outputs where the sound needs to go – wherever there's an Ethernet connection. Unlike daisy-chaining via Thunderbolt, Dante lets you run additional channels over a greater distance, with low latency and lower cost, without wasting money on technology or connectivity that will not be used. And it will only get easier: look out for future enhancements offering complete plug and play Ethernet expansion functionality.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSoftware Included\u003c\/h3\u003e\r\n\r\n\u003cp\u003eRed 4Pre includes the new RedNet Control software, providing a straightforward and intuitive way to set up mixes and monitoring - and more! Control the mic pres – recall settings, assign stereo pairs, adjust gain and enable features such as highpass filtering and phantom power. Easily switch between Pro Tools | HD and any Thunderbolt-connected DAW with the Host Mode setting. In addition, Red 4Pre is packaged with Softube's Time and Tone Bundle – a unique plug-in pack including four of Softube's professional quality plug-ins: Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay and Saturation Knob. Also in the box is the Focusrite Red Plug-in Suite, which accurately models Focusrite's classic Red range 2 and 3 equaliser and compressor hardware.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBrainworx bx_console\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTwo of the most revered pieces of recording gear in the history of music production, the Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules helped to shape the sonic landscape of the 1980s and 90s. They were key components in the original Focusrite Studio Console, their unique specification, exceptional build quality and impressive versatility delivering a beautifully open sound that found favor among audio engineers the world over. With less than ten Studio Consoles still in existence and the ISA Modules commanding sky-high prices on the second-hand market, their very special brand of audio magic has been utterly inaccessible to all but the most privileged of producers… until now!\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned and coded by the DSP geniuses at acclaimed software house Brainworx, the new bx_console Focusrite VST\/AU\/AAX plug-in for Mac and PC faithfully captures the sound, feel and styling of Focusrite’s original iconic hardware – and it’s included for free with every Clarett and Red audio interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccurately modeling the full signal paths of the ISA 110 and ISA 130, bx_console Focusrite brings all the analogue character and colouration of the Focusrite Studio Console to your DAW-based productions. 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Groups and the Main Mix bus are equipped with MOTU's Leveler™, an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics.\u003c\/p\u003e  \u003ch3\u003eMatrix routing and splitting\u003c\/h3\u003e  \u003cp\u003eWith one click on the 16A's routing grid, you can route any source signal to any destination. Sources can be analog or digital inputs on the interface, computer channels, mixer bus outputs, or audio network streams from other devices on the network. Destinations include interface outputs, host software inputs, mixer inputs, or any other device (or computer) on the AVB network. You can even split any single input (or stereo pair) to unlimited multiple output destinations.\u003c\/p\u003e  \u003ch3\u003eSystem expansion and audio networking\u003c\/h3\u003e  \u003cp\u003eThe 16A network port introduces AVB Ethernet, the new industry standard developed by the IEEE for professional audio networking. Add a second MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e or CAT-6 ethernet cable.\u003c\/p\u003e  \u003cp\u003eBuild a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network.\u003c\/p\u003e  \u003ch3\u003eWeb app control\u003c\/h3\u003e  \u003cp\u003eControl everything from your laptop, tablet, and smart phone The software that you use to control the 16A doesn't reside on your hard drive. It's a web app served from the hardware itself. 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From the pristine, MIDAS -designed mic preamps to KLARK TEKNIK’s rock-solid, ultra-low latency SuperMAC networking technology and BEHRINGER’s completely re-engineered processing algorithms, X32 raises the bar on what a digital mixer can be. A singular passion for delivering advanced technology, unrivalled usability and true road-worthiness has enabled us to engineer a digital console that is the ideal vehicle for your creative expression.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEnhanced Workflow \u0026amp; Multi-Channel Networking\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith the introduction of our new X32 version 2.0 firmware, Behringer have not only dramatically enhanced the workflow, but also added all-new capabilities including “Acoustic Integration” for total connectivity and control of your speaker and In-Ear Monitor (IEM) systems. Behringer has completely re-imagined the more than 50 onboard FX “Plug-Ins” and added classic processor examples based on “True Physical Modelling”. They have also made the X32 even more flexible, with swappable expansion cards for connecting to other multi-channel audio networking via USB, ADAT, MADI and Dante protocols, in addition to the onboard ULTRANET and AES50 connectivity. Above all, the X32 puts the power of digital in your hands – without compromise.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIntuitive. Immediate. Natural.\u003c\/h3\u003e\r\n\r\n\u003cp\u003eX32 is your mind-to-sound interface… the intersection of creativity and production. Whether you’re accustomed to digital mixers or not, the X32’s intuitive user interface offers a fluid mixing experience that instantly feels like home.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd then there is the X32’s latest version 2.0 firmware. 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Working in concert with the LCD Scribble Strips and TFT Display, the faders serve multiple functions while always keeping you informed.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSeparate fader sections for inputs and groups\/buses allow for convenient assignments from inputs to groups\/buses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the ability to store up to 100 scenes, X32’s motorized faders jump to life the moment a scene is recalled.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eYou Are Covered\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBehringer always strives to provide the best possible Customer Experience. 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However, unlike the solitude writing requires, music creation is usually a shared experience. A simple two or four-channel audio interface is no longer enough. A cool, creative jam with friends will require at least eight channels, packed in a portable interface that could easily fit in a backpack. Everything your band needs with the \u003cstrong\u003eAntelope Audio Zen Tour\u003c\/strong\u003e, they are pushing the envelope once again. Antelope is offering not just a portable Thunderbolt \u0026amp; USB audio interface, but a pro piece, easily covering the needs of a small band. Zen Tour comes with 4 switchable Mic\/Line inputs and 4 more HiZ\/Line ins. 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Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.\u003c\/p\u003e  \u003ch3\u003eRemote control with UC Surface, too!\u003c\/h3\u003e  \u003cp\u003eThe Studio 192’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. 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This 2x6 Thunderbolt audio interface for Mac and Windows features available onboard UAD-2 QUAD Core processing, Unison technology, and the next-generation A\/D and D\/A conversion you’ve heard on hundreds of hit records.\u003c\/p\u003e  \u003ch3\u003eNext-Generation Apollo A\/D and D\/A Conversion\u003c\/h3\u003e  \u003cp\u003eApollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A\/D and D\/A conversion — giving you increased dynamic range and ultra-low THD. 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