{"title":"Instrument Deals","description":null,"products":[{"product_id":"retro-instruments-176-demo-deal","title":"Retro Instruments 176 (Demo Deal)","description":"\u003cp\u003eWith a name paying homage to its legendary roots, the \u003cstrong\u003eRetro Instruments 176\u003c\/strong\u003e delivers every ounce of that magic, classic sound. Retro went out of their way to make the 176 faithful to the extraordinarily versatile Sinatra-era design we've all come to love, while incorporating the features you wish the original had. For example, there's a highpass filter, a hardwire bypass switch, and stereo linking. Plus, you can choose from even more colors by flipping a switch and bypassing the interstage transformer — perfect for bass and husky vocals. All in all, the 176 successfully honors the classic tube limiting amplifier while updating it for today's engineer, earning it \"go-to\" status from the likes of Jacquire King and Chris Lord-Alge. 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This premium-limiting amp was made to sound and perform with every ounce of the versatility, energy, and \"magic\" that defined its namesake. The bottom line is, the Retro Instruments 176 delivers the essence of the classic, in a reliable, brand-new piece of boutique gear that's been fine-tuned for modern music production. You can't go wrong here.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eFaithfully designed with updates for the modern studio\u003c\/strong\u003e\u003cbr\u003eAlthough we all love vintage designs, when you put them through their paces, it's hard not to make \"wish list\" of features you wish they had. Fulfilling that wish list, while retaining the soul of the original, is precisely what Retro Instruments aims to do — a delicate balance perfectly showcased in the 176. For starters, Retro added a highpass filter, letting you smoothly rein in the low end that's retained in digital recording, in a way the original never needed to contemplate. Retro also added a hardwire bypass switch, so when it's out of the chain, it's out of the chain. And, for those of us in need of stereo linking, the 176's stereo link control ensures the two sides perfectly track together, so your image stays locked into place. There's also a front-panel meter zero adjust, so you no longer have to open the panel to get to it. With these additions, the 176 is right at home in the modern workflow.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eExplore more colors with interstage transformer bypass\u003c\/strong\u003e\u003cbr\u003eOne feature that may not have been on your \"wish list,\" but you'll love getting to know, is the addition of an interstage transformer bypass. With the classic, the interstage transformer was always engaged — and it's hard to go wrong with that sound. 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The OB-6 takes the classic bold Tom Oberheim sound - with its true voltage-controlled oscillators, 2-pole filter, and amplifiers - and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDual Effects\u003c\/h3\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eEasy to Program\u003c\/h3\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eEasy to Play\u003c\/h3\u003eThis analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eOscillators\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\r\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\r\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\r\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\r\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eOscillator detune amount for increased tuning 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There is a switch labelled “LINK” which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.\u003c\/p\u003e\r\n\u003cp\u003eThe filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V\/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on\/off externally. 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Offering the unique sound palette of the Roland Jupiter 8, this virtual version is a sound designer's dream.\u003c\/p\u003e  \u003cp\u003eThis was the flagship synth that put the Japanese manufacturers on the map as serious competitors the early '80's. With its colorful user interface and great sound, the Jup 8 scored a hit among musicians the world over.\u003c\/p\u003e  \u003ch3\u003eA little bit of history...\u003c\/h3\u003e  \u003cp\u003eBy the early ‘80s the Prophet 5 and Oberheim OB series dominated the polyphonic synthesizer market, with no end in sight. And so when it entered the fray in 1981 the Jupiter-8’s overwhelming success took everyone by surprise.\u003c\/p\u003e  \u003cp\u003eThe secret to its popularity was that it sidestepped its competition by bringing something new to the public. The Jupiter-8 was a very versatile sound creation device; it could generate fat or crystalline sounds with equal ease. 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For many musicians no other synths in the world can create analog sounds as powerful and unique as these.\u003c\/p\u003e  \u003cp\u003eThe Jupiter-8 offers a very interesting combination of a high-pass non-resonant filter and a low-pass resonant filter. The arpeggiator and the keyboard split make it a remarkable performance keyboard. Fast envelopes and precise oscillators confer to the Jupiter-8 its famously versatile sound.\u003c\/p\u003e  \u003cp\u003eFor serving up fat brass and smooth strings, biting basses and soaring leads, bells and whistles (literally), the Jupiter-8 carved out its own sonic turf, emerging from the synthesizer wars as a legend in its own right.\u003c\/p\u003e  \u003ch3\u003eCrystal clear fatness\u003c\/h3\u003e  \u003cp\u003eThe original instrument was known for its lush pads and haunting leads, its ability to split and layer sounds and its flexible arpeggiator. 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Now, for the first time in 30 years, Moog Music is resuming production of the synth with a brand new Minimoog Model D.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic Synthesizer, Modern Advancements\u003c\/h3\u003e\r\n\u003cp\u003eWith the new Minimoog Model D, Moog Music has worked extremely hard to keep the original sound engine and audio signal path of the Minimoog Model D intact. The new version of the synthesizer features only minimal updates, with many of the changes revolving around adding popular advancements to the unit. The Moog Music Minimoog Model D now features an analog LFO (with triangle and square wave shapes), a premium Fatar keybed with velocity and after pressure via top panel CV jacks, CV outputs for pitch, gate, velocity and after pressure, a mixer overload modification and basic MIDI integration.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eThe History Of The Minimoog Model D\u003c\/h3\u003e\r\n\u003cp\u003eCreated by Robert Moog and Bill Hemsath, the original Minimoog was released in 1970 and designed to offer musicians of the time a simple synthesizer that could be used for live performance. By bringing the components of a large-scale modular synthesizer into a much smaller package, the designers were able to offer something that could take on the rigors of the road, studio and stage. 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Instead of the M4000D’s wooden keyboard, it includes a high-quality, semi-weighted Fatar piano-style keyboard with velocity sensitivity, and no aftertouch.\u003c\/p\u003e  \u003cp\u003eThe 24-bit uncompressed sounds are immediately accessible and two banks of sounds can be accessed at the same time and blended. An expansion card slot lets you add another 100 sounds. The front panel TFT display can even display images of the selected instruments.\u003c\/p\u003e  \u003cp\u003eThe M4000D Mini features the same controls as the larger version, including volume, tone, normal\/half-speed play, and pitch adjustment. It also provides the same outputs as the M4000D—A and B banks plus Master; sustain, expression, and volume pedals; and headphones—only on unbalanced 1\/4-in. connectors. 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With nine distinct synthesis engines and a complete suite of performance and productions tools, KRONOS is simply the most versatile synthesizer ever made.\u003c\/p\u003e  \u003cp\u003eKRONOS restores the magic, the thrill, and the promise that only a visionary new instrument can provide. And KRONOS delivers on that promise. Every resources and technology of service to the modern musician has been refined, perfected, and integrated into a single instrument, and is available on demand. Multiple state-of-the-art sound generation techniques represent the pinnacle of software realization. Onboard effects open the door to processing any internal or external audio source with dazzling results. Multitrack audio and MIDI recording deliver efficient studio operations in a mobile platform. Hands-on hardware includes an assignable control surface, dual joysticks, ribbon controller, top-of-the line keyboard action, and KORG’s revolutionary tap-and-drag color TouchView™ display. Best of all, KRONOS integrates all of these music-making resources into a single instrument in ways that no software setup or hardware platform can rival.\u003c\/p\u003e  \u003cp\u003eKRONOS easily delivers everything you’d expect, plus many things you’ve only dreamed of. Set List mode keeps all of your custom settings and performance notes organized in the display for on-the-fly selection. Smooth Sound Transitions eliminate note and effect dropouts when switching sounds or modes. Connect virtual patch cables, select sounds, plus edit envelopes and sequences—all using the eight-inch color TouchView display. Add to that advanced sequencing, KARMA, and Drum Track composition tools. Enjoy exclusive KORG wavesequencing, MS-20 filtering and the impossibly-rich Polysix chorus. And only KORG boasts the finest sound-design team on the planet, so you can always sound your very best.\u003c\/p\u003e  \u003ch3\u003eNine Distinct Sound Engines\u003c\/h3\u003e  \u003cp\u003eEach of the individual KRONOS sound engines is eminently qualified to operate as a stand-alone synthesizer. And each one represents the cutting-edge technology available for that type of sound creation. Exacting programming parameters, real-time controllers, integrated effects, and assignable modulation routings provide incredible control for the creating custom edits or for the ambitious sound designer.\u003c\/p\u003e  \u003ch3\u003eEnhanced SGX-2 Grand Piano Sound Engine\u003c\/h3\u003e  \u003cp\u003eThe KRONOS piano engine has always offered huge collections of non-looped\/natural decay stereo samples, recorded for every key, with additional unique tools to customize the piano to your needs. Inheriting all of this SGX-1 functionality, the new enhanced SGX-2 Grand Piano engine introduces the new Berlin Grand piano to the existing deep German Grand and lively Japanese Grand. The Berlin Grand offers resonant piano sound with a striking sense of depth.\u003c\/p\u003e  \u003cp\u003eOther enhancements to the SGX-2 engine included Sympathetic String Resonance and newly-recorded Una Corda (soft pedal – literally “one-string”) samples.\u003c\/p\u003e  \u003ch3\u003eMassive Sound Selection\u003c\/h3\u003e  \u003cp\u003eKRONOS comes equipped with thousands of sounds, created using various synthesis modes and calling upon over approximately 21 GB of preset waveform data covering a variety of genres. Each one has been carefully crafted by the KORG Sound Design team. The internal SSD offers a generous 62*GB capacity, providing enormous space for user sampling or downloading KRONOS Sound Libraries. These optional expansion KRONOS Sound Libraries add new professionally programmed sounds—without the need to add any new hardware.\u003c\/p\u003e  \u003cp\u003eArtist Signature Programs provide the priceless sounds actually used by top-ranking musicians. Additional Song Programs are named for the classic rock and pop songs whose signature keyboard sounds these programs recreate. Use these universally well-known sounds to pay homage to the originals, or as the basis for personal sonic explorations.\u003c\/p\u003e  \u003ch3\u003eInnovative Set List Mode\u003c\/h3\u003e  \u003cp\u003eKRONOS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!\u003c\/p\u003e  \u003cp\u003eYou can even add handy performance notes (“Sing on Chorus;” “Transpose Down;” “Wait for Sax Solo;” etc.) to each one.\u003c\/p\u003e  \u003cp\u003eThe Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue. New in OS version 3.0, Set List mode now allows for deeper customization with many slot color options, text size variations, and a full-screen text editor. Connecting a USB computer keyboard makes it simple to enter text and numeric values.\u003c\/p\u003e  \u003ch3\u003eColor TouchView Display—Now with Touch-Drag Capability\u003c\/h3\u003e  \u003cp\u003eThe nerve center of the KRONOS is KORG’s enormous eight-inch (800 x 600 pixel) SVGA color TouchView display.\u003c\/p\u003e  \u003cp\u003eIn addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.\u003c\/p\u003e  \u003cp\u003eThe TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.\u003c\/p\u003e  \u003ch3\u003eSequencer Composition Tools\u003c\/h3\u003e  \u003cp\u003eIn addition to MIDI and Audio tracks, the onboard sequencer is loaded with valuable tools to transform your musical ideas into a complete composition, using realtime and interactive techniques that are unavailable or cumbersome to use on a computer-based system.\u003c\/p\u003e  \u003ch3\u003e*KARMA\u003c\/h3\u003e  \u003cp\u003eFirst appearing on KORG’s Karma Music Workstation in 2002, this revolutionary algorithmic music technology instantly produces sophisticated phrases, drum grooves and full-blown backing tracks. Based on the notes and chords you play—and the intuitive operations you perform with the knobs, sliders, and switches—KARMA can create musical effects that exceed anything you imagined. Now in its greatly-enhanced second generation and offering features like KARMA Wave-Sequencing, Note Mapping and 8 scenes per layer, KARMA is standard equipment on your new KRONOS. It will expand your conception of a song, and will be an enormous asset to your live performances.\u003c\/p\u003e  \u003ch3\u003e*Drum Tracks\u003c\/h3\u003e  \u003cp\u003eThis function that plays drum patterns automatically was included and highly acclaimed on the M3 music workstation\/synthesizer that appeared in 2007. KRONOS is the latest KORG Workstation to offer the Drum Tracks features. First appearing in 2007, Drum Tracks can create everything from a simple reference beat to an outline rhythm track on up to a full-blown drum track for your music productions.\u003c\/p\u003e  \u003cp\u003eExpanded for use in the KRONOS, Drum Tracks now includes professional drum performances, and is ready and able to generate grooves that capture the distinctive feel of a pro drummer, and that challenge the capabilities of stand-alone drum machines.\u003c\/p\u003e  \u003ch3\u003e*Open Sampling System\u003c\/h3\u003e  \u003cp\u003eUsing KORG’s Open Sampling System, KRONOS can quickly sample an external audio source, regardless of whether KRONOS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the KRONOS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.\u003c\/p\u003e  \u003cp\u003eAIFF, WAV, SoundFont 2.0, and AKAI S1000\/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the KRONOS itself.\u003c\/p\u003e  \u003ch3\u003e16-Track MIDI Sequencer \/ 16-Track Audio Recorder\u003c\/h3\u003e  \u003cp\u003eKRONOS features a sequencer\/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. 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You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePer-Knob Programmability\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEminently Playable\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. 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You feel that organic grit that only comes from a physical instrument, reproduced in minute detail by Arturia's award-winning modeling technology. Arturia recreated the iconic Clavinet D6—including lightning response, multiple pickups, EQ rockers and variable mute. You can even tech your own customizations to age your instrument to taste. Dial in the rest of that coveted vintage sound you’re looking for with the built-in virtual guitar amp and stompbox rig—or just hit the extensive preset library.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe unmistakable bright, punchy sound of this vintage keyboard occupies a unique sonic space somewhere between harpsichord, hammered electric guitar and slapped bass. Top keyboardists of the ‘70s used its signature bark and bite to cut through the mix while delivering some of the most authoritative percussive keyboard lines ever played. 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