{"title":"Deals","description":null,"products":[{"product_id":"focal-twin6-be-single-red","title":"Focal Twin6 Be - Single, Red","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocal Twin6 Be\u003c\/span\u003e is an active, three-way, professional near-field\/midfield speaker (three built-in amplifiers - 2x150 +100W rms), comprised of two 6.5\" (16.5cm) “W” cone sandwich composite drivers, loaded by two large section laminar bass ports and a Focal inverted dome pure Beryllium tweeter.  Both 6.5” drivers handle low frequencies but only one of the two is passing lo-mid frequencies.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAbout Focal Professional Studio Monitors\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eListen to your music, not to your speakers\u003c\/span\u003e\u003cbr\u003eThese few words embody the philosophy of the Focal Professional Division.  It is crucial for engineers, be it in music production, post-production or broadcast, to be able to completely trust what they are hearing.  Our products are designed from the ground up to be professional tools that reproduce the reality of sound without enhancements or degradations.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecific tools for specific needs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eA speaker that “reveals”\u003c\/span\u003e\u003cbr\u003eA tracking engineer needs to be able to capture the exact tone of the instrument he’s recording with his microphones; he needs to discern the slightest shift in microphone position, EQ, or compression on his monitors.  A mixing engineer needs to be able to place various instruments and vocals in his mix with precision.  The smallest details need to come out clearly on his monitors, i.e., reverbs and spaces, and they need to be reproduced at their proper levels without any artificial alteration of the soundstage.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eA speaker that “translates”\u003c\/span\u003e\u003cbr\u003eThe mixing engineer also needs to be able to make sure that his mix sounds as good on other speaker systems in other environments.  Usually, when a mix is done, the engineer will make a copy of it and go listen to it in a car or on a boom box, just to make sure that everything sounds the same everywhere.  In essence, the engineer wants to make sure his mix translates well everywhere it gets listened to.  A completely transparent speaker, that doesn’t impart a “color” to the sound, is the best way to insure perfect mix translation.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eOur Speakers “reveal” and “translate” better than others. 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Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines.\u003cbr\u003e\u003cbr\u003eIt comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. 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The \u003cstrong\u003eATC SCM25A Pro\u003c\/strong\u003e also features a 7” bass driver to deliver an extended low frequency response. Designed for near or mid-field monitoring, the SCM25A Pros are perfect for professional producers, engineers and artists.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe SCM25A Pro is the smallest in the SCM Series and features a 25 mm neodymium soft dome tweeter, a hand-built 3” soft dome mid driver, and a hand-built 7˝ carbon-paper cone bass driver. The built-in 235 W class A\/B 3-way amplifier delivers a crystal-clear frequency response even at high volumes. SCM Series monitors undergo individual frequency, gain and phase optimization at the ATC manufacturing facility.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eONE OF A KIND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUnlike most studio monitors, the SCM Series monitors aren’t going to make your music sound better, they’re going to point out every little flaw in your mix, and that’s the point. 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Equipped with a massive 15-inch Super Linear bass driver and a class-leading 450 watt Class G amplifier, the SCM0.1\/15ASL delivers rich, powerful low-end up to 118 dB SPL. Stereo XLR inputs and variable gain and frequency controls make the SCM0.1\/15ASL the ultimate subwoofer for professional music and film audio productions.\u003c\/p\u003e\r\n\u003ch3\u003eSUPER LINEAR DRIVER\u003c\/h3\u003e\r\n\u003cp\u003eATC SCM0.1\/15ASL Pro subs are equipped with an unparalleled 15-inch Super Linear bass drivers for thunderous, earth-shattering low-end. Super Linear drivers utilize a proprietary underhung voice coil design for minimal distortion, even at high volume levels. 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The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. 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The Voodoo mics however achieve full frequency response using a new mechanical device (patent pending), designed by Siwei Zou, the company CEO.\u003c\/p\u003e\r\n\u003cp\u003eThis extraordinary technical achievement allows the traditional ribbon capsule to develop and capture frequencies from 20 Hz to 20 kHz like no other ribbon on the planet. The sound is revolutionary; where the RNR1 is simply a stunning mic in its own class entirely, the Voodoo range brings traditional ribbon sound to the project and commercial studio, but extends it to perform as well as most condensers do.\u003c\/p\u003e\r\n\u003cp\u003eThe result is superbly detailed and wonderfully open and natural sounding recordings of acoustic instruments and guitar cabs. The VR2 is an ‘active’ version of the VR1, which is the more traditional ‘passive’ ribbon design. 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The API 512c also offers high headroom, with 65dB of gain on the mic preamp and 50dB on the line\/instrument side.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular for its remarkable versatility\u003c\/strong\u003e\u003cbr\u003eThe API 512c is possibly most noted for its versatility, just like the front end of the original API consoles that somehow sounded incredible no matter the application. You can get a huge, open vocal sound with the 512c, or use it for a certain \"pop\" on just about any source imaginable...cymbals, piano, acoustic guitar. It plays nicely with nearly any mic too. You'll hear the SM57 open up a bit. Or, pair it with your prized large-diaphragm condenser and notice all the details you love, with just the right of complementing color. 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API makes several modules to fit this rack, including the 550A, 550B, 560, 525, and 512C. Like all API products, the 500VPR rack enjoys API's standard 5 year warranty. \u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003eThe 500V can be ordered with an optional 48 volt phantom power supply, bussed to pin 15 for the API 512C to access. It must be noted that the older API 560A series equalizers used pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers. API makes several modules to fit this rack, including the 550B, 560, 525, and 512C. 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An additional \"Ceiling\" fine tune function modifies threshold \u003ci\u003eand\u003c\/i\u003e make-up gain for precise changes in compression without changes in output. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.\u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe API 525 is perhaps the most successful solid state feedback compressor in history. It delivers dynamics control behavior unlike VCA \"feed forward\" compressors so common today. A remarkable multi-function \"ceiling\" control can increase gain reduction (lower threshold) while simultaneously raising output level to match, so the user can alter dynamics \"on the fly\" without level changes. 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Two or more 525s can be linked for multi-channel compression.\u003c\/p\u003e \u003cp\u003eThe 525 Feedback Compressor\/Limiter makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products. \u003c\/p\u003e\u003cp\u003eOriginally released in the 70's, the API 525 is a \"feedback\" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional \"Ceiling\" fine tune function modifies threshold \u003ci\u003eand\u003c\/i\u003e make-up gain for precise changes in compression without changes in output. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.\u003c\/p\u003e \u003cp\u003e\u003capi_warranty\u003e\u003c\/api_warranty\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360248935,"sku":"14219","price":1019.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_525_5_1.jpg?v=1787088703"},{"product_id":"api-527-demo-deal","title":"API 527 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAPI 527\u003c\/span\u003e compressor is a single channel module based on API's 225L discrete channel compressor. The 527 features comprehensive controls including variable attack, release, ratio, and outut gain controls. The unit also includes API's patented 'Thrust' circuit, first offered on the 2500 Stereo Bus Compressor. A 10 segment LED meter is switchable between gain reduction and output level. \u003cp\u003e\"Anyone who has used the 225L compressor found in API consoles has expressed a longing for the same kind of flexibility and control in the 500 Series for some time\" said Larry Droppa, President of API. \"We're delighted to now offer the 527 to complement our vintage 525 compressor, which has been many engineers' favorite compressor over the years.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360281703,"sku":"15618","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_527_3.jpg?v=1787088703"},{"product_id":"api-550a-demo-deal","title":"API 550A (Demo Deal)","description":"Few equalizers enjoy the respect and admiration of the coveted \u003cb\u003eAPI 550A\u003c\/b\u003e. Designed by the now legendary Saul Walker in the late 60's, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today. \u003cbr\u003e\u003cbr\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004. \u003cbr\u003e\u003cbr\u003eThe 550A provides reciprocal equalization at 15 points in 5 steps of boost to a maximum of 12dB of gain at each point. 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Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves, selected through experience by a \"who's who\" list of the industry's most proficient engineers. This re-issue design has been taken from the original blueprints and spec control drawings from the API archives.\u003c\/p\u003e \u003cp\u003eMaking use of \"API Proportional-Q\", a design introduced by API in the 60's, the 550B intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings—without the need for additional bandwidth controls. This feature minimizes the \"phase-shift\" sound found in many equalizers. The reciprocal nature of the 550B enables the user to \"undo\" what has been done previously.\u003c\/p\u003e \u003cp\u003eThe benefits of the API 550B are most obvious to those who work with EQ on a continuous basis. The 550B's ability to affect or reverse tonal modifications is perhaps the most important feature. 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Extremely fast to set and reset using accurate zero detents, the curve-shaping potential of the 560 is unmatched. At home both in field recording and the studio environment, this \"new-old\" version is a re-issue of the original 560 with improved resolution in the critical area of ±4 dB. Incorporating API's exclusive circuitry and proprietary components (such as the legendary 2520 op-amp), the re-issue of the 560 artfully blends the past with present—layout with function. \u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe API 560 was created to fit all applications for the professional engineer. For most of the 70's and 80's, every remote recording console that API manufactured used this versatile graphic EQ. It is also ideal for studio and live sound applications, where a professional result is required. 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With a wider range of 500-series mounting options, the 560 will be a valuable asset to your performance-critical applications.\u003c\/p\u003e \u003cp\u003eThe 560 Graphic Equalizer makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/p\u003e  \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360412775,"sku":"14091","price":879.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_560_3.jpg?v=1787088704"},{"product_id":"audio-accessories-shorti-quick-switch-to-db25-1-5ru-demo-deal","title":"Audio Accessories Shorti Quick-Switch to DB25 (Demo Deal)","description":"The next generation of Shorti Patch bays has arrived; this 2x48 audio patch bay is wired to DB25 connectors. This unit features exceptional flexibility with the \u003cb\u003eAudio Accessories, Inc.\u003c\/b\u003e exclusive Quick-Switch normalling system located on the rear of the panel. The Quick-Switch normalling allows you to set the individual normals on a per jack pair basis. This enables you to full-normal (FN), half-normal (HN) or non-normal (NN) by sliding the switches into the appropriate position. You also have grounding options: isolated, bussed, or grounds vertically strapped (GVS).\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e2x48x1.5RU Mini audio jack panel\u003c\/li\u003e\n\u003cli\u003eTRS out to DB25 female connectors\u003c\/li\u003e\n\u003cli\u003ePinned out for Pro Tools interface\u003c\/li\u003e\n\u003cli\u003eUser-Programmable Normalling\u003c\/li\u003e\n\u003c\/ul\u003e We have an \u003ca href=\"http:\/\/65.61.32.96\/documents\/patch%20bay-template.xls\"\u003eexcel template\u003c\/a\u003e that most people find useful for labeling the db25 shorti.","brand":"Audio Accessories","offers":[{"title":"Default Title","offer_id":44449360805991,"sku":"13970","price":1039.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audio_accessories_shorti_quick-switch_to_db25_1.5ru_1.jpg?v=1787088705"},{"product_id":"avantone-active-mixcubes-cream-pair-demo-deal","title":"Avantone Active MixCubes - Cream, Pair (Demo Deal)","description":"The \u003cb\u003eAvantone Active MixCubes™\u003c\/b\u003e are designed to be high resolution, full-range powered mini-reference monitors for fixed or remote locations.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nThe secondary engineering facet was to create a timeless design that compliments a single full range transducer.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\n\u003cb\u003ePerformance objective\u003c\/b\u003e\r\n\u003cbr\u003e\r\n\r\nStudios primarily use 2-way \u0026amp; 3-way large monitors designed to \r\nrepresent a wide range reference viewpoint at higher listening levels.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nHowever …… in the newly developing age of High Definition Audio, there \r\nis still a need to hear what your mix will sound like when played back \r\nover small “bass-challenged” systems such as televisions, clock radios, \r\ncomputers, car stereos, ipod docking stations, etc.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nIt is important to make mixing judgments based partially on listening to\r\n reference monitors that will not impart tonal anomalies caused by \r\ncrossovers or inferior full range drivers. Particular attention is \r\nalways paid to the critical mid-range vocal\/guitar\/keyboard areas. This \r\nis where having a full-range monitor without a crossover is truly \r\nrevealing.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nMore than twelve months of R\u0026amp;D, comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes™.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nThe result is a very smooth sounding, full range upgrade from those old \r\nfamiliar 5C Sound Cubes™ engineers were so fond of in the 1980’s-1990’s.\r\nListening tests reveal that the MixCubes™ have a smoother midrange, more\r\n accurate, transparent top end response with extended bass while \r\nmaintaining the basic characteristics of those original little cubes\r\n\u003cbr\u003e\u003cbr\u003e\r\n\u003cb\u003eCabinet Design\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eConstructed of non-layered, high rigidity MDF board due to its natural low-resonance characteristics.\r\n\r\n\u003c\/li\u003e\n\u003cli\u003eAll cabinet edges are radiused.\r\n\r\n\u003c\/li\u003e\n\u003cli\u003eElegant Polyurethane high gloss “Butter-Cream” finish\r\n\r\n\u003c\/li\u003e\n\u003cli\u003e7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant acoustic isolator.\r\n\r\n\u003c\/li\u003e\n\u003cli\u003eFor creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e\r\n\u003cul\u003e\n\u003cli\u003eSystem Type: Active (Self-powered) shielded full-range stereo pair  \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 90Hz - 17,000Hz (useful musical range)\u003c\/li\u003e\n\u003cli\u003eDriver Impedance: Nominal 8 ohms\u003c\/li\u003e\n\u003cli\u003eMax SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/li\u003e\n\u003cli\u003eAmplifier Type: Class A\/B\u003c\/li\u003e\n\u003cli\u003eAmplifier Power: 60 watts RMS@ .005% THD (1KHz)   \u003c\/li\u003e\n\u003cli\u003eAmp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/li\u003e\n\u003cli\u003eNoise: S\/N -113 dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/li\u003e\n\u003cli\u003eDriver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/li\u003e\n\u003cli\u003eCabinet: Sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/li\u003e\n\u003cli\u003eInputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/li\u003e\n\u003cli\u003eWeight: 7 lb 5 oz (per speaker)\u003c\/li\u003e\n\u003cli\u003eDimensions: 6 1\/2\" x 6 1\/2\" x 6 1\/2\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":44449360871527,"sku":"15219","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avantone_mixcubes_active_1_1.jpg?v=1787088705"},{"product_id":"avedis-ma5-microphone-pre-demo-deal","title":"Avedis Audio Electronics MA5 Microphone Pre (Demo Deal)","description":"After some requests from audio engineers, the \u003cb\u003eAvedis Audio MA5\u003c\/b\u003e was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70's British consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound. \u003cbr\u003e\u003cbr\u003e Much time was spent on the MA5, not only on the engineering side of the design, but also to extensive sound evaluations in observation of specific settings, gain structures, and key components spanning a time frame of a little over a year. \u003cbr\u003e\u003cbr\u003e We have always believed that even with some of the best audio test analyzers we own and use, our ears' sensitivity, coupled with good judgment of sound through experience, is still unparalleled. In the end, it is our ears we are trying to satisfy. \u003cbr\u003e\u003cbr\u003e","brand":"Avedis Audio Electronics","offers":[{"title":"Default Title","offer_id":44449360904295,"sku":"16587","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avedis_ma5_black_knob_2.jpg?v=1787088705"},{"product_id":"avid-db25-db25-digisnake-4-demo-deal","title":"Avid DB25-DB25 DigiSnake - 4' (Demo Deal)","description":"\u003cp\u003eAvid offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I\/O components of your Pro Tools system. Uniquely designed for Avid gear, DigiSnakes are custom colored and labeled, feature a lifetime warranty, and are comprised of 110 ohm \"digital grade\" cable to accommodate either digital or analog signals. \u003cstrong\u003eAvid DigiSnakes\u003c\/strong\u003e make connecting your gear a quick, easy process, freeing you to spend your valuable time on your audio projects rather than the wires they travel across.\u003cbr\u003e\u003cbr\u003eTypically used for communication between any two standard DB25-equipped devices (e.g., PRE out to 192 I\/O analog in).\u003cbr\u003e\u003cbr\u003eCannot be used for AES\/EBU or TDIF digital dubbing. For TDIF dubbing, use the TDIF DigiSnake. For AES\/EBU digital dubbing, use two AES\/EBU DigiSnakes, connected end to end (XLR to XLR).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449361035367,"sku":"13925","price":98.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_db25_db25_digisnake_5.jpg?v=1787088706"},{"product_id":"bae-1073-mic-pre-eq-19-rackmount-pair-with-psu-demo-deal","title":"BAE 1073 Mic Pre\/EQ 19\" Rackmount Pair - with PSU (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cspan style=\"font-weight: bold;\"\u003e 1073\u003c\/span\u003e preamp yields a really fat sound. It seems to add subharmonics to the low end which makes the bottom end sound huge. It smoothes the top end, giving the highs a silky sheen. The BAE 1073 slightly compresses transients, as well. It is a smooth, fat, larger than life sound. An added bonus is to use the front-panel DI inputs to fatten samples and synths and instruments. Balanced line-level inputs on the rear allow for fattening and punching up entire mixes, or in a signal chain with other +4 gear.\u003cbr\u003e\u003cbr\u003eThe B.A.E. 1073 equalizer is very broad-banded and musical. It has a hi-pass filter with four frequencies- 50 Hz, 80 Hz, 160 Hz and 300 Hz. The low frequency band is shelving and has four frequencies - 35 Hz, 60 Hz, 110 Hz and 220 Hz. The low end of this equalizer is so tight that you can boost 220 Hz and not muddy up the sound. The mid band has six frequencies - 360 Hz, 720 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz. The bandwidth is broad so you can boost or cut a lot without making things sound processed or unnatural. The hi band is shelving and is fixed at 12 kHz. It is smooth and silky and a little goes a long way. \u003cbr\u003e \u003cbr\u003e  \u003cfont style=\"font-style: italic;\" size=\"1\"\u003e*NEVE IS EITHER A TRADEMARK OR REGISTERED TRADEMARK OF AMS-NEVE LTD, AND BAE IS NOT AFFILIATED WITH SUCH ENTITY.\u003c\/font\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361100903,"sku":"16854","price":5418.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1073_rackmount_pair_with_psu.jpg?v=1787088706"},{"product_id":"bae-1073-mic-pre-eq-19-rackmount-with-psu-demo-deal","title":"BAE 1073 1U with PSU (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBAE 1073\u003c\/span\u003e preamp yields a really fat sound. It seems to add subharmonics to the low end which makes the bottom end sound huge. It smooths the top end, giving the highs a silky sheen.  The BAE 1073 slightly compresses transients, as well. It is a smooth, fat, larger than life sound. An added bonus is to use the front-panel DI inputs to fatten samples and synths and instruments.   Balanced line-level inputs on the rear allow for fattening and punching up entire mixes, or in a signal chain with other +4 gear.\u003cbr\u003e\u003cbr\u003eThe B.A.E. 1073 equalizer is very broad-banded and musical. It has a hi-pass filter with four frequencies- 50 Hz, 80 Hz, 160 Hz and 300 Hz.  The low frequency band is shelving and has four frequencies - 35 Hz, 60 Hz, 110 Hz and 220 Hz.  The low end of this equalizer is so tight that you can boost 220 Hz and not muddy up the sound. The mid band has six frequencies - 360 Hz, 720 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz. The bandwidth is broad so you can boost or cut a lot without making things sound processed or unnatural. The hi band is shelving and is fixed at 12 kHz.  It is smooth and silky and a little goes a long way. \u003cbr\u003e \u003cbr\u003e \r\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: xx-small;\"\u003e*NEVE IS EITHER A TRADEMARK OR REGISTERED TRADEMARK OF AMS-NEVE LTD, AND BAE IS NOT AFFILIATED WITH SUCH ENTITY.\u003c\/span\u003e\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361133671,"sku":"15136","price":2699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae-1073_15136_1.jpg?v=1787088707"},{"product_id":"bae-1073mp-dual-channel-mic-pre-with-psu-demo-deal","title":"BAE 1073MP Dual-Channel Mic Pre - with PSU (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MP\u003c\/strong\u003e is the mic pre only version of the BAE 1073. In conjunction with Avedis Audio, BAE have created the preamp using the same 283 card and same transformers that you will find in the 1073. For todays mic's you should never need more than 70 db's of gain so BAE omitted the third gain stage and created a constant input impedance throughout the switch.\u003cbr\u003e\u003cbr\u003eThe 1073MP comes at last in a totally enclosed chassis, the extra real estate giving room to add a few new features.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePhase reverse button\u003c\/li\u003e\r\n\u003cli\u003eImpedance select between 1200 and 300 ohms\u003c\/li\u003e\r\n\u003cli\u003eDirect input switch\u003c\/li\u003e\r\n\u003cli\u003eBalanced line input\u003c\/li\u003e\r\n\u003cli\u003e48v phantom power\u003c\/li\u003e\r\n\u003cli\u003eSame 283 amp card as the 1073\u003c\/li\u003e\r\n\u003cli\u003eSame transformers as the 1073\u003c\/li\u003e\r\n\u003cli\u003eSame hand-wired modular construction that BAE is known for\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361166439,"sku":"15557","price":2169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1073mp_dual_rackmount_with_psu_1.jpg?v=1787088707"},{"product_id":"bae-312a-module-demo-deal","title":"BAE 312A Module (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cb\u003e 312A \u003c\/b\u003e\"500 Series\" mic preamps, made using the new Avedis 1122™ opamps, are punchy, have great bass and have a clear, extended top end. The sound is in your face and they don't compress transients. The low end is tight with good attack. They are excellent for drums and percussion. These pres are very cost effective. Many people buy racks of 6 or 11 to cover the entire drum kit. \u003cbr\u003e\u003cbr\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361199207,"sku":"13971","price":721.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_312a_1.jpg?v=1787088707"},{"product_id":"bae-2cr-2-channel-powered-rack-blue-demo-deal","title":"BAE 2CR Dual-Channel Powered Rack - Blue (Demo Deal)","description":"\u003cspan style=\"font-weight: bold;\"\u003eManufacturer's Description\u003c\/span\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cspan style=\"font-weight: bold;\"\u003e 2CR \u003c\/span\u003ewill house two \"10 Series\" modules like the 1073, 1084, 1066 etc (Vintage modules or new).\u003cbr\u003e\u003cbr\u003eThe build quality of this rack makes it superior to any system on the market today. We use a solid steel internal chassis that are custom moulded so that the module slides in easily without the need for guide rails.\u003cbr\u003elt has a separate output knob and comes complete with 48v for phantom power.\u003cbr\u003e\u003cbr\u003eWhat also makes this rack unique is the JENSEN direct inputs. We mount two JENSEN line transformers so you can plug your bass or guitar directly into the unit.\u003cbr\u003e\u003cbr\u003eAvailable in black or classic blue.","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361231975,"sku":"16353","price":1909.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_2cr_rackmount_1.jpg?v=1787088707"},{"product_id":"beyerdynamic-m-130-demo-deal","title":"beyerdynamic M 130 (Demo Deal)","description":"beyerdynamic is one of few microphone manufacturers world-wide that \nstill produce ribbon microphones. One of them is the legendary \u003cb\u003ebeyerdynamic M 130\u003c\/b\u003e.\n The M 130's unique double ribbon element has a superb transient \nresponse, creating a highly detailed sound with unequaled accuracy and \ntransparency. The bidirectional figure eight polar pattern effectively \nsuppresses unwanted interference from the sides. The M 130's balanced, \nuncolored sound handles a wide variety of applications. In conjunction \nwith the hypercardioid M 160, the M 130 is ideal for creating an \nauthentic stereo image through the use of the MS- (Mid-Side) technique.\n\u003cbr\u003e\u003cbr\u003e\nThe M 130 gives excellent results when the Mid-Side technique is used to\n record or broadcast a true stereo image. Its rugged Design handles the \ndemands of remote recording\/broadcast sessions as easily as those of the\n studio. Alone, the M 130 allows the recording of background audience \nnoise and concert hall \"ambience\" without unwanted resonances. In the \nrecording studio it is effective with backing vocal groups, percussion \nand mounted toms. The M 130's crisply articulated, uncolored sound is \nwell suited to such demanding audiophile applications as digital and \ndirect-to-disc recording.\n\u003cbr\u003e\u003cbr\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":44449361363047,"sku":"13884","price":810.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beyer_dynamic_m130_1.jpg?v=1787088707"},{"product_id":"bock-audio-251-demo-deal","title":"Bock Audio 251 (Demo Deal)","description":"\u003cp\u003eThe vintage 251 is THE vocal sound people ask for, but the original (vintage) versions are 50+ years old and sound very different from one another. Repairing, rebuilding and “nursing” original 251’s along has been David Bock’s work spanning over 30 years. The risk for a modern studio or end user to depend on a vintage mic on a daily basis is increasingly problematic.\u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003eBock 251\u003c\/strong\u003e is David Bock’s answer to the vintage mic dilemma of getting “that sound” without the headaches. It is a premier lead microphone for premier voices. It is built to last and provide the studio and user with many years of daily, high end performance. \u003cbr\u003e\u003cbr\u003e The BOCK 251 provides the user with absolute confidence that this is the mic you put in the most critical situations. The BOCK 251 uses a proprietary hand made German capsule, a proprietary hand wound multi sectioned audio transformer, a NOS tube in the mic amplifier, a hand built outboard power supply and a custom low capacitance audio cable. This is one of the best overall mic packages available on the market at any price. The BOCK 251 is the ideal microphone to choose when there is a variety of applications that must met with absolute top recording quality. With frequency response that extends well beyond the normal range of typical studio microphones, the BOCK 251 sets new standards.\u003cbr\u003e\u003cbr\u003e For vocals, the BOCK 251 instantly delivers that huge vocal sound you have wanted for years. It sounds equally impressive on females and males. It will capture the most intimate and subtle details of a vocal yet maintain integrity at high SPL’s. It holds up track after track, “sitting on top” in extremely dense mixes without EQ. For instruments, the BOCK 251 offers very high end performance on critical stringed instruments, orchestras, choirs and small ensembles. The outstanding transient response reveals elusive harmonic details that spell the difference between good and great in your recordings. \u003cbr\u003e\u003cbr\u003e The BOCK 251 cardioid pattern shuts off the back of the capsule to deliver extraordinary vocals when worked very close. It is recommended to use a pop filter on less experienced vocalists to enable closer working distances to take advantage of the magical proximity effect. There is no low frequency filtering used on a BOCK 251 so you will hear low frequency content you’ve never heard before. \u003cbr\u003e\u003cbr\u003e At distance, the BOCK 251 delivers a level of definition that is amazing. The high end does not fade with distance like so many other condensers and the power and depth of the low end response is a joy to hear. The omni and Figure 8 patterns prove useful in these non-voice applications.\u003c\/p\u003e","brand":"Bock Audio","offers":[{"title":"Default Title","offer_id":44449361526887,"sku":"13613","price":4659.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bock_audio_251_1.jpg?v=1787088708"},{"product_id":"burl-audio-b1-mic-pre-demo-deal","title":"Burl Audio B1 Mic Pre (Demo Deal)","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals. \u003cbr\u003e\u003cbr\u003e The B1 comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. \u003cbr\u003e\u003cbr\u003e Use the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361592423,"sku":"13911","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl_b1_front_1.jpg?v=1787088708"},{"product_id":"bricasti-design-m7-demo-deal","title":"Bricasti Design M7 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBricasti Design M7\u003c\/span\u003e provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future. \u003cbr\u003e\u003cbr\u003e Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it. \u003cbr\u003e\u003cbr\u003e  \u003cbr\u003e \u003cb\u003eHardware Design Features:\u003c\/b\u003e\u003cul\u003e \u003cli\u003e Dual Dedicated Power Supplies \u003c\/li\u003e\n\u003cli\u003eCustom design toroidal transfomer linear supply for analog \u003c\/li\u003e\n\u003cli\u003eHigh performace switching supply for digital \u003c\/li\u003e\n\u003cli\u003e Separate Digital and Analog modules \u003c\/li\u003e\n\u003cli\u003eNon corrosive Stainless Steel chassis and top cover \u003c\/li\u003e\n\u003cli\u003eMilled anodzied aluminum front panel, knobs and button caps \u003c\/li\u003e\n\u003cli\u003ePostive feel 2 db stepped analog input level control \u003c\/li\u003e\n\u003cli\u003eMIDI I\/O \u003c\/li\u003e\n\u003cli\u003e Hand Crafted in the USA \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bricasti Design","offers":[{"title":"Default Title","offer_id":44449361559655,"sku":"16853","price":4275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bricasti_design_m7_1.jpg?v=1787088708"},{"product_id":"burl-audio-b2-bomber-dac-demo-deal","title":"Burl Audio B2 Bomber DAC (Demo Deal)","description":"The \u003cb\u003eBurl B2 Bomber DAC\u003c\/b\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an DAC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your DAC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube mic pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering. The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber DAC, the most significant piece of gear in your studio. \u003cul\u003e \u003cli\u003e44.1k Hz to 192k Hz, 24 bit, 2 channel ADC \u003c\/li\u003e\n\u003cli\u003eProprietary, high definition, BURL Audio BX1 transformer input \u003c\/li\u003e\n\u003cli\u003eAll class A, discrete transistors signal path with zero feedback, zero caps \u003c\/li\u003e\n\u003cli\u003eAudiophile quality 6 position attenuator with standard headroom settings \u003c\/li\u003e\n\u003cli\u003eHigh definition metering with simultaneous RMS and peak indication \u003c\/li\u003e\n\u003cli\u003eTwo AES and one SPDIF output with dual AES wire support \u003c\/li\u003e\n\u003cli\u003eBNC word clock input with two outputs of extremely low jitter clock \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 48kHz sample rate is 12Hz to 22kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 96kHz sample rate is 15Hz to 46kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 192kHz sample rate is 18Hz to 94kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003e120dB Dynamic Range (A- weighted), 117dB (no weighting) \u003c\/li\u003e\n\u003cli\u003e-100dB THD+N (+4dBU = -15dBFs) \u003c\/li\u003e\n\u003cli\u003e-94 dB THD+N (+18dBU = -1dBFs) \u003c\/li\u003e\n\u003cli\u003eRugged, Made in USA design\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361625191,"sku":"15736","price":2849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-da-25_10460_1_1.jpg?v=1787088709"},{"product_id":"burl-audio-b2-bomber-adc-demo-deal","title":"Burl Audio B2 Bomber ADC (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBurl B2 Bomber ADC\u003c\/strong\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet.  You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside.  You will see high quality components like tubes, large transformers and high quality capacitors.  Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface.  Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone.  For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings.  We try using tube mic pres and great compressors, but there is still something missing.  There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process.  By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings.  And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design.  With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.  The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for.  And don’t be afraid to run the B2 Bomber hot, it only sounds better.  Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361657959,"sku":"16602","price":2259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-ad-25_10459_1_1.jpg?v=1787088709"},{"product_id":"buzz-audio-essence-demo-deal","title":"Buzz Audio Essence (Demo Deal)","description":"The essence control circuit design is based on the Buzz Audio SOC-1.1 Stereo Optical Compressor but the main audio path utilizes our BE40 and BE50 True Class A amplifiers along with high spec Lundahl input and output transformers. The input transformer is directly coupled to the Buzz proprietary Opto gain reduction element (completely passive input), amplified and then balanced via the output transformer - a very simple but gutsy signal path! \u003cbr\u003e\u003cbr\u003eThe essence control circuitry utilizes the Differential Drive Side Chain (DDSC) topology that was developed for the SOC-1.1. This system, which processes positive and negative audio waveform in separate paths, provides the incredibly musical characteristic you will hear with this unit. The DDSC design also provides for a much faster attack time compared to most other LDR based optical compressors. \u003cbr\u003e\u003cbr\u003eSimple side chain equalizers have been provided to allow the user to adjust the sensitivity of the compressor at high and low frequencies. In addition, a side chain insert point is provided for more complex EQ and compressor \"keying\". \u003cbr\u003e\u003cbr\u003eThe essence consumes 2 slots within a 500 Series rack. The input\/output (I\/O) connectors associated with the first slot carry the main audio path. The I\/O connectors associated with the second slot are used for a side chain insert point (send and return). The insert can be switched in\/out of circuit and monitored via front panel switches. \u003cbr\u003e\u003cbr\u003e\u003cb\u003ePLEASE NOTE - RACK COMPATIBILITY\u003c\/b\u003e Each \u003cb\u003eBuzz Audio Essence\u003c\/b\u003e module uses 2 rack spaces and draws 120mA +\/- 15-18 volts DC, as supplied by rack power supply. Most currently manufactured rack systems will easily power a full compliment of essence units, but some older rack systems may have insufficient power, if in doubt, please check with your rack manufacturer. We recommend the API Lunchbox and VPR500 racks. \u003cbr\u003e\u003cbr\u003e  \u003cb\u003eNOTE: Due to some misinformation during the design of the potion and essence 500 series compressors, the card edge connection for the linking of our 500 Series compressors is incorrect.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The potion and essence have PIN 11 designated as the link connection, when in actual fact the API* standard is PIN 6. This error can be easily remedied with a simple wire link soldered between PIN 6 and PIN 11 of the potion and\/or essence edge connector.","brand":"Buzz Audio","offers":[{"title":"Default Title","offer_id":44449361723495,"sku":"13912","price":919.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/buzz_audio_essence_1_1.jpg?v=1787088709"},{"product_id":"chandler-germanium-compressor-demo-deal","title":"Chandler Limited Germanium Compressor (Demo Deal)","description":"The Germanium series continues with the \u003cb\u003eChandler Germanium Compressor\u003c\/b\u003e. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is transformer balanced in and out. The Compression circuit uses a FET gain reduction element but with the tricks and flexibility of all the GERM units. Some of the most notable additions include a wet\/dry mix, for “submixing” tracks within the comp, Comp Curve, which selects the knee using various diode combinations, clean\/dirty comp, side-chain filter. Many of the GERM Comp parameters have been purposely set by studio use and listening not by over analyzing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449361789031,"sku":"13915","price":1429.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_germanium_compressor_1_1.jpg?v=1787088709"},{"product_id":"chandler-limited-little-devil-compressor-demo-deal","title":"Chandler Limited Little Devil Compressor (Demo Deal)","description":"Following in the rich tradition of English 60s and 70s console design, Chandler Limited enters the 500 race furiously with its new \u003cb\u003eLittle Devil Equalizers and Compressors\u003c\/b\u003e. \u003cbr\u003e\u003cbr\u003e With all discrete circuits, transformer balanced everything, and the American hand made quality you expect from Chandler the Devils combine Chandler’s best designs with the hottest designs from the past. \u003cbr\u003e\u003cbr\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449361887335,"sku":"13973","price":969.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_little_devil_compressor_1_1.jpg?v=1787088710"},{"product_id":"chandler-germanium-mic-pre-demo-deal","title":"Chandler Limited Germanium Mic Pre (Demo Deal)","description":"The \u003cb\u003eChandler Germanium Preamp \u003c\/b\u003e features a completely new design by Chandler Limited designer Wade Goeke that uses classic germanium transistors in all class A, transformer balanced, circuits. The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured. \u003cp\u003eThese incredibly smooth sounding transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI ( TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium transistor. The GERMANIUM series runs on +40 volt power, high current, and has a huge +34 output before clipping. The sound is warm and smooth as with many vintage style circuits, but you'll find a whole new world of smooth here as well as a sound that settles in perfectly to your tracks without fighting. Add these new circuits to Chandler's new transformer line that combines the best parts of our favorite trannies, St Ives and Gardners, into new great sounding input and output transformers.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449361821799,"sku":"16803","price":1019.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_germanium_preamp_1_1.jpg?v=1787088709"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/deals.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}