{"title":"Demo Deals","description":null,"products":[{"product_id":"api-512c-demo-deal","title":"API 512C (Demo Deal)","description":"\u003cp\u003eWhile it's entirely accurate to call the \u003cstrong\u003eAPI 512c\u003c\/strong\u003e an excellent all-around microphone preamp, that doesn't do it justice. The API 512c is arguably the most popular 500 Series module available, offering every bit of the classic API console sound in a single-channel 500 Series format. Some describe the character as \"pure.\" Some call it \"fast.\" However you define it, the 512c delivers 100% API sound...versatile and timeless.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFaithful to the original API circuit designs\u003c\/li\u003e\r\n\u003cli\u003ePopular for its remarkable versatility\u003c\/li\u003e\r\n\u003cli\u003e500 Series format\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFaithful to the original API circuit designs\u003c\/strong\u003e\u003cbr\u003eFor those of us who can't afford an original API console or simply don't have that kind of space, the API 512c is a gift. This single-channel mic preamp was faithfully designed to deliver the same distinct sound, at a price and in a format that makes sense for today's studios. The traditional fully discrete API circuit design is here, along with the famous API 2520 Op-amp. The API 512c also offers high headroom, with 65dB of gain on the mic preamp and 50dB on the line\/instrument side.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular for its remarkable versatility\u003c\/strong\u003e\u003cbr\u003eThe API 512c is possibly most noted for its versatility, just like the front end of the original API consoles that somehow sounded incredible no matter the application. You can get a huge, open vocal sound with the 512c, or use it for a certain \"pop\" on just about any source imaginable...cymbals, piano, acoustic guitar. It plays nicely with nearly any mic too. You'll hear the SM57 open up a bit. Or, pair it with your prized large-diaphragm condenser and notice all the details you love, with just the right of complementing color. The bottom line is, you really can't go wrong.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e500 Series format\u003c\/strong\u003e\u003cbr\u003eAPI truly pioneered the 500 Series format, finding a way to make their legendary sound available on a piece-by-piece basis to meet your specific needs. Within the format, the API 512c is a staple, an indispensable preamp for the vintage-minded studio with modern needs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449358020711,"sku":"14554","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_512c_cat_1.jpg?v=1787088693"},{"product_id":"a-designs-audio-em-peq-demo-deal","title":"A-Designs Audio EM-PEQ (Demo Deal)","description":"The classic all-tube Pultec EQP-1A goes down on the record books as one of the most venerated equalizers of all time, cherished by recording and mastering engineers for its almost mythical ability to improve the sound of just about anything running through it. Finally, after much research and development, A-Designs Audio announces that it has managed to capture much of the essence of the famed EQ in a new product – and one that fits in a compact 500-series module frame size, no less! \u003cbr\u003e\u003cbr\u003e Dubbed the \u003cb\u003eEM-PEQ\u003c\/b\u003e, A-Designs Audio was able to ‘shrink’ this highly sought after filter design into the now red-hot 500-series format without compromise to either build quality or sonics. The EQ section design and control layout of the classic EQP-1A has been meticulously maintained, as well as its wonderfully smooth musicality. \u003cbr\u003e\u003cbr\u003e Makeup amplification is achieved through the use of the same discrete Class AB amplifier found in A-Designs Audio’s popular solid-state Pacifica mic pre, putting a slightly unique twist on the classic design of yesteryear. \u003cbr\u003e\u003cbr\u003e Additional features include a nickel core output transformer, gold Grayhill rotary switches, Wima caps, and a true hard bypass. Instead of using common off-the-shelf chokes, A-Designs uses a custom-wound tapped inductor wound to the original values. Fully balanced, noise-free operation with modern impedance specs make for dummy-proof operation and fast studio integration. \u003cbr\u003e\u003cbr\u003e The new EM-PEQ is an approved API™ ‘VPR Alliance’ product and may also be used in Brent Averill Enterprises racks and A-Designs Audio’s R52, manufactured by Avedis Audio Electronics. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eCheck out these Quicktime Movies to SEE and HEAR A-Designs in action!\u003c\/b\u003e\u003cbr\u003e \u003ci\u003eRight click to save\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449359724647,"sku":"13895","price":955.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_empeq_1_1.jpg?v=1787088701"},{"product_id":"a-designs-audio-em-silver-demo-deal","title":"A-Designs Audio EM-Silver (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eA-Designs “EM Series\u003c\/strong\u003e” is a twist on the P-1. Each color has its own sound. This was accomplished by using different custom wound output and input transformers. \u003cbr\u003e \u003cbr\u003e The \u003cem\u003eEM-Silver\u003c\/em\u003e has a custom wound steel output transformer which will translate into a darker sound than the P-1, EM-Red and EM-Blue. We find the EM-Silver to be a very good match with ribbon microphones; a good combination due to the fact that steel transformers were widely used in the early days of recording and broadcasting along with ribbon microphones.\u003cbr\u003e \u003cbr\u003eWith today’s influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need.  Another feature of the EM-Silver is a “DI” (direct inject) for use with electric instruments. We find that this is a great pre for bass guitar and keyboards.  In addition, you may like to try the EM-Silver (depending on microphone) for your “kick” when recording drums. This is a very versatile tool for any recording situation. \u003cbr\u003e\u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eCheck out these Quicktime Movies to SEE and HEAR A-Designs in action!\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eRight click to save\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449359691879,"sku":"13867","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_em_silver_1_1.jpg?v=1787088700"},{"product_id":"a-designs-audio-500hr-2-slot-rack-frame-w-psu-demo-deal","title":"A-Designs Audio 500HR - 2 Slot Rack Frame w\/PSU (Demo Deal)","description":"The \u003cb\u003eA-Designs 500HR\u003c\/b\u003e is a dual slot, single space, rack mounted frame with power supply for A-Designs and other 500 Series compatible audio modules. \u003cbr\u003e\u003cbr\u003eYou are able to use the 500HR and A-Designs module combination's in four basic ways: \u003cbr\u003e\u003cbr\u003e1. Loaded with two preamps it becomes a dual channel Mic Pre \u003cbr\u003e\u003cbr\u003e2. Loaded with two EQ’s it is a dual channel EQ \u003cbr\u003e\u003cbr\u003e3. Loaded with one preamp and one EQ it is a complete pre\/post EQ recording channel \u003cbr\u003e\u003cbr\u003e4. Use one preamp and the EQ in the 500HR and bypass your pre on your guitar\/bass\/keyboard amplifier and have a totally different amp for any live situation! \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cb\u003eCheck out these Quicktime Movies to SEE and HEAR A-Designs in action!\u003c\/b\u003e\u003cbr\u003e \u003ci\u003eRight click to save\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449359659111,"sku":"14227","price":270.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_500hr_1_1.jpg?v=1787088700"},{"product_id":"adam-audio-a7x-single-demo-deal","title":"ADAM Audio A7X - Single (Demo Deal)","description":"The predecessor to the \u003cspan style=\"font-weight: bold;\"\u003eAdam A7X\u003c\/span\u003e, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the world’s largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.\u003cbr\u003e\u003cbr\u003eWith the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDriver technology\u003c\/span\u003e\u003cbr\u003eThe first aspect that distiguishes the old from the new model is the X-ART tweeter. The ‘X’ stands for ‘eXtended frequency response’ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.\u003cbr\u003e\u003cbr\u003eThe perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAmplifiers \/ controls\u003c\/span\u003e\u003cbr\u003eEach driver has its own dedicated amplifier. A 50W A\/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on\/off switch.\u003cbr\u003e\u003cbr\u003eOn the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.\u003cbr\u003eTo ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":44449359822951,"sku":"16532","price":675.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/adam_a7x_1_1.jpg?v=1787088701"},{"product_id":"aea-rpq-2-channel-ribbon-mic-preamp-demo-deal","title":"AEA RPQ 2 Channel Ribbon Mic Preamp (Demo Deal)","description":"The \u003cb\u003eAEA RPQ with Curve Shaping and P48 power\u003c\/b\u003e puts all the controls for ribbon mics at your fingertips: 80 dB of clean quiet JFET gain, P48 phantom power for active studio ribbons such as AEA’s A440, and LF trim and HF boost contols that are tuneable and defeatable so that you can tame proximity problems and\/or add a little more to the top. \u003cbr\u003e\u003cbr\u003e The RPQ has the speed, quietness, and headroom needed for high resolution ribbon recordings, and it sounds good with condenser and moving coil mics. AEA’s DC-coupled JFET topology delivers all the dynamics, subwoofer bass and fast transients that your ribbon and other mics are capable of. Its discrete front end and integrated circuit architecture meld the quietness of solid state with an openness reminiscent of tubes. \u003cbr\u003e\u003cbr\u003e Live and location recording is another area where the RPQ shines. Its Low-Energy-Storage (LES™) circuitry recovers instantly from overloads, a big advantage with unpredicatable dynamics, and its exceptional No Load™ input impedance of over 10,000 Ω makes it an ideal active mic splitter. Mic splits usually load down, changing a mic’s sound, but not the RPQ.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRPQ Electronics Specifications\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e80 dB of gain at 1 kHz, balanced-in to balanced-out\u003c\/li\u003e\n\u003cli\u003eNoise figure A-weighted \u0026lt; 2 dB, EIN \u0026lt; 129 dBu Aweighted\u003c\/li\u003e\n\u003cli\u003eFrequency response -3 dB \u0026lt;1 Hz and \u0026gt;200 kHz\u003c\/li\u003e\n\u003cli\u003e\u0026lt;.02 % THD at 1 kHz, 22 Hz to 22 kHz bandwidth\u003c\/li\u003e\n\u003cli\u003eBalanced mic input impedance \u0026gt;10 kΩ\u003c\/li\u003e\n\u003cli\u003eDC-coupled inputs protected from external P48 DC\u003c\/li\u003e\n\u003cli\u003eAC-coupled inputs with switchable P48 phantom power\u003c\/li\u003e\n\u003cli\u003eTwelve position stepped gain control from 7 to 55 dB\u003c\/li\u003e\n\u003cli\u003eTrim gain continuously adjustable from 0 to +19 dB\u003c\/li\u003e\n\u003cli\u003eSwitched LF trim: -3dB points tuneable from 18 to 350 Hz\u003c\/li\u003e\n\u003cli\u003eSwitched HF boost peak +6 dB at 12 noon, +16 dB max\u003c\/li\u003e\n\u003cli\u003eHF max boost +3dB points tuneable from 2 to 18 kHz\u003c\/li\u003e\n\u003cli\u003eXLR out has 6 dB gain, balanced or unbalanced load\u003c\/li\u003e\n\u003cli\u003eXLR max output+28 balanced, +22 unbalanced, 600 Ω\u003c\/li\u003e\n\u003cli\u003e¼” TRS max output unbalanced +22 dBu, 100 kΩ load\u003c\/li\u003e\n\u003cli\u003ePin 2 high on XLRs, tip high on ¼” TRS jacks\u003c\/li\u003e\n\u003cli\u003eGreen LED snaps on at ~ -5 dBu, Red at ~ +20 dBu\u003c\/li\u003e\n\u003cli\u003eYellow LED brightens from ~ 0 to +20 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eRPQ Physical Details\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eP48 Phantom \u0026amp; Polarity-Reverse pushbutton switches\u003c\/li\u003e\n\u003cli\u003eRotary potentionmeters (pots) detented at 12 noon\u003c\/li\u003e\n\u003cli\u003eGrayhill series 71 stepped gain switch and trim pot\u003c\/li\u003e\n\u003cli\u003eLF Cut pushbutton switch and one pot\u003c\/li\u003e\n\u003cli\u003eHF Boost pushbutton switch and two pots\u003c\/li\u003e\n\u003cli\u003ePushbutton power switch, LED power indicator\u003c\/li\u003e\n\u003cli\u003eInternal torroidal transformer with linear regulators\u003c\/li\u003e\n\u003cli\u003eMale recessed IEC power plug\u003c\/li\u003e\n\u003cli\u003eLaser engraved front panel markings\u003c\/li\u003e\n\u003cli\u003eMetalic blue and steel gray powder coat finish\u003c\/li\u003e\n\u003cli\u003eAluminum and steel chassis\u003c\/li\u003e\n\u003cli\u003eClear coated polished aluminum end caps\u003c\/li\u003e\n\u003cli\u003eDetachable polished aluminum rack ears\u003c\/li\u003e\n\u003cli\u003eChassis: 17.25” wide, 11” deep, by 1.7” high\u003c\/li\u003e\n\u003cli\u003eMetric: 44 cm wide, 28 cm deep, by 4.3 high\u003c\/li\u003e\n\u003cli\u003eWeight: 6.75 pounds, Metric: 3.1 Kg\u003c\/li\u003e\n\u003cli\u003eSpecifications as of Oct. 1, 2008, subject to change\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449359790183,"sku":"15991","price":1435.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_rpq_1.jpg?v=1787088701"},{"product_id":"a-designs-audio-pacifica-demo-deal","title":"A-Designs Audio Pacifica (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eWhat we're going to do is go back... WAY back... back into time to the early 1970s, when the recording industry was starting to bloom with the new technology of solid state (dig?). Hit products were pumped out as fast as hit records – one after another. There was a creative industry within the audio world. It was, without question, a golden age. Some companies that emerged during that period were Neve, API and Quad Eight. Although it’s been decades, the benchmarks they set are still held as industry standards today. Little is known about Quad Eight, though many feel that they were the best in their field. While debating is usually best left to the history books, A-Designs took up the challenge to take a closer look into the past and decide on its own. With much research, interviews, and listening, we came up with a product that we feel needs to see the light of day again. With Quad Eight Ventura, Coronado and Pacifica console preamplifiers for reference, we closely examined the design and composition of the heart and soul in the consoles of these great pieces. After much design, A\/B-ing, and beta testing, the result is a solid state, single space, rack-mounted microphone pre amplifier from the “glory days.” Cloning being what it is (same old same old), we decided to head outside the box and make the tribute something other than the legacy. We added our own touch to bring it to present day applications of the recording world. And so the new\u003cstrong\u003e A-Designs PACIFICA\u003c\/strong\u003e was born. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eCheck out these Quicktime movies to see and hear A-Designs in action!\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eRight click to save\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449359757415,"sku":"16811","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_pacifica_1_1.jpg?v=1787088701"},{"product_id":"akai-apc20-demodeal","title":"Akai APC20 (Demo Deal)","description":"Ableton Live software is a powerful, flexible environment for creating, performing, and producing music. This unique software demands an equally unique control instrument. Akai Professional and Ableton are proud to present the \u003cspan style=\"font-weight: bold;\"\u003eAkai APC20\u003c\/span\u003e compact professional Ableton Live performance controller. The APC20 transforms your Ableton Live experience from constructing tracks on a computer to fluid, musical creation. The second model in the APC series, the APC20 offers a smaller footprint than the APC40, enabling musicians to more easily create a personalized setup with multiple APCs, effects controllers, and other devices.\u003cbr\u003e \u003cbr\u003e The APC20 is the link between human and computer that perfectly balances analytical parameter control with creative expression. Whether you are an electronic music artist and Live is your canvas, a DJ using Live to mix or remix tracks, or a more traditional musician using Live on stage or in the studio, you will find the APC20 to the intuitive, powerful instrument that directly links your inspiration with Ableton Live.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eInstant Performance\u003c\/span\u003e\u003cbr\u003e Because Akai Professional and Ableton designed the APC20 specifically for Ableton Live, you don’t need to map its controls to talk to the software. Just connect your laptop to the APC20 via USB and you're ready to make magic. The APC20 is plug and play, so you don't need to install drivers. First-time setup is literally three steps: load the included Ableton Live software, plug in and power up your APC20, and select the APC20 as Ableton Live's controller. That's it. No mapping, no setup, no hassles.\u003cbr\u003e \u003cbr\u003e The APC20 comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC20 to be easy to get around on. And if you’re an experienced Live user, you'll be happy to note that you can custom-map every single button and fader on the APC20 to completely customize the controls for the way you like to work.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eVisual Feedback\u003c\/span\u003e\u003cbr\u003e The APC20 talks directly to Ableton Live, and Live talks directly to the APC20. This bidirectional communication makes the APC20 an advanced controller in that it can receive feedback from the software and display it on its Clip Launch matrix. The Clip Matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays in the grid in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eProfessional Construction\u003c\/span\u003e\u003cbr\u003e Ableton selected Akai Professional as its partner in developing the APC20 because of Akai Pro's leadership position in great-feeling controllers that are rock solid, rugged, and precise. From the legendary MPC series that changed the way music is made to the industry-standard MPD and MPK controllers, Akai Professional is revered by musicians, DJs, and producers everywhere for creating the feel that powers their creativity. The APC20 is built with a rugged, metal chassis and slip-proof rubber detailing. There’s no flimsy plastic here. Faders are solid and precise for pinpoint performance.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCreative Control\u003c\/span\u003e\u003cbr\u003e The APC20 comes with Ableton Live Akai Professional APC Edition software, which is fully functional for performance and production. Owners of standalone editions of Ableton Live 7 or 8 can also work seamlessly with the APC20. Live 7 with the latest automatic update has full support for the APC20 and all versions of Live 8 are APC20-ready.\u003cbr\u003e \u003cbr\u003e The APC20 also enables special clip-status views and feedback that only the APC20's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.\u003cbr\u003e \u003cbr\u003e The APC20 has nine faders, which you can assign to volume control, pan, sends, and a choice of three user-mapped modes. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo\/cues, and two assignable footswitch inputs. A new User Mode enables you to use the Clip Launch buttons to control instruments and the Drum Rack.\u003cbr\u003e \u003cbr\u003e Designed in partnership with Ableton, the APC20 is the ideal controller for performers who like to perform in a small amount of space for maximum portability. It’s also perfect for players who want to combine multiple controllers in their setup thanks to its small footprint. Don’t settle for cheap, plastic imitations. From the company whose name is synonymous with the word production, the APC20 is the serious choice.","brand":"Akai Professional","offers":[{"title":"Default Title","offer_id":44449359888487,"sku":"15739","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akai_apc20_2_1.jpg?v=1787088701"},{"product_id":"a-designs-audio-hm2eq-hammer-demo-deal","title":"A-Designs Audio HM2EQ Hammer (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eA-Designs HM2EQ Hammer\u003c\/strong\u003e is a Dual Mono three band Tube EQ engineered with an ingenious filtering system that allows the even harmonics to flow through the 12AT7 tubes filtering out unwanted noise. It is designed to sound musical for larger EQ functions typically found on expensive mastering EQs. The Hammer offers continuously variable boost and cut controls but fixed frequency settings.\u003cbr\u003e\u003cbr\u003e The smoothness of its operation and the musical tones generated by the HAMMER makes this unit an invaluable tool for any studio. “You don’t know it’s there until you take it out” Tony Shepperd. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is designed for applying broad shaping EQ across many octaves while sounding beautiful without adverse effects on tone. Very low noise floor. It also has high-cut at 8Khz and low-cut at 84Hz filters. There is no other EQ available quite like this. \u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eCheck out these Quicktime Movies to SEE and HEAR A-Designs in action!\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eRight click to save\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":44449359855719,"sku":"16810","price":1990.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/a_designs_hm2eq_1_1.jpg?v=1787088701"},{"product_id":"akg-d-112-demo-deal","title":"AKG D 112 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAKG D 112\u003c\/strong\u003e has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion.\u003c\/p\u003e\n\n\u003cp\u003eA specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ.\u003c\/p\u003e\n\u003cp\u003eThe result is a kick drum sound that ideally balances precise definition and forceful impact. The D 112 is also an excellent choice for use with bass cabinets, trombones, etc\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":44449359921255,"sku":"14090","price":169.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akg_d112_1_1.jpg?v=1787088701"},{"product_id":"alta-moda-am-10-compressor-limiter-demo-deal","title":"Alta Moda AM-10 Compressor\/Limiter (Demo Deal)","description":"The \u003cb\u003eAlta Moda Audio AM-10 \u003c\/b\u003eis a single channel compressor\/limiter designed for use in API™ 500-series compatible rack systems. The AM-10 features a discrete FET gain control element with independent compression and limiter functions. \u003cbr\u003e\u003cbr\u003e The compression section of the AM-10 uses a soft-knee feedback-type topology, reminiscent of many classic and much-admired compressors of yesteryear. The compressor’s timing can be controlled automatically (Auto mode) or dramatically altered using the wide-ranging and fully variable attack and release controls. A built-in three-position high pass sidechain filter has also been included for enhanced low-frequency control. \u003cbr\u003e\u003cbr\u003e The limiter section is a peak detecting hard-knee style, its control signal being taken from the output of the Effect level pot. Limiting ranges from approximately 25dB down to 4dB. With a little experimentation, many severe and colorful compression effects are possible. This section also includes its own three-position high-pass sidechain filter. \u003cbr\u003e\u003cbr\u003e Both sections can be independently linked to other AM-10 units – the compressor uses true power summing when linked, while the limiter section uses greater-of-two peak response when linked. \u003cbr\u003e\u003cbr\u003e Separate 7-element LED meters monitor gain reduction and output level simultaneously. \u003cbr\u003e\u003cbr\u003e The AM-10’s mix section is comprised of two controls: a level control for the gain cell and a Dry signal level control, giving the ability to blend varying amounts of dry and compressed signals together at the output. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures \u003c\/span\u003e\u003cul\u003e \u003cli\u003eDiscrete FET gain control element \u003c\/li\u003e\n\u003cli\u003eIndependent compressor and limiter sidechains \u003c\/li\u003e\n\u003cli\u003eAutomatic or fully-variable compression attack and release controls \u003c\/li\u003e\n\u003cli\u003eSwitchable limiter release times \u003c\/li\u003e\n\u003cli\u003eIndependent three-position sidechain filters on both compressor and limiter \u003c\/li\u003e\n\u003cli\u003eLink control – compressor and limiter sidechains can be linked separately to other AM-10 modules \u003c\/li\u003e\n\u003cli\u003eDual metering – LED metering shows gain reduction and output level simultaneously \u003c\/li\u003e\n\u003cli\u003eEffect level control with 20dB gain make up after compression \u003c\/li\u003e\n\u003cli\u003eBuilt-in mix control to add dry signal back into output path \u003c\/li\u003e\n\u003cli\u003e500-series rack compatible module \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alta Moda","offers":[{"title":"Default Title","offer_id":44449359986791,"sku":"15176","price":635.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alta_moda_am10_2.jpg?v=1787088702"},{"product_id":"al-so-dynax2-demo-deal","title":"AL.SO Dynax2 (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAL.SO Dynax2 (Dynax Square)\u003c\/span\u003e is more than an ordinary compressor; it is designed as a Dynamic Sound Shaper, a creative tool meant for the creative sound engineers.\u003cbr\u003e \u003cbr\u003e Conceived around very low distortion circuits, the Dynax2 allows a wide range of effects, starting with the smoothest and most transparent compression to the harshest and most spectacular sound designs.\u003cbr\u003e \u003cbr\u003e Both Attack and Release knobs offer a graduated change of values to reshape the sound and create a new envelope.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe Dynax Square offers now four different compression curves:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompressor (4:1)\u003c\/li\u003e\n\u003cli\u003eLimiter (10:1)\u003c\/li\u003e\n\u003cli\u003eBrickwall\u003c\/li\u003e\n\u003cli\u003eAntiDyna: an innovative new mode designed by Olivier Bolling which literally \"over-limits\" the sound in a \"funky-to-trashy\" way\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll the signal path’s components are carefully hand-selected high-quality parts.\u003cbr\u003e \u003cbr\u003e The front panel is a 10 millimeters thick solid aluminum engraved piece of metal.\u003cbr\u003e \u003cbr\u003e VU-meter lighting allows user to see both output level or gain reduction. Over modulation cleverly turns the meter’s blue hue to a strong red.\u003cbr\u003e \u003cbr\u003e Now, DYNAX2 has an on-board power supply (110V\/230V switchable) and the VU meter light is dimmed when the bypass switch is engaged.\u003c\/p\u003e","brand":"AL.SO","offers":[{"title":"Default Title","offer_id":44449359954023,"sku":"13897","price":2800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/al.so_dynax2_1.jpg?v=1787088701"},{"product_id":"antelope-audio-isochrone-10m-demo-deal","title":"Antelope Audio Isochrone 10M (Demo Deal)","description":"For those refusing to accept compromises with the audio quality there is the \u003cb\u003eAntelope Audio Isochrone 10M\u003c\/b\u003e - a Rubidium Atomic Reference Generator based on real atomic technology. The 10M is designed specifically to appeal to the most discerning audiophiles and audio professionals. If your goal is to set up your studio for maximum performance, you will certainly appreciate a clocking reference that is a staggering 100,000 times more accurate than the quartz oscillators used in most equipment. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSwiss-made Rubidium core with accuracy of 0.03 parts per BILLION\u003c\/li\u003e\n\u003cli\u003eUltra-precise Atomic oscillator with stability of 1 second in 1,000 years\u003c\/li\u003e\n\u003cli\u003eRubidium core is FEI 5660 Compatible Stanford PRS10 Equivalent\u003c\/li\u003e\n\u003cli\u003eDual Redundant power supply with automatic switchover\u003c\/li\u003e\n\u003cli\u003e8 BNC outputs of 10 MHz\u003c\/li\u003e\n\u003cli\u003eCompatible with any device that accepts 10 MHz reference\u003c\/li\u003e\n\u003cli\u003eUtmost ease of operation, just connect it and power it on\u003c\/li\u003e\n\u003cli\u003eExtremely sturdy mechanical construction\u003c\/li\u003e\n\u003cli\u003ePerfect match for OCX, OCX-V and Trinity\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Rubidium Core\u003c\/span\u003e\u003cbr\u003eIsochrone 10M brings to your studio the most accurate clock on Earth - the Atomic clock. With the deviation of 1 second in 1,000 years, it is a real quantum leap in clocking technology, making all other reference generators pale by comparison. The heart of the Isochrone 10M is its Swiss-made, high precision sub-miniature Rubidium oscillator, capable of producing extremely stable sinusoidal frequencies.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAtomically Mastered\u003c\/span\u003e\u003cbr\u003eIsochrone 10M not only renders superb sound quality, but leaves a strong impression on your clients. An atomic clock in your gear rack speaks louder about your studio, your professionalism, and your commitment to quality than anything else. And, of course, with an early adoption of the atomic technology you will have a dramatic competitive advantage over conventional studios.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Ultimate Jitter Solution\u003c\/span\u003e\u003cbr\u003eWhen used in audio because of its staggering precision, Isochrone 10M virtually eliminates any traces of jitter. If you have invested in top quality equipment and state-of-the-art audio and video devices, you need the 10M to realize the full potential of your gear. The atomic clock eliminates the last weak link in your studio.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDual Redundant Power Supply\u003c\/span\u003e\u003cbr\u003eIsochrone 10M has a dual redundant power supply (100-240 VAC and 12 VDC), which increases the reliability and eliminates the expensive downtime in case of power failure.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eUpgrade Your Studio\u003c\/span\u003e\u003cbr\u003eThe Rubidium Atomic Clock is the perfect companion to the Isochrone audio master clocks such as the OCX or OCX-V. When connected to the Isochrone 10M, these devices switch over automatically from oven based crystal to the superior Rubidium Core. Isochrone 10M is the ultimate tool in achieving analog sound. Experts agree that 10M is probably “the best sounding clock” ever produced.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eReliability and Ease of Use\u003c\/span\u003e\u003cbr\u003eThe Atomic Clock is distinguished by an extremely sturdy mechanical construction, making it highly resistant to mechanical shocks. In the Antelope's tradition of making things easy to use, just connect and power it on; the status lights are visible at a glance and all information is prominently shown on the easy-to-read frequency display.","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449360019559,"sku":"14789","price":5395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_isochrone_10m_1_2.jpg?v=1787088702"},{"product_id":"alta-moda-unicomp-demo-deal","title":"Alta Moda Unicomp (Demo Deal)","description":"The \u003cb\u003eAlta Moda Unicomp \u003c\/b\u003eaudio compressor combines the best features of both modern and classic audio compressors into a single, dual-mono unit. At its heart is a unique gain cell\/sidechain combination which gives the Unicomp its own distinctive sonic character. The Unicomp’s comprehensive set of sidechain features gives it true versatility and accuracy which make the unit superbly suited for tracking, mixing and mastering applications. \u003cbr\u003e\u003cbr\u003e The Unicomp boasts a fully discrete, class ‘A’, high voltage minimalist audio path. The amplifiers are DC servo-coupled, eliminating all coupling capacitors in the signal path. \u003cbr\u003e\u003cbr\u003e The sidechain features a high accuracy logarithmic-scaled detector, with a choice of operating in RMS or peak rectifier modes. The Unicomp also allows the user, with a single switch, to change the compressor topology from a modern and accurate feedfoward detection scheme, to the classic and more colorful feedback approach; completely changing the sonic personality of the unit. \u003cbr\u003e\u003cbr\u003e The Unicomp’s personality is further changed with the addition of the Warmth control. Turning this control adds rich, second harmonic distortion to the signal that increases as compression increases, adding even more character to the sound. A switchable filter changes the contour of the affected signal, useful when processing more complex signals, such as mixes. \u003cbr\u003e\u003cbr\u003e Another unusual feature of the unit is the Blend control. The Blend control allows the operator to mix unprocessed signal back into the compressor’s output path. This gives one the ability to create a more subtle compression effect on tracks such as vocals, or for blending back dry signal when heavy buss compression effects such as drum submixes are being processed. A high pass filter is included which blends only the higher audio frequencies back into the output path. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eUnicomp Features\u003c\/b\u003e \u003cul\u003e \u003cli\u003e Class A high voltage, discrete capacitor-free signal path. \u003c\/li\u003e\n\u003cli\u003e Electronically balanced input, impedance balanced, single-ended output. \u003c\/li\u003e\n\u003cli\u003eFET-based wide dynamic range gain cell eliminates the need for an input control. \u003c\/li\u003e\n\u003cli\u003eLog-scaled detector responds more like the human ear than linear detection systems. \u003c\/li\u003e\n\u003cli\u003eChoice of RMS (excellent for overall level reduction) or Peak mode (great for catching fast transients). \u003c\/li\u003e\n\u003cli\u003eThreshold knee control – can switch between hard knee for instantaneous gain reduction, or soft knee mode, for a subtle engaging of compression over several dB. \u003c\/li\u003e\n\u003cli\u003eContinuously variable Threshold, Ratio, Attack and Release controls. \u003c\/li\u003e\n\u003cli\u003eSwitchable Sidechain insert for keying and detector signal equalization. \u003c\/li\u003e\n\u003cli\u003e Feedforward\/Feedback – switches between the basic topologies. Feedforward is precise and can yield high compression ratios. Feedback mode is more subtle, and can yield interesting compression artifacts, including the shifting of attack and release time constants. \u003c\/li\u003e\n\u003cli\u003eWarmth control – adds 2nd harmonic distortion, increasing as compression increases. \u003c\/li\u003e\n\u003cli\u003eWarmth filter – high pass filter bringing out more mid-range frequency distortion. \u003c\/li\u003e\n\u003cli\u003e Blend – mixes dry, input signal back into output path. \u003c\/li\u003e\n\u003cli\u003eBlend filter- high pass filter returns only dry, upper frequencies back into output. \u003c\/li\u003e\n\u003cli\u003eDual Mono\/Stereo – completely independent channels can be linked for stereo operation. \u003c\/li\u003e\n\u003cli\u003eSidechain L and R are summed after the rectifiers. \u003c\/li\u003e\n\u003cli\u003eGain Makeup – increases output amplifier level from unity to compensate for lost level when compressing. \u003c\/li\u003e\n\u003cli\u003eHigh quality construction – premium components for long life.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alta Moda","offers":[{"title":"Default Title","offer_id":44449360052327,"sku":"14888","price":3095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alta_moda_unicomp_1_2.jpg?v=1787088702"},{"product_id":"antelope-audio-isochrone-trinity-demo-deal","title":"Antelope Audio Isochrone Trinity (Demo Deal)","description":"In the fickle world of Audio \u0026amp; Video formats, the new \u003cspan style=\"font-weight: bold;\"\u003eAntelope Audio Trinity\u003c\/span\u003e will be the Master Clock that stands out from the crowd for years to come, with the kind of features that other manufacturers can only aspire to. With dedicated functions and controls, The new Trinity is the best sounding and most versatile Master Clock available anywhere. There are unique features that are only available on the Trinity - such as Audio up to 384kHz, Varispeed, Nine completely independent generators, and a Triple display! Of course, all of this comes in an intuitive menu-free user interface, just as you would expect from Antelope. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e4th Generation of Acoustically Focused Clocking employing 64 bit DSP leads to a new level in detailed \u0026amp; focused sound.\u003c\/li\u003e\n\u003cli\u003eOven Controlled Crystal Oscillator or Atomic input for supremely low jitter.\u003c\/li\u003e\n\u003cli\u003eFactory calibrated to better than +\/- 0.001 ppm accuracy.\u003c\/li\u003e\n\u003cli\u003eA wealth of rear panel connectivity for tremendous flexibility\u003c\/li\u003e\n\u003cli\u003eComprehensive audio gear boxing for anything in, anything out\u003c\/li\u003e\n\u003cli\u003eAtomic input for ultimate performance\u003c\/li\u003e\n\u003cli\u003e3 Independent \u0026amp; simultaneous audio generators up to 384kHz, and varispeed control +\/- 200 cents.\u003c\/li\u003e\n\u003cli\u003e3 Independent \u0026amp; simultaneous HD generators, covering 16 formats\u003c\/li\u003e\n\u003cli\u003e3 Independent \u0026amp; simultaneous SD generators, simultaneously offering PAL \u0026amp; NTSC.\u003c\/li\u003e\n\u003cli\u003eFull Euro and USA Pull-ups \/ pull-downs for SD and HD video.\u003c\/li\u003e\n\u003cli\u003eUSB connection via PC \u0026amp; Mac allowing full remote control, loading\/saving presets and firmware upgrades.\u003c\/li\u003e\n\u003cli\u003eDual redundant power supply with automatic switchover for added reliability\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eOven Control\u003c\/span\u003e\u003cbr\u003eThe crystal oscillators in the Isochrone Trinity are housed in a temperature controlled oven, as commonly used in military and satellite communication. This keeps the oscillator at a constant temperature making the Isochrone 100x more stable than similar products.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAtomic Clock\u003c\/span\u003e\u003cbr\u003eThe Isochrone Trinity can be locked to the most accurate clock on Earth: the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock, and only Isochrone clocks are capable of locking to this unprecedented technology.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBrand New 64 Bit Design\u003c\/span\u003e\u003cbr\u003eTrinity is the culmination of many years of clocking know how from the designers at Antelope, and is a brand new design with more design integration which leads to an even tighter and more focused sound quality. The 4th generation of Acoustically Focused Clocking with 64 bit DDS plays a major role in why Trinity makes your converters sound even better than ever.","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449360085095,"sku":"15280","price":2695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_isochrone_trinity_1_1.jpg?v=1787088702"},{"product_id":"api-2500-demo-deal","title":"API 2500 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI 2500\u003c\/strong\u003e is a versatile stereo bus compressor that allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix. The 19\" rack-mountable unit features API's patented \"thrust\" circuit for a chest-hitting, punchy bottom end. With its dual-channel design, the API 2500 is set up for stereo compression, but can also be used as two separate units via a single compression setting. The 2500 boasts a range of parameters that make it incredibly musical.\u003c\/p\u003e\r\n\u003cp\u003eAPI pushes the envelope of flexibility further with selectable \"old\" or \"new\" compression. The old-style uses the feedback type of compression found in the API 525, Universal Audio 1176, and the Fairchild 660\/670. The new style uses a feed-forward type, similar to other popular compressors.\u003c\/p\u003e\r\n\u003cp\u003eThe output stage features API's auto-makeup gain button, permitting the user to vary the threshold or ratio while automatically maintaining a constant output level. Fidelity is ensured with an all-discrete, fully balanced design, and two front panel VU meters show input, output, and gain reduction levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360117863,"sku":"13898","price":2520.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_2500_1.jpg?v=1787088702"},{"product_id":"api-3124-demo-deal","title":"API 3124+ (Demo Deal)","description":"Both the \u003cspan style=\"font-weight: bold;\"\u003eAPI 3124+\u003c\/span\u003e and the 3124M+ are designed with the professional engineer in mind, giving the highest possible quality 4 channel mic preamp and with the 3124M+, an audio mixer, while keeping the size and price at a reasonable level. Several 3124M+ mixers can be linked to increase the number of bussed channels. Both models are equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage, direct-to-DAT, or at the artist's disposal for the source of his music. \u003cp\u003eThe model 3124+ utilizes the same microphone preamp circuit that is used in all API consoles. It uses the RE-115 K mic input transformer and the same output transformer that is used in all API equalizers. All four mic inputs of the 3124+ and the 3124M+ are powered by an internal 48 volt phantom power supply, front panel switchable for each channel. Also provided is a front panel 20 dB pad switch that effects both the Mic and Line in.\u003c\/p\u003e \u003cp\u003eThe model 3124+ can provide up to 65 dB of gain to an output clip level of +30 dBm. The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. This Hi-Z input can take input levels as high as +22, making it perfect for keyboards and other high level devices. The rear output is an XLR connector.\u003c\/p\u003e \u003cp\u003eThe model 3124M+ is a 3124+ with the addition of a complete stereo mixer. In conjunction with the gain control of the 3124+, the 3124M+ adds a stereo panner with a level control, and a post \"fader\" aux send. The stereo panners and the aux sends are bussed to master output controls and then to the rear panel jacks. A stereo AUX return is provided to return effects or cascade additional mixers for more inputs. The unique aux return pot acts like a panner to balance the left\/right signal, yet staying stereo. It can also be used as a mono return. A standard 3124+ can be further expanded to an \"m\" at the factory. Several options for the \"M\" include a discrete unbalanced stereo output or a discrete balanced stereo output.\u003c\/p\u003e \u003cp\u003e\u003capi_warranty\u003e\u003c\/api_warranty\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360150631,"sku":"15201","price":2715.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_audio_3124_plus_front_1.jpg?v=1787088702"},{"product_id":"api-500-6b-lunchbox-demo-deal","title":"API 500-6B - 6-Channel 500 Series Lunchbox (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI 500-6B Lunchbox\u003c\/strong\u003e is a 6-slot rack designed to accept all API standard 5.25\" X 1.5\" modules. The lunchbox is self-powered with a rear panel selected AC voltage switch and a removable power cord. The input\/output jacks are XLR. The lunchbox comes  standard with a +48 volt internal phantom power supply, bussed to pin  15 for interface with the API 512c Mic Preamplifier.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360183399,"sku":"16864","price":629.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_500-6b_unloaded_1.jpg?v=1787088703"},{"product_id":"api-500vpr-10-slot-rack-w-psu-demo-deal","title":"API 500VPR 10 Slot Rack w\/PSU (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI Model 500VPR\u003c\/strong\u003e is powered externally by a tri-polar power supply (included) and is designed to accept API standard format 5.25\" X 1.5\" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS. The input\/output jacks are both XLRs. The 500VPR can hold up to ten API modules. API makes several modules to fit this rack, including the 550A, 550B, 560, 525, and 512C. Like all API products, the 500VPR rack enjoys API's standard 5 year warranty. \u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003eThe 500V can be ordered with an optional 48 volt phantom power supply, bussed to pin 15 for the API 512C to access. It must be noted that the older API 560A series equalizers used pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers. API makes several modules to fit this rack, including the 550B, 560, 525, and 512C. These modules are designed to help expand existing limited input console configurations, allowing a facility an option to a larger console.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultitrack Recording of Acoustic and Electronic Audio Sources. \u003c\/li\u003e\n\u003cli\u003eSound Reinforcement Systems and Recording Live to Multitrack formats. \u003c\/li\u003e\n\u003cli\u003eMultiple facility projects where portability is a concern. \u003c\/li\u003e\n\u003cli\u003eBroadcast and Audio for Video Production. \u003c\/li\u003e\n\u003cli\u003eCustom Channel Input Strips. \u003c\/li\u003e\n\u003cli\u003eADAT Type Portable Recording Setups. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360216167,"sku":"14872","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-500vpr-10-slot-rack_1.jpg?v=1787088703"},{"product_id":"api-525-demo-deal","title":"API 525 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAPI 525\u003c\/span\u003e was originally released in the 70's, the API 525 is a \"feedback\" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional \"Ceiling\" fine tune function modifies threshold \u003ci\u003eand\u003c\/i\u003e make-up gain for precise changes in compression without changes in output. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.\u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe API 525 is perhaps the most successful solid state feedback compressor in history. It delivers dynamics control behavior unlike VCA \"feed forward\" compressors so common today. A remarkable multi-function \"ceiling\" control can increase gain reduction (lower threshold) while simultaneously raising output level to match, so the user can alter dynamics \"on the fly\" without level changes. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/p\u003e \u003cp\u003eRelease times vary with frequency, with high frequency\/full bandwidth content released faster than just low frequency for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the benefits of the API 525 are most obvious to those who use compression on a regular basis. \"Vintage\" dynamics control, an easy to use multi-function control set, and a wide range of 500 Series mounting options assure that the 525 will surpass your most critical applications. With the addition of a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules, the 525 is still, after 25 years—\"the sound\". Two or more 525s can be linked for multi-channel compression.\u003c\/p\u003e \u003cp\u003eThe 525 Feedback Compressor\/Limiter makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of API products. \u003c\/p\u003e\u003cp\u003eOriginally released in the 70's, the API 525 is a \"feedback\" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional \"Ceiling\" fine tune function modifies threshold \u003ci\u003eand\u003c\/i\u003e make-up gain for precise changes in compression without changes in output. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.\u003c\/p\u003e \u003cp\u003e\u003capi_warranty\u003e\u003c\/api_warranty\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360248935,"sku":"14219","price":1019.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_525_5_1.jpg?v=1787088703"},{"product_id":"api-527-demo-deal","title":"API 527 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAPI 527\u003c\/span\u003e compressor is a single channel module based on API's 225L discrete channel compressor. The 527 features comprehensive controls including variable attack, release, ratio, and outut gain controls. The unit also includes API's patented 'Thrust' circuit, first offered on the 2500 Stereo Bus Compressor. A 10 segment LED meter is switchable between gain reduction and output level. \u003cp\u003e\"Anyone who has used the 225L compressor found in API consoles has expressed a longing for the same kind of flexibility and control in the 500 Series for some time\" said Larry Droppa, President of API. \"We're delighted to now offer the 527 to complement our vintage 525 compressor, which has been many engineers' favorite compressor over the years.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360281703,"sku":"15618","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_527_3.jpg?v=1787088703"},{"product_id":"api-550a-demo-deal","title":"API 550A (Demo Deal)","description":"Few equalizers enjoy the respect and admiration of the coveted \u003cb\u003eAPI 550A\u003c\/b\u003e. Designed by the now legendary Saul Walker in the late 60's, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today. \u003cbr\u003e\u003cbr\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004. \u003cbr\u003e\u003cbr\u003eThe 550A provides reciprocal equalization at 15 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches and a push-button \"in\" switch allows the EQ to be silently inserted into the signal path. A small toggle switch is used to engage the band-pass filter.\u003cbr\u003e\u003cbr\u003eThe combination of Walker's incomparable 2520 op-amp, and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization. \u003cbr\u003e\u003cbr\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music. \u003cbr\u003e\u003cbr\u003e \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360314471,"sku":"13899","price":1069.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_550a_4.jpg?v=1787088703"},{"product_id":"api-550b-demo-deal","title":"API 550B (Demo Deal)","description":"The \u003cb\u003eAPI 550 discrete 4-band EQ\u003c\/b\u003e played a major part in the history of music recording in the USA during the 60's and 70's. Originally conceived for use in API's consoles, this latest 550 \"B\" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 op-amp), the 550B artfully blends the past with the present. So many hit records still depend on the unique 550 sound, that the 550B will be an invaluable tool you will turn to again and again. The API 550B—unlike any other you will ever use. \u003cp\u003eMany EQs today offer a huge assortment of complex features, but the API 550B provides exactly the right number of controls to the professional engineer. Deceptively simple at first glance, the 550B's four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves, selected through experience by a \"who's who\" list of the industry's most proficient engineers. This re-issue design has been taken from the original blueprints and spec control drawings from the API archives.\u003c\/p\u003e \u003cp\u003eMaking use of \"API Proportional-Q\", a design introduced by API in the 60's, the 550B intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings—without the need for additional bandwidth controls. This feature minimizes the \"phase-shift\" sound found in many equalizers. The reciprocal nature of the 550B enables the user to \"undo\" what has been done previously.\u003c\/p\u003e \u003cp\u003eThe benefits of the API 550B are most obvious to those who work with EQ on a continuous basis. The 550B's ability to affect or reverse tonal modifications is perhaps the most important feature. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 op-amp offers predictable and gentle \"analog\" performance under duress. With a surprisingly wide range of tonal variations, you can do no better than the API 550B.\u003c\/p\u003e  \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360347239,"sku":"15735","price":1166.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_550b_cat_1.jpg?v=1787088703"},{"product_id":"api-7800-master-module-demo-deal","title":"API 7800 Master Module (Demo Deal)","description":"\u003cspan style=\"font-weight: bold;\"\u003eAPI 7800 Rack Mounted Master Control Module\u003c\/span\u003e is the final stage in the line of 7600 Input Modules linked together in a console configuration. The new API 7800 fits into one rack space unit. It includes summing amps for the echo sends, busses and stereo mix bus when linked up with the 7600 input module. The 7800 is available in either a vertical or horizontal configuration, depending on the custom needs of the user. \u003cp\u003eComplete with external L100 power supply, the 7800 strip is the basis for building a 4 channel, 8 channel or even 16 channel professional sounding API console when used with the 7600.\u003c\/p\u003e \u003cp\u003eThis allows a studio to design a custom \"side-car\" console that can be used as extra inputs or as a portable \"floating\" console that can be moved from control room to control room. It can also be the basis for an extremely high quality 4 or 8+ channel console for remote recording applications, such as classical recordings or broadcast live remotes.\u003c\/p\u003e \u003cp\u003eThe 7800 includes the master controls for the solo system, including PFL, SIP and level control. There are six 2-track inputs, monitoring of the four sends, and monitoring of the stereo bus. There are XLR outputs for the stereo outputs as well as the speaker amp inputs. All other outputs are on a D-sub, with a DA-88 type pin-out. This is a professional master section that can be used in any application requiring a control room controller.\u003c\/p\u003e \u003cp\u003eFor engineers\/artists that are using a Pro Tools type of product, the 7800M is perfect for use as a control room master without the summing amps and output controls for the sends or busses. 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At home both in field recording and the studio environment, this \"new-old\" version is a re-issue of the original 560 with improved resolution in the critical area of ±4 dB. Incorporating API's exclusive circuitry and proprietary components (such as the legendary 2520 op-amp), the re-issue of the 560 artfully blends the past with present—layout with function. \u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe API 560 was created to fit all applications for the professional engineer. For most of the 70's and 80's, every remote recording console that API manufactured used this versatile graphic EQ. It is also ideal for studio and live sound applications, where a professional result is required. This re-issue design has been taken from the original blueprints and spec control drawings from the API archives.\u003c\/p\u003e \u003cp\u003eThe large number of available EQ bands makes the 560 an ideal companion to parametric EQ, as well as ideal for signal sweetening and room tuning. Not lacking in features, the 560 makes use of API's unique \"Proportional Q\" design introduced by API in the 60's, intuitively widening the filter bandwidth at lower boost\/cut levels and narrowing it at higher settings. In addition, boost and cut characteristics are identical, so previous actions can be undone.\u003c\/p\u003e \u003cp\u003eThe extraordinary headroom made possible with API's proprietary 2520 op-amp offers predictable and wonderful \"analog\" performance under duress. With a wider range of 500-series mounting options, the 560 will be a valuable asset to your performance-critical applications.\u003c\/p\u003e \u003cp\u003eThe 560 Graphic Equalizer makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/p\u003e  \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360412775,"sku":"14091","price":879.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_560_3.jpg?v=1787088704"},{"product_id":"api-8200-demo-deal","title":"API 8200 (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eAPI 8200 8 Channel Line Mixer\u003c\/span\u003e allows you to mix with genuine API circuitry. It works with the 7600 and 7800 to form a custom sized, easily expandable console configuration. The 8200 provides 8 inputs in one rack space and features a level control, a Panner and 2 Aux sends per channel. Each channel has a balanced input and conveniently switchable insert, Mute and Solo switches, making this the perfect mixer for any line level application. Requires a 7800 Master Controller.\u003cp\u003e\u003c\/p\u003e  \u003capi_warranty\u003e\u003c\/api_warranty\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449360478311,"sku":"13902","price":1435.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_8200_1_631ad3b7-53c5-4b15-a486-6f5f1f657205.jpg?v=1787088704"},{"product_id":"apogee-big-ben-demo-deal","title":"Apogee Big Ben (Demo Deal)","description":"\u003cb\u003e It's About Time...\u003c\/b\u003e\u003cbr\u003e For years audio professionals have been requesting that Apogee make their legendary clocking technology available in a stand-alone master clock. We have responded not only by making it available but by making it revolutionary. Apogee’s BIG BEN is already astonishing users with its ability to bring amazing clarity and quality to audio production while providing flexibility and features like no other studio clock before.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA Cure for the Jitters – Apogee’s new “C777” Clock\u003c\/b\u003e\u003cbr\u003e At the heart of any word clock regeneration is a phase lock loop (PLL). The PLL is a combination of analog and digital elements without the ability to dynamically adapt to the nature of the external clocks. In other words, the better the clock performance, the less flexibility it has. And conversely, the more flexibility there is in a PLL, the less effective it is at jitter reduction. Apogee’s new C777 is built to address these inadequacies. The C777 utilizes an entirely digital process that Apogee has developed using the most advanced Direct Digital Synthesis (DDS) technology available along with DSP based digital filtering. The result is the most aggressive jitter reduction ever. With the flexibility and stability provided the C777, Big Ben is able to re-clock devices with excessive jitter and function as if it were the master clock. The ultimate in flexibility combined with unprecedented levels of performance make the C777 unequaled in the world of clocking.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAdded Flexibility with Format Conversion\u003c\/b\u003e\u003cbr\u003e Not that you would expect it from a master clock, BIG BEN gives you the option of real-time format conversion. Use BIG BEN’s intuitive digital display to go from S\/PDIF to AES, AES to ADAT, ADAT to S\/PDIF, etc.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eX-Video Expansion Card for Video-Sync Generation\u003c\/b\u003e\u003cbr\u003e The multi-standard X-Video card will allow BIG BEN to function as a master video sync generator, outputting a composite video black-burst (including color burst for PAL and NTSC color). When functioning as a master video sync generator BIG BEN can perform as a clock slave to the video-board and generate digital audio clocks based on the video standard selected. Alternatively, the X-Video card can function as a Slave video sync generator. In this mode the output video will be a regeneration of the input video. The X-Video card will maintain the color-phase and field information through “Genlocking”, while simultaneously stripping the original signal from its pixel information.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“Adaptive Loop Filtering” (ALF)\u003c\/b\u003e\u003cbr\u003e ALF maximizes BIG BEN’s clocking ability with an intelligent low pass filter. Because the C777 has made all incoming signals into data (1’s and 0’s) BIG BEN is able to dynamically compensate for excessive jitter and even improve already acceptable clock signals to levels unattainable until now. No matter what your input looks like, ALF can adapt and overcome all obstacles to create a stable, reliable, low jitter clock source.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“SureLock”... Your Drop out Defense\u003c\/b\u003e\u003cbr\u003e So, BIG BEN is masterfully handling external clock signals and all of their anomalies and you’ve got your jitters under control. What if BIG BEN encounters the ultimate disturbance in clocking, a dropped signal? Not to worry, with “SureLock” BIG BEN will compensate by remaining locked on the last relevant frequency sent by the delinquent device. When the signal resumes, BIG BEN will gradually, and smoothly re-synchronize without interruption. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eTermination Issues... A Thing of the Past\u003c\/b\u003e\u003cbr\u003e Very often in an elaborate audio chain word clock signals are improperly terminated. 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It is the perfect choice for project studios who want high performance console sound, but have limited channel needs or budget constraints, and professional studios that want to add more channels to their existing desk through the addition of a side car. \u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe API 7600 fits into one rack space unit and it includes a genuine API mic pre, a compressor and a real 550A EQ right out of the glory days of rock 'n roll. The 7600 mic pre is the same 212L mic pre used in the Legacy Consoles. The EQ is an exact re-issue of the famed 550A, offering 3 bands of EQ with 7 frequency choices per band. 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Features such as a redesigned power supply, standard 192kHz sampling rates, the C777 clocking technology found in Big Ben, and optional Pro Tools HD and FireWire expansion cards, make the AD \u0026amp; DA-16X the most powerful and flexible conversion combination ever. And, not only does the X-Series hardware offer unequaled, groundbreaking technology but it makes it available at a fraction of the cost associated with previous, premium Apogee gear. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eAdvanced High-Definition Conversion\u003c\/b\u003e\u003cbr\u003e The most critical component in the digital recording environment is proper, high-quality conversion and since the dawn of digital recording the most desired converters have been made by Apogee. With up to 192k standard sample rates, the AD \u0026amp; DA-16X combine Apogee’s legendary conversion quality with the very latest in high-definition digital to provide unrivaled flexibility and quality. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRedesigned Power Supply\u003c\/b\u003e\u003cbr\u003e Enabling optimum conversion requires a state of the art power supply. The fully redesigned power system of the AD \u0026amp; DA-16X incorporates a specially designed Synchronous Switching power supply that works in conjunction with Apogee’s very stable low jitter clock and filtering technology to provide superior heat and noise performance and an improved transient response over our previous linear power supply. This creates a power system that delivers total efficiency and provides an ideal environment for premium conversion. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRedesigned Analog Section\u003c\/b\u003e\u003cbr\u003e Incorporated in the AD \u0026amp; DA-16X are the very latest developments in Apogee’s groundbreaking analog circuit design. Through sophisticated implementation and optimal configuration, the selection of premium, contemporary opamps allows the X-Series to deliver conversion performance never before heard, while maintaining the signature Apogee sound: Clear, transparent, focused and punchy. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eC777 Clocking used by Big Ben\u003c\/b\u003e\u003cbr\u003e The AD \u0026amp; DA 16-X use Apogee’s C777 clocking technology. Famous for keeping Big Ben on time, the C777 utilizes an entirely digital process that Apogee has developed with the most advanced Direct Digital Synthesis (DDS) technology and DSP-based digital filtering. With a stable, crystal based digital PLL handling the clocking, AD-16X and DA-16X are able to intelligently manipulate incoming signals and adapt to them accordingly. The result? The most aggressive jitter reduction ever and an astonishing and noticeable difference in sound quality. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eConnect Directly to Pro Tools HD or any FireWire Enabled Computer\u003c\/b\u003e\u003cbr\u003e Like their cousin the Rosetta 800, the AD \u0026amp; DA-16X offer an expansion card slot that greatly increases connectivity possibilities. Add an optional X-Series HD card and connect AD \u0026amp; DA-16X directly to your computer via your HD Core Card. Using Logic, Nuendo or any of the many native DAW’s? Add an X-FireWire card to your X-Series hardware and enjoy a direct, extremely low latency connection that supports FireWire 800 standards and has backwards compatibility with 400 standards. And, if you are buying multiple units, you can daisy chain up to a whopping 120 channels with incredibly low latency. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSoftLimit: Maximize Levels, Minimize Overs\u003c\/b\u003e\u003cbr\u003e One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. Soft Limit is an analog peak limiter that enables the capture of an additional 4-6 dB of level without going into an ‘over’ condition. Short of purchasing a very expensive stand-alone compressor\/limiter, there is currently no product on the market that handles this process better than SoftLimit. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eUV22HR: Dither Down with 24-bit Detail\u003c\/b\u003e\u003cbr\u003e UV22HR is Apogee´s industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the CD mastering. UV22HR is also being employed to produce dramatically improved internet and computer audio content without increased file sizes or data rates. It is estimated that 8 out of 10 hit records are mastered using Apogee’s UV22HR technology. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eHigh Performance Output\u003c\/b\u003e\u003cbr\u003e The DA-16X uses Apogee’s newly developed electronically balanced line drivers. Originally designed for the Mini-DAC, these line drivers are able to simulate true transformer behavior. The circuitry is an ultra low output impedance, high current driver, capable of running levels up to 26 dBu to the most complex or low impedance loads. Recording studios utilizing vintage audio-equipment will find this particularly valuable. Ultimately, the output performance of the DA-16X achieves perfect symmetry when used in balanced mode (even with an unsymmetrical load) and no increased distortion when used unbalanced.","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449360543847,"sku":"13904","price":2764.55,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_da-16x_2.jpg?v=1787088704"},{"product_id":"apogee-mini-rack-mount-tray-demo-deal","title":"Apogee Mini Rack Mount Tray (Demo Deal)","description":"\u003cb\u003eRack 'Em Up!\u003c\/b\u003e\u003cp\u003e Lucky enough to have the complete Mini-Series (or aspiring to)...? Then you need a place to put them. The Mini-Series rack tray is simple, strong and painted to match your Minis. The rack's dimensions are 19\" w X 8.125\" d X 1.75\" h and it provides a solid mount via two screws on the bottom of all Mini-Series units.\u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449360576615,"sku":"16640","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_mini_rack_mount_tray_1.jpg?v=1787088704"},{"product_id":"apogee-rosetta-200-demo-deal","title":"Apogee Rosetta 200 (Demo Deal)","description":"\u003cspan style=\"font-weight: bold;\"\u003eConnect the Apogee Rosetta 200 or Rosetta 800 directly to your Symphony System, Pro Tools HD, or to any Native DAW via the X-Symphony, X-HD or X-FireWire card\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e The Rosetta Series gives you two channels or eight channels of superior AD\/DA conversion at sample rates of up to 192k, Apogee's “SoftLimit”, “UV22HR”, and our advanced “Intelliclock”. The result is a premium digital recording solution that is built for the professional recording facility yet economical enough for the project studio.\u003cbr\u003e \u003cbr\u003e Legendary Apogee Conversion in High-Definition\u003cbr\u003e The most crucial process in the digital recording environment is high-quality analog to digital conversion and the most trusted and desirable converters are made by Apogee. With up to 192k standard sample rates, the Rosetta Series combines Apogee’s legendary conversion quality with flexibility that complements any digital audio workstation.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSymphony Connection\u003c\/span\u003e\u003cbr\u003e Either with the Symphony PCIe card and the extremely powerful Mac Pro or the Symphony Mobile card with the portable yet powerful Mac Book Pro, the Rosetta Series will make a great front end for your Symphony system when only a few channels of I\/O are needed.The great thing is that you can expand later by adding another Rosetta, or by adding from the AD-16X and DA-16X series converters.\u003cbr\u003e \u003cbr\u003e Pro Tools HD or Native FireWire connection\u003cbr\u003e Like the all new generation Apogee hardware, the Rosetta Series has an expansion card slot that accommodates all Apogee X-Series cards. This gives the Rosetta Series outstanding connection capability to Pro Tools HD with the “X-HD” card, or connect to any native DAW using the “X-FireWire\" card.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003e Intelliclock: Dual Stage Jitter Reduction\u003c\/span\u003e\u003cbr\u003e Another essential for outstanding digital recording is maintaining an ultra-low-jitter clock signal. To accomplish this, Rosetta Series utilizes Apogee’s Intelliclock. Intelliclock is really two clocks in one. A fast-responding ´read´ clock with a wide locking range fills a dedicated FIFO buffer while an ultra-low-jitter ´write´ clock writes the data out of the buffer, and is used to clock the converters.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSoftLimit: Maximize Levels, Minimize Overs\u003c\/span\u003e\u003cbr\u003e One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. With Apogee’s SoftLimit, you can maximize digital output levels without overs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eUV22HR: Dither Down with 24-bit Detail\u003c\/span\u003e\u003cbr\u003e UV22HR is Apogee´s industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the Internet and CD mastering. UV22HR is also being employed to produce dramatically improved Internet and computer audio content without increased file sizes or data rates.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCODA: Audio Finishing Module (Rosetta 200 only)\u003c\/span\u003e\u003cbr\u003e Including the Aptomizer, Sample Rate Conversion (SRC), and UV22HR\u003cbr\u003e \u003cbr\u003e As higher definition audio becomes ever-present in the recording process and music continues to be delivered as a product at 44.1kHz\/16-bit you need tools to minimize the loss of detail and quality that can be inherent in the course of music production.\u003cbr\u003e \u003cbr\u003e To meet these challenges Apogee has developed CODA. Unique to the Rosetta 200, CODA offers a trio of tools that will preserve the integrity of hi-def recordings with a minimal loss of quality. Heading up the CODA threesome is Apogee’s “Aptomizer”. With the Apotimizer you can maximize levels with out increasing noise and distortion. Great for mastering, the Apotimizer’s “Learn” mode allows the Rosetta 200 to automatically determine the optimum level, and use it consistently to normalize incoming audio.\u003cbr\u003e Another aspect of CODA is premium sample rate conversion (SRC). In the past, Apogee hardware has not offered sample rate conversion because the results were disappointing but recent advances have made SRC a viable option and now a vital part of CODA. With Apogee’s implementation of sample rate conversion you can up or down sample without noticeably affecting the quality of your audio. Apogee’s \"UV22HR\" dithering technology completes the CODA triangle by offering powerful reduction of high-resolution digital audio to 16 bits for the Internet and CD mastering. It is estimated that UV22HR is used on 8 out of 10 commercially released CDs in the U.S. The Rosetta 200 with CODA on board provides an end-to-end solution for capturing and optimizing high definition digital.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003ePower Trio\u003c\/span\u003e\u003cbr\u003e Apogee, Apple and Euphonix have been working together to provide a range of powerful integrated music creation tools that take the process of composing, recording, editing and mixing to a whole new level.","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449360609383,"sku":"15555","price":1675.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_rosetta_200.jpg?v=1787088704"},{"product_id":"atlas-ms-10c-35-63-microphone-stand-chrome-demo-deal","title":"Atlas MS-10C 35\"-63\" Microphone Stand - Chrome (Demo Deal)","description":"These \u003cspan style=\"font-weight: bold;\"\u003eMS10C \u003c\/span\u003eall-purpose chrome finished stands, are quality, long-lasting models which feature durable tubing, the famous Atlas Sound wear proof clutch, and a 10\" dia. die cast circular base. The three-piece clutch provides positive locking control and is able to withstand years of stage and studio handling. The base features edge concentrated weight distribution and is equipped with rubber pads to absorb shock and protect floor surfaces. \u003cbr\u003e\u003cbr\u003e The 5\/8\" and 7\/8\" dia. tubing is fully adjustable with a vertical extension ranging from 35\" to 63\".Tubing is manufactured of cold rolled steel and terminates in the industry standard 5\/8\" - 27thread suitable for microphone clamps and accessories (see reverse side). Top and bottomlock-nut rings are included for versatile and secure positioning.\u003cbr\u003e\u003cbr\u003e Atlas Sound brand microphone floor stand Model MS-10C is the industry standard for application in schools, churches, recreation complexes, lounges, restaurants, conference areas, meeting rooms or wherever sound reinforcement or communications systems are applied. Outstanding U.S. craftsmanship and high-quality materials are combined to make these functional, full-height stands extremely stable and durable-serving as exceptional values for performers and presenters.\u003cbr\u003e\u003cbr\u003e","brand":"Atlas Sound","offers":[{"title":"Default Title","offer_id":44449360642151,"sku":"13909","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/atlas_ms10c_1.jpg?v=1787088704"},{"product_id":"atlas-ms-12ce-34-62-microphone-stand-ebony-demo-deal","title":"Atlas MS-12CE 34\"-62\" Microphone Stand - Ebony (Demo Deal)","description":"\u003cb\u003eApplications\u003c\/b\u003e\u003cbr\u003e Rely on Atlas Sound brand microphone stand Models MS-12C\/MS-12CE for years of dependable service in schools, churches, clubs, restaurants, lecture halls, auditoriums, or wherever sound reinforcement or communications systems are applied. Superior construction and quality surface finishes provide years of extensive use and withstand frequent transportation. \u003cp\u003e\u003cb\u003eGeneral Description\u003c\/b\u003e \u003cbr\u003eMS-11C \/ MS-12C \/ MS-12CE. These professional full-height microphone stands feature a low profile base for stage and studio use. Practical features and rugged construction are combined in Models MS-12C and MS-12CE to produce superior general purpose microphone stands. Each model includes the famous Atlas Sound wearproof clutch with positive locking control for microphone height placement. \u003c\/p\u003e\u003cp\u003eStand construction is of 5\/8\" and 7\/8\" dia. heavy-duty welded cold rolled steel tubing with 5\/8\" - 27 male thread termination to accommodate standard microphone holders and accessories. Top and bottom lock-nut rings are included for versatile and secure positioning. The one-piece low silhouette cast iron base includes anti-tip stabilizers. \u003c\/p\u003e\u003cp\u003eModel MS-12C combines a chrome upright tube assembly with cast base finished in ebony, whereas the entire Model MS-12CE assembly is finished in non-reflective ebony epoxy. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eDetails\u003c\/b\u003e \u003cbr\u003e\u003cb\u003eMS-12C\u003c\/b\u003e\u003cbr\u003eHeight Span: 86 - 158cm\u003cbr\u003eBase Dia: 25cm\u003cbr\u003eTube Finish: Chrome\u003cbr\u003eBase Finish: Ebony\u003cbr\u003eWeight: 9.0 lbs (4.1 kg) \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMS-12CE\u003cbr\u003e\u003c\/b\u003eHeight Span: 86 - 158cm\u003cbr\u003eBase Dia: 25cm\u003cbr\u003eTube Finish: Ebony\u003cbr\u003eBase Finish: Ebony\u003cbr\u003eWeight: 9.0 lbs (4.1 kg)\u003c\/p\u003e","brand":"Atlas Sound","offers":[{"title":"Default Title","offer_id":44449360674919,"sku":"13910","price":24.37,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/atlas_ms12ce_1.jpg?v=1787088704"},{"product_id":"atlas-ms-20-37-66-heavy-duty-microphone-stand-chrome-demo-deal","title":"Atlas MS-20 37\"-66\" Heavy Duty Microphone Stand - Chrome (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAtlas Sound MS20\u003c\/span\u003e heavy-duty microphone stands provide extra stability, extend from 37\" to 66\", and are suitable for indoor\/outdoor use. Tubing is manufactured of 7\/8\" and 1-1\/8\" dia. cold rolled steel. 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For recording a single source with twin mics or mic+DI, the Variphase control on Mico's second channel allows precise phase alignment (or creative mis-alignment) of the two signal paths.","brand":"Audient","offers":[{"title":"Default Title","offer_id":44449360740455,"sku":"16707","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audient_mico_twin_mic_pre_1_1.jpg?v=1787088705"},{"product_id":"audio-accessories-shorti-quick-switch-to-db25-1-5ru-demo-deal","title":"Audio Accessories Shorti Quick-Switch to DB25 (Demo Deal)","description":"The next generation of Shorti Patch bays has arrived; this 2x48 audio patch bay is wired to DB25 connectors. This unit features exceptional flexibility with the \u003cb\u003eAudio Accessories, Inc.\u003c\/b\u003e exclusive Quick-Switch normalling system located on the rear of the panel. The Quick-Switch normalling allows you to set the individual normals on a per jack pair basis. This enables you to full-normal (FN), half-normal (HN) or non-normal (NN) by sliding the switches into the appropriate position. You also have grounding options: isolated, bussed, or grounds vertically strapped (GVS).\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e2x48x1.5RU Mini audio jack panel\u003c\/li\u003e\n\u003cli\u003eTRS out to DB25 female connectors\u003c\/li\u003e\n\u003cli\u003ePinned out for Pro Tools interface\u003c\/li\u003e\n\u003cli\u003eUser-Programmable Normalling\u003c\/li\u003e\n\u003c\/ul\u003e We have an \u003ca href=\"http:\/\/65.61.32.96\/documents\/patch%20bay-template.xls\"\u003eexcel template\u003c\/a\u003e that most people find useful for labeling the db25 shorti.","brand":"Audio Accessories","offers":[{"title":"Default Title","offer_id":44449360805991,"sku":"13970","price":1039.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audio_accessories_shorti_quick-switch_to_db25_1.5ru_1.jpg?v=1787088705"},{"product_id":"audient-asp008-aes-demo-deal","title":"Audient ASP008 - AES (Demo Deal)","description":"The \u003cb\u003eAudient ASP008\u003c\/b\u003e is a compact, 1U rack mount unit featuring eight ultra high quality mic pre-amplifiers developed from the renowned mic-pre design used in the acclaimed ASP8024 recording console. \u003cp\u003eThe design uses an 8 transistor discrete Class A front end with extended band-width and a noise floor close to the theoretical Johnson limit. Carefully chosen close tolerance components are used to achieve high CMRR at all gain settings and distortion is minimized to less than 0.001% at 20dB gain and +10dBu output. This outstanding technical performance delivers a mic amp with incredible transparency and detail without coloration or other unwanted artifacts. \u003c\/p\u003e\u003cp\u003eEach Mic amp also features switchable input impedance, allowing the user to explore the subtle variations in microphone character that are determined by output termination. \u003c\/p\u003e\u003cp\u003eAll channels include an XLR input, soft start 48V phantom power, switchable input impedance, 25-250Hz hi-pass filter as well as line input selection. Channels 1 and 2 also feature a -20dB attenuator and a high-impedance Instrument\/DI input on a front panel mounted jack. LEDs provide indication of signal present and overload. \u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":44449360773223,"sku":"16705","price":1600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audient_asp008_1_3.jpg?v=1787088705"},{"product_id":"auralex-spacecouplers-pair-demo-deal","title":"Auralex SpaceCouplers - Pair (Demo Deal)","description":"For audio professionals who seek to provide a small room acoustical environment supportive of a wide range of performance and recording styles, the pArtScience™ SpaceCoupler™ is an acoustical treatment that creates a natural “large sound” within a small room footprint. Unlike current alternatives which involve custom design and remodeling, the SpaceCoupler works within the current room footprint for a fraction of the cost. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e \u003cli\u003eQuantity: 2 per Box \u003c\/li\u003e\u003cli\u003eDimensions: 23-5\/8\" x 23-5\/8\" x 3\" \u003c\/li\u003e\u003cli\u003eFinish: Natural Wood \u003c\/li\u003e","brand":"Auralex","offers":[{"title":"Default Title","offer_id":44449360838759,"sku":"13876","price":298.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/auralex_spacecouplers_pair_1.jpg?v=1787088705"},{"product_id":"avantone-active-mixcubes-cream-pair-demo-deal","title":"Avantone Active MixCubes - Cream, Pair (Demo Deal)","description":"The \u003cb\u003eAvantone Active MixCubes™\u003c\/b\u003e are designed to be high resolution, full-range powered mini-reference monitors for fixed or remote locations.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nThe secondary engineering facet was to create a timeless design that compliments a single full range transducer.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\n\u003cb\u003ePerformance objective\u003c\/b\u003e\r\n\u003cbr\u003e\r\n\r\nStudios primarily use 2-way \u0026amp; 3-way large monitors designed to \r\nrepresent a wide range reference viewpoint at higher listening levels.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nHowever …… in the newly developing age of High Definition Audio, there \r\nis still a need to hear what your mix will sound like when played back \r\nover small “bass-challenged” systems such as televisions, clock radios, \r\ncomputers, car stereos, ipod docking stations, etc.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nIt is important to make mixing judgments based partially on listening to\r\n reference monitors that will not impart tonal anomalies caused by \r\ncrossovers or inferior full range drivers. Particular attention is \r\nalways paid to the critical mid-range vocal\/guitar\/keyboard areas. This \r\nis where having a full-range monitor without a crossover is truly \r\nrevealing.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nMore than twelve months of R\u0026amp;D, comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes™.\r\n\u003cbr\u003e\u003cbr\u003e\r\n\r\nThe result is a very smooth sounding, full range upgrade from those old \r\nfamiliar 5C Sound Cubes™ engineers were so fond of in the 1980’s-1990’s.\r\nListening tests reveal that the MixCubes™ have a smoother midrange, more\r\n accurate, transparent top end response with extended bass while \r\nmaintaining the basic characteristics of those original little cubes\r\n\u003cbr\u003e\u003cbr\u003e\r\n\u003cb\u003eCabinet Design\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eConstructed of non-layered, high rigidity MDF board due to its natural low-resonance characteristics.\r\n\r\n\u003c\/li\u003e\n\u003cli\u003eAll cabinet edges are radiused.\r\n\r\n\u003c\/li\u003e\n\u003cli\u003eElegant Polyurethane high gloss “Butter-Cream” finish\r\n\r\n\u003c\/li\u003e\n\u003cli\u003e7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant acoustic isolator.\r\n\r\n\u003c\/li\u003e\n\u003cli\u003eFor creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e\r\n\u003cul\u003e\n\u003cli\u003eSystem Type: Active (Self-powered) shielded full-range stereo pair  \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 90Hz - 17,000Hz (useful musical range)\u003c\/li\u003e\n\u003cli\u003eDriver Impedance: Nominal 8 ohms\u003c\/li\u003e\n\u003cli\u003eMax SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/li\u003e\n\u003cli\u003eAmplifier Type: Class A\/B\u003c\/li\u003e\n\u003cli\u003eAmplifier Power: 60 watts RMS@ .005% THD (1KHz)   \u003c\/li\u003e\n\u003cli\u003eAmp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/li\u003e\n\u003cli\u003eNoise: S\/N -113 dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/li\u003e\n\u003cli\u003eDriver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/li\u003e\n\u003cli\u003eCabinet: Sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/li\u003e\n\u003cli\u003eInputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/li\u003e\n\u003cli\u003eWeight: 7 lb 5 oz (per speaker)\u003c\/li\u003e\n\u003cli\u003eDimensions: 6 1\/2\" x 6 1\/2\" x 6 1\/2\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":44449360871527,"sku":"15219","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avantone_mixcubes_active_1_1.jpg?v=1787088705"},{"product_id":"avedis-ma5-microphone-pre-demo-deal","title":"Avedis Audio Electronics MA5 Microphone Pre (Demo Deal)","description":"After some requests from audio engineers, the \u003cb\u003eAvedis Audio MA5\u003c\/b\u003e was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70's British consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound. \u003cbr\u003e\u003cbr\u003e Much time was spent on the MA5, not only on the engineering side of the design, but also to extensive sound evaluations in observation of specific settings, gain structures, and key components spanning a time frame of a little over a year. \u003cbr\u003e\u003cbr\u003e We have always believed that even with some of the best audio test analyzers we own and use, our ears' sensitivity, coupled with good judgment of sound through experience, is still unparalleled. In the end, it is our ears we are trying to satisfy. \u003cbr\u003e\u003cbr\u003e","brand":"Avedis Audio Electronics","offers":[{"title":"Default Title","offer_id":44449360904295,"sku":"16587","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avedis_ma5_black_knob_2.jpg?v=1787088705"},{"product_id":"avid-192-digital-expansion-card-demo-deal","title":"Avid 192 Digital Expansion Card (Demo Deal)","description":"By way of an expansion bay, 192 I\/O allows you to increase I\/O options with one of three available expansion cards — 192 AD, 192 DA or 192 Digital. Whether you want more analog inputs, outputs or digital I\/O, 192 I\/O is flexible enough to be custom tailored to suit your needs. \u003cp\u003e The 192 Digital card complements 192 I\/O's stock configuration with eight more channels of AES\/EBU, TDIF and ADAT I\/O connections — all of which can utilize the real-time sample-rate converter chips for streaming digital signals with any sample rate into your Pro Tools session. Simply install the 192 Digital card in 192 I\/O's easy-access back panel expansion bay, and you're ready to go.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449360937063,"sku":"15534","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_192_digital_expansion_card_1.jpg?v=1787088706"},{"product_id":"avid-96-i-o-demo-deal","title":"Avid 96 I\/O (Demo Deal)","description":"\u003cb\u003eDigidesign 96 I\/O Features\u003c\/b\u003e \u003cbr\u003e Supports up to 16 channels of high definition I\/O \u003cbr\u003e High-quality audio performance at a new, low price point \u003cul\u003e \u003cli\u003e8 channels of 24-bit\/96 kHz analog I\/O (TRS) \u003c\/li\u003e\n\u003cli\u003e8 channels of ADAT optical I\/O (TOS-Link) \u003c\/li\u003e\n\u003cli\u003e1 AES\/EBU I\/O pair (XLR) \u003c\/li\u003e\n\u003cli\u003e1 S\/PDIF I\/O pair (RCA) \u003c\/li\u003e\n\u003cli\u003eExpansion Port that allows for direct connection of another 96 I\/O \u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eLegacy Peripheral port that allows for connection of 888|24, 882|20, 1622, and 24-Bit ADAT Bridge I\/Os \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449360969831,"sku":"16516","price":1496.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_192_io_interface_1_1.jpg?v=1787088706"},{"product_id":"avid-c-24-demo-deal","title":"Avid C|24 (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eAvid C|24\u003c\/strong\u003e is a stylish mid-sized, non-expandable control surface that not only provides tactile control of Pro Tools software recording, editing, and mixing functions, it offers 16 high-quality analog preamps and an improved analog 5.1 surround monitor section that provide superb sound for your professional music and post-production projects.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTotal Hands-On Control\u003c\/strong\u003e\u003cbr\u003eC|24 provides direct hands-on access to recording, editing, routing, and mixing functions in Pro Tools software. The control surface features 24 bankable channel strips, each with a touch-sensitive, motorized fader; high-quality rotary encoder and LED ring; dedicated Mute, Solo, and channel select illuminated buttons; and dedicated Input, Record, EQ, Dynamics, Insert, Send, and Automation buttons. It also features many more Edit commands, windows management controls, and dedicated buttons than Control|24, plus a Soft Keys section that allows future features to be added as Pro Tools software evolves.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuperb Mic Preamps and Analog Submixer\u003c\/strong\u003e\u003cbr\u003eC|24 isn’t just about controlling tracks; you can connect mics, instruments, and line-level devices directly to the control surface’s audio inputs (via DB25 connections). C|24 features 16 super high-quality, low-noise preamps, each with a high-pass filter and variable input gain, that outperform those on Control|24 in every way, including gain, frequency response, signal-to-noise ratio, and more. It also houses an 8-channel stereo line submixer, which can be routed directly to the integrated monitor section, making it easy to mix signals from outboard instruments and gear.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional 5.1 Analog Monitor Section\u003c\/strong\u003e\u003cbr\u003eThe monitoring section in C|24 has been completely redesigned and improved, providing many features found on Avid’s coveted ICON integrated console systems. It features a professional, integrated 5.1 surround analog monitor section; 5.1, LCRS, and stereo presets for easy integration with Pro Tools; output metering for stereo and surround-sound operation; trimmable inputs and outputs; talkback latching and Auto Talkback modes; and more. And the built-in talkback mic and remote talkback and listenback inputs make it easy to set up two-way communication for your recording sessions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEfficient Console Ergonomics and Integration\u003c\/strong\u003e\u003cbr\u003eC|24 is designed to provide you with high workflow efficiency, and offers more dedicated controls and features, though it retains many of the same proven workflows, making upgrading to C|24 an easy transition. Flip mode makes it easy to switch encoder functions to the faders, while dedicated Bank Select and Nudge buttons enable easier Pro Tools mixer navigation. C|24 also offers an updated transport section for machine control integration; Windows Configurations and Memory Locations modes for creating, editing, and recalling these settings; an LED timecode display that shows absolute time, SMPTE, Feet\/Frames, and Bars\/Beats; and a jog\/shuttle wheel for scrubbing, editing, bank-nudging, and navigation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBeautiful, Streamlined Design\u003c\/strong\u003e\u003cbr\u003eSporting a sleek, industrial design with a stylish, dark graphite color scheme, C|24 fits right in with traditional and modern music and post-production studios. The control surface occupies a small footprint, offers an ergonomic design with a comfortable front bolster, and allows for better placement of your computer monitor and speakers thanks to its low-profile meterbridge. The control surface also features an intelligent switch design with bold graphics, making the layout easy to memorize and navigate. And the bright, easy-to-read, 55 x 2 LED scribble strips provide a 6-character, dual row display per channel for instant verification of channel names, plug-in parameters, sends, panning, and other editing functions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449361002599,"sku":"16689","price":8250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_c24_1_zoom_1.jpg?v=1787088706"},{"product_id":"avid-db25-db25-digisnake-4-demo-deal","title":"Avid DB25-DB25 DigiSnake - 4' (Demo Deal)","description":"\u003cp\u003eAvid offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I\/O components of your Pro Tools system. Uniquely designed for Avid gear, DigiSnakes are custom colored and labeled, feature a lifetime warranty, and are comprised of 110 ohm \"digital grade\" cable to accommodate either digital or analog signals. \u003cstrong\u003eAvid DigiSnakes\u003c\/strong\u003e make connecting your gear a quick, easy process, freeing you to spend your valuable time on your audio projects rather than the wires they travel across.\u003cbr\u003e\u003cbr\u003eTypically used for communication between any two standard DB25-equipped devices (e.g., PRE out to 192 I\/O analog in).\u003cbr\u003e\u003cbr\u003eCannot be used for AES\/EBU or TDIF digital dubbing. For TDIF dubbing, use the TDIF DigiSnake. For AES\/EBU digital dubbing, use two AES\/EBU DigiSnakes, connected end to end (XLR to XLR).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449361035367,"sku":"13925","price":98.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_db25_db25_digisnake_5.jpg?v=1787088706"},{"product_id":"bae-1004-blue-demo-deal","title":"BAE 1004 - Blue (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cspan style=\"font-weight: bold;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: bold;\"\u003e 1004 \u003c\/span\u003eis a mic line amp in a ten series format that shares a similar preamp\/line amp section to the 1073\/1084.\u003cbr\u003e\u003cbr\u003eThe line section ranges from 0dB to +6dB and the mic section ranges from 20dB to 65dB of gain.\u003cbr\u003e\u003cbr\u003elt has a selectable hi pass filter same as in the 1073. \u003cbr\u003e\u003cbr\u003ePhase switch to invert polarity 180 degrees.\u003cbr\u003e\u003cbr\u003eDirect input for line instruments such as guitar, bass and keyboards.\u003cbr\u003e\u003cbr\u003eAvailable in blue or black.\u003cbr\u003e\u003cbr\u003eSame pinout as 1073\/1084.","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361068135,"sku":"15748","price":1320.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1004_blue_1.jpg?v=1787088706"},{"product_id":"bae-1073-mic-pre-eq-19-rackmount-pair-with-psu-demo-deal","title":"BAE 1073 Mic Pre\/EQ 19\" Rackmount Pair - with PSU (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cspan style=\"font-weight: bold;\"\u003e 1073\u003c\/span\u003e preamp yields a really fat sound. It seems to add subharmonics to the low end which makes the bottom end sound huge. It smoothes the top end, giving the highs a silky sheen. The BAE 1073 slightly compresses transients, as well. It is a smooth, fat, larger than life sound. An added bonus is to use the front-panel DI inputs to fatten samples and synths and instruments. Balanced line-level inputs on the rear allow for fattening and punching up entire mixes, or in a signal chain with other +4 gear.\u003cbr\u003e\u003cbr\u003eThe B.A.E. 1073 equalizer is very broad-banded and musical. It has a hi-pass filter with four frequencies- 50 Hz, 80 Hz, 160 Hz and 300 Hz. The low frequency band is shelving and has four frequencies - 35 Hz, 60 Hz, 110 Hz and 220 Hz. The low end of this equalizer is so tight that you can boost 220 Hz and not muddy up the sound. The mid band has six frequencies - 360 Hz, 720 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz. The bandwidth is broad so you can boost or cut a lot without making things sound processed or unnatural. The hi band is shelving and is fixed at 12 kHz. It is smooth and silky and a little goes a long way. \u003cbr\u003e \u003cbr\u003e  \u003cfont style=\"font-style: italic;\" size=\"1\"\u003e*NEVE IS EITHER A TRADEMARK OR REGISTERED TRADEMARK OF AMS-NEVE LTD, AND BAE IS NOT AFFILIATED WITH SUCH ENTITY.\u003c\/font\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":44449361100903,"sku":"16854","price":5418.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bae_1073_rackmount_pair_with_psu.jpg?v=1787088706"},{"product_id":"bae-1073-mic-pre-eq-19-rackmount-with-psu-demo-deal","title":"BAE 1073 1U with PSU (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBAE 1073\u003c\/span\u003e preamp yields a really fat sound. It seems to add subharmonics to the low end which makes the bottom end sound huge. It smooths the top end, giving the highs a silky sheen.  The BAE 1073 slightly compresses transients, as well. It is a smooth, fat, larger than life sound. An added bonus is to use the front-panel DI inputs to fatten samples and synths and instruments.   Balanced line-level inputs on the rear allow for fattening and punching up entire mixes, or in a signal chain with other +4 gear.\u003cbr\u003e\u003cbr\u003eThe B.A.E. 1073 equalizer is very broad-banded and musical. It has a hi-pass filter with four frequencies- 50 Hz, 80 Hz, 160 Hz and 300 Hz.  The low frequency band is shelving and has four frequencies - 35 Hz, 60 Hz, 110 Hz and 220 Hz.  The low end of this equalizer is so tight that you can boost 220 Hz and not muddy up the sound. The mid band has six frequencies - 360 Hz, 720 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz. 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