{"title":"CEDAR Audio","description":null,"products":[{"product_id":"cedar-audio-i-o-option","title":"CEDAR Audio Lynx AES 16 I\/O Option","description":"\u003cp\u003eLynx AES16 I\/O option for Cambridge Host System\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449278787687,"sku":"6696","price":1168.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_lynx_aes16_card.jpg?v=1787088413"},{"product_id":"cedar-audio-dns-dynamic-noise-suppressor","title":"CEDAR Audio DNS Dynamic Noise Suppressor for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Problem:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eNoise is all around us: traffic, aircraft, the noise inside vehicles, air conditioning, wind, rain and other water noises, excessive reverberation, even the noise from domestic appliances.  It annoys people, and it can render many recordings unusable.  So noise suppression techniques are needed to clean up noisy dialogue for film production, suppress ambient noise for live TV and radio broadcasting, revitalise sound effects libraries, and enhance speech for forensic audio investigations.\u003cbr\u003e Until recently, ‘Noise Suppression‘ meant using processes such as low-pass and other filters, noise gates, dynamics processes, or processes developed from analogue encode\/decode noise reduction systems.  These often proved inadequate.  Filtering is not selective about what it removes, and there is no relationship between the input and filtering effect.  Gates have no effect when the desired signal is present and lead to unnatural gaps in the signal.  Other processes generate pumping, distortion, and other unnatural effects, and encode\/decode processes, when used in this way, simply act as dynamics processors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Solution:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eSo how can you remove the rumble, the hiss, the whistles, the broadband noise and the \"shot\" noise from contaminated sounds?  The answer is... you use CEDAR's award-winning DNS process.  This splits the signal into a large number of well-defined bands, and sophisticated digital filters then analyse each of these bands, suppressing the noise independently in each.  The innovative design of this filter bank allows you to control the DNS process using relatively few controls, making it simple and quick to use in all situations.\u003c\/p\u003e\n\u003cp\u003eIf you work with film dialogue, the speed, flexibility, and ease of use of DNS provides solutions to audio problems that you could not previously solve.  And, with eight, 96kHz channels of the DNS algorithm in a convenient, automated format, it cannot be bettered for multi-channel post-production in the film, video, and TV industries.\u003cbr\u003e In the audio forensic laboratory, DNS is ideal for removing motor noise from small covert recorders, for eliminating electrical interference, and for helping to clean up recordings suffering from unfavourable acoustics and poor microphone locations.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449278853223,"sku":"6697","price":4316.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_cam2_dns.gif?v=1787088413"},{"product_id":"cedar-audio-auto-dehiss-3","title":"CEDAR Audio Auto-Dehiss 3 for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Problem:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003eIn the past, digital dehissers that used no fingerprinting or noise reduction profiling were prone to side-effects known variously as 'twittering' and 'glugging'.  On earlier CEDAR processes, it was possible to avoid these unwanted sounds by careful and judicious use of the controls, but it has never been possible - until now - to remove broadband noise correctly with almost no user intervention.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Solution:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuto Dehiss embodies a more advanced algorithm than any previous dehisser.  It offers significantly improved performance and has a unique \"Auto\" mode that enables the software to determine the broadband noise content, removing this without the introduction of unwanted side-effects or artefacts.  We have even retained a manual mode that allows you to control all parameters and fine-tune the noise reduction.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449278885991,"sku":"6698","price":6042.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_dehiss_cam3a.gif?v=1787088413"},{"product_id":"cedar-audio-eq-l","title":"CEDAR Audio EQ-L for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Linear Phase Equalisation System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThis form of EQ preserves the symmetry of the waveform and the shapes of sharp transients, and is ideal for general tonal shaping of the signal.  EQ-L also includes CEDAR's unique Constant Power Equalisation (patent applied for) which allows you to change the tonal balance of the signal without altering its loudness. \u003cbr\u003eThe CEDAR Cambridge™ linear phase EQ system provides 64-bit, 96kHz equalisation.  It not only sounds superb and is glitch-free when you modify EQs in real-time, but it is fully automated, and the simplified user-interface allows you to create and modify multi-channel EQs with ease. \u003cbr\u003e\u003cbr\u003eTwelve filters are provided for each channel, comprising two low frequency shelving filters, two high frequency shelving filters, and eight 'Q' parametric filters.  You can activate each of these individually, and use the mouse to 'drag' the frequency, gain, Q or shelving order of each.  This is extremely fast and intuitive, and gives the user maximum control with the minimum of fuss. \u003cbr\u003e\u003cbr\u003eThe EQ offers additional facilities such as linear and logarithmic displays, zooming, and CEDAR's unique Markers that let you transfer frequency information between Cambridge™ processes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTimecode and Automation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery parameter with the CEDAR Cambridge™EQ is automated, so you can create and save complex equalisation changes, using Timecode to recall them as required. This makes the system ideal for the most demanding audio and post-production environments, where audio quality combined with speed of use and powerful automation are all absolute requirements.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449278918759,"sku":"6700","price":2589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_eql_screen.gif?v=1787088413"},{"product_id":"cedar-audio-eq-p","title":"CEDAR Audio EQ-P for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Precision Equalisation System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThis form of EQ is particularly suitable for precision removal of constant tones and for brick-wall filtering, and is as much at home in the audio forensic laboratory as it is in the mastering studio or post-production suite.  It provides high Qs across the spectrum, is totally free of pre-echo, and offers the minimum latency for a given response. It is also the EQ of choice when trying to compensate for inappropriate applications of analogue EQ. \u003cbr\u003e\u003cbr\u003eThe CEDAR Cambridge™ precision EQ system provides 64-bit, 96kHz equalisation.  It not only sounds superb and is glitch-free when you modify EQs in real-time, but it is fully automated, and the simplified user-interface allows you to create and modify multi-channel EQs with ease. \u003cbr\u003e\u003cbr\u003eTwelve filters are provided for each channel, comprising two low frequency shelving filters, two high frequency shelving filters, and eight 'Q' parametric filters.  You can activate each of these individually, and use the mouse to 'drag' the frequency, gain, Q or shelving order of each.  This is extremely fast and intuitive, and gives the user maximum control with the minimum of fuss. \u003cbr\u003e\u003cbr\u003eThe EQ offers additional facilities such as linear and logarithmic displays, zooming, and CEDAR's unique Markers that let you transfer frequency information between CEDAR Cambridge™ processes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTimecode and Automation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery parameter with the CEDAR Cambridge™ EQ is automated, so you can create and save complex equalisation changes, using Timecode to recall them as required. This makes the system ideal for the most demanding audio and post-production environments, where audio quality combined with speed of use and powerful automation are all absolute requirements.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449278951527,"sku":"6701","price":2589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_eqp_screen.gif?v=1787088413"},{"product_id":"cedar-audio-dehiss-3","title":"CEDAR Audio Dehiss 3 for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Problem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTraditional noise reduction methods are inadequate. Dual-ended processes require encoding and do nothing to remove noise already present in a signal. Low-pass filters remove as much wanted signal as noise. Dynamic filters pump, round off transients and dull the genuine signal. Gates remove no noise when open. Expanders pump, and multi-band expanders have poor separation filters, leading to loss of high frequencies, loss of ambience, and degradation of hard transients.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Simple Solution \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNonetheless, there are many occasions when it is inconvenient or unnecessary to use the powerful NR-4 or NR-5 processes to remove broadband noise. Often, the nature of the noise and the wanted signal is such that a simpler dehisser will produce highly acceptable results very quickly and with minimal fuss.\u003c\/p\u003e\n\u003cp\u003eDehiss-3 is optimised for relatively uncoloured and consistent hiss, and for broadband noises such as fan-noise. Its simple and intuitive interface means that excellent results can be obtained quickly by users with few (or no) advanced audio engineering skills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Plaudits\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs the algorithm behind the DH-1 Auto Dehisser, Dehiss-3 won an EQ Magazine 'Best Of Show' Award at the 97th AES Convention.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449294778471,"sku":"8078","price":2589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_dehiss_3.jpg?v=1787088446"},{"product_id":"cedar-audio-eq-l-and-eq-p-bundle","title":"CEDAR Audio EQ-L and EQ-P Bundle for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe EQ-L Linear Phase Equalisation System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThis form of EQ preserves the symmetry of the waveform and the shapes of sharp transients, and is ideal for general tonal shaping of the signal.  EQ-L also includes CEDAR's unique Constant Power Equalisation (patent applied for) which allows you to change the tonal balance of the signal without altering its loudness. \u003cbr\u003eThe CEDAR Cambridge™ linear phase EQ system provides 64bit\/96kHz equalisation.  It not only sounds superb and is glitch-free when you modify EQs in real-time, but it is fully automated, and the simplified user-interface allows you to create and modify multi-channel EQs with ease. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe EQ-P Precision Equalisation System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThis form of EQ is particularly suitable for precision removal of constant tones and for brick-wall filtering, and is as much at home in the audio forensic laboratory as it is in the mastering studio or post-production suite.  It provides high Qs across the spectrum, is totally free of pre-echo, and offers the minimum latency for a given response. It is also the EQ of choice when trying to compensate for inappropriate applications of analogue EQ. \u003cbr\u003e\u003cbr\u003eThe CEDAR Cambridge™ precision EQ system provides 64 bit\/96kHz equalisation. It not only sounds superb and is glitch-free when you modify EQs in real-time, but it is fully automated, and the simplified user-interface allows you to create and modify multi-channel EQs with ease. \u003cbr\u003e\u003cbr\u003eTwelve filters are provided for each channel, comprising two low frequency shelving filters, two high frequency shelving filters, and eight 'Q' parametric filters. You can activate each of these individually, and use the mouse to 'drag' the frequency, gain, Q or shelving order of each.  This is extremely fast and intuitive, and gives the user maximum control with the minimum of fuss. \u003cbr\u003e\u003cbr\u003eThe EQ offers additional facilities such as linear and logarithmic displays, zooming, and CEDAR's unique Markers that let you transfer frequency information between Cambridge™ processes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTimecode and Automation\u003c\/strong\u003e \u003cbr\u003eEvery parameter with the CEDAR Cambridge™ EQ is automated, so you can create and save complex equalisation changes, using Timecode to recall them as required.  This makes the system ideal for the most demanding audio and post-production environments, where audio quality combined with speed of use and powerful automation are all absolute requirements.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449294745703,"sku":"8079","price":3452.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_audio_eq-l_and_eq-p_bundle.gif?v=1787088447"},{"product_id":"cedar-audio-declickle-2","title":"CEDAR Audio Declickle 2 for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Problem:\u003c\/strong\u003e\u003cbr\u003eIn 1990, CEDAR invented real-time digital declicking and decrackling, demonstrating them to amazed audiences at the 89th AES Convention, held in Los Angeles that year.  However, these earliest digital declickers and decracklers suffered from a limitation; while they removed impulsive noises from the majority of material, they could damage the sounds of brass instruments, solo violins and sometimes human singing. \u003cbr\u003e\u003cbr\u003eDespite years of research, this problem remained, and all declickers based on the techniques contained in CEDAR's original research still suffer from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Solution:\u003c\/strong\u003e\u003cbr\u003eThe Declickle™ 2 is the lastest generation declicker and decrackler module, offering better impulsive noise detector and a better interpolator than any previous declicker or decrackler. This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in almost all cases, it is not possible to hear that the signal was damaged prior to restoration. The Declickle™ 2 module is available as a free upgrade for all owners of the original Declickle™. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhy Declickle™ 2?\u003c\/strong\u003e \u003cbr\u003eUnlike a standard declicker, Declickle™ 2 is able to detect high densities of low amplitude, short duration disturbances within the signal.  A standard click-detection algorithm will miss smaller impulses, and it will fail to cope with the high density of those impulses.\u003cbr\u003e\u003cbr\u003eHowever, removing each of these unwanted impulses using a basic interpolator is not satisfactory because of their fundamental nature.  Standard algorithms assume that a click or scratch has totally corrupted the audio and that there is no useful information about the signal during the click.  Since the disruptions that cause crackle are very small they may be considered to be additive, and this assumption is no longer appropriate.  Declicking a crackly signal discards a lot of useful information that an optimal algorithm can use to improve the quality of the processed audio. \u003cbr\u003e\u003cbr\u003eDespite the power of Declickle™ 2, its user-interface is extremely simple and quick to use, and is suitable for users with limited audio engineering experience.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449294811239,"sku":"8080","price":8631.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_audio_declickle_2.gif?v=1787088446"},{"product_id":"cedar-audio-nr-5","title":"CEDAR Audio NR-5 for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Problem:\u003c\/strong\u003e\u003cbr\u003e Traditional noise reduction methods are inadequate.  Dual-ended processes require encoding and do nothing to remove noise already present in a signal. Low-pass filters remove as much wanted signal as noise.  Dynamic filters pump, round off transients and dull the genuine signal.  Gates remove no noise when open. Expanders pump, and multi-band expanders have poor separation filters, leading to loss of high frequencies, loss of ambience, and degradation of hard transients. \u003cbr\u003e\u003cbr\u003e What's more, it's impossible to remove all the noise from a signal and leave the desired (genuine) signal completely unaffected.  Consequently, the best you can hope for when de-noising material is a compromise that reduces the noise to an acceptable level while leaving the desired signal as unaffected as possible.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eThe Solution:\u003c\/strong\u003e\u003cbr\u003e Building upon the latest noise reduction algorithm developed for the rackmount CEDAR Duo™ DDH Auto Dehisser and the Auto Dehiss process already available on CEDAR Cambridge™, NR-5™ marries our best signal processing with numerous facilities that help you to achieve the best possible results.  It will work equally well with or without a noise fingerprint, and an array of tools allow you to manipulate the noise identification and reduction profiles in ways that are unique to CEDAR's flagship products.\u003cbr\u003e\u003cbr\u003e To make NR-5™ as quick to use and intuitive as possible, and to eliminate any learning curve for users of our previous noise reduction flagship, we have retained the style and layout of NR-4™. However, the clear screens and easily mastered controls of NR-5™ belie the increased capabilities of the underlying algorithm, which removes more noise than ever before with even fewer side-effects or artefacts.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eThe Noise Fingerprint:\u003c\/strong\u003e\u003cbr\u003e Although it is impossible to know the precise amount of noise at each frequency at every moment, an accurate fingerprint is a useful tool, and can help to define the amount of noise removed by the system. Should it be difficult to capture a sample of noise, or if you have caught a small amount of signal as well, you can edit a Fingerprint or create one manually using the NR-5™ drawing tools. These provide powerful opportunities to achieve the best possible results, especially when used with the integrated Spectrum Analyser, which helps you to create or edit a Fingerprint that most closely resembles the contour of the noise spectrum.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eThe Noise Reduction EQ:\u003c\/strong\u003e\u003cbr\u003e The Noise Reduction EQ re-shapes the noise content contained in the input signal. Typically, you will want to concentrate the noise reduction in the range where the hiss is most intrusive, while leaving other areas relatively untouched. This is very different from lesser systems that attenuate the noise content equally at all frequencies.\u003cbr\u003e\u003cbr\u003e The Noise Free EQ™\u003cbr\u003e Although capable of acting like a conventional parametric equaliser, the Noise Free EQ™ is a mastering quality EQ that acts only upon that part of the signal identified as genuine signal. You can say, therefore, that it is like a filter that shapes only the true signal content of the input signal. Common uses for this include mild boosting of high frequencies to counteract any loss of perceived brightness caused by the noise reduction itself.\u003cbr\u003e\u003cbr\u003e NR-5™ offers many other facilties that help you to achieve the best possible results from the source material. Like many other CEDAR Cambridge™ modules, it provides zooming and Markers, multiple levels of Undo and Redo, and it is fully automated using the Timecode Automation Controller, the Event Manager and the File Processor.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449294844007,"sku":"8081","price":15536.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar_nr5_screen.gif?v=1787088446"},{"product_id":"cedar-audio-debuzz","title":"CEDAR Studio Debuzz for Pro Tools","description":"\u003cp\u003eBuzzes and hums can creep into the highest quality recordings and live audio, but can be eliminated quickly and easily using \u003cstrong\u003eDebuzz\u003c\/strong\u003e. This powerful but simple process removes unwanted signal components across the entire audio spectrum, and is capable of removing all manner of buzzes and hums with fundamentals as high as 500Hz.\u003c\/p\u003e\n\u003cp\u003eDebuzz will also track wandering tones and, unlike traditional filters, can successfully restore your audio without unwanted side-effects such as limited bandwidth or the hollow sound introduced by comb filters.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e**Each purchase includes a dongle with licenses for DeBuzz in AAX, and RTAS formats\u003c\/em\u003e\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449294876775,"sku":"34442","price":2929.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedarstudio_debuzz_1.png?v=1787088447"},{"product_id":"cedar-audio-phase-corrector","title":"CEDAR Audio Phase Corrector for Cambridge","description":"\u003cp\u003e\u003cstrong\u003eThe Problem:\u003c\/strong\u003e\u003cbr\u003eTiming errors can occur whenever multiple signal paths are inconsistent with each other.  The resulting distortion of the phase relationships between the signals and the consequent filtering effect cause many problems including loss of high frequencies, muddy bass, poor mono compatibility, and a general smearing of the image. Worse still, if the timing error is not constant, you can hear a flanging effect. \u003cbr\u003e\u003cbr\u003eAudio engineers have traditionally employed a range of processors to hide these deficiencies: equalisers, stereo enhancers, dynamics processors and reverb units. 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You are not limited to simple definitions of complex sounds: Retouch 7 allows you to mark complex areas in its spectrogram using the types of tools commonly found in the most powerful photographic and image manipulation software. Once identified, sounds can be manipulated using any of the numerous modes at your disposal; Interpolation (to suppress or remove them seamlessly) as well as Copy, Patch, and Delete modes, a Volume mode that allows you to listen to just the marked sounds (or everything but the marked audio) plus powerful new Cleanse and Revert modes.\u003c\/p\u003e  \u003ch3\u003eCleanse\u003c\/h3\u003e  \u003cp\u003eIn the past, it was difficult to isolate sounds such as wanted speech in the presence of strong, but relatively short-lived background noises such as gusts of wind blowing across a microphone. Previously, you could draw around the wanted signal to suppress the audio outside of this, but this was both time consuming and laborious. Today, Cleanse will separate the wanted signal from the unwanted and allow you to suppress the noise at the touch of a button. Don't be misled - this isn't a rehash of existing noise reduction methods, but a powerful new process (patent applied for) that achieves results never before obtained.\u003c\/p\u003e  \u003ch3\u003eRevert\u003c\/h3\u003e  \u003cp\u003eRevert allows you to define any part of the spectrogram and return it to its original, unprocessed form. Much more powerful than stepping backward and forward through a list of actions, this allows the user to reinitialize any part of the audio no matter where it came in the process history, thus leaving later work untouched. You don't even have to Revert whole Retouch operations. If you like the result of a single process at, say, the end of a note, but feel that you could do better at the start of the note, you can reinitialize and reprocess this section of the audio no matter how many Retouches you have performed elsewhere since then. It's so quick and so powerful that you'll wonder how you ever worked without it.\u003c\/p\u003e  \u003cp\u003eWith its slick new user interface and enhanced processing capabilities, Retouch 7 stands alone as the spectral editor of choice for mastering studios, mix suites, post houses, forensic laboratories, and anyone else who needs to be able to identify, isolate and manipulate individual sounds within an audio file.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449836793959,"sku":"51418","price":1709.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-audio-retouch-7-1_83fea3d6-b071-4d60-b852-84284dca5b85.jpg?v=1787090631"},{"product_id":"cedar-audio-retouch-auto-declick-decrackle-dehiss-dethump","title":"CEDAR for Pyramix 64 - Electronic Delivery","description":"\u003cp\u003eA new suite of processes for Merging Technologies' 64-bit Pyramix systems, CEDAR for Pyramix 64™ comprises advanced processes that allow you to eliminate a wide range of common problems and significantly improve the sound quality of your audio. Each CEDAR for Pyramix 64 process has been derived from our multi-award-winning CEDAR Studio 7™ and CEDAR Cambridge™ flagships, and provides unsurpassed results, quickly, and with the minimum of fuss and user intervention.\u003c\/p\u003e  \u003cp\u003eThe six processes in CEDAR for Pyramix 64 significantly extend the capabilities of the original CEDAR for Pyramix suite but retain the family 'feel' so that existing users are immediately comfortable and productive with the new software.\u003c\/p\u003e  \u003ch3\u003eRetouch\u003c\/h3\u003e  \u003cp\u003eWith both manual- and auto- declicking capabilities, CEDAR for Pyramix 64 performs at high speed without sacrificing CEDAR quality, and addresses the widest possible range of scratch and click removal problems.\u003c\/p\u003e  \u003cp\u003eAuto declick (which now offers a threshold control for greater flexibility) incorporates a better impulsive noise detection and a better interpolator than any previous declicker available for Pyramix. This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in most cases, it's not possible to hear that the signal was damaged prior to restoration.\u003c\/p\u003e  \u003ch3\u003eAuto Declick\u003c\/h3\u003e  \u003cp\u003eWith both manual- and auto- declicking capabilities, CEDAR for Pyramix 64 performs at high speed without sacrificing CEDAR quality, and addresses the widest possible range of scratch and click removal problems.\u003c\/p\u003e  \u003cp\u003eAuto declick (which now offers a threshold control for greater flexibility) incorporates a better impulsive noise detection and a better interpolator than any previous declicker available for Pyramix. This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in most cases, it's not possible to hear that the signal was damaged prior to restoration.\u003c\/p\u003e  \u003ch3\u003eManual Declick\u003c\/h3\u003e  \u003cp\u003eWith both manual- and auto- declicking capabilities, CEDAR for Pyramix 64 performs at high speed without sacrificing CEDAR quality, and addresses the widest possible range of scratch and click removal problems.\u003c\/p\u003e  \u003cp\u003eManual declick incorporates a new algorithm capable of restoring clicks and other problems - such as drop-outs and digital errors - of up to 2,000 samples duration. It allows users to specify the audio that constitutes the unwanted noise, and its algorithm - optimised for long clicks and scratches - will remove noises such as those found on optical soundtracks, as well as drop-outs and extended digital errors. Simply mark the offending signal, and Manual declick will eliminate the problem.\u003c\/p\u003e  \u003cp\u003eTo extend its flexibility and ensure effective restoration in the widest possible range of cases, two declick models are provided:\u003c\/p\u003e  \u003cp\u003eManual Declick A:\u003c\/p\u003e  \u003cp\u003eThe general purpose manual declicker; the optimal choice for many situations.\u003c\/p\u003e  \u003cp\u003eManual Declick B:\u003c\/p\u003e  \u003cp\u003eRemoving extended clicks in the presence of high levels of background noise can lead to a hole in the background, even though the music or speech signal is reconstructed correctly. CEDAR's Manual Declick 'B' algorithm retains the atmos, even when restoring the longest and most intractable clicks and other impulses.\u003c\/p\u003e  \u003ch3\u003eAuto Decrackle\u003c\/h3\u003e  \u003cp\u003eBased upon the technology that underpinned the renowned CEDAR CR-1, Auto decrackle boasts a remarkable ability to dig into a damaged signal to identify and remove all manner of ground-in and grungy crackle without damaging the wanted audio. It also removes some forms of buzz and some amplitude distortions from material ranging from cylinder recordings to current broadcasts contaminated with lighting buzz.\u003c\/p\u003e  \u003cp\u003eNow offering a threshold control for greater flexibility, it's amazingly simple to operate and as applicable to film soundtrack restoration, audio forensics and broadcast as it is to traditional audio restoration jobs such as CD and DVD remastering.\u003c\/p\u003e  \u003ch3\u003eAuto Dehiss\u003c\/h3\u003e  \u003cp\u003eMany plug-in dehissers are prone to side-effects known as twittering and glugging. Auto dehiss embodies a more advanced algorithm that enables the software to determine the broadband noise content and remove it without the introduction of those artefacts or other unwanted side-effects. A manual mode is also offered for fine-tuning the results when wanted.\u003c\/p\u003e  \u003cp\u003eRemarkably simple to use, Auto dehiss is nonetheless a fully-featured package for cleaning up audio for post, CD and DVD mastering, soundtrack restoration, broadcast, and sound archives.\u003c\/p\u003e  \u003ch3\u003eDethump\u003c\/h3\u003e  \u003cp\u003eThumps may last for many hundreds of milliseconds, so conventional declicking processes are unsuitable for restoring audio containing them. Furthermore, the spectral content of thumps will usually overlap the genuine signal, so simple high-pass or band-reject filters cannot remove them without degrading the underlying signal.\u003c\/p\u003e  \u003cp\u003eDethump uses the data in and around the damaged signal to build up a picture of what the low frequency data should have been had the thump not occurred. The process then replaces the thump with restored low frequency audio, leaving the undamaged high frequency audio unaffected. This makes dethump ideal for removing many of the previously intractable problems associated with optical soundtracks, as well as for restoring damaged cylinders and discs, and for cleaning modern recordings when, for example, microphones and stands are bumped. No other process can analyse and restore damaged signal of up to 100,000 samples duration.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449836859495,"sku":"51433","price":5304.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-audio-pyramix-bundle_51433_1.jpg?v=1787090631"},{"product_id":"cedar-audio-dns-2","title":"Cedar Audio DNS 2","description":"\u003cp\u003eCedar Audio's dialogue noise suppression (DNS) technology eliminates traffic noise, air conditioning, wind, rain, babble and general background noise from audio signals. It will also help to compensate for unfavorable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation.\u003c\/p\u003e  \u003cp\u003eThe 2-channel \u003cstrong\u003eCedar Audio DNS 2\u003c\/strong\u003e is the first DNS designed specifically for portability and extreme simplicity of use. It hosts a new DNS algorithm that requires nothing more than switching on the Learn function that identifies and adapts to the background noise, and dialing in the amount of noise attenuation required. Retaining the near-zero latency of all its predecessors, it's suitable for use in all situations - location recording, live-to-air broadcasting, live sound in venues such as theaters, concert halls, conferences venues, and places of worship, as well as studio work and post.\u003c\/p\u003e  \u003cp\u003eWhat's more, despite being so small and light that you can slip it inside your pocket or equipment bag, the DNS 2 offers analogue line and microphone inputs (the latter with optional 48V phantom powering), an AES3\/AES11 digital input, and both analogue and digital outputs. 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This was born out of dedication to solve the dual problems of declicking and decrackling difficult signals such as brass instruments, solo strings, and human singing, without introducing unwanted artifacts in the wanted audio. In overcoming these difficulties, researchers discovered that a single, new algorithm yielded better results than applying separate declick and decrackle processes.\u003c\/p\u003e  \u003ch3\u003eThe benefits of declickle™\u003c\/h3\u003e  \u003cp\u003eUnlike a standard declicker, declickle's detector is able to identify high densities of low amplitude, short duration disturbances within the signal. However, removing each of these unwanted impulses using a basic interpolator would not be satisfactory because these assume that a click or scratch has totally corrupted the audio and that there is no useful information about the signal during the click. Small disruptions may be considered to be additive, so this assumption is not necessarily appropriate, and declicking a crackly signal discards a lot of useful information that an optimal algorithm can use to improve the quality of the processed audio.\u003c\/p\u003e  \u003cp\u003eConsequently, declickle™ offers a better impulsive noise detector and a better interpolator than any previous declicker or decrackler. This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in almost all cases, it is not possible to hear that the signal was damaged prior to restoration.\u003c\/p\u003e  \u003ch3\u003ePower and Simplicity\u003c\/h3\u003e  \u003cp\u003eDespite the power of the Duo declickle™ processor, its user-interface is extremely simple and quick to use, and excellent results can be obtained by users with only a limited knowledge of audio engineering.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44449884962919,"sku":"56425","price":1580.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-audio-declickle_56425_1_a6fd2c9f-7448-4ba6-b7e5-1e0d50a097d6.jpg?v=1787090809"},{"product_id":"cedar-audio-duo-bundle","title":"Cedar Audio Duo Bundle","description":"\u003cp\u003eThe \u003cstrong\u003eCedar Audio Duo Bundle\u003c\/strong\u003e is a package that includes 1 DDC Duo declickle, 1 DDH Auto Dehiss and 1 ADA.\u003c\/p\u003e  \u003ch3\u003eDDC declickle\u003c\/h3\u003e  \u003cp\u003eThe Duo declickle™ processor is based on the dual declick+decrackle process initially developed for CEDAR's flagship Cambridge system. This was born out of the dedication to solve the dual problems of declicking and decrackling difficult signals such as brass instruments, solo strings, and human singing, without introducing unwanted artifacts in the wanted audio. In overcoming these difficulties, researchers discovered that a single, new algorithm yielded better results than applying separate declick and decrackle processes.\u003c\/p\u003e  \u003ch3\u003eThe benefits of declickle\u003c\/h3\u003e  \u003cp\u003eUnlike a standard declicker, declickle's detector is able to identify high densities of low amplitude, short duration disturbances within the signal. However, removing each of these unwanted impulses using a basic interpolator would not be satisfactory because these assume that a click or scratch has totally corrupted the audio and that there is no useful information about the signal during the click. Small disruptions may be considered to be additive, so this assumption is not necessarily appropriate, and declicking a crackly signal discards a lot of useful information that an optimal algorithm can use to improve the quality of the processed audio.\u003c\/p\u003e  \u003cp\u003eConsequently, declickle™ offers a better impulsive noise detector and a better interpolator than any previous declicker or decrackler. This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in almost all cases, it is not possible to hear that the signal was damaged prior to restoration.\u003c\/p\u003e  \u003ch3\u003ePower and Simplicity\u003c\/h3\u003e  \u003cp\u003eDespite the power of the Duo declickle™ processor, its user-interface is extremely simple and quick to use, and excellent results can be obtained by users with only a limited knowledge of audio engineering.\u003c\/p\u003e  \u003ch3\u003eDDH Auto Dehiss\u003c\/h3\u003e  \u003cp\u003eDespite being told for many years that it was impossible, CEDAR Audio developed auto-dehissing because traditional noise reduction methods are - for most purposes - less than ideal. Dual-ended processes require encoding and do nothing to remove noise already present in a signal. Low-pass filters remove as much wanted signal as noise. Dynamic filters pump, round off transients and dull the genuine signal. Gates remove no noise when open. Expanders pump, and multi-band expanders have poor separation filters, leading to loss of high frequencies, loss of ambience, and degradation of hard transients.\u003c\/p\u003e  \u003cp\u003eSo, for those occasions when it is inappropriate to employ a fully-featured, computer-based noise reduction system, developed auto dehiss, which produces excellent results very quickly and with minimal fuss. The Duo auto dehiss processor incorporates the third generation of this process, which is optimized for consistent noises such as tape hiss and general background noise.\u003c\/p\u003e  \u003ch3\u003ePower and Simplicity\u003c\/h3\u003e  \u003cp\u003eThe Duo auto dehiss processor is a further development of the Dehiss 3 algorithm developed for CEDAR Cambridge™. Nevertheless, the power of the auto dehiss process is disguised by a remarkably simple and intuitive interface, so that excellent results can be obtained quickly by users with few (or no) advanced audio engineering skills.\u003c\/p\u003e  \u003cp\u003eA cost-effective converter for almost all stereo A\/D and D\/A duties\u003c\/p\u003e  \u003cp\u003eThis stereo, 24-bit, 96kHz 1U rackmount unit that produces an AES\/EBU or SPDIF output from a balanced or unbalanced analogue stereo input, and a stereo balanced or unbalanced output from an incoming AES\/EBU or SPDIF input. Designed to complement CEDAR's award-winning DNS-series and Duo-series hardware modules as well as CEDAR Cambridge, the ADA offers four sync modes, professional and consumer formats, emphasis on\/off, user-selectable input levels of up to 27dBu, and a maximum output level of +24dBu.\u003c\/p\u003e  \u003ch3\u003eADA\u003c\/h3\u003e  \u003cp\u003eWith both professional (XLR) and consumer (phono) analogue inputs and outputs, the ADA is usable in almost all analogue and digital environments. 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Each CEDAR Studio 6 process has been developed from our multi-award-winning CEDAR Cambridge™ flagship, and provides unsurpassed results, quickly, and with the minimum of fuss and user intervention. This version of Studio 6 is purchased as an upgrade from DNS One.\u003c\/p\u003e  \u003ch3\u003eAdaptive Limiter 2\u003c\/h3\u003e  \u003cp\u003eAdaptive Limiter 2 employs a unique algorithm that calculates a continuously varying EQ profile that constrains the output while retaining the integrity of the input. The result is a perfectly controlled signal that remains much more natural than audio processed using conventional limiters. It's also an unsurpassed maximizer and, with advanced resampling and noise shaping capabilities, it's ideal for mixing, final mastering and other creative duties.\u003c\/p\u003e  \u003ch3\u003eAuto Dehiss (NEW in CEDAR Studio 6)\u003c\/h3\u003e  \u003cp\u003eMany plug-in dehissers are prone to side-effects known as twittering and glugging. 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Today, \u003cstrong\u003eCEDAR Studio 6\u003c\/strong\u003e offers even more of the advanced processes that allow you to improve the sound quality of your audio. Each CEDAR Studio 6 process has been developed from our multi-award-winning CEDAR Cambridge™ flagship, and provides unsurpassed results, quickly, and with the minimum of fuss and user intervention. This version of Studio 6 is purchased as an upgrade from DNS One.\u003c\/p\u003e  \u003ch3\u003eAdaptive Limiter 2\u003c\/h3\u003e  \u003cp\u003eAdaptive Limiter 2 employs a unique algorithm that calculates a continuously varying EQ profile that constrains the output while retaining the integrity of the input. The result is a perfectly controlled signal that remains much more natural than audio processed using conventional limiters. 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You'll be amazed at how effortlessly it removes clipped samples and reconstructs the original signal, improving clarity, reducing or even eliminating distortion, and restoring the original dynamic range of the damaged audio.\u003c\/p\u003e  \u003ch3\u003eDecrackle (NEW in CEDAR Studio 6)\u003c\/h3\u003e  \u003cp\u003eBased upon the technology that underpinned the renowned CEDAR CR-1, Decrackle boasts a remarkable ability to dig into a damaged signal to identify and remove all manner of ground-in and grungy crackle without damaging the wanted audio. 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With eight channels of noise suppression, it hosts a new algorithm that marries the best of the machine learning and signal processing on which the DNS 8 Live and the DNS 2 dialogue noise suppressors are based. With its slick user-interface that includes standard and detailed modes of operation it offers better control than any previous dialogue noise suppressor, both from the front panel and from almost any web browser that can access its internal remote control software. With its near-zero latency and standard 4-pin 12 VDC input in addition to universal mains power, it's suitable for use in all live situations - not just broadcasting, but also live sound in venues such as theaters, concert halls, conferences venues, and places of worship.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCEDAR's Dialogue Noise Suppression technology is the standard for removing background noise from dialogue in studios. With near-zero latency, high-resolution processing, and a fast, intuitive user interface, it eliminates traffic noise, air conditioning, wind, rain, babble and general background noise from audio signals. It will also help to compensate for unfavorable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDante is the de-facto standard for media networking, distributing uncompressed, multi-channel digital audio via standard Ethernet networks with near-zero latency and perfect synchronization. The DNS 8D is the first DNS with a Dante interface in addition to its AES3 audio connections (DB25 using the AES59 pin-out). With fail-safe AES3 audio bypass implemented in the form of hardware relays that immediately connect the inputs to the outputs in the event of a power failure or other significant disruption plus support for Dante's redundant mode of operation which helps to protect against network failure, it can be installed with confidence in critical paths anywhere within the audio chain.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCedar supply an optional high-quality AES3 breakout cable for the DNS 8D, offering a DB25 connector at one end and 4 x XLR (female) plus 4 x XLR (male) at the other. This allows users to connect the DNS 8D to equipment using the traditional XLR format.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDante and digital PCM (AES3 on DB25 AES59 pin-out) I\/O\u003c\/li\u003e\r\n\u003cli\u003eAES3 Latency of \u0026lt;10 samples (0.2ms at 44.1kHz)\u003c\/li\u003e\r\n\u003cli\u003eSupport for Dante's 'redundant' mode to help protect against network failure\u003c\/li\u003e\r\n\u003cli\u003eFail-safe audio bypass on AES audio connections\u003c\/li\u003e\r\n\u003cli\u003eMains power: 90 - 260 VAC; 50 - 60 Hz auto-selecting\u003c\/li\u003e\r\n\u003cli\u003eDC power: 12 VDC on standard 4-pin connector\u003c\/li\u003e\r\n\u003cli\u003eSize: 1U rack-mount\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450485010535,"sku":"125823","price":8999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-dns-8-d_125823_1_feff8473-577b-41cb-b792-d6ee071a5418.jpg?v=1787093254"},{"product_id":"cedar-trinity-enhance","title":"CEDAR Trinity Enhance","description":"\u003cp\u003eCEDAR Trinity is a suite of products designed for audio surveillance and related purposes that can perform audio recording, import of existing audio files, playback, speech enhancement, and annotation using a system of metadata notes. Depending upon the variant installed, it can monitor and record live feeds for days, weeks, months or even years, load existing audio files, replay and enhance all or any part of a recording, allow multiple users to access feeds and recordings using a local area network, log and transcribe events of interest while continuing live recording, export audio to .WAV files and audio CDs, and verify the integrity of any CEDAR Trinity project or archive for evidential purposes.\u003c\/p\u003e  \u003cp\u003eThree variants are available: CEDAR Trinity Recorder, CEDAR Trinity Satellite and CEDAR Trinity Off-line. These can be combined in different ways for various purposes. All three run on standard Windows PCs, laptops and tablets running Windows 10. A fourth variant - CEDAR Trinity Workstation - includes all the facilities of the Recorder, Satellite and Off-line products.\u003c\/p\u003e  \u003cp\u003eThe Recorder and its Satellites are designed primarily for recording, monitoring, enhancing and transcribing live audio feeds - in other words, performing all the tasks necessary to collect evidence while the event of interest is happening, and to provide immediate intelligence to rapid response teams. The Off-line system, as the name implies, has been designed for performing the same tasks on existing audio files. These can be supplied in a wide range of formats whether they were recorded on CEDAR Trinity or almost any other recording system.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eThe Recorder\u003c\/h3\u003e  \u003cp\u003eThe heart of a CEDAR Trinity audio acquisition system is its Recorder. You will never see this; it runs as a Windows service which means that it is running in the background whenever the computer or server on which it is loaded is switched on and not asleep. The Recorder will automatically resume recording after a reboot or when you turn the computer on. In principle, it can record unlimited channels of audio as either individual tracks or stereo pairs. Recordings are stored as assets that contain the audio, events (text notes about the audio), \u0026amp; information that allows the audio to be displayed. The Recorder can be accessed from the Admin Program and multiple Satellites, either locally (on the same PC) or remotely (across a network).\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eRemote recorders\u003c\/h3\u003e  \u003cp\u003eRemote Recorders are required when the user wants to place a Recorder near to the probes but monitor from a remote location. Often, the connection between the recording device \u0026amp; the monitoring position cannot be relied upon, and communication might only be available in short bursts. Provided that the connection is rapid enough, the Recorder at the monitoring station will be able to copy the remote audio in chunks and 'catch up' whenever a connection is made.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSatellite\u003c\/h3\u003e  \u003cp\u003eThe Satellite program is the means by which an operator accesses the assets held on a Recorder. Depending upon the permissions granted by the Administrator, a Satellite (whether running on the same PC as the Recorder or remotely via a network) allows the operator to monitor and enhance audio, add events (text notes), as well as export and archive audio. All network communication between CEDAR Trinity systems is encrypted using AES256. The key is a random number unique to each connection session.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eA large scale listening post (CMP)\u003c\/h3\u003e  \u003cp\u003eThere are many occasions when you might want multiple listeners to be able to access the Recorder, perhaps with some people monitoring events as they happen while others inspect past events of interest. That's no problem at all because every Recorder can host a potentially unlimited number of CEDAR Trinity Satellites.\u003c\/p\u003e  \u003cp\u003eSince there's no limit to the number of Satellites that can be connected to a given Recorder, multiple users can address each of the audio streams, whether to monitor the incoming audio \u0026amp; perform real-time speech enhancement, or to listen to and enhance past events for logging and transcription. To the operator, the only difference between a standalone system and a PC running a Satellite is the location of the Recorder - whether it's local to the computer that the operator is using or accessed across the network. The user interface is otherwise identical.\u003c\/p\u003e  \u003cp\u003eSometimes, it will be desirable to allow some operators to work on particular live streams or assets, while other operators will have access to different streams and assets. Again, this is no problem. The system administrator can decide which operators have access to which assets so that multiple teams can work on within a single system.\u003c\/p\u003e  \u003cp\u003eIt's fast, efficient, very flexible.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eCEDAR Trinity Off-line\u003c\/h3\u003e  \u003cp\u003eAn Off-line system is visually similar to a Satellite but is not able to connect to a Recorder. Instead, it can load existing audio files.\u003c\/p\u003e  \u003cp\u003eOnce loaded into the Off-line system, the audio can be inspected, enhanced and transcribed using all the usual CEDAR Trinity tools, including the noise reduction and speech enhancement filters.\u003c\/p\u003e  \u003cp\u003eCEDAR Trinity Off-line systems will load audio files in all the common audio formats, as well as the time-stamped audio from Panoptech, Vortex and WireOnAir recorders.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003ePortable surveillance system\u003c\/h3\u003e  \u003cp\u003eWhen you need to be able to respond instantly, a standalone CEDAR Trinity system installed on a rugged laptop will provide everything you need to record, monitor, and enhance multiple streams of audio. The simple user interface means that operators require only minutes of training and, once it's set up, you need only plug in the feeds from your probes or other audio sources and you're ready to go. If time permits, the system will also allow you to add text notes associated with the audio, and to export audio if you need to send files to other parties... \u0026amp; all of this can be done while you continue to record and monitor.\u003c\/p\u003e  \u003cp\u003eNot only for use in locations such as hotel rooms (where the discrete 'night mode' can eliminate light spill from screens to help ensure operators' safety) and surveillance vehicles, CEDAR Trinity can be situated anywhere that you can site a laptop and get access to the audio streams. This makes it ideal for rapid response situations such as hostage crises and sieges where it's vital that you can hear what is happening clearly \u0026amp; make correct decisions quickly.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eMajor Features\u003c\/h3\u003e  \u003cp\u003eCEDAR Trinity offers four powerful processes that suppress unwanted noise and enhance the wanted speech. These are based on flagship processes such as our adaptive filters and FNR. They provide deceptively powerful and effective speech enhancement with the minimum of controls so that all users - novices and experts alike - can increase the intelligibly of audio collected from difficult environments.\u003c\/p\u003e  \u003cp\u003eThe event log is a list of system events (such as record starts and stops) and user events (which can include information about the recording, the location, and the speakers, as well as a full transcription of the speech). Every user's ID is added invisibly to events, and the speech enhancement parameters are embedded as metadata in exports. For security and verification purposes, these allow investigators to know with even greater precision who did what, and when.\u003c\/p\u003e  \u003cp\u003eArchiving frees up disk space, even while the recording is progressing. This means that, in principle, a recording can continue indefinitely. Then, if you wish to restore the archived audio, it can be inserted seamlessly at its original position, allowing teams to revisit audio material at any time in the future. Archived audio can also be used to create new audio assets should this be required.\u003c\/p\u003e  \u003cp\u003eTo comply with the law in a number of jurisdictions, CEDAR Trinity can erase audio from assets, although only under strict conditions, and with the system reporting that this has been done. Of course, this feature can also be precluded for use in countries where erasure is not allowed. Likewise, we have added a switch that allows incoming audio to be monitored when no recording is taking place or (for use in jurisdictions where this is not allowed) that mutes the feed unless recording is taking place.\u003c\/p\u003e  \u003cp\u003eEDAR Trinity offers four powerful processes that suppress unwanted noise and enhance the wanted speech. These are based on flaghip processes such as our adaptive filters and FNR. They provide deceptively powerful and effective speech enhancement with the minimum of controls so that all users - novices and experts alike - can increase the intelligibily of audio collected from difficult environments.\u003c\/p\u003e  \u003cp\u003eThe event log is a list of system events (such as record starts and stops) and user events (which can include information about the recording, the location, and the speakers, as well as a full transcription of the speech). Every user's ID is added invisibly to events, and the speech enhancement parameters are embedded as metadata in exports. For security and verification purposes, these allow investigators to know with even greater precision who did what, and when.\u003c\/p\u003e  \u003cp\u003eArchiving frees up disk space, even while the recording is progressing. This means that, in principle, a recording can continue indefinitely. Then, if you wish to restore the archived audio, it can be inserted seamlessly at its original position, allowing teams to revisit audio material at any time in the future.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450666938471,"sku":"115482","price":3006.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-trinity-enhance_115482_1_ea90e27e-e41b-4562-b2f0-e8a182413ab4.jpg?v=1787093985"},{"product_id":"cedar-trinity-3-trinity-satellite-software-dongle","title":"CEDAR Trinity 3 Trinity Satellite Software Dongle","description":"\u003cp\u003eCEDAR Trinity Server is a very powerful surveillance tool, but it would be even better if many listeners could access each of the live feeds, perhaps with some people monitoring events as they happen while others inspect past events of interest. That's no problem at all because every Server can host a potentially unlimited number of \u003cstrong\u003eCEDAR Trinity Satellites\u003c\/strong\u003e.\u003c\/p\u003e  \u003cp\u003eA Satellite doesn't contain the record service, but is connected to its host Server (or Servers) across a network to access audio assets. Since there's no limit to the number of Satellites that can be connected to the central Server, multiple users can address each of the audio streams, whether to monitor the incoming audio and perform real-time speech enhancement, or to listen to and enhance past events for logging and transcription. To the operator, the only difference between the Server and the Satellite is the location of the recorder - whether it's local to the system that the operator is using (a Server) or accessed across the network (a Satellite). The user interface is otherwise identical.\u003c\/p\u003e  \u003cp\u003eSometimes, it will be desirable to allow some operators to work on particular live streams or assets, while other operators will have access to different streams and assets. Again, this is no problem. The system administrator can decide which Satellite operators have access to which assets so that multiple teams can work on specific assets on a single system.\u003c\/p\u003e  \u003cp\u003eIt's fast, efficient, and very flexible.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450666971239,"sku":"115484","price":4425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-trinity-satellite_115484_1_352857cf-280d-419e-8062-9d87fff23cd1.jpg?v=1787093985"},{"product_id":"cedar-trinity-3-off-line-local-file-capabilities","title":"CEDAR Trinity 3 Off-Line Local File Capabilities","description":"\u003cp\u003eBoth the CEDAR Trinity Server and the dedicated CEDAR Trinity Off-line system can access and process existing audio files held on devices such as hard drives, memory sticks, CDs and DVDs. This makes it possible to access audio recorded on CEDAR Trinity Server and exported or archived to external media, and to access audio recorded on most other devices, whether analogue or digital (provided that the audio has been recorded at or converted to one of the current standards).\u003c\/p\u003e  \u003cp\u003eOnce loaded into the Off-line system, the audio can be inspected, enhanced and transcribed using all the tools available to Server and Satellite operators, including the noise reduction and speech enhancement filters.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450667004007,"sku":"115485","price":5890.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-trinity-offline_115485_1_59324dd1-1c84-481d-b5a1-5e94c0685d6f.jpg?v=1787093985"},{"product_id":"cedar-trinity-3-server-software-and-dongle","title":"CEDAR Trinity 3 Server Software and Dongle","description":"\u003cp\u003e\u003cstrong\u003eCEDAR Trinity Server\u003c\/strong\u003e is a unique system based upon the concept of an audio 'asset', and each project can contain as many of these as may be required. Furthermore, an unlimited number of audio channels (or, to be precise, limited only by the host PC and I\/O hardware) can be live for recording at any time. These can be probes in hotel or domestic rooms, microphones in interview rooms, live streams from automobiles, and so on.\u003c\/p\u003e  \u003cp\u003eThe recorder itself is an invisible part of the system and is always active, even when the machine is asleep or you are not logged in. What's more, to protect against lost data, it will automatically resume recording after a reboot or when you turn the computer on.\u003c\/p\u003e  \u003cp\u003eOperators can view the live channels simultaneously, recording as many as required, switching with a single click to any feed that seems to be displaying activity of interest. These assets are time-stamped with Universal Time Code with the correct application of daylight saving time, so that the timing of events can be pinned down with complete confidence. Assets also include Events, some generated by the system and some inserted by the operator, which can be used (for example) to describe activity of interest or for real-time transcription.\u003c\/p\u003e  \u003cp\u003eYou don't even need to stop recording to listen to previous events. The Server allows listeners to return to times of interest, to loop sections of audio while enhancing the speech, and to log or transcribe these events while it continues to record. Then, the system allows the user to catch up gradually with real-time events so that nothing is missed.\u003c\/p\u003e  \u003cp\u003eJust as significant is the ability to import existing audio files into a project for listening, speech enhancement, and adding events.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450667102311,"sku":"115483","price":8380.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-trinity_115483_1_4ab717b7-8679-4788-b980-915990007ab7.jpg?v=1787093985"},{"product_id":"cedar-audio-cs9-retouch","title":"CEDAR Audio CEDAR Studio 9 Retouch","description":"\u003cp\u003eWhen it was introduced, \u003cstrong\u003eCEDAR Audio Retouch\u003c\/strong\u003e was a huge leap forward in sound processing technology. Unlike conventional restoration tools, it provided a wide range of time\/frequency editing (TFE) capabilities, and allowed you to define the temporal and spectral content of the sound you wanted to remove. Nowadays, it allows you to mark and process complex areas in its spectrogram using the types of tools commonly found in powerful photographic and image manipulation software. This makes it possible to identify all manner of sounds and noises which can then be manipulated using any of the processing tools at your disposal.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMatching\u003c\/h3\u003e  \u003cp\u003eUsing machine learning to identify problems...\u003c\/p\u003e  \u003cp\u003eThere are many occasions when you will encounter similar instances of unwanted sounds in a track - things such as hi-hat spill in a multi-track recording, over-excited sibilants and plosives in a vocal track, or even the repetitive noise caused by a piece of machinery in the background. Traditionally, one would remove these sounds by identifying each event individually and then defining it manually prior to processing. But this is time consuming... sometimes very time consuming. So wouldn't it be nice if your spectral repair tool could look at the first instance that you identified and then go on to find all of the others? Well, it can.\u003c\/p\u003e  \u003cp\u003eMatch allows you to mark one of the offending sounds and then ask the machine learning algorithm in Retouch 8 to find all of the other instances within the recording. A threshold control even allows you to bias its decision making toward including more or fewer possibilities so that you can find the level that includes everything that you want to remove but precludes events that seem similar but are actually wanted signal.\u003c\/p\u003e  \u003cp\u003eHaving identified all of the matches, you can then eliminate them using the appropriate Retouch tool. You can process them individually, authorizing and applying the chosen tool to each, or you can process all of the matches as a group, whereupon Retouch 8 will fly through the whole file in a tiny fraction of the time needed with human intervention. The increase in productivity is absolutely remarkable.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eThe Tools:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInterpolate\u003c\/li\u003e \u003cli\u003ePatch\u003c\/li\u003e \u003cli\u003eCopy\u003c\/li\u003e \u003cli\u003eErase\u003c\/li\u003e \u003cli\u003eVolume\u003c\/li\u003e \u003cli\u003eRepair\u003c\/li\u003e \u003cli\u003eCleanse\u003c\/li\u003e \u003cli\u003eRevert\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eSo why should you choose Retouch? It's because it does the job better than anything else, providing clinical and seamless repair of otherwise intractable problems without leaving behind (or, for that matter, introducing) unwanted artifacts. With its slick user interface and enhanced processing capabilities, Retouch stands alone as the spectral editor of choice for the top mastering studios, mix suites, post houses, forensic laboratories, and anyone else who needs to be able to identify, isolate and manipulate individual sounds within an audio file.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOS: OSX 10.12 Sierra or higher; OS 11 (Big Sur) is supported\u003c\/li\u003e \u003cli\u003ePlug-in Formats: VST, Audio Units, or AAX Native for Pro Tools 11 and higher\u003c\/li\u003e \u003cli\u003eAuthorization: iLok Smart Key, users with older HSP dongles need to switch to iLok\u003c\/li\u003e \u003c\/ul\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450693021799,"sku":"152002","price":389.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-studio-9-retouch_152002_1_6aeb3755-6e06-4c52-987d-ea98599d1680.jpg?v=1787094127"},{"product_id":"cedar-audio-cs9-complete","title":"CEDAR Audio CEDAR Studio 9 Complete Plug-in Bundle","description":"\u003cp\u003eContaining all eleven processes from CEDAR Studio DNS, CEDAR Studio Restore and CEDAR Studio Retouch, \u003cstrong\u003eCEDAR Studio Complete\u003c\/strong\u003e is the most advanced plug-in suite available for noise suppression and audio restoration. It will eliminate your impulsive noise problems - clicks, crackle, and thumps - remove background noise, reduce hiss, and eliminate hums, buzzes, and clipping distortion. It will also allow you to remove individual sounds, correct wrong notes, and much, much more. Finally, to prepare your track for its intended purpose, its unique Adaptive Limiter is ideal for mastering and maximizing.\u003c\/p\u003e  \u003cp\u003eWhen the audio really matters, audio engineers rely upon CEDAR Studio Complete.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCEDAR Studio DNS\u003c\/h3\u003e  \u003cp\u003eThe world's standards for dialogue noise suppression in film and TV post, DNS One and DNS Two offer the Academy Award® winning noise suppression of the DNS1000 and its successors, but adds CEDAR's unique LEARN capability that allows the processes to adapt continually to changes in the noise, even when the wanted signal is present. They make unusable interviews intelligible, save huge costs in ADR, and have rescued dialogue for countless movies. In the words of one member of the Academy of Motion Picture Arts and Sciences, DNS was \"probably used on every major movie coming out of Hollywood in the past couple of years\", and can now be found on virtually all dubbing stages worldwide.\u003c\/p\u003e  \u003cp\u003eIf you work with film dialogue, the speed, flexibility, and ease of use of DNS One provides solutions to audio problems that you could not previously solve. It's the standard for multi-channel post-production in the film, video, and TV industries. It's also ideal for removing motor noise from recordings, for eliminating electrical interference, and for helping to clean up recordings suffering from unfavorable acoustics and poor microphone locations.\u003c\/p\u003e  \u003cp\u003eA huge success within the DNS 2 hardware unit, the newly developed algorithm in DNS Two has already proved to be the quickest, simplest and most effective dialogue noise suppressor ever developed. In almost all cases, using DNS Two is as simple as switching on LEARN and then adjusting the attenuation to obtain the desired amount of noise reduction. If you're working with location sound recordists and studios who use DNS 2s, DNS Two will allow you to replicate their work precisely and fine-tune the audio for the best possible results.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eCEDAR Studio Restore\u003c\/h3\u003e  \u003cp\u003eCEDAR has led the world in audio restoration since the 1980s, introducing features and capabilities that many claimed were impossible before released. Real-time digital declicking and decrackling? A CEDAR first! Digital noise reduction without a fingerprint? Also invented by CEDAR. Noise-free equalization? Sub-sample phase\/time correction? Spectral editing? All of these were researched, developed and released first by CEDAR.\u003c\/p\u003e  \u003cp\u003eEight of your favorite restoration processes into a single package: CEDAR Studio Restore. This allows you to remove a huge number of the problems that you'll encounter, whether you're transferring audio from old and damaged media, cleaning up soundtracks for film and TV, restoring material for broadcast, and much more.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eEliminate clicks with the minimum of fuss\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDeclick offers better impulsive noise detection and a better interpolator than any other plug-in declicker. This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in most cases, it's not possible to hear that the signal was damaged prior to restoration.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDig deeper to eliminate crackle and other problems\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDecrackle boasts a remarkable ability to dig into the damaged signal to identify and remove all manner of ground-in and grungy crackle without damaging the wanted audio. It also removes many forms of buzz and some amplitude distortions from material ranging from cylinder recordings to current broadcasts contaminated with lighting buzz.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eRemove extended clicks and scratches (Pro Tools only)\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eManual Declick is ideal for restoring the extended scratches and clicks encountered on many audio media - film, tape or disk, whether analogue or digital. Its unique dual algorithms - optimized for long clicks and scratches - will remove noises such as those found on optical soundtracks, as well as drop-outs and extended digital errors.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eRemoving bumps and thumps (Pro Tools only)\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDethump eliminates the extended low-frequency thumps that cannot be restored using conventional declicking processes and filters. It replaces the unwanted sound with restored low frequency audio and is the ideal tool for removing many of the previously intractable problems associated with optical soundtracks, cylinders, 78rpm discs, and even modern recordings when, for example, microphones and stands are bumped.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eAutomatic dehissing that really works\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAuto Dehiss embodies an advanced algorithm that is far less susceptible to the unwanted side-effects sometimes called twittering, glugging, the 'underwater sound', and even 'space monkeys'. In short, it's able to determine the broadband noise content and remove it without the introduction of these unwanted artefacts. A manual mode is also offered for fine-tuning the results when wanted.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eEliminate buzz and hum\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDebuzz quickly and easily removes all manner of buzzes and hums with fundamentals as high as 500Hz, and it can eliminate unwanted signal components across the entire audio spectrum. It will track wandering tones and, unlike traditional filters, can successfully restore the audio without unwanted side-effects such as limited bandwidth or the hollow sound introduced by comb filters.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eReconstruct clipped audio\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDeclip 2 effortlessly removes clipped samples and reconstructs the original signal, improving clarity, eliminating distortion, and restoring the original dynamic range of the damaged audio. CEDAR's latest algorithm even tracks the clipping amplitude so that material that has later been processed with dynamics packages can still be restored.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFinish your audio using a unique limiter\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eAdaptive Limiter employs another unique algorithm developed by CEDAR that constrains the peak level of the output while retaining the integrity of the input. The result is a perfectly controlled signal that remains much more natural than audio processed using other limiters. It is also an unsurpassed loudness maximiser and, with its advanced resampling and noise shaping capabilities, is ideal for mixing, final mastering and other creative duties.\u003c\/p\u003e  \u003cp\u003eNowadays, we take spectral editing for granted, but it's a relatively recent invention, first seen in 2002 when CEDAR patented the underlying technology and announced the first version of Retouch. It's not an exaggeration to say that it changed the mastering industry and, today, it's quite likely that you have access to some form of spectral editing that's manufactured under licence from CEDAR.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCEDAR Studio Retouch\u003c\/h3\u003e  \u003cp\u003eWhen it was introduced, Retouch was a huge leap forward in sound processing technology. Unlike conventional restoration tools, it provided a wide range of time\/frequency editing (TFE™) capabilities, and allowed you to define the temporal and spectral content of the sound you wanted to remove. Nowadays, it allows you to mark and process complex areas in its spectrogram using the types of tools commonly found in powerful photographic and image manipulation software. This makes it possible to identify all manner of sounds and noises which can then be manipulated using any of the processing tools at your disposal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMatching\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eUsing machine learning to identify problems...\u003c\/p\u003e  \u003cp\u003eThere are many occasions when you will encounter similar instances of unwanted sounds in a track - things such as hi-hat spill in a multi-track recording, over-excited sibilants and plosives in a vocal track, or even the repetitive noise caused by a piece of machinery in the background. Traditionally, one would remove these sounds by identifying each event individually and then defining it manually prior to processing. But this is time consuming... sometimes very time consuming. So wouldn't it be nice if your spectral repair tool could look at the first instance that you identified and then go on to find all of the others? Well, it can.\u003c\/p\u003e  \u003cp\u003eMatch allows you to mark one of the offending sounds and then ask the machine learning algorithm in Retouch 8 to find all of the other instances within the recording. A threshold control even allows you to bias its decision making toward including more or fewer possibilities so that you can find the level that includes everything that you want to remove but precludes events that seem similar but are actually wanted signal.\u003c\/p\u003e  \u003cp\u003eHaving identified all of the matches, you can then eliminate them using the appropriate Retouch tool. You can process them individually, authorizing and applying the chosen tool to each, or you can process all of the matches as a group, whereupon Retouch 8 will fly through the whole file in a tiny fraction of the time needed with human intervention. The increase in productivity is absolutely remarkable.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThe Tools\u003c\/strong\u003e:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eInterpolate\u003c\/li\u003e \u003cli\u003ePatch\u003c\/li\u003e \u003cli\u003eCopy\u003c\/li\u003e \u003cli\u003eErase\u003c\/li\u003e \u003cli\u003eVolume\u003c\/li\u003e \u003cli\u003eRepair\u003c\/li\u003e \u003cli\u003eCleanse\u003c\/li\u003e \u003cli\u003eRevert\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eSo why should you choose Retouch? It's because it does the job better than anything else, providing clinical and seamless repair of otherwise intractable problems without leaving behind (or, for that matter, introducing) unwanted artifacts. With its slick user interface and enhanced processing capabilities, Retouch stands alone as the spectral editor of choice for the top mastering studios, mix suites, post houses, forensic laboratories, and anyone else who needs to be able to identify, isolate and manipulate individual sounds within an audio file.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOS: OSX 10.12 Sierra or higher; OS 11 (Big Sur) is supported\u003c\/li\u003e \u003cli\u003ePlug-in Formats: VST, Audio Units, or AAX Native for Pro Tools 11 and higher\u003c\/li\u003e \u003cli\u003eAuthorization: iLok Smart Key, users with older HSP dongles need to switch to iLok\u003c\/li\u003e \u003c\/ul\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450693054567,"sku":"152003","price":4999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-studio-9-complete_152003_1_d9903c9d-e345-46f5-8c53-147c49d41d32.jpg?v=1787094127"},{"product_id":"cedar-audio-cedar-audio","title":"CEDAR Audio CEDAR Studio 9 DNS","description":"\u003cp\u003eThe world's standards for dialogue noise suppression in film and TV post, \u003cstrong\u003eCEDAR Studio\u003c\/strong\u003e DNS One and DNS Two offer the Academy Award winning noise suppression of the DNS1000 and its successors, but adds CEDAR's unique LEARN capability that allows the processes to adapt continually to changes in the noise, even when the wanted signal is present. They make unusable interviews intelligible, save huge costs in ADR, and have rescued dialogue for countless movies. In the words of one member of the Academy of Motion Picture Arts and Sciences, DNS was \"probably used on every major movie coming out of Hollywood in the past couple of years\", and can now be found on virtually all dubbing stages worldwide.\u003c\/p\u003e  \u003cp\u003eIf you work with film dialogue, the speed, flexibility, and ease of use of DNS One provides solutions to audio problems that you could not previously solve. It's the standard for multi-channel post-production in the film, video, and TV industries. It's also ideal for removing motor noise from recordings, for eliminating electrical interference, and for helping to clean up recordings suffering from unfavorable acoustics and poor microphone locations.\u003c\/p\u003e  \u003cp\u003eA huge success within the DNS 2 hardware unit, the newly developed algorithm in DNS Two has already proved to be the quickest, simplest and most effective dialogue noise suppressor ever developed. In almost all cases, using DNS Two is as simple as switching on LEARN and then adjusting the attenuation to obtain the desired amount of noise reduction. If you're working with location sound recordists and studios who use DNS 2s, DNS Two will allow you to replicate their work precisely and fine-tune the audio for the best possible results.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOS: OSX 10.12 Sierra or higher; OS 11 (Big Sur) is supported\u003c\/li\u003e \u003cli\u003ePlug-in Formats: VST, Audio Units, or AAX Native for Pro Tools 11 and higher\u003c\/li\u003e \u003cli\u003eAuthorization: iLok Smart Key, users with older HSP dongles need to switch to iLok\u003c\/li\u003e \u003c\/ul\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450693087335,"sku":"152000","price":2197.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-studio-9-dns_152000_1_b3bc0182-1276-4f8b-93a6-2735695ee1b1.jpg?v=1787094127"},{"product_id":"cedar-audio-cs9-restore","title":"CEDAR Audio CEDAR Studio 9 Restore","description":"\u003cp\u003eCEDAR has led the world in audio restoration since the 1980s, introducing features and capabilities that many claimed were impossible before released. Real-time digital declicking and decrackling? A CEDAR first! Digital noise reduction without a fingerprint? Also invented by CEDAR. Noise-free equalization? Sub-sample phase\/time correction? Spectral editing? All of these were researched, developed and released first by CEDAR.\u003c\/p\u003e  \u003cp\u003eEight of your favorite restoration processes into a single package: \u003cstrong\u003eCEDAR Studio Restore\u003c\/strong\u003e. This allows you to remove a huge number of the problems that you'll encounter, whether you're transferring audio from old and damaged media, cleaning up soundtracks for film and TV, restoring material for broadcast, and much more.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eEliminate clicks with the minimum of fuss\u003c\/h3\u003e  \u003cp\u003eDeclick offers better impulsive noise detection and a better interpolator than any other plug-in declicker. This results in superior performance across a wider range of material than ever before. Indeed, this performance is so good that, in most cases, it's not possible to hear that the signal was damaged prior to restoration.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDig deeper to eliminate crackle and other problems\u003c\/h3\u003e  \u003cp\u003eDecrackle boasts a remarkable ability to dig into the damaged signal to identify and remove all manner of ground-in and grungy crackle without damaging the wanted audio. It also removes many forms of buzz and some amplitude distortions from material ranging from cylinder recordings to current broadcasts contaminated with lighting buzz.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eRemove extended clicks and scratches (Pro Tools only)\u003c\/h3\u003e  \u003cp\u003eManual Declick is ideal for restoring the extended scratches and clicks encountered on many audio media - film, tape or disk, whether analogue or digital. Its unique dual algorithms - optimized for long clicks and scratches - will remove noises such as those found on optical soundtracks, as well as drop-outs and extended digital errors.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eRemoving bumps and thumps (Pro Tools only)\u003c\/h3\u003e  \u003cp\u003eDethump eliminates the extended low-frequency thumps that cannot be restored using conventional declicking processes and filters. It replaces the unwanted sound with restored low frequency audio and is the ideal tool for removing many of the previously intractable problems associated with optical soundtracks, cylinders, 78rpm discs, and even modern recordings when, for example, microphones and stands are bumped.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eAutomatic dehissing that really works\u003c\/h3\u003e  \u003cp\u003eAuto Dehiss embodies an advanced algorithm that is far less susceptible to the unwanted side-effects sometimes called twittering, glugging, the 'underwater sound', and even 'space monkeys'. In short, it's able to determine the broadband noise content and remove it without the introduction of these unwanted artefacts. A manual mode is also offered for fine-tuning the results when wanted.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eEliminate buzz and hum\u003c\/h3\u003e  \u003cp\u003eDebuzz quickly and easily removes all manner of buzzes and hums with fundamentals as high as 500Hz, and it can eliminate unwanted signal components across the entire audio spectrum. It will track wandering tones and, unlike traditional filters, can successfully restore the audio without unwanted side-effects such as limited bandwidth or the hollow sound introduced by comb filters.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eReconstruct clipped audio\u003c\/h3\u003e  \u003cp\u003eDeclip 2 effortlessly removes clipped samples and reconstructs the original signal, improving clarity, eliminating distortion, and restoring the original dynamic range of the damaged audio. CEDAR's latest algorithm even tracks the clipping amplitude so that material that has later been processed with dynamics packages can still be restored.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eFinish your audio using a unique limiter\u003c\/h3\u003e  \u003cp\u003eAdaptive Limiter employs another unique algorithm developed by CEDAR that constrains the peak level of the output while retaining the integrity of the input. The result is a perfectly controlled signal that remains much more natural than audio processed using other limiters. It is also an unsurpassed loudness maximiser and, with its advanced resampling and noise shaping capabilities, is ideal for mixing, final mastering and other creative duties.\u003c\/p\u003e  \u003cp\u003eNowadays, we take spectral editing for granted, but it's a relatively recent invention, first seen in 2002 when CEDAR patented the underlying technology and announced the first version of Retouch. It's not an exaggeration to say that it changed the mastering industry and, today, it's quite likely that you have access to some form of spectral editing that's manufactured under license from CEDAR.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOS: OSX 10.12 Sierra or higher; OS 11 (Big Sur) is supported\u003c\/li\u003e \u003cli\u003ePlug-in Formats: VST, Audio Units, or AAX Native for Pro Tools 11 and higher\u003c\/li\u003e \u003cli\u003eAuthorization: iLok Smart Key, users with older HSP dongles need to switch to iLok\u003c\/li\u003e \u003c\/ul\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450693120103,"sku":"152001","price":2197.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-studio-9-restore_152001_1_d653e9dc-60e0-4002-a5a8-51de68adc0fd.jpg?v=1787094127"},{"product_id":"cedar-dns-4-dialogue-noise-suppressor","title":"Cedar DNS 4 Dialogue Noise Suppressor","description":"\u003cp\u003eThe \u003cstrong\u003eCedar DNS 4 Dialogue Noise Suppressor\u003c\/strong\u003e is the most advanced portable model in the DNS series. With its Hirose HR-10 power input and mini-XLRs for many connections, it takes up little more space than the industry-standard DNS 2 yet doubles the number of channels available.\u003c\/p\u003e\r\n\u003cp\u003eIt's incredibly fast and simple to use; the DNS algorithm requires nothing more than switching on the Learn function that identifies and adapts to the background noise, and then adjusting the amount of noise attenuation required. Notwithstanding this simplicity, it can achieve remarkable results. What's more, despite being so convenient that you can slip it into your pocket or equipment bag, it offers analogue line and ultra low-noise microphone inputs (the latter with optional 48V phantom powering), AES3\/AES11 digital inputs, and both analogue and digital outputs. And, to increase its flexibility still further, it runs on 12V power so you can use it in the middle of a field as easily as in the studio or edit suite.\u003c\/p\u003e\r\n\u003cp\u003eRetaining the near-zero latency of its predecessors, the DNS 4 is suitable for use in all situations - location recording, live-to-air broadcasting and live sound in venues such as theatres, concert halls, conferences venues and places of worship, as well as in the studio.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTHE DIALOGUE NOISE SUPPRESSORS THAT EVERYONE USES EVERYWHERE\u003c\/h3\u003e\r\n\u003cp\u003eCEDAR's dialogue noise suppression (DNS) technology is used on the highest quality productions and broadcasts to eliminate traffic noise, air conditioning, wind, rain, babble and general background noise from audio. It will help to compensate for unfavourable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation.\u003c\/p\u003e\r\n\u003cp\u003eIt's used to clean up sound for film production, to suppress ambient noise for live broadcasting, to refresh sound libraries, and to enhance speech for audio forensic investigations. It's an industry standard that has earned a string of awards including an Emmy®, an Academy Award®, an IABM Award® and two Cinema Audio Society Awards.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450858631271,"sku":"179376","price":4599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-dns-4_179376_1_36ab6e22-2b3d-4de6-ac56-8e32e6a18fab.jpg?v=1787094830"},{"product_id":"cedar-audio-voicex-voice-extractor-plug-in","title":"CEDAR Audio VoicEX Voice Extractor Plug-in - Electronic Delivery","description":"\u003cp\u003eSome time back, CEDAR started developing the AI-based DNN (deep neural network) technologies used in \u003cstrong\u003eCEDAR Audio VoicEX\u003c\/strong\u003e. They were certain that these would offer a noticeable improvement over existing noise reduction technologies, although did not know to what degree. THey were so impressed with the results that they immediately developed a version for their plug-in customers.\u003c\/p\u003e\r\n\u003cp\u003eThis leap forward has been made possible by adopting a completely new approach to voice extraction. Rather than try to gauge the noise level at each frequency and suppress this, CEDAR train an algorithm called a neural network to identify the voices in the signal and create two audio streams - one containing just the voices, and the other containing everything else. This approach makes VoicEX very simple to use. Where you might expect numerous controls, you'll find just two knobs - one to determine the loudness of the background, and the other to control the loudness of the speech. Reduce the former to make noise and excessive reverberation go away. Reduce the latter, and the voices go away. Increase either to emphasize that part of the signal. It's incredibly simple to use and takes no time at all to master, but the results can be truly amazing.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eABOUT AI IN AUDIO\u003c\/h3\u003e\r\n\u003cp\u003eOnce in a while a transformative technology appears. Artificial Intelligence (or AI) is one of these, and its impact on the audio industry is going to be huge.\u003c\/p\u003e\r\n\u003cp\u003eCEDAR Audio started down the road toward AI as far back as 1994 when they introduced the DH-1 dehisser, the world's first digital broadband denoiser that didn't require an audio fingerprint. Over the following years, they have developed improved products based upon unique data driven models, and continued to lead the world with hardware and software products that would win Emmy, Academy, IABM and Cinema Audio Society awards. In 2015, their Learn algorithm marked another milestone, and the introduction of their deep neural networks has fueled another leap forward. VoicEX gives an indication of what will be possible in the future when AI is applied to all manner of audio processing requirements.\u003c\/p\u003e\r\n\u003cp\u003eIt's a new world.\u003c\/p\u003e","brand":"CEDAR Audio","offers":[{"title":"Default Title","offer_id":44450988327015,"sku":"207284","price":1127.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cedar-voicex_207284_1_9fdcb7d2-41df-4099-85c1-60a537feff8f.jpg?v=1787095385"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/cedar-audio.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}