{"title":"D16 Group","description":null,"products":[{"product_id":"d16-group-total-bundle-electronic-delivery","title":"D16 Group Total Bundle - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eD16 Group Total Bundle\u003c\/strong\u003e gathers all D16 has plug-ins ever made; vintage Roland's classic emulations, SilverLines effects, Sigmund and Repeater quality delay units and their flagship synthesizer: the LuSH-101.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eToraverb2\u003c\/li\u003e\r\n\u003cli\u003eTextron\u003c\/li\u003e\r\n\u003cli\u003eRepeater\u003c\/li\u003e\r\n\u003cli\u003eLunchbox\u003c\/li\u003e\r\n\u003cli\u003eLuSH-101\u003c\/li\u003e\r\n\u003cli\u003eNepheton\u003c\/li\u003e\r\n\u003cli\u003eDecimort2\u003c\/li\u003e\r\n\u003cli\u003eDrumazon\u003c\/li\u003e\r\n\u003cli\u003eDevastor2\u003c\/li\u003e\r\n\u003cli\u003eNithonat\u003c\/li\u003e\r\n\u003cli\u003ePhoscyon\u003c\/li\u003e\r\n\u003cli\u003eAntresol\u003c\/li\u003e\r\n\u003cli\u003eSigmund\u003c\/li\u003e\r\n\u003cli\u003eSyntorus\u003c\/li\u003e\r\n\u003cli\u003eRedoptor\u003c\/li\u003e\r\n\u003cli\u003eFazortan\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450198749287,"sku":"84974","price":1139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-total_84974_1_0ca9fa7f-6f21-4ed0-a99d-60e9b38b29c3.jpg?v=1787092090"},{"product_id":"d16-group-toraverb-electronic-delivery","title":"D16 Group Toraverb 2 - Electronic Delivery","description":"\u003cp\u003eWhen creating the \u003cstrong\u003eD16 Group Toraverb\u003c\/strong\u003e, D16 did not base it on any current reverb unit available in the market. They did not implement any \"off-the-shelf\" algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb. the goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many ways by the user.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReverb is a critical effect in a mix. Result depends on the reverb algorithm used and the quality of the implementation. Usually reverb is used as a send effect in which many channels in a mix are routed to it. If a low-quality plug-in or hardware unit is used, the end results can sound very disappointing with the reverb tail sounding like it had been “ripped-off” in the mix.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHigh quality of diffusion\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn Toraverb, D16 applied diffusing network of the highest possible quality based on modified all-pass filters. By doing this and using properly tuned parameters, they can almost eliminate unwanted flutter echo effects for every sound source.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTwo parametric EQs\u003c\/h3\u003e\r\n\r\n\u003cp\u003eToraverb is equipped with two independent, single band, fully parametric equalizers with 3 available curve types each. One is used to EQ early reflections and the other to EQ late reflections. This is an incredibly useful feature which provides a lot of control over the character of the reverb allowing to achieve most natural sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eModulated tail\u003c\/h3\u003e\r\n\r\n\u003cp\u003eToraverb also has an additional modulation parameter, which affects the diffusing network. These are responsible for the distribution of the sound waves reflections in time. By changing the modulation, the sound of the reverb tail can be altered to give a more realistic effect of sound propagation. Modulation amount is controlled independently for early and late reflections.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRealistic cross-talk\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo give a better impression of physical space, D16 have added an innovative spatial reflection algorithm to Toraverb. It improves spatial reflections by allowing cross-talking of reflected stereo waves between stereo channels. This models what happens in the real world when a sound audible only in the left ear is reflected and is heard in both ears.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEarly\/Late mixer\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFor convenient blending Early and Late reflections together. Now with balance parameters, for both reflection types, working in Left, Right or Mid Side domains yet expanding palette of possibilities.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBuilt-in ducker\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEssential functionality in the most studio situations. Toraverb features a built-in ducker, which's compresses FX signal's amplitude proportionally to the loudness of dry \/ unprocessed input, thus saving an overall output signal energy. Such a tool built into the plug-in is a real time-saver for any music producer or studio engineer. No need to employ any additional side-chain compression unit into your FX chain and simplify this aspect of use to the minimum.\u003c\/p\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450198782055,"sku":"84980","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-toraverb_84980_1_aa8b7ff5-26e5-41e8-9c7c-80197d01ced5.jpg?v=1787092090"},{"product_id":"d16-group-tekturon-electronic-delivery","title":"D16 Group Tekturon - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eD16 Group Tekturon\u003c\/strong\u003e is a multitap-delay effect with 16 independent, high-quality delay lines. What really sets it apart from other, similar products, however, is the way it’s controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can't be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plug-in strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInspired by Ergonomics\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEach and every aspect of the plugin’s workflow is presented in a visually clear and intuitive way, allowing for quick and precise control of every facet of the device, as well as the ability to easily tame all 16 delay lines it contains with global controls. The ability to visually grasp the entire layout with minimal effort allows you to achieve even the most complex results with extraordinary speed.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFully-featured delay lines\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDespite the imposed, fixed topology, each of the 16 delay lines has its own independent set of parameters providing complete control over:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDelay loop\u003c\/li\u003e\r\n\u003cli\u003ePanning\u003c\/li\u003e\r\n\u003cli\u003eStereo spread\u003c\/li\u003e\r\n\u003cli\u003ePost-tap multi-mode filter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eDespite its superficially simple appearance, in the right hands Tekturon can be a very powerful production tool, indeed!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eQuick-access mute buttons\u003c\/h3\u003e\r\n\r\n\u003cp\u003eYou’ll certainly appreciate these for live performance situations, among others: conveniently placed, always accessible, and MIDI-assignable mute buttons for selectively suppressing individual delay lines. Invigorate your arrangements, bring some life to your production, and have fun!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTwo-tiered Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTekturon provides the ability to control some aspects of the processing globally (adjusting parameters of all 16 delay lines at once) or locally (individually per delay line), thus making it possible to exert both fine-grained and convenient, 'one-knob' control over your performance!\u003c\/p\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450198814823,"sku":"84986","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-tekturon_84986_1_3a98382d-ddc7-405e-af0d-10131f64a664.jpg?v=1787092090"},{"product_id":"d16-group-syntorus-electronic-delivery","title":"D16 Group Syntorus - Electronic Delivery","description":"\u003cp\u003eThere are many different chorus effect plug-ins available on the market today. However, finding one which gives the classic analog chorus sound is easier said than done. Even on expensive units with advanced parameter controls, getting that vintage chorus timbre can be a challenge.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith this in mind, D16 set out to create a plugin which would have a rich analog chorus similar to the effect found on classic synthesisers like the Solina, Synthex or Juno. This new effect, the \u003cstrong\u003eD16 Group Syntorus\u003c\/strong\u003e is the latest addition to the Silver Line of plug-ins.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSyntorus has a unique sound which will add richness to any instrument it is used on. Synthetic basses and leads will come to life. It will also add extra depth and lushness to acoustic instruments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow for the science... To create a chorus effect, an audio signal is mixed with one or more delayed, pitch modulated copies of itself.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAnalog Delay Line\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe delay line module is the most important part of any chorus unit. To give Syntorus its unique and special sound, D16 implemented a very precise model of a high quality analog delay line and projected this into the digital domain. This means that Syntorus has a very musical and warm sounding delay line with no unwanted digital artifacts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSyntorus also has an emulation of a Bucket-Brigade Device (BBD) analog delay line included within its architecture. Turning this on, will add extra analog warmth and character to the audio signal. With BBD off, Syntorus functions as an exceptional high quality chorus effect unit where the spectrum of the sound is clean and pristine.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDouble Delay Line\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn most ordinary chorus effect units, a single delay line is used to create the sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs Syntorus is no ordinary plug-in, D16 decided to implement TWO high quality analog delay lines to give a richer, fuller and deeper chorus sound. These can be set to operate separately or configured to run in a master\/slave mode. Full control is provided over all parameters in the signal path allowing for absolute freedom when sculpting the sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTremolo\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBoth delay lines have an additional tremolo effect included which is controlled by a LFO - very useful for playing Rhodes keyboards or guitar sounds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Tremolo effect can be used on its own or added to the delay line signal to create even more dynamic and moving sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eComplete Synchronization of LFO with Hosting Application\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEach LFO can be synchronized with the host application. In this mode the period of the LFO depends on the host tempo and is set as a musical measure. This feature is standard on most plugins. However in Syntorus, the phase is also perfectly synchronized with song position within a project. This guarantees that Syntorus will always play exactly the same way wherever we are in the timeline of a song or project.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eCharacteristics\u003c\/h3\u003e\r\n\r\n\u003cp\u003eComparison of two different chorus units (one of them is Syntorus). Take a closer look at the comb filter (more regular and accurate), which is the result of the convolution of two spectrums: input signal and phase shifted signal.\u003c\/p\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450198847591,"sku":"84979","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-syntorus_84979_1_d151679a-fb09-4fef-ae1d-edb2fa3866a6.jpg?v=1787092090"},{"product_id":"d16-group-silverline-bundle-electronic-delivery","title":"D16 Group SilverLine Bundle - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eD16 Group SilverLine Bundle\u003c\/strong\u003e includes all of D16's effects plug-ins in one comprehensive bundle.\u003c\/p\u003e  \u003ch3\u003eIncludes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eToraverb 2 space modulated reverb: Concept algorithm reverb allowing the user to create practically ANY type of reverb\u003c\/li\u003e \u003cli\u003eTextron multitap sequenced delay: Tap-delay effect with 16 independent high quality delay lines, where the taps are arranged in a sequence of taps equally delayed from each other, whereby working with the plug-in strongly resembles using a step sequencer\u003c\/li\u003e \u003cli\u003eDecimort 2 high quality bit crusher: Premium grade bit crusher with complex and advanced signal processing algorithms within Decimort simulate the behavior of the whole sampling path which exists in every AD\/DA converter\u003c\/li\u003e \u003cli\u003eDevastator 2 multi band distortion unit: Remarkable Multiband Distortion Unit, an enhanced version of the distortion unit from the famous Phoscyon synthesizer\u003c\/li\u003e \u003cli\u003eAntresol analog BBD stereo flanger: Iconic stomp box flanger resurrected with exquisite attention to sonic detail and so much more!\u003c\/li\u003e \u003cli\u003eSyntorus double path analog chorus: Chorus effecting unit with a double delay line, capable of emulating almost every classic unit available\u003c\/li\u003e \u003cli\u003eRedopter vintage tube distortion: Distortion with an exact emulation of a tube's circuits\u003c\/li\u003e \u003cli\u003eFazortan controllable space phaser: Phaser created with the most advanced analog modelling techniques\u003c\/li\u003e \u003c\/ul\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450198880359,"sku":"84976","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d-16-silverline_84976_1_8e2b9270-b1a6-44b4-a60b-a3546edc32dc.jpg?v=1787092091"},{"product_id":"d16-group-redoptor-electronic-delivery","title":"D16 Group Redoptor - Electronic Delivery","description":"\u003cp\u003eThe popularity of tube distortion units are as a result of their superiority over the solid-state fuzz distortions which are based on transistor clipper circuits. Tubes produce even and odd harmonics and naturally compress the signal. Transistors produce only odd harmonics and limit the sound.\u003c\/p\u003e  \u003cp\u003eIn ordinary fuzz, when a signal goes over the threshold level it goes through the clipper circuit. As the signal volume falls back below the threshold (as the sound reaches its release stage), the harmonics added by clipping suddenly disappear. If the volume of a signal oscillates above and below the threshold, the clipping harmonics will appear and disappear with the signal level. This sounds unnatural and is unpleasant to listen to.\u003c\/p\u003e  \u003cp\u003eThis does not happen in the \u003cstrong\u003eD16 Group Redoptor\u003c\/strong\u003e. As the sound source falls in volume in its release phase, the harmonics (which were created by the sound being initially above the clipper threshold), gently disappear with the original sound. This creates a very sonically pleasing distortion.\u003c\/p\u003e  \u003ch3\u003eExact circuit emulation\u003c\/h3\u003e  \u003cp\u003eRedoptor has an adjustable tube bias parameter. This allows subtle amplification of even harmonics and gentle transient reshaping in the signal. Similarly, like a hardware tube distortion, Redoptor reacts dynamically to each change in the amplitude of the input signal. As a result, the amplitude of even harmonics is not constant in time.\u003c\/p\u003e  \u003cp\u003eRedoptor has a very precisely modeled tube distortion module. The emulation doesn’t just focus on the characteristics of the tube part of the circuit; it also models the rest of the circuits co-functioning with the tube within the distortion unit to capture all the subtleties’ and dynamics of proper high-quality analog tube distortion.\u003c\/p\u003e  \u003ch3\u003eCompletely adjustable preamp\u003c\/h3\u003e  \u003cp\u003eIn a typical guitar amplifier, the preamp is usually fixed. In Redoptor it is not. Redoptor allows the cut-off point for low and high tones to be set before the signal is amplified.\u003c\/p\u003e  \u003ch3\u003eParametric EQ\u003c\/h3\u003e  \u003cp\u003eRedoptor has a full parametric equalizer with 4 controllable bands. This degree of EQ is rare in this type of device. Most typical amplifiers have a fixed graphical equalizer, with 3 or 4 bands and only allow gain of the signal in each band.\u003c\/p\u003e  \u003cp\u003eIndependent stereo channel processing Redoptor is not just for guitarists - who usually only require a mono signal path for distortion. Redoptor is a fully functioning stereo tube distortion with an independent path for each channel in the stereo signal. This allows each channel to have completely different harmonics and distortion added to it. Try doing this with synth sounds – the timbre will sound much more defined.\u003c\/p\u003e  \u003ch3\u003eUnique character\u003c\/h3\u003e  \u003cp\u003eThanks to the perfect emulation of the electronic circuits within the various guitar amplifiers used to design and create Redoptor, Redoptor sounds as good as its real-world analog equivalent.\u003c\/p\u003e  \u003cp\u003eGuitarists will appreciate the quality of Redoptor. For them, the amplifier is indispensable. However, other instrumentalist and sound designers will also welcome the high quality distortion, rich harmonics and attitude which Redoptor brings to their sounds.\u003c\/p\u003e  \u003cp\u003eUse Redoptor on guitar, drum loops, arpeggiated sequences, synthetic or acoustic sounds and you’ll hear its warm, rich and truly unique character.\u003c\/p\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450198913127,"sku":"84984","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-redopter_84984_1_5239c0ea-5de9-4708-91cb-150cc4c6ac2b.jpg?v=1787092091"},{"product_id":"d16-group-repeater-electronic-delivery","title":"D16 Group Repeater - Electronic Delivery","description":"\u003cp\u003eThere have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and Slate Digital got together to create the \u003cstrong\u003eD16 Group Repeater\u003c\/strong\u003e, it was obvious which they would model: all of them!\u003c\/p\u003e  \u003ch3\u003eAll-in-one\u003c\/h3\u003e  \u003cp\u003eIntroducing Repeater - A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCassette Tape - A model of an early 80's Japanese cassette tape deck* Coopy Cube - An early 70's delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option\u003c\/li\u003e \u003cli\u003eDigital 42 - One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals\u003c\/li\u003e \u003cli\u003eDigital 42 x 2 - The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums\u003c\/li\u003e \u003cli\u003eDigital Delay - A hi resolution digital delay - use Repeater’s filters and Color to customize the tone\u003c\/li\u003e \u003cli\u003eDM-2 - An early bucket brigade analog delay with a warm and rich tone - amazing on guitars and synths\u003c\/li\u003e \u003cli\u003eMellow Delay - A smooth, subdued delay that is based on several vintage analog topologies\u003c\/li\u003e \u003cli\u003eMemory Guy - Lush analog delay with fat vintage tone\u003c\/li\u003e \u003cli\u003eMirky Delay - Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option.\u003c\/li\u003e \u003cli\u003eNew Radio - Delay tone with FM radio style scooped hi-fi tone\u003c\/li\u003e \u003cli\u003eOld Radio - Delay tone with AM radio style grainy lo-fi tone\u003c\/li\u003e \u003cli\u003ePitchy Delays - (3 models) - Delays with slight pitch modulations for extremely spatial and deep effects, sounds great when both delay lines are set to the same time creating a chorusing mono effect - these can also be used with tight delays with Spread option for widening and thickening effects\u003c\/li\u003e \u003cli\u003ePlexy Echo - Based on an old 70s tape delay unit, its fat tone, which sounds great on vocals guitars and even drums\u003c\/li\u003e \u003cli\u003eSpace Delay - Based on the famous magnetic tape delay with warm and gritty tone - classic on guitars\u003c\/li\u003e \u003cli\u003eTape Delay Ancient - An extremely old 1940s style tape delay tone\u003c\/li\u003e \u003cli\u003eTape Delay Classic - Early 60s style tape delay\u003c\/li\u003e \u003cli\u003eTape Delay Modern - Hi-fi tape delay with warm and lush tone\u003c\/li\u003e \u003cli\u003eTape Delay Vintage - 70s style tape tone, slightly grainy but warm\u003c\/li\u003e \u003cli\u003eTelephone 1 - Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix\u003c\/li\u003e \u003cli\u003eTelephone 2 - Another lo-fi telephone tone with slightly different frequency and distortion tone\u003c\/li\u003e \u003cli\u003eTelRay - The analog delay classic made original from a tuna can - beautifully lo-fi with a rich tone that is perfect for guitars\u003c\/li\u003e \u003c\/ul\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450198945895,"sku":"84985","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-repeater_84985_1_15f6edd6-537a-4185-857a-b63441683601.jpg?v=1787092091"},{"product_id":"d16-group-sigmund-electronic-delivery","title":"D16 Group SIGMund - Electronic Delivery","description":"\u003ch3\u003eFour independent delay lines\u003c\/h3\u003e  \u003cp\u003eSigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom. There's an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. With Sigmund, this is especially true: each of the delay lines has complementary modules built in, independent from the feedback loop:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eMulti-mode Filter (can work either in or outside of the feedback loop)\u003c\/li\u003e \u003cli\u003eOverdrive module\u003c\/li\u003e \u003cli\u003eAmplitude modulator (for tremolo effects)\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eBut that's not all: Sigmund has two general-purpose Modulators which can be used to auto-modulate some of the delay lines' internal parameters. There are three different modes a Modulator can operate in:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eLFO - Used subtly on time parameter can delicately bring a sound to life, to add gently flowing, modulated warmth reminiscent of the analog delays of yesteryear. At extreme settings, the LFO is capable of twisting the input signal utterly beyond recognition and into what you might expect transmissions from an alien civilization to sound like!\u003c\/li\u003e \u003cli\u003eEnvelope - In combination with built-in Transient Detector gives you a very powerful tool; when applied on amplitude allows to freely shape sound’s dynamics to control how it blends in the whole mix..\u003c\/li\u003e \u003cli\u003ePeak follower - It’s a must-have for a Modulator; nothing else will do such expressive wah-wah effect, when filter cutoff is influenced by. Surely in the hands of skilled sound designer it will have many other applications beyond that.\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eThis all adds up to an immensely powerful architecture, the potential of which can be explored nearly endlessly and often with hardly predictable outcomes.\u003c\/p\u003e  \u003ch3\u003eFlexible routing\u003c\/h3\u003e  \u003cp\u003eSigmund's four delay lines can be interconnected with each other in practically every manner possible. The plugin offers a choice of nine different routing topologies which give access to completely new dimensions of sound creation. For example, say you have your delays currently running in parallel but would like to have a cascade of serially connected delays instead: you can reconfigure them instantly by choosing your desired algorithm with just a click of the mouse. For even greater convenience when working with Sigmund, the output signals of each of the four delay lines are combined in a special, purpose-built internal mixer to ensure seamless transition between algorithms and greatly speed workflows.\u003c\/p\u003e  \u003ch3\u003eOutstanding quality\u003c\/h3\u003e  \u003cp\u003eThe signal processing solutions D16 chose to implement in Sigmund have allowed us to achieve an unprecedented level of audio quality! A signal being routed sequentially through each processing block suffers no loss in fidelity from one to the next and no undesirable artifacts are introduced as is so often the case with some of the more widely used but inferior solutions. With Sigmund, each delay line is absolutely alias free: the only sonic colorations you'll ever hear are the ones you've intentionally created.\u003c\/p\u003e  \u003cp\u003eThe signal path design process that went into Sigmund has been zero-compromise from beginning to end: in fact, the sound quality is so high, the processing so pure that it's possible to work with even the smallest delay times, even down to one-tenth of one millisecond with zero artifacts emerging. Thus, it's possible without any tricks or half-measures to use a single delay line not only as a traditional delay effect, but also as a chorus or flanger and in some of the highest audio quality theoretically possible!\u003c\/p\u003e  \u003ch3\u003eIntuitive design\u003c\/h3\u003e  \u003cp\u003eSigmund's user interface has been designed from the ground up to be as intuitive as possible. 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With the benefit of an incredibly flexible signal routing system, these simple strategies can be freely shuffled and combined for practically unlimited sound shaping depth. Things can go from basic to very advanced indeed before you know it, and more easily than you perhaps considered possible. And, all this in the highest available audio quality! 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Diehard fans of the original Bass Line will be blown away with Phoscyon’s uncanny emulation of the classic, but will also marvel at the ease with which new sounds can be crafted; sounds which were not possible on the original. Phoscyon gives you access authentic vintage sounds at a fraction of the cost of the real thing. With the familiar Bass Line interface coupled with the added sound generation tools, D16 Group feel that Phoscyon is quite simply in a class of its own.\u003c\/p\u003e  \u003cp\u003ePhoscyon's designers are also musicians who believe that in order for electronic music to stay relevant, it needs to evolve – just like any other genre. The approach is to give forward thinking musicians and producers the tools they need to craft the sounds they want. Whether it’s Techno, Acid, Triphop, IDM, D\u0026amp;B, Ambient, or any other kind of genre-bending music, Phoscyon will take your sound further.\u003c\/p\u003e  \u003ch3\u003eCapabilities\u003c\/h3\u003e  \u003cp\u003ePhoscyon is a vintage analog modeled Bassline synthesizer with a unique low pass filter with an 18 db\/oct dumping and constant resonance amplitude throughout the entire frequency domain. The filter sounds phenomenal! Hear that squelch and you’ll swear its analog! D16 Group have also equipped it with a fully customizable integrated arpeggiator (essential in electronic music) as well as an exhaustively analog modeled distortion effect, crucial for those screaming acid bass lines! 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However, this basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential.\u003c\/p\u003e  \u003cp\u003eThe multilayer architecture guarantees that both the sound design possibilities and number of unique situations in which LuSH-101 can be used are virtually limitless. Layered sounds can be created simply by assigning the layers to the same MIDI channel; the results can sound as massive as anything imaginable! Assigning the layers to different keyboard zones allows you to create even the most sophisticated splits. Of course, you can always assign the various layers to different MIDI channels for 8-part multitimbral usage. And, virtually any combination of splits, layers, and multitimbrality is possible with just a single instance of LuSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arpeggiator, and a palette of only the finest insert effects, LuSH-101 can push your creativity to unprecedented levels!\u003c\/p\u003e  \u003cp\u003eWant to express yourself even more? In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator's MIDI output can be used as a modulation source, unleashing your creativity to build complex sequences and progressions.\u003c\/p\u003e  \u003cp\u003eLuSH also comes complete with a powerful built in mixer, complete with layer-independent parametric equalizers and compressors. Three send effects in superb quality allow you to put the finishing touches on the final output.\u003c\/p\u003e  \u003cp\u003eLuSH plays perfectly in any genre. For funkier styles, the Gate may be used instead of the VCA for instant staccato sounds full of energy and rhythmic pep. When creating Ambient or Chillout, longer attack and release times along with the smooth, rich spaciousness of the built-in reverb are enough to satisfy even the most ardent purists. Is Dubstep or Drum \u0026amp; Bass more your thing? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead to the sickest, nastiest, and most novel vibrations—your sound system won't know what hit it (and you won't, either), so watch out! No matter what you want to play or how you want to use it, LuSH will get the job done.\u003c\/p\u003e  \u003ch3\u003eSound like never before\u003c\/h3\u003e  \u003cp\u003eLuSH-101’s uniquely accurate sound has been achieved only through experience: countless hours have been spent analyzing classic analogue synthesizers, and then designing and implementing DSP algorithms with close attention paid to every component in the signal path—not just the approximating the overall output. LuSH-101 delivers a synthesizer built on oscillators of uncompromising quality, filters with incredible natural warmth and character, and effects each at the absolute top of their class.\u003c\/p\u003e  \u003cp\u003eInnovative oscillator algorithms developed by D16 make LuSH-101 sound exactly like a sampled hardware analog synth—but without the sampling! There is no aliasing in the oscillators, even at 22kHz from the note’s base frequency. Vibrato and pitch bend do not affect the spectral quality of the oscillators, allowing LuSH-101 to sound completely authentic under all conditions.\u003c\/p\u003e  \u003cp\u003eA problem present in many virtual analogue synths is that the harmonics of generated sound waves start to disappear well below (and up to) the Nyquist frequency, causing the them to sound dull and lacking in clarity and punch. 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See for yourself how the highest quality modeled components and a total lack of all the traditional VA synthesis weak points result in a sound as unforgettable as it is inspiring!\u003c\/p\u003e  \u003ch3\u003eSounds superb in any setting!\u003c\/h3\u003e  \u003cp\u003eLuSH-101 lets you create presets for single layer, for all 8 layers at once (including the mixer settings), but also allows the creation of presets for smaller blocks of parameters such as the arpeggiator and the mixer’s send effects. LuSH-101 delivers undeniably impressive results in virtually every sonic category. A generous factory library of more than 1600 presets of every type is included. 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Plus, most of the factory presets make extensive use of the Modulation Matrix to make the sounds that much more expressive and flavorful; LuSH-101 was designed to be a musical instrument first and foremost, and therefore the factory presets were designed with playability and personality in mind.\u003c\/p\u003e  \u003cp\u003eTo top it all off, an intuitively designed preset browser keeps everything organized and easy to locate, even when dealing with something as huge as the included library. In order to ensure that exchanging them remains as straightforward as possible, presets are managed in a file-based manner, rather than in some proprietary, esoteric format that makes backup and sharing a pain. 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Total control of the Phase shift parameter provides you with adjustability and allows to obtain the desired contour with high precision.  Thanks to their analog modeling technique, D16 were able to implement all-pass filters comprising characteristics identical to its analog counterpart based on Operational Transconductance Amplifiers.\u003c\/p\u003e  \u003cp\u003eThink of Fazortan as of the exact copy of a retro phaser taken from the 70s and redone as a virtual unit. Bearing in mind only that one Rate knob and a color switch were included on the front panel of the original phaser device, Fazortan is a completely new device that effectively expands capabilities of the original.\u003c\/p\u003e  \u003ch3\u003eStructure\u003c\/h3\u003e  \u003cp\u003eFull control over two LFOs (waveform, rate, depth and offset) are now available. Unlike in the hardware unit Fazortan's LFO works in a various waveform modes: square, sinus, ascending saw, descending saw and random (i.e. only triangle is available in original).\u003c\/p\u003e  \u003cp\u003eBy using both LFOs simultaneously you're now able to obtain result that only owners of the hardware box could only dream about. Endless contour diversity stretches result from monotonous sluggish swing to become a gurgling scramble, just by a slight repositioning of the the rate knob. Additionally it is now possible to add consecutive all-pass stages as well as regulate the feedback effect. The amount of stages translates to how many humps and pits residues in the converted sound spectrum while feedback parameter value implies severity of these irregularities. The feedback knob gives you sounds from soft to rapid and drilling. To visually display how it works consider white noise as an input signal. Moving the feedback knob will start to morph incoming \"sea waves\" reminiscent noise into \"windy\" whizz. Additionally each LFO can be modified by altering its respective phase giving as a result an improved panning of the incoming signal.\u003c\/p\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450199208039,"sku":"84982","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-fazortan_84982_1_47262dfb-4e99-4e62-9516-a03a8eda65fc.jpg?v=1787092092"},{"product_id":"d16-group-drumazon-electronic-delivery","title":"D16 Group Drumazon - Electronic Delivery","description":"\u003ch3\u003eSynthesis\u003c\/h3\u003e  \u003cp\u003eThe \u003cstrong\u003eD16 Group Drumazon\u003c\/strong\u003e synthesis emulates all the sounds of the original 909. All instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation.\u003c\/p\u003e  \u003ch3\u003eOutputs\u003c\/h3\u003e  \u003cp\u003eDrumazon has a flexible output configuration. Every instrument's audio signal can be routed to any of the 11 outputs. This allows users to further shape sounds individually or in groups via their favorite plug-ins.\u003c\/p\u003e  \u003cp\u003eEach individual output can be set to mono or stereo. Every instrument also has a Mute and Solo button. Mute will not just silence the sound, it will stop the sound being triggered. Solo will stop all other instruments from being triggered and only allow the selected sound(s) to play.\u003c\/p\u003e  \u003ch3\u003eControl\u003c\/h3\u003e  \u003cp\u003eDrumazon has extensive MIDI control. MIDI notes can be used to trigger each individual sound. Alternatively, the internal sequencer can be used. This can be set to play using Drumazon's internal clock or set to synchronize perfectly to the host sequencer.\u003c\/p\u003e  \u003cp\u003eMost of Drumazon's parameters can be automated within the host and also controlled using MIDI CC with an external controller. An easy-to-use MIDI Learn function allows reassignment of any of the parameters.\u003c\/p\u003e  \u003ch3\u003eInternal Sequencer\u003c\/h3\u003e  \u003cp\u003eWithin the internal sequencer, patterns are stored in 8 banks. Each bank can store up to 12 patterns. Each pattern consists of 16 steps. Each pattern location has a MIDI note number assigned to it. The patterns can be edited traditionally using the step buttons or using the tap function.\u003c\/p\u003e  \u003cp\u003eThe internal sequencer has various modes of operation. In Chain Mode, a range of patterns are selected from the internal banks and are played through in a circular fashion. Patterns can also be triggered freely by selecting the corresponding MIDI note (for example, from a MIDI controller keyboard). External controllers can be used in any mode to provide full control over pattern playback.\u003c\/p\u003e  \u003cp\u003eA Randomizer function is also provided within the internal sequencer. It can be used to make simple changes to a pattern or create a whole new one - ideal when your creativity needs a boost! Randomizing can be applied to specific instruments and specific steps. The frequency of occurrence can also be adjusted to give you just the right amount.\u003c\/p\u003e  \u003cp\u003eFiles are stored in the XML format. This allows single patterns or whole banks to be exchanged between users easily. XML allows the files to be edited in a text editor. Ideal if you want to post or share a pattern on a web site -just post the text!\u003c\/p\u003e  \u003ch3\u003ePresets\u003c\/h3\u003e  \u003cp\u003eThe settings for each instrument can be stored in it's own preset. Each instrument preset can be loaded in individually. This allows maximum flexibility when putting kits of instruments together. 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This elevates its sonic mangling capabilities to an entirely new level!\u003c\/p\u003e  \u003ch3\u003eStructure\u003c\/h3\u003e  \u003cp\u003eThe plug-in consists of four essential blocks:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eDynamics-flattener module (one-knob controlled input signal compressor)\u003c\/li\u003e \u003cli\u003eDiode-clipper distortion\u003c\/li\u003e \u003cli\u003eThree multi-mode filter sections\u003c\/li\u003e \u003cli\u003eOptionally activated signal limiter\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eThe plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.\u003c\/p\u003e  \u003cp\u003eDevastor’s filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!\u003c\/p\u003e  \u003ch3\u003eVersatile and advanced\u003c\/h3\u003e  \u003cp\u003eDevastor can be used to distort and enhance a wide range of sounds, from full-on acid synth sounds to guitar fuzz or an analog amp with speaker combo. It can even be used with drums to make them sound dirtier and more dynamic! Devastor isn't just good at creating distorted, monster sounds: it can also be used subtly to improve the timbre and character of gentler sounds. For example, reducing the preamp gain, increasing the threshold, and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.\u003c\/p\u003e  \u003cp\u003eWhen designing Devastor, D16 applied special antialiasing techniques to the output signal to make sure it was devoid of aliasing (one of the reasons why digital distortion units can sound so cold and un-musical). 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The \u003cstrong\u003eD16 Group Decimort2\u003c\/strong\u003e recreates this coloration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results.\u003c\/p\u003e  \u003ch3\u003eThe highest quality low-quality effect you can buy\u003c\/h3\u003e  \u003cp\u003eThe Decimort effect unit (available as part of the SilverLine collection of plug-ins from D16) is a premium grade bit crusher and sample rate reducer with some highly unconventional features. The advanced signal processing algorithms within Decimort simulate the complex behavior of the entire sampling path that exists in every AD\/DA converter, and with version 2 comes far greater control over the process!\u003c\/p\u003e  \u003cp\u003eDecimort has zero internal aliasing—in fact, the only aliasing present is the emulated aliasing of the classic samplers that were modeled when creating it. Unwelcome artifacts are completely absent in the processed signal: only the desirable, modeled ones remain.\u003c\/p\u003e  \u003ch3\u003eMore control than any other effect of this type\u003c\/h3\u003e  \u003cp\u003eDecimort isn’t just another bitcrusher with only bit resolution and sampling frequency to tweak; in fact, it provides far more advanced features than you likely could have ever expected from an effect of this kind, all implemented in stunning quality:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eTwo optional anti-alias filters - A very steep low-pass pre filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum. A further post filter (Image filter), also synchronized with the resampler, gives control over amount of aliasing images appearing above resampling frequency when enabled\u003c\/li\u003e \u003cli\u003eAdjustable Jitter - An unprecedented feature in the bit crusher’s world which introduces short-period, random fluctuations to the resampling frequency, thus making the process even more sonically interesting by producing a type of harmonic distortion you’ve likely never heard in this context.\u003c\/li\u003e \u003cli\u003eTwo quantization methods - Two available quantization methods; the mid-raiser and mid-tread decimation algorithms, each of them characterized by a drastically different dynamics response.\u003c\/li\u003e \u003cli\u003eControllable dithering - Dithering was conceptually developed as means to reduce audible quantization errors by masking the harmonic distortions they cause. D16 added controllable dithering to increase number of ways in which you can (mal)treat the sound.\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eAll this adds up to a very powerful and musical tool which is not only another creativity-releasing item for your arsenal, but one that gives you the ability to emulate classic sampling units in-the-box—now with even greater precision through access to a variety of parameters unavailable up till now in effects of this type!\u003c\/p\u003e  \u003ch3\u003eTwo in one\u003c\/h3\u003e  \u003cp\u003eDecimort is also equipped with analog-like filters with adjustable resonance that allow further sculpting of the signal. 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The instruments models are equipped with additional controls giving you possibility to tweak the sound much better.\u003c\/li\u003e \u003cli\u003eDrumazon Drum Machine: Emulates the famous 909 drum machine. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls.\u003c\/li\u003e \u003cli\u003eNithonat Drum Machine: Fully synthesized drum machine which emulates classic 606 box. This perfect emulation is enhanced with extra functionality taking the little pocket drum machine to the new dimension.\u003c\/li\u003e \u003cli\u003ePhoscyon Bass line: Taking the classic analog sound of the legendary 303 silver box into the future. It offers an unmatched sound together with many advanced features.\u003c\/li\u003e \u003c\/ul\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450199339111,"sku":"84975","price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-classic-boxes_84975_1_943018f3-1a6b-4b42-a37d-b2083b89c309.jpg?v=1787092092"},{"product_id":"d16-group-antresol-electronic-delivery","title":"D16 Group Antresol - Electronic Delivery","description":"\u003ch3\u003eA legendary flanger resurrected\u003c\/h3\u003e  \u003cp\u003eIn bringing the classic stomp box back to life, D16 Group have created a must-have effect plug-in that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in the \u003cstrong\u003eD16 Group Antresol\u003c\/strong\u003e make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, the newest effect in the SilverLine Collection!\u003c\/p\u003e  \u003ch3\u003eLoaded with features way beyond the original\u003c\/h3\u003e  \u003cp\u003eAntresol's users can also enjoy absolute freedom of control over every aspect of the BBD-based delay line (including such nuances as calibration of the linearity of the clocking system or the number of analog memory cells constituting the backbone of the BBD). Fashioning a flanger sound that is uniquely you yet retains all the richness and warmth afforded by the original, classic circuit design has never been easier!\u003c\/p\u003e  \u003cp\u003eIn addition to the standard parameter knobs found on the face of the original unit, there is also a wide range of deeper parameters available to tweak, such the on-PCB trimpots which would normally be inaccessible without taking the stompbox apart. Some even go far beyond those you could find in common flanger-type effects: a fully controllable LFO (with adjustable phase and rate sync to a host application’s tempo); the ability to delink the stereo channels and control the most important parameters independently for left and right (or mid\/side, depending on selected mode), and more. Try the demo today and see where your imagination takes you!\u003c\/p\u003e  \u003ch3\u003eTrue BBD emulation with total control\u003c\/h3\u003e  \u003cp\u003eAn exceptionally accurate emulation of an impulse-controlled, solid-state analog delay line (a Bucket Brigade Device) is responsible for the impeccable sonic characteristics found in Antresol. Effects based on high-quality BBD emulations stand out with remarkable, even seductive warmth, and there is no doubt that the tremendous success of D16’s first foray into BBD delay line emulation, the chorus plug-in Syntorus, has been directly attributable to this approach.\u003c\/p\u003e  \u003cp\u003eThe key element around which Antresol is designed, an analog BBD integrated circuit, proved to offer some unique challenges for a digital emulation of this type. In particular, the feedback parameter showed some weaknesses in the form of improper shapes of emerging peaks and notches in the frequency response, forcing us back to the drawing board. After much R\u0026amp;D, the Eureka moment came in the form of a much-refined BBD emulation using quasi-analog signal representation throughout, guaranteeing behavior much more akin to the original, physical circuit. While a bit chaotic, it includes all the benefits and subtleties the analog domain can offer—unlike a deterministic, classically digital algorithm—and all this without any unwanted artifacts such as aliasing, and with the rock-solid stability only digital can offer!\u003c\/p\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450199371879,"sku":"84978","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-antresol_84978_1_bdaa2f70-d01e-4634-9cf1-939f46e9845d.jpg?v=1787092092"},{"product_id":"d16-spacerek-virtual-space-reverb","title":"D16 Spacerek Virtual Space Reverb - Electronic Delivery","description":"\u003cp\u003eThe hybrid algorithm at the heart of \u003cstrong\u003eD16 Spacerek\u003c\/strong\u003e fuses modeled virtual spaces to a dynamic delay network, generating reverb tails with supremely realistic early reflections, dense, colorful late reflections, and separately adjustable ER and LR pre-delay times. Dozens of emulated room types take in halls, towers, chambers, tunnels and much more, and each one integrates a variety of preset stereo microphone and speaker setups.\u003c\/p\u003e\r\n\u003cp\u003eSpacerek also makes balancing the Direct signal, Early reflections and Late reflections easy with its three-channel mixer; while the highly musical Tilt EQ and Low Cut filter modules provide effortless shaping of the overall tail. And as each Reverb Model is pre-configured for left-right or mid-side stereo operation, tweaking width and spatialiZation is a snap.\u003c\/p\u003e\r\n\u003cp\u003eSpacerek doesn’t put the squeeze on your system, either – indeed, when you hear it, you can’t fail to be impressed by its CPU-friendliness (compared with typical audio simulation techniques).\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eThe Virtual Space Reverb\u003c\/h3\u003e\r\n\u003cp\u003eSpacerek’s early reflections are generated by our proprietary Virtual Space Reverb engine, which simulates a diverse array of real-world spaces with painstaking accuracy. 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Use it as a tremolo, chorus, rotary speaker, filter or phaser, or mix multiple processing styles for spectacular, complex results. Go-to plug-in for chorus, phasing, filtering, rotary speaker emulation and much more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters.\u003c\/p\u003e\r\n\u003cp class=\"code-line\" dir=\"auto\" data-line=\"2\"\u003eGodfazer’s Ensemble section offers a wide range of delay- and amplitude-modulating vintage device emulations, including BBD-based choruses, Solina-style ensembles and rotary speakers, as well as a variety of original tremolos, auto-panners and other models. But that’s only the beginning! Alongside the Ensemble, two identical Multi Filters each feature 40 spectacularly diverse filter types, from dual shelving EQs, low\/high\/band-pass models and formant filters, to an extensive selection of vintage and modern phasers.\u003c\/p\u003e\r\n\u003cp class=\"code-line\" dir=\"auto\" data-line=\"4\"\u003eGodfazer also includes all the standard features of the SilverLine plug-in series, including 64-bit internal processing, three quality options for real-time playback and offline rendering, a resizable GUI, and a tagged preset browser. From enhancing beats, thickening basslines and glamorizing vocals, to animating pads and bringing life to keys and FX, no modulation-based task is beyond its sonic remit.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"system-requirements\" class=\"code-line\" dir=\"auto\" data-line=\"22\"\u003eSYSTEM REQUIREMENTS\u003c\/h3\u003e\r\n\u003cp class=\"code-line\" dir=\"auto\" data-line=\"24\"\u003e\u003cstrong\u003eWindows PC\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"code-line\" dir=\"auto\" data-line=\"25\"\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"25\"\u003eOS version: Win 7, Win 8, Win 10\u003c\/li\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"26\"\u003eCPU: 3.4 GHz SSE (Multicore 4.0 GHz recommended)\u003c\/li\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"27\"\u003eRAM: 8 GB (16 GB Recommended)\u003c\/li\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"28\"\u003eSoftware: VST2 \/ AAX compatible host application (32bit or 64bit)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp class=\"code-line\" dir=\"auto\" data-line=\"30\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"code-line\" dir=\"auto\" data-line=\"31\"\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"31\"\u003eOS version: OS X 10.7 to macOS X 12\u003c\/li\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"32\"\u003eCPU: Intel based 3.4 GHz (4.0 GHz recommended)\u003c\/li\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"33\"\u003eRAM: 8 GB (16 GB Recommended)\u003c\/li\u003e\r\n\u003cli class=\"code-line\" dir=\"auto\" data-line=\"34\"\u003eSoftware: AU \/ VST2 \/ AAX compatible host application (64bit only!)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450834120807,"sku":"170974","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/group-godfazer_170974_2_a489ff5d-18a1-4429-a9ed-3d2aba76bf29.jpg?v=1787094720"},{"product_id":"d16-group-lush-2","title":"D16 Group Lush 2 Multilayer Polyphonic Synthesizer - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eD16 Group Lush 2\u003c\/strong\u003e isn’t based on just a single machine; it’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: though it may look benign at first, its modular, multi-layer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable and devilishly versatile instruments in your arsenal. Suspiciously accurate sound is achieved only through experience: countless hours were spent analyzing classic analogue synthesizers, and then designing and implementing DSP algorithms with close attention to every component in the signal path - not just approximating its overall output. We deliver to you a synth built on oscillators of uncompromising quality, filters with an incredibly natural warmth and character, and best-in-class effects. On top of that, with all of the layers, multi-layer options, and routing capabilities the plugin offers - there’s no end to what you can do with just a single instance of Lush 2\u003c\/p\u003e  \u003cp\u003eLush 2 lets you reach “unheard of” levels of creativity - each layer works as an independent synthesizer with its own polyphony, parameters, enhanced arp, and a choice between 8 of the finest insert effects.\u003c\/p\u003e  \u003cp\u003eAn entire page dedicated to assigning your modulation to nearly any parameter - pick a source, pick a destination, set an amount: creative modulation!\u003c\/p\u003e  \u003cp\u003eLush 2 also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, pan and superb send effects allow you to put the finishing touches on the final output.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMULTILAYER ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eThis guarantees Lush 2 has virtually limitless sound design possibilities and unique applications. You can quickly create multi-layer sounds by simply assigning any (or all) of the 8 layers to the same MIDI channel; this can result in anything from subtle chorusing to sonic anarchy!\u003c\/p\u003e  \u003cp\u003eAssigning layers to different keyboard zones lets you create sophisticated splits, and an entire split-zone preset library exists to get you started. You can also assign different layers to different MIDI channels for 8-part multi-layer usage, and send out up to 11 audio outputs.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSUBSTANTIAL FACTORY CONTENT\u003c\/h3\u003e  \u003cp\u003eOver 1600 presets (all preset types included) curated into a clear, easy-to-navigate structure. A carefully prepared, categorized and tagged bank always lets you find exactly what you’re looking for - from massive basses, to complex sequences, to the toughest-sounding synthetic percussion you’ve ever heard... you’ll find it all here. Huge, inspiring arpeggiator performances covering an unusually broad scope will draw you in from the first key press. Plus, most of the factory presets make extensive use of the modulation matrix to produce sounds that are much more expressive and flavorful; LuSH-2 was designed to be a musical instrument first and foremost, and therefore the factory presets were designed with playability and personality in mind.\u003c\/p\u003e    \u003ch3 id=\"toc_3\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eWINDOWS\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eOS version: Windows 7 or newer\u003c\/li\u003e \u003cli\u003eCPU: Intel x86 \/ AMD x86\u003c\/li\u003e \u003cli\u003eSoftware: VST2 \/ VST3 \/ AAX compatible host application (32-bit or 64-bit)\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eAPPLE\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eOS version: Mac OS X 10.13 to macOS 13\u003c\/li\u003e \u003cli\u003eCPU: Intel x86 \/ Apple Silicon\u003c\/li\u003e \u003cli\u003eSoftware: VST2 \/ VST3 \/ AU \/ AAX compatible host application (64-bit only!)\u003c\/li\u003e \u003c\/ul\u003e","brand":"D16 Group","offers":[{"title":"Default Title","offer_id":44450958180455,"sku":"198306","price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/d16-group-lush2_198306_1_1ff13378-7c42-4582-b2d7-512c85369c10.jpg?v=1787095255"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/d16-group.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}