{"title":"Daking","description":null,"products":[{"product_id":"daking-fet-ii-compressor-limiter","title":"Daking FET II Compressor\/Limiter","description":"\u003cp\u003eThe \u003cstrong\u003eDaking FET Compressor II\u003c\/strong\u003e, an updated version of the renowned Daking FET Compressor, features a new internal switch to facilitate active use of the gain makeup pot for console applications and also to fully bypass in line level rig application. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eLike its predecessor, it also includes\u003c\/span\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll discrete transistor circuitry transformer balanced inputs and outputs Class A amplifiers\u003c\/li\u003e\n\u003cli\u003eAll discrete transistor circuitry \u003c\/li\u003e\n\u003cli\u003eTransformer balanced inputs and output \u003c\/li\u003e\n\u003cli\u003eClass A amplifiers \u003c\/li\u003e\n\u003cli\u003eAll parameters switch selectable \u0026amp; repeatable \u003c\/li\u003e\n\u003cli\u003eThreshold adjustable from -10 to +10 in 2dB steps \u003c\/li\u003e\n\u003cli\u003eRatios: 1.5:1 2:1, 3:1, 5:1, 10:1 and 20:1 \u003c\/li\u003e\n\u003cli\u003eAttack 250 microseconds to 63 milliseconds \u003c\/li\u003e\n\u003cli\u003eSeven release time constants: \u003cbr\u003e A. .5 · B. 1 · C. 1.5\u003cbr\u003e D. Neve 33609 Auto\u003cbr\u003e E. A\u0026amp;D Compex Auto\u003cbr\u003e F. Fairchild 670 #5\u003cbr\u003e G. Fairchild 670 #6\u003c\/li\u003e\n\u003cli\u003eMake up gain: 0 to 11dB in 1db steps \u003c\/li\u003e\n\u003cli\u003eThree function vu meter:\u003cbr\u003e Input\/Output\/Gain Reduction \u003c\/li\u003e\n\u003cli\u003eTwo Inputs:\u003cbr\u003e A. XLR +4dbm transformer balanced\u003cbr\u003e B. 1\/4 TRS - 10dB transformer balanced \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMono in operation, it has a link feature for using two together in stereo operation.\u003cbr\u003e\u003cbr\u003eInsiders say: Fast and sweet, this compressor will soon become one of your favorites!  Many find it to be the most flexible and useful compressor they own.\u003cbr\u003e\u003cbr\u003eThe supplied universal power supply can operate at any voltage for use worldwide.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449241661543,"sku":"247","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_fetii.jpg?v=1787088276"},{"product_id":"daking-fet-iii-stereo-compressor","title":"Daking FET III Stereo Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eDaking FET III\u003c\/strong\u003e is the new dual channel limiter from Geoff Daking, built in the US with the same audio path and detector circuits as the highly successful single channel Daking FET II limiter.   The FET III compressor circuitry and gain stages are all discrete and fully Class A with sound quality that will be at the very top of the scale.  The previous single Channel FET II was known for its speed, high performance and its unique ability to sound good on an extraordinary variety of sources. The FET III will equal this benchmark plus add several unique features to improve user control. \u003cbr\u003e\u003cbr\u003e New variable High Pass Filters from 0-200HZ are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency.  This is extremely helpful on bass heavy material.  This greatly widens the units potential application set and the ability of the user to set this new behavior \"on the fly.\"  Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees.  The Stereo Link is continuously variable from 0-infinite. \u003cbr\u003e\u003cbr\u003e All controls except \"Ratio\" are pots.  The new variable pots add the ability to fine tune behaviors in the studio.   Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking Product line. \u003cbr\u003e\u003cbr\u003e The FET II's relied on control voltage summing for the stereo linking.   Because the FET III is two independent units in one box, it used audio summing, which is much more accurate. \u003cbr\u003e\u003cbr\u003e The Daking FET III uses THAT CORP differential amps in and out (electronically balanced).   The FET II has transformers in and out but they are 1:1 input to output so they do not \"color\" the sound.  A mic input transformer at 1:10 ratio in a mic pre \u003cem\u003ewould\u003c\/em\u003ecolor the sound significantly.   The common mode rejection in FET III is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30. \u003cbr\u003e\u003cbr\u003e The FET III and FET II both use an outboard power supply.  The FET II RU case provides a small pocket in the back panel to store this external power supply.  The unit is fully RoHS compliant.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449241694311,"sku":"11691","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_fetiii.jpg?v=1787088276"},{"product_id":"daking-mic-pre-one","title":"Daking Mic-Pre One Microphone\/Instrument Preamp","description":"\u003cp\u003eSharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the \u003cstrong\u003eDaking Mic-Pre One\u003c\/strong\u003e additionally features a unique variable high-pass filter and ships in a freestanding 'DI-style' steel enclosure, ensuring both strength and noise immunity.\u003c\/p\u003e\r\n\u003cp\u003eEssentially a single channel of the Mic Pre IV, the Mic Pre One features switchable phase, 20 dB mic input pad and +48V phantom power, plus a selectable 1\/4\" line\/hi-z instrument input, all utilizing relays with gold bi-furcated contacts.  Two large knurled aluminum knobs control the variable high-pass filter (0-200 Hz) and continuously variable input gain, which is complemented by a full-width, twenty-segment bi-color LED meter.  The rear of the unit offers a Jensen transformer-isolated mic input and fully balanced XLR output, plus a 1\/4\" line output. A fourth connector introduces DC power from the external power supply to the unit.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449241727079,"sku":"10394","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-mic-pre-one_10394_1.jpg?v=1787088276"},{"product_id":"daking-mic-pre-iv","title":"Daking Mic Pre IV","description":"\u003cp\u003eThe new \u003cstrong\u003eDaking Mic-Pre IV\u003c\/strong\u003e offers four channels of high performance, Class A preamplifiers in a single rack space unit with outboard power supply.  Configured for four microphone inputs or four line inputs from XLR\/TRS Neutrik combo jacks on the back, plus four line inputs (+10 to -50) or 1\/4 hi-z instrument inputs on the front, the Mic-Pre IV utilizes all discrete Class A circuitry with transformer-balanced inputs and outputs.  The new Mic-Pre IV from Geoffrey Daking \u0026amp; Co. is the latest example of exemplary audio quality and craftsmanship in the tradition of the great British console manufacturers.\u003c\/p\u003e\n\u003cp\u003eThe latest addition to the company's range of professional recording studio products, the Daking Mic-Pre IV is a highly cost-effective solution for high-end preamps to be used in studio or live applications.  Used standalone or in conjunction with a console, each input offers continuously variable gain control using Daking's signature aluminum knobs, a 20-segment LED level meter with +24db peak indicator, switchable mic\/line or hi-z instrument, switchable +48V phantom power, switchable input phase and switchable 20dB pad.\u003c\/p\u003e\n\u003cp\u003eThe Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference.  The attention to detail extends to the internal components, which include gold bifurcated contacts on all relay switching.\u003c\/p\u003e\n\u003cp\u003eBoth the 91579B FETII and the 52270B MicPre\/EQ require the PS4 outboard power supply.  Up to four of these units can be powered from one PS4.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449241759847,"sku":"4707","price":2099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_micpre_iv.jpg?v=1787088276"},{"product_id":"daking-mic-pre-eq","title":"Daking Mic Pre\/EQ","description":"\u003cp\u003eThe \u003cstrong\u003eDaking Products 52270C Mic Pre\/EQ\u003c\/strong\u003e is a mono mic preamp with all discrete transistor circuitry transformer balanced inputs and outputs Class \"A\" amplifiers. Five stepped frequencies per band.  Continuously variable boost and cut.  All relay switching with gold bi-furcated contacts Switchable Phantom power 20db pad on mic input.  Steel construction for strength and noise immunity.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eAll relay switching w\/gold bi-furcated contacts \u003c\/li\u003e\n\u003cli\u003eSwitched +48v Phantom power \u003c\/li\u003e\n\u003cli\u003eRemoteable Mute and Bypass \u003c\/li\u003e\n\u003cli\u003e20dB pad on mic input \u003c\/li\u003e\n\u003cli\u003eStainless steel construction for noise immunity \u003c\/li\u003e\n\u003cli\u003eAluminum knobs \u003c\/li\u003e\n\u003cli\u003eOutput level control before last stage of gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe supplied universal power supply can operate at any voltage for use worldwide.\u003cspan style=\"font-family: 'Times New Roman'; font-size: small;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449241825383,"sku":"327","price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_micpre_eq.jpg?v=1787088276"},{"product_id":"daking-psa","title":"Daking PSA","description":"\u003cp\u003eThe\u003cstrong\u003e Daking PSA \u003c\/strong\u003eis D Sub connector Power Supply for the Daking \u003cspan\u003eMic Pre EQ, FET2.\u003c\/span\u003e\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449312374887,"sku":"11692","price":67.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_psa.jpg?v=1787088511"},{"product_id":"daking-psb","title":"Daking PSB","description":"\u003cp\u003eThe \u003cstrong\u003eDaking PSB\u003c\/strong\u003e is a DIN connector power supply for the Daking \u003cspan\u003eMic Pre 4, Mic Pre 1, FET3.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449312342119,"sku":"11693","price":67.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_psb_c8446a7b-87e8-4bb4-989d-10a05e3dc995.jpg?v=1787088511"},{"product_id":"daking-mic-pre-500","title":"Daking Mic Pre 500","description":"\u003cp\u003eDerived from the company's Mic Pre One freestanding unit, the \u003cspan style=\"font-weight: bold;\"\u003eDaking Mic Pre 500\u003c\/span\u003e is designed for installation in 500 Series format equipment.  The mic pre features switchable phase, 20 dB mic input pad, +48V phantom power, and a selectable quarter-inch line\/hi-z instrument input.\u003cbr\u003e \u003cbr\u003e Like the Mic-Pre One, the Mic Pre 500 shares the gain structure and Class A, fully-discrete transistor circuitry design of Daking's popular Mic Pre IV.  The front panel controls include a variable high-pass filter (0-200 Hz) as well as continuously variable input gain.  It also includes an eight-segment tri-color LED meter with simultaneous VU and Peak is included.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449344094311,"sku":"16363","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_micpre_500_1.jpg?v=1787088636"},{"product_id":"daking-fet-iii-stereo-compressor-demo-deal","title":"Daking FET III Stereo Compressor (Demo Deal)","description":"The \u003cb\u003eDaking FET III\u003c\/b\u003e is the new dual channel limiter from Geoff Daking, built in the US with the same audio path and detector circuits as the highly successful single channel Daking FET II limiter. The FET III compressor circuitry and gain stages are akk discrete and fully Class \"A\" with sound quality that will be at the very top of the scale. The previous single Channel FET II was known for its speed, high performance and its unique ability to sound good and extraordinary variety of sources. The FET III will equal this benchmark plus add several unique features to improve user control. \u003cbr\u003e\u003cbr\u003e New variable High Pass Filters from 0-200HZ are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the units potential application set and the ability of the user to set this new behavior \"on the fly\". Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The Stereo Link is continuously variable from 0-infinite. \u003cbr\u003e\u003cbr\u003e All controls except \"Ratio\" are pots. The new variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking Product line. \u003cbr\u003e\u003cbr\u003e The FET II's relied on control voltage summing for the stereo linking. Because the FET III is two independent units in one box, it used audio summing, which is much more accurate. \u003cbr\u003e\u003cbr\u003e The Daking FET III uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not \"color\" the sound. A mic input transformer at 1:10 ratio in a mic pre \u003ci\u003ewould\u003c\/i\u003ecolor the sound significantly. The common mode rejection in FET III is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30. \u003cbr\u003e\u003cbr\u003e The FET III and FET II both use an outboard power supply. The FET II RU case provides a small pocket in the back panel to store this external power supply. The unit is fully RoHS compliant.","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449362149479,"sku":"14126","price":1650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_fetiii_1.jpg?v=1787088712"},{"product_id":"daking-mic-pre-one-demo-deal","title":"Daking Mic Pre One (Demo Deal)","description":"Sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the \u003cb\u003eMic Pre One\u003c\/b\u003e additionally features a unique variable high-pass filter and ships in a freestanding 'DI-style' steel enclosure, ensuring both strength and noise immunity. \u003cbr\u003e\u003cbr\u003eEssentially a single channel of the Mic Pre IV, the Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1\/4-inch line\/hi-z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain, which is complemented by a full-width, twenty-segment bi-color LED meter. The rear of the unit offers a Jensen transformer-isolated mic input and fully-balanced XLR output, plus a 1\/4-inch line output. A fourth connector introduces DC power from the external power supply to the unit. \u003cbr\u003e\u003cbr\u003eNoted Brad Lunde, president of TransAudio Group, \"This Mic Pre One is the very definition of value - a Daking-designed high-end mic pre for those who only need one channel. It's ideal for pros on tour and studios that seek to locate the mic pre in the vocal booth for short cable runs. Small project studios on a limited budget, can now use the same high-end sounding gear as the pros.\"","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449362182247,"sku":"14125","price":719.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_micpre_one_1.jpg?v=1787088711"},{"product_id":"daking-fet-ii-compressor-limiter-2391-used","title":"Daking FET II Compressor\/Limiter #2391 (Used)","description":"The \u003cb\u003eDaking FET Compressor II\u003c\/b\u003e, an updated version of the renowned Daking FET Compressor, features a new internal switch to facilitate active use of the gain makeup pot for console applications and also to fully bypass in line level rig application. \u003cbr\u003e\n \u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eLike its predecessor, it also includes\u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003eAll discrete transistor circuitry transformer balanced inputs and outputs Class \"A\" amplifiers.\n\n\u003c\/li\u003e\n\u003cli\u003eAll discrete transistor circuitry\n\u003c\/li\u003e\n\u003cli\u003eTransformer balanced inputs and output\n\u003c\/li\u003e\n\u003cli\u003eClass \"A\" amplifiers\n\u003c\/li\u003e\n\u003cli\u003eAll parameters switch selectable \u0026amp; repeatable\n\u003c\/li\u003e\n\u003cli\u003eThreshold adjustable from -10 to +10 in 2dB steps\n\u003c\/li\u003e\n\u003cli\u003eRatios: 1.5:1 2:1, 3:1, 5:1, 10:1 and 20:1\n\u003c\/li\u003e\n\u003cli\u003eAttack 250 microseconds to 63 milliseconds\n\u003c\/li\u003e\n\u003cli\u003eSeven release time constants: \u003cbr\u003e\nA. .5 · B. 1 · C. 1.5\u003cbr\u003e\nD. Neve 33609 Auto\u003cbr\u003e\nE. A\u0026amp;D Compex Auto\u003cbr\u003e\nF. Fairchild 670 #5\u003cbr\u003e\nG. Fairchild 670 #6\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMake up gain: 0 to 11dB in 1db steps\n\u003c\/li\u003e\n\u003cli\u003eThree function vu meter:\u003cbr\u003e\nInput\/Output\/Gain Reduction\n\u003c\/li\u003e\n\u003cli\u003eTwo Inputs:\u003cbr\u003e\nA. XLR +4dbm transformer balanced\u003cbr\u003e\nB. 1\/4 TRS - 10dB transformer balanced\n\n\u003c\/li\u003e\n\u003c\/ul\u003e\nMono in operation, it has a link feature for using two together in stereo operation.\u003cbr\u003e\u003cbr\u003eInsiders say: Fast and sweet, this compressor will soon become one of your favorites! Many find it to be the most flexible and useful compressor they own.\u003cbr\u003e\u003cbr\u003eThe supplied universal power supply can operate at any voltage for use worldwide.","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449475002471,"sku":"22387","price":1095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_products_fet_ii_zoom_cfa1801d-6861-4e34-8e2c-f3c19db3e706.jpg?v=1787089096"},{"product_id":"daking-eq-500","title":"Daking EQ 500","description":"\u003cp\u003eThe \u003cstrong\u003eDaking EQ 500\u003c\/strong\u003e is an inductor-based parametric equalizer designed for the 500 Series format.\u003cbr\u003e\u003cbr\u003eBased   on the renowned EQ section of the Daking Mic Pre EQ, its four bands   have all the frequencies that a mixing or tracking engineer will   typically find to be his or her \"go-to\" frequencies. Each band has an   \"out\" position, rather than relying on center detent pots, which are   typically less accurate than a simple bypass.\u003cbr\u003e\u003cbr\u003eEasy to use, and famously \"sweet\" sounding, the Daking EQ 500 is the perfect addition to your 500 Series rack.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449482244199,"sku":"29982","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_eq_500_41215277-b8d5-4e9a-8826-8378e42c4fd1.jpg?v=1787089127"},{"product_id":"daking-comp-500","title":"Daking Comp 500","description":"\u003cp\u003eThe \u003cstrong\u003eDaking Comp 500\u003c\/strong\u003e is a simple to use VCA compressor\/ limiter in a 500 Series format. Although it is a VCA, it behaves and sounds much like the FET circuitry found in the other Daking compressors.  Relying on his years of experience and testing, Geoff has designed a simple semi-automatic compressor useful for both tracking and mixing.\u003cbr\u003e\u003cbr\u003eThe compression is set with one knob – less compression or more compression. Attack is switchable between fast and slow, and release is switchable between fast and auto. The compression ratio is about 4:1 (comp) or 20+:1 (limit).\u003cbr\u003e\u003cbr\u003eThe stereo link is very accurate and can link up to six units if necessary.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449482309735,"sku":"29981","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking_comp_500_70249a63-634a-4eb0-b143-f30131dcb90a.jpg?v=1787089128"},{"product_id":"daking-52270b-mic-pre-eq-used","title":"Daking 52270B Mic Pre\/EQ Pair (Used)","description":"The \u003cb\u003eDaking Products 52270B Mic Pre\/EQ\u003c\/b\u003e is a mono mic preamp with  all discrete transistor circuitry transformer balanced inputs and  outputs. Class \"A\" amplifiers. 5 Stepped frequencies per band.  Continuously variable boost and cut. All relay switching with gold  bi-furcated contacts Switchable Phantom power 20db pad on mic input.  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Configured for four microphone inputs or four line inputs from XLR\/TRS Neutrik combo jacks on the back, plus four line inputs (+10 to -50) or 1\/4 hi-z instrument inputs on the front, the Mic-Pre IV utilizes all discrete Class A circuitry with transformer-balanced inputs and outputs. The new Mic-Pre IV from Geoffrey Daking \u0026amp; Co. is the latest example of exemplary audio quality and craftsmanship in the tradition of the great British console manufacturers. \u003c\/p\u003e\u003cp\u003eThe latest addition to the company's range of professional recording studio products, the Daking Mic-Pre IV is a highly cost-effective solution for high-end preamps to be used in studio or live applications. Used standalone or in conjunction with a console, each input offers continuously variable gain control using Daking's signature aluminum knobs, a 20-segment LED level meter with +24db peak indicator, switchable mic\/line or hi-z instrument, switchable +48V phantom power, switchable input phase and switchable 20dB pad. \u003c\/p\u003e\u003cp\u003eThe Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. 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It also includes an eight-segment tri-color LED meter with simultaneous VU and Peak is included.","brand":"Daking","offers":[{"title":"Default Title","offer_id":44449562460263,"sku":"33955","price":525.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_33955_1_93d2b91e-b523-44dd-a895-064c8ee928b4.jpg?v=1787089470"},{"product_id":"daking-mic-pre-500-25173-used","title":"Daking Mic Pre 500 #25173 (Used)","description":"Derived from the company's Mic Pre One freestanding unit, the \u003cstrong\u003eDaking Mic Pre 500\u003c\/strong\u003e is designed for installation in 500 Series format equipment. The new mic pre features switchable phase, 20 dB mic input pad, +48V phantom power, and a selectable quarter-inch line\/hi-z instrument input.\u003cbr\u003e \u003cbr\u003e Like the Mic-Pre One, the Mic Pre 500 shares the gain structure and Class A, fully-discrete transistor circuitry design of Daking's popular Mic Pre IV. 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The previous single Channel FET II was known for its speed, high performance and its unique ability to sound good and extraordinary variety of sources. The FET III will equal this benchmark plus add several unique features to improve user control. \u003cbr\u003e\u003cbr\u003e New variable High Pass Filters from 0-200HZ are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the units potential application set and the ability of the user to set this new behavior \"on the fly\". Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The Stereo Link is continuously variable from 0-infinite. \u003cbr\u003e\u003cbr\u003e All controls except \"Ratio\" are pots. The new variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking Product line. \u003cbr\u003e\u003cbr\u003e The FET II's relied on control voltage summing for the stereo linking. Because the FET III is two independent units in one box, it used audio summing, which is much more accurate. \u003cbr\u003e\u003cbr\u003e The Daking FET III uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not \"color\" the sound. A mic input transformer at 1:10 ratio in a mic pre \u003ci\u003ewould\u003c\/i\u003ecolor the sound significantly. The common mode rejection in FET III is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30. \u003cbr\u003e\u003cbr\u003e The FET III and FET II both use an outboard power supply. 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The FET III compressor circuitry and gain stages are akk discrete and fully Class \"A\" with sound quality that will be at the very top of the scale. The previous single Channel FET II was known for its speed, high performance and its unique ability to sound good and extraordinary variety of sources. The FET III will equal this benchmark plus add several unique features to improve user control. \u003cbr\u003e\u003cbr\u003e New variable High Pass Filters from 0-200HZ are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the units potential application set and the ability of the user to set this new behavior \"on the fly\". Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The Stereo Link is continuously variable from 0-infinite. \u003cbr\u003e\u003cbr\u003e All controls except \"Ratio\" are pots. The new variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking Product line. \u003cbr\u003e\u003cbr\u003e The FET II's relied on control voltage summing for the stereo linking. Because the FET III is two independent units in one box, it used audio summing, which is much more accurate. \u003cbr\u003e\u003cbr\u003e The Daking FET III uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not \"color\" the sound. 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Separate mic and line inputs can be selected from the front panel \"line\" switch without changing wires in back. Both inputs are combo XLR\/ 1\/4 in TRS. High gain of 70dB handles all types of mics from ribbons to dynamics and condensers. Switched phantom enables secure ribbon mic use and 20dB pad switch prevents overload on high output condensers mics. 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Used standalone or in conjunction with a console, each input offers continuously variable gain control using Daking's signature aluminum knobs, a 20-segment LED level meter with +24 dB peak indicator, switchable mic\/line or hi-z instrument, switchable +48V phantom power, switchable input phase and switchable 20dB pad. \u003c\/p\u003e\u003cp\u003eThe Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. 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Used standalone or in conjunction with a console, each input offers a stepped (5 dB) gain control using Daking’s signature aluminum knobs, a 20-segment LED level meter with +24 dB peak indicator, switchable mic\/line or hi-z instrument, switchable +48 V phantom power, switchable input phase and switchable 20 dB pad.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. The attention to detail extends to the internal components, which include gold bifurcated contacts on all relay switching. The supplied universal power supply can operate at any voltage for use worldwide.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450376384615,"sku":"113792","price":2149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-mic-pre-iv_113792_1_6bab50ee-3c8c-433e-90db-d26e87fb053b.jpg?v=1787092807"},{"product_id":"daking-mic-pre-eq-b","title":"Daking Mic Preamp\/EQ MKII","description":"\u003cp\u003eThe \u003cstrong\u003eDaking Mic Pre\/EQ MkII\u003c\/strong\u003e is a single channel high end, all discrete Class A transformer balanced (input and output) unit that combines a great mic pre and world-class EQ in one single rack unit. Separate mic and line inputs can be selected from the front panel “line” switch without changing wires in back. Both inputs are combo XLR\/1\/4-inch TRS. High gain of 70 dB handles all types of mics from ribbons to dynamics and condensers. Switched phantom enables secure ribbon mic use and 20 dB pad switch prevents overload on high output condensers mics. Front panel Phase switch for inverting input phase and large overall mute button and bypass button help the workflow.\u003c\/p\u003e\r\n\u003cp\u003eGeoff Daking’s famous Mic Pre EQ has four (4) individual EQ bands and five (5) Stepped frequencies per band with frequencies specially chosen for effective results. This is thought to be some of the best EQ available for tracking, mixing or mastering. Continuously variable EQ boost or cut of 15 dB. 25 Hz High Pass 6 db\/octave filter for getting rid of low-end rumble that ruins tracks and 12 dB per octave Low Pass filter at 15 kHz helps get rid of extreme top end edginess. Separate overall output level control makes up gain lost in extensive EQ cuts. All relay switching with gold bi-furcated contacts for long term life. Steel construction for strength and noise immunity. An outboard “inline” universal power supply remotes the power to keep the noise floor low.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450376417383,"sku":"113791","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-mic-pre-eq-b_113791_1_1ac3a70b-7c87-4562-8c43-9ea9968b80fb.jpg?v=1787092807"},{"product_id":"daking-fet-3-b","title":"Daking FET IIIB Stereo FET Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eDaking FET III\u003c\/strong\u003e is a dual channel limiter from Geoff Daking, built in the US with the same audio path and detector circuits as the highly successful single channel Daking FET II limiter. The FET III compressor circuitry and gain stages are all discrete and fully Class “A” with sound quality that will be at the very top of the scale. The single channel FET II was known for its speed, high performance and its unique ability to sound great on an extraordinary variety of sources. The FET III will equal this benchmark plus add several unique features to improve user control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNew variable High Pass Filters from 0 to 200 Hz are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF’s tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the units potential application set and the ability of the user to set this new behavior on the fly.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVariable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The Stereo Link is continuously variable from 0 to ?.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll controls except “Ratio” are pots. The new variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking product line.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FET II’s relied on control voltage summing for the stereo linking. Because the FET III is two independent units in one box, it uses audio summing, which is much more accurate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Daking FET III uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not “color” the sound. (A mic input transformer at 1:10 ratio in a mic pre would color the sound significantly.) The common mode rejection in FET III is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FET III and FET II both use an outboard power supply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe unit is fully RoHs compliant.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450376482919,"sku":"113789","price":1849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-fet-iiib_113789_1_fa40a46d-f833-4ee0-bb2c-6ad537fd86d7.jpg?v=1787092807"},{"product_id":"daking-fet-iii-stereo-compressor-limiter-21350-used","title":"Daking FET III Stereo Compressor\/Limiter #21350 (Used)","description":"The \u003cstrong\u003eDaking FET III\u003c\/strong\u003e is the new dual channel limiter from Geoff Daking, built in the US with the same audio path and detector circuits as the highly successful single channel Daking FET II limiter. \u003cbr\u003e\u003cbr\u003eThe FET III compressor circuitry and gain stages are all discrete and fully Class \"A\" with sound quality that will be at the very top of the scale. The previous single Channel FET II was known for its speed, high performance and its unique ability to sound good on an extraordinary variety of sources. The FET III will equal this benchmark plus add several unique features to improve user control. \u003cbr\u003e\u003cbr\u003e New variable High Pass Filters from 0-200HZ are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the units potential application set and the ability of the user to set this new behavior \"on the fly\". Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The Stereo Link is continuously variable from 0-infinite. \u003cbr\u003e\u003cbr\u003e All controls except \"Ratio\" are pots. The new variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking Product line. \u003cbr\u003e\u003cbr\u003e The FET II's relied on control voltage summing for the stereo linking. Because the FET III is two independent units in one box, it used audio summing, which is much more accurate. \u003cbr\u003e The Daking FET III uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not \"color\" the sound. A mic input transformer at 1:10 ratio in a Mic Pre would color the sound significantly. The common mode rejection in FET III is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30. \u003cbr\u003e The FET III and FET II both use an outboard power supply. The FET II RU case provides a small pocket in the back panel to store this external power supply. The unit is fully RoHS compliant.","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450396733543,"sku":"113202","price":1095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-fet-iii-stereo-compressor-limiter-21350-used_113202_1_210b4019-d0dc-4924-9edf-ea25b902bb7f.jpg?v=1787092894"},{"product_id":"daking-fet-iii-stereo-compressor-limiter-22796-used","title":"Daking FET III Stereo Compressor\/Limiter #22796 (Used)","description":"The \u003cstrong\u003eDaking FET III\u003c\/strong\u003e is the new dual channel limiter from Geoff Daking, built in the US with the same audio path and detector circuits as the highly successful single channel Daking FET II limiter. \u003cbr\u003e\u003cbr\u003eThe FET III compressor circuitry and gain stages are all discrete and fully Class \"A\" with sound quality that will be at the very top of the scale. The previous single Channel FET II was known for its speed, high performance and its unique ability to sound good on an extraordinary variety of sources. The FET III will equal this benchmark plus add several unique features to improve user control. \u003cbr\u003e\u003cbr\u003e New variable High Pass Filters from 0-200HZ are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the units potential application set and the ability of the user to set this new behavior \"on the fly\". Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The Stereo Link is continuously variable from 0-infinite. \u003cbr\u003e\u003cbr\u003e All controls except \"Ratio\" are pots. The new variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking Product line. \u003cbr\u003e\u003cbr\u003e The FET II's relied on control voltage summing for the stereo linking. Because the FET III is two independent units in one box, it used audio summing, which is much more accurate. \u003cbr\u003e The Daking FET III uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not \"color\" the sound. A mic input transformer at 1:10 ratio in a Mic Pre would color the sound significantly. The common mode rejection in FET III is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30. \u003cbr\u003e The FET III and FET II both use an outboard power supply. The FET II RU case provides a small pocket in the back panel to store this external power supply. The unit is fully RoHS compliant.","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450449522791,"sku":"122275","price":1095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-fet-iii-stereo-compressor-limiter-22796-used_122275_1_a44a794b-37c4-4f74-a74e-c14e6d3ed575.jpg?v=1787093111"},{"product_id":"daking-mic-pre-ii-mic-preamplifier-21877-used","title":"Daking Mic Pre II Mic Preamplifier #21877 (Used)","description":"\u003cp\u003eThe Daking Mic Pre II essentially combines two of Daking’s celebrated stand-alone Mic Pre One units in a 1U unit. Like the Mic Pre One, the Mic Pre EQ, and the Mic Pre IV, the Daking Mic Pre II circuitry is based on a classic console design of the 80s with some upgrades: variable high-pass filters on each channel, Jensen input transformers, Class A amplification, extremely high headroom (+24) and a single-sided 48 V power supply.\u003c\/p\u003e\u003cp\u003eIn addition to the features mentioned above, the Daking Mic Pre II has 70 dB of gain, switchable polarity, a 20 segment combo VU and \"peak hold\" LED meter, a 20 dB pad with constant reflected impedance, switchable phantom power, direct 1\/4 inch instrument inputs on the front panel, and balanced XLR and ¼ inch outputs.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450584920167,"sku":"137861","price":775.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-mic-pre-ii-mic-preamplifier-21877-used_137861_1_153ee49b-902c-471a-85b5-90a70245e79e.jpg?v=1787093644"},{"product_id":"daking-comp-ii-stereo-vca-compressor","title":"Daking COMP II Stereo VCA Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eDaking COMP II\u003c\/strong\u003e is a handmade compressor\/limiter designed to be easy to use and sound like much more expensive comp\/limiters. Built right here in the USA, it offers better sounding compression on all kinds of sources in the studio. Whether in the hands of a highly experienced engineer who needs fast workflow, or a novice who is not sure how to best set up a compressor, the COMP II gives professional results without a big learning curve.\u003c\/p\u003e\r\n\u003cp\u003eWith big old-style analog meters and a simple setup, the COMP II is easy to understand and easy to use. Designed carefully by Geoff Daking and Dave Thibodeau to behave well on a variety of real in-studio applications, it may challenge your notions of how good a two-knob compressor can be.\u003c\/p\u003e\r\n\u003cp\u003eThe two channel, electronically balanced COMP II, can operate in dual mono or stereo linked mode for a beautiful stereo image. In dual mono it acts like two independent mono compressors for use on two different - perhaps unrelated - sources. There is no master channel in stereo mode. Each channel retains its independent control.\u003c\/p\u003e\r\n\u003cp\u003eThe Daking Comp II is a complex design that employs a unique method of gain reduction using a VCA like a FET. This maintains the unique Daking sound of legacy compressors. Unlike most VCA designs, ours uses feedback gain reduction, a peak detector and an all-discrete Class A follower.\u003c\/p\u003e\r\n\u003cp\u003eThe outboard power supply makes sure this unit is quiet and usable around the world on any voltage. Switches are illuminated, making it easy to see what’s “on” in a dark room. The rear panel offers XLR electronically balanced inputs and electronically balanced XLR\/¼” TRS outputs.\u003c\/p\u003e\r\n\u003cp\u003ePurely analog, it’s so easy to get a sound you love. This compressor may easily become your favorite.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eVariable Parameters:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThreshold: Determines the level at which the compressor begins to work\u003c\/li\u003e\r\n\u003cli\u003eRatio: The slope of the gain reduction, compress is a low ratio good for general gain reduction, while Limit presents more of a “brick wall” to the signal\u003c\/li\u003e\r\n\u003cli\u003eAttack: The speed with which the compressor begins to react, slow allows transients, like the attack of drums, to pass while compressing the back end, fast will remove transients\u003c\/li\u003e\r\n\u003cli\u003eRelease: Determines how quickly the compressor \"lets go,\" fast is self-explanatory; Auto reacts to both the level of the signal and it’s duration; Small peaks will release quickly, while long and loud signals will release much more slowly\u003c\/li\u003e\r\n\u003cli\u003eMake-up Gain: Compensates for any gain lost in compression - for serious rock stars, note the output goes to 11!\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450587869287,"sku":"140020","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-comp-ii_140020_1.jpg?v=1787093656"},{"product_id":"daking-comp-iit-stereo-vca-compressor-with-jensen-transformers","title":"Daking COMP IIT Stereo VCA Compressor with Jensen Transformers","description":"\u003cp\u003eThe \u003cstrong\u003eDaking COMP IIT\u003c\/strong\u003e is a handmade compressor\/limiter designed to be easy to use and sound like much more expensive comp\/limiters. Built right here in the USA, it offers better sounding compression on all kinds of sources in the studio. The COMP IIT features Jensen transformers on both the input and output which feature lower distortion, adding subtle color and providing that much sought after analog “glue” when used on stereo sources. Whether in the hands of a highly experienced engineer who needs fast workflow, or a novice who is not sure how to best set up a compressor, the COMP IIT gives professional results without a big learning curve.\u003c\/p\u003e\r\n\u003cp\u003eWith big old-style analog meters and a simple setup, the COMP IIT is easy to understand and easy to use. Designed carefully by Geoff Daking and Dave Thibodeau to behave well on a variety of real in-studio applications, it may challenge your notions of how good a two-knob compressor can be.\u003c\/p\u003e\r\n\u003cp\u003eThe two channel COMP IIT can operate in dual mono or stereo linked mode for a beautiful stereo image. In dual mono it acts like two independent mono compressors for use on two different - perhaps unrelated - sources. There is no master channel in stereo mode. Each channel retains its independent control.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eVariable Parameters\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eCompression\/Threshold\u003c\/strong\u003e: Determines the level at which the compressor begins to work.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e: The slope of the gain reduction. Compress is a low ratio good for general gain reduction, while Limit presents more of a “brick wall” to the signal.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e: The speed with which the compressor begins to react. Slow allows transients, like the attack of drums, to pass while compressing the back end. Fast will remove transients.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e: Determines how quickly the compressor “lets go”. Fast is self-explanatory. Auto reacts to both the level of the signal and it’s duration. Small peaks will release quickly, while long and loud signals will release much more slowly. Combinations of Attack, Release and Ratio will create different effects. The most natural will be Compress\/Slow\/Auto. The most aggressive will be Limit\/Fast\/Fast.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMake-up Gain\u003c\/strong\u003e: Compensates for any gain lost in compression. For serious rock stars, note the output goes to 11!\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eWhy it’s Different\u003c\/h3\u003e\r\n\u003cp\u003eThe Daking Comp IIT is a complex design that employs a unique method of gain reduction using a VCA like a FET. This maintains the unique Daking sound of our legacy compressors. Unlike most VCA designs, ours uses feedback gain reduction, a peak detector and an all-discrete Class A follower. The Jensen transformers add some subtle analog color.\u003c\/p\u003e\r\n\u003cp\u003eThe outboard power supply makes sure this unit is quiet and usable around the world on any voltage. Switches are illuminated, making it easy to see what’s “on” in a dark room. The rear panel offers XLR inputs and XLR\/1⁄4” TRS outputs.\u003c\/p\u003e\r\n\u003cp\u003ePurely analog, it’s so easy to get a sound you love. This compressor may easily become your favorite.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInput: XLR (x2)\u003c\/li\u003e\r\n\u003cli\u003eOutput XLR (x2), TRS (x2)\u003c\/li\u003e\r\n\u003cli\u003eJensen Transformers on input and output\u003c\/li\u003e\r\n\u003cli\u003eClass “A” amplifier for make-up gain\u003c\/li\u003e\r\n\u003cli\u003eAll metal construction with stainless steel chassis for noise immunity\u003c\/li\u003e\r\n\u003cli\u003eCustom aluminum knobs\u003c\/li\u003e\r\n\u003cli\u003ePower supply included\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 20Hz-65kHz\u003c\/li\u003e\r\n\u003cli\u003eTHD at +4dBu input and no compression at 1kHz: Typical 0.02%, Max 0.035% (22-22kHz, Un-Wtd)\u003c\/li\u003e\r\n\u003cli\u003eTHD at +4dBu input and 2dB of compression at 1kHz: Typical 0.02%, Max 0.035% (22-22kHz, Un-Wtd)\u003c\/li\u003e\r\n\u003cli\u003eNoise: less than -80dBu, 22-22kHz\u003c\/li\u003e\r\n\u003cli\u003e1U 19” rack-mount\u003c\/li\u003e\r\n\u003cli\u003eUnit weight: 6.25 lbs (2.83 kg)\u003c\/li\u003e\r\n\u003cli\u003eUnit dimensions: L front: 19in (48.26cm) L rear: 17in (43.18cm) W: 8.375in (21.27cm)\u003c\/li\u003e\r\n\u003cli\u003eH: 1.625in (4.13cm)\u003c\/li\u003e\r\n\u003cli\u003eBox weight: 9.5 lbs (4.31 kg)\u003c\/li\u003e\r\n\u003cli\u003eBox dimensions: L: 29in (73.66cm) W: 14 in (35.56cm) H: 6 in (15.24cm)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450605924455,"sku":"143642","price":2299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-comp-iit_143642_1_3d828d01-9c4a-47af-9c5b-a07843e7f84f.jpg?v=1787093731"},{"product_id":"daking-mic-pre-ii-demo-deal","title":"Daking Mic Pre II (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eDaking Mic Pre II\u003c\/strong\u003e essentially combines two of Daking’s celebrated stand-alone Mic Pre One units in a 1U unit. Like the Mic Pre One, the Mic Pre EQ, and the Mic Pre IV, the Daking Mic Pre II circuitry is based on a classic console design of the 80s with some upgrades: variable high-pass filters on each channel, Jensen input transformers, Class A amplification, extremely high headroom (+24) and a single-sided 48 V power supply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the features mentioned above, the Daking Mic Pre II has 70 dB of gain, switchable polarity, a 20 segment combo VU and “peak hold” LED meter, a 20 dB pad with constant reflected impedance, switchable phantom power, direct 1\/4 inch instrument inputs on the front panel, and balanced XLR and ¼ inch outputs.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450608152679,"sku":"143397","price":1266.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-mic-pre-ii_97372_1_1_1_2058791c-e51b-4776-9ced-e2b55b712cd5.jpg?v=1787093742"},{"product_id":"daking-mic-preamp-eq-b-demo-deal","title":"Daking Mic Preamp\/EQ B (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eDaking Mic Pre\/EQ\u003c\/strong\u003e is a single channel high end, all discrete Class A transformer balanced (input and output) unit that combines a great mic pre and world class EQ in one single rack unit. Separate mic and line inputs can be selected from the front panel “line” switch without changing wires in back. Both inputs are combo XLR\/1\/4-inch TRS. High gain of 70 dB handles all types of mics from ribbons to dynamics and condensers. Switched phantom enables secure ribbon mic use and 20 dB pad switch prevents overload on high output condensers mics. Front panel Phase switch for inverting input phase and large overall mute button and bypass button help the work flow.\u003c\/p\u003e\r\n\u003cp\u003eGeoff Daking’s famous Mic Pre EQ has four (4) individual EQ bands and five (5) Stepped frequencies per band with frequencies specially chosen for effective results. This is thought to be some of the best EQ available for tracking, mixing or mastering. Continuously variable EQ boost or cut of 15 dB. 25 Hz High Pass 6 db\/octave filter for getting rid of low end rumble that ruins tracks and 12 dB per octave Low Pass filter at 15 kHz helps get rid of extreme top end edginess. Separate overall output level control makes up gain lost in extensive EQ cuts. All relay switching with gold bi-furcated contacts for long term life. Steel construction for strength and noise immunity. An outboard “in line” universal power supply remotes the power to keep the noise floor low.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"Default Title","offer_id":44450637774951,"sku":"147055","price":1319.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/daking-mic-pre-eq-b_113791_1_1_f6df4379-20fe-4652-bb00-9e27f3c1b8b2.jpg?v=1787093862"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/daking.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}