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Detuning these slightly from one another gives the timbral richness which helped define the original synthesizers of the 60s and 70s.\u003c\/p\u003e  \u003cp\u003eThe troika was designed to simplify the patching of layered voices in this manner with the benefit of having three voices with matched components and calibration for consistent pitch tracking.\u003c\/p\u003e  \u003cp\u003eThe oscillators each have linear FM inputs with attenuators as well as oscillator sync inputs. 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Inspired by the aesthetics and mechanics of early tape techniques each channel features an analogue input circuit which adds slight compression, filtering and saturation. 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