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Using 24 high-quality instruments, every producer can now arrange a virtual ensemble ranging from familiar setups to a full marching band.\u003c\/p\u003e\u003cp\u003eAlpine Volksmusik covers the whole spectrum of instruments, being necessary to produce this kind of folk music in a digital environment. Accordion, styrian harmonicas, clarinets and brass instruments are available just like guitar, bass and drums. And of course, we haven't forgotten traditional instruments like the dulcimer, the Zillertal fiddle and the alpine bells.\u003c\/p\u003e\u003cp\u003eAll instruments have been recorded with full details and offer different articulations that can be keyswitched to deliver authentic sounds. Also, the clearly arranged user interface of the Engine player allows to individually adjust specific characteristics of the instruments such as release-noises for the accordion. 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By using the outstanding instruments of this library, you will be able to compose and arrange your songs with your digital production system to your liking and in highest quality.\u003c\/p\u003e\u003cp\u003eAlpine Volksmusik may sound traditional as well as modern. Simply choose the instruments that fit your music. Select a dulcimer and an accordion for family music or go for a small marching band from the upper Carniolan region! Are you in need for a soft sounding nylon-string guitar for a ballad or do you want modern drums, brass, vocal effects and a special synth-bass from Zillertal? Alpine Volksmusik will deliver it all! Naturally, you may complete this library with other instruments to create party-music, cover-versions and Après-Ski-tunes with authentic folkloristic sounds.\u003c\/p\u003e\u003cp\u003eAnd that's not even all: The instruments of Alpine Volksmusik can be used in multiple musical genres such as American polka, Balkan pop or even Hip-Hop. 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In addition, separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein Orchestral Brass Complete differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e\u003ch3\u003eUnique Functions\u003c\/h3\u003e\u003cp\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e\u003cp\u003eThe combination of long and short notes is a major problem in sample-libraries that often fail to deliver authentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. 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With CHH Complete you get 54 Solo- and 32 Section-Instruments, partitioned in four volumes which contain different groups of instruments perfectly matching each other. With the latest Pro update for the first time a Chris Hein library offers phase synchronized samples for perfect blending between velocities. This procedure optimizes interdependent samples and allows Velocity Crossfades smooth as silk from piano to forte. Use the instrument´s full dynamic capabilities to create a vivid performance.\u003c\/p\u003e\u003cp\u003eDue to highly intelligent programming the solo instruments can easily be combined to small or large sections via section mode. Several \"out of the box\" section instruments are also included. The intuitive user interface is mainly focussed on best playability. Various legato and glide-mode features allow very realistic note transitions, while outstanding new functions like key-vibrato, hotkeys and the revolutionary new key-switch concept are essential for live performance.All instruments follow the same concept, so, if you know one, you know them all. Each volume contains solo-instruments as well as section combinations .All the instruments have been played by famous big-band musicians in separate sessions but to one another, which results in perfect harmony of the sections and allows maximum flexibility for the producer.\u003c\/p\u003e\u003ch3\u003eArticulations\u003c\/h3\u003e\u003cp\u003eThe large amount of up to 38 articulations is what makes \"Chris Hein - Horns \" so realistic. All articulations can be assigned over 18 keyswitch-keys, located on the lower notes of the keyboard. Access to every articulation is made possible via an intuitive combination of keyswitches and midi-controllers.\u003c\/p\u003e\u003ch3\u003eKey-switches\u003c\/h3\u003e\u003cp\u003e‘Keyswitching is an elegant means of enabling the user to directly and immediately access different playing techniques from within a single patch. It uses pre-programmed MIDI notes to instantaneously switch between different articulations, meaning it is no longer necessary to reload each variant individually. The keyswitches themselves are exclusively controller keys. They make no sound, but instead are used to switch the entire group of samples which the main instrument keys trigger.\u003c\/p\u003e\u003ch3\u003eKey-switch Presets\u003c\/h3\u003e\u003cp\u003eUsually key-switches just switch between different fixed articulations or other pre-programmed sound varietes. In CHH Vol1 the keyswitches are used to switch between complex sets of presets with 21 adjustable parameters. 18 Key-Switch presets are available. The KS-Presets are allocated to C0 - F1, in the lower area of your keyboard. The keyswitch is pressed prior to playing any actual instrument notes. The switchover occurs instantly without any time lag. Pressing a key between C0 and F1 on your keyboard has the same effect as turning the KS-Preset knob in the GUI. You can also assign the KS-Presets to any midi controller in the CC-Settings page. The selected articulation is displayed on the left side of the GUI. All parameters on the settings page,except Vib. Vol, Vib.Tune, Crescendo-Speed and Glide-Speed are adjustable parameters which are stored in the KS-Presets. If you make changes to any of these parameters, they are automatically stored in the KS-Preset. To save the KS-Presets permanently, simply save the whole instrument.\u003c\/p\u003e\u003ch3\u003eNew in Pro Complete:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNew C-Flute Instrument\u003c\/li\u003e\n\u003cli\u003eThe new C-Flute has been deeply sampled in great detail and a variety of playing styles such as Non Vibrato, Vibrato, Singing and even Shakuhachi Style - this instrument adds a different colour to the palette\u003c\/li\u003e\n\u003cli\u003eAll new Graphical User Interface\u003c\/li\u003e\n\u003cli\u003eThe all new user Interface makes tweaking and editing a breeze - sculpt the sound of the instrument and define exactly how it reacts to your playing\u003c\/li\u003e\n\u003cli\u003ePhase synchronized samples for perfect blending between velocities\u003c\/li\u003e\n\u003cli\u003eAll Sustain Samples and some other articulation have been phase-synced - this procedure optimizes interdependent samples and allows Velocity Crossfades smooth as silk from piano to forte - use the instrument´s full dynamic capabilities to create a vivid performance\u003c\/li\u003e\n\u003cli\u003eExtremely customizable Articulation Presets including copy paste feature\u003c\/li\u003e\n\u003cli\u003eThe articulation presets are now even more customizable, using the latest features of the Kontakt engine - for example the time machine and the transient designer - control speed, panorama, volume and transpose and many more parameters for each playing style of an instrument individually\u003c\/li\u003e\n\u003cli\u003eNew Key-Switch preset management\u003c\/li\u003e\n\u003cli\u003eRe-invented management of key-switch presets - all settings of any preset can now copied to any other easily - you can even save all presets of a patch, including your personal key-switch preferences, and import them into another\u003c\/li\u003e\n\u003cli\u003eNew flexible Hot-Key management\u003c\/li\u003e\n\u003cli\u003eArticulations can be unloaded to save memory\u003c\/li\u003e\n\u003cli\u003eImproved Ram Management - all articulations and ram-demanding effects can be loaded or unloaded individually - remove unused articulations and switch off ram-demanding effect settings to free up memory and keep the memory footprint as low as possible\u003c\/li\u003e\n\u003cli\u003eSpeed Change for all articulations\u003c\/li\u003e\n\u003cli\u003eThe speed of all articulations can be adjusted individually - this is useful not only for the time-depending articulations like Crescendo, Runs or Falls. Also sustains, shake and trills benefit from the time adjustment, because it changes the attack and the general sound of the sample\u003c\/li\u003e\n\u003cli\u003eFive different Velocity X-Fade Modes\u003c\/li\u003e\n\u003cli\u003eThere are now five different velocity X-Fade Modes providing you with maximum flexibility to control the dynamic of the instrument - play realistic Crescendi and Swells locked to the song tempo using the two new Auto X-Fade Modes\u003c\/li\u003e\n\u003cli\u003eVelocity Fade Filter\u003c\/li\u003e\n\u003cli\u003eTransient Designer\u003c\/li\u003e\n\u003cli\u003eNew Effects: Attack Shapes, Air, Noise, Release Effects\u003c\/li\u003e\n\u003cli\u003eThe new effects are perfect to dial in liveliness, add up to three layers of different Attack Samples to give your sound more punch or dirt, or blend in the sound of playing noises and the air flowing through the instrument to bring it closer to the listener\u003c\/li\u003e\n\u003cli\u003e16 new Convolution Impulses for Reverb\u003c\/li\u003e\n\u003cli\u003eCHH Pro contains 16 additional Convolution Impulses of reverbs. Place your instruments on a scoring stage or play them in a small room.\u003c\/li\u003e\n\u003cli\u003eImproved Key-Vibrato\u003c\/li\u003e\n\u003cli\u003eTwo independent, intelligent LFO-Vibrato types\u003c\/li\u003e\n\u003cli\u003eAuto Vibrato\u003c\/li\u003e\n\u003cli\u003eAuto Vibrato uses musical values, based on the song tempo, to blend in natural modulation of tune and volume.\u003c\/li\u003e\n\u003cli\u003eAssignable Pitch-Bend\u003c\/li\u003e\n\u003cli\u003ePopular playing styles like falls or shakes are now assignable to the Pitch-Bend Wheel. Trigger these effects intuitively without having to remember key-switches.\u003c\/li\u003e\n\u003cli\u003eiPad \u0026amp; iPhone real time remote controller\u003c\/li\u003e\n\u003cli\u003eBased on Hexlers TouchOSC we programmed a real time controller for all features in CHH-Pro - instead of fiddling with CC data in your DAW, you just record the automation data from your iPhone or iPad\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892106343,"sku":"56798","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-chris-hein-horns-pro-complete-2-1_98a1241a-232d-48f2-85d9-32114e7175ac.jpg?v=1787090840"},{"product_id":"best-service-chris-hein-solo-violin-electronic-delivery","title":"Best Service Chris Hein Solo Violin - Elec Del","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Solo Violin\u003c\/strong\u003e outshines all previous violin libraries. Never before, a sample library of this extent has been dedicated towards a single string instrument: Recorded with greatest care and endless details, precisely edited and merged into a practical and musical instrument for NI's Kontakt Player offering an elaborated custom-tailored user-interface with comprehensive scripting. Chris Hein Solo Violin features high-grade sound quality and incredible realistic articulations. This library offers everything you have been missing with previous virtual string instruments.\u003c\/p\u003e\u003cp\u003eYou receive over 10.000 samples (4 gigabytes of sample data), 38 articulations, four different legato transitions as well as extensive phase-alignment of all samples to guarantee smooth inaudible crossfades of up to eight velocity layers. This feature-set allows the creation of authentic violin-arrangements unprecedented on a computer.\u003c\/p\u003e\u003cp\u003eThis library benefits from producer Chris Hein's 30 years spanning experience in the field of sampling and library production, resulting in a product offering highest versatility, configurability and practical use.\u003c\/p\u003e\u003cp\u003eChris Hein Solo Violin delivers outstanding, detailed and highly expressive results as a solo instrument or as part of an ensemble – in all relevant genres ranging from classical music and film scores to gypsy-jazz, folk and pop ballads.\u003c\/p\u003e\u003cp\u003eAnd there is even more: Chris Hein Solo Violin provides sound-designers, composers of film- and game soundtracks and experimental musicians with special effect-sounds and uncommon articulations with partly exceptional dynamics, such as flautando, flageolets and ponticello. Therefore, the pitch range of the virtual instrument has been expanded in comparison to the original violin. The special effect sounds are further supported by the internal tenfold DSP-effects-rack. Feel free to create complex sound clusters, dense atmospheres and surreal sound worlds out of a single violin for incredible moments of suspense.\u003c\/p\u003e\u003cp\u003eBy using the Ensemble Maker, the solo instrument can easily be turned into an ensemble being able to take advantage of all available articulations. A voice division in the stereo image and fine detuning intensifies this effect.\u003c\/p\u003e\u003cp\u003eChris Hein Solo Violin equally serves demanding string instrument enthusiasts as well as composers needing more than just excellent sounding samples but also comprehensive details, a full offering of articulations and a versatile adaptation to their preferred workflow.\u003c\/p\u003e\u003cp\u003eOn one hand, the instrument offers a comprehensive full sample set with all articulations being ready to play on the keyboard. Thanks to the library's modular approach on the other hand, significantly reduced variations may also be called up with fast load times and low memory requirements.\u003c\/p\u003e\u003cp\u003eBy using the clean start configuration, the instrument is initially loaded in a sustain variation while further articulations and functions can simply be added at any time if needed. This way, you may as well work fluently and efficiently on compact and mobile production systems using a lot less memory.\u003c\/p\u003e\u003cp\u003eChris Hein Solo Violin reproduces the sound of internationally renowned violinist Naomi Binder and her excellent instrument. Thanks to her incredible hearing and unprecedented precision, paired with artistic discipline and routine, it was possible to accurately capture the violin across its full pitch range (up to F6) in all its dynamic facets from most gentle to loudest tones.\u003c\/p\u003e\u003cp\u003eAs with all his productions, Chris Hein decided for a close micing in a dry recording environment. Combined with the twin impulse response based reverberation sections, the intentional dry sound of the library allows adapting and fitting the instrument perfectly into variable contexts. Dedicated convolution engines for the instrument's body and the room itself allow creation of a nearly arbitrary acoustic environments ranging from intimate closeness to large concert halls. In difference to the fixed acoustics of several competitive products, Chris Hein Solo Violin is sonically exceptionally variable and additionally easy to combine with almost any other library being offered.\u003c\/p\u003e\u003ch3\u003eUnique Functions\u003c\/h3\u003e\u003cp\u003eOver a research period of several months, all samples have been fully aligned in phase. Accordingly, the instrument offers perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e\u003cp\u003eThe combination of long and short notes is a major problem in sample-libraries that often fail to deliver authentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein Solo Violin addresses these aspects by its \"Note Head Designer\" which has been significantly expanded for this library. It offers a selection of 102 attack shapes. This allows calling up twelve matching short sample variations (Shorts) along with each sustain-articulation. These shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length.\u003c\/p\u003e\u003cp\u003eThese user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, the shorts are also available as individual articulations.\u003c\/p\u003e\u003cp\u003eChris Hein Solo Violin offers true legato in up to four dynamic layers for short and long note variations. The corresponding in-depth recordings and edits result in unexpected realistic sounds with perfect note-transitions. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e\u003cp\u003eThe performance-data of Chris Hein Solo Violin directly reflect the immense investment in recordings and configuration possibilities. The instrument builds upon almost 10,000 single samples, 38 articulations and up to eight dynamic layers. This makes the library one the most in-depth sampled violins currently available.\u003c\/p\u003e\u003cp\u003eThe custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library's sound character and articulations but also provides immense configuration choices to live up to specific demands and workflows. At the same time, due to pre-programmed key-switch-presets at the lower part of the keyboard, the library can also be effectively played without any need for deep edits. Thanks to four \"Dynamic Modes\", the \"Note-Head Designer\", \"Key-Vibrato\", \"Hot-Keys\" and the revolutionary concept of articulation-presets, the user-interface will give you the impression to really play this instrument live.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892139111,"sku":"56846","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-chris-hein-solo-violin-1_7f2d6290-3bd4-41cd-903c-759c8082c786.jpg?v=1787090840"},{"product_id":"best-service-chris-hein-winds-vol-2-electronic-delivery","title":"Best Service Chris Hein Winds Vol. 2 Clarinets","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol. 2 Clarinets\u003c\/strong\u003e is a collection of three clarinets from the extensive Chris Hein woodwinds library meeting highest expectations in regard to sound quality, expression and applicability. The library´s instruments are based upon meticulously, extensively and detailed prepared multi samples with an offering of numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use.\u003c\/p\u003e\u003cp\u003eChris Hein Winds lives up to the expectations of woodwind lovers as well as specialists in demand of outstanding samples, comprehensive details, a complete choice of articulations and a versatile adaption to specific workflows.\u003c\/p\u003e\u003cp\u003eThe instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e\u003cp\u003eChris Hein Winds brings you orchestral woodwind sounds tailored to perfection. Besides careful recordings with high quality gear such as Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein Horns, this library takes advantage of orchestra musicians being part of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e\u003cp\u003eFor this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e\u003cp\u003eThe intentionally dry sound of Chris Hein Winds allows efficient combination with the sample-engine´s dual convolution reverbs to adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein Winds differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e\u003ch3\u003eUnique Functions\u003c\/h3\u003e\u003cp\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e\u003cp\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fail to deliver detailauthentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses these aspect by its „Note Head Designer“. Here, along with each sustain-articulation six matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e\u003cp\u003eThe instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine selects between over 2,200 samples for the perfect note-transition, resulting in legato-realism simply unheard until now. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e\u003cp\u003eThe library´s performance-data directly reflect the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, the library can also be effectively played without any need for deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892204647,"sku":"56803","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-chris-hein-winds-clarinets-1_4b674196-c5b2-4694-bd4d-d613b10f46f1.jpg?v=1787090841"},{"product_id":"best-service-chris-hein-winds-vol-1-electronic-delivery","title":"Best Service Chris Hein Winds Vol. 1 Flutes","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol. 1 Flutes\u003c\/strong\u003e is a collection of four flutes from the extensive Chris Hein woodwinds library meeting highest expectations in regard to sound quality, expression and applicability. The library´s instruments are based upon meticulously, extensively and detailed prepared multi samples with an offering of numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use.\u003c\/p\u003e\u003cp\u003eChris Hein Winds lives up to the expectations of woodwind lovers as well as specialists in demand of outstanding samples, comprehensive details, a complete choice of articulations and a versatile adaption to specific workflows.\u003c\/p\u003e\u003cp\u003eThe instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e\u003cp\u003eChris Hein Winds brings you orchestral woodwind sounds tailored to perfection. Besides careful recordings with high quality gear such as Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein Horns, this library takes advantage of orchestra musicians being part of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e\u003cp\u003eFor this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e\u003cp\u003eThe intentionally dry sound of Chris Hein Winds allows efficient combination with the sample-engine´s dual convolution reverbs to adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein Winds differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e\u003ch3\u003eUnique Functions\u003c\/h3\u003e\u003cp\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e\u003cp\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fail to deliver detailauthentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses these aspect by its „Note Head Designer“. Here, along with each sustain-articulation six matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e\u003cp\u003eThe instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine selects between over 2,200 samples for the perfect note-transition, resulting in legato-realism simply unheard until now. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e\u003cp\u003eThe library´s performance-data directly reflect the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, the library can also be effectively played without any need for deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892237415,"sku":"56802","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-chris-hein-winds-flutes-1_851c1c27-862b-44a3-8152-6d06f47921db.jpg?v=1787090841"},{"product_id":"best-service-chris-hein-winds-compact-electronic-delivery","title":"Best Service Chris Hein Winds Compact","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Compact\u003c\/strong\u003e is the light-edition of the unique four-part library Winds Complete. It offers the same number of instruments: four transverse flutes, three clarinets, three oboes and three bassoons.\u003c\/p\u003e\u003cp\u003eFor the Compact edition, the most important and common articulations and functions have been selected from the Complete edition. At the same time, this woodwind-library doubtlessly meets the highest expectations in regard to sound quality, expression and applicability. The library's instruments are based upon meticulously, carefully prepared multisamples with detailed phase-alignment for phase-correct blends and crossfades of dynamic layers. Up to eight dynamic layers guarantee for realistic sounding results.\u003c\/p\u003e\u003cp\u003eBecause of its exceptional and highly versatile sound quality Chris Hein Winds Compact is a perfect addition to any orchestral library, especially for productions with woodwinds playing a prominent role; be it in classical compositions, epic film-scores or orchestral pop-ballads.\u003c\/p\u003e\u003cp\u003eAmong the undeniable highlights of the library are true legato, variable attacks per note, innovative play-aids such as hot keys, note heads and MIDI remote controllability of all functions via TouchOSC.\u003c\/p\u003e\u003cp\u003eIn case, the immense amount of articulations, as demanded by elaborated scores, is not needed, Chris Hein Winds Compact offers an efficient choice of woodwinds meeting the highest sonic expectations.\u003c\/p\u003e\u003cp\u003eChris Hein Winds Compact naturally relies on a powerful sample-engine, in this case Native Instruments' Kontakt Player. Expect a custom tailored user-interface and extensive scripting to respect the specific requirements of the instruments presented.\u003c\/p\u003e\u003ch3\u003eOrchestral Woodwind Sounds Tailored to Perfection\u003c\/h3\u003e\u003cp\u003eBesides careful recordings with high quality gear such as selected Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein Horns, this library takes advantage of musicians being part of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e\u003cp\u003eFor this library, dry close micing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein Winds Compact factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the participating musicians where given headphone monitoring, allowing them to play along to each other.\u003c\/p\u003e\u003cp\u003eThe intentionally dry sound of Chris Hein Winds Compact allows an efficient combination with the sample-engine's dual convolution reverbs to adapt the instruments' to various situations. The Kontakt Player permits free instrument-placement in the stereo panorama. In addition, separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein Winds Compact differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e\u003ch3\u003eUnique Functions\u003c\/h3\u003e\u003cp\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e\u003cp\u003eThe combination of long and short notes is a major problem in sample-libraries that often fail to deliver authentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. CH Winds Compact addresses these aspects by its „Note Head Designer“. Here, along with each sustain-articulation, matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers.\u003c\/p\u003e\u003cp\u003eThese shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in up to eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e\u003cp\u003eThe instruments of Chris Hein Winds Compact offer true legato. The corresponding in-depth recordings and edits result in unexpected realistic sounds with perfect note-transitions. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892171879,"sku":"56841","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-chris-hein-winds-compact-1_879474e9-64c6-442c-91ab-f5b5c3f42713.jpg?v=1787090840"},{"product_id":"best-service-chris-hein-winds-vol-3-electronic-delivery","title":"Best Service Chris Hein Winds Vol. 3 Oboes","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol. 3 Oboes\u003c\/strong\u003e is a collection of three oboes from the extensive Chris Hein woodwinds library meeting highest expectations in regard to sound quality, expression and applicability. The library´s instruments are based upon meticulously, extensively and detailed prepared multi samples with an offering of numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use.\u003c\/p\u003e\u003cp\u003eChris Hein Winds lives up to the expectations of woodwind lovers as well as specialists in demand of outstanding samples, comprehensive details, a complete choice of articulations and a versatile adaption to specific workflows.\u003c\/p\u003e\u003cp\u003eThe instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e\u003cp\u003eChris Hein Winds brings you orchestral woodwind sounds tailored to perfection. Besides careful recordings with high quality gear such as Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein Horns, this library takes advantage of orchestra musicians being part of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e\u003cp\u003eFor this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e\u003cp\u003eThe intentionally dry sound of Chris Hein Winds allows efficient combination with the sample-engine´s dual convolution reverbs to adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein Winds differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e\u003ch3\u003eUnique Functions\u003c\/h3\u003e\u003cp\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e\u003cp\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fail to deliver detailauthentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses these aspect by its „Note Head Designer“. Here, along with each sustain-articulation six matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e\u003cp\u003eThe instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine selects between over 2,200 samples for the perfect note-transition, resulting in legato-realism simply unheard until now. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e\u003cp\u003eThe library´s performance-data directly reflect the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, the library can also be effectively played without any need for deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892270183,"sku":"56804","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-chris-hein-winds-oboes-1_1577dc67-1b6e-49ec-859d-229e9e8b004c.jpg?v=1787090841"},{"product_id":"best-service-cinematique-instruments-1-electronic-delivery","title":"Best Service Cinematique Instruments 1","description":"\u003cp\u003e\u003cstrong\u003eBest Service Cinematique Instruments 1\u003c\/strong\u003e features recordings of nearly everything they could get their hands on! The 2GB library contains wonderful string instruments such as an autoharp, a 36 string instrument with a series of chord bars, a kantele, a traditional plucked 5-string instrument of the zither family native to Finland, a wooden celtic nylon harp or a bowed psaltery, an instrument of the zither family such as a kind of a wooden soundbox with unstopped strings over it.\u003c\/p\u003e\u003cp\u003eBeyond a nice collection of percussion sounds Cinematique Instruments features also strange and rare keyboard instruments such as the low-price, garbage Super-Sound EK-470 e-piano, the charming organ with its electric fan which blows air across reeds or the organic and warm Zeitter \u0026amp; Winkelmann Piano.\u003c\/p\u003e\u003cp\u003eBut there are also special sound paks called Glass, Metallic Objects, Experimental Box and Downbeat Box. These sound paks are an amazing source of individual und inspiring textures, pads, mallets and percussions instruments.They beat and knocked doors and sideboards of a metallic kitchen with timpani mallets, brushes, sticks, fingers and fists, they tapped with fingers and timpani mallets against lids, rubbed around the glass rim and they assembled instruments from unique sounds such as station announcements, trains, paper crumpling, acoustic and electronic noise, station hum, underground railway noise, pneumatic doors, crown cap shaking, glitches, noise, hiss, hum and other weirdness.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAutoharp\u003c\/li\u003e\n\u003cli\u003eBowed Psaltery\u003c\/li\u003e\n\u003cli\u003eCeltic Nylon Harp\u003c\/li\u003e\n\u003cli\u003eKantele\u003c\/li\u003e\n\u003cli\u003eMuted Baritone Ukulele\u003c\/li\u003e\n\u003cli\u003eMagnus Harmonica Organ\u003c\/li\u003e\n\u003cli\u003eRhodes Mark I\u003c\/li\u003e\n\u003cli\u003eSuper Sound EK-470\u003c\/li\u003e\n\u003cli\u003eZeitter \u0026amp; Winkelmann Piano\u003c\/li\u003e\n\u003cli\u003eGlass\u003c\/li\u003e\n\u003cli\u003eSpieluhr \u0026amp; Glockenspiel\u003c\/li\u003e\n\u003cli\u003eMetallic Objects\u003c\/li\u003e\n\u003cli\u003eDownbeat Box\u003c\/li\u003e\n\u003cli\u003eExperimental Box\u003c\/li\u003e\n\u003cli\u003eBongos\u003c\/li\u003e\n\u003cli\u003eChimes\u003c\/li\u003e\n\u003cli\u003eGuiro\u003c\/li\u003e\n\u003cli\u003ePercussion Set 1\u003c\/li\u003e\n\u003cli\u003eOcean Drum\u003c\/li\u003e\n\u003cli\u003eShaker\u003c\/li\u003e\n\u003cli\u003eSpring Drum\u003c\/li\u003e\n\u003cli\u003eTambourine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892302951,"sku":"56828","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-cinematique-1-1_d2003cf3-eb34-4e7b-a6ea-7c67ca331419.jpg?v=1787090841"},{"product_id":"best-service-chris-hein-winds-vol-4-electronic-delivery","title":"Best Service Chris Hein Winds Vol. 4 Bassoons","description":"\u003cp\u003e\u003cstrong\u003eBest Service Chris Hein Winds Vol. 3 Bassoons\u003c\/strong\u003e is a collection of three bassoons from the extensive Chris Hein woodwinds library meeting highest expectations in regard to sound quality, expression and applicability. The library´s instruments are based upon meticulously, extensively and detailed prepared multi samples with an offering of numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use.\u003c\/p\u003e\u003cp\u003eChris Hein Winds lives up to the expectations of woodwind lovers as well as specialists in demand of outstanding samples, comprehensive details, a complete choice of articulations and a versatile adaption to specific workflows.\u003c\/p\u003e\u003cp\u003eThe instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003c\/p\u003e\u003cp\u003eChris Hein Winds brings you orchestral woodwind sounds tailored to perfection. Besides careful recordings with high quality gear such as Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein Horns, this library takes advantage of orchestra musicians being part of the renowned WDR Symphonic Orchestra.\u003c\/p\u003e\u003cp\u003eFor this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003c\/p\u003e\u003cp\u003eThe intentionally dry sound of Chris Hein Winds allows efficient combination with the sample-engine´s dual convolution reverbs to adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein Winds differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003c\/p\u003e\u003ch3\u003eUnique Functions\u003c\/h3\u003e\u003cp\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003c\/p\u003e\u003cp\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fail to deliver detailauthentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses these aspect by its „Note Head Designer“. Here, along with each sustain-articulation six matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.\u003c\/p\u003e\u003cp\u003eThe instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine selects between over 2,200 samples for the perfect note-transition, resulting in legato-realism simply unheard until now. At the same time, it is possible to combine these realistic combinations with additional artificial inserted legatos.\u003c\/p\u003e\u003cp\u003eThe library´s performance-data directly reflect the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, the library can also be effectively played without any need for deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.\u003c\/p\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892335719,"sku":"56805","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-chris-hein-winds-bassoons-1_d81b0c76-654f-48cb-b24d-2494f3d7bb1f.jpg?v=1787090841"},{"product_id":"best-service-cinematique-instruments-2-electronic-delivery","title":"Best Service Cinematique Instruments 2","description":"\u003cp\u003e\u003cstrong\u003eBest Service Cinematique Instruments 2\u003c\/strong\u003e contains fascinating, new stringed instruments like a Banjo, Bowed Guitars, bowed acoustic guitars and basses, German Monochord, a wood box with 25 identically tuned strings. The Guitar Harmonics section offers a complete section of flageolet sounds from different acoustic guitars and basses. Also aboard are a Double Bass Harmonica, a Huge Tuning Fork, an Alto Glockenspiel and the new Experimental Box 2, a new edition of experimental sounds, recorded in a blacksmiths workshop and a cellar crammed with old tools.\u003c\/p\u003e\u003cp\u003eDont think Best Service forgot the creative sound tools with weird names like Cement, Clap Trak, Geiger Counter, Jetlag and Chameleon in Vol. 2. These special rhythm add-ons, sequencers, multilayered sampler and pattern generators are using Best Service Engines step sequencer and arpeggiator to inspire. Last but not least there is a selection of fine synth sounds named Sägezahn, an Upright Piano and a revamped Zeitter \u0026amp; Winkelmann piano.\u003c\/p\u003e\u003cp\u003eThe first release of Cinematique Instruments Vol. 1 in 2010 already got plenty of attention and kudos from musicians around the world, for instruments like Autoharp, Bowed Psaltery, Kantele or the Experimental Box. With the release of Vol. 2, Cinematique Instruments is consequently following the path taken with Vol.1 but steadily improving sound quality, adding deep sampling and enhanced editing possibilities.\u003c\/p\u003e\u003cp\u003eWith this exclusive and unique collection of new instruments, Cinematique Instruments makes it very clear that they are closer than ever to creating the most modern and inspiring instruments for your compositions, making Vol. 2 the perfect complement for your existing Vol. 1.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAutoharp\u003c\/li\u003e\n\u003cli\u003eBowed Psaltery\u003c\/li\u003e\n\u003cli\u003eCeltic Nylon Harp\u003c\/li\u003e\n\u003cli\u003eKantele\u003c\/li\u003e\n\u003cli\u003eMuted Baritone Ukulele\u003c\/li\u003e\n\u003cli\u003eMagnus Harmonica Organ\u003c\/li\u003e\n\u003cli\u003eRhodes Mark I\u003c\/li\u003e\n\u003cli\u003eSuper Sound EK-470\u003c\/li\u003e\n\u003cli\u003eZeitter \u0026amp; Winkelmann Piano\u003c\/li\u003e\n\u003cli\u003eGlass\u003c\/li\u003e\n\u003cli\u003eSpieluhr \u0026amp; Glockenspiel\u003c\/li\u003e\n\u003cli\u003eMetallic Objects\u003c\/li\u003e\n\u003cli\u003eDownbeat Box\u003c\/li\u003e\n\u003cli\u003eExperimental Box\u003c\/li\u003e\n\u003cli\u003eBongos\u003c\/li\u003e\n\u003cli\u003eChimes\u003c\/li\u003e\n\u003cli\u003eGuiro\u003c\/li\u003e\n\u003cli\u003ePercussion Set 1\u003c\/li\u003e\n\u003cli\u003eOcean Drum\u003c\/li\u003e\n\u003cli\u003eShaker\u003c\/li\u003e\n\u003cli\u003eSpring Drum\u003c\/li\u003e\n\u003cli\u003eTambourine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892368487,"sku":"56829","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-cinematique-2-1_9612cd20-548a-4a42-9582-dd42a0a65ae2.jpg?v=1787090841"},{"product_id":"best-service-complete-orchestral-coll-electronic-delivery","title":"Best Service Complete Orchestral Collection","description":"\u003cp\u003e\u003cstrong\u003eBest Service Complete Orchestral Collection\u003c\/strong\u003e is a brand new compilation of all Peter Siedlaczek libraries ever released by Best Service. This new product combines Peter Siedlacze´s String Essentials 2nd Edition as well as the well known Complete Classical Collection 2nd Edition in one Kontakt Player 5 instrument with 26 GB of uncompressed sample content and more than 2800 Kontakt instruments.As a special bonus we added String Tools - a collection of newer released chords, excerpts and moods from an almost forgotten secret project.\u003c\/p\u003e\u003cp\u003eEnjoyable and easy to use thanks to the advanced capabilities of Kontakt Player, Complete Orchestral Collection is the most affordable and comprehensive collection of the finest classical sounds, classical choir, strings, woodwinds, brass, percussion, harp, mallets, piano, prepared piano, ready to use orchestral excerpts, performances and effects.\u003c\/p\u003e\u003ch3\u003eString Essentials\u003c\/h3\u003e\u003cp\u003eThis comprehensive, thought-through and ergonomic virtual string orchestra couldn't have been realized without todays computer and sampler technology. In its carefully programmed patches you will find many innovative solutions, to help achieve your music goals even more quickly. The result is a spontaneous, playful and intuitive handling of the sound material. With unified key switch system and direct, instant access to the all important articulations. Including quintuple alternation switch (Staccato, Quarter Notes) and precise control of the dynamic response of the samples using different MIDI parameters. String Essentials will enable you to focus on the most essential part of your activity - your music - creatively and easily. Just load and play it! New great sounding samples in 5 different lengths, 3 or 4 dynamic levels, runs and natural release samples have been carefully recorded using 3 microphone placements: close (dry), normal and ambient. You choose the best sound for your music. Including Surround ! Peter Siedlaczek did his best to use the power of Native Instruments´ Kontakt Sampler down to the last detail. The result is a complex, yet easy-to-use musical instrument which you will play it with enthusiasm and enjoyment!\u003c\/p\u003e\u003ch3\u003eComplete Classical Collection\u003c\/h3\u003e\u003cp\u003eThanks to the all-new Kontakt engine, Complete Classical Collection has amazing new possibilities. Almost every important function can be accessed through the script engine, and every important control can be activated and remote-controlled. Kontakts engine is built like a semi modular synthesizer, and gives you the possibility to manipulate sounds drastically.\u003c\/p\u003e\u003cp\u003eThe completely script based user interface allows almost all important parameters to be controlled with the Automation-user interface. Complete synthesis unit with filter, LFO and effect section. Tempo, length and pitch of parts of the loops and phrases can be varied with the Time Machine. You can play the instruments with BreathControl or any other controller. The Dual-Harmonize function allows you to create any desired interval combination. Together with the Microtune-function you can easily create arabic\/oriental\/exotic tunings. Using the Humanize-function subtle tone changes are made to any new tone, and each note will sound a little bit different. The Legato-function lets you create good sounding legato lines. The Attack-function puts additional accents on any desired timbre. With this function you get smoother transitions from staccato to sustained notes, because the accent can blended in seamlessly and varied sound.\u003c\/p\u003e\u003cp\u003eThis very complex yet compact and user-friendly sound library sets new standards for symphonic samples. Enjoyable and easy to use with expanded capabilities thanks to the advantages of the newest software developments. Extensive use of key switching and direct-from-disk technology. New programs with multiple layers and instantaneous access to dozens of instruments and playing techniques. This library contains Solo- \u0026amp; Ensemble Strings. Solo- \u0026amp; Ensemble Brass, Solo- \u0026amp; Ensemble Woodwinds and Harp with comfortable access to different articulations and performances, as well as a huge percussion section with many additional instruments. Sounds which have proven themselves in countless music productions worldwide.\u003c\/p\u003e\u003cp\u003ePeter Siedlaczek´s 5star winning \"Classical Choir\". Just when you thought it couldn't get better, it did! This section contains over 100 singers, sampled at each semitone from aaa to zzz, men, women, mixed choir, bass, tenor, alto, soprano. Fantastic falls, swells and choir voice effects. Whether you want a perfectly realistic choral sound or you are creating new sounds, these samples provide the user with perfect material with which to work.\u003c\/p\u003e\u003cp\u003ePeter Siedlaczek´s, Orchestral Colours created a new trend - the use of prepared, skillfully arranged orchestral building blocks. 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The instruments have intentionally been captured with close mic techniques avoiding unwanted room information to enable the user full control over the following sound shaping process and added effects.\u003c\/p\u003e\u003cp\u003eERA II pursues the goal of capturing the musical atmosphere and sound aesthetics of the medieval, porting these old times into the computer-based production environment. The carefully programmed user interface of the Engine-Player supports easy use of the library, allowing the sounds of ERA II to create inspiration and unfold the musician's full creativity. ERA II is very much like an exciting fantasy-novel, taking musicians and composers to a journey into dark and long forgotten times.\u003c\/p\u003e\u003cp\u003eERA II is well suited for different styles and genres ranging from medieval scores with authentic sounding instruments to fantasy-music, soundtracks and new-age-spheres.\u003c\/p\u003e\u003cp\u003eThe sounds of ERA II are absolutely unique and cannot be found in any other library. Added is an overwhelming choice of instruments, sounds and soundscapes that provide musicians with a complete sonic compendium for the task that virtually needs no additional sounds.\u003c\/p\u003e\u003cp\u003eThe instruments in ERA II use extensive multisampling, dynamic layering, diverse articulations, round-robin and true-legato-samples. The library contains 25 gigabytes of sample data including all instruments and sounds of part one.\u003c\/p\u003e\u003cp\u003eRequires Free Engine 2.3.0.25 or newer\u003c\/p\u003e\u003ch3\u003eERA II Medieval Legends Includes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e2 holed flute\u003c\/li\u003e\n\u003cli\u003eTin Whistle\u003c\/li\u003e\n\u003cli\u003eWooden Transverse Flute\u003c\/li\u003e\n\u003cli\u003eCeltiberic War Horn\u003c\/li\u003e\n\u003cli\u003eWar Horn\u003c\/li\u003e\n\u003cli\u003eViola de Roda\u003c\/li\u003e\n\u003cli\u003eBowed Psaltery\u003c\/li\u003e\n\u003cli\u003eTromba Marina\u003c\/li\u003e\n\u003cli\u003eNyckelharpa\u003c\/li\u003e\n\u003cli\u003eFiddle Grooves\u003c\/li\u003e\n\u003cli\u003eTenor viola da gamba\u003c\/li\u003e\n\u003cli\u003eNatural Trumpet\u003c\/li\u003e\n\u003cli\u003eSackbut\u003c\/li\u003e\n\u003cli\u003eCornetto\u003c\/li\u003e\n\u003cli\u003eMedieval Psaltery\u003c\/li\u003e\n\u003cli\u003eGittern\u003c\/li\u003e\n\u003cli\u003eBass Citole\u003c\/li\u003e\n\u003cli\u003eMedieval Lute\u003c\/li\u003e\n\u003cli\u003eSmall Psaltery\u003c\/li\u003e\n\u003cli\u003eGothic Harp\u003c\/li\u003e\n\u003cli\u003eLangeleik\u003c\/li\u003e\n\u003cli\u003eTavern Singers\u003c\/li\u003e\n\u003cli\u003eNapoleonic Snare\u003c\/li\u003e\n\u003cli\u003eField Drum\u003c\/li\u003e\n\u003cli\u003eKettle Drums\u003c\/li\u003e\n\u003cli\u003eClaps\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Best Service","offers":[{"title":"Default Title","offer_id":44449892630631,"sku":"56847","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/best-service-era-ii-medieval-legends-1_be18ff44-8063-42e1-a8cd-9059483876a4.jpg?v=1787090842"},{"product_id":"best-service-ethno-world-5-professiona-electronic-delivery","title":"Best Service Ethno World 5 Professional \u0026 Voices - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eBest Service Ethno World 5 Professional \u0026amp; Voices\u003c\/strong\u003e contains more than 240 professionally recorded ethnic instruments and more than 18.000 high quality samples in the following categories: Bowed Instruments, Stringed Instruments, Woodwind \u0026amp; Brass, Key Instruments, Bell Type Instruments, Metal Type Instruments, World Drums, World Percussion, Gongs \u0026amp; Bowls and the new category of Voices \u0026amp; Choirs.\u003c\/p\u003e\u003cp\u003eEthno World 5 Professional \u0026amp; Voices contains the entire library „Ethno World 4 Professional“ and an additional 10 GB with about 5.500 new samples. Thereby Ethno World 5 Professional \u0026amp; Voices with its 20 GB content (uncompressed) and more than 800 patches is one of the largest ethnic sample libraries in the world.\u003c\/p\u003e\u003cp\u003eThe latest addition to Ethno World 5 Professional \u0026amp; Voices are 25 professionally recorded solo-voices from all over the world and an Ethnic Chamber Choir with over 3.800 new samples and phrases. You will find voices from North America, Cameroon, Guinea, China, Iran, Turkey, Bulgaria, Ukraine, North Africa and Peru.\u003c\/p\u003e\u003cp\u003eWith the highly improved Legato-Mode in combination with several voice-articulations you now have the possibility to record realistic vocal lines.Another highlight for all film composers are the new Taiko Drums and Big Ethnic Tom Drums, consisting of individual samples (left and right hand) and hundreds of inspiring loops. In the category woodwinds you will find the famous Ney flute (Iran), the Pivana \u0026amp; Tenor Pivana flute (Corsica), the very meticulously recorded pan flute and human whistling. The category Metal Type Instruments there is an all new large selection of Hi-End Crash, Splash, Ride \u0026amp; China Cymbals with Hits, Swells and Loops, the Big Feng Gong and fine glistening Windchimes. The string instruments category has been updated with a Bandura from the Ukraine.\u003c\/p\u003e\u003cp\u003eEthno World 5 Professional \u0026amp; Voices has tapped into a new dimension with Kontakt 4 and outstanding programming. A new instrument interface allows you via the new quick edit page to directly access all the essential parameters and thereby offers a more intuitive handling of ethno world instruments. By integration of the convolution reverb the instruments sound more natural. The realtime automation has been greatly simplified. Furthermore elastic audio Time Machine II lets you transpose any instrument phrase and playing style. With sample start-shift you can determine when a lick should begin. All drum- \u0026amp; percussion-loops and every solo-loop can be synchronized by Beatmachine II to any tempo or by the host sequencer. Also every loop is individually programmable. For solo instruments there is the new legato mode. With the humanize mode every note has a slightly different tone. And micro-tuning allows any type of tuning and ethnic scales.\u003c\/p\u003e\u003cp\u003eAll Ethno World 5 Professional \u0026amp; Voices instruments and voices are played by renowned musicians \u0026amp; singers under the direction of Andreas Hofner and Marcel Barsotti.\u003c\/p\u003e\u003ch3\u003eInstruments and Voices Included:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eBamboo Vibraphone\u003c\/li\u003e\n\u003cli\u003eBelltree\u003c\/li\u003e\n\u003cli\u003eBhutan Bells\u003c\/li\u003e\n\u003cli\u003eChina Finger Cymbals\u003c\/li\u003e\n\u003cli\u003eDream Catcher\u003c\/li\u003e\n\u003cli\u003eGamelan Crash Bells\u003c\/li\u003e\n\u003cli\u003eGlockenspiel\u003c\/li\u003e\n\u003cli\u003eIran Fingercymbals\u003c\/li\u003e\n\u003cli\u003eMetallophon\u003c\/li\u003e\n\u003cli\u003eMini Bells\u003c\/li\u003e\n\u003cli\u003eSaron Gamelan\u003c\/li\u003e\n\u003cli\u003eShanghai Baby Piano\u003c\/li\u003e\n\u003cli\u003eSmall Burma Bells\u003c\/li\u003e\n\u003cli\u003eSmall Tubular Bells\u003c\/li\u003e\n\u003cli\u003eTibetan Cymbals\u003c\/li\u003e\n\u003cli\u003eTibetan Singing Bells\u003c\/li\u003e\n\u003cli\u003eVietnam Bells\u003c\/li\u003e\n\u003cli\u003eWindbells\u003c\/li\u003e\n\u003cli\u003eWindchimes Ethno World\u003c\/li\u003e\n\u003cli\u003eDilruba\u003c\/li\u003e\n\u003cli\u003eEgyptian Fiddle\u003c\/li\u003e\n\u003cli\u003eErhu\u003c\/li\u003e\n\u003cli\u003eEsraj\u003c\/li\u003e\n\u003cli\u003eGaohu\u003c\/li\u003e\n\u003cli\u003eIh Khuur Bass\u003c\/li\u003e\n\u003cli\u003eJinghu Operaviolin\u003c\/li\u003e\n\u003cli\u003eMorin Khuur Strings Ensemble\u003c\/li\u003e\n\u003cli\u003eMorin Khuur Violin\u003c\/li\u003e\n\u003cli\u003eSmall Morin Khuur\u003c\/li\u003e\n\u003cli\u003eWestern Fiddle Licks\u003c\/li\u003e\n\u003cli\u003eBig FengGong\u003c\/li\u003e\n\u003cli\u003eBig Rako Bowls\u003c\/li\u003e\n\u003cli\u003eBig Tibetan Singing Bowls\u003c\/li\u003e\n\u003cli\u003eGong Besar 18“\u003c\/li\u003e\n\u003cli\u003eJava Gong\u003c\/li\u003e\n\u003cli\u003eMongolian Gong\u003c\/li\u003e\n\u003cli\u003eRin Singing Bowls\u003c\/li\u003e\n\u003cli\u003eTam Tam Besar\u003c\/li\u003e\n\u003cli\u003eThai Gong 14“\u003c\/li\u003e\n\u003cli\u003eWuhan Tam Tam\u003c\/li\u003e\n\u003cli\u003eDallape Accordion\u003c\/li\u003e\n\u003cli\u003eMelodica\u003c\/li\u003e\n\u003cli\u003eScale Changer Harmonium India\u003c\/li\u003e\n\u003cli\u003eBass Kalimba\u003c\/li\u003e\n\u003cli\u003eCymbals\u003c\/li\u003e\n\u003cli\u003eHand Cymbals\u003c\/li\u003e\n\u003cli\u003eJews Harp\u003c\/li\u003e\n\u003cli\u003eKalimba Kibirizi 15 tuning Plates\u003c\/li\u003e\n\u003cli\u003eKalimba Kibirizi 5 tuning Plates\u003c\/li\u003e\n\u003cli\u003eKalimba Hugh Tracey\u003c\/li\u003e\n\u003cli\u003eMetal Squares\u003c\/li\u003e\n\u003cli\u003eMilitary Cymbals\u003c\/li\u003e\n\u003cli\u003eMongolian Jews Harp\u003c\/li\u003e\n\u003cli\u003eAcoustic Bass Vester\u003c\/li\u003e\n\u003cli\u003eBalalaika\u003c\/li\u003e\n\u003cli\u003eBandura\u003c\/li\u003e\n\u003cli\u003eBanjo Framus\u003c\/li\u003e\n\u003cli\u003eBanjolin\u003c\/li\u003e\n\u003cli\u003eBig Erhu Plectrum Violin\u003c\/li\u003e\n\u003cli\u003eBouzouki Sakis\u003c\/li\u003e\n\u003cli\u003eCeylon Guitar\u003c\/li\u003e\n\u003cli\u003eContra Guitar F - Bass\u003c\/li\u003e\n\u003cli\u003eCora\u003c\/li\u003e\n\u003cli\u003eCümbüs\u003c\/li\u003e\n\u003cli\u003eDomra\u003c\/li\u003e\n\u003cli\u003eDra-Ngen\u003c\/li\u003e\n\u003cli\u003eGrand Monochord\u003c\/li\u003e\n\u003cli\u003eJoochin Dulcimer\u003c\/li\u003e\n\u003cli\u003eKantele\u003c\/li\u003e\n\u003cli\u003eMandolin Truxa\u003c\/li\u003e\n\u003cli\u003eOud\u003c\/li\u003e\n\u003cli\u003eOud Licks\u003c\/li\u003e\n\u003cli\u003eResonator Guitar\u003c\/li\u003e\n\u003cli\u003eSantoor Saberi\u003c\/li\u003e\n\u003cli\u003eSaz Licks\u003c\/li\u003e\n\u003cli\u003eSitar\u003c\/li\u003e\n\u003cli\u003eSmall Erhu Plectrum Violin\u003c\/li\u003e\n\u003cli\u003eSmall Kantele\u003c\/li\u003e\n\u003cli\u003eSteel String Guitar Falcon\u003c\/li\u003e\n\u003cli\u003eTampura\u003c\/li\u003e\n\u003cli\u003eTanbur\u003c\/li\u003e\n\u003cli\u003eTimple\u003c\/li\u003e\n\u003cli\u003eTurke Saz\u003c\/li\u003e\n\u003cli\u003eUkulele\u003c\/li\u003e\n\u003cli\u003eZheng Harp\u003c\/li\u003e\n\u003cli\u003eZsoura Sakis\u003c\/li\u003e\n\u003cli\u003eBamboo Flute\u003c\/li\u003e\n\u003cli\u003eBawu\u003c\/li\u003e\n\u003cli\u003eCeylon Snake Charmer\u003c\/li\u003e\n\u003cli\u003eCiaramella\u003c\/li\u003e\n\u003cli\u003eDagoba Flute\u003c\/li\u003e\n\u003cli\u003eDidgeridoo\u003c\/li\u003e\n\u003cli\u003eDuduk\u003c\/li\u003e\n\u003cli\u003eDung Dkar Conch Trumpets\u003c\/li\u003e\n\u003cli\u003eDvojacka Doubletone Flute\u003c\/li\u003e\n\u003cli\u003eFlute Phrases\u003c\/li\u003e\n\u003cli\u003eFujara Flute\u003c\/li\u003e\n\u003cli\u003eFujara Overtone Flute\u003c\/li\u003e\n\u003cli\u003eHawaiian Shellhorn\u003c\/li\u003e\n\u003cli\u003eHotchiku\u003c\/li\u003e\n\u003cli\u003eHulusi\u003c\/li\u003e\n\u003cli\u003eIndian Snake Charmer\u003c\/li\u003e\n\u003cli\u003eIrish Low Whistle\u003c\/li\u003e\n\u003cli\u003eIrish Traverse Flute\u003c\/li\u003e\n\u003cli\u003eKena\u003c\/li\u003e\n\u003cli\u003eKrumhorn\u003c\/li\u003e\n\u003cli\u003eLauneddas\u003c\/li\u003e\n\u003cli\u003eLow Whistle Licks\u003c\/li\u003e\n\u003cli\u003eMancosedda\u003c\/li\u003e\n\u003cli\u003eMexican Piccolo Flute\u003c\/li\u003e\n\u003cli\u003eMoceno Bassflute\u003c\/li\u003e\n\u003cli\u003eNey Flute\u003c\/li\u003e\n\u003cli\u003eOcarina\u003c\/li\u003e\n\u003cli\u003eOverton Irish Whistle\u003c\/li\u003e\n\u003cli\u003eOverton Irish Whistle Licks\u003c\/li\u003e\n\u003cli\u003ePanflute\u003c\/li\u003e\n\u003cli\u003ePanflute Canira\u003c\/li\u003e\n\u003cli\u003ePeruvian Double Ocarina\u003c\/li\u003e\n\u003cli\u003ePeruvian Ocarina\u003c\/li\u003e\n\u003cli\u003ePinkillo Flute\u003c\/li\u003e\n\u003cli\u003ePivana Flute\u003c\/li\u003e\n\u003cli\u003eRag Dun Horns\u003c\/li\u003e\n\u003cli\u003eRecorder\u003c\/li\u003e\n\u003cli\u003eShakuhachi\u003c\/li\u003e\n\u003cli\u003eShenai\u003c\/li\u003e\n\u003cli\u003eSheng\u003c\/li\u003e\n\u003cli\u003eShiva Flute\u003c\/li\u003e\n\u003cli\u003eSusato Whistle\u003c\/li\u003e\n\u003cli\u003eTenor Pivana Flute\u003c\/li\u003e\n\u003cli\u003eTenor Recorder\u003c\/li\u003e\n\u003cli\u003eTin Whistle LIcks\u003c\/li\u003e\n\u003cli\u003eUilleann Pipes\u003c\/li\u003e\n\u003cli\u003eVarious Ocarinas\u003c\/li\u003e\n\u003cli\u003eZukra Bagpipe\u003c\/li\u003e\n\u003cli\u003eGon Bops Cuica Drum\u003c\/li\u003e\n\u003cli\u003eGran Military Cassa\u003c\/li\u003e\n\u003cli\u003eIndian Tablas\u003c\/li\u003e\n\u003cli\u003eIran Bongos\u003c\/li\u003e\n\u003cli\u003eKanjira\u003c\/li\u003e\n\u003cli\u003eMadal Drum\u003c\/li\u003e\n\u003cli\u003eMilitary Snaredrum\u003c\/li\u003e\n\u003cli\u003eMongolian Framedrum\u003c\/li\u003e\n\u003cli\u003eMongolian Hengereg Drum\u003c\/li\u003e\n\u003cli\u003eMoroccon Conga\u003c\/li\u003e\n\u003cli\u003eOceandrum\u003c\/li\u003e\n\u003cli\u003eAfrican Donn Donn Drum\u003c\/li\u003e\n\u003cli\u003eBass Cajon\u003c\/li\u003e\n\u003cli\u003eBass Skin Udu\u003c\/li\u003e\n\u003cli\u003eBendir Framedrum\u003c\/li\u003e\n\u003cli\u003eBig Ethnic Tom Drums\u003c\/li\u003e\n\u003cli\u003eBig hand Drum\u003c\/li\u003e\n\u003cli\u003eCeremony Drum\u003c\/li\u003e\n\u003cli\u003eDarabuka\u003c\/li\u003e\n\u003cli\u003eDerbuka\u003c\/li\u003e\n\u003cli\u003eDjembe\u003c\/li\u003e\n\u003cli\u003eDolek\u003c\/li\u003e\n\u003cli\u003eFlat Udu\u003c\/li\u003e\n\u003cli\u003ePiccolo Military Snaredrum\u003c\/li\u003e\n\u003cli\u003ePitched Timbales\u003c\/li\u003e\n\u003cli\u003eSmall Cassa\u003c\/li\u003e\n\u003cli\u003eSmall Derbuka\u003c\/li\u003e\n\u003cli\u003eSurdo\u003c\/li\u003e\n\u003cli\u003eTaiko Drums\u003c\/li\u003e\n\u003cli\u003eTalking Drum\u003c\/li\u003e\n\u003cli\u003eTambourine Drum\u003c\/li\u003e\n\u003cli\u003eTraditional Bongos\u003c\/li\u003e\n\u003cli\u003eTunis Ceremony Drum\u003c\/li\u003e\n\u003cli\u003eWaterdrums\u003c\/li\u003e\n\u003cli\u003eYambu\u003c\/li\u003e\n\u003cli\u003eAfrican Rice Shaker\u003c\/li\u003e\n\u003cli\u003eAfrican Xylophone\u003c\/li\u003e\n\u003cli\u003eAfuche Cabasa\u003c\/li\u003e\n\u003cli\u003eAmerican Woodblocks\u003c\/li\u003e\n\u003cli\u003eAngklung Gamelan\u003c\/li\u003e\n\u003cli\u003eBalafon\u003c\/li\u003e\n\u003cli\u003eBamboo Windchimes\u003c\/li\u003e\n\u003cli\u003eBaobab Shaker\u003c\/li\u003e\n\u003cli\u003eCastanets\u003c\/li\u003e\n\u003cli\u003eChi Gong Balls\u003c\/li\u003e\n\u003cli\u003eChicken Eggs\u003c\/li\u003e\n\u003cli\u003eCola Shaker\u003c\/li\u003e\n\u003cli\u003eDrum Pots\u003c\/li\u003e\n\u003cli\u003eGamelan Wooden Cowbell\u003c\/li\u003e\n\u003cli\u003eGon Bops Cuica\u003c\/li\u003e\n\u003cli\u003eGopichand\u003c\/li\u003e\n\u003cli\u003eHeadless Tambourine\u003c\/li\u003e\n\u003cli\u003eLog drum\u003c\/li\u003e\n\u003cli\u003eMetal Guiro Shaker\u003c\/li\u003e\n\u003cli\u003eMixed Wood Percussion\u003c\/li\u003e\n\u003cli\u003eMongolian Bones Shaker\u003c\/li\u003e\n\u003cli\u003eNut Shaker\u003c\/li\u003e\n\u003cli\u003eRainmakers\u003c\/li\u003e\n\u003cli\u003eRattle Shaker\u003c\/li\u003e\n\u003cli\u003eSchellenkranz\u003c\/li\u003e\n\u003cli\u003eShaker Sets\u003c\/li\u003e\n\u003cli\u003eShell Shekere\u003c\/li\u003e\n\u003cli\u003eSmall Chickeneggs\u003c\/li\u003e\n\u003cli\u003eSmall Maracas\u003c\/li\u003e\n\u003cli\u003eSpring Drums\u003c\/li\u003e\n\u003cli\u003eTamborcito\u003c\/li\u003e\n\u003cli\u003eTambourine Drum\u003c\/li\u003e\n\u003cli\u003eTraditional Cowbells\u003c\/li\u003e\n\u003cli\u003eTunis Tambourine\u003c\/li\u003e\n\u003cli\u003eVarious Maracas\u003c\/li\u003e\n\u003cli\u003eWood Shaker\u003c\/li\u003e\n\u003cli\u003eWooden Bells\u003c\/li\u003e\n\u003cli\u003eWrist Jingles\u003c\/li\u003e\n\u003cli\u003eBoy´s Voices\u003c\/li\u003e\n\u003cli\u003eBulgarian Female Voices\u003c\/li\u003e\n\u003cli\u003eCameroon Male Voices\u003c\/li\u003e\n\u003cli\u003eChinese Voices\u003c\/li\u003e\n\u003cli\u003eEthnic Chamber Choir\u003c\/li\u003e\n\u003cli\u003eEuropean Ethnic Choir\u003c\/li\u003e\n\u003cli\u003eFouxi European Ethnic Voices\u003c\/li\u003e\n\u003cli\u003eGregorian Chants\u003c\/li\u003e\n\u003cli\u003eGuinean Male Voices\u003c\/li\u003e\n\u003cli\u003eHuman Whistling\u003c\/li\u003e\n\u003cli\u003eLipa European Ethnic Voices\u003c\/li\u003e\n\u003cli\u003eMongolian Female Solo Vocals\u003c\/li\u003e\n\u003cli\u003eMongolian Male Khoomii Overtone Vocals\u003c\/li\u003e\n\u003cli\u003eMongolian Male Solo Vocals\u003c\/li\u003e\n\u003cli\u003eMongolian Male Subtone Vocals\u003c\/li\u003e\n\u003cli\u003eMongolian Vocal 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