{"title":"EMI","description":null,"products":[{"product_id":"emi-tg-12345-d632a-group-module-vintage","title":"EMI TG 12345 D632A Group Module (Vintage)","description":"Discrete 'class A' module from an original EMI TGI desk - same as the Abbey Road 'Dark Side of the Moon' EMI console. The TG12345 console was built by the EMI engineering department exclusively for use in EMI studios around the world; it was never available for sale during its years of production.\u003cbr\u003e\u003cbr\u003eTwo channel 'group' module features:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMain faders\u003c\/li\u003e\n\u003cli\u003ePan - from 30 degrees left to 30 degrees right (stepped)\u003c\/li\u003e\n\u003cli\u003eEcho send level from -40 to 0 dB (2dB stepped)\u003c\/li\u003e\n\u003cli\u003ePresence at .5, .8, 1.2, 1.8, 2.8, 4.2, 6.5, 10 kHz\u003c\/li\u003e\n\u003cli\u003ePresence attenuation from -10 to +10 dB (2dB stepped)\u003c\/li\u003e\n\u003cli\u003eInput level: -10dB to +10dB (2dB stepped)\u003c\/li\u003e\n\u003cli\u003e3-position input selector for monitoring: (input to group \/ off \/ echo send)\u003c\/li\u003e\n\u003cli\u003eCompressor with out \/ compression\/ limiting toggle, gang setting (to join the channels);6-position Recovery switch; continuously-variable Hold potentiometer \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449405108327,"sku":"15302","price":4250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/emi_tg_12345_d632a_group_module_zoom_d827a87c-8685-4fd6-9174-6860fa8bf43b.jpg?v=1787088874"},{"product_id":"emi-tg-12345-d662a-control-room-module-vintage","title":"EMI TG 12345 D662A Control Room Module (used-B)","description":"Discrete 'class A' module from an original EMI TGI desk - same as the Abbey Road 'Dark Side of the Moon' EMI console.\u003cbr\u003e \u003cbr\u003eControl Room Monitor module features:\u003cbr\u003e\u003cbr\u003e• 9-position selector for monitoring VU meter levels (with 10db boost switch): Off\/CRM Input\/Output to Loudspeaker\/Cue Line Out\/Check Group 1\/Check group 2\/Check S.P.\/Oscillator\/External source.\u003cbr\u003e• Control Room Loudspeaker selector (sets the monitoring choices), Off\/Left\/Right\/Stereo\/Parallel. \u003cbr\u003e• L \u0026amp; R Monirtor Selectors: (selects what signal to monitor): Off\/Sync (signal from tape machine)\/Normal (regular control room monitor)\/Cue Mix 1\/Cue Mix 2. \u003cbr\u003e• L \u0026amp; R Sync Replay Level to Cue (sets the level of the tape machine sync mix in the cue {headphone} mix). \u003cbr\u003e• Main Cue Level 1 \u0026amp; 2; Attenuation from -40 to 0 dB\u003cbr\u003e• Correlator selector: Off\/Monitor\/Main\/Meters (used to check the phase of the selected signal. Set to ‘Mon’ it gives an overall phase reading of all the tracks in the monitor mix).\u003cbr\u003e• Replay to Cue: On\/Off selector\u003cbr\u003e• Screwdriver-operated controls for Loudspeaker volume: (these set the volume level of the monitor speakers when the producer’s talkback mike is engaged. ‘OP’ is Operator, ‘A.M.’ is Artist’s Manager. ‘Key’ is overall level).\u003cbr\u003e• Control Room Monitor (master volume level to control room)\u003cbr\u003e• Monitor Selector switches: Tracks (selects tracks 1-8, 9-16 or 1-16), Extras (selects Off\/Mic\/Echo\/Mic \u0026amp; Echo)\u003cbr\u003e• Loudspeaker quiet (quickly lowers control room monitor volume by 20dB)\u003cbr\u003e• L \u0026amp; R Mute (completely mutes either channel)\u003cbr\u003e• Monitor Select (toggles between Record {signal to tape machine} and Replay {signal from tape machine})\u003cbr\u003e• Meter Select (toggles between Record, Follow and Replay; ‘follow’ causes the meter to reflect whatever Monitor source is selected by the ‘monitor select’ toggle\u003cbr\u003e• Buzzer and Red Light controls (for recordings in progress)","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449405141095,"sku":"15306","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/emi_tgi_crm_zoom_98b23911-b246-443a-ac77-d7a9f9120fc2.jpg?v=1787088875"},{"product_id":"emi-redd-17-tube-console-vintage","title":"EMI REDD 17 Tube Console (Vintage)","description":"\u003cp\u003eRare REDD 17 tube console built for, and used exclusively by EMI\/Abbey Road, in the pre-Beatles era.\u003c\/p\u003e\u003cp\u003eThe acronym R.E.D.D. stands for the in-house engineering division of EMI, known as the Record Engineering Development Department. One of the many tasks of this dept. was to create a custom recording console for use at EMI\/Abbey Road studios. Only a handful of these all-tube consoles were built in the late 1950s, and were installed in all of the control rooms at Abbey Road. Since they were built in a modular fashion, they were also used as portable recording consoles for location tracking. The heart of the desk was the Telefunken V72s tube mic preamplifier.\u003c\/p\u003e\u003cp\u003eBY the late 1950s, four track tape recorders were becoming available, and this required an upgrade to the REDD.17 desks, which were more suitable for two-track recording. Thus the REDD.37 console was designed, and this became the desk used on the first Beatles' album, as well as many of their subsequent recordings. This version of the console also used the Telefunken V72s mic pre.\u003c\/p\u003e\u003cp\u003eThe final improvement in the series was the REDD.51, which was used on the vast majority of Beatles' records. For this version, the Telefunken mic pre was replaced by the in-house designed REDD 47 mic pre.\u003c\/p\u003e\u003cp\u003eGeoff Emerick, the Beatles engineer, has stated in his autobiography that he disliked the later transistor-based TG12345 console, which replaced the REDD desks at Abbey Road. According to Geoff, the solid state desk \"lacked the aggressive edge of the valve consoles\". The TG12345 desk appeared near the end of their reign, and the Beatles only used it on their final album, Abbey Road; all other albums were done on a REDD desk.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eREDD.17 Features:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e12 inputs, 2 busses \u003c\/li\u003e\n\u003cli\u003eUses V72s modules (only used in REDD consoles)\u003c\/li\u003e\n\u003cli\u003e8 main channels with 2 band fixed freq. Eq.\u003c\/li\u003e\n\u003cli\u003e2 aux Inputs with no Eq. ( \"4A\" and \"5A\" )\u003c\/li\u003e\n\u003cli\u003e2 channels that used to be \"SPARE\" and \"TEST amplifiers\". These are now Input 11 and input 12. No eq.\u003c\/li\u003e\n\u003cli\u003eTotal of 12 input channels, 8 with EQ, and 10 with echo send.\u003c\/li\u003e\n\u003cli\u003eAll Inputs are mic Inputs with fixed 30 dB of gain, with pad\/attenuators allowing one to reduce line level to mic level to avoid overloading mic pre\u003c\/li\u003e\n\u003cli\u003eOld style 3 pin I\/O connectors\u003c\/li\u003e\n\u003cli\u003eInternal Cross-patch\/Test patchbay built-in to the right side amp module (connectors not included to make cables for this)\u003c\/li\u003e\n\u003cli\u003eSome normaling jumpers are installed\u003c\/li\u003e\n\u003cli\u003e220 VAC; designed for 50Hz, but will work on 60Hz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDesk has 3 modes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\"DUO\" = This is pretty much MONO mode for use with dual track recorders. It is just a redundant feed to the 2nd track.\u003c\/li\u003e\n\u003cli\u003e\"STEREO\"= This would best be called \"Dual Track\" as there are No PAN pots at all on the desk.\u003c\/li\u003e\n\u003cli\u003eThis is called \"STEREO\" because there are 2 dedicated sets, of 2 channels, (1 and 2, and 7 and 8) that have a \"Spreader\" available, when recording with Stereo Mic's, and the fact that the desk has 2 busses , LEFT, and RIGHT. \u003c\/li\u003e\n\u003cli\u003e\"MONO\" = This just sums the left and right to MONO.\u003c\/li\u003e\n\u003cli\u003eThe 2 outputs for tracking that would have the Painton Level faders, and EQ's in line. \"Main Left\" and \"Main Right\".\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eYou could patch from the output of each of the V72s Mic pre's, but these are fixed at 30dB of gain, your only level adjust would be via the switchable input pads, and there would be no EQ.\u003cbr\u003e\u003cbr\u003eThere is one aux send. ECHO. It is on 10 of the channels post EQ, post the Painton level faders.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e2 MONO \/ (1 STEREO) playback channels. \"PB 1\" and \"PB2\"\u003c\/p\u003e\u003cp\u003eThe signal path flows from the BOTTOM of the channel to the TOP of the channel. The mic input jack ICON is at the bottom of the panel, closest to the engineer\u003c\/p\u003e\u003cp\u003e\"RED\" Engraving = \"LEFT\". \"GREEN\" Engraving = \"RIGHT\". \"BLACK\" engraving on left wing gets summed to \"LEFT\". \"BLACK\" engraving on right wing gets summed to \"RIGHT\".\u003cbr\u003e\u003cbr\u003eOn the center section the \"Spreaders\" on\/above channels 1 and 2, and channels 7 and 8 just do phase \"correction\" for stereo Mic angles, ( L-R \/ R-L ), for proper \"Width\".\u003cbr\u003e\u003cbr\u003eOn the center section The 2 switches under the plastic labels [ 3 1 2 ] and [2 1 4] just make routing the LEFT and RIGHT dedicated outputs to the input of a 4 track machine easier. No re-patching.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449478148199,"sku":"29744","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/redd_17_zoom_a1ee9b89-23b2-48ba-9386-0d1d82fe8362.jpg?v=1787089110"},{"product_id":"emi-tg12413-comp-lim-wood-racked-pair-176-194-used","title":"EMI TG12413 Comp\/Lim Wood Racked Pair #176\/194 (Used)","description":"Great condition, classic compressor limiter. Great on mix buss, mastering, drums, instruments, vocals. Can be subtle or furious!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCompress\/Out\/Limit switch\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Gain\/reduction -10 to + 10 db in 1 dB steps\u003c\/li\u003e\n\u003cli\u003eCompression Recovery: .25, .5, 1.2, 1.25, 5 and 10 seconds\u003c\/li\u003e\n\u003cli\u003eLimiting Recovery: .05, .1, .25, .5, 1 and 2 seconds\u003c\/li\u003e\n\u003cli\u003eContinuously variable Hold potentiometer sets the amount of compression or limiting\u003c\/li\u003e\n\u003cli\u003e2:1 fixed compression ratio\u003c\/li\u003e\n\u003cli\u003eUp to 20 dB of limiting\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe TG12413 Limiter was a continuation of a long line of compressor\/limiters designed and manufactured by the in-house engineering staff at EMI, most famously used to record the Beatles and early Pink Floyd material. Appearing in the mid-70s as the culmination of all this development, the sound of the 12413 is unique. They say imitation is the sincerest form of flattery, and the highest compliment was paid to these limiters by making an official plugin version of them. But if you're looking for some real hardware for your rack, full of EMI mojo, then skip the plugins and get the real deal.\u003cbr\u003e\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449585660007,"sku":"35474","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_35474_1_b05dcfd2-d123-4d23-a9e7-047aec259315.jpg?v=1787089575"},{"product_id":"emi-tg12410-mastering-transfer-console-112-vintage","title":"EMI TG12410 Mastering\/Transfer Console #112 (Vintage)","description":"\u003cp\u003eRare EMI 4-channel tape-to-disc transfer mastering console.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eEMI TG12410\u003c\/strong\u003e was custom designed and built by EMI's research department in Hayes, Middlesex, England, beginning in the late 60s. Made strictly for use in EMI studios around the world, this console was never available to the public. The same model desk is still in use today at Abbey Road's mastering studios.\u003c\/p\u003e\u003cp\u003eThe TG12410 has a sound so musical and unique that Chandler Ltd. released a plug-in emulation of the modules a few years back. But no plug-in can match the sound of the original. Very few of these consoles were ever made, and they hardly ever come up for sale. This is a rare opportunity to own a piece of audio history!\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eGENERAL INFO\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eBrand: EMI\u003c\/li\u003e\n\u003cli\u003eModel: TG12410 Tape to Disc Mastering console\u003c\/li\u003e\n\u003cli\u003eSerial Number: 112\u003c\/li\u003e\n\u003cli\u003eYear of Manufacture: 1973\u003c\/li\u003e\n\u003cli\u003ePedigree\/History: Originally at EMI Capetown, then at Gramma records Zimbabwe, then at Masterlabs in Ireland, finally at King Willy Sound Sydney (used on Gotye among other albums)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eCONSOLE TECHNICAL DETAILS\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDimensions: 104cm x 75cm x 110cm\u003c\/li\u003e\n\u003cli\u003eCosmetic Condition Rating: 8\u003c\/li\u003e\n\u003cli\u003eList of Cosmetic Flaws: Modules are extremely clean as are all electronics. The consoles right hand bay has been removed to give a smaller footprint.\u003c\/li\u003e\n\u003cli\u003eWorking Order Rating: 9\u003c\/li\u003e\n\u003cli\u003eList of Major Working Faults: One of the presence eq modules has a slight drop in LF as detailed in the tech report.\u003c\/li\u003e\n\u003cli\u003eDoes Console Have Direct Outs: Yes\u003c\/li\u003e\n\u003cli\u003eDirect Outs Transformer Balanced: Yes\u003c\/li\u003e\n\u003cli\u003eHow Many Lines In at Mix: 4in 4 op\u003c\/li\u003e\n\u003cli\u003eList of Any Modifications: The High Level unit has been hard wire bypassed as it is an unreliable module generally. Very easy to restore this to stock. 3 main power supplies upgraded to new Amtex supplies (linear) and rehoused in original module units (ITI\/EMI)\u003c\/li\u003e\n\u003cli\u003eWhen Was It Last Serviced: Console has been continually maintained over the last 10 years. Currently switched on and evaluated weekly.\u003c\/li\u003e\n\u003cli\u003eList of Any Spare Parts: 2 x correlation units. Edge connectors, Elma switches Capacitors and transistors, spare fader housings.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eACCESSORIES\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eBrand \u0026amp; Type of Patchbay: EMI\u003c\/li\u003e\n\u003cli\u003eQty of Patchbay(s): 1\u003c\/li\u003e\n\u003cli\u003eLocation of Patchbay: Remote\u003c\/li\u003e\n\u003cli\u003eBrand \u0026amp; Length of Cabling: unknown\u003c\/li\u003e\n\u003cli\u003eBrand \u0026amp; Type of Furniture: unknown\u003c\/li\u003e\n\u003cli\u003eIs There a Stand: Yes\u003c\/li\u003e\n\u003cli\u003eIs There a Producer's Desk: No\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eCONSOLE DOCUMENTATION\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eOriginal Manual: Yes\u003c\/li\u003e\n\u003cli\u003eIs Manual Complete: Yes\u003c\/li\u003e\n\u003cli\u003eIncludes Tech Report: Yes\u003c\/li\u003e\n\u003cli\u003eModifications Documented: Yes\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449722400871,"sku":"48194","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/emi_tg12410_main_3bfd2229-655d-4687-861f-0bf12d474f3e.jpg?v=1787090136"},{"product_id":"emi-tg12414-filter-pair-4245-vintage","title":"EMI TG12414 Filter Pair #42\/45 (Vintage)","description":"The \u003cstrong\u003eEMI TG12414\u003c\/strong\u003e filter units were first used on EMI mastering desks in conjunction with the famous TG12412 equalizer. Each unit includes High pass, Low pass and Presence controls as well as the MK IV TG line amp. \u003cbr\u003e\u003cul\u003e\n\u003cli\u003eHigh pass - 40, 60, 80, 100 Hz at 18db\/octave\u003c\/li\u003e\n\u003cli\u003ePresence- .5, .8, 1.2, 1.8, 2.8, 4.2, 6.5, and 10 kHz with +\/-10 of boost and cut in 1db steps.\u003c\/li\u003e\n\u003cli\u003eLow pass - 8, 10, 12, 15, 20 8 kHz at 18db\/octave\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003eThese are sweet and musical sounding. Discrete, early 70s units from EMI, with the same EQ points as the famous TG12345 console used to record the Beatles Abbey Road and Pink Floyd Dark Side of the Moon. The eight frequencies of the Presence control are about the same shape as the medium setting on the TG12412 Mastering Equalizer, and the unit incorporates the same line amp used on the TG12345.\u003cbr\u003e\u003cbr\u003eGreat on vocals, guitars, snares, piano, acoustics, etc.","brand":"EMI","offers":[{"title":"Default Title","offer_id":44449884733543,"sku":"48442","price":8995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/emi-tg12414-filter-pair-4245-vintage-5922261_40976b91-e507-4caa-9d6a-dfaad01375cf.jpg?v=1787090808"},{"product_id":"emi-abbey-road-redd-37-historic-beatles-console","title":"EMI Abbey Road REDD.37 Historic Beatles Console","description":"\u003ch3\u003eThe REDD.37 - A Legend Looks For A New Home\u003c\/h3\u003e\r\n\u003cp\u003eIn one of the most coveted recording packages ever assembled, three incredible pieces of historic gear have been brought together for sale. At the heart of the package is Abbey Road Studios' legendary REDD.37 console (one of only three ever created), with this particular model being active in EMI Studio One and utilized on various recording sessions by The Beatles.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eThe History Of The REDD.37 Console\u003c\/h3\u003e\r\n\u003cp\u003eBased on the REDD.17 built by Peter Burkowitz, the REDD.37 is a continuation of this classic technology, pushed even further by Len Page and the Record Engineering Development Department (REDD) team. The console is constructed from five individual pieces and features an upgrade in the number of tracks and channels, in addition to the use of V72s mic preamps. To meet the 200 ohms impedance requirement utilized by all Abbey Road gear, the desk was specifically modded to fit these preamps, which involved adding a 168 ohm internal resistor.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eA Decade Of Creating Timeless Recordings\u003c\/h3\u003e\r\n\u003cp\u003eThe REDD.37 console included in this package was built in December 1958, as denoted by its serial number, #58121A (58 – the year, 12- the month). After being moved into EMI Studio One at Abbey Road, the console spent the better part of the next decade in the room and was used during various Beatles sessions from \u003cem\u003eMeet The Beatles\u003c\/em\u003e through their final release, \u003cem\u003eLet It Be\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eLife After Abbey Road Studios\u003c\/h3\u003e\r\n\u003cp\u003eSince the 1990s, this REDD.37 console has been lovingly cared for by Lenny Kravitz, who has kept the desk in pristine condition. Whether you’re looking to own a piece of history or trying to capture the magic of the 1960’s London rock scene in your studio, this REDD.37 package is the ultimate combination of function, form and style.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eVintage Tape Machines With Pedigree\u003c\/h3\u003e\r\n\u003cp\u003eAside from the REDD.37 console, this package also features two equally historic tape machines, including the EMI\/Abbey Road Studios No.7 Studer J37. As one of only eight tape machines used at Abbey Road Studios, this piece of equipment was revolutionary, as it allowed producers and engineers to bounce tracks and pull-off accurate drop-ins while overdubbing. The Studer J37 is a four-track 1” multi-track tape machine, which records at both 7.5ips and 15ips, and features 52 tubes in its design. This make-up includes four record amplifiers, each with two ECC188 tubes, and four reproduce amplifiers, each with three ECC188s and an E283CC. The frequency response at 15ips was spec’d at 30Hz to 15kHz (+\/-2dB).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe second tape machine included in this package is a Studer C37, which is a two-track stereo master recorder that runs 1\/4 inch tape. As the predecessor to the J37, the C37 was released in the early 1960s and maintained its status as a studio favorite until being phased out in the 1970s. This tape machine records at both 7.5ips and 15ips, features the original C37 resin-body heads, offers balanced XLR input and output, CCIR – NAB selectable equalization and modular tube electronics, with\u003c\/p\u003e\r\n\u003cp\u003eindependent Dual-Mono Rec and Play boards.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e: EMI\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eModel\u003c\/strong\u003e: REDD.37\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eYear of Manufacture\u003c\/strong\u003e: 1958\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePedigree\/History\u003c\/strong\u003e: Abbey Road Studio 1\u003c\/p\u003e\r\n\u003ch3\u003eGeneral Specs:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e8 ch. mic\/line channel inputs\u003c\/li\u003e\r\n\u003cli\u003eFull set of 8 \"Pop\" interchangeable EQ cartridges\u003c\/li\u003e\r\n\u003cli\u003eFull set of 8 \"Classic\" interchangeable EQ cartridges\u003c\/li\u003e\r\n\u003cli\u003e4 bus\u003c\/li\u003e\r\n\u003cli\u003e4 ch. monitor returns\u003c\/li\u003e\r\n\u003cli\u003e4 ch. echo returns\u003c\/li\u003e\r\n\u003cli\u003e2 ch. direct inject line input to bus\u003c\/li\u003e\r\n\u003cli\u003e2 Echo sends per channel\u003c\/li\u003e\r\n\u003cli\u003e2 Cue sends per channel\u003c\/li\u003e\r\n\u003cli\u003eControl room output\u003c\/li\u003e\r\n\u003cli\u003eStudio loud speaker output\u003c\/li\u003e\r\n\u003cli\u003ePatchbay: Built-in Siemens branded with Tuchel to XLR breakout cables\u003c\/li\u003e\r\n\u003cli\u003eOriginal manual: Included\u003c\/li\u003e\r\n\u003cli\u003eTech report: Available\u003c\/li\u003e\r\n\u003cli\u003eApproximate Weight: 800 lb\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 132 cm (51.9 in) x 53 cm (20.9 in) x 92 cm (36.2 in)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eAlso included:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 EMI RS-127 outboard presence EQs\u003c\/li\u003e\r\n\u003cli\u003eFlight cases\u003c\/li\u003e\r\n\u003cli\u003eSpare EQ cartridges\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Operates only on 230-240v 50 or 60 Hz - Suitable step up transformer or 240V service required for use in a 120V environment. 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