{"title":"Elysia","description":null,"products":[{"product_id":"elysia-alpha-compressor","title":"Elysia Alpha Two-Channel Mastering Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eElysia Alpha Two-Channel Mastering Compressor\u003c\/strong\u003e is a mighty tool for professional dynamics processing.  Featuring innovative functions with perfect technical implementation and an absolutely uncompromising quality of sound, it sets new standards for mastering applications and for cultivating any kind of audio material.  It offers M\/S processing, parallel compression as well as sidechain and audio filters, just to name a few.\u003c\/p\u003e\r\n\u003cp\u003eThe circuitry is a complete new development that provides an amount of openness and clarity which can hardly be found in present gear.  Every single part of its signal processing is realized by using single transistors running in constant class-A mode, and even the sidechain and power supply use discrete circuits.  All components are of the highest grade available and were exclusively chosen according to their tonal excellence.\u003c\/p\u003e\r\n\u003cp\u003eThese benefits result in an audio quality that is beyond all doubt.  Even when extreme adjustments are used, the sound characteristics stay clean and powerful. Consequently the alpha compressor offers suitable settings for nearly any style of music and can always be employed in profitable ways.  The enhanced functions exceed the potential of normal compressors by far and enable unimagined options for mastering and recording tasks.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTHE CHALLENGE\u003c\/h3\u003e\r\n\u003cp\u003eMastering requirements are many-sided and diversified.  The quality of the delivered audio material differs from one job to the other in the same way as the customers’ wishes and demands do.  Especially when it comes to dynamic processing it is not easy to procuce results that meet everybody’s desires.\u003c\/p\u003e\r\n\u003cp\u003eMany clients want their tracks to sound as loud as possible.  In most cases, however, this leads to a flat sound and a suffering stereo image. Sometimes only small adaptations are required to change the dynamics in subtle nuances.  On other occasions certain productions need a kind of sound stamp that aims at finishing the overall tonal character.\u003c\/p\u003e\r\n\u003cp\u003eThe alpha compressor is specifically designed to satisfy these demands.  Its new functions enable engineers to deal with even most complex material in outstanding quality. Even special problem cases can be subdued much better compared to using conventional types of compressors.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eM\/S PROCESSING\u003c\/h3\u003e\r\n\u003cp\u003eOne of the most important features is the integration of a switchable M\/S matrix.  This module transfers the incoming stereo signal into a middle (M) and a side channel (S). Now the M and S channels can be processed separately and are then decoded to left (L) and right (R) again.\u003c\/p\u003e\r\n\u003cp\u003eThe resulting possibilities go beyond the potential of a conventional compressor in stereo link mode.  For example, you can now process the mostly dominant middle signals like drums, bass and vocals selectively without influencing the stereo spectrum in a negative way.\u003c\/p\u003e\r\n\u003cp\u003eThe complicated splits between a powerful middle signal and a wide stereo image can now be done off the top of one’s head. But using M\/S technology in dynamic processing offers more possibilities than merely providing a problem solver for complicated cases.  The creative fraction will also love the new dimensions of putting their personal sound visions into effect.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCOMPRESSION CHARACTERISTICS\u003c\/h3\u003e\r\n\u003cp\u003eThe performance of the compressor can be perfectly matched to the audio material by engaging intelligent control options.  Special modes support the classic parameters attack, release, threshold and ratio, helping to achieve pleasantly unobtrusive compression results even when processing very dynamic sounds.\u003c\/p\u003e\r\n\u003cp\u003eBoth attack and release feature the switchable Auto Fast option that adjusts the time parameters semi-automatically according to the speed in which the volume of the signal changes.  In case of short and loud impulses (e.g. drums) the compressor automatically enhances its speed for a short moment and then returns to the original settings.\u003c\/p\u003e\r\n\u003cp\u003eThis makes it very easy to find musical settings for any kind of dynamic processing.  Switching the sidechain from feedback to feed forward mode results in more extreme sounding compression properties that invite to dive into creative sound design – a true pleasure for ambitious sound freaks.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eSIDECHAIN AND AUDIO FILTERS\u003c\/h3\u003e\r\n\u003cp\u003eThe integrated sidechain filters allow to shape the compression dependent on selected frequencies.  For example, it is very easy to attenuate the influence of bass signals on the overall compression.  Furthermore, you can crossfade between high pass and low pass characteristics. In combination with corresponding attack and release settings, the responding behavior can be systematically adjusted to problematic frequencies.\u003c\/p\u003e\r\n\u003cp\u003eA special Niveau Filterallows altering the character of the compressed signal.  It should not be equated with classic shelving EQs because it is capable of creating new sound nuances without corrupting the signal’s original complexion.  Digital productions will sound more powerful and rhythm instruments will gain in punch and assertiveness.\u003c\/p\u003e\r\n\u003cp\u003eThe fact that you can use this function on the middle and the side channel separately opens up entirely new possibilities.  For example, an accentuation of the high frequencies in the side channel will broaden the stereo spectrum in a very pleasant and unobtrusive way.  Reverbs can also sound wider without taking exaggerated effects.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003ePARALLEL COMPRESSION\u003c\/h3\u003e\r\n\u003cp\u003eThe mix controller allows to blend between the compressed and the unprocessed signal so that the alpha compressor can be used to assign the right proportion without further hardware and cables.\u003c\/p\u003e\r\n\u003cp\u003eThis method of parallel compression enables the user to enhance the quieter signals only and leave the rest as it is.  The mix will sound tight and loud without degrading the original dynamic structure. For sound design purposes, this feature can also be used to add extreme compression effects to the source.  Both the original and the processed signal have an individual bypass switch and can be monitored separately.\u003c\/p\u003e\r\n\u003cp\u003eThis also works in M\/S mode where you can monitor the middle and the side channels independently just by switching them on and off – a very convenient aspect, because it makes changing any controller setting for this redundant.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eSOFT CLIP\u003c\/h3\u003e\r\n\u003cp\u003eIn order to protect following AD converters from signal peaks the alpha compressor is equipped with Soft Clip limiters.  By holding back short transients, the converters can be set to a higher recording level.  The fully discrete transistor design makes this circuit very agile so that even very fast signals will not find a way through.\u003c\/p\u003e\r\n\u003cp\u003eThe operation mode differs however from that of a typical peak limiter that will not let any signal pass above the adjusted threshold.  The technical principle can rather be compared to an analog tape machine that drives loud impulses into saturation and thus acts like a 'natural' limiter.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003e100% DISCRETE\u003c\/h3\u003e\r\n\u003cp\u003eThe all discrete design using single transistors exclusively is one of the main reasons for the outstanding quality of sound of the alpha compressor.  Every single component was developed with its influence on tone in mind, and the choice of components also follows this commandment.\u003c\/p\u003e\r\n\u003cp\u003eAll amplifier stages work in current feedback mode and do not need any capacitors that could have negative effects on frequency and dynamic imaging. Resulting in enormous speed and precision these circuits play an important role in producing a notably wide and open sound character.  The PCA (Passive Current Attenuator) is an entire new development.\u003c\/p\u003e\r\n\u003cp\u003eIt also works fully discrete and purely passive, resulting in clearly superior sound quality compared to industrial ICs.  Even the sidechain electronics is based on single transistors that provide a much better signal-to-noise ratio than comparable integrated circuits.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_7\"\u003eA LOOK INSIDE\u003c\/h3\u003e\r\n\u003cp\u003eThe alpha compressor is exclusively equipped with capsuled conductive plastic potentiometers with detents.  All modules can be switched via capsuled relays that have been placed at the optimal circuit areas in order to achieve a minimum signal path.\u003c\/p\u003e\r\n\u003cp\u003eThe inputs feature toroidal transformers resulting in high common mode rejection and reducing ground loops by means of galvanic isolation.  In addition, both mix stages feature another big torodial transformer each in order to add that often sought after silky and huge sound character by simply pressing a button.  The output stages are electronic class-A designs.\u003c\/p\u003e\r\n\u003cp\u003eThe power supply is a phenomenon of its own. Newly developed discrete voltage regulators provide a signal-to-noise ratio that is so low it can hardly be measured at all. A 130 VA toroidal power transformer provides more than enough current to charge the great number of electrolytic capacitors very fast. Due to its full MU metal capsule the magnetic stray field could be reduced so efficiently that it is no problem to place the power transformer inside the housing. Definitely no esoteric punk: Certain circuit parts are heated in isolated copper blocks.\u003c\/p\u003e\r\n\u003cp\u003eThis keeps critical parameters constant which avoids changes in temperature and control mode.  The final highlight is the housing. Based on an exclusive design it represents the combination of visual elegance and mechanical steadiness.  Created with on eye on elegant details and manufactured from massive aluminum the alpha compressor marks the final crown jewel for any ambitious studio.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449213841511,"sku":"9938","price":13449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-alpha-22_9938_1_49496d4c-0f59-4e83-84e9-2373d2475300.jpg?v=1787088164"},{"product_id":"elysia-mpressor","title":"elysia mpressor Two-Channel Compressor\/Limiter","description":"\u003cp\u003eThe \u003cstrong\u003eelysia mpressor\u003c\/strong\u003e is a powerful instrument for modern dynamics processing. On top of the tried and tested standard features, this creative compressor provides several special functions that produce fat sounds with maximum punch, beautiful colorations and extreme processing options. Besides classic tracking applications, its favorite domains are groovy effect compression and creative sound design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe circuit design of the mpressor is completely based on discrete analog technology. The entire signal processing is based on single transistors in permanent Class A mode, and even the sidechain and power supply are fully discrete circuit designs. Covering all the standards at ease, the mpressor offers an amazing set of special features which reach far beyond the possibilities of regular compressors.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eAUTO FAST\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe attack parameter is a very crucial factor for the operations of a compressor. Choosing the right time settings is very important, but depending on the dynamic progress of the source material this can be a difficult task – no matter if single tracks or complete mixes are processed.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf a very short attack time is chosen, the compressor is able to catch the short peaks, but on the other hand the sustaining signal will also be processed, which might result in audible distortion. Longer settings reduce distortion significantly, but then the compressor is too slow for catching fast impulses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis is where the Auto Fast function comes into play. For example, if you set the attack to 80 ms and then engage the Auto Fast mode, the attack time will be shortened automatically on fast and loud signal impulses. The compressor reduces the signal quickly and prevents it from slipping through.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThen the attack time directly and automatically returns to its original setting. In Auto Fast mode the compressor can be very fast, but only when it is really needed. This function influences the attack parameter on short and loud impulses only; in all other cases the original setting of the controller has priority.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eANTI LOG\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIt is the time constants and especially the release parameter that decide if the processing of a compressor is obvious or unobtrusive to the ear. Mastering applications, for instance, require a discreet performance as a general rule. Here you will find mostly logarithmic or linear release curves.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt is characteristic of a logarithmic release that the time constant shortens when the amount of gain reduction increases. The advantage of this behavior is that short and loud peaks (e.g. drums) have a fast release time, while the remaining material is processed with a slower release time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBut if intentionally striking and creative compression is the goal, it definitely makes sense to turn things upside down. In the Anti Log mode of the mpressor the curve behaves just the other way round: If the threshold value is passed and compression starts, the release time will be longer at the beginning. If the input signal starts to decline, however, the release time will become faster as a result.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA special circuitry makes this behavior independent from the absolute amount of gain reduction. No matter if the compressor reduces 10, 15 or 20 dB, the curve will always stay the same at the beginning and it will only become faster at the end. With this feature you can create many exceptional compression effects just by the push of a button!\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eNEGATIVE RATIOS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eNegative ratios – what exactly does this mean? To get a better understanding of this function, it makes sense to realize what the ratio control of a ‘normal’ compressor does:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e1:1 The signal remains linear, there is no compression going on\u003c\/li\u003e\r\n\u003cli\u003e1:2 After crossing the threshold, an increase of 2 dB at the input will be compressed to an increase of 1 dB at the output\u003c\/li\u003e\r\n\u003cli\u003e1:∞ After crossing the threshold, the output signal is constantly held at the threshold level without reacting to further increases at the input (limiter)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eAt a negative ratio, the characteristic curve bends and returns back down after crossing the threshold. The louder the input signal, the lower the output signal – perfect for groovy compression effects. To get a grip on the extreme ‘destruction’ this can cause, engaging the Gain Reduction Limiter is just the right idea.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eAUDIO FILTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis filter is a specialist in changing the overall sonic character of a signal with ease. It features two controllers per channel and is capable of producing convincing results flexibly in no time at all. Whenever a classic shelving filter would be too limited and a fully parametric filter would be too much, the Niveau Filter is the perfect tool.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts main function is to change the proportions between high and low frequencies. The principle is quite similar to a pair of scales: Dependent on the gain setting around a variable center frequency, the high frequencies are boosted whereas the low frequencies are attenuated (or vice versa).\u003c\/p\u003e\r\n\r\n\u003cp\u003eBy simultaneously boosting and cutting the selected frequency areas, it is much easier to influence the character of a track (‚bright‘ vs. ‚dark‘) compared to using other types of equalizers. The center frequency can be shifted continuously between 26 Hz and 2.2 kHz or between 260 Hz and 22 kHz respectively (when the x10 switch is activated).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe characteristics of the filter change in the extreme positions of the EQ Gain controller: the fully counter-clockwise setting will give you a low pass filter; fully clockwise position will result in a high pass filter. The overall level can drop quite noticeably then, but this can be corrected with the gain controller easily.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eEXTERNAL SIDECHAIN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe external sidechain enables the compressor to control its processing totally independent from the audio material running through it. If the SC Extern switch is active, compression will not be triggered by the signals from the regular audio inputs anymore, but by different signals which are fed into the additional sidechain input connectors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf, for example, a duplicate of the input signal is processed with an equalizer and then fed into the sidechain input, the result will be frequency-dependent compression. Another example is to send the bass drum of a drum machine into the sidechain input in order to achieve nice groovy compression that is pumping in sync with the music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe creative options are almost infinite. Compression can be exactly on time or totally against it, which can of course be varied on the fly. Single instruments can be given more space in a mix according to its rhythm. All of a sudden, static sounds become vivid and sound really interesting!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe external sidechain inputs are equipped with a high pass filter that has its cut-off frequency at 80 Hz with 6 dB per octave. This has been done in order to reduce the influence of the low frequencies on overall compression by a certain amount in order to keep the effect as balanced as possible.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eGAIN REDUCTION LIMITER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis limiter is not placed in the audio path where you would usually find it, but in the control path of the compressor. When it is activated, it limits the control voltage according to the setting of the GR Limit controller. This means: No matter how high the input level might become – the amount of gain reduction will never exceed the value which you have set.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor comparison, imagine a fader on a mixing console with your hand moving the fader to ‘play compressor’. If now the fader was limited by a piece of duct tape at -10 dB, for example, it could only reduce the signal up to this value. If the input level dropped below this limit, the fader would be moved up correspondingly.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHowever, if the input signal got even louder, the fader could not be moved down any further because of the duct tape limit, and then the output signal would become louder again in correspondence with the input signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLoud parts in an arrangement can keep their dynamics, as they will not be compressed beyond the limit of the Gain Reduction Limiter. Some very nice special effects like ducking or upward compression can be achieved with this easily by only reducing the quieter parts without changing the original dynamics at the same time.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449242775655,"sku":"9575","price":5269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_mpressor_1.jpg?v=1787088281"},{"product_id":"elysia-xpressor-500","title":"Elysia Xpressor 500 Series Stereo Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eelysia xpressor 500\u003c\/strong\u003e is an extremely versatile stereo compressor available in API's 500 series format.  With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNo matter if you want to set and forget or plunge deep into the secrets of compression, the xpressor 500 is for you. Its discrete audio path running in constant Class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStereo buss compression, processing single signals, approaching dynamics in creative ways – the xpressor 500 shines in many different applications.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449251557479,"sku":"15920","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-xpressor-500_15920_1.jpg?v=1787088316"},{"product_id":"elysia-museq","title":"Elysia musEQ Two-Channel EQ","description":"\u003cp\u003eThe basic idea behind \u003cstrong\u003eElysia musEQ\u003c\/strong\u003e is the combination of premium sound shaping capabilities with optimally matched parameters which enables the user to find the desired results fast and precisely.  The provided bands with their ample control ranges as well as some elysia-specific special features make sure that the museq can be used flexibly in any recording and mixing situation, and the stepped controllers are especially dedicated to mastering applications. \u003cbr\u003e\u003cbr\u003e Each of the two channels offers three parametric bands with a switchable Q.  The additional outer bands are low\/high shelf designs which can be separately switched into a low\/high cut mode with an extra resonance peak as a special finesse.  Each gain controller of the two times five bands can be altered from boost to cut mode which results in a notably well resolution of the control ranges and twice the number of available settings.  Both channels have a switchable option for a stronger coloration of the signal to complete the musical master plan. \u003cbr\u003e\u003cbr\u003e The circuit design of the museq is completely based on discrete analog technology.  The entire signal processing is realized with single transistors in permanent class A mode, and even the power supply is composed of fully discrete circuits.  An oversized transformer, selected capsuled conductive plastic potentiometers as well as special current feedback amplifiers are part of the technical refinement.  The combination of these elements aims at maximum signal quality and guarantees clean and powerful sound characteristics even when extreme settings are used.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449253949543,"sku":"12622","price":6059.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_museq_1_6d99c319-f135-4605-84a3-c6cdd6de6cc5.jpg?v=1787088328"},{"product_id":"elysia-mpressor-demo-deal","title":"Elysia Mpressor (Demo Deal)","description":"The \u003cb\u003eelysia mpressor \u003c\/b\u003eis a new tool for creative dynamics processing. On top of the tried and tested standard features, this creative compressor provides several special functions that produce fat and freaky sounds by employing a punchy control behavior, colorations full of character and extreme settings. Besides classic tracking applications, its favorite domains are groovy effect compression and creative sound design. \u003cbr\u003e\u003cbr\u003e Each of both linkable channels offers a switchable Auto Fast function that allows very fast yet distortion-free compression without any artifacts. The Anti Log circuit generates explicit compression effects such as pumping and breathing. As the mpressor is a true feed forward design, it also allows negative ratios which result in the most ex-treme over-compression effects. The Niveau Filters can change the character of a track from subtle to striking with the possibility of a continuous frequency shift. The Gain Reduction Limiter is a novel feature that lets the user choose the maximum amount of Gain Reduction he wants to draw from the unit, and this at the twist of a knob. The switchable external sidechain inputs make for further flexibility in terms of compression behavior. \u003cbr\u003e\u003cbr\u003e The circuit design of the mpressor is completely based on discrete analog technology. The entire signal processing is implemented with single transistors in permanent class-A mode, and even the sidechain and power supply are composed of fully discrete circuits. An oversized power transformer, capsuled conductive plastic potentiometers, internal temper-ature stabilizers for critical components as well as special current feedback amplifiers are part of the technical finesse. The combination of these elements aims at the maximum reachable signal quality and guarantees clean and powerful sound characteristics even when extreme settings are used. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe creative compressor\u003c\/b\u003e\u003cbr\u003e Compressors are absolute standard tools in daily studio work, but depending on the specific task they need to be used in lots of different ways. The range goes from mild changes of level during mastering to limiting the dynamic range in recordings to extreme compression to shape sounds envelopes. \u003cbr\u003e\u003cbr\u003e Hence the various topologies and large range of compressors in the market today. The mpressor is a typical recording and mixing compressor that can handle a wide array of jobs because of its premium audio quality and precise control characteristics. On top of that, it offers a number of special functions that enable the user to create completely new and very spacy sounds. \u003cbr\u003e\u003cbr\u003e This makes the mpressor a truly creative compressor that especially convinces with its elaborate and practical innovations. Reducing options to the essential makes it possible to achieve outstanding results for any audio material at first go. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eControl characteristics\u003c\/b\u003e\u003cbr\u003e The control characteristics of the mpressor offer a great spectrum of settings without generating any unwanted artifacts or noises. Even very fast attack and release settings can be used without any problems. Already known from the alpha compressor, the Auto Fast feature is a guarantee for very fast but undistorted gain reduction processes: If this function is activated, the attack time will automatically become shorter on input signals with fastly rising levels and intense changes of dynamics. \u003cbr\u003e\u003cbr\u003e The novel Anti Log function generates an anti-logarithmic progress of the release curve. The release time will at first become slower when there is an ample increase of compression. As soon as the input signal returns to a noticeably lower amount, the release time will be shortened automatically. Depending on the other settings, compression will become much more audible than before as a result. This feature can be used to achieve BPM-dependent dynamic effects, manipulate the ambience parts of a reverb effect return, or process single sources such as vocals or bass. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eGain Reduction Limiter\u003c\/b\u003e\u003cbr\u003e Another specialty of the mpressor is its limiter for the control voltage. With it, one can set the maximum amount of gain reduction that will not be exceeded as long as the function is active. Normally the threshold and ratio parameters determine the amount of gain reduction which is adapted to the input signal in order to reduce the loudest parts as desired. \u003cbr\u003e\u003cbr\u003e If the limiter is set to a maximum reduction value, threshold and ratio can have completely different settings without changing the maximum gain reduction. In this manner, very special variations of control characteristics can be achieved, e.g. applying a strong amount of compression while preserving the dynamics of loud passages at the same time. \u003cbr\u003e\u003cbr\u003e Combining the Gain Reduction Limiter with the external sidechain transforms the mpressor into a true ducker. In this application, the music will automatically be turned down when a voice sets in (or just the other way round). Another option is to apply upward compression that only raises the volume of the quieter parts without changing the actual dynamics at all. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eExternal sidechain\u003c\/b\u003e\u003cbr\u003e The mpressor provides a switchable external sidechain input per channel. Once it is activated, the compressor reacts to the fed in signals and opens up an enormous variety of additional potentials. A typical application is frequency-dependent compression, where an additional equalizer is used to give certain frequencies a stronger or weaker influence on the overall compression. \u003cbr\u003e\u003cbr\u003e True ducking effects are also possible as well as very cool groovy sounds, e.g. controlling a stable synth pad with a drum beat fed into the sidechain. The combination of the Anti Log and Gain Reduction Limiter functions result in very unusual effects that sound like an inverted gate: the loud signals are reduced intensely while the quieter parts come in front more obviously. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eNiveau Filter\u003c\/b\u003e\u003cbr\u003e In order to add flexible sonic stamps to compressed signal, there is a Niveau Filter placed after the compressor section which has been designed in the style of the audio EQ of the alpha compressor. \u003cbr\u003e\u003cbr\u003e It also boosts the high frequencies beyond a selectable center frequency and cuts the low frequencies at the same time (or, depending on the individual setting, just the other way round). But according to the intended use of the mpressor, we have made the possible settings more extreme for more striking and dramatic effects. Only two controllers produce a great variety of different sounds. \u003cbr\u003e\u003cbr\u003e These kinds of settings could not be generated by using standard parametric equalizers. The combination of this filter and the special control characteristics enable the mpressor to give a totally new character to the original signal which can vitally enhance a whole production. \u003cbr\u003e\u003cbr\u003e \u003cb\u003e100% discrete\u003c\/b\u003e\u003cbr\u003e Here is an old elysia saying: If you want to make it right, make it discrete! Of course this is also true of the mpressor, as the combination of very extreme control characteristics and an absolutely convincing quality of sound can only be achieved by using discrete circuitry. Therefore all signal stages were designed to use single transistors, resistors and capacitors, so each of the stages could be perfectly matched to its specific task as an important side effect. \u003cbr\u003e\u003cbr\u003e Many parts of the circuitry do without negative feedback, and the complete unit works in constant class-A mode in order to ensure the best audio quality in any situation. Even the sidechain and the power supply are built with the exclusive use of single transistors, resulting in considerably lower noise compared to conventional ICs. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eA look inside\u003c\/b\u003e\u003cbr\u003e The choice of components for the mpressor did not leave the slightest room for compromise – a great part of components which are used in the alpha compressor can also be found in the mpressor. All controllers use high-grade conductive plastic potentiometers. All switching functions are coupled via capsuled relays which are placed at the ideal places in the circuitry in order to keep the signal path reduced to the max. \u003cbr\u003e\u003cbr\u003e A special input stage was trimmed to show a similar behavior to that of an input transformer. Furthermore, this stage distinguishes itself by a very good common mode rejection and an extra low capacity, preventing unwanted changes of the input signal effectively. A high-grade class-A output stage delivers adequate current to drive even long cable lines smoothly. \u003cbr\u003e\u003cbr\u003e The power supply also benefits from the discrete design, as the voltage regulators produce such a low amount of noise that it can hardly be measured at all. A generously dimensioned toroidal power transformer provides enough current to charge the great number of quality electrolytic capacitors very quickly. \u003cbr\u003e\u003cbr\u003e Certain critical components of the discrete circuitry are surrounded by special heating elements made of copper. This keeps important parameters constant and makes them independent from changes in temperature and operating time.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449362542695,"sku":"14092","price":3649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_mpressor_1_1.jpg?v=1787088712"},{"product_id":"elysia-xpressor","title":"Elysia Xpressor Stereo Compressor","description":"\u003cp\u003eYou're looking for a stereo compressor. You want pristine sound and can't accept compromise in terms of signal quality. You don't want a one trick pony, but a flexible machine that covers all the standards and then some. And ruining yourself in order to get it is not really an option...\u003cbr\u003e\u003cbr\u003eYou're looking for the \u003cspan style=\"font-weight: bold;\"\u003eElysia Xpressor\u003c\/span\u003e. Its discrete audio path running in constant class-A mode combines a clear and open sound with a good lot of punch. The clearly laid out functions get you going straight away, while the extended features let you treat dynamics like never before.\u003cbr\u003e\u003cbr\u003eStereo buss compression, processing single signals, approaching dynamics in creative ways – the Xpressor shines in many different applications. And should you take your equipment on the road, you'll certainly enjoy the rigid full aluminum enclosure cutting weight into half.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449400520807,"sku":"19072","price":1499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_xpressor_front_e830402a-b971-430d-a2f1-63ecf4145550.jpg?v=1787088856"},{"product_id":"elysia-nvelope-500","title":"Elysia Nvelope 500 Series Impulse Shaper","description":"The \u003cb\u003eelysia nvelope 500\u003c\/b\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003e\u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003e\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003e\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003e\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003e\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003e\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003e\u003cbr\u003eWe’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003e\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003e\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... 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This is extremely useful for  reshaping all sorts of individual tones, and is a wonderful tool in any  mixing situation as well.\u003c\/p\u003e\r\n\u003cp\u003eThe nvelope operates independently of  the specific level of a signal, and (unlike with compressors) you do not  have to spend a lot of time trying to balance a set of complex controls  to quickly get the results you seek.\u003c\/p\u003e\r\n\u003cp\u003eWith its unique Dual Band  mode, the nvelope gives you enhanced control over processing, and can  easily handle complex program material. Additionally, its dynamics  sections can be bypassed, allowing it to function as a flexible high\/low  shelf EQ.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449473855591,"sku":"29255","price":1689.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_nvelope_rackmount_a7d504c3-ae32-46da-af17-9b0ae5f58814.jpg?v=1787089091"},{"product_id":"buy-an-elysia-nvelope-get-a-free-granelli-g5790","title":"Buy an Elysia Nvelope, Get a Free Granelli G5790","description":"\u003cp\u003eThe \u003cstrong\u003eElysia Nvelope\u003c\/strong\u003e is a powerful audio processor  capable of making  subtle or drastic changes to a sound by providing  control over its  attack and sustain characteristics. This is extremely  useful for  reshaping all sorts of individual tones, and is a wonderful  tool in any  mixing situation as well.\u003c\/p\u003e\n\u003cp\u003eThe nvelope operates independently of  the specific level of a  signal, and (unlike with compressors) you do not  have to spend a lot of  time trying to balance a set of complex controls  to quickly get the  results you seek.\u003c\/p\u003e\n\u003cp\u003eWith its unique Dual Band  mode, the nvelope gives you enhanced  control over processing, and can  easily handle complex program  material. Additionally, its dynamics  sections can be bypassed, allowing  it to function as a flexible high\/low  shelf EQ.\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eGranelli G5790\u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eGranelli Audio Labs G5790\u003c\/span\u003e is  a real SM57 modified to turn 90 degrees. Granelli Audio Labs uses brand  new Shure® SM57s and inserts a custom-made aluminum part with an  acoustically-engineered internal sound path. The result is a microphone  that maintains the SM57's renowned durability and familiar tone while  increasing functionality.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eGiving engineers an edge\u003c\/span\u003e\u003cbr\u003e The Granelli G5790 gives engineers more options when miking crowded drum  kits, allowing them to choose a position that minimizes unwanted bleed  and does not obstruct the drummer. It also creates a neater appearance  and takes up much less space on stage when miking speaker cabinets,  percussion, and a number of other sources.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eChanging the shape, not the sound\u003c\/span\u003e\u003cbr\u003e Inside the handle of the SM57 is a small acoustic chamber that affects  the tone of the microphone. Our patent-pending design manages to change  the shape of this chamber without increasing the air volume. That is  critical to keeping the sound that engineers know and trust. Granelli  did not adjust the frequency response, alter the pickup pattern, or  change any other components inside the microphone. It's still the mic  engineers love, with the mod it's always needed.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDurability and Quality\u003c\/span\u003e\u003cbr\u003e The part that we have added is machined out of a solid block of aluminum  and then threaded into the original microphone's body. Our  modifications are done by hand without the use of power tools, welding,  or any other process that may harm the original microphone. Each unit is  individually tested after modification, and guaranteed by our two-year  warranty. \u003cbr\u003e \u003cbr\u003e The G5790 is currently in the studio with producers Eddie Kramer (Jimi  Hendrix, Led Zeppelin, Kiss), Barry Rudolph (Lynyrd Skynyrd, Rod  Stewart) and Brian Ahern (Emmylou Harris, Roseanne Cash) and on tour  with the Dave Matthews Band, Creed, Gloria Estefan and Cirque Du Soleil.  \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAbout Granelli Audio Labs\u003c\/span\u003e\u003cbr\u003e Granelli Audio Labs was started in 2009 by John Grant of Secret Sound  Studio and his friend and protégé Tony Correlli of The Deep End Studio  in Baltimore, Maryland. Each are established, full-time recording  engineers and producers who have worked with platinum selling artists as  well as countless Mid-Atlantic area bands.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAbout the G5790\u003c\/span\u003e\u003cbr\u003e After talking shop late one night, John and Tony decided that it would  be worthwhile to modify one of their SM57s to make it easier to position  in a crowded drum kit. They went out and got a PVC plumbing elbow and  modifed one just for their own use. Upon seeing the mic in the studio,  drummers would frequently comment on it with interest, and colleagues  began inquiring about how to get their own modified SM57. It became  clear right away that this modification would be very useful both in the  studio and live. So after many designs, tests, and refinements, the  labor of love grew into a new, high quality product that they call the  G5790. This microphone can now be found in major recording studios and  on the road with professional sound companies and freelance engineers  all around the world.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWarranty Information\u003c\/span\u003e\u003cbr\u003e Granelli Audio Labs purchases new, authentic SM57s from authorized  Shure® dealers. Our modifications are done by hand, and we inspect and  test each microphone. Our modified SM57s are no longer a Shure product,  and they are not covered by Shure's® warranty, but we guarantee each of  our microphones with our own two-year warranty.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449482702951,"sku":"30013","price":1648.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_nvelope_granelli_5862e41d-44c8-42f9-915d-cc16aa09535d.jpg?v=1787089129"},{"product_id":"elysia-xpressor-500-demo-deal","title":"Elysia Xpressor 500 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eelysia xpressor 500\u003c\/strong\u003e is an extremely versatile stereo compressor available in API's 500 series format.  With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNo matter if you want to set and forget or plunge deep into the secrets of compression, the xpressor 500 is for you. Its discrete audio path running in constant Class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStereo buss compression, processing single signals, approaching dynamics in creative ways – the xpressor 500 shines in many different applications.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449496825959,"sku":"16632","price":875.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-xpressor-500_15920_1_1_305a07fb-6308-4b6b-b4ed-ab356c132b1f.jpg?v=1787089206"},{"product_id":"elysia-nvelope-500-demo-deal","title":"Elysia Nvelope 500 (Demo Deal)","description":"The \u003cb\u003eelysia nvelope 500\u003c\/b\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003e\u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003e\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003e\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003e\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003e\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003e\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003e\u003cbr\u003eWe’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003e\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003e\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... As you can imagine, there are lots of possible combinations!\u003cbr\u003e\u003cbr\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449507836007,"sku":"31179","price":959.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_nvelope_500_1_31263bff-25a9-46de-b519-8985bd5cdf87.jpg?v=1787089251"},{"product_id":"elysia-mpressor-plug-in-electronic-delivery","title":"Elysia Mpressor Plug-In - Electronic Delivery","description":"\u003cp\u003eThe mpressor plugin is the as close as it can get emulation of elysia´s  creative compressor. Its all discrete circuitry and its special  character have been translated into software in all the painstaking  details by the specialists from Brainworx.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe plugin has all the great functions of the hardware which can be  combined in many ways: Auto Fast for attack makes life easy even on  longer attack settings. The Anti Log function offers an alternative  release curve that can be engaged for instant pumping effects. In  addition to standard ratios, the mpressor also provides negative values.  Combine this with its extremely fast attack times, and you will be able  to create completely new signal envelopes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e The Gain Reduction Limiter regulates the virtual control voltage and  keeps even the most extreme settings under control – completely  independent from the threshold and ratio settings. The additional filter  is a perfect fit for changing the compressed signal in its sound  character. The possibility to control the mpressor by an external  sidechain input to get things grooving makes for further flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Whatever you are looking for: a high grade sum compressor, a flexible  tool for single instruments or an inspiring dynamics effect processor –  the mpressor delivers. Discover all the options. Try it now!\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449522384999,"sku":"14116","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_mpressor_box_6d658903-780f-4280-bb03-4dccda084e4d.gif?v=1787089303"},{"product_id":"elysia-alpha-compressor-plug-in-electronic-delivery","title":"Elysia Alpha Compressor Plug-In - Electronic Delivery","description":"\u003cp\u003eThe alpha compressor plugin is the software reincarnation of elysia´s  famous analogue M\/S mastering compressor. It gives you a painstaking  emulation of the sound and features the hardware is known and popular  for – programmed by the code experts from Brainworx.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNot only the final stage of mastering will profit big time from this  ultimate dynamics processor. In fact, the compression section alone is  such a useful tool that we have decided to include a dedicated mixing  version with a reduced interface. You might want to use this on every  single track of your DAW...\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e Treat yourself to a new level of dynamics processing – try it now!\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449522352231,"sku":"19118","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_alpha_compressor_box_ae3b2433-4663-43d3-bf77-de9d70c9920e.gif?v=1787089303"},{"product_id":"elysia-nvelope-500-used","title":"Elysia Nvelope 500 (Used)","description":"The \u003cb\u003eelysia nvelope 500\u003c\/b\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003e\u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003e\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003e\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003e\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003e\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003e\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003e\u003cbr\u003eWe’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003e\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003e\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... As you can imagine, there are lots of possible combinations!\u003cbr\u003e\u003cbr\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449526317159,"sku":"31734","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_elysia_nvelope_500_cat_8c66d963-b783-42ac-9a5d-b7ddd95bfe65.jpg?v=1787089318"},{"product_id":"elysia-xfilter-500","title":"Elysia xfilter 500 Series Stereo EQ","description":"\u003cp\u003eThe xfilter 500 is a true linked stereo EQ in the 500 series format. It gives you the expensive sound of an all class-A equalizer in a surprisingly affordable package, with a precise stereo image based on computer-selected, stepped potentiometers and low tolerance film capacitors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis EQ is serious about flexibility. It offers high and low shelf bands which can be switched into high and low cut filters with resonance, two mid peak filters with wide and narrow Q, plus additional passive LC stages with shielded coils for a glorious top end.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith its exceptionally open sound, straight transient projection and solid punch, the xfilter is the perfect match for your xpressor – or any other piece of delicious outboard gear!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449534247015,"sku":"32276","price":1129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_xfilter500_front_228de672-7e94-4964-a509-b2787bcfdac2.jpg?v=1787089350"},{"product_id":"elysia-museq-000064-used","title":"Elysia musEQ #000064 (Used)","description":"The basic idea behind \u003cb\u003eElysia musEQ\u003c\/b\u003e is the combination of premium sound shaping capabilities with optimally matched parameters which enables the user to find the desired results fast and precisely. The provided bands with their ample control ranges as well as some elysia-specific special features make sure that the museq can be used flexibly in any recording and mixing situation, and the stepped controllers are especially dedicated to mastering applications.  \u003cbr\u003e\u003cbr\u003e Each of the two channels offers three parametric bands with a switchable Q. The additional outer bands are low\/high shelf designs which can be separately switched into a low\/high cut mode with an extra resonance peak as a special finesse. Each gain controller of the two times five bands can be altered from boost to cut mode which results in a notably well resolution of the control ranges and twice the number of available settings. Both channels have a switchable option for a stronger coloration of the signal to complete the musical master plan. \u003cbr\u003e\u003cbr\u003e The circuit design of the museq is completely based on discrete analog technology. The entire signal processing is realized with single transistors in permanent class A mode, and even the power supply is composed of fully discrete circuits. An oversized transformer, selected capsuled conductive plastic potentiometers as well as special current feedback amplifiers are part of the technical refinement. The combination of these elements aims at maximum signal quality and guarantees clean and powerful sound characteristics even when extreme settings are used.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449551515751,"sku":"32786","price":3195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_elysia_museq__000064_cat_2ae4f0b8-a11d-4375-8ae0-d867ca81994c.jpg?v=1787089423"},{"product_id":"elysia-nvelope-500-0025-used","title":"Elysia Nvelope 500 #0025 (Used)","description":"The \u003cb\u003eelysia nvelope 500\u003c\/b\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003e\u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003e\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003e\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003e\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003e\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003e\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003e\u003cbr\u003eWe’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003e\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003e\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... 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It offers high and low shelf bands which can be switched into high and low cut filters with resonance, two mid peak filters with wide and narrow Q, plus additional passive LC stages with shielded coils for a glorious top end.\u003c\/p\u003e\n\u003cp\u003eWith its exceptionally open sound, straight transient projection and solid punch, the xfilter is the perfect match for your xpressor – or any other piece of delicious outboard gear!\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449557446759,"sku":"34305","price":1689.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_xfilter_front_3d6d8ca0-fd5a-426e-bbdb-66c83bd25561.jpg?v=1787089448"},{"product_id":"elysia-nvelope-500-0053-used","title":"Elysia Nvelope 500 #0053 (Used)","description":"The \u003cb\u003eelysia nvelope 500\u003c\/b\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003e\u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003e\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003e\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003e\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003e\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003e\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003e\u003cbr\u003eWe’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003e\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003e\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... As you can imagine, there are lots of possible combinations!\u003cbr\u003e\u003cbr\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449590313063,"sku":"35484","price":725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35484_1_0bc06baa-081e-49ed-9528-bd290f81da42.jpg?v=1787089593"},{"product_id":"elysia-xpressor-0331-used","title":"Elysia Xpressor #0331 (Used)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449590345831,"sku":"35485","price":800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35485_1_f3108b32-c7e2-4b23-a7e3-d638ad7f8eb2.jpg?v=1787089594"},{"product_id":"elysia-alpha-compressor-9010010047-used","title":"Elysia Alpha Compressor #9010010047 (Used)","description":"The \u003cb\u003eelysia alpha compressor \u003c\/b\u003eis a mighty tool for professional dynamics processing. Featuring innovative functions with perfect technical implementation and an absolutely uncompromising quality of sound, it sets new standards for mastering applications and for cultivating any kind of audio material. It offers M\/S processing, parallel compression as well as sidechain and audio filters, just to name a few. \u003cbr\u003e\u003cbr\u003e The circuitry is a complete new development that provides an amount of openness and clarity which can hardly be found in present gear. Every single part of its signal processing is realized by using single transistors running in constant class-A mode, and even the sidechain and power supply use discrete circuits. All components are of the highest grade available and were exclusively chosen according to their tonal excellence. \u003cbr\u003e\u003cbr\u003e These benefits result in an audio quality that is beyond all doubt. Even when extreme adjustments are used, the sound characteristics stay clean and powerful. Consequently the alpha compressor offers suitable settings for nearly any style of music and can always be employed in profitable ways. The enhanced functions exceed the potential of normal compressors by far and enable unimagined options for mastering and recording tasks. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e The challenge\u003c\/span\u003e\u003cbr\u003e Mastering requirements are many-sided and diversified. The quality of the delivered audio material differs from one job to the other in the same way as the customers’ wishes and demands do. Especially when it comes to dynamic processing it is not easy to procuce results that meet everybody’s desires. \u003cbr\u003e\u003cbr\u003e Many clients want their tracks to sound as loud as possible. In most cases, however, this leads to a flat sound and a suffering stereo image. Sometimes only small adaptations are required to change the dynamics in subtle nuances. On other occasions certain productions need a kind of sound stamp that aims at finishing the overall tonal character. \u003cbr\u003e\u003cbr\u003e The alpha compressor is specifically designed to satisfy these demands. Its new functions enable engineers to deal with even most complex material in outstanding quality. Even special problem cases can be subdued much better compared to using conventional types of compressors. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e M\/S processing\u003c\/span\u003e\u003cbr\u003e One of the most important features is the integration of a switchable M\/S matrix. This module transfers the incoming stereo signal into a middle (M) and a side channel (S). Now the M and S channels can be processed separately and are then decoded to left (L) and right (R) again. \u003cbr\u003e\u003cbr\u003e The resulting possibilities go beyond the potential of a conventional compressor in stereo link mode. For example, you can now process the mostly dominant middle signals like drums, bass and vocals selectively without influencing the stereo spectrum in a negative way. \u003cbr\u003e\u003cbr\u003e The complicated splits between a powerful middle signal and a wide stereo image can now be done off the top of one’s head. But using M\/S technology in dynamic processing offers more possibilities than merely providing a problem solver for complicated cases. The creative fraction will also love the new dimensions of putting their personal sound visions into effect. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Compression characteristics\u003c\/span\u003e\u003cbr\u003e The performance of the compressor can be perfectly matched to the audio material by engaging intelligent control options. Special modes support the classic parameters attack, release, threshold and ratio, helping to achieve pleasantly unobtrusive compression results even when processing very dynamic sounds. \u003cbr\u003e\u003cbr\u003e Both attack and release feature the switchable Auto Fast option that adjusts the time parameters semi-automatically according to the speed in which the volume of the signal changes. In case of short and loud impulses (e.g. drums) the compressor automatically enhances its speed for a short moment and then returns to the original settings. \u003cbr\u003e\u003cbr\u003e This makes it very easy to find musical settings for any kind of dynamic processing. Switching the sidechain from feedback to feed forward mode results in more extreme sounding compression properties that invite to dive into creative sound design – a true pleasure for ambitious sound freaks. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Sidechain and audio filters\u003c\/span\u003e\u003cbr\u003e The integrated sidechain filters allow to shape the compression dependent on selected frequencies. For example, it is very easy to attenuate the influence of bass signals on the overall compression. Furthermore, you can crossfade between high pass and low pass characteristics. In combination with corresponding attack and release settings, the responding behavior can be systematically adjusted to problematic frequencies. \u003cbr\u003e\u003cbr\u003e A special Niveau Filterallows altering the character of the compressed signal. It should not be equated with classic shelving EQs because it is capable of creating new sound nuances without corrupting the signal’s original complexion. Digital productions will sound more powerful and rhythm instruments will gain in punch and assertiveness. \u003cbr\u003e\u003cbr\u003e The fact that you can use this function on the middle and the side channel separately opens up entirely new possibilities. For example, an accentuation of the high frequencies in the side channel will broaden the stereo spectrum in a very pleasant and unobtrusive way. Reverbs can also sound wider without taking exaggerated effects. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Parallel compression\u003c\/span\u003e\u003cbr\u003e The mix controller allows to blend between the compressed and the unprocessed signal so that the alpha compressor can be used to assign the right proportion without further hardware and cables. \u003cbr\u003e\u003cbr\u003e This method of parallel compression enables the user to enhance the quieter signals only and leave the rest as it is. The mix will sound tight and loud without degrading the original dynamic structure. For sound design purposes, this feature can also be used to add extreme compression effects to the source. Both the original and the processed signal have an individual bypass switch and can be monitored separately. \u003cbr\u003e\u003cbr\u003e This also works in M\/S mode where you can monitor the middle and the side channels independently just by switching them on and off – a very convenient aspect, because it makes changing any controller setting for this redundant. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Soft Clip\u003c\/span\u003e\u003cbr\u003e In order to protect following AD converters from signal peaks the alpha compressor is equipped with Soft Clip limiters. By holding back short transients, the converters can be set to a higher recording level. The fully discrete transistor design makes this circuit very agile so that even very fast signals will not find a way through. \u003cbr\u003e\u003cbr\u003e The operation mode differs however from that of a typical peak limiter that will not let any signal pass above the adjusted threshold. The technical principle can rather be compared to an analog tape machine that drives loud impulses into saturation and thus acts like a 'natural' limiter. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e 100% discrete\u003c\/span\u003e\u003cbr\u003e The all discrete design using single transistors exclusively is one of the main reasons for the outstanding quality of sound of the alpha compressor. Every single component was developed with its influence on tone in mind, and the choice of components also follows this commandment. \u003cbr\u003e\u003cbr\u003e All amplifier stages work in current feedback mode and do not need any capacitors that could have negative effects on frequency and dynamic imaging. Resulting in enormous speed and precision these circuits play an important role in producing a notably wide and open sound character. The PCA (Passive Current Attenuator) is an entire new development. \u003cbr\u003e\u003cbr\u003e It also works fully discrete and purely passive, resulting in clearly superior sound quality compared to industrial ICs. Even the sidechain electronics is based on single transistors that provide a much better signal-to-noise ratio than comparable integrated circuits. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e A look inside\u003c\/span\u003e\u003cbr\u003e The alpha compressor is exclusively equipped with capsuled conductive plastic potentiometers with detents. All modules can be switched via capsuled relays that have been placed at the optimal circuit areas in order to achieve a minimum signal path. \u003cbr\u003e\u003cbr\u003e The inputs feature toroidal transformers resulting in high common mode rejection and reducing ground loops by means of galvanic isolation. In addition, both mix stages feature another big torodial transformer each in order to add that often sought after silky and huge sound character by simply pressing a button. The output stages are electronic class-A designs. \u003cbr\u003e\u003cbr\u003e The power supply is a phenomenon of its own. Newly developed discrete voltage regulators provide a signal-to-noise ratio that is so low it can hardly be measured at all. A 130 VA toroidal power transformer provides more than enough current to charge the great number of electrolytic capacitors very fast. Due to its full MU metal capsule the magnetic stray field could be reduced so efficiently that it is no problem to place the power transformer inside the housing. Definitely no esoteric punk: Certain circuit parts are heated in isolated copper blocks. \u003cbr\u003e\u003cbr\u003e This keeps critical parameters constant which avoids changes in temperature and control mode. The final highlight is the housing. Based on an exclusive design it represents the combination of visual elegance and mechanical steadiness. Created with on eye on elegant details and manufactured from massive aluminum the alpha compressor marks the final crown jewel for any ambitious studio. \u003cbr\u003e\u003cbr\u003e \u003cobject height=\"355\" width=\"425\"\u003e\u003cparam name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/rcfcR_FkVb4\u0026amp;hl=en\"\u003e\n\u003cparam name=\"wmode\" value=\"transparent\"\u003e\n\u003cembed src=\"\/\/www.youtube.com\/v\/rcfcR_FkVb4\u0026amp;hl=en\" type=\"application\/x-shockwave-flash\" wmode=\"transparent\" height=\"355\" width=\"425\"\u003e\u003c\/object\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449590476903,"sku":"35481","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35481_1_5e1ae1f0-ce21-40f0-9929-9e4365336957.jpg?v=1787089594"},{"product_id":"elysia-nvelope-000089-used","title":"Elysia Nvelope #000089 (Used-B)","description":"The \u003cb\u003envelope\u003c\/b\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cp\u003eThe nvelope operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek.\u003c\/p\u003e\u003cp\u003eWith its unique Dual Band mode, the nvelope gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449600438375,"sku":"36904","price":1050.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_36904_1_38a7cbc9-4d21-4448-b2a8-011a099ccdfa.jpg?v=1787089639"},{"product_id":"elysia-mpressor-000043-used","title":"Elysia Mpressor #000043 (Used)","description":"The \u003cb\u003eelysia mpressor \u003c\/b\u003eis a new tool for creative dynamics processing. On top of the tried and tested standard features, this creative compressor provides several special functions that produce fat and freaky sounds by employing a punchy control behavior, colorations full of character and extreme settings. Besides classic tracking applications, its favorite domains are groovy effect compression and creative sound design. \u003cbr\u003e\u003cbr\u003e Each of both linkable channels offers a switchable Auto Fast function that allows very fast yet distortion-free compression without any artifacts. The Anti Log circuit generates explicit compression effects such as pumping and breathing. As the mpressor is a true feed forward design, it also allows negative ratios which result in the most ex-treme over-compression effects. The Niveau Filters can change the character of a track from subtle to striking with the possibility of a continuous frequency shift. The Gain Reduction Limiter is a novel feature that lets the user choose the maximum amount of Gain Reduction he wants to draw from the unit, and this at the twist of a knob. The switchable external sidechain inputs make for further flexibility in terms of compression behavior. \u003cbr\u003e\u003cbr\u003e The circuit design of the mpressor is completely based on discrete analog technology. The entire signal processing is implemented with single transistors in permanent class-A mode, and even the sidechain and power supply are composed of fully discrete circuits. An oversized power transformer, capsuled conductive plastic potentiometers, internal temper-ature stabilizers for critical components as well as special current feedback amplifiers are part of the technical finesse. The combination of these elements aims at the maximum reachable signal quality and guarantees clean and powerful sound characteristics even when extreme settings are used. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe creative compressor\u003c\/b\u003e\u003cbr\u003e Compressors are absolute standard tools in daily studio work, but depending on the specific task they need to be used in lots of different ways. The range goes from mild changes of level during mastering to limiting the dynamic range in recordings to extreme compression to shape sounds envelopes. \u003cbr\u003e\u003cbr\u003e Hence the various topologies and large range of compressors in the market today. The mpressor is a typical recording and mixing compressor that can handle a wide array of jobs because of its premium audio quality and precise control characteristics. On top of that, it offers a number of special functions that enable the user to create completely new and very spacy sounds. \u003cbr\u003e\u003cbr\u003e This makes the mpressor a truly creative compressor that especially convinces with its elaborate and practical innovations. Reducing options to the essential makes it possible to achieve outstanding results for any audio material at first go. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eControl characteristics\u003c\/b\u003e\u003cbr\u003e The control characteristics of the mpressor offer a great spectrum of settings without generating any unwanted artifacts or noises. Even very fast attack and release settings can be used without any problems. Already known from the alpha compressor, the Auto Fast feature is a guarantee for very fast but undistorted gain reduction processes: If this function is activated, the attack time will automatically become shorter on input signals with fastly rising levels and intense changes of dynamics. \u003cbr\u003e\u003cbr\u003e The novel Anti Log function generates an anti-logarithmic progress of the release curve. The release time will at first become slower when there is an ample increase of compression. As soon as the input signal returns to a noticeably lower amount, the release time will be shortened automatically. Depending on the other settings, compression will become much more audible than before as a result. This feature can be used to achieve BPM-dependent dynamic effects, manipulate the ambience parts of a reverb effect return, or process single sources such as vocals or bass. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eGain Reduction Limiter\u003c\/b\u003e\u003cbr\u003e Another specialty of the mpressor is its limiter for the control voltage. With it, one can set the maximum amount of gain reduction that will not be exceeded as long as the function is active. Normally the threshold and ratio parameters determine the amount of gain reduction which is adapted to the input signal in order to reduce the loudest parts as desired. \u003cbr\u003e\u003cbr\u003e If the limiter is set to a maximum reduction value, threshold and ratio can have completely different settings without changing the maximum gain reduction. In this manner, very special variations of control characteristics can be achieved, e.g. applying a strong amount of compression while preserving the dynamics of loud passages at the same time. \u003cbr\u003e\u003cbr\u003e Combining the Gain Reduction Limiter with the external sidechain transforms the mpressor into a true ducker. In this application, the music will automatically be turned down when a voice sets in (or just the other way round). Another option is to apply upward compression that only raises the volume of the quieter parts without changing the actual dynamics at all. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eExternal sidechain\u003c\/b\u003e\u003cbr\u003e The mpressor provides a switchable external sidechain input per channel. Once it is activated, the compressor reacts to the fed in signals and opens up an enormous variety of additional potentials. A typical application is frequency-dependent compression, where an additional equalizer is used to give certain frequencies a stronger or weaker influence on the overall compression. \u003cbr\u003e\u003cbr\u003e True ducking effects are also possible as well as very cool groovy sounds, e.g. controlling a stable synth pad with a drum beat fed into the sidechain. The combination of the Anti Log and Gain Reduction Limiter functions result in very unusual effects that sound like an inverted gate: the loud signals are reduced intensely while the quieter parts come in front more obviously. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eNiveau Filter\u003c\/b\u003e\u003cbr\u003e In order to add flexible sonic stamps to compressed signal, there is a Niveau Filter placed after the compressor section which has been designed in the style of the audio EQ of the alpha compressor. \u003cbr\u003e\u003cbr\u003e It also boosts the high frequencies beyond a selectable center frequency and cuts the low frequencies at the same time (or, depending on the individual setting, just the other way round). But according to the intended use of the mpressor, we have made the possible settings more extreme for more striking and dramatic effects. Only two controllers produce a great variety of different sounds. \u003cbr\u003e\u003cbr\u003e These kinds of settings could not be generated by using standard parametric equalizers. The combination of this filter and the special control characteristics enable the mpressor to give a totally new character to the original signal which can vitally enhance a whole production. \u003cbr\u003e\u003cbr\u003e \u003cb\u003e100% discrete\u003c\/b\u003e\u003cbr\u003e Here is an old elysia saying: If you want to make it right, make it discrete! Of course this is also true of the mpressor, as the combination of very extreme control characteristics and an absolutely convincing quality of sound can only be achieved by using discrete circuitry. Therefore all signal stages were designed to use single transistors, resistors and capacitors, so each of the stages could be perfectly matched to its specific task as an important side effect. \u003cbr\u003e\u003cbr\u003e Many parts of the circuitry do without negative feedback, and the complete unit works in constant class-A mode in order to ensure the best audio quality in any situation. Even the sidechain and the power supply are built with the exclusive use of single transistors, resulting in considerably lower noise compared to conventional ICs. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eA look inside\u003c\/b\u003e\u003cbr\u003e The choice of components for the mpressor did not leave the slightest room for compromise ‚Äì a great part of components which are used in the alpha compressor can also be found in the mpressor. All controllers use high-grade conductive plastic potentiometers. All switching functions are coupled via capsuled relays which are placed at the ideal places in the circuitry in order to keep the signal path reduced to the max. \u003cbr\u003e\u003cbr\u003e A special input stage was trimmed to show a similar behavior to that of an input transformer. Furthermore, this stage distinguishes itself by a very good common mode rejection and an extra low capacity, preventing unwanted changes of the input signal effectively. A high-grade class-A output stage delivers adequate current to drive even long cable lines smoothly. \u003cbr\u003e\u003cbr\u003e The power supply also benefits from the discrete design, as the voltage regulators produce such a low amount of noise that it can hardly be measured at all. A generously dimensioned toroidal power transformer provides enough current to charge the great number of quality electrolytic capacitors very quickly. \u003cbr\u003e\u003cbr\u003e Certain critical components of the discrete circuitry are surrounded by special heating elements made of copper. This keeps important parameters constant and makes them independent from changes in temperature and operating time.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449605582951,"sku":"37098","price":2895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37098_1.jpg?v=1787089662"},{"product_id":"elysia-museq-000043-used","title":"Elysia musEQ #000043 (Used)","description":"The basic idea behind \u003cb\u003eElysia musEQ\u003c\/b\u003e is the combination of premium sound shaping capabilities with optimally matched parameters which enables the user to find the desired results fast and precisely. The provided bands with their ample control ranges as well as some elysia-specific special features make sure that the museq can be used flexibly in any recording and mixing situation, and the stepped controllers are especially dedicated to mastering applications. \u003cbr\u003e\u003cbr\u003e Each of the two channels offers three parametric bands with a switchable Q. The additional outer bands are low\/high shelf designs which can be separately switched into a low\/high cut mode with an extra resonance peak as a special finesse. Each gain controller of the two times five bands can be altered from boost to cut mode which results in a notably well resolution of the control ranges and twice the number of available settings. Both channels have a switchable option for a stronger coloration of the signal to complete the musical master plan. \u003cbr\u003e\u003cbr\u003e The circuit design of the museq is completely based on discrete analog technology. The entire signal processing is realized with single transistors in permanent class A mode, and even the power supply is composed of fully discrete circuits. An oversized transformer, selected capsuled conductive plastic potentiometers as well as special current feedback amplifiers are part of the technical refinement. The combination of these elements aims at maximum signal quality and guarantees clean and powerful sound characteristics even when extreme settings are used.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449605615719,"sku":"37099","price":3195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37099_1_ce9c766c-01a8-45b0-a88f-34eb48dffc75.jpg?v=1787089662"},{"product_id":"elysia-xfilter-500-demo-deal","title":"Elysia xfilter 500 (Demo Deal)","description":"\u003cp\u003eThe xfilter 500 is a true linked stereo EQ in the 500 series format. It gives you the expensive sound of an all class-A equalizer in a surprisingly affordable package, with a precise stereo image based on computer-selected, stepped potentiometers and low tolerance film capacitors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis EQ is serious about flexibility. It offers high and low shelf bands which can be switched into high and low cut filters with resonance, two mid peak filters with wide and narrow Q, plus additional passive LC stages with shielded coils for a glorious top end.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith its exceptionally open sound, straight transient projection and solid punch, the xfilter is the perfect match for your xpressor – or any other piece of delicious outboard gear!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449606467687,"sku":"37506","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_xfilter500_front_1_fdbf263f-aa52-4ccb-928a-8c86fcefa8df.jpg?v=1787089665"},{"product_id":"elysia-xpressor-0802-used","title":"Elysia Xpressor #0802 (Used)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449646510183,"sku":"39690","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_xpressor__0802__used__3782925.jpg?v=1787089820"},{"product_id":"elysia-mpressor-000020-used","title":"Elysia Mpressor #000020 (Used)","description":"The \u003cstrong\u003eelysia mpressor \u003c\/strong\u003eis a new tool for creative dynamics processing. On top of the tried and tested standard features, this creative compressor provides several special functions that produce fat and freaky sounds by employing a punchy control behavior, colorations full of character and extreme settings. Besides classic tracking applications, its favorite domains are groovy effect compression and creative sound design. \u003cbr\u003e\u003cbr\u003e Each of both linkable channels offers a switchable Auto Fast function that allows very fast yet distortion-free compression without any artifacts. The Anti Log circuit generates explicit compression effects such as pumping and breathing. As the mpressor is a true feed forward design, it also allows negative ratios which result in the most ex-treme over-compression effects. The Niveau Filters can change the character of a track from subtle to striking with the possibility of a continuous frequency shift. The Gain Reduction Limiter is a novel feature that lets the user choose the maximum amount of Gain Reduction he wants to draw from the unit, and this at the twist of a knob. The switchable external sidechain inputs make for further flexibility in terms of compression behavior. \u003cbr\u003e\u003cbr\u003e The circuit design of the mpressor is completely based on discrete analog technology. The entire signal processing is implemented with single transistors in permanent class-A mode, and even the sidechain and power supply are composed of fully discrete circuits. An oversized power transformer, capsuled conductive plastic potentiometers, internal temper-ature stabilizers for critical components as well as special current feedback amplifiers are part of the technical finesse. The combination of these elements aims at the maximum reachable signal quality and guarantees clean and powerful sound characteristics even when extreme settings are used. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eThe creative compressor\u003c\/strong\u003e\u003cbr\u003e Compressors are absolute standard tools in daily studio work, but depending on the specific task they need to be used in lots of different ways. The range goes from mild changes of level during mastering to limiting the dynamic range in recordings to extreme compression to shape sounds envelopes. \u003cbr\u003e\u003cbr\u003e Hence the various topologies and large range of compressors in the market today. The mpressor is a typical recording and mixing compressor that can handle a wide array of jobs because of its premium audio quality and precise control characteristics. On top of that, it offers a number of special functions that enable the user to create completely new and very spacy sounds. \u003cbr\u003e\u003cbr\u003e This makes the mpressor a truly creative compressor that especially convinces with its elaborate and practical innovations. Reducing options to the essential makes it possible to achieve outstanding results for any audio material at first go. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eControl characteristics\u003c\/strong\u003e\u003cbr\u003e The control characteristics of the mpressor offer a great spectrum of settings without generating any unwanted artifacts or noises. Even very fast attack and release settings can be used without any problems. Already known from the alpha compressor, the Auto Fast feature is a guarantee for very fast but undistorted gain reduction processes: If this function is activated, the attack time will automatically become shorter on input signals with fastly rising levels and intense changes of dynamics. \u003cbr\u003e\u003cbr\u003e The novel Anti Log function generates an anti-logarithmic progress of the release curve. The release time will at first become slower when there is an ample increase of compression. As soon as the input signal returns to a noticeably lower amount, the release time will be shortened automatically. Depending on the other settings, compression will become much more audible than before as a result. This feature can be used to achieve BPM-dependent dynamic effects, manipulate the ambience parts of a reverb effect return, or process single sources such as vocals or bass. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eGain Reduction Limiter\u003c\/strong\u003e\u003cbr\u003e Another specialty of the mpressor is its limiter for the control voltage. With it, one can set the maximum amount of gain reduction that will not be exceeded as long as the function is active. Normally the threshold and ratio parameters determine the amount of gain reduction which is adapted to the input signal in order to reduce the loudest parts as desired. \u003cbr\u003e\u003cbr\u003e If the limiter is set to a maximum reduction value, threshold and ratio can have completely different settings without changing the maximum gain reduction. In this manner, very special variations of control characteristics can be achieved, e.g. applying a strong amount of compression while preserving the dynamics of loud passages at the same time. \u003cbr\u003e\u003cbr\u003e Combining the Gain Reduction Limiter with the external sidechain transforms the mpressor into a true ducker. In this application, the music will automatically be turned down when a voice sets in (or just the other way round). Another option is to apply upward compression that only raises the volume of the quieter parts without changing the actual dynamics at all. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eExternal sidechain\u003c\/strong\u003e\u003cbr\u003e The mpressor provides a switchable external sidechain input per channel. Once it is activated, the compressor reacts to the fed in signals and opens up an enormous variety of additional potentials. A typical application is frequency-dependent compression, where an additional equalizer is used to give certain frequencies a stronger or weaker influence on the overall compression. \u003cbr\u003e\u003cbr\u003e True ducking effects are also possible as well as very cool groovy sounds, e.g. controlling a stable synth pad with a drum beat fed into the sidechain. The combination of the Anti Log and Gain Reduction Limiter functions result in very unusual effects that sound like an inverted gate: the loud signals are reduced intensely while the quieter parts come in front more obviously. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eNiveau Filter\u003c\/strong\u003e\u003cbr\u003e In order to add flexible sonic stamps to compressed signal, there is a Niveau Filter placed after the compressor section which has been designed in the style of the audio EQ of the alpha compressor. \u003cbr\u003e\u003cbr\u003e It also boosts the high frequencies beyond a selectable center frequency and cuts the low frequencies at the same time (or, depending on the individual setting, just the other way round). But according to the intended use of the mpressor, we have made the possible settings more extreme for more striking and dramatic effects. Only two controllers produce a great variety of different sounds. \u003cbr\u003e\u003cbr\u003e These kinds of settings could not be generated by using standard parametric equalizers. The combination of this filter and the special control characteristics enable the mpressor to give a totally new character to the original signal which can vitally enhance a whole production. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003e100% discrete\u003c\/strong\u003e\u003cbr\u003e Here is an old elysia saying: If you want to make it right, make it discrete! Of course this is also true of the mpressor, as the combination of very extreme control characteristics and an absolutely convincing quality of sound can only be achieved by using discrete circuitry. Therefore all signal stages were designed to use single transistors, resistors and capacitors, so each of the stages could be perfectly matched to its specific task as an important side effect. \u003cbr\u003e\u003cbr\u003e Many parts of the circuitry do without negative feedback, and the complete unit works in constant class-A mode in order to ensure the best audio quality in any situation. Even the sidechain and the power supply are built with the exclusive use of single transistors, resulting in considerably lower noise compared to conventional ICs. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eA look inside\u003c\/strong\u003e\u003cbr\u003e The choice of components for the mpressor did not leave the slightest room for compromise – a great part of components which are used in the alpha compressor can also be found in the mpressor. All controllers use high-grade conductive plastic potentiometers. All switching functions are coupled via capsuled relays which are placed at the ideal places in the circuitry in order to keep the signal path reduced to the max. \u003cbr\u003e\u003cbr\u003e A special input stage was trimmed to show a similar behavior to that of an input transformer. Furthermore, this stage distinguishes itself by a very good common mode rejection and an extra low capacity, preventing unwanted changes of the input signal effectively. A high-grade class-A output stage delivers adequate current to drive even long cable lines smoothly. \u003cbr\u003e\u003cbr\u003e The power supply also benefits from the discrete design, as the voltage regulators produce such a low amount of noise that it can hardly be measured at all. A generously dimensioned toroidal power transformer provides enough current to charge the great number of quality electrolytic capacitors very quickly. \u003cbr\u003e\u003cbr\u003e Certain critical components of the discrete circuitry are surrounded by special heating elements made of copper. This keeps important parameters constant and makes them independent from changes in temperature and operating time.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449688715367,"sku":"42850","price":2895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_mpressor__000020__used__4248750_9e5587d5-ccfc-49de-af74-4007e115cc0a.jpg?v=1787089992"},{"product_id":"elysia-xpressor-500-cream","title":"Elysia Xpressor 500 - Cream","description":"\u003cp\u003eThis item is part of a limited edition run. Only 50 units, featuring a real wood face, are being manufactured in each color: Cream and Coffee. \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eelysia xpressor 500\u003c\/strong\u003e is an extremely versatile stereo compressor available in API's 500 series format.  With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNo matter if you want to set and forget or plunge deep into the secrets of compression, the xpressor 500 is for you. Its discrete audio path running in constant Class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStereo buss compression, processing single signals, approaching dynamics in creative ways – the xpressor 500 shines in many different applications.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449704935527,"sku":"44638","price":975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_xpressor_500_cream_46a5c272-8d95-42b8-b7da-62a0ebeaf995.jpg?v=1787090069"},{"product_id":"elysia-xpressor-500-coffee","title":"Elysia Xpressor 500 - Coffee","description":"\u003cp\u003eThis item is part of a limited edition run. Only 50 units, featuring a real wood face, are being manufactured in each color: Cream and Coffee. \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eelysia xpressor 500\u003c\/strong\u003e is an extremely versatile stereo compressor available in API's 500 series format.  With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNo matter if you want to set and forget or plunge deep into the secrets of compression, the xpressor 500 is for you. Its discrete audio path running in constant Class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStereo buss compression, processing single signals, approaching dynamics in creative ways – the xpressor 500 shines in many different applications.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449704902759,"sku":"44637","price":975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_xpressor_500_coffee_1c34df90-3b07-40fb-99ee-6cccb31fe670.jpg?v=1787090069"},{"product_id":"elysia-nvelope-500-0143-used","title":"Elysia Nvelope 500 #0143 (Used)","description":"The \u003cstrong\u003eelysia nvelope 500\u003c\/strong\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003eWere sure youll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... As you can imagine, there are lots of possible combinations!\u003cbr\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449749991527,"sku":"50038","price":725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_nvelope_500__0143__used__5178140_70474cf9-062e-45bd-ac5e-b6475743d0f6.jpg?v=1787090252"},{"product_id":"elysia-karacter-500","title":"Elysia Karacter 500 Series Stereo Saturator","description":"The elysia karacter 500 offers two individual channels that can be used in dual mono, linked stereo and even Mid\/Side configuration, making it a remarkably flexible tool for any imaginable studio or live scenario. The karacter’s unique Color filter network allows subtle or extreme harmonics-frequency relation tweaks, while the integrated mix control for parallel signal processing helps to dial in just the right amount of enhancement or grit. Add THD generation with a soft touch, wide ranges of asymmetrical low noise clipping, massive sonic mayhem – an incredible range of options are available. Stepped potentiometers ensure a fast and precise recall of earlier settings.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449763098727,"sku":"50983","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-karacter-21_50983_1.jpg?v=1787090307"},{"product_id":"elysia-museq-plug-in-electronic-delivery","title":"Elysia Museq Plug-In - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eelysia museq\u003c\/strong\u003e matches premium sound shaping capabilities with optimally matched parameters and the highest quality components, enabling users to find musical results quickly and easily. The five bands and their ample gain ranges add flexibly to any tracking or mixing situation.\u003cbr\u003e\u003cbr\u003eEach of the two channels offers three parametric bands with a two-position switchable Q. The outer bands per side are low\/high shelf, which can be separately switched into a low\/high cut mode. In the cut mode, a resonance peak keeps the knee frequency from sounding overly damped, reminiscent of inductor circuits in classic designs.\u003cbr\u003e\u003cbr\u003eEach of the five gain controllers per side can be altered from boost to cut with a single switch for easy location of problem frequencies and twice the number of available gain steps. Each channel has a switchable option for adding strong harmonic color of the signal, making two EQs in one. Many prefer the color setting for mix use and the clean for tracking, but as always, let your ears be your guide.\u003cbr\u003e\u003cbr\u003eBrainworx, using advanced circuit modeling technology, captures all the color and nuance of the original in this remarkable plugin. They add powerful extras like an integrated M\/S matrix for mid and side processing, the possibility to link both channels for more convenient stereo operation, and dedicated output level controllers for adapting your settings to the available headroom.\u003cbr\u003e\u003cbr\u003eIn addition to the stereo version with all the bells and whistles, a streamlined Mix version is included that lets you get great sounds in a snap.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449770700903,"sku":"51356","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_museq_screenshot_b702a75a-d4e1-490e-bb6b-063962f460a9.jpg?v=1787090338"},{"product_id":"elysia-nvelope-plug-in-electronic-delivery","title":"Elysia Nvelope Plug-In - Electronic Delivery","description":"\u003cp\u003eThe original nvelope hardware is a powerful dynamics processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well. Designed by Ruben Tilgner, whose dynamic processor designs have revolutionized the industry, the nvelope is really three products in one: in Full Range Mode it’s a powerful transient shaping tool, in Dual Band Mode it’s a frequency-based dynamics tool and in EQ Mode, it’s a pristine high and low shelf equalizer.\u003cbr\u003e\u003cbr\u003eBrainworx, using advanced circuit modeling technology, captures all the power and flexibility of the original hardware within the plugin version. \u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eelysia nvelope plug-in\u003c\/strong\u003e takes dynamic transient shaping to the next level with innovative features like the ability to apply transient control by frequency when using Dual Band mode. In the simplified Full Range mode, a sidechain filter is added for the Attack parameter so you can adjust the influence of low frequencies when shaping impulses. Shelf EQ mode allows for a wide spectrum of high or low band coloration. Adding a second instantiation of an nvelope in Shelf EQ mode can be used to sweeten sounds already treated with one of the impulse shaping modes. 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An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449771094119,"sku":"51357","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-nvelope-plugin-screenshot_2ca1d0ca-f7fd-4bf8-9cb7-72739dae6c56.jpg?v=1787090339"},{"product_id":"elysia-xpressor-stereo-compressor-000020-used","title":"Elysia Xpressor Stereo Compressor #000020 (Used)","description":"Like new unit. \u003cstrong\u003e\u003c\/strong\u003e\u003cp\u003eFeatures:\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDiscrete Class-A Topology - Pristine audio quality.\u003c\/li\u003e\n\u003cli\u003eAuto Fast Attack - Perfect attack in any situation.\u003c\/li\u003e\n\u003cli\u003eSwitchable Release Characteristic - Smooth or crisp – the choice is yours.\u003c\/li\u003e\n\u003cli\u003eWarm Mode - Transparency? 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The karacter’s unique Color filter network allows subtle or extreme harmonics-frequency relation tweaks, while the integrated mix control for parallel signal processing helps to dial in just the right amount of enhancement or grit. Add THD generation with a soft touch, wide ranges of asymmetrical low noise clipping, massive sonic mayhem – an incredible range of options are available. Stepped potentiometers ensure a fast and precise recall of earlier settings.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449790951527,"sku":"52806","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia_karacter_500_racked_1_b9c9b178-9924-4976-86c6-c590d431004f.jpg?v=1787090429"},{"product_id":"elysia-nvelope-500-vinyl-allstars-limited-edition","title":"Elysia Nvelope 500 Vinyl Allstars Limited Edition","description":"\u003cp\u003eIn celebration of their 10th anniversary, elysia has created the \u003cstrong\u003eElysia Nvelope 500 Vinyl Allstars Limited Edition\u003c\/strong\u003e,  with a stunning front panel hand-made from real records! Each  individual module features a unique groove pattern based on the  individual record from which it was crafted. The vinyl front panels are  supported by a sepia-colored layer of acrylic glass, gently emphasizing  the vintage vibe of this ultimate analog appearance.\u003cbr\u003e\u003cbr\u003eThis  vinyl\/acrylic panel is attached to an additional steel base plate,  ensuring the stability of the front panel. The steel base is finished  with a black powder coating to prevent oxidation and to blend into the  color of the record.\u003cbr\u003e\u003cbr\u003eAnother carefully matched detail – anodized  matte black aluminum knobs, manufactured exclusively for this limited  edition. Cream-colored silkscreen graphics add the perfect final touch  to the classic vibe of the Vinyl Allstars.\u003cbr\u003e\u003cbr\u003eAll these custom  materials combine beautifully to create a very individual appearance  rich in audio history – an outstanding black jewel in any 500 series  rack for sure, completed by a set of included lens head screws matching  the coherent look of this special edition.\u003cbr\u003e\u003cbr\u003eThe Vinyl Allstars are limited to 50 pieces per module worldwide - when they're gone, they're gone!\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eelysia nvelope 500\u003c\/strong\u003e is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. \u003cbr\u003e\u003cbr\u003eWith its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high\/low shelf EQ.\u003cbr\u003e\u003cbr\u003eSo, the nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.\u003cbr\u003e\u003cbr\u003eMore specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.\u003cbr\u003e\u003cbr\u003eOther useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant\/percussive attack structure.\u003cbr\u003e\u003cbr\u003eAs a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth\/make a signal sound longer by increasing it.\u003cbr\u003e\u003cbr\u003eThe nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.\u003cbr\u003e\u003cbr\u003eA unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.\u003cbr\u003e\u003cbr\u003eWe’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.\u003cbr\u003e\u003cbr\u003eWhen the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.\u003cbr\u003e\u003cbr\u003eOr, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... As you can imagine, there are lots of possible combinations!\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449809203303,"sku":"53111","price":975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-nvelope-500-vinyl-special-edition_9cfab782-64e3-4cc3-843f-b4a8dcfc704e.jpg?v=1787090510"},{"product_id":"elysia-xfilter-500-vinyl-allstars-limited-edition","title":"Elysia Xfilter 500 Vinyl Allstars Limited Edition","description":"\u003cp\u003eIn celebration of their 10th anniversary, elysia has created the \u003cstrong\u003eElysia Xfilter 500 Vinyl Allstars Limited Edition\u003c\/strong\u003e,  with a stunning front panel hand-made from real records! Each  individual module features a unique groove pattern based on the  individual record from which it was crafted. The vinyl front panels are  supported by a sepia-colored layer of acrylic glass, gently emphasizing  the vintage vibe of this ultimate analog appearance.\u003cbr\u003e\u003cbr\u003eThis  vinyl\/acrylic panel is attached to an additional steel base plate,  ensuring the stability of the front panel. The steel base is finished  with a black powder coating to prevent oxidation and to blend into the  color of the record.\u003cbr\u003e\u003cbr\u003eAnother carefully matched detail – anodized  matte black aluminum knobs, manufactured exclusively for this limited  edition. Cream-colored silkscreen graphics add the perfect final touch  to the classic vibe of the Vinyl Allstars.\u003cbr\u003e\u003cbr\u003eAll these custom  materials combine beautifully to create a very individual appearance  rich in audio history – an outstanding black jewel in any 500 series  rack for sure, completed by a set of included lens head screws matching  the coherent look of this special edition.\u003cbr\u003e\u003cbr\u003eThe Vinyl Allstars are limited to 50 pieces per module worldwide - when they're gone, they're gone!\u003c\/p\u003e\r\n\u003cp\u003eThe xfilter 500 is a true linked stereo EQ in the 500 series format. It gives you the expensive sound of an all class-A equalizer in a surprisingly affordable package, with a precise stereo image based on computer-selected, stepped potentiometers and low tolerance film capacitors.\u003c\/p\u003e\r\n\u003cp\u003eThis EQ is serious about flexibility. It offers high and low shelf bands which can be switched into high and low cut filters with resonance, two mid peak filters with wide and narrow Q, plus additional passive LC stages with shielded coils for a glorious top end.\u003c\/p\u003e\r\n\u003cp\u003eWith its exceptionally open sound, straight transient projection and solid punch, the xfilter is the perfect match for your xpressor – or any other piece of delicious outboard gear!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449809268839,"sku":"53110","price":975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-xfilter-500-vinyl-special-edition_6828e74f-e85d-411f-8926-85c73a377eba.jpg?v=1787090510"},{"product_id":"elysia-xpressor-500-vinyl-allstars-limited-edition","title":"Elysia Xpressor 500 Vinyl Allstars Limited Edition","description":"\u003cp\u003eIn celebration of their 10th anniversary, elysia has created the \u003cstrong\u003eElysia Xpressor 500 Vinyl Allstars Limited Edition\u003c\/strong\u003e,  with a stunning front panel hand-made from real records! Each  individual module features a unique groove pattern based on the  individual record from which it was crafted. The vinyl front panels are  supported by a sepia-colored layer of acrylic glass, gently emphasizing  the vintage vibe of this ultimate analog appearance.\u003cbr\u003e\u003cbr\u003eThis  vinyl\/acrylic panel is attached to an additional steel base plate,  ensuring the stability of the front panel. The steel base is finished  with a black powder coating to prevent oxidation and to blend into the  color of the record.\u003cbr\u003e\u003cbr\u003eAnother carefully matched detail – anodized  matte black aluminum knobs, manufactured exclusively for this limited  edition. Cream-colored silkscreen graphics add the perfect final touch  to the classic vibe of the Vinyl Allstars.\u003cbr\u003e\u003cbr\u003eAll these custom  materials combine beautifully to create a very individual appearance  rich in audio history – an outstanding black jewel in any 500 series  rack for sure, completed by a set of included lens head screws matching  the coherent look of this special edition.\u003cbr\u003e\u003cbr\u003eThe Vinyl Allstars are limited to 50 pieces per module worldwide - when they're gone, they're gone!\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eelysia xpressor 500\u003c\/strong\u003e is an extremely versatile stereo compressor available in API's 500 series format.  With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.\u003c\/p\u003e\r\n\u003cp\u003eNo matter if you want to set and forget or plunge deep into the secrets of compression, the xpressor 500 is for you. Its discrete audio path running in constant Class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch.\u003c\/p\u003e\r\n\u003cp\u003eStereo buss compression, processing single signals, approaching dynamics in creative ways – the xpressor 500 shines in many different applications.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449809301607,"sku":"53109","price":975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-xpressor-500-vinyl-special-edition_0485b606-c02f-4761-9596-d717f2fe10f1.jpg?v=1787090510"},{"product_id":"elysia-karacter-500-vinyl-allstars-limited-edition","title":"Elysia Karacter 500 Vinyl Allstars Limited Edition","description":"\u003cp\u003eIn celebration of their 10th anniversary, elysia has created the \u003cstrong\u003eElysia Karacter 500 Vinyl Allstars Limited Edition\u003c\/strong\u003e, with a stunning front panel hand-made from real records! Each individual module features a unique groove pattern based on the individual record from which it was crafted. The vinyl front panels are supported by a sepia-colored layer of acrylic glass, gently emphasizing the vintage vibe of this ultimate analog appearance.\u003cbr\u003e\u003cbr\u003eThis vinyl\/acrylic panel is attached to an additional steel base plate, ensuring the stability of the front panel. The steel base is finished with a black powder coating to prevent oxidation and to blend into the color of the record.\u003cbr\u003e\u003cbr\u003eAnother carefully matched detail – anodized matte black aluminum knobs, manufactured exclusively for this limited edition. Cream-colored silkscreen graphics add the perfect final touch to the classic vibe of the Vinyl Allstars.\u003cbr\u003e\u003cbr\u003eAll these custom materials combine beautifully to create a very individual appearance rich in audio history – an outstanding black jewel in any 500 series rack for sure, completed by a set of included lens head screws matching the coherent look of this special edition.\u003cbr\u003e\u003cbr\u003eThe Vinyl Allstars are limited to 50 pieces per module worldwide - when they're gone, they're gone!\u003c\/p\u003e\r\n\u003cp\u003eThe karacter 500 offers two individual channels that can be used in dual mono, linked stereo and even Mid\/Side configuration, making it a remarkably flexible tool for any imaginable studio or live scenario. The karacter’s unique Color filter network allows subtle or extreme harmonics-frequency relation tweaks, while the integrated mix control for parallel signal processing helps to dial in just the right amount of enhancement or grit. Add THD generation with a soft touch, wide ranges of asymmetrical low noise clipping, massive sonic mayhem – an incredible range of options are available. Stepped potentiometers ensure a fast and precise recall of earlier settings.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449809334375,"sku":"53108","price":975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-karacter-500-vinyl-special-edition_01c283c4-a632-468c-9b80-09f1a2a4ece1.jpg?v=1787090510"},{"product_id":"elysia-100-bundle-v1-1","title":"Elysia 100% Bundle V1.1","description":"\u003cp\u003eGermany’s elysia was founded on a simple question: would it be possible to build audio processors with no compromise? With the release of the stunning alpha compressor in 2005, the answer to that question was a resounding yes! The elysia alpha compressor instantly cemented the company’s reputation for stellar sound quality, useful and innovative features and breath-taking beauty. The company’s next product, the mpressor reinvented what a compressor can be with creative new features like reverse log and a gain reduction limiter. The museq, in addition to living up to its name by being extremely musical, is a flexible, powerful tone shaper and a welcome addition to any studio’s processing rack.\u003c\/p\u003e  \u003cp\u003eFaithful emulations of all three of these amazing hardware devices are included in the \u003cstrong\u003eelysia 100% Bundle\u003c\/strong\u003e. And as an added bonus, the surprisingly useful niveau filter is included. Download the 100% elysia Bundle today and put these very special tools to work for you.\u003c\/p\u003e  \u003cp\u003eBrand new for V1.1 is the addition of nvelope, elysia’s impulse shaper. Elysia’s Ruben Tigler wrote the book on managing transients, and with the nvelope he’s taken it to a whole new level. The nvelope’s dual mode allows you to manage transients in two separate frequency bands, giving you a level of control no other impulse shaper can match. For example, in a mono or stereo drum loop you can increase the attack of a kick drum while reducing the sustain of the snare by adjusting the two frequencies separately. Like all elysia plugins, the magic of elysia’s fanatical analog design is captured faithfully in this emulation.\u003c\/p\u003e  \u003ch3\u003eelysia alpha compressor:\u003c\/h3\u003e  \u003cp\u003eThe alpha compressor plugin is a faithful software reincarnation of elysia’s legendary $10,000 analog M\/S mastering compressor.\u003c\/p\u003e  \u003ch3\u003eelysia mpressor:\u003c\/h3\u003e  \u003cp\u003eWith ground-breaking features like a gain reduction limiter and negative ratios, the mpressor redefines what a compressor can do.\u003c\/p\u003e  \u003ch3\u003eelysia museq:\u003c\/h3\u003e  \u003cp\u003eThe museq plugin makes elysia´s musical equalizer come alive in your DAW with all the tone and functionality of the original hardware.\u003c\/p\u003e  \u003ch3\u003eelysia nvelope:\u003c\/h3\u003e  \u003cp\u003eNext level tool for managing the attack and sustain of your tracks.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44449818247271,"sku":"51358","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-100_-bundle_51358_4_9fc7ca4f-b5e7-49af-9248-220288d56123.jpg?v=1787090549"},{"product_id":"elysia-karacter","title":"Elysia Karacter Stereo Saturator","description":"\u003cp\u003eThe \u003cstrong\u003eelysia karacter\u003c\/strong\u003e is a box full of vibrant colors. 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Create the most organic and vivid sounds out of plain and static sources!\u003c\/p\u003e    \u003cp\u003eThe entire unit is designed with discrete Class A topology, so even the most lo-fi sounds will benefit from the karacter's high-end touch. 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The enhanced functions exceed the potential of normal compressors by far and enable unimagined options for mastering and recording tasks. \u003cbr\u003e\u003cstrong\u003e The challenge\u003c\/strong\u003e\u003cbr\u003e Mastering requirements are many-sided and diversified. The quality of the delivered audio material differs from one job to the other in the same way as the customers wishes and demands do. Especially when it comes to dynamic processing it is not easy to procuce results that meet everybodys desires. \u003cbr\u003e Many clients want their tracks to sound as loud as possible. In most cases, however, this leads to a flat sound and a suffering stereo image. Sometimes only small adaptations are required to change the dynamics in subtle nuances. On other occasions certain productions need a kind of sound stamp that aims at finishing the overall tonal character. \u003cbr\u003e The alpha compressor is specifically designed to satisfy these demands. Its new functions enable engineers to deal with even most complex material in outstanding quality. Even special problem cases can be subdued much better compared to using conventional types of compressors. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cstrong\u003e M\/S processing\u003c\/strong\u003e\u003cbr\u003e One of the most important features is the integration of a switchable M\/S matrix. This module transfers the incoming stereo signal into a middle (M) and a side channel (S). Now the M and S channels can be processed separately and are then decoded to left (L) and right (R) again. \u003cbr\u003e The resulting possibilities go beyond the potential of a conventional compressor in stereo link mode. For example, you can now process the mostly dominant middle signals like drums, bass and vocals selectively without influencing the stereo spectrum in a negative way. \u003cbr\u003e The complicated splits between a powerful middle signal and a wide stereo image can now be done off the top of ones head. But using M\/S technology in dynamic processing offers more possibilities than merely providing a problem solver for complicated cases. The creative fraction will also love the new dimensions of putting their personal sound visions into effect. \u003cbr\u003e\u003cstrong\u003e Compression characteristics\u003c\/strong\u003e\u003cbr\u003e The performance of the compressor can be perfectly matched to the audio material by engaging intelligent control options. Special modes support the classic parameters attack, release, threshold and ratio, helping to achieve pleasantly unobtrusive compression results even when processing very dynamic sounds. \u003cbr\u003e Both attack and release feature the switchable Auto Fast option that adjusts the time parameters semi-automatically according to the speed in which the volume of the signal changes. In case of short and loud impulses (e.g. drums) the compressor automatically enhances its speed for a short moment and then returns to the original settings. \u003cbr\u003e This makes it very easy to find musical settings for any kind of dynamic processing. Switching the sidechain from feedback to feed forward mode results in more extreme sounding compression properties that invite to dive into creative sound design a true pleasure for ambitious sound freaks. \u003cbr\u003e\u003cstrong\u003e Sidechain and audio filters\u003c\/strong\u003e\u003cbr\u003e The integrated sidechain filters allow to shape the compression dependent on selected frequencies. For example, it is very easy to attenuate the influence of bass signals on the overall compression. Furthermore, you can crossfade between high pass and low pass characteristics. In combination with corresponding attack and release settings, the responding behavior can be systematically adjusted to problematic frequencies. \u003cbr\u003e A special Niveau Filterallows altering the character of the compressed signal. It should not be equated with classic shelving EQs because it is capable of creating new sound nuances without corrupting the signals original complexion. Digital productions will sound more powerful and rhythm instruments will gain in punch and assertiveness. \u003cbr\u003e The fact that you can use this function on the middle and the side channel separately opens up entirely new possibilities. For example, an accentuation of the high frequencies in the side channel will broaden the stereo spectrum in a very pleasant and unobtrusive way. Reverbs can also sound wider without taking exaggerated effects. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cstrong\u003e Parallel compression\u003c\/strong\u003e\u003cbr\u003e The mix controller allows to blend between the compressed and the unprocessed signal so that the alpha compressor can be used to assign the right proportion without further hardware and cables. \u003cbr\u003e This method of parallel compression enables the user to enhance the quieter signals only and leave the rest as it is. The mix will sound tight and loud without degrading the original dynamic structure. For sound design purposes, this feature can also be used to add extreme compression effects to the source. Both the original and the processed signal have an individual bypass switch and can be monitored separately. \u003cbr\u003e This also works in M\/S mode where you can monitor the middle and the side channels independently just by switching them on and off a very convenient aspect, because it makes changing any controller setting for this redundant. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cstrong\u003e Soft Clip\u003c\/strong\u003e\u003cbr\u003e In order to protect following AD converters from signal peaks the alpha compressor is equipped with Soft Clip limiters. By holding back short transients, the converters can be set to a higher recording level. The fully discrete transistor design makes this circuit very agile so that even very fast signals will not find a way through. \u003cbr\u003e The operation mode differs however from that of a typical peak limiter that will not let any signal pass above the adjusted threshold. The technical principle can rather be compared to an analog tape machine that drives loud impulses into saturation and thus acts like a 'natural' limiter. \u003cbr\u003e\u003cstrong\u003e 100% discrete\u003c\/strong\u003e\u003cbr\u003e The all discrete design using single transistors exclusively is one of the main reasons for the outstanding quality of sound of the alpha compressor. Every single component was developed with its influence on tone in mind, and the choice of components also follows this commandment. \u003cbr\u003e All amplifier stages work in current feedback mode and do not need any capacitors that could have negative effects on frequency and dynamic imaging. Resulting in enormous speed and precision these circuits play an important role in producing a notably wide and open sound character. The PCA (Passive Current Attenuator) is an entire new development. \u003cbr\u003e It also works fully discrete and purely passive, resulting in clearly superior sound quality compared to industrial ICs. Even the sidechain electronics is based on single transistors that provide a much better signal-to-noise ratio than comparable integrated circuits. \u003cbr\u003e\u003cstrong\u003e A look inside\u003c\/strong\u003e\u003cbr\u003e The alpha compressor is exclusively equipped with capsuled conductive plastic potentiometers with detents. All modules can be switched via capsuled relays that have been placed at the optimal circuit areas in order to achieve a minimum signal path. \u003cbr\u003e The inputs feature toroidal transformers resulting in high common mode rejection and reducing ground loops by means of galvanic isolation. In addition, both mix stages feature another big torodial transformer each in order to add that often sought after silky and huge sound character by simply pressing a button. The output stages are electronic class-A-Designs. \u003cbr\u003e The power supply is a phenomenon of its own. Newly developed discrete voltage regulators provide a signal-to-noise ratio that is so low it can hardly be measured at all. A 130 VA toroidal power transformer provides more than enough current to charge the great number of electrolytic capacitors very fast. Due to its full MU metal capsule the magnetic stray field could be reduced so efficiently that it is no problem to place the power transformer inside the housing. Definitely no esoteric punk: Certain circuit parts are heated in isolated copper blocks. \u003cbr\u003e This keeps critical parameters constant which avoids changes in temperature and control mode. The final highlight is the housing. Based on an exclusive design it represents the combination of visual elegance and mechanical steadiness. Created with on eye on elegant details and manufactured from massive aluminum the alpha compressor marks the final crown jewel for any ambitious studio.","brand":"Elysia","offers":[{"title":"Default Title","offer_id":44450001780839,"sku":"61951","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/elysia-alpha-compressorlimiter-9010010011-used-6563705_a4c7134c-9859-401d-8d05-98d31214f5e7.jpg?v=1787091278"},{"product_id":"elysia-xpressor-stereo-compressor-000433-used","title":"Elysia Xpressor Stereo Compressor #000433 (Used)","description":"Like new unit. \u003cstrong\u003e\u003c\/strong\u003e\u003cp\u003eFeatures:\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDiscrete Class-A Topology - Pristine audio quality.\u003c\/li\u003e\n\u003cli\u003eAuto Fast Attack - Perfect attack in any situation.\u003c\/li\u003e\n\u003cli\u003eSwitchable Release Characteristic - Smooth or crisp – the choice is yours.\u003c\/li\u003e\n\u003cli\u003eWarm Mode - Transparency? 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