{"title":"Focusrite","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look At Focusrite's History\u003c\/h2\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_main_1_24.jpg?v=1787060130\" alt=\"Focusrite\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cdiv class=\"text-left\"\u003e\r\n\u003cstrong\u003eFocusrite Scarlett Interfaces\u003c\/strong\u003e\u003cbr\u003e\r\nFocusrite Scarlett interfaces are arguably the most versatile audio interfaces in use today, featuring six different I\/O configurations to suit any space, setup, or application. This line of audio interfaces puts Focusrite’s third generation of high-quality mic preamps to work, along with additional features to accommodate various signals and inputs. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe Scarlett models vary in size and features, from the modest Scarlett Solo all the way up to the rack-mountable Scarlett 18i20 with talkback functionality and ADAT capabilities to expand I\/O. Every Scarlett model comes with software and useful plugins to get started quickly without any obstacles. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nNeed more inputs? The Scarlett OctoPre (available with or without analog compression features) is an eight-channel mic pre-expansion featuring Scarlett’s class-leading preamps and precision Focusrite A\/D conversion.\r\n\u003c\/div\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_main_2_24.jpg?v=1787060133\" alt=\"Focusrite\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cdiv class=\"text-left\"\u003e\r\n\u003cstrong\u003eFocusrite Clarett Interfaces\u003c\/strong\u003e\u003cbr\u003e\r\nThe Clarett line of interfaces is Thunderbolt-friendly and features Focusrite’s highest-quality mic preamps, optimized for high gain and low distortion. Decades of analog circuit design experience applied around 24-bit\/192 kHz A\/D and D\/A conversion delivers pristine sound. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nClarett’s Air mode simulates the airy frequency curve of Focusrite’s transformer-based ISA line of mic preamps. This lineup is another prime example of Focusrite’s straightforward, yet highly capable, audio interfaces ready to deliver crystal clear sound quality for your projects.\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nSimilar to the Scarlett OctoPre, the Clarett OctoPre offers eight channels of Focusrite’s pristine preamps via ADAT, including the signature Air effect as well as inserts on every channel.\r\n\u003c\/div\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_main_3_24.jpg?v=1787060137\" alt=\"Focusrite\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cdiv class=\"text-left\"\u003e\r\n\u003cstrong\u003eFocusrite Red Range\u003c\/strong\u003e\u003cbr\u003e\r\nThe Focusrite Red range offers the ultimate in digital conversion, remote-controlled mic pres, and built-in monitor controls, coupled with very low latency Pro Tools | HD™, Thunderbolt™, and Dante interface technology. The Red Evolution mic pres can be easily and accurately monitored while recording without distracting latency or noise. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe low-latency, highly reliable drivers provide seamless integration with many DAWs, while the DigiLink Mini ports allow connection directly to Pro Tools | HDX, Pro Tools | HD native, and even older Pro Tools | HD TDM systems.\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nRed all-in-one interfaces come in two different configurations, 8PRE and 16LINE, both of which feature 32X32 Dante I\/O. The interfaces feature Focusrite’s digitally controlled, Air-enabled, Red Evolution mic preamps. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe Red Evolution preamps offer the greatest clarity, lowest latency, and expansive connectivity options with the ability to achieve the sound of the transformer-based ISA preamps. With the Host Mode feature, switch between any DAW of your choice. \r\n\u003c\/div\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_main_4_24.jpg?v=1787060140\" alt=\"Focusrite\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cdiv class=\"text-left\"\u003e\r\n\u003cstrong\u003eFocusrite RedNet Interfaces\u003c\/strong\u003e\u003cbr\u003e\r\nFocusrite is a lead designer of digital audio networking RedNet interfaces that deliver top-quality sound. Advanced conversion allows for extremely transparent sound to travel across flexible Dante audio networks. These audio-over-IP (AoIP) systems carry quality sound over long distances with extensive dynamic range and 24-bit, 192kHz sampling. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nEverything from the ISA ADN2 to the high-performance RedNet D64R harbors the best performance of AoIP systems available today. Focusrite stands behind every circuit in the box, promising continued reliability even when the unexpected arises.\r\n\u003c\/div\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_main_5_24.jpg?v=1787060144\" alt=\"Focusrite\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cdiv class=\"text-left\"\u003e\r\n\u003cstrong\u003eFocusrite ISA Microphone Preamps\u003c\/strong\u003e\u003cbr\u003e\r\nThe current ISA range of mic pres is rooted in the legacy of the creation of the ISA 110 installed in George Martin’s Neve console at Air Studios. The core models born from iconic Focusrite consoles live on through Focusrite’s modern ISA products, which use the Lundahl LL1538 input transformer and a custom Zobel network to craft their sought-after sound. \r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nWhether you’re an artist, engineer, or producer, you’ll appreciate the incredible sound of the ISA preamps, along with multi-channel A-D cards, independent D-I inputs, and Dante compatibility. No matter which model you choose, true ISA sound is guaranteed.\r\n\u003c\/div\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"focusrite-isa-430-mkii-producer-pack","title":"Focusrite ISA 430 MKII Producer Pack","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocusrite ISA 430 MKII\u003c\/span\u003e represents the pinnacle of Focusrite’s analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool.  Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today’s recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. \u003cbr\u003e \u003cbr\u003e Focusrite’s iconic status as the leading manufacturer of channel strips remains unrivalled. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Focusrite transformer-based Mic-pre with variable impedance and ‘Air’ feature \u003c\/li\u003e\n\u003cli\u003eMulti format Compressor; switch between Focusrite’s transparent VCA circuit and a vintage optical circuit \u003c\/li\u003e\n\u003cli\u003eUnmatched flexibility with an incredible variety of insert points and variable signal path arrangements\u003c\/li\u003e\n\u003cli\u003eAbility to function as four separate modular processors: mic pre, EQ, Dynamics and stereo ADC \u003c\/li\u003e\n\u003cli\u003ePrecision VU metering of input level, Insert 1 or 2 Return level, Compressor gain reduction or Sidechain listen level (switched)\u003c\/li\u003e\n\u003cli\u003eClassic Focusrite EQ design; an expanded version of the original ISA 110 \u003c\/li\u003e\n\u003cli\u003ePost mic pre output for the shortest possible signal path \u003c\/li\u003e\n\u003cli\u003eProprietary Focusrite discrete Class A VCA Gate and Expander designs\u003c\/li\u003e\n\u003cli\u003e‘Listen’ feature for precise control over compression, gating, expansion and de-essing \u003c\/li\u003e\n\u003cli\u003eDe-esser design based on optical technology for lower distortion and transparency \u003c\/li\u003e\n\u003cli\u003eSoft Limiter to avoid critical digital overload \u003c\/li\u003e\n\u003cli\u003eOptional Stereo A\/D – 24 bit 192 kHz Delta Sigma converter \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain Range: +10dB to +40dB continuously variable \u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;1M Ohm \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMic \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain Range: 0 to +60dB in 10dB steps \u003c\/li\u003e\n\u003cli\u003eInput Impedance: Variable as follows: 600 Ohm, 1k4 Ohm, 2k4 Ohm, 6k8 Ohm \u003c\/li\u003e\n\u003cli\u003eEIN: -128dB with 150 Ohm terminating impedance at 60dB of gain \u003c\/li\u003e\n\u003cli\u003eNoise: -97dBu \u003c\/li\u003e\n\u003cli\u003eTHD: 0.001% with -20dBu 1kHz input and 20Hz?22kHz bandpass filter \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor (VCA mode) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold Range: -28dB to +12dB •\tRatio: 1.5:1 to 10:1 \u003c\/li\u003e\n\u003cli\u003eSlope: Soft knee \u003c\/li\u003e\n\u003cli\u003eAttack: 100µs to 100ms \u003c\/li\u003e\n\u003cli\u003eRelease: 100ms to 7s, variable or auto (program dependent) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor (Vintage Opto mode) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold Range: -28dB to +12dB \u003c\/li\u003e\n\u003cli\u003eRatio: 1.5:1 to 5:1 in Comp mode, 5:1 to 20:1 in Lim mode \u003c\/li\u003e\n\u003cli\u003eSlope: Soft knee in Comp mode, Hard knee in Lim mode \u003c\/li\u003e\n\u003cli\u003eAttack: Fixed •\tRelease: Fixed \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEQ \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow Pass Filter: 18dB\/oct from 400Hz to 22kHz \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 18dB\/oct from 20Hz to 1k6Hz \u003c\/li\u003e\n\u003cli\u003eParametric section is comprised of: Low-mid \u0026amp; Hi-mid parametric, each with continuously variable boost\/cut with centre detent, frequency sweep control with two ranges, and fully variable Q. Low-mid frequencies 40Hz to 400Hz (120Hz to 1k2Hz when x3 is pressed). Hi-mid frequencies 600Hz to 6kHz (1k8Hz to 18kHz when x3 is pressed) \u003c\/li\u003e\n\u003cli\u003eShelving section is comprised of: High Frequency Shelf: The frequency range steps are 1.5kHz, 3.3kHz, 6.8kHz and 15kHz (2.2kHz, 4.7kHz, 10kHz and 18kHz when Hi Range is engaged). Low Frequency Shelf: The frequency range steps are 20Hz, 56Hz, 160Hz and 460Hz (33Hz, 95Hz, 270Hz and 655Hz when Hi Range switch is engaged) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGate \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold Range: -40dB to +10dB \u003c\/li\u003e\n\u003cli\u003eGate Range: 0 to -80dB \u003c\/li\u003e\n\u003cli\u003eAttack: switched fast or slow \u003c\/li\u003e\n\u003cli\u003eRelease: 100ms to 5s \u003c\/li\u003e\n\u003cli\u003eHold: 20ms to 4s \u003c\/li\u003e\n\u003cli\u003eExpander Ratio: 0 to 5:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDe-Esser \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold Range: 22dB \u003c\/li\u003e\n\u003cli\u003eFrequency Range: 2k2 to 9k2 \u003c\/li\u003e\n\u003cli\u003eRatio at centre frequency: 2:1 Limiter \u003c\/li\u003e\n\u003cli\u003eThreshold Range: 20dBu \u003c\/li\u003e\n\u003cli\u003eRatio: infinite (Brick Wall) \u003c\/li\u003e\n\u003cli\u003eAttack: Frequency dependent \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16.7Ibs \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e484mm (W) x 85mm (H) x 250mm (D) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e19\" (W) x 3.5\" (H) x 9.8\" (D) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional A-D Converter Specifications Output formats (All channels) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAES\/EBU (5V \/ 110 ohms), S\/PDIF (0.8V \/ 75 ohms) \u003c\/li\u003e\n\u003cli\u003eADAT lightpipe (SMUX I\/II\/IV)\u003c\/li\u003e\n\u003cli\u003e S\/PDIF lightpipe\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBit Depth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e 24 bits \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAES3 output jitter \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;:500ps, 50Hz-100kHz \u003c\/li\u003e\n\u003cli\u003e\u0026lt;:400ps, 700Hz-100kHz \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e Frequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll ranges: 20Hz–20kHz ± 0.3dB (50Hz–16kHz ± 0.1dB) \u003c\/li\u003e\n\u003cli\u003e176.4kHz, 192kHz : 16Hz–55kHz ± 0.5dB \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+n\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e –117.5dB A-weighted, audio band-limited, 1kHz, -60dB FS input \u003c\/li\u003e\n\u003cli\u003eMaximum 0.004% at –1dB FS (1kHz) \u003c\/li\u003e\n\u003cli\u003eMinimum 0.0008% at –13dB FS (1kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIdle channel noise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e 113.5dB at 44.1kHz, CCIR-weighted, full bandwidth \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e–109dB at 12kHz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449243070567,"sku":"290","price":2159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_isa430_mk2_1.jpg?v=1787088282"},{"product_id":"focusrite-isa-one-analog","title":"Focusrite ISA One Single-Channel Microphone Preamplifier with DI","description":"\u003cp\u003eThe \u003cstrong\u003eFocusrite ISA One\u003c\/strong\u003e features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network.  (The original 110 preamp formed the cornerstone of each channel of Focusrite's legendary Forte console.)\u003c\/p\u003e\r\n\u003cp\u003eThe pre-amp is complemented by a line input (XLR and TRS Jack) and an independent DI. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear.  This flexible independent DI. makes the ISA One ideal both for engineers wishing to blend a DIed guitar signal with a miked guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.\u003c\/p\u003e\r\n\u003cp\u003eA variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings.  In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the preamp with any microphone.  ISA One also features an insert point, should the need arise to place extra processing between the preamp or DI and the optional converter.  Phantom power, phase reverse and a 75 Hz, 18 dB\/octave high-pass filter are also available from the angled front fascia.\u003c\/p\u003e\r\n\u003cp\u003eIndependent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert.  The meter calibrations utilize all the same reference points as Avid's Pro Tools HD system, allowing effortless line-up.\u003c\/p\u003e\r\n\u003cp\u003eISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit.\u003c\/p\u003e\r\n\u003cp\u003eAn optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite’s custom analogue circuitry.  This optional card can be retrofitted at any time and provides two channels of 24 bit\/192 kHz A-D conversion with a dynamic range of 119 dB.\u003c\/p\u003e\r\n\u003cp\u003eThe ISA microphone pre-amplifier was first introduced back in 1985.  This transformer-based pre-amplifier formed the first half of the ISA110 mic-pre and EQ module on Focusrite's critically acclaimed Forte console.  This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.\u003c\/p\u003e\r\n\u003cp\u003eThe ISA microphone pre-amplifier went on to form the cornerstone of all ISA and RED Focusrite products.  The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either perfectly match the pre-amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.  The original ISA110 setting was supplemented by three further impedance settings.\u003c\/p\u003e\r\n\u003cp\u003eThe Focusrite preamp is renowned for its transparency, but there's also that subtle warmth that transformer core saturation contributes.  This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a classic hallmark of the mid 80's Focusrite designs.\u003c\/p\u003e\r\n\u003cp\u003eWith processors whose bandwidth is strictly limited to the audible (20 Hz to 20 kHz) bandwidth alone, significant roll-off can still occur, affecting the higher audible frequencies of the signal.  Therefore, in order to capture every subtle nuance, exactly as it occurs whilst avoiding any roll-off, the pre-amp must operate over a far greater bandwidth.  The extremely broad frequency response of Focusrite pre-amps - close to 200 kHz at the top end - guarantees accurate phase response across the much narrower range of human hearing, the roll-off point being moved entirely outside of the audible hearing range.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449243103335,"sku":"12696","price":699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite-isa-one_12696_1_1_7b2c7b3b-5067-4c2c-a839-b41e7c02d415.jpg?v=1787088282"},{"product_id":"focusrite-isa-828","title":"Focusrite ISA 828 8-Channel Mic Preamp","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocusrite ISA828\u003c\/span\u003e eight channel microphone pre-amplifier, providing eight original ISA transformer-based pre amps in a single robust 2u chassis, offering the Focusrite signature sound at its lowest cost per channel to date. \u003cbr\u003e\u003cbr\u003e The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs and an optional eight-channel 192kHz ADC.  Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks. \u003cbr\u003e\u003cbr\u003e The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings.  The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used. \u003cbr\u003e\u003cbr\u003e The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.   The ISA 828's new optional eight-channel 192kHz ADC is the first audio ADC to utilise Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips.  This cutting-edge technology is encompassed within Focusrite's own custom analogue circuitry to provide eight channels of unparalleled A\/D conversion, delivering a dynamic range of 122dB and jitter at \u0026lt; 250 picoseconds. \u003cbr\u003e\u003cbr\u003e Finally, every channel features a six LED input meter, complete with precise meter trim.  Metering has been designed to utilise the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input Response \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain range: 0dB to 60dB in 10dB steps \u003c\/li\u003e\n\u003cli\u003e Input Impedance, variable: 600?, 1k4?, 2k4?, 6k8? \u003c\/li\u003e\n\u003cli\u003eEIN (equivalent input noise): -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz\/22kHz bandpass filter\u003c\/li\u003e\n\u003cli\u003e Noise at main output with gain at unity (0dB): -97dBu measured with a 22Hz\/22kHz bandpass filter\u003c\/li\u003e\n\u003cli\u003e Signal to noise ratio relative to max headroom (9dBu): 106dB \u003c\/li\u003e\n\u003cli\u003e THD at medium gain (30dB): 0.0008% measured with a 1kHz -20dBu input signal and with a 22Hz\/22kHz bandpass filter\u003c\/li\u003e\n\u003cli\u003e Frequency response at minimum gain (0dB): -0.5dB down at 10Hz and –3dB down at 110kHz \u003c\/li\u003e\n\u003cli\u003eFrequency response at maximum gain (60dB): –3dB down at 16Hz and –3dB down 85kHz\u003c\/li\u003e\n\u003cli\u003e CMRR: 91.8dB (Channel 1, 1kHz, maxiumum gain)\u003c\/li\u003e\n\u003cli\u003e Crosstalk Channel to Channel: with 10dB@1kHz input to chA, chB output =102dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input Response \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain range: -20dB to +10dB in 10dB steps\u003c\/li\u003e\n\u003cli\u003e Input Impedance: 10k? from 10Hz to 200kHz\u003c\/li\u003e\n\u003cli\u003e Noise at main output with gain at unity (0dB): -96dBu measured with a 22Hz\/22kHz bandpass filter \u003c\/li\u003e\n\u003cli\u003eSignal to noise ratio relative to max headroom (24dBu): 120dB \u003c\/li\u003e\n\u003cli\u003eSignal to noise ratio relative to 0dBFS(+22dBu): 118dB\u003c\/li\u003e\n\u003cli\u003e THD at unity gain (0dB): 0.001% measured with a 0dBu input signal and with a 22Hz\/22kHz bandpass filter\u003c\/li\u003e\n\u003cli\u003e Frequency Response at unity gain (0dB): 0.3dB down at 10Hz and –3dB down at 122kHz \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument Input Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Gain range: 10dB to 40dB continuously variable •\tInput Impedance: 1M? or 300k? \u003c\/li\u003e\n\u003cli\u003eNoise at minimum gain (+10dB): -90dBu measured with a 22Hz\/22kHz bandpass filter\u003c\/li\u003e\n\u003cli\u003e Noise at maximum gain (+40dB): -62dBu measured with a 22Hz\/22kHz bandpass filter\u003c\/li\u003e\n\u003cli\u003e THD at minimum gain (+10dB): 0.002% measured with a 10dBu input signal and with a 22Hz\/22kHz bandpass filter\u003c\/li\u003e\n\u003cli\u003e Frequency Response at 10dB gain with -10dB input: 10Hz-200kHz +\/- 0.6dB \u003c\/li\u003e\n\u003cli\u003eFrequency Response at 40dB gain with -40dB input: -2.5dB down at 10Hz and 0dB at 200kHz \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Pass Filter \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRoll off: 18dB per octave 3 pole filter\u003c\/li\u003e\n\u003cli\u003e Fixed Frequency 75Hz measured at the 3dB down point \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e 19.5Ibs \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e 484mm (W) x 85mm (H) x 305mm (D) (350mm depth with heat sink) 19\" (W) x 3.5\" (H) x 12\" (D) (13.8\" depth with heat sink)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449243136103,"sku":"9263","price":2699.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_isa828_1.jpg?v=1787088282"},{"product_id":"focusrite-the-liquid-channel","title":"Focusrite The Liquid Channel","description":"\u003cp\u003eThe \u003cstrong style=\"font-weight: bold;\"\u003eFocusrite Liquid Channel\u003c\/strong\u003e\u003cspan style=\"font-weight: bold;\"\u003e \u003c\/span\u003eis a revolutionary professional channel strip that can precisely replicate any classic mic-pre and compressor.  Combining radical new analog preamp technology with Dynamic Convolution techniques.  The Liquid Channel fuses cutting-edge analog design with lightening fast SHARC DSP. Augmented by fully digital controls and optional remote software, the Liquid Channel provides the ultimate fluid vintage collection.\u003c\/p\u003e\n\u003cp\u003eRather than creating a similar sound to vintage units, as with modelling devices, the Liquid Channel precisely replicates their sonic behavior.  This is achieved through Dynamic Convolution, the application of a unique, level-dependant set of responses to an audio signal.  These measured responses, sampled at numerous levels and with every possible setting combination, are applied to the input stream on a sample-by-sample basis for accurate replication.\u003c\/p\u003e\n\u003cp\u003eMic-pre replication can't be achieved with software alone.  Hardware is required in addition to account for the physical interaction with the microphone.  As a result, Focusrite invested vast amounts of time and energy into designing and building the ultimate \"liquid\" preamplifier, able to match the input impedance and signal path (transformer or electronic) of the device being replicated.\u003c\/p\u003e\n\u003cp\u003eSecond order harmonic distortion is a beneficial artifact of analog circuits (especially tube and transformer-coupled designs) providing the much-loved warmth. However, often two units of the same type will vary in the amount of second order distortion produced, so an additional control for modifying this vintage property is provided.  This allows for precise matching of the Liquid Channel to your own beloved mic pre.\u003c\/p\u003e\n\u003cp\u003eThe Liquid Channel combines a highly complex, massively flexible analog front-end with Dynamic Convolution processing, which utilizes lightening-fast SHARC chips and runs at sample rates of up to 192kHz.  The front panel controls are digital, with tactile rotary encoders; all parameters can be stored in one of 99 program memories. At the press of button, you can reload all mic-pre, compressor and EQ settings for an individual session.  If using the Liquid Channel in conjunction with a recording platform (e.g. Pro Tools), both the session files and the Liquid Channel's program memory can be sent via standard data transfer methods, providing a completely mobile recording session.  Perfectly replicated vintage classics with the power and ease of use of the digital domain.\u003c\/p\u003e\n\u003cp\u003eThe USB port on the rear panel allows remote control of the Liquid Channel, leaving the processor safely racked away. \u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449243168871,"sku":"4655","price":1999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_liquid_channel_1.jpg?v=1787088282"},{"product_id":"focusrite-octopre-mkii","title":"Focusrite OctoPre MKII","description":"\u003cp\u003eWith eight channels of Focusrite pre-amplification and a built-in 24 bit \/ 96 kHz ADAT output, \u003cspan style=\"font-weight: bold;\"\u003eOctoPre MkII\u003c\/span\u003e is Focusrite’s powerful input upgrade for your Pro Tools system, or any digital audio workstation.  It’s also a great expansion for any analogue or digital console, or hard disk recorder.\u003cbr\u003e\u003cbr\u003eThe digital output allows users to make the most of often-neglected ADAT inputs; ideal for expanding the number of mic-pre inputs on your interface.  Connect OctoPre MkII to your audio interface’s ADAT input to create a high quality, multi-channel recording solution, ideal for tracking drums, as well guitars, keyboards, vocals and more.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eEight High Quality Award-winning Focusrite Pre-amps \u003c\/span\u003e\u003cbr\u003e The best sounding multi-channel mic-pre in its class.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eBuilt-in eight channel 24 bit \/ 96 kHz digital output \u003c\/span\u003e\u003cbr\u003e Make the most of your interface’s ADAT input. OctoPre connects via its built-in lightpipe output, with a ‘real world’ dynamic range performance of 110dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eMic-pres optimised for tracking drums\u003c\/span\u003e\u003cbr\u003e OctoPre MkII is designed not to clip, with pre-amps optimised to handle extreme levels from sound sources like kick drum and snare.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eTwo quality Hi-Z instrument inputs\u003c\/span\u003e\u003cbr\u003e OctoPre MkII’s first two channels feature DI’s, ready for you to plug in your Guitars and Bass, instantly accessible on the front fascia.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003e5 LED input metering on every channel\u003c\/span\u003e\u003cbr\u003e OctoPre MkII’s fast-acting 5-LED input meters provide clear reference of input levels, helping you to avoid analogue or digital clipping.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003e-10dB Pads on every channel \u003c\/span\u003e\u003cbr\u003e OctoPre MkII is drum-ready, with 10dB pads to stop hot signals from overdriving the microphone pre-amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eDirect outputs on every channel \u003c\/span\u003e\u003cbr\u003e For routing and flexibility, especially in the live environment. Each mic-pre can be routed to the mixer’s analogue channels, with two mirrored ADAT outputs (44.1) left free to send to digital recorders.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003e48V Phantom power available on every channel \u003c\/span\u003e\u003cbr\u003e Switched in two groups (1-4 and 5-8) every channel is capable of supplying phantom power, for use with most condenser microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eState-of-the-art Clocking Solutions \u003c\/span\u003e\u003cbr\u003e OctoPre MkII's internal clock delivers a jitter performance of \u0026lt; 10 PPM. For external clocks, a BNC connector is provided and industry-standard JetPLL™ jitter elimination technology is employed.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449256341607,"sku":"14437","price":499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_octopre_mk2_1.jpg?v=1787088338"},{"product_id":"focusrite-isa-828-8-channel-a-d-card","title":"Focusrite ISA 828 8-Channel A\/D Card","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocusrite ISA eight channel 192kHz A-D\u003c\/span\u003e converter outperforms every other converter yet devised, and is the first audio A-D converter to utilise Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips.  With cutting-edge conversion technology seated within Focusrite custom analogue circuitry, the card delivers unparalleled performance; specifications include a dynamic range of 122dB and jitter less than 250 picoseconds.\u003cbr\u003e \u003cbr\u003e The card can be retrofitted to an ISA 428 or 828 at any time and, thanks to its convenient 25-pin D-Type connector, integrates seamlessly with ProTools HD as well as other popular hard disk recorders and mixing desks.\u003cbr\u003e \u003cbr\u003e Digital formats include an eight-channel single\/dual wire AES\/EBU and S\/PDIF output, as well as an eight-channel ADAT lightpipe (SMUX\/SMUX2) output.  Word clock i\/o is provided via dedicated BNC connectors.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449266040935,"sku":"4694","price":599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_isa828_channel_ad_card_1.jpg?v=1787088369"},{"product_id":"focusrite-aes-ebu-9-pin-cable","title":"Focusrite AES-EBU 9-Pin Cable","description":"\u003cp\u003e\u003cstrong\u003eAESEBU-9PIN\u003c\/strong\u003e from Focusrite is a breakout cable for the \u003cem\u003eoptional\u003c\/em\u003e 24 bit\/96kHz AES\/SPDIF\/ADAT interface card available for the OctoPre.\u003c\/p\u003e\n\u003cp\u003eThe cable is specific to outputting AES\/EBU digital audio from the card (S\/PDIF output requires a different cable) and comprises a nine-pin D-type connector, terminating in four male XLR connectors.\u003c\/p\u003e\n\u003cp\u003e9-pin D-type to 4 x XLR AES\/EBU - male\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449266073703,"sku":"4696","price":79.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_aes_ebu_9pin_cable.jpg?v=1787088370"},{"product_id":"focusrite-sp-dif-9-pin-cable","title":"Focusrite S\/PDIF 9-Pin Cable","description":"\u003cp\u003e\u003cstrong\u003eSPDIF-9PIN\u003c\/strong\u003e from Focusrite is a breakout cable for the \u003cem\u003eoptional\u003c\/em\u003e 24 bit\/96kHz AES\/SPDIF\/ADAT interface card available for the OctoPre.\u003c\/p\u003e\n\u003cp\u003eThe cable is specific to outputting S\/PDIF digital audio from the card (AES\/EBU output requires a different cable) and comprises a nine-pin D-type connector, terminating in four male RCA coaxial connectors.\u003c\/p\u003e\n\u003cp\u003e9-pin D-type to 4 x RCA coaxial - male\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449266139239,"sku":"4697","price":58.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_sp_dif_9pin_cable.jpg?v=1787088370"},{"product_id":"focusrite-octopre-multi-format","title":"Focusrite OctoPre Multi-Format","description":"\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan class=\"body\"\u003e\u003cspan style=\"font-size: x-small;\"\u003eThe\u003cspan style=\"font-weight: bold;\"\u003e Focusrite OctoPre Multi-Format A\/D \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"body\"\u003e\u003cspan style=\"font-size: x-small;\"\u003ehigh quality A\/D converter for the Focusrite OctoPre.  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"body\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-size: small;\"\u003eThe converters are 24 bit and 128x over-sampled, handling sample rates of up to 96 kHz, but can dither down to 20 or 16 bit.  All frequency settings and bit rates can be altered from the front fascia, with an ADC lock LED to show when word clock is synchronised.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small;\"\u003eOption 2: 8 AES\/EBU or S\/PDIF outputs + 8 channels of ADAT lightpipe, all on one board 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sample rates of up to 96 kHz, with S\/PDIF output and BNC word clock connector.  Tracking a vocal direct into your DAW or any other digital recording media has never been easier or more affordable.   An ADC lock LED on the front panel shows when Word Clock sync has been established.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449266106471,"sku":"4702","price":249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_platinum_ad_card.jpg?v=1787088370"},{"product_id":"focusrite-isa-428-8-channel-a-d-card","title":"Focusrite ISA 428 8-Channel A\/D Card","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocusrite ISA eight channel 192kHz A-D\u003c\/span\u003e converter outperforms every other converter yet devised, and is the first audio A-D converter to utilise Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips.  With cutting-edge conversion technology seated within Focusrite custom analogue circuitry, the card delivers unparalleled performance; specifications include a dynamic range of 122dB and jitter less than 250 picoseconds.\u003cbr\u003e \u003cbr\u003e The card can be retrofitted to an ISA 428 or 828 at any time and, thanks to its convenient 25-pin D-Type connector, integrates seamlessly with ProTools HD as well as other popular hard disk recorders and mixing desks.\u003cbr\u003e \u003cbr\u003e Digital formats include an eight-channel single\/dual wire AES\/EBU and S\/PDIF output, as well as an eight-channel ADAT lightpipe (SMUX\/SMUX2) output.  Word clock i\/o is provided via dedicated BNC connectors.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449326628967,"sku":"12819","price":499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_ida428_ad_card.jpg?v=1787088566"},{"product_id":"focusrite-liquid-saffire-56","title":"Focusrite Liquid Saffire 56","description":"\u003cp\u003eAll of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eFocusrite Liquid Saffire 56\u003c\/strong\u003e is Focusrite’s new flagship 2u multi-channel FireWire audio interface.  Liquid technology combines with Saffire PRO FireWire interfacing to deliver a host of authentic pre-amp flavors, seamless software integration, excellent routing flexibility and future-proof rock-solid driver stability. \u003cbr\u003e\u003cbr\u003e In addition to six of Focusrite's legendary mic-pre's, two of Liquid Saffire 56’s pre-amps utilizes the third generation of Focusrite’s Liquid Pre-amp, providing the choice of ten different pre-amp emulations.  These include emulations based on the Neve 1073, the Pultec MB-1, Telefunken V72 and seven more.  A harmonics dial on each Liquid pre-amp lets you account for variance in vintage originals of the same model, or use levels of 2nd, 3rd and 5th harmonic distortion creatively to shape your sound. \u003cbr\u003e\u003cbr\u003e Liquid Saffire 56 doesn’t just offer pre-amp variety; sonic integrity is also guaranteed throughout. Both the Liquid and Saffire pre-amps ensure low noise and distortion, whilst quality digital conversion and JetPLLTM jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains. \u003cbr\u003e\u003cbr\u003e Alongside the two Liquid- and six Saffire pre-amps, are a host of i\/o options; 10 analog outputs, 16 channels of ADAT i\/o, stereo SPDIF i\/o, MIDI i\/o and 2 virtual ‘loopback’ inputs for routing digital audio between software applications - ideal for capturing audio playback within your computer. Mic, Line and Instrument inputs all utilize independent connectors, with the input type for each channel selectable via custom control software.  Consequently, all the inputs can remain permanently connected, ready for whatever your recording session demands.  In addition, word-clock i\/o is provided on BNC connectors, allowing Liquid Saffire 56 to act as either a master clock for your studio, or as a slave to an existing clock.  Every channel features an independent phantom power and a high pass filter, switchable from the front panel, with the two instrument channels also featuring -9dB pads for additional headroom.  Front panel 5-LED metering for all inputs, including ADAT and SPDIF, offers accurate viewing of all levels. \u003cbr\u003e\u003cbr\u003e Saffire Mix Control, the zero-latency 18 x 16 DSP Mixer\/Router software provided with Liquid Saffire 56 features unparalleled output routing and monitoring.  It also provides intuitive one-click set-up solutions, a clear and concise mixing layout, large on-screen metering for inputs, outputs and submixes and control over the choice of liquid emulation. \u003cbr\u003e\u003cbr\u003e Two independent headphone buses are provided, each with their own level controls available on the front panel.  A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers.  An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down the unit.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*This item now includes the Focusrite Red 2 \u0026amp; Red 3 Plug-In Suite (AAX\/AU\/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools® (10 and above) and other audio software.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449326694503,"sku":"12826","price":999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_saffire_56_plugins.jpg?v=1787088566"},{"product_id":"focusrite-saffire-pro-24","title":"Focusrite Saffire Pro 24","description":"\u003cp\u003eAll of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eFocusrite Saffire PRO 24\u003c\/strong\u003e is the latest in Focusrite’s new generation of FireWire audio interfaces.  As with all Focusrite interfaces, Saffire PRO 24 is the best sounding interface in its class, attentively designed with recording musicians and the modern home studio in mind. \u003cbr\u003e\u003cbr\u003e Twenty-five years of mic-pre excellence form the foundation of this new interface, with two award-winning Focusrite pre-amps.  These combine with the very latest in mix control software and FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and rock-solid driver stability. \u003cbr\u003e\u003cbr\u003e With Saffire PRO 24, sonic integrity reigns supreme.  The two Focusrite pre-amps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains. \u003cbr\u003e\u003cbr\u003e Alongside the two Focusrite pre-amps are a host of I\/O options; two additional analogue inputs, six analogue outputs, ADAT inputs (for expanding the interface with, for example, Focusrite’s OctoPre), stereo SPDIF I\/O and 2 virtual ‘loopback’ inputs for routing digital audio between software applications - ideal for capturing online audio.  Front panel 5-LED metering for each analogue input offers detailed viewing of levels. \u003cbr\u003e\u003cbr\u003e Saffire Mix Control, the zero-latency 18 x 8 DSP Mixer\/Router software provided with Saffire PRO 24, sets a new standard at this price point for audio interface control. It features flexible output routing and monitoring, as well as intuitive one-click set-up solutions designed to help you track, monitor and mix as quickly as possible. \u003cbr\u003e\u003cbr\u003e Saffire PRO 24 also comes with all the additional tools needed to start making music straight away.  These include the latest version of the Focusrite Plug-in Suite, providing a significant upgrade from your standard sequencer effects.  The suite includes Compression, Reverb, Gating and EQ VST\/AU plug-ins. \u003cbr\u003e\u003cbr\u003e Focusrite’s established Xcite+ bundle is also included.  The bundle features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1GB of royalty-free samples from Loopmasters and ‘Mike the Drummer’. \u003cbr\u003e\u003cbr\u003e Focusrite’s Saffire PRO 24 is designed to capture every subtle nuance of your recordings, dropped seamlessly and effortlessly into the digital domain, leaving you free to enjoy the freedom of a creative modern music making experience. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Inputs \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range (A-Weighted): 106dB \u003c\/li\u003e\n\u003cli\u003eSNR (A-weighted): -105.3dB \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1 dB \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.001% (measured at 1kHz with a 20Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eNoise: EIN \u0026gt; 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eMaximum level (A-weighted): 8.6dBu at 1% \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range (A-Weighted): 106.5dB \u003c\/li\u003e\n\u003cli\u003eSNR (A-weighted): -106dB \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eTHD+N (A-Weighted): \u0026lt; 0.001% (measured with 0dBFS input and 22Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eNoise: -90dBu (22Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eMaximum level (A-weighted): 16.3dBu at 1% \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response 20Hz-20KHz +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level min gain no pad +8dBu \u003c\/li\u003e\n\u003cli\u003eMaximum Input Level max gain no pad -42dBu \u003c\/li\u003e\n\u003cli\u003eTHD+N, -1dBFS, min gain, no pad \u0026lt; 0.0015% \u003c\/li\u003e\n\u003cli\u003eSNR 105dB \"A\" \u003c\/li\u003e\n\u003cli\u003eDNR 105dB \"A\" \u003c\/li\u003e\n\u003cli\u003eInput Impedance \u0026gt; 1MOhm \u003c\/li\u003e\n\u003cli\u003eX-talk \u0026lt; -100dB \u003c\/li\u003e\n\u003cli\u003eAdjustable Gain \u0026gt; 50dB \u003c\/li\u003e\n\u003cli\u003ePad Attenuation 10dB \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeadphone Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response 20Hz-20KHz +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eSNR 105dB \"A\" \u003c\/li\u003e\n\u003cli\u003eDNR 105dB \"A\" \u003c\/li\u003e\n\u003cli\u003eMaximum Output into 32R +12.4dBu (+10.2dBV) \u003c\/li\u003e\n\u003cli\u003ePower into 32R 250mW \u003c\/li\u003e\n\u003cli\u003eOutput Impedance \u0026lt; 7Ohms \u003c\/li\u003e\n\u003cli\u003eLoad Impedance \u0026gt; 24Ohms \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine level Outputs \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range (A-Weighted): 105dB \u003c\/li\u003e\n\u003cli\u003eSNR (A-weighted): -104.5dB \u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; 0.001% (measured with 0dBFS input and 22Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eMaximum level (A-weighted): 16.13dBu at 0.885% \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional Conversion Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClock jitter \u0026lt; 250 picoseconds\u003c\/li\u003e\n\u003cli\u003eTHD+N AMPL (A-weighted)= -107dBFS \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCONNECTIVITY\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalogue Channel Inputs (Inputs 1-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x XLR Mic\/Line Neutrik Combi-Jacks (Inputs 1-2) \u003c\/li\u003e\n\u003cli\u003e2 x XLR Instrument Neutrik Combi-Jacks (Instrument on inputs 1 and 2 only) Automatic switch of Mic \/ Line (inserting a jack switches from Mic to either Line or Instrument (instrument selected via the software control panel)Line inputs 3-4 have low and high gain settings can be controlled from the Saffire MixControl software (low gain being the default) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Channel Inputs (Inputs 5-14) \u003c\/strong\u003e44.1-96kHz\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo S\/PDIF input on RCA \u003c\/li\u003e\n\u003cli\u003e1 x 8 channel ADAT input on Optical Connector (SDPIF 3\u0026amp;4 set in preferences menu) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalogue Audio Outputs (Outputs 1-6) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e6 x TRS analogue outputs (Outputs 1-6) \u003c\/li\u003e\n\u003cli\u003e1 x TRS stereo headphone output (same as outputs 3 \u0026amp; 4) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Channel Outputs (Outputs 7-8) 44.1-96kHz \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo S\/PDIF output on RCA \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther I\/O \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x 6-pin FireWire socket \u003c\/li\u003e\n\u003cli\u003e2 Standard 5-pin DIN MIDI connectors: In and Out \u003c\/li\u003e\n\u003cli\u003e12V DC power input connector for use with external PSU \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*This item now includes the Focusrite Red 2 \u0026amp; Red 3 Plug-In Suite (AAX\/AU\/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools® (10 and above) and other audio software.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\u003ch3\u003eSoftube Time and Tone Bundle\u003c\/h3\u003e\n\n\u003cp\u003eIn addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTSAR-1R\u003c\/strong\u003e: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\nand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\nrooms to dramatic and dreamlike halls.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTube Delay\u003c\/strong\u003e: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\nCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\nreggae echo madness.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSaturation Knob\u003c\/strong\u003e: Add grit and warmth to any sound source with this modeled output distortion unit. Use\nit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\nSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449326727271,"sku":"12827","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_saffire_pro_24_plugins.jpg?v=1787088566"},{"product_id":"focusrite-saffire-pro-24-dsp","title":"Focusrite Saffire Pro 24 DSP","description":"\u003cp\u003eAll of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eFocusrite Saffire PRO 24 DSP\u003c\/strong\u003e is Focusrite’s latest 16 in\/8 out FireWire audio interface, featuring real-time DSP-powered tracking and mixing solutions tailor-made for the modern home studio environment. \u003cbr\u003e\u003cbr\u003e Alongside DSP-powered Compression and EQ for latency-free tracking and ‘comfort’ reverb, is VRM; a Virtual Reference Monitoring technology that lets you hear your mix in different environments, through different speakers and from different positions, all just using headphones. \u003cbr\u003e\u003cbr\u003e VRM makes Saffire PRO 24 DSP the only interface capable of simulating over one hundred different monitoring scenarios through your headphones.  VRM overcomes the major obstacle for mixing with headphones by giving you multiple perspectives on your mix, as if you were listening through speakers.  Indeed, noise levels from mixing through speakers can make it impossible for most to mix at home, especially late at night; with VRM, you can mix anytime, anywhere.  Using any pair of monitoring headphones, VRM let’s you choose your mixing environment from a living room, a bedroom studio, or a professional studio.  You then simply choose where you are positioned in that room and what speakers you listen through. \u003cbr\u003e\u003cbr\u003e Saffire PRO 24 DSP draws on 25 years of mic-pre excellence.  The two Focusrite pre-amps capture every subtle nuance of your sound whilst ensuring low noise and distortion.  Meanwhile, high-quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains. \u003cbr\u003e\u003cbr\u003e Saffire PRO 24 DSP’s other real-time DSP-powered effects also exhibit Focusrite’s uncompromised approach to audio quality.  EQ, Compression and ‘Comfort’ Reverb sonically derived from the ‘Focusrite Plug-in Suite’ (also included as VST\/AU plug-ins) are all integrated within the Saffire Mix Control software, providing professional latency-free tools for tracking and monitoring. \u003cbr\u003e\u003cbr\u003e Alongside the two Focusrite pre-amps are a host of I\/O options; two additional analogue inputs, six analogue outputs, ADAT inputs (for expanding the interface with, for example, Focusrite’s OctoPre), stereo SPDIF I\/O and 2 virtual ‘loopback’ inputs for routing digital audio between software applications - ideal for capturing online audio.  Front panel 5-LED metering for each analogue input offers accurate viewing of levels. \u003cbr\u003e\u003cbr\u003e Saffire Mix Control, the zero-latency 16 x 8 DSP Mixer\/Router software provided with Saffire PRO 24 DSP, sets a new standard at this price point for audio interface control.  It features flexible output routing and monitoring, as well as intuitive one-click set-up solutions designed to help you track, monitor and mix as easily as possible. \u003cbr\u003e\u003cbr\u003e Saffire PRO 24 DSP also comes with all the additional tools needed to start making music right away.  These include the latest version of the Focusrite Plug-in Suite, which provides a significant upgrade from your standard sequencer effects.  The suite includes Compression, Reverb, Gating and EQ VST\/AU plug-ins. \u003cbr\u003e\u003cbr\u003e Focusrite’s established Xcite+ bundle is also included.  The bundle features Ableton Live 7 Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1GB of royalty-free samples from Loopmasters and ‘Mike the Drummer’. \u003cbr\u003e\u003cbr\u003e Saffire PRO 24 DSP combines two award-winning Focusrite pre-amps and a host of other I\/O with VRM Virtual Reference Monitoring, integrated real-time tracking and monitoring effects, and easy-to-use mix control software.  Together, they deliver the most comprehensive professional compact music-recording interface to date. \u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range (A-Weighted): 106dB \u003c\/li\u003e\n\u003cli\u003eSNR (A-weighted): -105.3dB \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1 dB \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.001% (measured at 1kHz with a 20Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eNoise: EIN \u0026gt; 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eMaximum level (A-weighted): 8.6dBu at 1% \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Inputs \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range (A-Weighted): 106.5dB \u003c\/li\u003e\n\u003cli\u003eSNR (A-weighted): -106dB \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eTHD+N (A-Weighted): \u0026lt; 0.001% (measured with 0dBFS input and 22Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eNoise: -90dBu (22Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eMaximum level (A-weighted): 16.3dBu at 1% \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.004% (measured with 0dBu input and 20Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eNoise: -87dBu (20Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine level Outputs \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic Range (A-Weighted): 105dB \u003c\/li\u003e\n\u003cli\u003eSNR (A-weighted): -104.5dB \u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; 0.001% (measured with 0dBFS input and 22Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eMaximum level (A-weighted): 16.13dBu at 0.885% \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional Conversion Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClock jitter \u0026lt; 250 picoseconds \u003c\/li\u003e\n\u003cli\u003eTHD+N AMPL (A-weighted)= -107dBFS \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eCONNECTIVITY \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalogue Channel Inputs (Inputs 1-4) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x XLR Mic\/Line Neutrik Combi-Jacks (Inputs 1-2) \u003c\/li\u003e\n\u003cli\u003e2 x XLR Instrument Neutrik Combi-Jacks (Instrument on inputs 1 and 2 only) Automatic switch of Mic \/ Line (inserting a jack switches from Mic to either Line or Instrument (instrument selected via the software control panel)Line inputs 3-4 have low and high gain settings can be controlled from the Saffire MixControl software (low gain being the default) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Channel Inputs (Inputs 5-14) 44.1-96kHz \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo S\/PDIF input on RCA \u003c\/li\u003e\n\u003cli\u003e1 x 8 channel ADAT input on Optical Connector (SDPIF 3\u0026amp;4 set in preferences menu) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalogue Audio Outputs (Outputs 1-6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e6 x TRS analogue outputs (Outputs 1-6) \u003c\/li\u003e\n\u003cli\u003e2 x TRS stereo headphone output (headphone mix 1 same as outputs 3 \u0026amp; 4, headphone mix 2 same as outputs 5 \u0026amp; 6) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Channel Outputs (Outputs 7-8) 44.1-96kHz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo S\/PDIF output on RCA \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther I\/O \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x 6 pin FireWire 400 socket - also compatible with FireWire 800 and Thunderbolt \u003c\/li\u003e\n\u003cli\u003e2 Standard 5-pin DIN MIDI connectors: In and Out \u003c\/li\u003e\n\u003cli\u003e12V DC power input connector for use with external PSU \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449326760039,"sku":"12828","price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_saffirepro24dsp_front.jpg?v=1787088566"},{"product_id":"focusrite-saffire-pro-40","title":"Focusrite Saffire Pro 40","description":"\u003cp\u003eAll of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eFocusrite Saffire PRO 40\u003c\/strong\u003e represents the new generation of Focusrite multi-channel FireWire audio interfaces.  It is the best sounding interface in its class; attentively designed with today’s project studio in mind. \u003cbr\u003e\u003cbr\u003e Focusrite's unparalleled pre-amp legacy forms the foundation of this new interface, with eight award-winning Focusrite pre-amps.  These are combined with the very latest in FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability. \u003cbr\u003e\u003cbr\u003e With Saffire PRO 40, sonic integrity reigns supreme.  The eight Focusite pre-amps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains. \u003cbr\u003e\u003cbr\u003e Alongside the eight Focusrite pre-amps are a host of i\/o options; 10 analogue outputs, ADAT i\/o, stereo SPDIF i\/o and 2 virtual ‘loopback’ inputs for routing digital audio between software applications.  Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom.  Front panel 5-LED metering for each analogue input offers accurate viewing of levels. \u003cbr\u003e\u003cbr\u003e Saffire PRO 40 comes with the Focusrite plug-in suite.  All-new Focusrite Compression, Reverb, Gating and EQ VST\/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session.  Focusrite’s established Xcite+ bundle is also included.  The bundle includes Ableton Live Lite, Novation’s Bass Station soft synth and over 1 gig of royalty-free samples. \u003cbr\u003e\u003cbr\u003e Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer\/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes. \u003cbr\u003e\u003cbr\u003e Two independent headphone buses are provided, each with their own level controls available on the front panel.  A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers.  An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down.  Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customizable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMicrophone Inputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDynamic Range (A-Weighted): 109dB \u003c\/li\u003e\r\n\u003cli\u003eSNR (A-weighted): -109dB \u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1 dB \u003c\/li\u003e\r\n\u003cli\u003eTHD+N: 0.001% (measured at 1kHz with a 20Hz\/22kHz bandpass filter) \u003c\/li\u003e\r\n\u003cli\u003eNoise: EIN \u0026gt; 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz\/22kHz bandpass filter) \u003c\/li\u003e\r\n\u003cli\u003eMaximum level (A-weighted): 8dBu at 1% \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLine Inputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDynamic Range (A-Weighted): 109dB \u003c\/li\u003e\r\n\u003cli\u003eSNR (A-weighted): -109dB \u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1dB \u003c\/li\u003e\r\n\u003cli\u003eTHD+N: \u0026lt; 0.001% (measured with 0dBFS input and 22Hz\/22kHz bandpass filter) \u003c\/li\u003e\r\n\u003cli\u003eNoise: -90dBu (22Hz\/22kHz bandpass filter) \u003c\/li\u003e\r\n\u003cli\u003eMaximum level (A-weighted): 28.5dBu at 1% \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInstrument Inputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response 20Hz-20KHz +\/- 0.1dB \u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level min gain no pad +8dBu \u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level max gain no pad -42dBu \u003c\/li\u003e\r\n\u003cli\u003eTHD+N, -1dBFS, min gain, no pad \u0026lt; 0.0015% \u003c\/li\u003e\r\n\u003cli\u003eSNR 109dB \"A\" \u003c\/li\u003e\r\n\u003cli\u003eDNR 109dB \"A\"\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance \u0026gt; 1MOhm \u003c\/li\u003e\r\n\u003cli\u003eX-talk \u0026lt; -100dB \u003c\/li\u003e\r\n\u003cli\u003eAdjustable Gain \u0026gt; 50dB \u003c\/li\u003e\r\n\u003cli\u003ePad Attenuation 10dB \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHeadphone Outputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response 20Hz-20KHz +\/- 0.1dB \u003c\/li\u003e\r\n\u003cli\u003eSNR 109dB \"A\" \u003c\/li\u003e\r\n\u003cli\u003eDNR 109dB \"A\" \u003c\/li\u003e\r\n\u003cli\u003eMaximum Output into 32R +12.4dBu (+10.2dBV) \u003c\/li\u003e\r\n\u003cli\u003ePower into 32R 250mW \u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance \u0026lt; 7Ohms\u003c\/li\u003e\r\n\u003cli\u003e Load Impedance \u0026gt; 24Ohms \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLine level Outputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDynamic Range (A-Weighted): 108dB \u003c\/li\u003e\r\n\u003cli\u003eSNR (A-weighted): -108dB \u003c\/li\u003e\r\n\u003cli\u003eTHD+N: \u0026lt; 0.001% (measured with 0dBFS input and 22Hz\/22kHz bandpass filter) \u003c\/li\u003e\r\n\u003cli\u003eMaximum level (A-weighted): 15.7dBu at 0.883% \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAdditional Conversion Performance\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClock jitter \u0026lt; 250 picoseconds \u003c\/li\u003e\r\n\u003cli\u003eTHD+N AMPL (A-weighted)= -109dBFS \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eCONNECTIVITY\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eAnalogue Channel Inputs (Inputs 1-8)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e 2 Mic\/Line\/Inst Combo XLR (Inputs 1 and 2) \u003c\/li\u003e\r\n\u003cli\u003e6 Mic\/Line Combo XLR (Inputs 3-8) \u003c\/li\u003e\r\n\u003cli\u003eAutomatic switching of Mic \/ Line (e.g. inserting a jack switches from Mic to either Line or Instrument) \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDigital Channel Inputs (Inputs 9-18) 44.1-96kHz\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo S\/PDIF input on RCA \u003c\/li\u003e\r\n\u003cli\u003e8 ADAT inputs on Optical Connector, reduces to 4 inputs at 88.2\/96kHz \u003c\/li\u003e\r\n\u003cli\u003eOptical input can be switched to S\/PDIF 3\/4 in software preferences (ADATs disabled) \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAnalogue Audio Outputs (Outputs 1-10) \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e8 ¼” TRS Jack (Outputs 3-10) \u003c\/li\u003e\r\n\u003cli\u003e2 monitor mix outputs on ¼” TRS Jack (Outputs 1 and 2) \u003c\/li\u003e\r\n\u003cli\u003eStereo headphones mix 1 on ¼” TRS (also routed to outputs 7 \u0026amp; 8) \u003c\/li\u003e\r\n\u003cli\u003eStereo Headphones mix 2 on ¼” TRS (also routed to outputs 9 \u0026amp; 10) \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDigital Channel Outputs (Outputs 11-20) 44.1-96kHz \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo S\/PDIF output on RCA \u003c\/li\u003e\r\n\u003cli\u003e8 ADAT outputs on Optical Connector, reduces to 4 outputs at 88.2\/96kHz \u003c\/li\u003e\r\n\u003cli\u003eOptical output can be switched to S\/PDIF 3\/4 in software preferences (ADATs disabled) \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOther I\/O \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 6-pin FireWire sockets \u003c\/li\u003e\r\n\u003cli\u003e 2 Standard 5-pin DIN MIDI connectors: In and Out \u003c\/li\u003e\r\n\u003cli\u003e IEC mains power input connector\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*This item now includes the Focusrite Red 2 \u0026amp; Red 3 Plug-In Suite (AAX\/AU\/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools® (10 and above) and other audio software.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\u003ch3\u003eSoftube Time and Tone Bundle\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTSAR-1R\u003c\/strong\u003e: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\r\nand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\r\nrooms to dramatic and dreamlike halls.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTube Delay\u003c\/strong\u003e: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\r\nCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\r\nreggae echo madness.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSaturation Knob\u003c\/strong\u003e: Add grit and warmth to any sound source with this modeled output distortion unit. Use\r\nit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\r\nSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449326923879,"sku":"12829","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_saffire_pro_40_rear.jpg?v=1787088566"},{"product_id":"focusrite-octopre-mkii-dynamic","title":"Focusrite OctoPre MKII Dynamic","description":"\u003cp\u003eWith eight channels of Focusrite microphone pre-amplification, eight VCA-based Red 3-derived compressors and built-in 24 bit\/96 kHz digital inputs and outputs, \u003cstrong\u003eFocusrite OctoPre MkII Dynamic\u003c\/strong\u003e is Focusrite’s feature-rich expansion upgrade for any digital audio workstation.  It’s equally an ideal expansion for any analogue or digital console, or hard disk recorder.  Digital inputs and outputs let you make the most of often-neglected ADAT i\/o; ideal for expanding the number of mic-pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.  With this entire package fitting into a single 1u chassis complementing Focusrite’s Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.\u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdditional Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput clip and compression active LEDs on every channel\u003c\/li\u003e\n\u003cli\u003e5 LED input metering on every channel\u003c\/li\u003e\n\u003cli\u003ePhantom power available on every channel (switched in two groups: 1-4 and 5-8)\u003c\/li\u003e\n\u003cli\u003e24 bit resolution, 44.1, 48, 88.2 and 96kHz sampling rates\u003c\/li\u003e\n\u003cli\u003eInternal clocking, master clocking and external clocking via BNC or ADAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original ISA mic pre, as featured in the early Focusrite Forte console, is still used by many of the industry's greatest producers and has contributed to the sound of countless hit records.  Today, Focusrite design equipment for a far greater audience, from professionals to amateur enthusiasts, all with varying budgets.\u003cbr\u003e \u003cbr\u003e As with the Classic ISA mic pre used in both the ISA and Red ranges, the Saffire mic pre found in the OctoPre MkII Dynamic is designed to the highest possible standards. It upholds the same wide bandwidth philosophy featured in the original forté console, back in 1989.   As with the Classic ISA mic pre, the Saffire mic pre design features custom components which have undergone an intense testing and qualification process.\u003cbr\u003e \u003cbr\u003e With the facts and figures in, Focusrite designs then have to pass the essential listening stage.  Any design can measure well on the test bench but only a great design can be qualified in the studio.  The FET-based Saffire mic pre design is no exception.  It delivers clarity without colouration and exhibits the signature transparency for which Focusrite have become famous.\u003cbr\u003e \u003cbr\u003e With the high channel count interfaces (Saffire PRO 40 and Liquid Saffire 56) and both the OctoPre MkII and OctoPre MkII Dynamic, the Saffire pre-amp has been optimized for drums.  The theoretical maximum level of a microphone was calculated, and the mic pre was adjusted with this in mind so as not to clip with this level present, set to minimum gain.  As a result, the mic pre won’t clip, even with a high output level mic right up close to a snare drum (the mic input will accept signal levels up to +16dBU from a microphone).\u003cbr\u003e \u003cbr\u003e The Compressors featured in OctoPre MkII Dynamic are a new VCA-based, feed-forward design, derived from the celebrated Focusrite Red 3.\u003cbr\u003e \u003cbr\u003e With just a single dial, these eight 'recording' compressors allow you to get to the desired amount of compression for each channel, fast, providing a natural but loud sound.  The single dial solution decreases the threshold, and increases the makeup gain simultaneously, the result of which is a sound that gets progressively more compressed but retains a good output level.\u003cbr\u003e \u003cbr\u003e The compressors uses a soft-knee progressive compression curve, modeled on the properties of the Red 3 compressor, and featuring a fixed Attack time of 1.2 ms and Release time of 28ms. The circuit has been tuned by ear at Focusrite and these settings were chosen after critical listening and analysis of the Red 3.  Bass guitar and drums were put through the Red 3 compressor, and the threshold, ratio, attack and release envelopes were modified until the desired 'controlled' sound was achieved.  These settings were then applied to the new VCA circuit where the soft knee and ratio curve had been duplicated.  A further listening then helped to tweak the settings and ensure that the compressors behaved as expected.\u003cbr\u003e \u003cbr\u003e The compressor has two modes: Normal and ‘More’, which let you change the behavior of the compressor to suit different instruments.  While the Red 3 is well known and loved for its sympathetic approach to compression, it’s not regarded as an ‘effect’ compressor.  However, with the OctoPre MkII Dynamic’s 'More' button, found on each compressor, you can bring a bit of aggression to your sound.  The More button doubles the ratio from 2:1 to 4:1 and shifts the threshold range, so you have more sensitivity on control.  The threshold is closed down, working across a smaller range, as you’re applying threshold control over a much louder signal.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449341538407,"sku":"15597","price":699.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_octopre_mkii_dynamic_1.jpg?v=1787088625"},{"product_id":"focusrite-saffire-pro-14","title":"Focusrite Saffire Pro 14","description":"\u003cp\u003eAll of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. 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ideal for capturing online audio. \u003cbr\u003e\u003cbr\u003eIncluded with the Pro 14 is Saffire MixControl, an 18 x 6 DSP mixer.  Offering a level of flexibility that is unparalleled at this price point, the MixControl software enables you to create six separate mixes without latency.  Route any combination of input signals and sequencer outputs to any of Saffire Pro 14’s outputs.  Intuitive one-click configurations help you track, monitor and mix as quickly as possible. \u003cbr\u003e\u003cbr\u003eSaffire Pro 14 comes with all of the additional tools needed to start making music straight away.  These include the latest version of the Focusrite Plug-in Suite, providing a significant upgrade from your standard sequencer effects.  The suite includes Compression, Reverb, Gating and EQ VST\/AU plug-ins.\u003cbr\u003e\u003cbr\u003eFocusrite’s established Xcite+ bundle is also included.  The bundle features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1 gig of royalty-free samples from Loopmasters.\u003cbr\u003e \u003cbr\u003eWith Saffire Pro 14, sonic integrity is never compromised.  The two Focusrite preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine quality as your audio flows between the analogue and digital domains.  Combined with the very latest in FireWire interfacing technology, excellent routing flexibility and rock-solid driver stability, the Saffire Pro 14 is the heart of the modern home studio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMicrophone Inputs 1-2\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.2 dB\u003c\/li\u003e\n\u003cli\u003eGain Range: +13dB to +60dB\u003c\/li\u003e\n\u003cli\u003eMaximum Headroom +8dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.001% (measured at 1kHz with a 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eNoise EIN: 124dB analogue to digital (measured at 60dB of gain with 150 Ohm termination (20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 2k Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLine Inputs (Inputs 1-2)\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.2dB\u003c\/li\u003e\n\u003cli\u003eGain Range: -10dB to +36dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.001% (measured with 0dBFS input and 22Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eNoise: -90dBu (22Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;10k Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLine Inputs 3-4\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz - 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Internal Clock - Sync to Word Clock on SPDIF Input (RCA)\u003c\/li\u003e\n\u003cli\u003eJetPLLTM PLL technology providing superb jitter reduction for class leading converter performance\u003c\/li\u003e\n\u003cli\u003eClock jitter \u0026lt; 250 picoseconds\u003c\/li\u003e\n\u003cli\u003eSupported Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz\u003c\/li\u003e\n\u003cli\u003e8 input channels to computer: Analogue (4), SPDIF (2) and Loop-back (2)\u003c\/li\u003e\n\u003cli\u003e6 physical output channels from computer: Analogue (4), SPDIF (2)\u003c\/li\u003e\n\u003cli\u003e12 DAW output streams\u003c\/li\u003e\n\u003cli\u003eAssignable 18 input by 6 output mixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWeight and Dimensions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8.5 x 1.8 x 8.7 inches - 3.3lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eConnectivity\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalogue Channel Inputs (Inputs 1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 Mic XLR Combo (channels 1-2) on front panel\u003c\/li\u003e\n\u003cli\u003e2 Line 1⁄4” TRS (channels 3-4) on rear panel\u003c\/li\u003e\n\u003cli\u003eAutomatic switching between Mic \/ Line (channels 1-2)\u003c\/li\u003e\n\u003cli\u003eSwitching between Line \/ Instrument Inputs (channels 1-2) via Saffire MixControl Application\u003c\/li\u003e\n\u003cli\u003eSwitching between +16dBu (low) and -10dBV (high) gain on inputs 3-4 via Saffire MixControl Application\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Channel Inputs (Inputs 5-6) 44.1 - 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Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools® (10 and above) and other audio software.\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003eSoftube Time and Tone Bundle\u003c\/h3\u003e\n\n\u003cp\u003eIn addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTSAR-1R\u003c\/strong\u003e: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\nand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\nrooms to dramatic and dreamlike halls.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTube Delay\u003c\/strong\u003e: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\nCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\nreggae echo madness.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSaturation Knob\u003c\/strong\u003e: Add grit and warmth to any sound source with this modeled output distortion unit. Use\nit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\nSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449343471719,"sku":"16242","price":249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_saffire_pro_14_plugins.jpg?v=1787088634"},{"product_id":"focusrite-isa-428-mkii","title":"Focusrite ISA 428 MKII Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eFocusrite ISA428 MkII\u003c\/strong\u003e provides four of Focusrite’s prestigious transformer based microphone preamps.  It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability.  With switchable input impedance, direct instrument inputs and space for an optional eight channels of high quality analogue to digital conversion, the ISA428 MkII creates the perfect front end for the discerning recording professional.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFirst introduced in 1985, the ISA microphone preamp holds a reputation for outstanding transparency along with subtle warmth contributed by transformer core saturation.  The addition of a variable impedance circuit allows ISA users to perfectly match the preamp with any microphone, or to use different settings creatively to shape the sound of the microphone.  Unchanged for decades, the ISA microphone preamp topology offers incredible clarity and the signature Focusrite sound that makes it the top choice among many audio professionals today.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optional class-leading ISA828 eight-channel analogue to digital converter is also compatible with the ISA428 MkII. Along with the four mic preamp inputs, four additional inputs allow you to route other line signals through the converter.   High quality Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips seated within Focusrite custom analogue circuitry deliver unparalleled performance.  Specifications include a dynamic range of 122dB and jitter performance below 250 picoseconds.  The card can be retrofitted at any time.  Thanks to its convenient 25-pin D-Type connector, it integrates seamlessly with Pro Tools HD, as well as other digital workstations and mixing desks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFour Instrument inputs, instantly accessible on the front panel, allow quick and easy connection without the need for a separate DI box.  Extra processing can be placed between preamp and conversion via the units dedicated insert points, featured on every channel.  Finally, accurate six-segment LED metering is designed to catch even the fastest transients on every channel.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOver 25 years, Focusrite has earned a reputation for bringing superb audio quality and engineering excellence to an array of audio professionals.  Whether you’re looking to preserve the sound of your classic microphones, or searching for the perfect front end for your digital studio, the ISA428 MkII brings legendary tools to your studio at an exceptional new price.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449343570023,"sku":"16129","price":2299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_isa_428_mkii_1.jpg?v=1787088634"},{"product_id":"avid-focusrite-forte-suite-tdm-rtas","title":"Avid\/Digidesign Focusrite Forte Suite (TDM + RTAS)","description":"\u003cp\u003eThe \u003cstrong\u003eAvid Focusrite Forte Suite\u003c\/strong\u003e is a channel strip plug-in for Pro Tools based on the now-legendary Focusrite Forte recording console of the mid-80s (original price for Forte console: $1.5 million).\u003c\/p\u003e\n\u003cp\u003eUtilizing virtual vintage modules, Forte Suite brings Focusrite’s sonic signature to Pro Tools through sophisticated modeling of the ISA 110 EQ and ISA 130 dynamics processors (including compressor, de-esser, and noise gate), the key modules from the acclaimed Focusrite Forte analog console.  It also includes surround modes as well as graphical representations of EQ, compression, and related module curves.   And its interface components closely resemble the ISA series modules treasured by audiophiles the world over.\u003c\/p\u003e\n\u003cp\u003eAlong with offering a host of powerful processing tools including a six-band EQ and a multi-channel compressor, gate, and expander, Forte Suite also features a sidechain input and frequency filters for the dynamics processors.\u003c\/p\u003e\n\u003cp\u003eThe Forte Suite can perform both as a channel strip plug-in and as individual ISA 110, ISA 130 dynamics, and ISA 130 compressor plug-ins. In addition, the ISA 130 compressor supports all Pro Tools surround formats.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449372668007,"sku":"2927","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_focusrite_forte_suite_2f84accd-9874-44da-b277-916c81118099.jpg?v=1787088752"},{"product_id":"focusrite-forte-suite","title":"Focusrite Forte Suite","description":"\u003cp\u003eThe \u003cstrong\u003eFocusrite Forté Suite\u003c\/strong\u003e is a channel strip RTAS and HD-compatible plug-in for Pro Tools based on the now-legendary Focusrite Forté recording console of the mid-'80s (original price for Forté console: $1.5 million).  Utilizing virtual vintage modules, Forté Suite brings Focusrite’s sonic signature to Pro Tools through sophisticated modeling of the ISA 110 EQ and ISA 130 dynamics processors (including compressor, de-esser, and noise gate), the key modules from the acclaimed Focusrite Forté analog console.  It also includes surround modes as well as graphical representations of EQ, compression, and related module curves. And its interface components closely resemble the ISA series modules treasured by audiophiles the world over. \u003cbr\u003e\u003cbr\u003e Along with offering a host of powerful processing tools including a six-band EQ and a multi-channel compressor, gate, and expander, Forté Suite also features a sidechain input and frequency filters for the dynamics processors. \u003cbr\u003e\u003cbr\u003e The Forté Suite can perform both as a channel strip plug-in and as individual ISA 110, ISA 130 dynamics, and ISA 130 compressor plug-ins.  In addition, the ISA 130 compressor supports all Pro Tools surround formats. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449402191975,"sku":"12822","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_forte_suite_c9c1312b-2bf1-4989-8322-44cad6cfcbbb.jpg?v=1787088862"},{"product_id":"focusrite-control-2802-dual-layer-mixing-console","title":"Focusrite Control 2802 Dual Layer Mixing Console","description":"\u003cspan style=\"font-weight: bold;\"\u003eFocusrite Control 2802\u003c\/span\u003e is a small-format analogue recording console and a DAW control surface in one. It forms both the digital control nerve centre and the analogue heart of the modern professional project studio. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIt's an analogue recording console\u003c\/span\u003e\u003cbr\u003e With an array of superb-quality analogue features packed into its compact frame, Focusrite Control 2802 includes capabilities you would expect to find only on large-format consoles. At the front end, eight Class-A microphone preamps deliver clear, transparent performance. Then at its heart is a powerful summing mixer handling up to 32 simultaneous inputs with ultra-low distortion, excellent dynamic range and a frequency response wider than the human ear. There’s a punchy master bus compressor featuring parallel compression for versatile control of dynamics for your stereo mix – or any other pair of channels. High-end analogue design characterizes the 2802 – implemented with similarly un-compromised components and build quality throughout. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIt’s an Ethernet-based DAW control surface\u003c\/span\u003e\u003cbr\u003e You can control every major digital audio workstation with the Control 2802. Dual Layer Control Technology lets you flip from analogue fader layer to DAW layer in an instant, accessing fully integrated control of DAW faders, auxes, plug-ins, automation, project navigation – and more. With Ethernet-based control, your favorite music software is always at your fingertips. \u003cbr\u003e \u003cbr\u003e The Control 2802’s motorized 100mm analogue and DAW control faders can both be fully automated. Easily adjust DAW channel auxes, inserts and groups within Pro Tools, Logic, Cubase and Nuendo via a HUI interface. Four multi-function encoders give you precise control while OLED screens provide detailed information on mix elements. Combined with dedicated transport controls, that means more time getting your sound just right, and less time staring at a screen.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eBringing it all together\u003c\/span\u003e\u003cbr\u003e That’s it in a nutshell: the Focusrite Control 2802 brings together a compact analogue mixing console with large-format console quality, and a superb, automated, multi-DAW control surface – plus the ability to flip between the two in an instant. The Control 2802 from Focusrite; in control of your sound.\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449408614503,"sku":"17873","price":3499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_control_2802_dual_layer_console_5c56a92c-9624-44e4-ba7a-a6f98a07f364.jpg?v=1787088887"},{"product_id":"focusrite-scarlett-18i6","title":"Focusrite Scarlett 18i6","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocusrite Scarlett 18i6\u003c\/span\u003e is an 18 in \/ 6 out USB 2.0 audio interface designed to make home multi-track recording a breeze. Alongside two award-winning Focusrite preamps, six high-quality analogue inputs allow you to simultaneously record guitar, bass, vocals and keys. You don’t need to stop there either – pop in the ADAT optical cable from an outboard eight-channel mic pre unit such as the Focusrite OctoPre MkII and you can track the drums at the same time.\u003cbr\u003e \u003cbr\u003e Included with the Scarlett 18i6 is Scarlett MixControl, an 18 x 6 DSP mixer. Offering a superb level of flexibility, the MixControl software enables you to create six separate mixes with ultra-low-latency. Route any combination of input signals and sequencer outputs to any of the Scarlett 18i6 outputs. Intuitive one-click configurations help you track, monitor and mix as quickly as possible. \u003cbr\u003e \u003cbr\u003e Scarlett 18i6 comes with all of the additional tools needed to start making music straight away. Scarlett VST\/AU\/RTAS Plug-in Suite comes in the box, adding Focusrite compression, reverb, gating and EQ to your recording system. \u003cbr\u003e \u003cbr\u003e Focusrite’s established Xcite+ bundle is also included. The bundle features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1 gig of royalty-free samples from Loopmasters.\u003cbr\u003e \u003cbr\u003e Scarlett 18i6’s two award-winning Focusrite preamps ensure low noise and distortion, whilst cutting-edge digital conversion captures your audio with pristine quality. 16 additional inputs allow you to capture inspired takes, without having to constantly re-patch your studio. Combined with the very latest in USB interfacing technology, excellent routing flexibility and rock-solid driver stability, the Scarlett 18i6 is the heart of the modern recording studio. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTwo high-quality award-winning Focusrite preamps\u003c\/span\u003e\u003cbr\u003e The best sounding interface in its class. Focusrite's 25-year legacy forms the foundation of this new interface, with two award-winning preamps.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTotal I\/O count of 18 inputs and 6 outputs\u003c\/span\u003e\u003cbr\u003e All of the analogue and digital inputs you need for home multitrack recording. No need for breakout cables - every input \u0026amp; output has a dedicated socket.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHigh-quality 24-bit\/96kHz USB interface\u003c\/span\u003e\u003cbr\u003e Features professional conversion and jitter elimination technology, guaranteeing pristine audio quality and reliable synchronization.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eScarlett MixControl ultra-low-latency DSP mixer\/router\u003c\/span\u003e\u003cbr\u003e Provides an 18 x 6 DSP mixer with excellent routing flexibility, intuitive one-click configurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!). \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eScarlett VST\/AU\/RTAS Plug-in Suite, for use in the mix\u003c\/span\u003e\u003cbr\u003e Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite’s Scarlett compression, reverb, gating and EQ.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eXcite+ Software Bundle\u003c\/span\u003e\u003cbr\u003e Featuring a host of royalty-free loops and samples, a full-fledged soft-synth and Ableton Live Lite 8, providing an affordable upgrade path to Ableton Live.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTwo Hi-Z instrument inputs\u003c\/span\u003e\u003cbr\u003e No need for a separate DI. The first two channels feature high-gain instrument inputs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDedicated front-panel headphone bus\u003c\/span\u003e\u003cbr\u003e Providing a fully customized monitor mix, with tactile level control available on the front panel.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMonitor levels are always within reach\u003c\/span\u003e\u003cbr\u003e A front panel volume dial provides immediate control over the main stereo outputs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSwitchable phantom power\u003c\/span\u003e\u003cbr\u003e Across both mic pre inputs, globally switchable direct from the front fascia.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSoftware PFL\u003c\/span\u003e\u003cbr\u003e Allows the mix engineer to easily monitor a single mixer channel or complete mix.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Inputs 1-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.2 dB \u003c\/li\u003e\n\u003cli\u003eGain Range: +13dB to +60dB \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.001% (measured at 1kHz with a 20Hz\/22kHz bandpass filter) \u003c\/li\u003e\n\u003cli\u003eNoise EIN:  124dB analogue to digital  (measured at 60dB of gain with 150Ω termination (20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003e Input Impedance: 2kΩ \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGITAL PERFORMANCE \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA\/D Dynamic Range \u0026gt; 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Part of Focusrite’s new range of USB audio interfaces, the Scarlett 8i6 is designed to make home studio recording and mixing easy without sacrificing audio quality.\u003cbr\u003e\u003cbr\u003eTwenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I\/O options, the Scarlett 8i6 helps you get the tracks you want without having to constantly re-patch your studio. \u003cbr\u003e\u003cbr\u003eAlongside the two high-quality mic preamps, two additional analogue inputs, four analogue outputs, S\/PDIF and MIDI open the door to true multi-track recording. Two Hi-Z instrument inputs let you plug straight in without the need to buy additional DI boxes, and two virtual Loopback inputs are also available for routing digital audio between software applications - ideal for capturing online audio.\u003cbr\u003e\u003cbr\u003eIncluded with the Scarlett 8i6 is Scarlett MixControl, an 18 x 6 DSP mixer. 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It uses the same award-winning Focusrite mic preamps as the rest of the Saffire range. This makes it the best value, and best sounding interface in its class. \u003cbr\u003e\u003cbr\u003eIt is ultra reliable and easy to set up, providing you with the simplest route to record into and play back from your computer. It has lower latency than any of its rivals, and professional analogue-to-digital converters ensure you get the best possible signal into your recording software.\u003cbr\u003e\u003cbr\u003eWith two mic pres, multiple outputs and MIDI I\/O, the Saffire 6 USB can be at the center of your home recording setup. However, its rock-solid reliability means that you can take it out and record on location with confidence. \u003cbr\u003e\u003cbr\u003eThe Focusrite Saffire 6 USB comes with Ableton Live Lite 8, Novation's Bass Station synthesizer and over a gigabyte of samples. In addition to all this, you get the Focusrite FX Suite, which includes a compressor, gate, reverb and EQ to upgrade your standard AU\/VST effects.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449421721703,"sku":"18280","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_saffire_6usb_0780994d-1ec6-478e-ba13-e1e35940c942.jpg?v=1787088927"},{"product_id":"focusrite-vrm-box","title":"Focusrite VRM Box","description":"With the \u003cspan style=\"font-weight: bold;\"\u003eFocusrite VRM Box\u003c\/span\u003e, you can mix in your studio, wherever you are. Pocket sized and built to last, VRM Box places Focusrite’s proven and patent-pending VRM – Virtual Reference Monitoring – technology in a robust, palm-sized audio interface.\u003cbr\u003e\u003cbr\u003eVRM overcomes the major obstacle for mixing with headphones by giving you multiple perspectives on your mix, as if you were listening through speakers. Using any pair of monitoring headphones, VRM lets you choose your mixing environment from a living room, a bedroom studio, or a professional studio. You then simply choose from a list of industry-standard studio monitors and speakers with a dynamic range of 108db.\u003cbr\u003e\u003cbr\u003eVRM Box functions as a high-quality 24- bit\/48kHz USB audio playback interface. So, whether you're mixing, creating music or simply listening to tracks, Focusrite's VRM Box is perfect. What’s more, there’s no need for a power supply or batteries, because it gets all the power it needs from your computer’s USB port. VRM Box also features a digital (S\/PDIF) input, which supports sample rates up to 192kHz. This allows you to run it in conjunction with your Pro Tools HD system, or any other interface with an S\/PDIF output.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449425096807,"sku":"18277","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_vrm_box.jpg?v=1787088941"},{"product_id":"focusrite-midnight-plug-in","title":"Focusrite Midnight Plug-in","description":"The new \u003cspan style=\"font-weight: bold;\"\u003eFocusrite Midnight \u003c\/span\u003eplug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equalizer and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them simple to use. Now you can add that authentic, classic Focusrite sound to your own tracks at a price you can afford. Your productions have never sounded so good.\u003cbr\u003e\u003cbr\u003eOne glance at those clear, clean analogue-style front panels and you’ll know exactly how to use the Midnight suite. The controls are simple and intuitive. The meters are responsive and accurate. And the sound… these plug-ins sound as good as they look, putting classic Focusrite clarity and warmth under your fingertips.\u003cbr\u003e\u003cbr\u003eMidnight EQ helps you manage problems and inspires solutions. It’s a 4-band full-parametric EQ with peaking and shelving plus low and high-pass filters. High-end control up to 15kHz – just what you need to give a vocal that extra something. +\/- 16 dB of gain in each band. Overlapping mid-ranges with fully variable Q. \u003cbr\u003eMidnight EQ gives your tracks full, rich bass; a pure, open top-end; and beautiful mid-range definition.\u003cbr\u003e\u003cbr\u003eMeanwhile Midnight Compressor brings you control at your fingertips. It features compression ratios of 1.5 to infinity, adjustable attack and auto\/manual release and simple, clear metering that helps you keep an eye on gain reduction, threshold and input\/output levels.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449426571367,"sku":"18607","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_midnight-plugin_6b661535-52c0-4112-8b8f-21866fa18e47.jpg?v=1787088947"},{"product_id":"focusrite-red-3-compressor-10306-used","title":"Focusrite RED 3 Compressor #10306 (Used)","description":"Very clean example of this unit. Transformers on the outputs only. Input pot is not detented. \u003cbr\u003e\u003cbr\u003eThe Red 3 employs an unusual and original single-VCA design to achieve high quality and truly independent compression and limiting, without the compromise and unnecessary processing involved in traditional designs. The success of the design is attested to by the Red 3’s TEC award for Outstanding Technical Achievement in the Signal Processing Technology category The VCA used is a proprietary Focusrite design, fully discrete and balanced, offering superb low noise and distortion, and excellent common-mode rejection. In order to separate compression and limiting, the side-chain electronics contain three VCAs in series to generate compression and limiting control voltages which drive the main VCA. The result is true compression followed by limiting, rather than the more common characteristic of compression that turns into limiting. The side-chain electronics are class A, ensuring superb transient response. Both compression and limiting therefore offer true peak response, not averaging RMS response.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449450524775,"sku":"22443","price":2295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_red_3_compressor__10306_146e2d06-bf7c-496a-9f18-307767c900d3.jpg?v=1787089004"},{"product_id":"focusrite-red-3-compressor-695-used","title":"Focusrite RED 3 Compressor #695 (Used)","description":"The Red 3 employs an unusual and original single-VCA design to achieve high quality and truly independent compression and limiting, without the compromise and unnecessary processing involved in traditional designs. The success of the design is attested to by the Red 3’s TEC award for Outstanding Technical Achievement in the Signal Processing Technology category The VCA used is a proprietary Focusrite design, fully discrete and balanced, offering superb low noise and distortion, and excellent common-mode rejection. In order to separate compression and limiting, the side-chain electronics contain three VCAs in series to generate compression and limiting control voltages which drive the main VCA. The result is true compression followed by limiting, rather than the more common characteristic of compression that turns into limiting. The side-chain electronics are class A, ensuring superb transient response. Both compression and limiting therefore offer true peak response, not averaging RMS response.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449450623079,"sku":"21102","price":2350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_red_3_compressor__695_cf5e5afe-1674-40df-a54a-a0b57e4cae73.jpg?v=1787089004"},{"product_id":"focusrite-isa-110-4-channel-rack-loaded-used","title":"Focusrite ISA 110 4 Channel Rack Loaded (Used)","description":"Excellent condition 4x ISA 110 4 band EQ\/Pre’s with line in. 48v on\/off switch per channel. Internal PSU 121. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eISA 110 Features:\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFilters\u003c\/b\u003e (18 db per octave)\u003cbr\u003eLow-pass: 3.9kHz, 5.6kHz, 8.2kHz, 12kHz or 16kHz, \u003cbr\u003eHigh-pass: 36Hz, 60Hz, 105Hz, 185Hz and 330Hz.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eShelving EQ\u003c\/b\u003e:\u003cbr\u003e-18dB to +18dB gain \u003cbr\u003e33Hz, 56Hz, 95Hz, 160Hz, 270Hz \u003cbr\u003e3.3kHz, 4.7kHz, 6.8kHz, 10kHz, 15kHz, 18kHz.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eParametric EQ\u003c\/b\u003e: \u003cbr\u003e-18dB to +18dB gain\u003cbr\u003e40Hz - 1.2 kHz \/ 600 Hz - 18kHz\u003cbr\u003enarrow to wide Q control\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInput Gain:\u003c\/b\u003e\u003cbr\u003eMic gain: -60 to 0 dB, (6dB steps) \u003cbr\u003eMic trim (fine) 0 to 20dB continuously variable \u003cbr\u003eLine Gain: -18dB to +18dB, (6dB steps) \u003cbr\u003eLine\/mic input levels up to +26dBu","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449450688615,"sku":"19317","price":5495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_isa_110_4_channel_rack_loaded_zoom_fb7b3e4a-1ad7-4800-a52a-5084c89181fb.jpg?v=1787089004"},{"product_id":"focusrite-isa-430-producer-pack-355-used","title":"Focusrite ISA 430 Producer Pack #355 (Used)","description":"The ISA 430 is a professional analogue audio processor with an optional, multi-format digital output board (not included). The ISA 430 is the first Focusrite product to include a range of different classic Focusrite modules in a single unit.\u003cbr\u003e\u003cbr\u003eIn addition to retaining the classic look and sound of the original ISA 110 EQ and Focusrite dynamics (ISA 130) it adds new processing technology, state-of-the-art routing flexibility, and digital connectivity. The wide variety of different processors, in combination with the digital output, means the ISA 430 is truly a 'Producer Pack', which combines the best of analogue and digital technologies.\u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eFocusrite professional mic-pre; a classic dual-gain transformer-based design, plus Line and Instrument inputs mean a flexible front end which also includes phantom power and phase reverse. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003ePost-pre-amp output immediately after the pre-amp which is fed directly to a balanced output. This creates an ultra-short signal path for the cleanest, highest quality recordings possible. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eOriginal ISA 110 EQ. 4 Band: fully parametric Hi- and Lo-Mids, stepped frequency shelving Low- and High- bands, plus Swept Hi- and Lo- Pass filters. This is the exact EQ used in every channel of the Focusrite Studio Console. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eCompressor- featuring a custom Class A Focusrite VCA and sidechain control circuit from the original Focusrite ISA 130. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eExpander\/Gate - also shares the ISA 130’s vintage heritage. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eDe-esser - an opto design, updated from the original ISA 130 circuitry, which uses an EQ-based subtractive circuit (less intrusive on the non-sibilant frequencies) and which is much more effective and transparent than traditional VCA designs. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eMulti-band Limiter - a 3-band \"Frequency-adaptive’ Limiter which has different limiting properties for each of the three frequency bands, giving true distortion-free limiting. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eOptional 24-bit\/96kHz digital output board (not included), with AES\/EBU, TOS-link and SPDIF formats, 44.1-96kHz operation, sample rate selection, external wordclock, and Digidesign’s proprietary Superclock. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eIncredibly flexible routing and monitoring - there is a discrete insert send and return which can be placed before EQ and Dynamics modules, between the two, or after both. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eAdditionally, all bands of EQ can be independently routed into the sidechain of the compressor and\/or gate for accurate drum gating, or frequency-selective compression, (eg bass-compensated compression for dance music). The vintage-style VU Meter can display input, insert return or gain reduction levels. \"Listen\" mode allows monitoring of the sidechains of the Compressor\/Gate\/Limiter\/De-esser so that accurate frequency adjustment can be made when tailoring the various dynamic effects. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eSingle or Split Modes - the unit can be run as a \"Producer Pack\" (single multi-module unit,) or split to act as two independent processors running discrete audio paths. Split mode allows the insert send and return connections to act as independent inputs and outputs to the dynamics section, creating two modules in one, with separate EQ and dynamics; perfect for mix down. An external input can be summed into the module output to allow reverb or other effects to be mixed into the processed signal before recording. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eStereo A\/D- the 430 can be used as a high quality 24\/96 stereo converter channel for final mastering or analogue transfer to digital. The external input and mic\/line inputs (when selected to bypass) are both fed to the A\/D inputs via the multi-band limiter, giving a clean, protected, high-quality path to digital. \u003cbr\u003e•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003eOutputs are transformer-based to complete the classic Focusrite \"warm-yet-transparent\" sonic signature loved the world over.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449450655847,"sku":"21418","price":1150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_isa_430_producer_pack__355_8638c2f7-aed6-460d-8d02-151226b89802.jpg?v=1787089004"},{"product_id":"focusrite-isa-one-mic-pre-di-used","title":"Focusrite ISA One Mic Pre\/DI (used)","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFocusrite ISA One\u003c\/span\u003e features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.)\u003cbr\u003e \u003cbr\u003e The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.\u003cbr\u003e \u003cbr\u003e A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB\/octave high-pass filter are also available from the angled front fascia.\u003cbr\u003e \u003cbr\u003e Independent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Avid's Pro Tools HD system, allowing effortless line-up.\u003cbr\u003e \u003cbr\u003e ISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit.\u003cbr\u003e \u003cbr\u003e An optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite’s custom analogue circuitry. This optional card can be retrofitted at any time and provides two channels of 24 bit\/192kHz A-D conversion with a dynamic range of 119dB.\u003cbr\u003e \u003cbr\u003e The ISA microphone pre-amplifier was first introduced back in 1985. This transformer-based pre-amplifier formed the first half of the ISA110 mic-pre and EQ module on Focusrite's critically acclaimed Forte console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.\u003cbr\u003e \u003cbr\u003e The ISA microphone pre-amplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either perfectly match the pre-amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used. The original ISA110 setting was supplemented by three further impedance settings.\u003cbr\u003e \u003cbr\u003e The Focusrite pre amp is renowned for its transparency, but there's also that subtle warmth that transformer core saturation contributes. This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a classic hallmark of the mid 80's Focusrite designs.\u003cbr\u003e \u003cbr\u003e With processors whose bandwidth is strictly limited to the audible (20Hz to 20kHz) bandwidth alone, significant roll-off can still occur, affecting the higher audible frequencies of the signal. Therefore, in order to capture every subtle nuance, exactly as it occurs whilst avoiding any roll-off, the pre-amp must operate over a far greater bandwidth. The extremely broad frequency response of Focusrite pre-amps - close to 200kHz at the top end - guarantees accurate phase response across the much narrower range of human hearing, the roll-off point being moved entirely outside of the audible hearing range.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eISA Series Transformer-based Pre-amplifier\u003c\/span\u003e\u003cbr\u003e Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone pre-amplifier at its lowest cost to date.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFlexible Independent D.I. Channel\u003c\/span\u003e\u003cbr\u003e ISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional ADC.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSwitchable Impedance\u003c\/span\u003e\u003cbr\u003e Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eOptional Stereo 192kHz ADC\u003c\/span\u003e\u003cbr\u003e This optional card embodies cutting-edge conversion technology, incorporating Focusrite analogue circuitry to deliver the best A-D performance in its class (Dynamic range of 119dB).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHeadphone Output with Volume Control\u003c\/span\u003e\u003cbr\u003e ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDedicated Insert Point\u003c\/span\u003e\u003cbr\u003e Allows you to place extra processing between the pre-amplifier or D.I. and the optional converter, such as an EQ or compressor.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449460420711,"sku":"22385","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_isa_one_mic_pre-di_4de26bbc-49ef-46f5-9144-8a1798536c8d.jpg?v=1787089045"},{"product_id":"focusrite-the-liquid-channel-used","title":"Focusrite The Liquid Channel (Used)","description":"The sounds of vintage classics with digital ease of use.\n\nThe Focusrite Liquid Channel is a revolutionary professional channel strip that can precisely replicate any classic mic-pre and compressor. Combining radical new analog preamp technology with Dynamic Convolution techniques. The Liquid Channel fuses cutting-edge analog design with lightening fast SHARC DSP. Augmented by fully digital controls and optional remote software, The Liquid Channel provides the ultimate fluid vintage collection.\n\nRather than creating a similar sound to vintage units, as with modelling devices, The Liquid Channel precisely replicates their sonic behavior. This is achieved through Dynamic Convolution, the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with every possible setting combination, are applied to the input stream on a sample-by-sample basis for accurate replication.\n\nMic-pre replication can't be achieved with software alone. Hardware is required in addition to account for the physical interaction with the microphone. As a result, Focusrite invested vast amounts of time and energy into designing and building the ultimate \"liquid\" preamplifier, able to match the input impedance and signal path (transformer or electronic) of the device being replicated.\n\nSecond order harmonic distortion is a beneficial artifact of analog circuits (especially tube and transformer-coupled designs) providing the much-loved warmth. However, often 2 units of the same type will vary in the amount of second order distortion produced, so an additional control for modifying this vintage property is provided. This allows for precise matching of the Liquid Channel to your own beloved mic pre.\n\nThe Liquid Channel combines a highly complex, massively flexible analog front-end with Dynamic Convolution processing, which utilizes lightening-fast SHARC chips and runs at sample rates of up to 192kHz. The front panel controls are digital, with tactile rotary encoders; all parameters can be stored in one of 99 program memories. At the press of button, you can reload all mic-pre, compressor and EQ settings for an individual session. If using The Liquid Channel in conjunction with a recording platform (e.g. Pro Tools), both the session files and the Liquid Channel's program memory can be sent via standard data transfer methods, providing a completely mobile recording session. Perfectly replicated vintage classics with the power and ease of use of the digital domain.\n\nThe USB port on the rear panel allows remote control of The Liquid Channel, leaving the processor safely racked away. But that's not all. The software application also serves as an archiving system for additional replicas and program memories, and permits downloads of additional classic units from www.ffliquid.com.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449476640871,"sku":"22284","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_the_liquid_channel_zoom_b230854f-104f-411d-b72e-6814237ba3d6.jpg?v=1787089104"},{"product_id":"focusrite-red-3-compressor-10500-used","title":"Focusrite RED 3 Compressor #10500 (Used)","description":"Nice clean example. Transformers on the outputs only.  \u003cbr\u003e\u003cbr\u003eThe Red 3 employs an unusual and original single-VCA design to achieve  \nhigh quality and truly independent compression and limiting, without the \n compromise and unnecessary processing involved in traditional designs.  \nThe success of the design is attested to by the Red 3’s TEC award for  \nOutstanding Technical Achievement in the Signal Processing Technology  \ncategory The VCA used is a proprietary Focusrite design, fully discrete  \nand balanced, offering superb low noise and distortion, and excellent  \ncommon-mode rejection. In order to separate compression and limiting,  \nthe side-chain electronics contain three VCAs in series to generate  \ncompression and limiting control voltages which drive the main VCA. The  \nresult is true compression followed by limiting, rather than the more  \ncommon characteristic of compression that turns into limiting. The  \nside-chain electronics are class A, ensuring superb transient response.  \nBoth compression and limiting therefore offer true peak response, not  \naveraging RMS response.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449486667879,"sku":"29501","price":2550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_red_3__10500_front_cb50f004-7c9f-4735-ac18-092dd9300a4a.jpg?v=1787089144"},{"product_id":"focusrite-red-1-500-series-mic-pre","title":"Focusrite Red 1 500 Series Mic Pre","description":"\u003cp\u003eIntroducing the return of the legendary Red Series mic preamp, the \u003cstrong\u003eFocusrite Red 1 500 Series Mic Pre\u003c\/strong\u003e, a module for the popular 'Lunchbox' format. As with the original Red range, this new module will also be 'Made in England'. Focusrite’s Red Range gained legendary status following its release in 1992. The Red mic preamps rapidly became sought-after in the world’s top studios, with their unique signature sound and ability to perform faultlessly on a wide range of instruments with almost any microphone.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWord on the Street:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"The Red 1 500's magic is that it offers a great classic sound that is not too vintage and yet not too modern. It has a nice weighted low end with just a hint of smoothness and warmth, making it useful in most if not all recording situations. If ever there was a set-it-and-forget-it microphone preamp that just brings the magic with no fuss, this is it.\"\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePaul Vnuk, Jr - RECORDING magazine, July 2014\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449500495975,"sku":"30518","price":499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_red1_500_series_mic_pre_4338ac6c-221c-407c-8378-2ed6d6e6ec4f.jpg?v=1787089220"},{"product_id":"focusrite-itrack-solo","title":"Focusrite iTrack Solo iOS \/ USB Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eFocusrite iTrack Solo\u003c\/strong\u003e provides the best solution for recording your instruments and vocals using an iPad. Featuring a Focusrite microphone pre-amplifier and an input to record directly from electric and bass guitars, iTrack Solo is the perfect way to expand the audio capabilities of your iPad using Garageband or any other music-making app.\u003c\/p\u003e\r\n\u003cp\u003eAlthough it is an Apple certified \"Made for iPad\" device, iTrack Solo is also fully compatible with your PC or Mac computer and comes with a host of free music making software including Ableton Live Lite and the Focusrite Scarlett Plug-in Suite.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eIncluded software\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAbleton Live Lite 8 – professional music making software to use your iTrack Solo with a Mac or PC.\u003c\/li\u003e\r\n\u003cli\u003eFocusrite Scarlett plug-in suite – collection of software plug-ins bringing effects to your music software (like Ableton Live for example).\u003c\/li\u003e\r\n\u003cli\u003eNovation Bass Station – legendary Novation synthesizer modelled in software as a soft-synth plug-in instrument.\u003c\/li\u003e\r\n\u003cli\u003eLoopmasters content – 1 Gigabyte of royalty free samples\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 in \/ 2 out USB audio interface\u003c\/li\u003e\r\n\u003cli\u003e96 KHz, 24-bit conversion\u003c\/li\u003e\r\n\u003cli\u003e1 Focusrite microphone preamplifier\u003c\/li\u003e\r\n\u003cli\u003eSilver “soft-touch” aluminium unibody chassis\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFront panel\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1 microphone input – XLR \u003c\/li\u003e\r\n\u003cli\u003e1 Instrument input – ¼’ unbalanced \u003c\/li\u003e\r\n\u003cli\u003e2 Gain knobs \u003c\/li\u003e\r\n\u003cli\u003e2 Gain halo signal indicators \u003c\/li\u003e\r\n\u003cli\u003e48V Phantom power switch \u003c\/li\u003e\r\n\u003cli\u003eDirect monitor switch \u003c\/li\u003e\r\n\u003cli\u003eLarge monitor level dial (controls headphone and line level outputs) \u003c\/li\u003e\r\n\u003cli\u003eUSB Connection LED indicator \u003c\/li\u003e\r\n\u003cli\u003eHeadphone output - ¼” TRS Jack\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRear panel\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e 2 unbalanced monitor outputs – RCA Phono \u003c\/li\u003e\r\n\u003cli\u003eDEVICE LINK port (to connect iTrack Solo to iPad) \u003c\/li\u003e\r\n\u003cli\u003eUSB 2.0 Port \u003c\/li\u003e\r\n\u003cli\u003eKensington Lock slot\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMac: OS X 10.7 (Lion) and OS X 10.8 (Mountain Lion)\u003c\/li\u003e\r\n\u003cli\u003ePC: Windows 7 (32 and 64 bit) and Windows 8\u003c\/li\u003e\r\n\u003cli\u003eiPad: iPad, iPad 2, iPad (3rd Generation), iPad 4 (with 30-pin to lightning adapter - NOT INCLUDED) with iOS 5 or iOS 6\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449500725351,"sku":"30585","price":149.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_itrack_solo_front_799acc52-354a-4443-9ff5-3a4680c6cad3.jpg?v=1787089222"},{"product_id":"focusrite-scarlett-18i20","title":"Focusrite Scarlett 18i20","description":"\u003cp\u003e\u003cstrong\u003eFocusrite’s Scarlett 18i20\u003c\/strong\u003e is the latest in the company’s new generation of multi-channel USB-based audio interfaces, featuring eight award-winning Focusrite microphone preamplifiers, designed specifically for the computer interface environment, delivering legendary Focusrite sound quality.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eFocusrite’s mic preamps are found in the world’s top studios and give the 18i20 an unequalled level of performance, with low noise, minimal distortion and enormous dynamic range. The Scarlett preamps offer exceptional headroom, and two front-panel inputs also offer 10dB pad buttons to handle the highest-level inputs without distortion.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWith 18 inputs and 20 outputs, Scarlett 18i20 includes enough I\/O to handle the vast majority of day-to-day studio tasks at maximum quality, with maximum flexibility. Scarlett 18i20 features six combo XLR\/jack mic\/line inputs plus two front-panel XLR\/jack mic\/line\/instrument inputs with 10dB pad buttons, 10 analogue line outputs, two independent headphone outputs on the front panel, and ADAT and S\/PDIF digital I\/O, plus MIDI I\/O and Word Clock out for digital synchronisation when required.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe ADAT interface can be used to bring in digital sources or to add extra preamps such as Focusrite’s OctoPre Mk II, bringing the mic pre complement to 16 channels, ideal for recording a complete band and minimising overdubs.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThis prodigious I\/O capability is backed by Focusrite’s class-leading precision digital conversion technology with JetPLL™ jitter-reduction at sample rates up to 96 kHz, 24-bit, to ensure that you get the very highest quality into and out of your audio software – all major DAWs are supported.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncluded Software \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAbleton Live Lite \u003c\/li\u003e\r\n\u003cli\u003eScarlett MixControl \u003c\/li\u003e\r\n\u003cli\u003eScarlett Plug-in Suite \u003c\/li\u003e\r\n\u003cli\u003eNovation Bass Station \u003c\/li\u003e\r\n\u003cli\u003eLoopmasters\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003ch3\u003eSoftube Time and Tone Bundle\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTSAR-1R\u003c\/strong\u003e: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\r\nand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\r\nrooms to dramatic and dreamlike halls.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTube Delay\u003c\/strong\u003e: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\r\nCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\r\nreggae echo madness.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSaturation Knob\u003c\/strong\u003e: Add grit and warmth to any sound source with this modeled output distortion unit. Use\r\nit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\r\nSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449500758119,"sku":"30587","price":499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_scarlett_18i20_angle_7363e577-0ff0-479a-909f-2e8fee2bfae2.jpg?v=1787089221"},{"product_id":"focusrite-scarlett-studio","title":"Focusrite Scarlett Studio","description":"\u003cp\u003eWhether you’re just starting out on your musical career or you’re a seasoned professional, the \u003cstrong\u003eFocusrite Scarlett Studio\u003c\/strong\u003e gives you everything you need to start recording studio-quality music right away – right down to the microphone cable. Just add your computer.\u003cbr\u003e\u003cbr\u003eNow you can record guitar, vocals, bass or other instruments directly into your computer, complete your recordings with studio effects and create a master mix.\u003cbr\u003e\u003cbr\u003eFocusrite has been making high-end recording systems, used in the world's top studios, for over 25 years. That same precision engineering is now available in a compact, high-quality system for you to connect to your computer and start recording now – and it’s all inside this box.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Scarlett Studio audio interface\u003c\/strong\u003e\u003cbr\u003eThe audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStudio-quality microphone and headphones\u003c\/strong\u003e\u003cbr\u003eScarlett Studio really does give you everything you need to start recording. There’s a studio condenser microphone, the CM25, that’s specially designed to catch the life and soul of your vocals and acoustic instruments. Clean, smooth and sensitive, it captures every nuance. If you can hear it, you can record it. There’s even a high-quality, low-noise microphone cable included, to connect the CM25 to the Scarlett 2i2.\u003cbr\u003e\u003cbr\u003eThe included HP60 studio monitor headphones tell it like it is. Accuracy is number one when it comes to monitoring. Unlike many headphones that flatter the sound, making it sound better than it really is, the HP60s give you a clear and accurate impression of exactly how your music sounds, so you can get it just the way you want it. And when you play it back elsewhere, it’ll sound great.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional recording software\u003c\/strong\u003e\u003cbr\u003eScarlett Studio includes all the software you need to get you going straight away. Cubase LE 6 is powerful music production software for recording and mixing. Focusrite Scarlett plug-ins are a set of essential tools for polishing your mix, like compression to tighten up that bass or keep your vocals smooth and even; equalizers to bring out the character in your sound, gating to help remove noises, and reverb to give your music the space it needs. The Novation Bass Station is a software synthesizer that you can use to add additional bass or melody sounds to your music. Because it is a synth you can create totally new sounds that no one has ever heard before, or recreate classic sounds. There is also a sample pack from Loopmasters to add drum loops or sound effects to your track.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eScarlett Studio HP60 Headphones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReference quality headphones \u003c\/li\u003e\n\u003cli\u003eExtended frequency response \u003c\/li\u003e\n\u003cli\u003eAdjustable fit \u003c\/li\u003e\n\u003cli\u003e Closed back design to prevent audio spill when recording \u003c\/li\u003e\n\u003cli\u003eMini-jack to 1\/4\" jack adapter included \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScarlett Studio CM25 microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Large-diaphragm condenser microphone \u003c\/li\u003e\n\u003cli\u003e3 m red cable included \u003c\/li\u003e\n\u003cli\u003e Mic stand adaptor \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScarlett Studio Scarlett 2i2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 in \/ 2 out USB audio interface \u003c\/li\u003e\n\u003cli\u003e96 KHz, 24-bit conversion \u003c\/li\u003e\n\u003cli\u003e2 Focusrite microphone preamplifiers \u003c\/li\u003e\n\u003cli\u003eRed anodised aluminium unibody chassis \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 line\/mic\/instrument combination inputs – Neutrik XLR\/¼” TRS Jack Combo \u003c\/li\u003e\n\u003cli\u003e 2 Line\/Instrument switches \u003c\/li\u003e\n\u003cli\u003e2 Gain knobs \u003c\/li\u003e\n\u003cli\u003e 2 Gain halo signal indicators \u003c\/li\u003e\n\u003cli\u003e 48V Phantom power switch \u003c\/li\u003e\n\u003cli\u003e Direct monitor switch \u003c\/li\u003e\n\u003cli\u003e Large monitor level dial \u003c\/li\u003e\n\u003cli\u003e USB Connection LED indicator \u003c\/li\u003e\n\u003cli\u003eHeadphone output - ¼” TRS Jack \u003c\/li\u003e\n\u003cli\u003eHeadphone level knob \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRear panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 balanced monitor outputs – ¼” TRS Jack \u003c\/li\u003e\n\u003cli\u003eUSB 2.0 Port \u003c\/li\u003e\n\u003cli\u003eKensington Lock slot \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded software\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Steinberg Cubase LE 6 \u003c\/li\u003e\n\u003cli\u003eFocusrite Scarlett plug-in suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*This item now includes the Focusrite Red 2 \u0026amp; Red 3 Plug-In Suite (AAX\/AU\/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools® (10 and above) and other audio software.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\u003ch3\u003eSoftube Time and Tone Bundle\u003c\/h3\u003e\n\n\u003cp\u003eIn addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTSAR-1R\u003c\/strong\u003e: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\nand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\nrooms to dramatic and dreamlike halls.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTube Delay\u003c\/strong\u003e: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\nCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\nreggae echo madness.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSaturation Knob\u003c\/strong\u003e: Add grit and warmth to any sound source with this modeled output distortion unit. Use\nit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\nSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449502101607,"sku":"30651","price":249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_scarlett_studio_plugins_46b7460f-f881-4e77-8e5d-f749ac6118e0.jpg?v=1787089226"},{"product_id":"focusrite-forte","title":"Focusrite Forte","description":"\u003cp\u003e\u003cstrong\u003eFocusrite Forte\u003c\/strong\u003e is a professional 2 in, 4 out portable USB audio interface for Mac and Windows, designed to deliver analogue sources to your DAW at the highest possible quality. It features two remote-controlled mic preamps with the unrivalled sound quality you would expect from Focusrite. Forte partners these with superb digital conversion at up to 24-bit\/192kHz resolution. Built into a solid aluminium case, Forte features a colour OLED display, touch controls and a single large control knob for intuitive operation, with DAW integration transforming it into a control interface.\u003c\/p\u003e\r\n\u003cp\u003eForte takes its name from the original Focusrite console that embodied all the fundamental elements of the renowned Focusrite sound. Focusrite’s original Forté was the recording console based on the ground-breaking mic pre and compression modules that Rupert Neve created for Air Studios back in the 1980s. Designed to offer the very highest audio path quality irrespective of cost, the Forté console set the benchmarks for mic preamplifiers and dynamic control and that remain unequalled today. The Forte USB audio interface continues this obsession with sound quality...\u003c\/p\u003e\r\n\u003cp\u003eForte has been designed specifically to provide a compact, rugged and effective input path to your computer with the maximum possible audio quality for mic, line and instrument sources. In particular, Forte delivers class-leading dynamic range and noise floor – both highly significant in today’s world of an almost unlimited number of tracks making up a mix – and class-leading conversion performance, ensuring you get the very best quality sound at all times.\u003c\/p\u003e\r\n\u003cp\u003eFeaturing two of the latest design of Focusrite's remote-controlled microphone preamplifiers, the Forte USB audio interface connects to both Mac and Windows computers via USB 2.0. It incorporates highest-quality precision 24-bit A-D and D-A converters operating at sample rates up to 192kHz, and the conversion stages have had maximum attention paid to both analogue and digital design to deliver the best possible performance.\u003c\/p\u003e\r\n\u003cp\u003eForte includes a colour OLED (Organic LED) display to indicate mic, line in, line out and headphone levels, gain structure and other functionality. It features a single, large, smoothly-rotating control knob operated in conjunction with a series of touch-sensitive icons to access preamplifier and output functions – input, monitor, headphone, and control – plus the ability to control DAW functions and act as a remote control for your music software. Included with the unit is Forte Control software application, which allows the configuration of low-latency monitoring, mic pre level adjustment and other features.\u003c\/p\u003e\r\n\u003cp\u003eParticular attention has been paid to ergonomic design. A breakout cable with locking connector is used for microphone (XLR) and line\/instrument (TRS) inputs, but balanced line and independent headphone outputs are provided on the unit itself, so the breakout cable is not required for playback-only applications. In addition, the fact that the mic and line-level inputs on the breakout cable are separate means that you can keep your inputs connected all the time without having to re-patch when you go from one to the other. Forte can run on bus power in \"USB low-power mode\" but an included power supply increases the available volume to headphones\/line outputs and delivers +48V phantom power to your microphone.\u003c\/p\u003e\r\n\u003cp\u003eThe classic Focusrite Midnight plugin suite is also included in the box, accurately modelling the classic ISA110 EQ and ISA130 compressor from the original Focusrite Forté console.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eHardware Specifications \u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 in \/ 4 out USB audio interface \u003c\/li\u003e\r\n\u003cli\u003e192KHz, 24-bit conversion \u003c\/li\u003e\r\n\u003cli\u003e2 Focusrite microphone preamplifiers \u003c\/li\u003e\r\n\u003cli\u003eSilver aluminium chassis \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eTop panel\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLarge multi-function push encoder \u003c\/li\u003e\r\n\u003cli\u003e4 touch sensitive mode buttons \u003c\/li\u003e\r\n\u003cli\u003eHeadphone socket (front panel) \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eRear panel\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 balanced monitor outputs – ¼” TRS \u003c\/li\u003e\r\n\u003cli\u003eJack Input Loom socket \u003c\/li\u003e\r\n\u003cli\u003ePower socket \u003c\/li\u003e\r\n\u003cli\u003eUSB 2.0 Port Kensington Lock slot (rear side) \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eIncluded software\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e Focusrite Midnight plug-in suite \u003c\/li\u003e\r\n\u003cli\u003eForte Control software application\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*This item now includes the Focusrite Red 2 \u0026amp; Red 3 Plug-In Suite (AAX\/AU\/VST) upon registration of interface. 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Custom made  potentiometers and sealed relays enhance performance and reliability.  General features include switchable phantom power, phase reverse, an  easily read illuminated VU meter, and a handy scribble disc for denoting  channels. Produces an incredibly transparent yet warm signal.  Microphone gain is switched in 6dB steps over a 66dB range, for accurate  precise channel matching and recall.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e    Ultrahigh-quality Focusrite preamps with custom-wound input transformers\u003c\/li\u003e\n\u003cli\u003e    Switchable phantom power\u003c\/li\u003e\n\u003cli\u003e    Phase reverse\u003c\/li\u003e\n\u003cli\u003e    Easily read illuminated VU meter\u003c\/li\u003e\n\u003cli\u003e    Handy scribble disc for denoting channels\u003c\/li\u003e\n\u003cli\u003e    Mic gain is switched in 6dB steps over a 66dB range\u003c\/li\u003e\n\u003cli\u003e    Custom-wound input transformers\u003c\/li\u003e\n\u003cli\u003e    Custom-made pots\u003c\/li\u003e\n\u003cli\u003e    Sealed relays\u003c\/li\u003e\n\u003cli\u003e    Switchable phantom power\u003c\/li\u003e\n\u003cli\u003e    Phase reverse\u003c\/li\u003e\n\u003cli\u003e    Easily read illuminated VU meter\u003c\/li\u003e\n\u003cli\u003e    Handy scribble disc for denoting channels\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449509834855,"sku":"21493","price":1147.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_red_8_mic_pre__10134_cat_55b59e40-a320-4b91-811b-5f0e5ff1fa95.jpg?v=1787089258"},{"product_id":"focusrite-rednet-5","title":"Focusrite RedNet 5 Audio Interface","description":"\u003cp\u003eRedNet is Focusrite’s new flagship range of Ethernet-networked studio interfaces, based around the tried and tested Dante Ethernet audio networking system from Australian company Audinate. Focusrite’s RedNet is the first to offer IP network audio interfaces for the recording studio – or any application that requires moving high quality audio around with ultra-low latency.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eRedNet 5 connects your RedNet system to Pro Tools HD®. Up to six units can be connected to one Pro Tools HDX system, supporting up to 192 channels at 96 kHz or 96 channels at 192 kHz. Pro Tools HD® Native and Pro Toos HD® (TDM) are also supported. RedNet 5 is interoperable with other Pro Tools interfaces and no RedNet PCIe card is required.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features And Performance:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUpgrade to RedNet interfaces while remaining fully compatible with your saved sessions \u003c\/li\u003e\r\n\u003cli\u003eEach RedNet 5 can route up to 32 input and 32 output channels between your RedNet network and Pro Tools HD system \u003c\/li\u003e\r\n\u003cli\u003eConnecting six RedNet 5 units to a Pro Tools HDX system allows up to 192 inputs and outputs - the maximum supported by Pro Tools HDX. \u003c\/li\u003e\r\n\u003cli\u003eMaintain your existing Pro Tools workflow with simple, logical assignment of RedNet I\/O to Pro Tools HD inputs and outputs \u003c\/li\u003e\r\n\u003cli\u003e Compatible with Pro Tools HD® TDM systems\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449514291303,"sku":"31399","price":599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_rednet5_angle_313a0ff4-4d05-4774-86d5-7ba6676fad9b.jpg?v=1787089273"},{"product_id":"focusrite-rednet-6","title":"Focusrite RedNet 6","description":"\u003cp\u003eRedNet is Focusrite’s new flagship range of Ethernet-networked studio interfaces, based around the tried and tested Dante Ethernet audio networking system from Australian developers Audinate. Focusrite’s RedNet is the first to offer IP network audio interfaces for the recording studio – or any application that requires moving high quality audio around with ultra-low latency. RedNet links high channel counts between a range of high-quality remote-controlled interfaces and your audio computer via a standard Ethernet network. RedNet connects with your computer via a low-latency PCIe card or, with RedNet’s HD Bridge, to Pro Tools HD \/ HDX \/ HD Native systems – or direct using a virtual soundcard*.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRedNet 6 MADI Bridge Connects Two Worlds\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMADI is widely used for large-scale digital audio systems such as audio consoles and conversion systems, allowing multiple channels to be carried along a single interface. RedNet 6 provides the link between your RedNet Ethernet-based audio system and any MADI \/ AES10 setup. RedNet 6 supports up to 64 channels of both coaxial and optical MADI interfaces and is completely bi-directional: use RedNet’s high quality interface products with your MADI system – or MADI components with your RedNet system. RedNet 6 features an asynchronous sample rate converter (ASRC) on each input and output so you can interface between MADI and RedNet irrespective of the sample rate at which either system is operating. Connect your RedNet system to MADI-based digital consoles, computer cards, converters and much more. In addition to both coax and optical MADI interfaces, RedNet provides Word Clock in and out.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd MADI to RedNet – or RedNet to MADI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRedNet 6 connects your MADI system and your RedNet system seamlessly together. Connect RedNet to digital mixing consoles, interfaces and cards that use MADI; or conversely, extend your MADI system with RedNet’s versatile, superb-quality audio interfaces and connectivity.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCoaxial and Optical \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRedNet 6 supports both coax and optical interfaces – connect simply to any MADI equipment\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Word Clock I\/O for either RedNet or MADI \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlave either the RedNet systems or MADI streams to an external clock\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 64 MADI channels \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRedNet 6 supports up to 64 channels of digital audio I\/O at standard sample rates (44.1\/48kHz) from your MADI system, 32 channels at 96kHz and 16 at 192kHz.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAsynchronous sample rates throughout \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach RedNet 6 input and output has asynchronous sample rate converters (ASRC) allowing MADI and RedNet systems to operate simultaneously at different sample rates.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact and effective \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRedNet 6 is a simple 1U rack-mount module with the classic red aluminium faceplate.  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Featuring four award-winning Focusrite mic pre amps alongside a flexible array of other input and output options, the Scarlett 18i8 is the perfect match for your expanding recording needs.\u003c\/p\u003e\n\u003cp\u003eProfessional artists and producers the world over choose Focusrite to record and produce their music. Now, with Scarlett 18i8, you can record with four award-winning Focusrite Mic preamps, supply two headphone mixes with headphone volume control and have access to a whole host of other inputs and outputs, all from one portable, rugged interface. Whatever the scale of your project, Scarlett 18i8 is up for the challenge.\u003c\/p\u003e\n\u003cp\u003eThe Focusrite Scarlett 18i8 is an 18 in \/ 8 out USB 2.0 audio interface and part of the new generation of Focusrite audio interfaces, designed to make music creation easier and sound better than ever before. Featuring four award-winning Focusrite mic pre amps alongside a flexible array of other input and output options, the Scarlett 18i8 is the perfect match for the discerning producer or small recording band, allowing up to four mic inputs and four line inputs to be recorded simultaneously. And with the option of ADAT, a unit such as an OctoPre MkII can be connected, bringing the number of mic pres up to 12.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*This item now includes the Focusrite Red 2 \u0026amp; Red 3 Plug-In Suite (AAX\/AU\/VST) upon registration of interface. 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This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTSAR-1R\u003c\/strong\u003e: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\nand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\nrooms to dramatic and dreamlike halls.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTube Delay\u003c\/strong\u003e: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\nCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\nreggae echo madness.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSaturation Knob\u003c\/strong\u003e: Add grit and warmth to any sound source with this modeled output distortion unit. Use\nit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\nSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449531199591,"sku":"32129","price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_scarlett_18i8_plugins_ef5a9771-bdcf-4878-900e-52972b50a42e.jpg?v=1787089338"},{"product_id":"focusrite-scarlett-6i6-usb-2-0-audio-interface","title":"Focusrite Scarlett 6i6 USB 2.0 Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eFocusrite Scarlett 6i6\u003c\/strong\u003e is a 6 in \/ 6 out USB 2.0 audio interface, perfect for producers and recording artists or small bands. Featuring two award-winning Focusrite mic pre amps and a stereo line input, it is great for recording vocals, guitar and a stage piano simultaneously. Two headphone outputs mean that two artists can listen to separate mixes while recording.\u003c\/p\u003e\n\u003cp\u003eProfessionals the world over have trusted Focusrite products since 1985 which is why we are regarded as one of the most prestigious brands in the industry. The Focusrite Scarlett 6i6 is a 6 in \/ 6 out USB 2.0 audio interface perfect for producers and recording artists or small bands. Featuring two award-winning Focusrite mic preamps and a stereo line input, Scarlett 6i6 is great for recording vocals, guitar and a stage piano simultaneously. Two headphone outputs mean that two artists can listen to separate mixes while recording. Scarlett 6i6 also has four balanced outputs so you can connect up to two pairs of monitors and use the S\/PDIF I\/O for digital connectivity. All of this in a great looking aluminium extrusion, ready for the road.\u003c\/p\u003e\n\u003cp\u003eThe Focusrite Scarlett 6i6 is part of the new generation of Focusrite audio interfaces, designed to make music creation easier and sound better than ever before. Featuring four analogue inputs, four analogue outputs and digital IO, the Scarlett 6i6 is the perfect match for producers or small recording bands who really care about sound quality. It allows up to two mic inputs, two line inputs and digital inputs, such as a synthesizer, to be recorded simultaneously.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*This item now includes the Focusrite Red 2 \u0026amp; Red 3 Plug-In Suite (AAX\/AU\/VST) upon registration of interface. 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With a single slider, you can take TSAR-1R from realistic and three-dimensional\nrooms to dramatic and dreamlike halls.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTube Delay\u003c\/strong\u003e: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\nCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\nreggae echo madness.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSaturation Knob\u003c\/strong\u003e: Add grit and warmth to any sound source with this modeled output distortion unit. 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Record both channels to Tape by Focusrite: a beautiful free new app\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eiTrack Studio includes Focusrite’s solid, metal-cased iTrack Solo, with dual inputs for recording instrument and vocals simultaneously - using the included studio condenser mic and Focusrite’s renowned mic preamp technology. Dual outputs drive monitors and the included headphones for an accurate impression of what’s being recorded. iTrack Solo ensures that everything is captured as high-quality audio: up to 24-bit 96kHz sampling. It comes with a 30-pin device link cable for connection to an iPad and can be connected to iPad 4 and iPad mini via an inexpensive lightning adapter – it can also connect via USB to a Windows or Mac computer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe included CM25S studio-quality condenser microphone – the most versatile type for recording applications – is styled to match the interface and comes with an XLR mic cable. It will faithfully capture almost anything placed in front of it, from vocals to piano, acoustic guitar and much more. HP60S monitor headphones are included to ensure accurate reference monitoring of everything recorded. The closed-back type effectively isolates the listener from the external environment for minimum distraction and maximum accuracy.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eiTrack Studio is the one-box solution for quality recording on the iPad – and it’s a quality but affordable introduction to recording on the PC too.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449545683047,"sku":"33165","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/focusrite_itrack_studio_cbeca8ba-21a4-46c5-8a4c-ac45e55da3cc.jpg?v=1787089397"},{"product_id":"focusrite-blue-315-f07027t-used","title":"Focusrite Blue 315 #F07027T (Used)","description":"Very clean example of this used unit.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":44449549123687,"sku":"33223","price":3595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_focusrite_blue_315__f7027t_cat_5ea01cd4-6daa-4e7a-b754-fe61fa311137.jpg?v=1787089412"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/focusrite.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}