{"title":"AUDIOTHING","description":null,"products":[{"product_id":"audiothing-wires","title":"AudioThing Wires","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Wires\u003c\/strong\u003e is an accurately modeled and enhanced 1970s Soviet wire recorder - magical lofi-tool and ghostly echo machine.\u003c\/p\u003e \u003cp\u003eMade originally for military and secret service use across the Iron Curtain, in the hands of a few avant garde musicians it became a magical lofi-tool and ghostly echo machine. Now this rare and rather finicky to operate piece of hardware is available     for the first time as a faithful yet modern plug-in. Transform your audio to the world of numbers stations and secret operations, dub out to very unusual echoes or make the most lofi beats to study too.\u003c\/p\u003e \u003cp\u003eGreat care was taken to get all the idiosyncratic behavior exactly right – it reacts dynamically to the input and does stuff to audio that is a completely different texture to magnetic tape. There is a special tone to the hair-thin wire and the vacuum     tube output stage of this machine, unheard of anywhere else. The standard way to make a unit such as this music is to put it on an aux channel of a mixer, to turn it into a fixed tempo echo. All the variable time features you want are offered, as     well as the option to switch off the rather high noise floor of this machine without sacrificing the rather alive sound.\u003c\/p\u003e \u003ch3 id=\"wirerecorders\"\u003eWIRE RECORDERS\u003c\/h3\u003e \u003cp\u003eMagnetic wire recorders went out of fashion after the advent of magnetic tape, surviving only in special operations such as flight recorders, space flight, or clandestine operations (wearing a wire denotes not the cable but the recorder). The particular     model of recorder modeled, the MN61, comes from East German Army stock – on the reels you could still hear traces of military operations.\u003c\/p\u003e \u003ch3 id=\"lofi\"\u003eLO-FI\u003c\/h3\u003e \u003cp\u003eWho needs tape for lo-fi? This machine is taking the term “lo-fi” to an entirely new and haunting level.\u003c\/p\u003e \u003cp\u003eThere is a special tone to the hair-thin wire and the vacuum tube output stage of this wire recorder, unheard of anywhere else.\u003c\/p\u003e \u003cp\u003eWires turns the most boring signals into sepia coloured magic.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e     \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e     \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e     \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e     \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e     \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e     \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e     \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450799943783,"sku":"171068","price":58.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-soviet-wire_171068_1_f454bea5-2777-42ce-96f3-1f3c07729626.jpg?v=1787094576"},{"product_id":"audiothing-wave-box","title":"AudioThing Wave Box","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Wave Box\u003c\/strong\u003e is a dynamic dual waveshaper plug-in that can be used for both symmetrical and asymmetrical distortion. A waveshaper is a type of distortion in which the input signal is mapped to the output by applying a fixed or variable shaping function.\u003c\/p\u003e \u003cp\u003eWave Box features two separate waveshapers that can be mixed together while being modulated by 2 LFOs and 1 Envelope Follower. You can design your own waveshaping curves by combining and adjusting 12 pre-defined functions (tanh, erf, sinh, sin, linear, abs, invert, floor, round, ceil, gauss 1, gauss 2).\u003c\/p\u003e \u003cp\u003eWave Box can range from mild tube-flavoured overdrive to extreme digital harshness.\u003c\/p\u003e \u003ch3 id=\"symmetricalvsasymmetrical\"\u003eSYMMETRICAL VS ASYMMETRICAL\u003c\/h3\u003e \u003cp\u003eWhen a shaping function is applied equally to both the positive and negative part of the signal (symmetrical waveshaping), odd harmonics are generated. Instead, when a shaping function is applied only to either the positive or the negative part (asymmetrical waveshaping), even harmonics are generated.\u003c\/p\u003e \u003cp\u003eIn Asymmetrical Mode (± on), the first shaping function is applied to the positive part while the second shaping function is applied to the negative. The Bias, in this case, controls an offset added between the positive and negative part of the signal.\u003c\/p\u003e \u003cp\u003eIn Symmetrical Mode (± off), both shaping functions are applied to the whole signal. The Bias, in this case, controls the mix between the two functions.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450799976551,"sku":"171109","price":48.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-wave-box_171109_1_e050e8c3-8818-420d-866a-3b6ca6a30eec.jpg?v=1787094576"},{"product_id":"audiothing-vintage-bundle","title":"AudioThing Vintage Bundle","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Vintage Bundle\u003c\/strong\u003e features all AudioThing vintage plug-ins at discount. Ranging from vintage valve emulation to classic drum machines, this bundle is perfect for every kind of composer, producer, and sound designer.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e     \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e     \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e     \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e     \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e     \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e     \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e     \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800042087,"sku":"170478","price":385.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-vintage-bundle_170478_1_4165050c-c32b-4c4f-8a2b-0698365a7f48.jpg?v=1787094576"},{"product_id":"audiothing-vinyl-strip","title":"AudioThing Vinyl Strip","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Vinyl Strip\u003c\/strong\u003e is a multi-effect plug-in featuring 6 modules: Distortion, Compressor, Bit Crusher, Tilt EQ, Vintage Reverb, and Vinylizer. The modules can be arranged in any combination by simple drag-n-drop. Vinyl Strip will add life and an old school touch to your samples and tracks, and achieve that classic vinyl record sound in your digital environment. The plug-in is optimised to be lightweight on the CPU.\u003c\/p\u003e \u003ch3 id=\"6modules\"\u003e6 MODULES\u003c\/h3\u003e \u003cp\u003eMuch more than just a vinyl emulator, Vinyl Strip features 6 modules dedicated to recreating that classic vintage\/old school sound of vinyl recording and sampling.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDistortion, chooses which kind of harmonics you want to generate\u003c\/li\u003e \u003cli\u003eCompressor, easy to get a softer or harder sound\u003c\/li\u003e \u003cli\u003eSampler, recreates the sound quality of early samplers\u003c\/li\u003e \u003cli\u003eTilt EQ, balances the sound like an old hi-fi system\u003c\/li\u003e \u003cli\u003eReverb, adds a warm vintage space to your sounds\u003c\/li\u003e \u003cli\u003eVinyl, emulates the dust, noise, warp, and response of vinyl\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"draganddrop\"\u003eDRAG AND DROP\u003c\/h3\u003e \u003cp\u003eYou can customize your channel strip with a simple drag-and-drop.\u003c\/p\u003e \u003cp\u003eBy default, all modules (except the Master module) can be moved and re-arranged to create different signal flows.\u003c\/p\u003e \u003cp\u003eFor example, you can decide to add the compressor module after the Vinyl emulation, or vice versa.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800009319,"sku":"171044","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-vinyl-strip_171044_1_32b02aa6-464d-4f36-bd43-4c5e71f3e6a7.jpg?v=1787094576"},{"product_id":"audiothing-type-b","title":"AudioThing Type B","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Type B\u003c\/strong\u003e is a plug-in inspired by a famous vintage exciter effect.\u003c\/p\u003e \u003cp\u003eThe original unit was designed to add presence and brightness to vocal or instrument tracks. It was often used to enhance dull recordings where the high frequency content was missing due to tape overdubs.\u003c\/p\u003e \u003cp\u003eType B lets you control more aspects of the exciter circuit emulation, giving you access to the internal filter, the harmonic generator and more.\u003c\/p\u003e \u003ch3 id=\"additionalfeatures\"\u003eADDITIONAL FEATURES\u003c\/h3\u003e \u003cp\u003eYou can show\/hide the drop-down panel by clicking on the arrow icon in the bottom left corner of the interface. You’ll get access to:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFilter controls: mode (pre\/post), type (highpass, bandpass), slope (12\/24 dB), emphasis\u003c\/li\u003e \u003cli\u003eAdditional options: direct signal, wet boost, and background noise\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"howdoesitwork\"\u003eHOW DOES IT WORK?\u003c\/h3\u003e \u003cp\u003eExciters generate high-frequency content that is not part of the original signal using a combination of filtering and distortion (harmonic generator). The input signal goes into a filter (usually highpass, but you can also choose bandpass with Type B) before feeding it into the harmonic generator. You have controls over the generated harmonics using the Color parameter. The signal is then mixed back with the dry signal.\u003c\/p\u003e \u003ch3 id=\"expensiveexciter\"\u003eEXPENSIVE EXCITER\u003c\/h3\u003e \u003cp\u003eThe original aural exciter algorithm was developed in the mid-1970s by Aphex Systems. At first, it was available to recording studios only to hire (at a cost of $30 per minute of finished recording time in 1975). Eventually, its popularity led to the release of commercially available models like the Type B and Type C.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800074855,"sku":"171041","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-type-b_171041_1_845f37a7-1903-458b-9505-3600760cbafc.jpg?v=1787094577"},{"product_id":"audiothing-type-a","title":"AudioThing Type A","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Type A\u003c\/strong\u003e is a plug-in inspired by the famous Dolby A Trick technique. The original unit was designed to be a noise reduction system for tape recording (encode stage) and playback (decode stage).\u003c\/p\u003e \u003cp\u003eType A emulates the encode stage, which was often misused as an enhancer, dynamically increasing the top end of a signal without introducing artifacts or altering the harmonic content. The results are similar to a dynamic EQ which adds presence and air to any track in a natural way.\u003c\/p\u003e \u003ch3 id=\"additionalfeatures\"\u003eADDITIONAL FEATURES\u003c\/h3\u003e \u003cp\u003eYou can show\/hide the drop-down panel by clicking on the arrow icon in the bottom left corner of the interface. You’ll get access to:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eVolume for each band\u003c\/li\u003e \u003cli\u003eCompressor Attack and Release\u003c\/li\u003e \u003cli\u003eNoise volume\u003c\/li\u003e \u003cli\u003eVU-Meter source selector\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"howdoesitwork\"\u003eHOW DOES IT WORK?\u003c\/h3\u003e \u003cp\u003eTo limit the amount of noise generated by tape recording, early noise reduction systems used what’s called a multi-band compander (compressor\/expander).\u003c\/p\u003e \u003cp\u003eThe unit dynamically emphasizes the high frequencies during the encoding stage (recording to tape), so that during the decoding stage (playback from tape) the signal is attenuated, along with the typical tape noise.\u003c\/p\u003e \u003cp\u003eThe input signal is split into 4 bands (with the highest bands overlapping), dynamically compressed and then summed back with the dry signal.\u003c\/p\u003e \u003cp\u003eThe amount of compression on each band is inversely proportional to the volume of the band. Quieter sounds get brighter while louder sounds remain almost unchanged. This adds brightness and air without generating any new harmonic content or distortion, resulting in a more pleasant and natural enhancer compared to a typical exciter.\u003c\/p\u003e \u003ch3 id=\"noisereductionorenhancer\"\u003eNOISE REDUCTION OR ENHANCER?\u003c\/h3\u003e \u003cp\u003eIntroduced in 1966 with the Dolby A301 first, and then in 1970 with the Dolby 361 (with the CAT 22 card, in photos), the A-Type noise reduction was quickly misused and modded by engineers to enhance their recordings by using the encoding stage only. The most common mod consists in disabling the two lower bands so that only the high-frequency portion of the signal is compressed, giving even more air to vocals. This technique was labeled with many names like the Vocal Trick, Stretch Mod, Vocal Stressor, and even the “John Lennon mod”.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800107623,"sku":"171040","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-type-a_171040_1_c94af310-1b66-4922-8e90-6eb9f9a35fef.jpg?v=1787094577"},{"product_id":"audiothing-valves","title":"AudioThing Valves","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Valves\u003c\/strong\u003e is a vintage valve emulation plug-in with multimode resonant filter and cabinet\/EQ section.\u003c\/p\u003e \u003cp\u003eThe valve section is modelled after classic vintage tubes, with added grit and custom gain control.\u003c\/p\u003e \u003cp\u003eThe filter section is modelled after a classic ladder filter (2-pole or 4-pole) with low pass, high pass, bandpass and notch modes.\u003c\/p\u003e \u003cp\u003eThe cabinet\/EQ section features a selection of modelled cabinets with classic bass and treble EQ controls.\u003c\/p\u003e \u003cp\u003eValves is a vintage valve emulation plug-in with multimode resonant filter and cabinet\/EQ section.\u003c\/p\u003e \u003ch3 id=\"warmup\"\u003eWARM UP\u003c\/h3\u003e \u003cp\u003eWith up to 16x oversampling, Valves can be used to add that authentic tube character to your tracks.\u003c\/p\u003e \u003cp\u003eUsing the built-in Cabinet\/EQ section you can emulate several types of guitar amplifiers and further shape the overdrive sound.\u003c\/p\u003e \u003cp\u003eThe state variable filter features LowPass, HighPass, BandPass, and Notch modes. It can be used pre or post valve.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800140391,"sku":"171043","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-valves_171043_1_8d4c26db-3765-464d-b01d-f3e4bb563b9a.jpg?v=1787094577"},{"product_id":"audiothing-things-texture","title":"AudioThing Things - Texture","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Things - Texture\u003c\/strong\u003e is going to be a series of smaller plug-ins covering a wide range of effects, focused on sound design and creativity.\u003c\/p\u003e \u003cp\u003eThe first in the series is Texture, an easy to use granular reverb with pitch shifting and mid\/side mode. Texture can transform any sound into an ambient soundscape, or add that drone vibe to your tracks. This plug-in was inspired by the techniques used in the soundtrack and sound design of the award-winning indie game The Swapper.\u003c\/p\u003e \u003ch3 id=\"midside\"\u003eMID \/ SIDE\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWhat is Mid \/ Side?\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn a stereo signal, the Mid channel is considered the center, and contains both Left and Right channels. Boosting the Mid channel results in a more mono sound.\u003c\/p\u003e \u003cp\u003eThe Side channel instead contains the difference between the Left and Right channels. Boosting the Side channel results in a more spacious or wider sound.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMid \/ Side Mode\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWhen the Mid and Side mode is engaged, the granular effect is applied only to the Side part of the input signal. The Mid is instead attenuated, creating a special stereo width effect. The reverb is always applied on both Mid and Side parts.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800173159,"sku":"171245","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-texture_171245_1_20ae5282-2ebb-4aa9-9b8f-ddd5479ccb4a.jpg?v=1787094577"},{"product_id":"audiothing-things-motor","title":"AudioThing Things - Motor","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Motor\u003c\/strong\u003e is a plug-in effect that uses side-chaining to combine signals in new and interesting ways: put in any two signals and they will dance around each other like courting birds drunk on fermented cherries. Use it to gentle morph between sounds or rhythmically cut them up, affecting both volume and spatial position. Add life to the plainest signals with vibrato, or destroy them in interesting ways with extreme modulation speeds.\u003c\/p\u003e \u003ch3 id=\"wheredoesitcomefrom\"\u003eWHERE DOES IT COME FROM?\u003c\/h3\u003e \u003cp\u003eMotors takes cues from history: “The Crystal Palace” built by Dave Young for the BBC Radiophonic workshop. This one-of-a-kind tool allowed speed-dependent switching of up to sixteen audio channels. It did so in an almost steampunk fashion, by employing a big capacitor rotating on a Motor. The effects it created reached from sublime to almost granular, a major achievement at the time. You can hear it on the soundtrack to the Doctor Who episode “The Krotons” by Brian Hodgson and Delia Derbyshire.\u003c\/p\u003e \u003ch3 id=\"whatisnew\"\u003eWHAT IS NEW?\u003c\/h3\u003e \u003cp\u003eThings Motor focuses and expands on this peculiar tool by allowing the combination of two signals via sidechain, which makes it work easily across platforms. Switching is controlled via a variable waveshape LFO instead of the fixed physical waveform of the original. This allows for smooth morphing or aggressively chopped sounds, and worlds in between. You can even use it for audio rate modulation of signals, which results in ring-modulation-like artifacts.\u003c\/p\u003e \u003cp\u003eTo make it a truly versatile tool, a vibrato and a panner synced to the “motor” LFO was added, as well as some classic analog-like sound shaping. Together with the variable time on the motor start\/stop this becomes the sound morphing rotary effect you never know you needed – until you hear it.\u003c\/p\u003e  \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800205927,"sku":"171244","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-motor_171244_1_6e7dd51f-b317-49f3-b1a1-83db2f57db99.jpg?v=1787094577"},{"product_id":"audiothing-the-orb","title":"AudioThing The Orb","description":"\u003cp\u003e\u003cstrong\u003eAudioThing The Orb\u003c\/strong\u003e is a formant filter plug-in that simulates the characteristics of the human voice. Featuring a set of three band pass filters, The Orb can transform any sound into a vowel-like formant-filtered sound. With the three LFOs you can modulate the Vowel, the Emphasis\/Resonance of the formants, and the Drift, which can shift up or down the frequencies of each formant. You can also create your own set of vowels by changing name and frequency for each vowel\/formant.\u003c\/p\u003e \u003ch3 id=\"theorb\"\u003eTHE ORB\u003c\/h3\u003e \u003cp\u003eEach sector of the orb represents a Vowel. It’s possible to change the vowel for each sector by clicking on the vowel name.\u003c\/p\u003e \u003cp\u003eThe distance from the center of the orb to the dot represents the amount of Emphasis (resonance) for each formant filter.\u003c\/p\u003e \u003cp\u003eThe angle of each sector represents the amount of Drift, which is a value in Hz that will be added or subtracted from each vowel formant.\u003c\/p\u003e \u003ch3 id=\"customvowels\"\u003eCUSTOM VOWELS\u003c\/h3\u003e \u003cp\u003eBy clicking on the Edit button in the Vowels section, you can access the Custom Vowels window.\u003c\/p\u003e \u003cp\u003eIt’s possible to change each vowel name and frequency for the three formants.\u003c\/p\u003e \u003cp\u003eEach custom vowels set will be saved in a preset (or DAW session), so you can create as many as you want by saving to a new preset.\u003c\/p\u003e \u003cp\u003eThe default setting is the same as the Male genre settings\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eThree Band Pass Filters (ZDF design)\u003c\/li\u003e \u003cli\u003eVowel Sets: Male, Female, Child and Custom\u003c\/li\u003e \u003cli\u003e3 LFOs (destinations: Vowel, Emphasis and Drift)\u003c\/li\u003e \u003cli\u003eLightweight on CPU\u003c\/li\u003e \u003cli\u003ePresets system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800271463,"sku":"171084","price":49.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-orb_171084_1_ddbda700-4db0-4b01-9db2-10d4f068f885.jpg?v=1787094577"},{"product_id":"audiothing-things-flip-eq","title":"AudioThing Things - Flip EQ","description":"\u003cp\u003eThe \u003cstrong\u003eAudioThing Things Flip EQ\u003c\/strong\u003e is an easy-to-use tilting EQ plug-in with mid\/side mode. Turn the main knob to the right, and you get more highs and less lows; turn it to the left, and lows are boosted while highs are attenuated. You can choose the cutoff frequency of the EQ with the Cutoff control, or increase the gain of the EQ with the Boost button. Things Flip EQ can also be applied to either the mid or side of a stereo signal to further enhance the stereo depth.\u003c\/p\u003e \u003ch3 id=\"midside\"\u003eMID \/ SIDE\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWhat is Mid \/ Side?\u003c\/strong\u003e In a stereo signal, the Mid channel is considered the center, and contains both Left and Right channels. Boosting the Mid channel results in a more mono sound.\u003c\/p\u003e \u003cp\u003eThe Side channel instead contains the difference between the Left and Right channels. Boosting the Side channel results in a more spacious or wider sound.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMid \/ Side Mode\u003c\/strong\u003e Flip EQ can be applied to the mid or side part of the signal. This can be useful to create a wider stereo image on a full mix or individual tracks.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eTilting EQ\u003c\/li\u003e \u003cli\u003eMid\/Side Operation\u003c\/li\u003e \u003cli\u003eCut, Boost, Mix\u003c\/li\u003e \u003cli\u003eCutoff and Boost controls\u003c\/li\u003e \u003cli\u003eResizable Window\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800238695,"sku":"171243","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-flip-eq_171243_1_2b6b743e-606e-4b8e-934b-e39c15463a43.jpg?v=1787094577"},{"product_id":"audiothing-sr-88","title":"AudioThing SR-88","description":"\u003cp\u003e\u003cstrong\u003eAudioThing SR-88\u003c\/strong\u003e is a sample-based plug-in emulation of the Sound Master Memory Rhythm SR-88, a rare analog drum machine from the 80s. The instrument features 5 classic analog sounds: Kick, Snare, Hi Hat 1, Hi Hat 2, and Cymbal, which can be pitched, panned or mixed independently. You can additionally shape the sound with the Low Pass Filter (Zero Delay Feedback), Overdrive, Compressor and Reverb. The sequencer lets you easily build patterns that can be dragged and dropped to your DAW\/host.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e5 classic analog sounds\u003c\/li\u003e \u003cli\u003e15 Factory Presets \/ 15 Factory Patterns\u003c\/li\u003e \u003cli\u003eLow Pass Filter (ZDF)\u003c\/li\u003e \u003cli\u003eOverdrive, Compressor, and Reverb Effects\u003c\/li\u003e \u003cli\u003eSequencer with MIDI Drag to DAW\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800304231,"sku":"171170","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-sr-88_171170_1_b5fea352-c7fc-4ce2-8282-f0706fc9e942.jpg?v=1787094577"},{"product_id":"audiothing-springs","title":"AudioThing Springs","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Springs\u003c\/strong\u003e is a plug-in that features a collection of vintage spring reverbs paired with an authentic Baxandall EQ emulation.\u003c\/p\u003e \u003cp\u003eSprings features emulations from 15 types of spring reverbs, ranging from a long 6-spring pipe to a tiny battery-powered single-spring unit. Used a combination of convolution and modelling to recreate the vintage character of each reverb.\u003c\/p\u003e \u003cp\u003eSpring reverbs were usually paired with tone stacks from guitar amplifiers. Springs features one of the most iconic and unique sounding tone stack equalizers: the Baxandall EQ. A classic Baxandall tone stack usually features just the bass and treble bands,     but have also added a Mid band (with control over the Q).\u003c\/p\u003e \u003ch3 id=\"baxandalleq\"\u003eBAXANDALL EQ\u003c\/h3\u003e \u003cp\u003eThe Baxandall EQ is a classic type of EQ, mostly found in guitar amps, and usually limited to just a single tone control or two bands (bass and treble).\u003c\/p\u003e \u003cp\u003eAdded a third band (mid with Q control) to shape the reverb sound further. One important characteristic of the Baxandall EQ is that the bands interact with each other.\u003c\/p\u003e \u003cp\u003eThis may seem like an unwanted behavior, but it’s one of the reasons why the Baxandall EQ curves are smooth and musical.\u003c\/p\u003e \u003ch3 id=\"editor\"\u003eEDITOR\u003c\/h3\u003e \u003cp\u003eBy clicking on the wrench tool button you can open the editor window.\u003c\/p\u003e \u003cp\u003eSprings uses a combination of convolution and modeling to recreate each spring reverb. With the editor you can edit the impulse response of the reverb directly.\u003c\/p\u003e \u003cp\u003eThis can be useful to fine-tune the size\/decay of the reverb, but can also be used to completely mangle the source (check the experimental presets).\u003c\/p\u003e \u003ch3 id=\"bandwidth\"\u003eBANDWIDTH\u003c\/h3\u003e \u003cp\u003eWhile with the Baxandall EQ you can shape the sound of the mix (dry+wet) or just the wet signal, with the Bandwidth control you can filter the input signal that goes into the spring emulation.\u003c\/p\u003e \u003cp\u003eSome springs have a boomy low end, some are too bright and bouncing. By limiting the bandwidth of the signal you can dampen these characteristics.\u003c\/p\u003e \u003ch3 id=\"howspringreverbswork\"\u003eHOW SPRING REVERBS WORK\u003c\/h3\u003e \u003cp\u003eA spring reverb is an electromechanical device that uses transducers\/pickups with steel springs in order to simulate the reflections of a reverb.\u003c\/p\u003e \u003cp\u003eThe input signal is passed through a transducer to one or multiple springs, the vibrations are then captured by an output transducer on the opposite side.\u003c\/p\u003e \u003cp\u003eUsing multiple springs with different sizes and different thickness can create a more interesting and rich reverb sound.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e     \u003cli\u003e15 Vintage Spring Reverbs\u003c\/li\u003e     \u003cli\u003eBaxandall EQ (three bands)\u003c\/li\u003e     \u003cli\u003e80 Presets\u003c\/li\u003e     \u003cli\u003eResizable Window\u003c\/li\u003e     \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e     \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e     \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e     \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e     \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e     \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e     \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e     \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800336999,"sku":"170988","price":69.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-springs_170988_1_b1756c74-8b3e-476e-8132-9a59d07ac606.jpg?v=1787094577"},{"product_id":"audiothing-speakers","title":"AudioThing Speakers","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Speakers\u003c\/strong\u003e is a plug-in effect designed to emulate a wide range of loudspeakers and microphones using AudioThing's state-of-the-art convolution engine.\u003c\/p\u003e \u003cp\u003eShape any sound like it’s being played by an old telephone, radio, or classic cabinet; or shape it like it’s being recorded by a vintage ribbon microphone or even a toy recorder.\u003c\/p\u003e \u003cp\u003eSpeakers features a freely configurable effects chain, comprising compression, distortion, and filtering, as well as an array of looping background noises for setting the sound in a variety of environments.\u003c\/p\u003e \u003cp\u003eSpeakers is a zero-latency* post-production dream plug-in. No iLok or any other dongle required!\u003c\/p\u003e \u003ch3 id=\"routing\"\u003eROUTING\u003c\/h3\u003e \u003cp\u003eThe Routing panel enables limitless reordering of Speakers’ signal flow. To move a module, simply drag it left or right. The Input module marks the point at which the source signal enters the signal path, disregarding everything to the left. This can be useful for, for example, having the Noise pass through certain modules prior to being joined by the input signal further down the path.\u003c\/p\u003e \u003ch3 id=\"equalizers\"\u003eEQUALIZERS\u003c\/h3\u003e \u003cp\u003eClicking the spanner button  at the top left of either panel reveals a five-band EQ – low and high shelves and three parametric bands – for shaping the frequency response of the Microphone and Speaker emulations.\u003c\/p\u003e \u003cp\u003eDrag the nodes around to set band frequencies and gains, scroll the mousewheel over a node to tweak the Q, double click to reset the band.\u003c\/p\u003e \u003ch3 id=\"distortiondegradation\"\u003eDISTORTION \/ DEGRADATION\u003c\/h3\u003e \u003cp\u003eSpeakers features 15 distortion and degradation algorithms for post-production and sound design.\u003c\/p\u003e \u003cp\u003eDistortion: Carbon Mic, Classic Drive, Diode Clipper, Foldover, Soft Drive, Tape, Valve.\u003c\/p\u003e \u003cp\u003eDegradation: Bit Crusher, Clicks, Drops, GSM, Interference, Quantization, Robotization, Telecom.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e55 speakers: cabinets, devices, phones, radios, speakers, toys\u003c\/li\u003e \u003cli\u003e32 microphones: condensers, dynamics, phones, ribbons, and more\u003c\/li\u003e \u003cli\u003e18 distortion\/degradation algorithms: from carbon mic overdrive to GSM interference\u003c\/li\u003e \u003cli\u003e42 background noises: devices, places, organic, and more\u003c\/li\u003e \u003cli\u003eEQ, Compressor, Multimode Filter\u003c\/li\u003e \u003cli\u003eFlexible Routing\u003c\/li\u003e \u003cli\u003eZero Latency* \/ Ultra Low CPU\u003c\/li\u003e \u003cli\u003eMulti-language support (beta)\u003c\/li\u003e \u003cli\u003eResizable Window\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800369767,"sku":"170868","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-speakers_170868_1_8e46756c-c01d-47a7-8632-00f7e8ad829c.jpg?v=1787094578"},{"product_id":"audiothing-space-strip","title":"AudioThing Space Strip","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Space Strip\u003c\/strong\u003e is a multi-effect plug-in featuring 6 modules: Contour, Vibe, Slapback, Ambience, Ensemble, and Stereo. The modules can be arranged in any combination by simple drag-n-drop. Space Strip will add depth and space to your sounds, especially synth and keyboards. The plug-in is optimized to be lightweight on the CPU.\u003c\/p\u003e \u003ch3 id=\"6modules\"\u003e6 MODULES\u003c\/h3\u003e \u003cp\u003eSpace Strip combines 6 modules to add depth and space to your sounds.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eContour, 2-band EQ\u003c\/li\u003e \u003cli\u003eVibe, stereo vibrato\u003c\/li\u003e \u003cli\u003eSlapback, short echo module\u003c\/li\u003e \u003cli\u003eAmbience, short reverb module\u003c\/li\u003e \u003cli\u003eEnsemble, multi-voices chorus\u003c\/li\u003e \u003cli\u003eStereo, stereo manipulation\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"draganddrop\"\u003eDRAG AND DROP\u003c\/h3\u003e \u003cp\u003eYou can customize your channel strip with a simple drag-and-drop.\u003c\/p\u003e \u003cp\u003eBy default, all modules (except the Master module) can be moved and re-arranged to create different signal flows.\u003c\/p\u003e \u003cp\u003eFor example, you can decide to add the compressor module after the Vinyl emulation, or vice versa.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e6 modules: Distortion, Compressor, Bit Crusher, Tilt EQ, Reverb, and Vinylizer\u003c\/li\u003e \u003cli\u003eAll modules can be arranged by drag-n-drop\u003c\/li\u003e \u003cli\u003eLightweight on CPU\u003c\/li\u003e \u003cli\u003e25 Presets\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800402535,"sku":"171045","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-space-strip_171045_1_26266eaa-f90d-412a-8512-602bd33abbf2.jpg?v=1787094578"},{"product_id":"audiothing-reels","title":"AudioThing Reels","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Reels\u003c\/strong\u003e is a tape emulation plug-in with built-in echo section and tape start and tape stop effect.\u003c\/p\u003e \u003cp\u003eBased on an old Japanese portable tape recorder with a very distinct Lo-Fi analog sound, Reels emulates all the imperfections of consumer reel-to-reel recorders.\u003c\/p\u003e \u003cp\u003eAudioThing modeled three different 1\/4” tape frequency responses and saturations, along with all the analog imperfections of tape recording \/ playback.\u003c\/p\u003e \u003cp\u003eReels will add a very rough retro analog sound to your mixes. If you are looking for a Hi-Fi mastering tape emulation, this is not the plug-in for you! \u003c\/p\u003e \u003ch3 id=\"portabletaperecorder\"\u003ePORTABLE TAPE RECORDER\u003c\/h3\u003e \u003cp\u003eReels is based on a vintage Japanese reel to reel, ironically marked as High Fidelity, found in a distressed state at a local flea market. Most of these consumer tape recorders, also due to their age, produce a very rough Lo-Fi analog sound.\u003c\/p\u003e \u003cp\u003eDuring recording or playback, the motor noise somehow bleeds in, along with the usual tape hiss, limiting the actual bandwidth available on the tape.\u003c\/p\u003e \u003cp\u003eReels recreates all the imperfection of consumer reel-to-reel vintage recorders, including:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eHarshness, harmonic distortion with loss of clarity (mid-range)\u003c\/li\u003e \u003cli\u003eWOW\/Flutter, pitch instabilities due to recording and playback issues\u003c\/li\u003e \u003cli\u003eDrops, random volume loss due to tape or rec\/play head imperfections\u003c\/li\u003e \u003cli\u003eCrosstalk, the leak between left and right channel in a stereo signal\u003c\/li\u003e \u003cli\u003eHiss, high-frequency noise caused by the magnetic particles in the tape\u003c\/li\u003e \u003cli\u003eMotor, mid-frequency noise caused by the reels motor\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"tapestartandstop\"\u003eTAPE START AND STOP\u003c\/h3\u003e \u003cp\u003eWhen you press stop on a reel-to-reel player, the tape doesn’t stop immediately. Instead, it gradually slows down creating a pitch down and fade out effect.\u003c\/p\u003e \u003cp\u003eThe same thing happens in reverse, if you hit play, the tape gradually speeds up creating a pitch up and fade in effect.\u003c\/p\u003e \u003cp\u003eYou can replicate this effect with Reels, and you can also change the speed of the start\/stop effect.\u003c\/p\u003e \u003cp\u003eWe’ve modeled three different tape types, from ruined to NOS (new old stock) state. The tape types are named after the country of origin: JP (Japan), IT (Italy), FR (France).\u003c\/p\u003e \u003cul\u003e \u003cli\u003eJP    Used tape but with an overall better frequency response\u003c\/li\u003e \u003cli\u003eIT    New old stock but with a limited frequency response\u003c\/li\u003e \u003cli\u003eFR    Overused and badly stored, very bad frequency response\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eEach tape will affect the sound in different ways, especially at higher feedback settings when using the Echo section.\u003c\/p\u003e \u003cp\u003eWOW\/Flutter, Ducking, and other parameters will also change according to the selected tape, creating different amount of pitch and volume changes.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eVintage Tape Emulation\u003c\/li\u003e \u003cli\u003eTape Start and Tape Stop Effect\u003c\/li\u003e \u003cli\u003e3 Tape types\u003c\/li\u003e \u003cli\u003eEcho Section\u003c\/li\u003e \u003cli\u003eSpeaker and Mic Emulation\u003c\/li\u003e \u003cli\u003eHiss and Motor noise with Envelope\u003c\/li\u003e \u003cli\u003e50 Presets\u003c\/li\u003e \u003cli\u003eResizable Window\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800435303,"sku":"171042","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-reels_171042_1_eecc1b80-c565-4af3-82d0-3d4e6f7e61e6.jpg?v=1787094578"},{"product_id":"audiothing-phase-motion","title":"AudioThing Phase Motion","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Phase Motion 2\u003c\/strong\u003e is a stereo phaser plug-in featuring up to 32 phasing stages. The Rate can be adjusted in Hertz or it can be synced to the host\/DAW tempo. You can choose 6 waveforms (sine, triangle, ramp up, rump down, square, random) to modulate the phase, and you can tweak Depth and Feedback to get a classic vintage phaser sound or extreme digital modulations.\u003c\/p\u003e \u003ch3 id=\"stereophaser\"\u003eSTEREO PHASER\u003c\/h3\u003e \u003cp\u003ePhase Motion 2 is a stereo phaser, meaning you can have different settings on each channel. Essentially it is like having two phasers, one for the Left and one for the Right channel.\u003c\/p\u003e \u003cp\u003eBy clicking on the L or R button, the parameters will only control the selected channel. Instead, when the Link icon is selected, both L and R parameters will be affected.\u003c\/p\u003e \u003cp\u003eTips to make a thicker stereo phaser sound:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eHave the same settings on both L and R channel, but slightly change one or two parameters on one channel only\u003c\/li\u003e \u003cli\u003eHave a positive amount of Feedback on one channel, and a negative amount on the other channel\u003c\/li\u003e \u003cli\u003eUse the Invert button only on one channel\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e32 Phasing Stages\u003c\/li\u003e \u003cli\u003e6 LFO Waveforms\u003c\/li\u003e \u003cli\u003eRate can be synced to the host tempo\u003c\/li\u003e \u003cli\u003eLightweight on CPU\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800468071,"sku":"171169","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-phase-motion2_171169_1_4c79c210-b6af-4137-9491-1ab016e0e63b.jpg?v=1787094578"},{"product_id":"audiothing-outer-space","title":"AudioThing Outer Space","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Outer Space\u003c\/strong\u003e is a faithful emulation plug-in of a famous vintage tape echo made in the early seventies.\u003c\/p\u003e \u003cp\u003eAs the original unit, Outer Space features a tape echo section with three playback heads and two spring reverb tanks.\u003c\/p\u003e \u003cp\u003eEngineers modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording\/playback.\u003c\/p\u003e \u003cp\u003eAudioThing also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects.\u003c\/p\u003e \u003ch3 id=\"spaceecho\"\u003eSPACE ECHO\u003c\/h3\u003e \u003cp\u003eIntroduced in 1974, the Roland Space Echo RE-201 was an instant hit among engineers, guitar players, and dub pioneers. A real analog system providing both tape echo and spring reverb for a rich and organic sound.\u003c\/p\u003e \u003ch3 id=\"tapemodelling\"\u003eTAPE MODELLING\u003c\/h3\u003e \u003cp\u003eWe’ve modelled three different tape types.\u003c\/p\u003e \u003cp\u003eThe original RT-1L, a more modern replacement, and an older worn out tape. Each tape will affect the sound in a subtle but different way, especially at higher feedback (Intensity) settings.\u003c\/p\u003e \u003cp\u003eWOW\/Flutter, Ducking, and other parameters will also change according to the selected tape, creating different amount of pitch and volume changes.\u003c\/p\u003e \u003cp\u003eChanging the speed of the repetitions (Repeat Rate) will also affect the tape frequency response.\u003c\/p\u003e \u003ch3 id=\"modeselector\"\u003eMODE SELECTOR\u003c\/h3\u003e \u003cp\u003eJust like the original unit, with the Mode selector you can choose 12 different combinations of echo playback heads and reverb:\u003c\/p\u003e \u003cul\u003e \u003cli\u003e4 Echo only\u003c\/li\u003e \u003cli\u003e7 Echo+Reverb\u003c\/li\u003e \u003cli\u003e1 Reverb only\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eVolume\/Pan for each Head\u003c\/li\u003e \u003cli\u003eLow\/Hi Cut for Feedback Section\u003c\/li\u003e \u003cli\u003eDucking control\u003c\/li\u003e \u003cli\u003ePre-Emphasis Filter\u003c\/li\u003e \u003cli\u003eRate Ballistic control\u003c\/li\u003e \u003cli\u003eVariable Speed (± 50 ms)\u003c\/li\u003e \u003cli\u003ePreamp switch and more\u003c\/li\u003e \u003cli\u003eVintage Tape Echo\u003c\/li\u003e \u003cli\u003e3 Tape modes: Original, Modern, Old\u003c\/li\u003e \u003cli\u003eSpring Reverb (Dark\/Bright and Short\/Long)\u003c\/li\u003e \u003cli\u003eBackground Noise with Envelope\u003c\/li\u003e \u003cli\u003eOversample up to 16x\u003c\/li\u003e \u003cli\u003eResizable Window\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800500839,"sku":"170987","price":69.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-outer-space_170987_1_0571a781-e14d-483e-88bc-55120971b992.jpg?v=1787094578"},{"product_id":"audiothing-miniverb","title":"AudioThing MiniVerb","description":"\u003cp\u003e\u003cstrong\u003eAudioThing miniVerb\u003c\/strong\u003e is an 8-bit\/chiptune and lofi reverb effect inspired by the sound of 80s game consoles and retrocomputers.\u003c\/p\u003e \u003cp\u003eEarly consoles didn’t have much power for DSP effects, so the video game composers at that time had to improvise. The most common way to add a sense of space\/reverb to the sound was to sacrifice one of the internal tracks to play a delayed version of the original sound, essentially using a slapback echo to add depth.\u003c\/p\u003e \u003cp\u003eThe technique evolved and eventually, consoles started to take advantage of more power for real internal effects.\u003c\/p\u003e \u003cp\u003eminiVerb recreates that classic digital echo\/reverb sound, made famous by iconic consoles such as the NES and SNES, topping it with two filters (post\/pre), vibrato, and crusher (bit crusher, downsampler, pitch shifter).\u003c\/p\u003e \u003cp\u003eEcho Section and Tips The Echo Section can be used to simulate the tricks used in early video game consoles to add a sense of space\/reverb to the sounds.\u003c\/p\u003e \u003cp\u003eThe most common way was to sacrifice one of the internal tracks of the sound chip to play a delayed version of the original track, essentially creating a slapback echo effect.\u003c\/p\u003e \u003cp\u003eTo achieve this NES-like reverb sound, you can use a single delay line, very short time, no feedback, and width set to mono.\u003c\/p\u003e \u003cp\u003eTo simulate a 90s fake reverb\/echo (like the SNES) instead, you can play with longer times and add some feedback to simulate a reverb tail.\u003c\/p\u003e \u003cp\u003eFor a more modern approach, you can switch the Echo to Double Delay Line by clicking on the blue button (in the top-left corner) and increasing the width to a wider setting.\u003c\/p\u003e \u003cp\u003eClassic Consoles miniVerb was inspired by the sound of classic game consoles and retro computers of the 80s and 90s.\u003c\/p\u003e \u003cp\u003eFor even more 8-bit\/chiptune sounds, check out the synthesizer plug-in miniBit.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003ePre\/Post Filter (LP\/HP)\u003c\/li\u003e \u003cli\u003eEcho (single\/double mode)\u003c\/li\u003e \u003cli\u003eVibrato\u003c\/li\u003e \u003cli\u003eCrusher (bit-crusher, downsampler, pitch shifter)\u003c\/li\u003e \u003cli\u003e45 Presets\u003c\/li\u003e \u003cli\u003ePreset randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800533607,"sku":"171247","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-miniverb_171247_1_a19a6984-2113-4703-a51f-d38c3168a0af.jpg?v=1787094578"},{"product_id":"audiothing-minibit","title":"AudioThing MiniBit","description":"\u003cp\u003e\u003cstrong\u003eAudioThing miniBit\u003c\/strong\u003e is an 8-bit\/chiptune style synthesizer plug-in that emulates the sound of 80s game consoles and retro computers. It features a main oscillator with 18 waveforms paired with a sub oscillator (a square wave pitched one octave below).\u003c\/p\u003e \u003cp\u003eThe waveforms are not bandlimited and will produce aliasing. Furthermore, using the built-in bitcrusher, you can create even more noisy and retro sounds.\u003c\/p\u003e \u003cp\u003eminiBit also features a synced 8 Steps Stepper\/Sequencer with multiple destinations. From noisy, snare-like steps to ambient subs, miniBit has many uses beyond what one expects from a chiptune synth.\u003c\/p\u003e \u003ch3 id=\"stepsequencer\"\u003eSTEP SEQUENCER\u003c\/h3\u003e \u003cp\u003eminiBit features an 8 steps sequencer that can be used to automate several parameters: pitch, volume, cutoff, resonance, waveform, and downsampling.\u003c\/p\u003e \u003cp\u003eSequencing the waveforms will generate sounds reminiscent of early trackers and wavetable synthesizers.\u003c\/p\u003e \u003cp\u003eEach track can also be randomized using the dice buttons on the right.\u003c\/p\u003e \u003ch3 id=\"customwaveforms\"\u003eCUSTOM WAVEFORMS\u003c\/h3\u003e \u003cp\u003eThe Custom Waveform Editor features 32 steps and 8 waveform slots per preset. You can draw your waveforms by clicking and dragging on the editor. You can also use the built-in examples as a starting point.\u003c\/p\u003e \u003cp\u003eEach preset has its own set of custom waveforms, if you want to use a custom wave with another preset you can use the Copy\/Paste buttons, or you can disable the Update Custom Waves in the global settings.\u003c\/p\u003e \u003cp\u003eTo open the Custom Waveform Editor select one of the Custom Waveforms from the Waveform monitor and click on the Editor button.\u003c\/p\u003e \u003ch3 id=\"classicconsoles\"\u003eCLASSIC CONSOLES\u003c\/h3\u003e \u003cp\u003eminiBit was inspired by the sound of classic game consoles and retro computers of the 80s and 90s.\u003c\/p\u003e \u003cp\u003eFor even more 8-bit\/chiptune effects, check out the effect plug-in miniVerb.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e18 Waveforms + Custom Waves + Sub Oscillator\u003c\/li\u003e \u003cli\u003ePoly and Mono mode with Glide\u003c\/li\u003e \u003cli\u003e2-poles LowPass\/HighPass Filter\u003c\/li\u003e \u003cli\u003ePitch and Volume Envelopes\u003c\/li\u003e \u003cli\u003eDelay and BitCrusher effects\u003c\/li\u003e \u003cli\u003eLFO with multiple destinations\u003c\/li\u003e \u003cli\u003eVolume and Pitch Envelopes\u003c\/li\u003e \u003cli\u003e8 Steps Stepper with multiple destinations\u003c\/li\u003e \u003cli\u003e128 Presets + Preset randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 11\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800566375,"sku":"171232","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-minibit_171232_1_a34ec418-1bcc-4214-96bf-19ecf4cf2fe3.jpg?v=1787094579"},{"product_id":"audiothing-megaphone","title":"AudioThing Megaphone","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Megaphone\u003c\/strong\u003e is a plug-in that emulates an amplified bullhorn \/ PA loudspeaker. It features two loudspeaker emulations (Mode I and Mode II), feedback control (slapback echo), and a noise section. Megaphone can be used to make any audio source sound as if it’s being played by a bullhorn.\u003c\/p\u003e \u003ch3 id=\"feedback\"\u003eFEEDBACK\u003c\/h3\u003e \u003cp\u003eThe feedback section is essentially a slapback effect. When using megaphones, the output of the loudspeaker can be captured again by the input microphone, introducing a delay\/reflection and the usual feedback tones (those can be triggered with high gain sources and feedback amount higher than 50%).\u003c\/p\u003e \u003ch3 id=\"noise\"\u003eNOISE\u003c\/h3\u003e \u003cp\u003eThe megaphone noises can be enabled by the Trigger button. There are two types of noise: Button and Burst. You can balance the mix between the two noises with the Source parameter. The button noise is the noise made by clicking on the megaphone button to enable its microphone. The burst is the typical background noise of the loudspeaker. If the envelope is enabled, the Burst noise will follow the transients of the input signal.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e2 Loudspeaker emulations\u003c\/li\u003e \u003cli\u003eOverdrive + Bandwidth control\u003c\/li\u003e \u003cli\u003eFeedback \/ Slapback\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 12\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800599143,"sku":"171246","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-megaphone_171246_1_7170e943-ddd1-452b-96de-13d2f26c5243.jpg?v=1787094579"},{"product_id":"audiothing-hats","title":"AudioThing Hats","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Hats\u003c\/strong\u003e is a drum synthesizer plug-in dedicated to hi hats and cymbals sounds. It features two independent sources: synthesized noise and sample section. Instead of generic white or pink noise, the noise section features 6 square wave oscillators with different pitches and phases, like the famous TR808. The result is a noise sound with a controllable metallic character.\u003c\/p\u003e \u003cp\u003eThe factory bank comes with more than 50 samples, ranging from rare analog drum machines to real acoustic hi hats and cymbals. Some of the samples were also processed with a classic Aphex Aural Exciter and recorded to tape with a vintage Revox B77 MkII.\u003c\/p\u003e \u003cp\u003eBoth sources can then be processed with 4 effects: Ring Modulator, Bit Crusher, Filter, and Reverb. The effects can also be arranged in any order with a simple drag and drop. The filter section features a HighPass and BandPass in series; both filters are 12 dB\/oct.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eTwo Sources: synthesized noise and custom sample\u003c\/li\u003e \u003cli\u003e55 Samples \/ 80 Presets\u003c\/li\u003e \u003cli\u003eRing Modulator, Bit Crusher, Reverb, Filter (SVF\/ZDF)\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 12\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800631911,"sku":"171085","price":49.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-hats_171085_1_062b6ddb-bd22-4f15-84aa-8654f8a9da4c.jpg?v=1787094579"},{"product_id":"audiothing-latin-percussion","title":"AudioThing Latin Percussion","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Latin Percussion\u003c\/strong\u003e is a sample-based plug-in emulation of the Sound Master Latin Percussion, a rare analog drum machine from the 80s. The instrument features 6 classic latin sounds: Bass, Low Conga, High Conga, Bongo, Claves, and Maracas, which can be pitched, panned or mixed independently. You can additionally shape the sound with the Overdrive and Reverb. The sequencer lets you easily build patterns that can be dragged and dropped to your DAW\/host.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e6 classic analog sounds\u003c\/li\u003e \u003cli\u003e20 Factory Presets \/ 9 Factory Patterns\u003c\/li\u003e \u003cli\u003eOverdrive and Reverb Effects\u003c\/li\u003e \u003cli\u003eSequencer with MIDI Drag to DAW\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 12\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800664679,"sku":"171129","price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-latin-perc_171129_1_5f9e6237-3c2c-4e49-b53f-569813dbe895.jpg?v=1787094579"},{"product_id":"audiothing-gong-amp","title":"AudioThing Gong Amp","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Gong Amp\u003c\/strong\u003e takes an exciting experimental amplifier from the beginnings of electronic music to the plug-in world of today.\u003c\/p\u003e \u003cp\u003eInspired by sound designer Maurice Martenot who in 1932 put a gong behind the amplifier circuitry which resulted in resonances and brilliant overtones that excite audiences to this day. Using a complex mixture of convolution processing, physical modeling, and feedback systems, AudioThing created an instrument that is true to the responsiveness of the original idea and even transcends it in terms of sound design possibilities.\u003c\/p\u003e \u003ch3 id=\"mixer\"\u003eMIXER\u003c\/h3\u003e \u003cp\u003eYou can choose from three recording positions: mono mic, stereo mics, and a unique “resonator” effect AudioThing designed. Try mono for a “documentary” perspective, stereo for beautiful ribbon mic width, and hear reverb feeding into reverb in “resonator” mode. Try upping the input overdrive for added overtones, and use the soft clip for output distortions.\u003c\/p\u003e \u003ch3 id=\"applications\"\u003eAPPLICATIONS\u003c\/h3\u003e \u003cp\u003eTaking a page from the experimental percussionists’ handbook, you can add thick and thin chains to the Gong. The sympathetic rattling creates effects that range from a soft shimmer to clangorous noise.\u003c\/p\u003e \u003ch3 id=\"performance\"\u003ePERFORMANCE\u003c\/h3\u003e \u003cp\u003eAdjust the sound of Gong Amp to your playing style. Choose from two different gain settings on the gong with “Dynamic”. Add modulations for a slightly more psychedelic sound. Modulation adds liveliness as well as subtle stereo width as if the gong was swaying. It runs both pre-Gong and post-Gong, so leave this at low setting for purity and turn it up to tune in. Turn on “howl” to hear Gong Amp struggle beautifully when overloaded. Experiment with extreme pitch manipulations for cinematic effects.\u003c\/p\u003e \u003ch3 id=\"tripmode\"\u003eTRIP MODE\u003c\/h3\u003e \u003cp\u003eWith Trip Mode, you can add automated crossfading between the three signal positions of mono, stereo and resonate. Use spread to adjust the rhythmic shift. From gentle drifts that last minutes to fast rotary effects, this is a sound designer’s dream.\u003c\/p\u003e \u003ch3 id=\"features\"\u003eFEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eGong Amp Emulation\u003c\/li\u003e \u003cli\u003eChains and Pillow Sets\u003c\/li\u003e \u003cli\u003eDynamic, Pitch, Modulation, Howl\u003c\/li\u003e \u003cli\u003eTrip Modulation\u003c\/li\u003e \u003cli\u003eResizable Window\u003c\/li\u003e \u003cli\u003ePreset system with randomizer\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"systemrequirements\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003eWindows 7, 8, 10\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, or AAX (64-bit)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eOS X 10.9 – macOS 12\u003c\/li\u003e \u003cli\u003e2 GHz CPU, 4 GB RAM\u003c\/li\u003e \u003cli\u003eVST2, VST3, AU, or AAX (64-bit)\u003c\/li\u003e \u003cli\u003eUniversal 2 Binary\u003c\/li\u003e \u003c\/ul\u003e","brand":"AUDIOTHING","offers":[{"title":"Default Title","offer_id":44450800762983,"sku":"171046","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audiothing-gong-amp_171046_1_d63ad4df-82bb-4f55-a6e5-431708c1e88b.jpg?v=1787094579"},{"product_id":"audiothing-hand-clapper","title":"AudioThing Hand Clapper","description":"\u003cp\u003e\u003cstrong\u003eAudioThing Hand Clapper\u003c\/strong\u003e is a drum synthesizer plug-in dedicated to claps sounds. The design is inspired by a famous Japanese percussion synthesizer from the 80s. There are three internal noise sources that are used to recreate the classic sound of vintage analog drum machines (such as 808, 909, HC2, and more). You are not limited to just the on-board sounds though, you can also load in any sample you want.\u003c\/p\u003e \u003ch3 id=\"inspiration\"\u003eINSPIRATION\u003c\/h3\u003e \u003cp\u003eInspired by the classic Boss HC-2 pedal, the raison d’être of “Hand Clapper” is the generating of handclaps. 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With the four freezing modes (spectral, reverb, convolution, granular), you can transform any sound into ambient textures, soundscapes, or just frozen reverbs.\u003c\/p\u003e \u003cp\u003eFrostbite can also be used for extreme sonic experiments by entirely mangling any source with extreme modulations.\u003c\/p\u003e \u003cp\u003eThe Signal Flow is flexible, you can rearrange the modules with a simple drag-and-drop, and selects between the two modes: serial and parallel. 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