{"title":"DiGiCo","description":null,"products":[{"product_id":"digico-x-sd9-2p-ws","title":"Digico X-SD9-2P-WS","description":"\u003cp\u003eThe \u003cstrong\u003eDigico SD9\u003c\/strong\u003e is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology. This lightweight, small-footprint console was designed with multiple applications in mind therefore is equally suited to life on the road or as part of any fixed installation, be it a theatre, conference centre, house of worship or school. The SD9 provides outstanding performance at a very competitive price point.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eScratching the surface\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SD9 features 24 touch-sensitive motorized faders and benefits from quick access function buttons for faster response times. At the heart of the console's work surface is a 15-inch, high resolution TFT LCD touch screen with backlit display.\r\nIn addition, the SD9 benefits from dedicated multi-function control knobs and electronic labelling.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWhat's under the hood?\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SD9 boasts 96 Channels at 48kHz\/96kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB\/octave, four-band parametric EQ with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe console also benefits from 155 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also 155 Multiband Compressors and 155 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe master section incorporates 16 gangable 32-band graphic EQs, 12 stereo effects (selectable from a palette of 33), and 12 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDigico have also included 48 busses, all of which are assignable as groups or auxiliary busses; and in addition to these busses, for further configurability, we've provided a 12 x 8 output matrix, dual solo busses, and a Master buss.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eI\/O\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SD9 has a vast Local I\/O section including eight mic inputs, eight line outs, four mono AES\/EBU, one MADI port, and two dedicated D-Rack Ports.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe D-Rack is a 32-input, eight-output remote I\/O rack which comes as standard with the SD9 with the option to increase to 16 outputs if desired. Users can also connect a second D-Rack (as with the Rack Pack combination) which will provide a total of 72 mic inputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThere is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition, there is an optional DiGiCo SoundGrid module which, when linked to an external PC server such as SoundGrid or DiGiGrid. This provides the user with instant access to 32 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack.  That's 128 I\/O - and as you'd expect from DiGiCo, this is all additional I\/O.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all snapshots and session files are saved within the console. Click here for more info.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMIDI (In, Out, Through)\u003c\/li\u003e\r\n\u003cli\u003eDust Cover and two Little Lites\u003c\/li\u003e\r\n\u003cli\u003e2 D Rack\/MADI over CAT5e Ports\u003c\/li\u003e\r\n\u003cli\u003eMADI In \u0026amp; Out Ports 2 GPI \u0026amp; 2 GPO (1\/4\")\u003c\/li\u003e\r\n\u003cli\u003eDiGiCo RCE Remote Control Editor\u003c\/li\u003e\r\n\u003cli\u003eOn Line\/Off Line\u003c\/li\u003e\r\n\u003cli\u003eShipping container\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450127708263,"sku":"78055","price":27154.13,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd9_78055_1_ab40e4c3-4233-48f5-adec-b0c98fc799c1.jpg?v=1787091808"},{"product_id":"digico-sd9-rack-pack-install-package-madi-only","title":"DiGiCo SD9 Digital Mixing Bundle Rack Pack Install Package with BNC MADI","description":"\u003cp\u003eDiGiCo SD9 Rack Pack Install Package - MADI Only:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eD-Racks x2 (part# X-D-RACK-2) 64\/16 I\/O (expandable to 64\/32)\u003c\/li\u003e \u003cli\u003eIncludes: CAT5e 75m (246 ft) cables x2, Dust Cover and Littlites x2 \u003c\/li\u003e \u003cli\u003eConnections: D-MADI x2, MADI x1\u003c\/li\u003e \u003cli\u003eConnectors: CAT5e, BNC (Surface)\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eCompact in size but big on features, the \u003cstrong\u003eDiGiCo SD9\u003c\/strong\u003e brings the strength of Stealth Digital Processing and floating point Super FPGA technology to an exceptionally accessible price point. Coupling the speed and efficiency of DiGiCo’s renowned workflow to the lightweight, small-footprint construction of a desk that fits every application, the fully integrated SD9 is as effective on the road as it is in a theatre, conference centre or house of worship.\u003c\/p\u003e  \u003cp\u003eBuilt for efficient and familiar operation, the SD9 work surface puts 24 touch-sensitive, motorized faders at your fingertips plus quick access function buttons within easy reach. A 15-inch, high resolution backlit TFT LCD touchscreen provides ease-of-use and at a glance operation, while dedicated multi-function control knobs and electronic labelling ensures the show is always a success. Welcome to the SD9 – your introduction to extraordinary high-end performance.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eUnder The Hood\u003c\/h3\u003e  \u003cp\u003eBoasting 96 channels at 48kHz\/96kHz, the SD9 delivers a wealth of functionality. Standard channel processing (inputs and outputs) includes Channel Delay, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB\/octave, four-band parametric EQ with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or Multi Band Compressor) and DYN 2 (Gate, Compressor or Ducker).\u003c\/p\u003e  \u003cp\u003eAlso onboard are 155 Dynamic EQ processors which can be assigned to any of the input or output channels; 155 Multiband Compressors and 155 DiGiTuBes. All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 16 gangable 32 band graphic EQs, 12 stereo effects (selectable from a palette of 33), and 12 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.\u003c\/p\u003e  \u003cp\u003eThe SD9’s 48 busses are all assignable as groups or auxiliary busses while further configurability comes courtesy of a 12×8 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eI\/O\u003c\/h3\u003e  \u003cp\u003eThe SD9’s vast local I\/O section offers eight mic inputs, eight line outs, four mono AES\/EBU, one MADI port, and two dedicated D-Rack Ports. As standard, every SD9 is accompanied by a D-Rack, with 32-inputs and eight outputs (extendable to 16). A second D-Rack can be connected for a total of 72 mic inputs.\u003c\/p\u003e  \u003cp\u003eUsers can also choose a factory-fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop, and a DiGiCo SoundGrid module giving instant access to 32 fully integrated low-latency Waves stereo MultiRacks.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450198716519,"sku":"87586","price":49093.35,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd9-rack-pack_87586_1_af2378cd-6c0f-42f9-abdf-5f573d2582f8.jpg?v=1787092090"},{"product_id":"digico-x-sd11i-ws-sd11i-control-surface-madi-only","title":"DiGiCo SD11i Control Surface - MADI Only","description":"\u003cp\u003eThink the SD11, but with a bit more of everything. Though aesthetically identical, the \u003cstrong\u003eDiGiCo SD11i\u003c\/strong\u003e packs more of a punch in pretty much every department: and DiGiCo have crammed more processing power into the same 19-inch rack mount\/table top shell, which makes the SD11i an even more powerful solution. Easily transportable and simple to incorporate into any mixing environment, this supercharged model delivers a very high performance at a fantastic price point.\u003c\/p\u003e   \u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eScratching the surface\u003c\/h3\u003e  \u003cp\u003eLike the SD11, the SD11i is manufactured with the same steel chassis and polycarbonate-overlaid aluminum work surface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo's trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow.\u003c\/p\u003e  \u003ch3\u003eWhat's under the hood?\u003c\/h3\u003e  \u003cp\u003eThe SD11i boasts 80 Channels at 48 kHz or 96 kHz. Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24 dB\/octave, six-band parametric EQ with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).\u003c\/p\u003e  \u003cp\u003eThe console also benefits from 115 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 115 Multi-band Compressors and 115 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.\u003c\/p\u003e  \u003cp\u003eThe master section incorporates 12 gangable 32-band graphic EQs, 8 stereo effects (selectable from a palette of 33), and eight control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.\u003c\/p\u003e  \u003cp\u003eIn addition, DiGiCo have included 24 busses all of which are assignable as mono\/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, there is a 12 x 8 output matrix, dual solo busses, and a Master buss.\u003c\/p\u003e  \u003cp\u003eUnlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.\u003c\/p\u003e  \u003ch3\u003eI\/O\u003c\/h3\u003e  \u003cp\u003eFor a little console, the SD11i's I\/O section is monumental: Local I\/O includes 16 mic\/line inputs, eight line outs, two mono AES\/EBU, one MADI port, and one dedicated D-Rack port.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450224865383,"sku":"78918","price":14575.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd11i_78918_1.jpg?v=1787092202"},{"product_id":"digico-sd5-control-surface-madi-multi-mode-optics-st","title":"DiGiCo SD5 Control Surface - MADI \u0026 Multi-Mode Optics ST","description":"\u003cp\u003eRemember the D5 Live? Well, the \u003cstrong\u003eDiGiCo SD5\u003c\/strong\u003e is the modern-day incarnation of that console; think the D5 Live on steroids and you're getting close! Yes, it fits directly into the D5's shoes, but thanks to the inclusion of Stealth Digital Processing, floating-point Super FPGA technology, and a host of new features, it packs a far bigger punch.\u003c\/p\u003e  \u003ch3\u003eScratching the surface\u003c\/h3\u003e  \u003cp\u003eLike the SD10, the SD5's 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full color TFT touch screens for even quicker access and multi-user applications. In addition, there are two interactive dynamic metering displays (IDMs) as used in its big brother, the SD7.\u003c\/p\u003e  \u003cp\u003eThe centrally located master screen has been incorporated into the work surface meterbridge design to provide a lower profile meter bridge and allow for complete user feedback; this means the engineer never needs to move far from mix position: there is clear visibility of everyone on stage, and all control is less than an arm's length away.\u003c\/p\u003e  \u003cp\u003eTo make life even easier, engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or or dedicated switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.\u003c\/p\u003e  \u003ch3\u003eWhat's under the hood?\u003c\/h3\u003e  \u003cp\u003eThe SD5 provides up to 253 processing channels at 48 kHz\/96 kHz.\u003c\/p\u003e  \u003cp\u003eStandard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24 dB\/octave, four-band parametric EQ (eight on the outputs) with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or  Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).\u003c\/p\u003e  \u003cp\u003eThe console also benefits from 253 Dynamic EQ processors, all of which are available on any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 253 Multiband Compressors and 253 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.\u003c\/p\u003e  \u003cp\u003eThe master section incorporates 32 gangable 32-band graphic EQs, 48 stereo effects (selectable from a palette of 33), and 36 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.\u003c\/p\u003e  \u003cp\u003eIn addition, DiGiCo have included up to 128 configurable busses, all of which are assignable as mono\/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, they have provided a 24 x 24 output matrix, dual solo busses, and a stereo\/LCR Master buss.\u003c\/p\u003e  \u003cp\u003eUnlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.\u003c\/p\u003e  \u003ch3\u003eI\/O\u003c\/h3\u003e  \u003cp\u003eThe rear of the SD5 houses all of the I\/O, and there's plenty: eight mic inputs, eight line inputs, eight mono AES I\/O, three redundant MADI ports, and one Optocore loop.\u003c\/p\u003e  \u003cp\u003eThis amounts to an incredible 1264 I\/O connections on a single optic loop with one work surface.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450224898151,"sku":"94687","price":129318.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd5_94687_1_6ddff29d-19b5-466b-992e-ad6b0de91636.jpg?v=1787092203"},{"product_id":"digico-sd11i-rack-pack-madi-only","title":"DiGiCo SD11i Rack Pack - MADI Only","description":"\u003cp\u003eThink the SD11, but with a bit more of everything. Though aesthetically identical, the \u003cstrong\u003eDiGiCo SD11i\u003c\/strong\u003e packs more of a punch in pretty much every department: and DiGiCo have crammed more processing power into the same 19-inch rack mount\/table top shell, which makes the SD11i an even more powerful solution. Easily transportable and simple to incorporate into any mixing environment, this supercharged model delivers a very high performance at a fantastic price point.\u003c\/p\u003e   \u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eScratching the surface\u003c\/h3\u003e  \u003cp\u003eLike the SD11, the SD11i is manufactured with the same steel chassis and polycarbonate-overlaid aluminum work surface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo's trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow.\u003c\/p\u003e  \u003ch3\u003eWhat's under the hood?\u003c\/h3\u003e  \u003cp\u003eThe SD11i boasts 80 Channels at 48 kHz or 96 kHz. Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24 dB\/octave, six-band parametric EQ with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).\u003c\/p\u003e  \u003cp\u003eThe console also benefits from 115 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 115 Multi-band Compressors and 115 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.\u003c\/p\u003e  \u003cp\u003eThe master section incorporates 12 gangable 32-band graphic EQs, 8 stereo effects (selectable from a palette of 33), and eight control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.\u003c\/p\u003e  \u003cp\u003eIn addition, DiGiCo have included 24 busses all of which are assignable as mono\/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, there is a 12 x 8 output matrix, dual solo busses, and a Master buss.\u003c\/p\u003e  \u003cp\u003eUnlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.\u003c\/p\u003e  \u003ch3\u003eI\/O\u003c\/h3\u003e  \u003cp\u003eFor a little console, the SD11i's I\/O section is monumental: Local I\/O includes 16 mic\/line inputs, eight line outs, two mono AES\/EBU, one MADI port, and one dedicated D-Rack port.\u003c\/p\u003e  \u003ch3\u003eD-Rack\u003c\/h3\u003e  \u003cp\u003eThe D-Rack provides 32 microphone inputs, 8 line outputs and 8 modular outputs that can be selected as either analogue or AES, providing a maximum capacity of 32 ins and 16 outs. With a digital CAT5E cable to connect to the console work surface, the hum and noise of analogue multicores are eliminated. The D-Rack can now also run @96 kHz on CAT5E with 28 Mic inputs and up to 16 outputs.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450224930919,"sku":"78917","price":19305.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd11i-d-rack_78917_1_ca8373b1-a913-4e2a-854f-947365fd2cd2.jpg?v=1787092203"},{"product_id":"digico-sd11i-control-surface-madi-multi-mode-optics-st","title":"DiGiCo SD11i Control Surface - MADI \u0026 Multi-Mode Optics ST","description":"\u003cp\u003eThink the SD11, but with a bit more of everything. Though aesthetically identical, the \u003cstrong\u003eDiGiCo SD11i\u003c\/strong\u003e packs more of a punch in pretty much every department: and DiGiCo have crammed more processing power into the same 19-inch rack mount\/table top shell, which makes the SD11i an even more powerful solution. Easily transportable and simple to incorporate into any mixing environment, this supercharged model delivers a very high performance at a fantastic price point.\u003c\/p\u003e   \u003cp\u003e  \u003c\/p\u003e\u003ch3\u003eScratching the surface\u003c\/h3\u003e  \u003cp\u003eLike the SD11, the SD11i is manufactured with the same steel chassis and polycarbonate-overlaid aluminum work surface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo's trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow.\u003c\/p\u003e  \u003ch3\u003eWhat's under the hood?\u003c\/h3\u003e  \u003cp\u003eThe SD11i boasts 80 Channels at 48 kHz or 96 kHz. Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24 dB\/octave, six-band parametric EQ with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).\u003c\/p\u003e  \u003cp\u003eThe console also benefits from 115 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 115 Multi-band Compressors and 115 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.\u003c\/p\u003e  \u003cp\u003eThe master section incorporates 12 gangable 32-band graphic EQs, 8 stereo effects (selectable from a palette of 33), and eight control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.\u003c\/p\u003e  \u003cp\u003eIn addition, DiGiCo have included 24 busses all of which are assignable as mono\/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, there is a 12 x 8 output matrix, dual solo busses, and a Master buss.\u003c\/p\u003e  \u003cp\u003eUnlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.\u003c\/p\u003e  \u003ch3\u003eI\/O\u003c\/h3\u003e  \u003cp\u003eFor a little console, the SD11i's I\/O section is monumental: Local I\/O includes 16 mic\/line inputs, eight line outs, two mono AES\/EBU, one MADI port, and one dedicated D-Rack port.\u003c\/p\u003e  There is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop.","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450224963687,"sku":"81875","price":24483.35,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd11i_78918_1_f2855668-7de0-4576-9177-5f49c384ddf4.jpg?v=1787092203"},{"product_id":"digico-sd10-control-surface-madi-multi-mode-optics-hma","title":"DiGiCo SD10 Control Surface - MADI \u0026 Multi-Mode Optics HMA","description":"\u003cp\u003eThe \u003cstrong\u003eDiGiCo SD10\u003c\/strong\u003e includes many of DiGiCo's flagship SD7's features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer's needs.\u003c\/p\u003e  \u003ch3\u003eScratching the surface\u003c\/h3\u003e  \u003cp\u003eSD10 features three banks of 12 motorized faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. In the centre of the work surface sits the familiar 15-inch backlit color-keyed TFT touch screen, home of the console's super-intuitive control interface.\u003c\/p\u003e  \u003cp\u003eThe sheer intelligence of the SD10 means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.\u003c\/p\u003e  \u003ch3\u003eWhat's under the hood?\u003c\/h3\u003e  \u003cp\u003eThe SD10 boasts 132 processing channels at 48 kHz\/96 kHz, Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24 dB\/octave, four-band parametric EQ with band curve selection, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).\u003c\/p\u003e  \u003cp\u003eThe console also benefits from 218 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also 218 Multiband Compressors and 218 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.\u003c\/p\u003e  \u003cp\u003eThe master section incorporates 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.\u003c\/p\u003e  \u003cp\u003eDiGiCo have included 56 busses, which can be configured as groups or auxiliary busses; and in addition to these busses, for further configurability, they've provided a 24 x 24 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.\u003c\/p\u003e  \u003ch3\u003eI\/O\u003c\/h3\u003e  \u003cp\u003eAt the rear of the SD10, there is an abundance of local I\/O: eight mic inputs, eight line inputs, eight mono AES I\/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections.\u003c\/p\u003e  \u003cp\u003eThe SD10 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192 kHz high resolution analog conversion. This opens the door to a wealth of interfacing options and provides the user with even further flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engined consoles can connect to one optical loop, which means a massive 1152 I\/O connections are achievable (56 inputs and 56 outputs per SD-Rack).\u003c\/p\u003e  \u003cp\u003eIn short, you could mix the Philharmonic on this – comfortably.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450224996455,"sku":"76590","price":79443.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd10_76590_1_9dde048c-a12b-4c94-97c5-399dd0ef10ac.jpg?v=1787092204"},{"product_id":"digico-sd-mini-rack-192-khz-multi-mode-st","title":"DiGiCo SD-MINI Rack 192 kHz, Multi-Mode ST","description":"\u003cp\u003eThe \u003cstrong\u003eDiGiCo SD-Mini Rack\u003c\/strong\u003e is the latest addition to the DiGiCo range of high sample rate racks, complementing the SD, SD-Nano and D racks to make a completely flexible remote rack solution for any situation.\u003c\/p\u003e  \u003cp\u003eThe SD-Mini is a 4U rack and can accept SD input and output cards be they analogue or digital including AES\/EBU, Dante, AES-42, ADAT, HD-SDI and Aviom. 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This, coupled with the ability for any of the five consoles that can sit on one optical loop being able to address all inputs and individually address output slots on any rack, giving any engineer or system designer the flexibility and power they need to make any complex situation easy and intuitive.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450225061991,"sku":"76592","price":11695.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd-mini_81876_1_3970e7ff-82a7-4192-bf6f-b223d78c6146.jpg?v=1787092203"},{"product_id":"digico-sd-rack-192khz-multi-mode-st","title":"DiGiCo SD Rack 192 kHz, Multi-Mode ST","description":"\u003cp\u003eTo get the most from the best in mixing console technology, you need the finest I\/O rack available. So meet the \u003cstrong\u003eDiGiCo SD Rack\u003c\/strong\u003e, delivering up to 192 kHz high resolution analog I\/O converters and multiple digital formats including: MADI, AES, ADAT and Aviom.\u003c\/p\u003e  \u003cp\u003eBased on nine years of digital touring experience with the D and SD Series consoles, DiGiCo have completely redesigned the SD7’s new rack to provide a wealth of improvements to complement its state-of-the-art sample rate. Based around the Stealth FPGA technology that delivers the SD7’s acclaimed sonic quality, the SD Rack with Multiple Synchronous I\/O is the ultimate upgrade for SD7.\u003c\/p\u003e  \u003ch3\u003eSample Rate Conversion\u003c\/h3\u003e  \u003cp\u003eWhile the SD Rack converters can operate at 192 khz, you can also select other sample rate options for specific outputs – MADI at 48 kHz for broadcast or recording feeds, for example, or 96 kHz.\u003c\/p\u003e  \u003cp\u003eIn other words, when used in conjunction with any SD console, the SD Rack will serve you as a multi-sample rate signal splitter that even allows you to use the ultra-smooth microphone preamps to replace the standard mic preamps of an analog or other digital console.\u003c\/p\u003e  \u003ch3\u003eThe Versatility of Gain Tracking and Splitting\u003c\/h3\u003e  \u003cp\u003eThe provision of built-in Gain Tracking allows another console or a broadcaster to take any of an SD Rack’s AES, analog, or MADI outputs at a stable level, irrespective of the microphone preamp settings on the SD console, covering a signal level range of ±40 dB. Splitting is also provided on the SD Rack’s analog and digital outputs, allowing you to split the input signals directly out to, for example, an analog or digital monitor console. Splitting and sample rate conversion is even offered on the two dedicated MADI SPLIT outputs.\u003c\/p\u003e  \u003cp\u003eThese facilities have become increasingly in demand on complex shows with a potential combination of digital and analog consoles and broadcast feeds. The Gain Tracking and Splitting features – switchable per I\/O card – simply allow an audio team to select whether or not outputs should follow the SD consoles microphone preamp settings.\u003c\/p\u003e  \u003cp\u003eOtherwise, you’ll find the familiar 56 input \/ 56 output arrangement, in blocks of eight, allowing you to populate the SD Rack with the I\/O cards to suit your application. These include analog inputs and outputs, AES inputs and outputs, bidirectional AES input \/ output, AES-42, ADAT and Aviom. The cards themselves are hot-swappable, with the SD Rack automatically detecting the card that has been plugged in, and further I\/O card options are already in the pipeline for future development.\u003c\/p\u003e  \u003ch3\u003eEven More Practicality\u003c\/h3\u003e  \u003cp\u003eDiGiCo have also taken the opportunity to turn the SD rack, quite literally, on its head. Reversing the previous design, the dual hotswappable power supply units, RGB backlit multi-function display, MADI and optical connections are now located at the top of the rack for fast access, above the I\/O cards. The benefit? Your connector looms can remain in place near floor level, while the more frequently accessed components and control functions are right on top.\u003c\/p\u003e  \u003cp\u003eOther useful touches are ‘48 V present’ LEDs that light to confirm 48 V is present per XLR. A further LED indicates signal present at each analogue input, giving you a complete picture of activity on the SD Rack itself.\u003c\/p\u003e  \u003cp\u003eAudio connections to the console are completed by the dual MADI interface providing a MADI main and a MADI auxiliary input and output.\u003c\/p\u003e  \u003ch3\u003eFuture Development includes Remote Setup and Monitoring\u003c\/h3\u003e  \u003cp\u003eFor even simpler setup configuration, the SD Rack USB Port feature allows remote monitoring and control of all SD Rack settings with an attached PC or Intel based Mac.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450225094759,"sku":"94690","price":11639.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-sd-rack_94690_1_00e0b75d-10b5-4d96-81be-ec4689aaa63f.jpg?v=1787092203"},{"product_id":"digico-sd-rack-192khz-multi-mode-hma","title":"DiGiCo SD Rack 192 kHz, Multi-Mode HMA","description":"\u003cp\u003eTo get the most from the best in mixing console technology, you need the finest I\/O rack available. So meet the \u003cstrong\u003eDiGiCo SD Rack\u003c\/strong\u003e, delivering up to 192 kHz high resolution analog I\/O converters and multiple digital formats including: MADI, AES, ADAT and Aviom.\u003c\/p\u003e  \u003cp\u003eBased on nine years of digital touring experience with the D and SD Series consoles, DiGiCo have completely redesigned the SD7’s new rack to provide a wealth of improvements to complement its state-of-the-art sample rate. Based around the Stealth FPGA technology that delivers the SD7’s acclaimed sonic quality, the SD Rack with Multiple Synchronous I\/O is the ultimate upgrade for SD7.\u003c\/p\u003e  \u003ch3\u003eSample Rate Conversion\u003c\/h3\u003e  \u003cp\u003eWhile the SD Rack converters can operate at 192 khz, you can also select other sample rate options for specific outputs – MADI at 48 kHz for broadcast or recording feeds, for example, or 96 kHz.\u003c\/p\u003e  \u003cp\u003eIn other words, when used in conjunction with any SD console, the SD Rack will serve you as a multi-sample rate signal splitter that even allows you to use the ultra-smooth microphone preamps to replace the standard mic preamps of an analog or other digital console.\u003c\/p\u003e  \u003ch3\u003eThe Versatility of Gain Tracking and Splitting\u003c\/h3\u003e  \u003cp\u003eThe provision of built-in Gain Tracking allows another console or a broadcaster to take any of an SD Rack’s AES, analog, or MADI outputs at a stable level, irrespective of the microphone preamp settings on the SD console, covering a signal level range of ±40 dB. Splitting is also provided on the SD Rack’s analog and digital outputs, allowing you to split the input signals directly out to, for example, an analog or digital monitor console. Splitting and sample rate conversion is even offered on the two dedicated MADI SPLIT outputs.\u003c\/p\u003e  \u003cp\u003eThese facilities have become increasingly in demand on complex shows with a potential combination of digital and analog consoles and broadcast feeds. The Gain Tracking and Splitting features – switchable per I\/O card – simply allow an audio team to select whether or not outputs should follow the SD consoles microphone preamp settings.\u003c\/p\u003e  \u003cp\u003eOtherwise, you’ll find the familiar 56 input \/ 56 output arrangement, in blocks of eight, allowing you to populate the SD Rack with the I\/O cards to suit your application. These include analog inputs and outputs, AES inputs and outputs, bidirectional AES input \/ output, AES-42, ADAT and Aviom. The cards themselves are hot-swappable, with the SD Rack automatically detecting the card that has been plugged in, and further I\/O card options are already in the pipeline for future development.\u003c\/p\u003e  \u003ch3\u003eEven More Practicality\u003c\/h3\u003e  \u003cp\u003eDiGiCo have also taken the opportunity to turn the SD rack, quite literally, on its head. Reversing the previous design, the dual hotswappable power supply units, RGB backlit multi-function display, MADI and optical connections are now located at the top of the rack for fast access, above the I\/O cards. The benefit? Your connector looms can remain in place near floor level, while the more frequently accessed components and control functions are right on top.\u003c\/p\u003e  \u003cp\u003eOther useful touches are ‘48 V present’ LEDs that light to confirm 48 V is present per XLR. 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These values have required the same pioneering approach to design, not to follow the trend but to deliver the flagship for a price point - and change expectations. The \u003cstrong\u003eDiGiCo S21\u003c\/strong\u003e does exactly that. By using new, lower cost FPGA components programmed with the same audio algorithms, and combined with a new form of control processor, DiGiCo is able to deliver the S21 with the fundamental technological values at it's core. Running in harmony with the FPGA core is a new ARM QuadCore RISC processor. Delivering faster processing with lower power consumption, this efficient tool, combined with the audio core, has allowed the development of a cost effective console worthy of carrying the DiGiCo brand to existing and new owners and users.\u003c\/p\u003e  \u003ch3\u003eHow to make the step\u003c\/h3\u003e  \u003cp\u003eTo date, it has been the Tiger SHARC controlling the FPGA, but integrating these three technologies, along with networking capabilities, was a brand new challenge. Using the high power QuadCore SoC, associated with high bandwidth memory, S21 connects to a low power 484-ball array FPGA which in turn connects to fourth generation control SHARC DSP, capable of not only controlling the FPGA, but offering the potential for additional processing in the future. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate work surface.\u003c\/p\u003e  \u003ch3\u003eTwo Touch Screens\u003c\/h3\u003e  \u003cp\u003eTouch screens are now part of our daily lives, but DiGiCo has incorporated them in designs as long ago as 1997. Continuing their integration, with the advantages of speed of control and user feedback, meant that S21 had to bend the rules again. DiGiCo utilized the latest P-CAP multi-touch screens for clear visual feedback and gesture control, but also did not limit the user to a single screen - by providing multiple multi-touch screens!\u003c\/p\u003e  \u003cp\u003eThe compact dual screen design of S21 provides 10 channel strips per screen allowing the operator instant feedback and control on 20 simultaneous channels. This amount of instantaneous feedback offers total reassurance when mixing large shows, but the newly designed drag, swipe and drop channel layout system makes it simple for operators to move channels and busses across the surface to design their own custom fader layouts.\u003c\/p\u003e  \u003cp\u003eWhatever function you are using, there is an interactive meter where you would expect it, and helpful color coding so you know which section you're looking at, be it channel, aux, or group. Visual feedback is all reinforced with the HTL functionality of the encoder rings, and anything not in use is automatically greyed out on the console so operator's attention is drawn to the right controls. The beauty of having two screens not only gives you more channels to view at any one time, but it allows you to utilize one as a setup or master screen, while still operating with the other. You are always looking in the same location, whatever function you have highlighted.\u003c\/p\u003e  \u003cp\u003eTouch the EQ screen, and you can choose to pinch, touch and drag your curves on the touch screen, or for a more tactile experience, use the rotary encoders to fine-tune your frequencies, then press to change function or switch on\/off. It's the same philosophy for all other processing functions within the console. The new look screen designs are all developed under the flat designs philosophy, to aid the user learning curve and take away distraction from an operator. These new designs will still be familiar to existing DiGiCo users, but allow new operators to feel at home and ready to take advantage of the wealth of integrated processing.\u003c\/p\u003e  \u003cp\u003eChannel Bank Layout: as with all DiGiCo products, you can alter where the banks are located, and mix and match any channel, aux, group, control group, or matrix within a bank, with the ease of drag and drop, at the touch of a screen.\u003c\/p\u003e  \u003ch3\u003eInterfacing\u003c\/h3\u003e  \u003cp\u003eS21 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network. 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It’s also a revelation in terms of what an introductory digital console can deliver.\u003c\/p\u003e  \u003cp\u003eBased on the same pioneering design approach as the industry-leading SD series, the S21 boasts the same proprietary audio algorithms plus a new ARM QuadCore RISC processor which runs in harmony with the FPGA core. The result is faster processing with lower power consumption, all packaged in the workflow that the industry’s most respected engineers rely upon – now available to everyone.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eUnder the Hood\u003c\/h3\u003e  \u003cp\u003eFamiliar to the touch and built for the road, the S21 offers mixing without limits. The integration of a high power QuadCore SoC with high bandwidth memory, a low power 484-ball array FPGA and a fourth-generation control SHARC DSP offers unprecedented power today as well as the potential for a future processing upgrade path. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate work-surface.\u003c\/p\u003e  \u003cp\u003eThe two touchscreens each provide 10 channel strips, giving not only clear visual feedback and control of 20 simultaneous channels for a single user, but also the possibility when mixing large shows for more than one operator to take advantage of the newly designed drag, swipe and drop feature that simplifies custom fader layouts.\u003c\/p\u003e  \u003cp\u003eVisual feedback is further reinforced by the HTL (Hidden Till Lit) functionality of the encoder rings, while parameters currently not in use are automatically greyed out, always drawing your attention to the right controls.\u003c\/p\u003e  \u003cp\u003eThe dual screen concept aims to aid the new user learning curve and remove distractions by not only giving you more channels to view at any one time, but also allowing one screen to be used as a setup or master whilst the other is utilized for operation. Both touchscreens are responsive to EQ shaping, with fine-tuning available via the tactile and intuitive rotary encoders.\u003c\/p\u003e  \u003cp\u003eAltering the Channel Bank layout, and mixing and matching any channel, aux, group, control group, or matrix within a bank, is easily accomplished by drag and drop at the touch of a screen.\u003c\/p\u003e","brand":"DiGiCo","offers":[{"title":"Default Title","offer_id":44450225193063,"sku":"54721","price":20700.12,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digico-s21-d2-bnc_54721_1_296e6a9d-828a-4249-add2-16ff76394fa3.jpg?v=1787092204"},{"product_id":"digico-s21-live-d-rack-pack-touring-package","title":"DiGiCo S21 Live D Rack Pack Touring Package","description":"\u003cp\u003eDiGiCo X-S21-C-RPT S21 Digital Console Live D Rack Pack Touring Package:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIncludes: X-S21-WS, DMI-C, DMI-K, D-Rack x 1 (part# X-D-RACK-2) 32\/8 I\/O (expandable to 32\/16), CAT5e 75M (246 ft.) Cable x 1, Dust Cover, FC-21 3 Piece Touring Flight Case on Casters\u003c\/li\u003e \u003cli\u003eConnections: 24 Mic\/Line In, 12 Line Out, 2 Ch AES In\/Out, DMI Slot x 2, USB-B 48 Track Recording Interface\u003c\/li\u003e \u003cli\u003eConnectors: Dependent on cards loaded in DMI Slots, USB-Type B\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eDiGiCo’s world-renowned innovation, deep feature-set and flagship audio quality of their high-end digital consoles is within reach of everyone. How? Meet the S21 – a world-class DiGiCo mixing console at an astonishing price.\u003c\/p\u003e  \u003cp\u003eStep up to the S21’s work-surface, complete with dual P-CAP multi-touch screens, 48 flexi-channels, the equivalent of 46 buses and benchmark 96kHz performance, and this console’s heritage is clear – the S21 is every inch a DiGiCo desk. It’s also a revelation in terms of what an introductory digital console can deliver.\u003c\/p\u003e  \u003cp\u003eBased on the same pioneering design approach as the industry-leading SD series, the S21 boasts the same proprietary audio algorithms plus a new ARM QuadCore RISC processor which runs in harmony with the FPGA core. The result is faster processing with lower power consumption, all packaged in the workflow that the industry’s most respected engineers rely upon – now available to everyone.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eUnder the Hood\u003c\/h3\u003e  \u003cp\u003eFamiliar to the touch and built for the road, the S21 offers mixing without limits. The integration of a high power QuadCore SoC with high bandwidth memory, a low power 484-ball array FPGA and a fourth-generation control SHARC DSP offers unprecedented power today as well as the potential for a future processing upgrade path. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate work-surface.\u003c\/p\u003e  \u003cp\u003eThe two touchscreens each provide 10 channel strips, giving not only clear visual feedback and control of 20 simultaneous channels for a single user, but also the possibility when mixing large shows for more than one operator to take advantage of the newly designed drag, swipe and drop feature that simplifies custom fader layouts.\u003c\/p\u003e  \u003cp\u003eVisual feedback is further reinforced by the HTL (Hidden Till Lit) functionality of the encoder rings, while parameters currently not in use are automatically greyed out, always drawing your attention to the right controls.\u003c\/p\u003e  \u003cp\u003eThe dual screen concept aims to aid the new user learning curve and remove distractions by not only giving you more channels to view at any one time, but also allowing one screen to be used as a setup or master whilst the other is utilized for operation. 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Cable x 1 and Dust Cover\u003c\/li\u003e \u003cli\u003eConnections: 24 Mic\/Line In, 12 Line Out, 2 Ch AES In\/Out, DMI Slot x 2, USB-B 48 Track Recording Interface\u003c\/li\u003e \u003cli\u003eConnectors: Dependent on cards loaded in DMI Slots, USB-Type B\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eDiGiCo’s world-renowned innovation, deep feature-set and flagship audio quality of their high-end digital consoles is within reach of everyone. How? Meet the S21 – a world-class DiGiCo mixing console at an astonishing price.\u003c\/p\u003e  \u003cp\u003eStep up to the S21’s work-surface, complete with dual P-CAP multi-touch screens, 48 flexi-channels, the equivalent of 46 buses and benchmark 96kHz performance, and this console’s heritage is clear – the S21 is every inch a DiGiCo desk. 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