{"title":"Amp Heads","description":null,"products":[{"product_id":"chandler-limited-gav19t","title":"Chandler Limited GAV19T","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited GAV19T\u003c\/strong\u003e is an all-tube, 19-watt guitar amp in the vein of such vintage English classics as Selmer, Watkins, Marshall and Vox. While this amp borrows some tones from the classics, the heart of the GAV19T circuits are either new circuits developed by Chandler Limited or highly modified vintage circuits. The tube compliment is two EL84s, an ECC83, ECC803, and EZ81.\u003cbr\u003e\u003cbr\u003eThe control panel of this amp is non-typical when compared to vintage amps. The GAV controls allow you to change the bias of the gain stage for different character, as well as use the intensity switch to add sustain and grit. The drive controls function in the power amp section only and create distortion that never sounds weak or muddy. The tone control is a Baxandall style EQ circuit. It functions like a treble booster pedal that can be used to add sustain and presence. \u003cbr\u003e\u003cbr\u003eAll-in-all, the GAV19T is like other Chandler products - full of fat, vintage tone!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBias\u003c\/strong\u003e\u003cbr\u003eThe Bias effects only the bias of the pre amp tube, allowing you to gently tweak its overall tone separately from the power section. You can run the tube hotter or colder and change the responsiveness of the amp as well as effecting the sustain and frequency response. #1 is slight over-biased, #2 is similar to a Marshall bias, #3 is similar to a Selmer, and #4 and #5 are under-biased and add sustain and character to the amp.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTone Controls\u003c\/strong\u003e\u003cbr\u003eThe Tone section of the GAV19T is a Baxandall style that uses an ECC803 tube. Baxandall was chosen because it best preserves the natural tone of the amplifier. This section is set up to function as a treble boost pedal might. The boost is considerable, the range wide and it can be used to smoothly drive the amp and color the tone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e\u003cbr\u003eThe drive portion of the GAV19T is a boost or overdrive circuit that works only on the power section of the amp. It is pretty widely known that power section distortion is a pleasing type of distortion, so instead of adding preamp gain and distortion, Chandler uses the power amp.\u003cbr\u003e\u003cbr\u003eThe Drive has two controls. #1 is the amount of boost. #2 is the tone of the boost. You can choose four selections or bypass.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe tone selections are:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003col\u003e\r\n\u003cli\u003eTreble Boost - as you might expect from a treble boost pedal\u003c\/li\u003e\r\n\u003cli\u003eFull Range - full frequency boost but with very low frequency filtered out\u003c\/li\u003e\r\n\u003cli\u003eAggressive - drives a wide frequency range with an emphasis in the higher mid range\u003c\/li\u003e\r\n\u003cli\u003eMids - drives the entire circuit with an emphasis on on the lower mid range\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003cp\u003e\u003cstrong\u003eTone - normal or intense\u003c\/strong\u003e\u003cbr\u003eSlightly unbalances the matching of the push-pull power section. It removes some low mids as well as making the tone more aggressive and adding some grit and attack to the sound.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTestimonials:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"This amp is awesome, Wade. I know you've gone on record as saying it's a 'dirty' amp, but beyond that I'm finding it's also got some of the best clean sounds I've heard - really gorgeous and complex - and the most usable, musical low-sensitivity input ever.\"  \u003c\/em\u003e\u003cstrong\u003e- Rob Bailey, NYC Session Guitarist\/Producer\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"All in all, the GAV19T produces a voice of its own and it deserves a place among the wide variety of high-end guitar amps available today. I think this amp will become a prized possession of many guitarists and studios.\"  \u003c\/em\u003e\u003cstrong\u003e- Adam Kagan, Tape Op Magazine\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\"The Chandler GAV19T guitar amp fills a very specific spot in my sonic palette. If this amp was ever stolen, I'd immediately replace it with another one. It's that important to me. When it comes to great sound, the proof is in the results.\"  \u003c\/em\u003e\u003cstrong\u003e- Blues Saraceno, LA Guitarist\/Producer\/Composer\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449491779687,"sku":"30200","price":2050.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/1_1_29ff70c2-3c06-4863-8498-c17b7c7a009e.jpg?v=1787089177"},{"product_id":"3rd-power-american-dream-amp-head","title":"3rd Power American Dream Amp Head","description":"\u003cp\u003eAt 38\/18 Watts, the American Dream is perfectly powered for the stage, studio or rehearshals. With its two distinct voices (Brownface \u0026amp; Blackface), the American Dream lets you confidently cover the essential Fullerton, CA soundscapes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt's rare to find a premium-built vintage style amplifier that's packed with modern professional features such as a full complement of 16, 8 and 4 ohm speaker outputs and our proprietary HybridMASTER™ volume management technology. All this means is that you can gig and record with confidence knowing that you are utilizing one of the finest amplifiers on the market today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltage: 120V\u003c\/li\u003e\n\u003cli\u003eWattage: Typical 38\/18 watts (RMS) into 8 ohms - perceived volume levels are independently controlled via proprietary HybridMASTER technology\u003c\/li\u003e\n\u003cli\u003eInputs: Two inputs, one for each channel\u003c\/li\u003e\n\u003cli\u003eInput Impedance:1 M-ohm\u003c\/li\u003e\n\u003cli\u003eSpeaker Jacks: (1) 16 ohm, (1) 8 ohm, (2) 4 ohm\u003c\/li\u003e\n\u003cli\u003eControls: \n\u003cul\u003e\n\u003cli\u003eBrownface Channel - Volume, Tone, Bright Switch\u003c\/li\u003e\n\u003cli\u003eBlackface Channel - Volume, Treble, Bass, Bright Switch, Global Presence\u003c\/li\u003e\n\u003cli\u003eRearPanel - HybridMASTER volume management control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTubes: (3) JJ 12AX7, (1) Sovtek 12AX7 LPS, (2) Winged-C 6L6 power amp tubes\u003c\/li\u003e\n\u003cli\u003eApprox. Dimensions (WxHxD): 25\" x 10\" x 10.5\" (no feet, no handle)\u003c\/li\u003e\n\u003cli\u003eWeight: 31 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3rd Power","offers":[{"title":"Default Title","offer_id":44449514487911,"sku":"31047","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/3rdpower_americandreamhead_front_a4be529b-9a81-4ceb-abec-acffd583536f.jpg?v=1787089274"},{"product_id":"3rd-power-british-dream-amp-head","title":"3rd Power British Dream Amp Head","description":"At 38\/18 Watts, the \u003cstrong\u003eBritish Dream\u003c\/strong\u003e is perfectly powered for the stage, studio or rehearshals. The British Dream Boasts an EF86 preamp pentode tube in '59 AC channel along with a three-position Brilliance switch. In the OFF position, the sound produced is wide and full of depth, especially in the low frequency range. Position 1 eases back on the low frequencies and allows the euphonious mid range to bloom. Position 2 takes you right into Beatles or U2 territory with top-end chime for days.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eChannel two is 12AX7-based, and produces superb guitar tones analogous to the sonic character and feel of a '68 plexi complete with its signature edge and slice that delivers the attitude of a stack without peeling the paint off of the walls.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eIt's rare to find a premium-built vintage-style amplifier that's packed with modern professional features such as a full complement of 16, 8 and 4 ohm speaker outputs and our proprietary HybridMASTER™ volume management technology. All this means is that you can gig and record with confidence knowing that you are utilizing one of the finest amplifiers on the market today.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVoltage: 120V\u003c\/li\u003e\r\n\u003cli\u003eWattage: Typical 38\/18 watts (RMS) into 8 ohms - perceived volume levels are independently controlled via proprietary HybridMASTER technology\u003c\/li\u003e\r\n\u003cli\u003eInputs: Two inputs, one for each channel\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 1 M-0hm\u003c\/li\u003e\r\n\u003cli\u003eSpeaker Jacks: (1) 16 ohm, (1) 8 ohm, (2) 4 ohm\u003c\/li\u003e\r\n\u003cli\u003eControls:\r\n\u003cul\u003e\r\n\u003cli\u003e'59 AC Channel - Volume, Brilliance \u0026amp; Top Cut\u003c\/li\u003e\r\n\u003cli\u003e'68 Plexi Channel - Volume, Treble, Middle, Bass Global Presence\u003c\/li\u003e\r\n\u003cli\u003eRear Panel -HybridMASTER volume management control\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eTubes: (1) JJ EF806, (2) JJ 12AX7, (1) Sovtek 12AX7 LPS, (2) Mullard EL34 power amp tubes\u003c\/li\u003e\r\n\u003cli\u003eApprox. Dimensions (WxHxD): 25\" x 10\" x 10.5\" (no feet, no handle)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 31 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"3rd Power","offers":[{"title":"Default Title","offer_id":44449514586215,"sku":"31051","price":1999.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/3rdpower_britishdream_front_917c875f-32cf-4e4b-a57e-22f82a197a50.jpg?v=1787089274"},{"product_id":"3rd-power-dream-solo-1-amp-head","title":"3rd Power Dream Solo 1 Amp Head","description":"\u003cp\u003eThe \u003cstrong\u003eDream Solo Model 1 \u003c\/strong\u003e(DS1) represents a lower-wattage version ofthe Brownface channel from our popular American Dream amplifier. The DS1 produces superb guitar tones analogous to the sonic character and feel of an early 1960s Brownface Deluxe complete with its signature mid-bump voicing that confidently cuts through a mix. While excellent clean tones are on tap, all it takes is a little elbow grease to jump into American flavored rock 'n roll grit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt's rare to find a premium-built vintage style amplifier that's packed with modern professional features such as a full complement of 16, 8 and 4 ohm speaker outputs, our proprietary HybridMASTER™ volume management technology and an insert-style effects loop. All this means is that you can gig and record with confidence knowing that you are utilizing one of the finest amplifiers on the market today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltage: 120V\u003c\/li\u003e\n\u003cli\u003eWattage: Typical 22 watts (RMS) into 8 ohms - perceived volume levels are independently controlled via proprietary HybridMASTER technology\u003c\/li\u003e\n\u003cli\u003eInputs: One input\u003c\/li\u003e\n\u003cli\u003eInput Impedance:1 M-ohm\u003c\/li\u003e\n\u003cli\u003eSpeaker Jacks: (1) 16 ohm, (1) 8 ohm, (1) 4 ohm\u003c\/li\u003e\n\u003cli\u003eControls:\n\u003cul\u003e\n\u003cli\u003eFront Panel - Volume and tone controls commensurate with each style of amplifier, plus Presence control\u003c\/li\u003e\n\u003cli\u003eRear Panel - HybridMASTER volume management control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTubes: Various (1) JJ 12AX7, (1) Sovtek 12AX7 LPS, (2) JJ 6V6 power amp tubes\u003c\/li\u003e\n\u003cli\u003eApprox. Dimensions (WxHxD): 14.375” x 8” x 10” (no feet)\u003c\/li\u003e\n\u003cli\u003eWeight: 23 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3rd Power","offers":[{"title":"Default Title","offer_id":44449514618983,"sku":"31427","price":1295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/3rdpower_dreamsolo1_front_88b3586c-a6bd-45d6-a039-87f16ece2071.jpg?v=1787089274"},{"product_id":"3rd-power-dream-solo-2-amp-head","title":"3rd Power Dream Solo 2 Amp Head","description":"\u003cp\u003eThe \u003cstrong\u003eDream Solo Model 2\u003c\/strong\u003e (DS2) represents a lower-wattage version ofthe Blackface channel from our popular American Dream amplifier. The DS2 produces superb guitar tones analogous to the sonic character and feel of a '65 Blackface Deluxe complete with its signature mid-scoop voicing that delivers a plump and juicy mid ‘60s American guitar tone that is wide, rich and spanky without getting in the way.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt's rare to find a premium-built vintage style amplifier that's packed with modern professional features such as a full complement of 16, 8 and 4 ohm speaker outputs, our proprietary HybridMASTER™ volume management technology and an insert-style effects loop. All this means is that you can gig and record with confidence knowing that you are utilizing one of the finest amplifiers on the market today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltage: 120V\u003c\/li\u003e\n\u003cli\u003eWattage: Typical 22 watts (RMS) into 8 ohms - perceived volume levels are independently controlled via proprietary HybridMASTER technology.\u003c\/li\u003e\n\u003cli\u003eInputs: One input\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1 M-ohm\u003c\/li\u003e\n\u003cli\u003eSpeaker Jacks: (1) 16 ohm, (1) 8 ohm, (1) 4 ohm\u003c\/li\u003e\n\u003cli\u003eControls:\n\u003cul\u003e\n\u003cli\u003eFront Panel - Volume, Treble \u0026amp; Bass controls, plus Presence control\u003c\/li\u003e\n\u003cli\u003eRear Panel - HybridMASTER volume management control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTubes: Various (2) JJ 12AX7, (1) Sovtek 12AX7 LPS, (2) JJ 6V6 power amp tubes\u003c\/li\u003e\n\u003cli\u003eApprox. Dimensions (WxHxD): 14.375” x 8” x 10” (no feet)\u003c\/li\u003e\n\u003cli\u003eWeight: 23 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3rd Power","offers":[{"title":"Default Title","offer_id":44449514815591,"sku":"31429","price":1295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/3rdpower_dreamsolo2_front_e7bf41bf-5d2f-4ae9-8f75-c61bd6b802d2.jpg?v=1787089275"},{"product_id":"3rd-power-dream-solo-3-ac-amp-head","title":"3rd Power Dream Solo 3 AC Amp Head","description":"\u003cp\u003eThe \u003cstrong\u003eDream Solo Model 3\u003c\/strong\u003e (DS3) represents a lower-wattage version ofthe '59 AC channel from our popular British Dream amplifier. Boasting an EF86 preamp pentode tube, the DS3 delivers Normal Channel voicings and beyond via a three-position Brilliance switch. In the OFF position, the sound produced is wide and full of depth, especially in the low frequency range. Position 1 eases back on the low frequencies and allows the euphonious mid range to bloom. Position 2 takes you right into Beatles or U2 territory with top-end chime for days.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt's rare to find a premium-built vintage style amplifier that's packed with modern professional features such as a full complement of 16, 8 and 4 ohm speaker outputs, our proprietary HybridMASTER™ volume management technology and an insert-style effects loop. All this means is that you can gig and record with confidence knowing that you are utilizing one of the finest amplifiers on the market today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltage: 120V\u003c\/li\u003e\n\u003cli\u003eWattage: Typical 22 watts (RMS) into 8 ohms - perceived volume levels are independently controlled via proprietary HybridMASTER technology.\u003c\/li\u003e\n\u003cli\u003eInputs: One input\u003c\/li\u003e\n\u003cli\u003eInput Impedance:1 M-ohm\u003c\/li\u003e\n\u003cli\u003eSpeaker Jacks: (1) 16 ohm, (1) 8 ohm, (1) 4 ohm\u003c\/li\u003e\n\u003cli\u003eControls:\n\u003cul\u003e\n\u003cli\u003eFront Panel - Volume, Brilliance \u0026amp; Top Cut, plus Presence control\u003c\/li\u003e\n\u003cli\u003eRear Panel - HybridMASTER volume management control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTubes: (1) JJ EF806, (1) JJ 12AX7, (1) Sovtek 12AX7 LPS, (2) JJ 6V6 power amp tubes\u003c\/li\u003e\n\u003cli\u003eApprox. Dimensions (WxHxD): 14.375” x 8” x 10” (no feet)\u003c\/li\u003e\n\u003cli\u003eWeight: 23 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3rd Power","offers":[{"title":"Default Title","offer_id":44449516519527,"sku":"31420","price":1116.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/3rdpower_dreamsolo3_front_a1747e54-b04c-46cd-a9cb-3e99f00972b0.jpg?v=1787089281"},{"product_id":"3rd-power-dream-solo-4-plexi-amp-head","title":"3rd Power Dream Solo 4 Plexi Amp Head","description":"\u003cp\u003eThe \u003cstrong\u003eDream Solo Model 4 \u003c\/strong\u003e(DS4) represents a lower-wattage version ofthe '68 Plexi channel from the popular British Dream amplifier. The DS4 produces superb guitar tones analogous to the sonic character and feel of a '68 plexi complete with its signature edge and slice that delivers the attitude of a stack at manageable gigging volume levels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt's rare to find a premium-built vintage style amplifier that's packed with modern professional features such as a full complement of 16, 8 and 4 ohm speaker outputs, our proprietary HybridMASTER™ volume management technology and an insert-style effects loop. All this means is that you can gig and record with confidence knowing that you are utilizing one of the finest amplifiers on the market today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltage: 120V\u003c\/li\u003e\n\u003cli\u003eWattage: Typical 22 watts (RMS) into 8 ohms - perceived volume levels are independently controlled via proprietary HybridMASTER technology\u003c\/li\u003e\n\u003cli\u003eInputs: One input\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1 M-ohm\u003c\/li\u003e\n\u003cli\u003eSpeaker Jacks: (1) 16 ohm, (1) 8 ohm, (1) 4 ohm\u003c\/li\u003e\n\u003cli\u003eControls:\n\u003cul\u003e\n\u003cli\u003eFront Panel - Volume, Treble, Middle, Bass, plus Presence control\u003c\/li\u003e\n\u003cli\u003eRear Panel - HybridMASTER volume management control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e Tubes: (2) JJ 12AX7, (1) Sovtek 12AX7 LPS, (2) JJ 6V6 power amp tubes\u003c\/li\u003e\n\u003cli\u003eApprox. Dimensions (WxHxD): 14.375” x 8” x 10” (no feet)\u003c\/li\u003e\n\u003cli\u003eWeight: 23 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3rd Power","offers":[{"title":"Default Title","offer_id":44449516617831,"sku":"31421","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/3rdpower_dreamsolo4_front_b36eb7ea-8e0a-40d4-bcdc-d172321066b1.jpg?v=1787089281"},{"product_id":"wizard-amplification-100w-modern-classic","title":"Wizard 100w Modern Classic","description":"\u003cp\u003eWhile many claim to make amps that produce tones from the sweet grind of a vintage amp to the blistering leads of high-gain modern units, the \u003cstrong\u003eWizard Modern Classic\u003c\/strong\u003e truly delivers. With 100 Watts of EL-34 ear-blistering power, the Wizard Modern Classic can produce Sound Pressure Levels great enough to alter the genetic code of most high-order mammals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Modern Classic has two foot-switchable channels, clean Rhythm and Lead Gain with extended bottom end response. An additional Lead Boost switch is available when the only option left is to nuke the solo from orbit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Modern Classic’s front panel sports high and low sensitivity inputs, ideal for ganging multiple Wizard heads at the risk of destroying the Universe as we know it.  A Rhythm channel gain control with pull boost and Lead Gain channel gain control also with Pull-Lead Boost let the user decide just how much he or she wants to pulverize a microphone and\/or audience. Modern Classic’s tone stack consists of Treble, Middle, Bass and Presence controls and due to Wizard’s awesome design you can actually hear adjustments, even at outrageous volume levels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAround back there is a foot-switchable tube buffered effect loop that just drinks up any pedal you jack in, like it was part of the amp. 4-8-16 ohm impedance output jacks so you’ll never be caught flat-footed, no matter what cab happens to be available. The standard Bright control for the Lead Gain channel is joined by a Bright control for the Rhythm channel on the Vintage King Special Edition Modern Classic\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 27\" Wide, 10.5\" High, 9\" Deep\u003c\/li\u003e\n\u003cli\u003eWeight: 52 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following is a partial list of musicians who use or own Wizard Amplifiers and speaker cabinets.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMalcolm Young - AC\/DC\u003c\/li\u003e\n\u003cli\u003eAngus Young - AC\/DC\u003c\/li\u003e\n\u003cli\u003eCliff Williams - AC\/DC\u003c\/li\u003e\n\u003cli\u003eRickey Medlocke - Lynyrd Skynyrd\u003c\/li\u003e\n\u003cli\u003eFrank Sidoris - Slash\u003c\/li\u003e\n\u003cli\u003eBen Phillips - The Pretty Reckless\u003c\/li\u003e\n\u003cli\u003eWolf Hoffmann - Accept\u003c\/li\u003e\n\u003cli\u003eDevin Powers\u003c\/li\u003e\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\n\u003cli\u003eBob Kulick - Dee Snider \/ Meatloaf \/ Kiss\u003c\/li\u003e\n\u003cli\u003eKim Mitchell\u003c\/li\u003e\n\u003cli\u003eJoe Perry - Aerosmith\u003c\/li\u003e\n\u003cli\u003eBrad Witford - Aerosmith\u003c\/li\u003e\n\u003cli\u003eJimmy Page - Led Zeppelin\u003c\/li\u003e\n\u003cli\u003ePaul Rodgers - Bad Company\u003c\/li\u003e\n\u003cli\u003eMick Ralphs - Bad Company\u003c\/li\u003e\n\u003cli\u003eMichael Burns - Blue Man Group\u003c\/li\u003e\n\u003cli\u003eChris Cheney - The Living End\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour - Pink Floyd\u003c\/li\u003e\n\u003cli\u003eJohn Fogerty - CCR\u003c\/li\u003e\n\u003cli\u003eRandy Bachman - Bachman Turner Overdrive\u003c\/li\u003e\n\u003cli\u003eBlair Thorton - Bachman Turner Overdrive\u003c\/li\u003e\n\u003cli\u003ePaul Mahon - The Answer\u003c\/li\u003e\n\u003cli\u003eMyles Goodwyn - April Wine\u003c\/li\u003e\n\u003cli\u003eBrian Greenway - April Wine\u003c\/li\u003e\n\u003cli\u003eSteve Segal - April Wine\u003c\/li\u003e\n\u003cli\u003eRudolf Schenker - The Scorpions\u003c\/li\u003e\n\u003cli\u003eMatthias Jabs - The Scorpions\u003c\/li\u003e\n\u003cli\u003eJames Hetfield - Metallica\u003c\/li\u003e\n\u003cli\u003eSebastien Plante - The Respectables\u003c\/li\u003e\n\u003cli\u003eJ.S. Chouinard - Cirque Du Soleil\u003c\/li\u003e\n\u003cli\u003eJoe Satriani\u003c\/li\u003e\n\u003cli\u003eTyler Connolly - Theory Of A Deadman\u003c\/li\u003e\n\u003cli\u003eTodd Stricklin - Superunknown\u003c\/li\u003e\n\u003cli\u003eBilly Gibbons - ZZ Top\u003c\/li\u003e\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\n\u003cli\u003eDamon Johnson - Thin Lizzy - Black Star Riders\u003c\/li\u003e\n\u003cli\u003eGarth Brooks\u003c\/li\u003e\n\u003cli\u003eClint Black\u003c\/li\u003e\n\u003cli\u003eGeorge Canyon\u003c\/li\u003e\n\u003cli\u003eBob Rock - Producer \/ Engineer\u003c\/li\u003e\n\u003cli\u003eMike Fraser - Producer \/ Engineer\u003c\/li\u003e\n\u003cli\u003eRich Robinson - The Black Crowes\u003c\/li\u003e\n\u003cli\u003eMark Norman - Ace Frehley\u003c\/li\u003e\n\u003cli\u003eFrank Simes - Don Henley\u003c\/li\u003e\n\u003cli\u003eMicheal Wilton - Queensryche\u003c\/li\u003e\n\u003cli\u003eChris Degarmo - Queensryche\u003c\/li\u003e\n\u003cli\u003eTom Cochrane - Red Rider\u003c\/li\u003e\n\u003cli\u003eRoman Glick - Brother Cane\u003c\/li\u003e\n\u003cli\u003eMark Slaughter - Slaughter\u003c\/li\u003e\n\u003cli\u003ePaul Dean - Loverboy\u003c\/li\u003e\n\u003cli\u003eKevin Kane - The Grapes Of Wrath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rig-talk.com\/forum\/viewtopic.php?t=58081\" target=\"blank\"\u003eCheck out these images posted by Wizard users!\u003c\/a\u003e\u003c\/p\u003e","brand":"Wizard Amplification","offers":[{"title":"Default Title","offer_id":44449517666407,"sku":"30789","price":4495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wizard_modern_classic_angled_c1ce34ec-c29b-4064-8af8-6e36357faef0.jpg?v=1787089287"},{"product_id":"wizard-amplification-100w-modern-classic-ii","title":"Wizard 100w Modern Classic II","description":"\u003cp\u003eImproving on perfection is a tough gig, but Rick St. Pierre seems to have a knack for just that. \u003cstrong\u003eWizard’s Modern Classic II\u003c\/strong\u003e expands control of the Rhythm Channel with the additional higher gain structure as well as a Rhythm Master Volume control. A foot-switchable Rhythm Boost modification provides vintage rhythm textures from soft and smooth to tight and in your face—all at volume levels recording engineers and club owners will appreciate.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe foot- switchable Lead Gain and Lead Master channel as well as the Treble, Middle, Bass and Presence tone stack and the foot-switchable tube buffered effect loop is carried over from the Modern Classic. Because, after all, the Mona Lisa doesn’t need a better smile!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe addition of a Contour control allows for fine-tuning the “darkness” of the output section, emphasizing the amp’s overall tone and harmonic color. It is incredibly useful for rounding off \"toppy\" sounding cabs in the studio without having to change the front end mix on the amplifier. Running the Contour fully clockwise takes it out of the circuit. A rear panel mounted Rhythm Bright and Lead Bright controls allow for custom tweaking individual channel brightness\/darkness.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 27\" Wide, 10.5\" High, 9\" Deep\u003c\/li\u003e\n\u003cli\u003eWeight: 52 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following is a partial list of musicians who use or own Wizard Amplifiers and speaker cabinets.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMalcolm Young - AC\/DC\u003c\/li\u003e\n\u003cli\u003eAngus Young - AC\/DC\u003c\/li\u003e\n\u003cli\u003eCliff Williams - AC\/DC\u003c\/li\u003e\n\u003cli\u003eRickey Medlocke - Lynyrd Skynyrd\u003c\/li\u003e\n\u003cli\u003eFrank Sidoris - Slash\u003c\/li\u003e\n\u003cli\u003eBen Phillips - The Pretty Reckless\u003c\/li\u003e\n\u003cli\u003eWolf Hoffmann - Accept\u003c\/li\u003e\n\u003cli\u003eDevin Powers\u003c\/li\u003e\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\n\u003cli\u003eBob Kulick - Dee Snider \/ Meatloaf \/ Kiss\u003c\/li\u003e\n\u003cli\u003eKim Mitchell\u003c\/li\u003e\n\u003cli\u003eJoe Perry - Aerosmith\u003c\/li\u003e\n\u003cli\u003eBrad Witford - Aerosmith\u003c\/li\u003e\n\u003cli\u003eJimmy Page - Led Zeppelin\u003c\/li\u003e\n\u003cli\u003ePaul Rodgers - Bad Company\u003c\/li\u003e\n\u003cli\u003eMick Ralphs - Bad Company\u003c\/li\u003e\n\u003cli\u003eMichael Burns - Blue Man Group\u003c\/li\u003e\n\u003cli\u003eChris Cheney - The Living End\u003c\/li\u003e\n\u003cli\u003eDavid Gilmour - Pink Floyd\u003c\/li\u003e\n\u003cli\u003eJohn Fogerty - CCR\u003c\/li\u003e\n\u003cli\u003eRandy Bachman - Bachman Turner Overdrive\u003c\/li\u003e\n\u003cli\u003eBlair Thorton - Bachman Turner Overdrive\u003c\/li\u003e\n\u003cli\u003ePaul Mahon - The Answer\u003c\/li\u003e\n\u003cli\u003eMyles Goodwyn - April Wine\u003c\/li\u003e\n\u003cli\u003eBrian Greenway - April Wine\u003c\/li\u003e\n\u003cli\u003eSteve Segal - April Wine\u003c\/li\u003e\n\u003cli\u003eRudolf Schenker - The Scorpions\u003c\/li\u003e\n\u003cli\u003eMatthias Jabs - The Scorpions\u003c\/li\u003e\n\u003cli\u003eJames Hetfield - Metallica\u003c\/li\u003e\n\u003cli\u003eSebastien Plante - The Respectables\u003c\/li\u003e\n\u003cli\u003eJ.S. Chouinard - Cirque Du Soleil\u003c\/li\u003e\n\u003cli\u003eJoe Satriani\u003c\/li\u003e\n\u003cli\u003eTyler Connolly - Theory Of A Deadman\u003c\/li\u003e\n\u003cli\u003eTodd Stricklin - Superunknown\u003c\/li\u003e\n\u003cli\u003eBilly Gibbons - ZZ Top\u003c\/li\u003e\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\n\u003cli\u003eDamon Johnson - Thin Lizzy - Black Star Riders\u003c\/li\u003e\n\u003cli\u003eGarth Brooks\u003c\/li\u003e\n\u003cli\u003eClint Black\u003c\/li\u003e\n\u003cli\u003eGeorge Canyon\u003c\/li\u003e\n\u003cli\u003eBob Rock - Producer \/ Engineer\u003c\/li\u003e\n\u003cli\u003eMike Fraser - Producer \/ Engineer\u003c\/li\u003e\n\u003cli\u003eRich Robinson - The Black Crowes\u003c\/li\u003e\n\u003cli\u003eMark Norman - Ace Frehley\u003c\/li\u003e\n\u003cli\u003eFrank Simes - Don Henley\u003c\/li\u003e\n\u003cli\u003eMicheal Wilton - Queensryche\u003c\/li\u003e\n\u003cli\u003eChris Degarmo - Queensryche\u003c\/li\u003e\n\u003cli\u003eTom Cochrane - Red Rider\u003c\/li\u003e\n\u003cli\u003eRoman Glick - Brother Cane\u003c\/li\u003e\n\u003cli\u003eMark Slaughter - Slaughter\u003c\/li\u003e\n\u003cli\u003ePaul Dean - Loverboy\u003c\/li\u003e\n\u003cli\u003eKevin Kane - The Grapes Of Wrath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rig-talk.com\/forum\/viewtopic.php?t=58081\" target=\"blank\"\u003eCheck out these images posted by Wizard users!\u003c\/a\u003e\u003c\/p\u003e","brand":"Wizard Amplification","offers":[{"title":"Default Title","offer_id":44449517699175,"sku":"30790","price":4695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wizard_modern_classic_ii_angled_ff295661-450b-4597-aef0-65dc01677d2a.jpg?v=1787089286"},{"product_id":"wizard-amplification-50w-modern-classic-ii","title":"Wizard 50w Modern Classic II","description":"\u003cp\u003eImproving on perfection is a tough gig, but Rick St. Pierre seems to have a knack for just that. \u003cstrong\u003eWizard’s Modern Classic II\u003c\/strong\u003e expands control of the Rhythm Channel with the additional higher gain structure as well as a Rhythm Master Volume control. A foot-switchable Rhythm Boost modification provides vintage rhythm textures from soft and smooth to tight and in your face—all at volume levels recording engineers and club owners will appreciate.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe foot- switchable Lead Gain and Lead Master channel as well as the Treble, Middle, Bass and Presence tone stack and the foot-switchable tube buffered effect loop is carried over from the Modern Classic. Because, after all, the Mona Lisa doesn’t need a better smile!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe addition of a Contour control allows for fine-tuning the “darkness” of the output section, emphasizing the amp’s overall tone and harmonic color. It is incredibly useful for rounding off \"toppy\" sounding cabs in the studio without having to change the front end mix on the amplifier. Running the Contour fully clockwise takes it out of the circuit. A rear panel mounted Rhythm Bright and Lead Bright controls allow for custom tweaking individual channel brightness\/darkness.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions: 27\" Wide, 10.5\" High, 9\" Deep\u003c\/li\u003e\r\n\u003cli\u003eWeight: 52 lbs.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe following is a partial list of musicians who use or own Wizard Amplifiers and speaker cabinets.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMalcolm Young - AC\/DC\u003c\/li\u003e\r\n\u003cli\u003eAngus Young - AC\/DC\u003c\/li\u003e\r\n\u003cli\u003eCliff Williams - AC\/DC\u003c\/li\u003e\r\n\u003cli\u003eRickey Medlocke - Lynyrd Skynyrd\u003c\/li\u003e\r\n\u003cli\u003eFrank Sidoris - Slash\u003c\/li\u003e\r\n\u003cli\u003eBen Phillips - The Pretty Reckless\u003c\/li\u003e\r\n\u003cli\u003eWolf Hoffmann - Accept\u003c\/li\u003e\r\n\u003cli\u003eDevin Powers\u003c\/li\u003e\r\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\r\n\u003cli\u003eBob Kulick - Dee Snider \/ Meatloaf \/ Kiss\u003c\/li\u003e\r\n\u003cli\u003eKim Mitchell\u003c\/li\u003e\r\n\u003cli\u003eJoe Perry - Aerosmith\u003c\/li\u003e\r\n\u003cli\u003eBrad Witford - Aerosmith\u003c\/li\u003e\r\n\u003cli\u003eJimmy Page - Led Zeppelin\u003c\/li\u003e\r\n\u003cli\u003ePaul Rodgers - Bad Company\u003c\/li\u003e\r\n\u003cli\u003eMick Ralphs - Bad Company\u003c\/li\u003e\r\n\u003cli\u003eMichael Burns - Blue Man Group\u003c\/li\u003e\r\n\u003cli\u003eChris Cheney - The Living End\u003c\/li\u003e\r\n\u003cli\u003eDavid Gilmour - Pink Floyd\u003c\/li\u003e\r\n\u003cli\u003eJohn Fogerty - CCR\u003c\/li\u003e\r\n\u003cli\u003eRandy Bachman - Bachman Turner Overdrive\u003c\/li\u003e\r\n\u003cli\u003eBlair Thorton - Bachman Turner Overdrive\u003c\/li\u003e\r\n\u003cli\u003ePaul Mahon - The Answer\u003c\/li\u003e\r\n\u003cli\u003eMyles Goodwyn - April Wine\u003c\/li\u003e\r\n\u003cli\u003eBrian Greenway - April Wine\u003c\/li\u003e\r\n\u003cli\u003eSteve Segal - April Wine\u003c\/li\u003e\r\n\u003cli\u003eRudolf Schenker - The Scorpions\u003c\/li\u003e\r\n\u003cli\u003eMatthias Jabs - The Scorpions\u003c\/li\u003e\r\n\u003cli\u003eJames Hetfield - Metallica\u003c\/li\u003e\r\n\u003cli\u003eSebastien Plante - The Respectables\u003c\/li\u003e\r\n\u003cli\u003eJ.S. Chouinard - Cirque Du Soleil\u003c\/li\u003e\r\n\u003cli\u003eJoe Satriani\u003c\/li\u003e\r\n\u003cli\u003eTyler Connolly - Theory Of A Deadman\u003c\/li\u003e\r\n\u003cli\u003eTodd Stricklin - Superunknown\u003c\/li\u003e\r\n\u003cli\u003eBilly Gibbons - ZZ Top\u003c\/li\u003e\r\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\r\n\u003cli\u003eDamon Johnson - Thin Lizzy - Black Star Riders\u003c\/li\u003e\r\n\u003cli\u003eGarth Brooks\u003c\/li\u003e\r\n\u003cli\u003eClint Black\u003c\/li\u003e\r\n\u003cli\u003eGeorge Canyon\u003c\/li\u003e\r\n\u003cli\u003eBob Rock - Producer \/ Engineer\u003c\/li\u003e\r\n\u003cli\u003eMike Fraser - Producer \/ Engineer\u003c\/li\u003e\r\n\u003cli\u003eRich Robinson - The Black Crowes\u003c\/li\u003e\r\n\u003cli\u003eMark Norman - Ace Frehley\u003c\/li\u003e\r\n\u003cli\u003eFrank Simes - Don Henley\u003c\/li\u003e\r\n\u003cli\u003eMicheal Wilton - Queensryche\u003c\/li\u003e\r\n\u003cli\u003eChris Degarmo - Queensryche\u003c\/li\u003e\r\n\u003cli\u003eTom Cochrane - Red Rider\u003c\/li\u003e\r\n\u003cli\u003eRoman Glick - Brother Cane\u003c\/li\u003e\r\n\u003cli\u003eMark Slaughter - Slaughter\u003c\/li\u003e\r\n\u003cli\u003ePaul Dean - Loverboy\u003c\/li\u003e\r\n\u003cli\u003eKevin Kane - The Grapes Of Wrath\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/www.rig-talk.com\/forum\/viewtopic.php?t=58081\" target=\"blank\"\u003eCheck out these images posted by Wizard users!\u003c\/a\u003e\u003c\/p\u003e","brand":"Wizard Amplification","offers":[{"title":"Default Title","offer_id":44449517731943,"sku":"30788","price":4295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wizard_modern_classic_ii_angled_1_1fd9c1ed-5c63-4fab-bdd7-2de18711f697.jpg?v=1787089286"},{"product_id":"divided-by-13-ccc-9-15-head","title":"Divided by 13 CCC 9\/15 Head  - Black\/Eggshell","description":"\u003cp\u003eThe \u003cstrong\u003eCCC 9\/15\u003c\/strong\u003e Combines two of our most popular amplifiers!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBy taking the front end (preamp) \"Flexibility\" of the CJ 11 with it's more traditional tone arrangement of volume (with pull gain\/mid boost), treble, bass, and master volume and combining it with the JRT 9\/15's \"Switchable\", by toggle \"Dual\" back end (power amp) of either (2) 6V6GT's at 9 watts or (2) EL84's at 15 watts you get the biggest sound in a low wattage amplifier heard to date, and NOW with the increased \"Flexibility\" some customers need. Simply stunning tonal variety for all low wattage applications!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Divided by 13","offers":[{"title":"Default Title","offer_id":44449535787111,"sku":"32359","price":2100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/divided_by_13_ccc_915_head_45ca3dc1-c404-43da-a59e-7d61f727996f.jpg?v=1787089357"},{"product_id":"divided-by-13-ftr-37-head-black-eggshell","title":"Divided by 13 FTR 37 Head - Black\/Eggshell","description":"\u003cp\u003eCapturing and exceeding some of the best tones offered by our favorite amp from Fullerton and our favorite amp from England, the FTR 37 from 1 to 10 can produce the most pure and bodied clean tones, to varying degrees of medium and over-the-top types of complex and full-bodied overdrive.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCoupled with the exterior switching\/boost device, the Switchazel, the flexibility available in both channels, either separate or blended, offer an infinite array of guitar tones rarely thought possible for the music maker of today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Divided by 13","offers":[{"title":"Default Title","offer_id":44449535852647,"sku":"32341","price":2800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/divided_by_13_ftr_37_head_front_3c4f7f76-fc7f-4868-9fc7-03751a490e28.jpg?v=1787089358"},{"product_id":"divided-by-13-jrt-9-15-head-black-eggshell","title":"Divided by 13 JRT 9\/15 Head - Black\/Eggshell","description":"\u003cp\u003eTwo amps in one?\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWith an overly stout and painstakingly developed power supply made to accommodate two sets of power tubes, the \u003cstrong\u003eJRT 9\/15\u003c\/strong\u003e offers the biggest sound in a low wattage amplifier heard to date.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eStarting from right to left, the single input of the amplifier (high and low sensitivity) feeds the inputs of two 5879 Pentodes, each with its own volume control and blendable. 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Don't be fooled by its size; this one sounds huge!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Divided by 13","offers":[{"title":"Default Title","offer_id":44449535885415,"sku":"32354","price":2100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dv13_jrt_9_15_head_441cbe86-e439-45f6-b8ba-8a12e9c01852.jpg?v=1787089358"},{"product_id":"divided-by-13-rsa-23-head-black-eggshell","title":"Divided by 13 RSA 23 Head - Black\/Eggshell","description":"\u003cp\u003eCombining the best attributes of several of our favorite British amplifier formats, the \u003cstrong\u003eRSA 23\u003c\/strong\u003e presents a truly unique and stand-alone sonic signature rarely heard before. 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Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShare your own creations \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSo much more than just flicking channels \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. 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After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAmp Controls \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. 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To take the profiles, we employ the exact same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive the most authentic sounds from a digital guitar amp, ever!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate your own profiles from your own amps\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you happen to have access to tube amps, feel free to make your own profiles. You will probably feel more familiar with profiles of your own gear, than with those other people have made. It might be also a nice idea to hire a professional studio for a day or two, where you can create your signature profiles with the help of an experienced sound engineer. You then have the luxury of being able to use these profiles wherever you like, and with no time constraints. If you are tracking in a studio, you should profile the guitar amps that you record with. Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShare your own creations \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSo much more than just flicking channels \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is profiling? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e\n\u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmp Controls \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. 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You can do anything from minor tweaks, such as making your Marshall Bluesbreaker profile sound a bit more vintage, to more radical changes such as adding some modern high gain chunk to your vintage Fender Bassman.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl way beyond the usual \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe \u003cstrong\u003eAmp Definition\u003c\/strong\u003e parameter determines whether the Profile leans more towards a vintage or modern character. Increase this parameter to intensify the touch response of the virtual tubes. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Sagging\u003c\/strong\u003e: this parameter lets the tubes breathe with your playing; damped strings will have more ”chug,” and clean, picked notes will cut through better when you reduce your playing volume. \u003c\/li\u003e\n\u003cli\u003eThe \u003cstrong\u003ePick\u003c\/strong\u003e parameter controls the attack of your pick independently of the gain setting—even through heavy distortion. This innovative parameter lets you decouple your pick sound from the natural compression of the distorting tubes and cut right through the mix. \u003c\/li\u003e\n\u003cli\u003eThe \u003cstrong\u003eAmp Compressor\u003c\/strong\u003e will sustain the clean guitar when you play soft, but lets the distorted sound through, unprocessed, when you revert back to normal playing volume. \u003c\/li\u003e\n\u003cli\u003eThe \u003cstrong\u003eCabinet Voicing\u003c\/strong\u003e parameters give you access to the guts and the character of the cabinet. You can change the size of your virtual cabinet, tune the bass resonance or control the tonal character in an creative way.\u003c\/li\u003e\n\u003cli\u003e600 Watts at 8 Ohms, 300 Watts at 16 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kemper","offers":[{"title":"Default Title","offer_id":44449553055847,"sku":"33877","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kemper_profiler_powerhead_e7baddc3-1aa2-41c9-ab8f-15ec043995f7.png?v=1787089429"},{"product_id":"kemper-profiler-head-black","title":"Kemper Profiler Head - Black","description":"\u003cp\u003eThe \u003cstrong\u003eKemper Profiler\u003c\/strong\u003e enables you to do what generations of guitar players have been waiting for: to capture the soul of all your amps (and so many more) inside a lunchbox-sized amplifier.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSo, how does it work? We use cutting edge technology to capture the sonic DNA of virtually any guitar amp. The resulting profiles are as living, vivid and dynamic as the original amps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eImagine you’ve used some sweet-sounding, well-maintained vintage tube amps in your last studio session: With the Kemper Profiler, there’s no need to leave those sounds behind anymore. Simply create your own profiles from these amps and take them with you to use anywhere you like. Variations with alternative amp settings can be created and even the cabinet of a profiled combo amp can be exchanged at any time. Dozens of pro-grade onboard effects and stomp boxes can be used to spice up the profiles. We even give you profiles of many exceptional signature amps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAny amp. Any time. Anywhere. We mean it.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnjoy the great profiles and rigs that come with it.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey were created by professional guitarists, engineers and producers in studios all over the world. Right out of the box, you will find classic tones of studio standards as well as profiles of highly sought-after amplifiers, some costing many times the price of the Kemper Profiler.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eThe growing library\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWe will be working tirelessly to create new profiles for you to download for free from our website. All the profiles we create are extracted from real amplifiers and cabinets, each with a distinct personality of its own. To take the profiles, we employ the exact same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive the most authentic sounds from a digital guitar amp, ever!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eCreate your own profiles from your own amps\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIf you happen to have access to tube amps, feel free to make your own profiles. You will probably feel more familiar with profiles of your own gear, than with those other people have made. It might be also a nice idea to hire a professional studio for a day or two, where you can create your signature profiles with the help of an experienced sound engineer. You then have the luxury of being able to use these profiles wherever you like, and with no time constraints. If you are tracking in a studio, you should profile the guitar amps that you record with. Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eShare your own creations\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSo much more than just flicking channels\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWhat is profiling?\u003c\/h3\u003e\r\n\r\n\u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAmp Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. However, in contrast to many vintage amps, we have kept the gain control neutral, so you are able to find the sweet spot of your amp, and run this optimal sound at any gain level.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe gain control ranges over 80dB and features an automatic volume compensation for clean settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow, imagine if you could change the sonic character of a profile way beyond what’s possible with the amp itself...What if you could change the sonic age of the amp, or the bite of the pick? 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Increase this parameter to intensify the touch response of the virtual tubes.\u003c\/li\u003e\r\n\u003cli\u003ePower Sagging: this parameter lets the tubes breathe with your playing; damped strings will have more ”chug,” and clean, picked notes will cut through better when you reduce your playing volume.\u003c\/li\u003e\r\n\u003cli\u003eThe Pick parameter controls the attack of your pick independently of the gain setting—even through heavy distortion. This innovative parameter lets you decouple your pick sound from the natural compression of the distorting tubes and cut right through the mix.\u003c\/li\u003e\r\n\u003cli\u003eThe Amp Compressor will sustain the clean guitar when you play soft, but lets the distorted sound through, unprocessed, when you revert back to normal playing volume.\u003c\/li\u003e\r\n\u003cli\u003eThe Cabinet Voicing parameters give you access to the guts and the character of the cabinet. You can change the size of your virtual cabinet, tune the bass resonance or control the tonal character in an creative way.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kemper","offers":[{"title":"Default Title","offer_id":44449553121383,"sku":"33873","price":1249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kemper-profiler-head-bl-23_33873_1.jpg?v=1787089429"},{"product_id":"kemper-profiler-powerrack","title":"Kemper Profiler PowerRack","description":"\u003cp\u003eThe Kemper Profiler enables you to do what generations of guitar players have been waiting for: to capture the soul of all your amps (and so many more) inside a lunchbox-sized amplifier.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eProfiler PowerRack\u003c\/strong\u003e adds a built in 600 watt power amp to the Profiler concept making it perfect for use in studio, and on stage.\u003c\/p\u003e\n\u003cp\u003eSo, how does it work? We use cutting edge technology to capture the sonic DNA of virtually any guitar amp. The resulting profiles are as living, vivid and dynamic as the original amps.\u003c\/p\u003e\n\u003cp\u003eImagine you’ve used some sweet-sounding, well-maintained vintage tube amps in your last studio session: With the Kemper Profiler, there’s no need to leave those sounds behind anymore. Simply create your own profiles from these amps and take them with you to use anywhere you like. Variations with alternative amp settings can be created and even the cabinet of a profiled combo amp can be exchanged at any time. Dozens of pro-grade onboard effects and stomp boxes can be used to spice up the profiles. We even give you profiles of many exceptional signature amps.\u003c\/p\u003e\n\u003cp\u003eAny amp. Any time. Anywhere. 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Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShare your own creations \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSo much more than just flicking channels \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is profiling? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e\n\u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmp Controls \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. 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We mean it.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnjoy the great profiles and rigs that come with it. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThey were created by professional guitarists, engineers and producers in studios all over the world. Right out of the box, you will find classic tones of studio standards as well as profiles of highly sought-after amplifiers, some costing many times the price of the Kemper Profiler.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe growing library \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWe will be working tirelessly to create new profiles for you to download for free from our website. All the profiles we create are extracted from real amplifiers and cabinets, each with a distinct personality of its own. To take the profiles, we employ the exact same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive the most authentic sounds from a digital guitar amp, ever!\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCreate your own profiles from your own amps\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you happen to have access to tube amps, feel free to make your own profiles. You will probably feel more familiar with profiles of your own gear, than with those other people have made. It might be also a nice idea to hire a professional studio for a day or two, where you can create your signature profiles with the help of an experienced sound engineer. You then have the luxury of being able to use these profiles wherever you like, and with no time constraints. If you are tracking in a studio, you should profile the guitar amps that you record with. Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShare your own creations \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSo much more than just flicking channels \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWhat is profiling? \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e\r\n\u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAmp Controls \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. However, in contrast to many vintage amps, we have kept the gain control neutral, so you are able to find the sweet spot of your amp, and run this optimal sound at any gain level.\u003c\/p\u003e\r\n\u003cp\u003eThe gain control ranges over 80dB and features an automatic volume compensation for clean settings.\u003c\/p\u003e\r\n\u003cp\u003eNow, imagine if you could change the sonic character of a profile way beyond what’s possible with the amp itself...What if you could change the sonic age of the amp, or the bite of the pick? What if you could modify the power supply of your profiled amp in order to benefit from power sagging or be larger than life? With the Kemper Profiler, you can! We allow you to dynamically adjust key aspects of your favorite amps which would otherwise be impossible or require hardware modifications. You can do anything from minor tweaks, such as making your Marshall Bluesbreaker profile sound a bit more vintage, to more radical changes such as adding some modern high gain chunk to your vintage Fender Bassman.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eControl way beyond the usual \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Definition\u003c\/strong\u003e parameter determines whether the Profile leans more towards a vintage or modern character. Increase this parameter to intensify the touch response of the virtual tubes. \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003ePower Sagging\u003c\/strong\u003e: this parameter lets the tubes breathe with your playing; damped strings will have more ”chug,” and clean, picked notes will cut through better when you reduce your playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003ePick\u003c\/strong\u003e parameter controls the attack of your pick independently of the gain setting—even through heavy distortion. This innovative parameter lets you decouple your pick sound from the natural compression of the distorting tubes and cut right through the mix. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Compressor\u003c\/strong\u003e will sustain the clean guitar when you play soft, but lets the distorted sound through, unprocessed, when you revert back to normal playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eCabinet Voicing\u003c\/strong\u003e parameters give you access to the guts and the character of the cabinet. You can change the size of your virtual cabinet, tune the bass resonance or control the tonal character in an creative way.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kemper","offers":[{"title":"Default Title","offer_id":44449617215591,"sku":"38123","price":1149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kemper_profiler_rack_front_1_486db2ae-afce-4c52-a9c2-b8389bf73afb.jpg?v=1787089713"},{"product_id":"wizard-100w-modern-classic-ii-demo-deal","title":"Wizard 100w Modern Classic II (Demo Deal)","description":"\u003cp\u003eImproving on perfection is a tough gig, but Rick St. Pierre seems to have a knack for just that. \u003cstrong\u003eWizard’s Modern Classic II\u003c\/strong\u003e expands control of the Rhythm Channel with the additional higher gain structure as well as a Rhythm Master Volume control. A foot-switchable Rhythm Boost modification provides vintage rhythm textures from soft and smooth to tight and in your face—all at volume levels recording engineers and club owners will appreciate.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe foot-switchable Lead Gain and Lead Master channel as well as the Treble, Middle, Bass and Presence tone stack and the foot-switchable tube buffered effect loop is carried over from the Modern Classic. Because, after all, the Mona Lisa doesn’t need a better smile!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe addition of a Contour control allows for fine-tuning the “darkness” of the output section, emphasizing the amp’s overall tone and harmonic color. It is incredibly useful for rounding off \"toppy\" sounding cabs in the studio without having to change the front end mix on the amplifier. Running the Contour fully clockwise takes it out of the circuit. A rear panel mounted Rhythm Bright and Lead Bright controls allow for custom tweaking individual channel brightness\/darkness.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions: 27\" Wide, 10.5\" High, 9\" Deep\u003c\/li\u003e\r\n\u003cli\u003eWeight: 52 lbs.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe following is a partial list of musicians who use or own Wizard Amplifiers and speaker cabinets.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMalcolm Young - AC\/DC\u003c\/li\u003e\r\n\u003cli\u003eAngus Young - AC\/DC\u003c\/li\u003e\r\n\u003cli\u003eCliff Williams - AC\/DC\u003c\/li\u003e\r\n\u003cli\u003eRickey Medlocke - Lynyrd Skynyrd\u003c\/li\u003e\r\n\u003cli\u003eFrank Sidoris - Slash\u003c\/li\u003e\r\n\u003cli\u003eBen Phillips - The Pretty Reckless\u003c\/li\u003e\r\n\u003cli\u003eWolf Hoffmann - Accept\u003c\/li\u003e\r\n\u003cli\u003eDevin Powers\u003c\/li\u003e\r\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\r\n\u003cli\u003eBob Kulick - Dee Snider \/ Meatloaf \/ Kiss\u003c\/li\u003e\r\n\u003cli\u003eKim Mitchell\u003c\/li\u003e\r\n\u003cli\u003eJoe Perry - Aerosmith\u003c\/li\u003e\r\n\u003cli\u003eBrad Witford - Aerosmith\u003c\/li\u003e\r\n\u003cli\u003eJimmy Page - Led Zeppelin\u003c\/li\u003e\r\n\u003cli\u003ePaul Rodgers - Bad Company\u003c\/li\u003e\r\n\u003cli\u003eMick Ralphs - Bad Company\u003c\/li\u003e\r\n\u003cli\u003eMichael Burns - Blue Man Group\u003c\/li\u003e\r\n\u003cli\u003eChris Cheney - The Living End\u003c\/li\u003e\r\n\u003cli\u003eDavid Gilmour - Pink Floyd\u003c\/li\u003e\r\n\u003cli\u003eJohn Fogerty - CCR\u003c\/li\u003e\r\n\u003cli\u003eRandy Bachman - Bachman Turner Overdrive\u003c\/li\u003e\r\n\u003cli\u003eBlair Thorton - Bachman Turner Overdrive\u003c\/li\u003e\r\n\u003cli\u003ePaul Mahon - The Answer\u003c\/li\u003e\r\n\u003cli\u003eMyles Goodwyn - April Wine\u003c\/li\u003e\r\n\u003cli\u003eBrian Greenway - April Wine\u003c\/li\u003e\r\n\u003cli\u003eSteve Segal - April Wine\u003c\/li\u003e\r\n\u003cli\u003eRudolf Schenker - The Scorpions\u003c\/li\u003e\r\n\u003cli\u003eMatthias Jabs - The Scorpions\u003c\/li\u003e\r\n\u003cli\u003eJames Hetfield - Metallica\u003c\/li\u003e\r\n\u003cli\u003eSebastien Plante - The Respectables\u003c\/li\u003e\r\n\u003cli\u003eJ.S. Chouinard - Cirque Du Soleil\u003c\/li\u003e\r\n\u003cli\u003eJoe Satriani\u003c\/li\u003e\r\n\u003cli\u003eTyler Connolly - Theory Of A Deadman\u003c\/li\u003e\r\n\u003cli\u003eTodd Stricklin - Superunknown\u003c\/li\u003e\r\n\u003cli\u003eBilly Gibbons - ZZ Top\u003c\/li\u003e\r\n\u003cli\u003eDan Hawkins - The Darkness\u003c\/li\u003e\r\n\u003cli\u003eDamon Johnson - Thin Lizzy - Black Star Riders\u003c\/li\u003e\r\n\u003cli\u003eGarth Brooks\u003c\/li\u003e\r\n\u003cli\u003eClint Black\u003c\/li\u003e\r\n\u003cli\u003eGeorge Canyon\u003c\/li\u003e\r\n\u003cli\u003eBob Rock - Producer \/ Engineer\u003c\/li\u003e\r\n\u003cli\u003eMike Fraser - Producer \/ Engineer\u003c\/li\u003e\r\n\u003cli\u003eRich Robinson - The Black Crowes\u003c\/li\u003e\r\n\u003cli\u003eMark Norman - Ace Frehley\u003c\/li\u003e\r\n\u003cli\u003eFrank Simes - Don Henley\u003c\/li\u003e\r\n\u003cli\u003eMicheal Wilton - Queensryche\u003c\/li\u003e\r\n\u003cli\u003eChris Degarmo - Queensryche\u003c\/li\u003e\r\n\u003cli\u003eTom Cochrane - Red Rider\u003c\/li\u003e\r\n\u003cli\u003eRoman Glick - Brother Cane\u003c\/li\u003e\r\n\u003cli\u003eMark Slaughter - Slaughter\u003c\/li\u003e\r\n\u003cli\u003ePaul Dean - Loverboy\u003c\/li\u003e\r\n\u003cli\u003eKevin Kane - The Grapes Of Wrath\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/www.rig-talk.com\/forum\/viewtopic.php?t=58081\" target=\"blank\"\u003eCheck out these images posted by Wizard users!\u003c\/a\u003e\u003c\/p\u003e","brand":"Wizard Amplification","offers":[{"title":"Default Title","offer_id":44449619083367,"sku":"38275","price":4195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wizard_modern_classic_ii_angled_2_7322071f-e514-4b3d-8671-60af83546b6c.jpg?v=1787089722"},{"product_id":"magnatone-super-fifty-nine-black","title":"Magnatone Super Fifty-Nine Head - Black","description":"\u003cp\u003eIn the rich tradition of Magnatone, the \u003cstrong\u003eMagnatone Super 59 Head \u003c\/strong\u003ewas designed to be the best your money could buy. They are extremely proud of their product - every detail has been meticulously fashioned for the discerning user. Whether you are a touring professional, basement jammer, or anywhere in between, your sound and need for the best amplifier was taken into serious consideration.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe Magnatone Super 59 is the modern incarnation of the classic Magnatone. Cosmetically striking in its black levant with white satin grill cloth, edged by piping and sleek and luxurious, the Super 59 oozes style and fashion. A pair of EL34’s and a GZ34 rectifier form the basis of this rock and roll machine. Developed in conjunction with Billy F Gibbons, the Super 59 has been Billy's go-to amplifier for the last year of touring and recording schedules. Two independent channels allow you to choose your voice and mood for the evening.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe “Classic” channel is simple in it’s volume and tone adjustments yielding a punchy focused midrange that is quite reminiscent of a VOX AC30. The “modern” channel sports gain, master vol, and the classic 3 band EQ to achieve tones from the 70s, 80s and up to date. An effects loop is included on this channel to allow modern or vintage effects to be used. 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We use cutting edge technology to capture the sonic DNA of virtually any guitar amp. The resulting profiles are as living, vivid and dynamic as the original amps.\u003c\/p\u003e\r\n\u003cp\u003eImagine you’ve used some sweet-sounding, well-maintained vintage tube amps in your last studio session: With the Kemper Profiler, there’s no need to leave those sounds behind anymore. Simply create your own profiles from these amps and take them with you to use anywhere you like. Variations with alternative amp settings can be created and even the cabinet of a profiled combo amp can be exchanged at any time. Dozens of pro-grade onboard effects and stomp boxes can be used to spice up the profiles. We even give you profiles of many exceptional signature amps.\u003c\/p\u003e\r\n\u003cp\u003eAny amp. Any time. Anywhere. We mean it.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnjoy the great profiles and rigs that come with it. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThey were created by professional guitarists, engineers and producers in studios all over the world. Right out of the box, you will find classic tones of studio standards as well as profiles of highly sought-after amplifiers, some costing many times the price of the Kemper Profiler.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe growing library \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWe will be working tirelessly to create new profiles for you to download for free from our website. All the profiles we create are extracted from real amplifiers and cabinets, each with a distinct personality of its own. To take the profiles, we employ the exact same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive the most authentic sounds from a digital guitar amp, ever!\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCreate your own profiles from your own amps\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you happen to have access to tube amps, feel free to make your own profiles. You will probably feel more familiar with profiles of your own gear, than with those other people have made. It might be also a nice idea to hire a professional studio for a day or two, where you can create your signature profiles with the help of an experienced sound engineer. You then have the luxury of being able to use these profiles wherever you like, and with no time constraints. If you are tracking in a studio, you should profile the guitar amps that you record with. Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShare your own creations \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSo much more than just flicking channels \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWhat is profiling? \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e\r\n\u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAmp Controls \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. However, in contrast to many vintage amps, we have kept the gain control neutral, so you are able to find the sweet spot of your amp, and run this optimal sound at any gain level.\u003c\/p\u003e\r\n\u003cp\u003eThe gain control ranges over 80dB and features an automatic volume compensation for clean settings.\u003c\/p\u003e\r\n\u003cp\u003eNow, imagine if you could change the sonic character of a profile way beyond what’s possible with the amp itself...What if you could change the sonic age of the amp, or the bite of the pick? What if you could modify the power supply of your profiled amp in order to benefit from power sagging or be larger than life? With the Kemper Profiler, you can! We allow you to dynamically adjust key aspects of your favorite amps which would otherwise be impossible or require hardware modifications. You can do anything from minor tweaks, such as making your Marshall Bluesbreaker profile sound a bit more vintage, to more radical changes such as adding some modern high gain chunk to your vintage Fender Bassman.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eControl way beyond the usual \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Definition\u003c\/strong\u003e parameter determines whether the Profile leans more towards a vintage or modern character. Increase this parameter to intensify the touch response of the virtual tubes. \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003ePower Sagging\u003c\/strong\u003e: this parameter lets the tubes breathe with your playing; damped strings will have more ”chug,” and clean, picked notes will cut through better when you reduce your playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003ePick\u003c\/strong\u003e parameter controls the attack of your pick independently of the gain setting—even through heavy distortion. This innovative parameter lets you decouple your pick sound from the natural compression of the distorting tubes and cut right through the mix. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Compressor\u003c\/strong\u003e will sustain the clean guitar when you play soft, but lets the distorted sound through, unprocessed, when you revert back to normal playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eCabinet Voicing\u003c\/strong\u003e parameters give you access to the guts and the character of the cabinet. You can change the size of your virtual cabinet, tune the bass resonance or control the tonal character in an creative way.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kemper","offers":[{"title":"Default Title","offer_id":44449726562407,"sku":"48386","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kemper_profiling_black_1_16505857-3acf-4142-9507-190f5d7a79d8.png?v=1787090153"},{"product_id":"jackson-ampworks-britain-4-0-head-black-black","title":"Jackson Ampworks Britain 4.0 Head Black\/Black","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Britain 4.0\u003c\/strong\u003e is the smallest, most flexible and portable British style guitar amplifier ever made. With four distinct power settings and two blendable channels, the Britain 4.0 offers more tone and more value than any amp ever made.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you are looking for one amp that will cover all the classic British guitar tones of the last 50 years along with a host of new tones never before available then the Britain 4.0 is your amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSMALL SIZE,  HUGE TONE, TREMENDOUS VALUE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJackson Ampworks, the creator of “The Britain” amplifier, has just released The Britain 4.0.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith careful consideration of the feedback from users of the original Britain and the Britain 2.0, Jackson Ampworks has totally redesigned the amp to become the most pristine, versatile, and compact boutique amp on the market today. The new Britain 4.0 is 18 pounds lighter than its original predecessor, 8” more narrow and 3 times more powerful!  In addition to these changes they added a second channel to the amplifier, a unique footswitch-able boost circuit for the Britain’s now legendary EF86 channel, series effects loops for each channel, and selectable 15\/25\/30W Class A or 50W Class A\/B operation that features 2 different sets of output tubes for unmatched versatility.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTWO CHANNELS - INFINITE TONES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Britain 4.0 features two totally separate channels, each with its own set of dedicated tone controls. While two channel amps have been available for any years, the magic of the Britain lies in its ability to blend those two channels together to create an infinite number of tonal options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannel 1 is the exact same EF86 based preamp that was featured in the original Britain but has been updated with Jackson Ampworks own footswitch-able boost circuit that true bypasses the Treble and Bass controls resulting in a substantial boost in volume, gain and tonal purity. Channel 1, being the higher gain of the two, is considered the dirty channel of the amp and offers a very broad frequency response that works to deliver your instruments true voice with minimal coloring or artifacts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannel 2 of the Britain 4.0 is a 12AX7 based “Top-Boost” preamp that balances perfectly against Channel 1 by providing pristine clean tones incredible headroom and articulation. This channel, which was designed to remain clean longer than Channel 1, embodies the very definition of clean British guitar tone but is enhanced with increased richness and depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannels 1 and 2 are internally linked so that the use of the input labeled “1\/2” sends the guitars signal to both channels equally. In this arrangement, each channel is active along with its associated tone controls and blending of the two channels is a simple as adjusting the Volume control for each channel. The true advantage of this type of arrangement lies in the ability to blend Channels 1 and 2 together while still allowing tonal shaping of each channel via their respective Treble and Bass controls.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlugging into the input labeled “2” breaks the internal connection to Channels 1 and 2 thereby allowing them to function independently. This feature allows the musician to use a completely different signal chain (floor based effects etc.) for each channel if desired, and is fully expanded by the use of an ABY box to select channels 1, 2 or both.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith all of these tonal options available, the Britain 4.0 truly delivers Two Channels, Infinite Tones.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eCONSTRUCTION FEATURES\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePrecision Cut and Welded Anodized Aluminum Chassis    Silver Plated Teflon Hookup Wire and Shielded Cable\u003c\/li\u003e\r\n\u003cli\u003eChassis Mount Ceramic Tube Sockets    4” High Flow Output Tube Cooling Fan\u003c\/li\u003e\r\n\u003cli\u003eProprietary Vented Cabinet Design Custom Designed Fan Isolation Mount\u003c\/li\u003e\r\n\u003cli\u003eLaser Engraved Stainless Steel Front and Back Face Plates Precision Cut and Drilled 1\/8” Fiberglass Turret Boards\u003c\/li\u003e\r\n\u003cli\u003eCustom Wound Output and Power Transformers    Heavy Duty Carling Switches\u003c\/li\u003e\r\n\u003cli\u003eF\u0026amp;T Filter Caps   1W 5% Carbon Comp and Carbon Film Resistors\u003c\/li\u003e\r\n\u003cli\u003eMallory 150 Coupling Capacitors   Tube Shields for all preamp tubes\u003c\/li\u003e\r\n\u003cli\u003eCentral Point Grounding with Star Ground  Genuine Neutrik Jacks for Input, FX Loop and Speaker Connections\u003c\/li\u003e\r\n\u003cli\u003eDistributed Power Supply  Die-cast Chrome Plated Emblem\u003c\/li\u003e\r\n\u003cli\u003eFully Regulated DC Heater Supply for All Preamp Tubes Internally Shielded Cabinet\u003c\/li\u003e\r\n\u003cli\u003eFully Isolated Input, FX Loop and Speaker Jacks   Threaded Metal Inserts used to attach back panel of cabinet\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOutput Power\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e15W Class A – (2) – EL84  Cathode Bias    Low Voltage\u003c\/li\u003e\r\n\u003cli\u003e30W Class A – (4) – EL84  Cathode Bias    Low Voltage\u003c\/li\u003e\r\n\u003cli\u003e25W Class A – (2) – EL34  Cathode Bias    Low Voltage\u003c\/li\u003e\r\n\u003cli\u003e50W Class A\/B – (2) – EL34    Fixed Bias  High Voltage\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eTubes\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePreamp    Channel 1   1x EF86\u003c\/li\u003e\r\n\u003cli\u003ePreamp    Channel 2   1x 12AX7\u003c\/li\u003e\r\n\u003cli\u003ePhase Inverter        1x 12AX7\u003c\/li\u003e\r\n\u003cli\u003eOutput        2x – EL34; 4x – EL84\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eRectifier: Solid State; 5U4G Simulated in 15\/30W and 25W Mode\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput Impedance: 1MΩ\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX Loop Impedance: 1MΩ\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX Loop Wiring: Stereo Plug Tip Send\/Ring Return\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeight: 31lbs (Boxed)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eHead Size: 14″ x 8.5″ x 8.25″\u003c\/li\u003e\r\n\u003cli\u003eHead Size (Boxed): 18″ x 13″ x 12″\u003c\/li\u003e\r\n\u003cli\u003e1×12 Combo Size: 21.5″ x 18.5″ x 11.5″\u003c\/li\u003e\r\n\u003cli\u003eShipping Package Size:    20″ Wide  12″ Tall  12″ Deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eLine Voltage: 120VAC or 240VAC; Switchable via Back Panel\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449728823399,"sku":"47484","price":2895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_britain_4_head_black_black_main_794917af-bb06-418d-868d-ac58cc734471.jpg?v=1787090163"},{"product_id":"jackson-ampworks-mcfly-head-black-ivory","title":"Jackson Ampworks McFly Head - Black\/Ivory","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e is the first amplifier to be released in their new American Series line and is their take on the best sounding and most flexible Tweed Style amp ever made. For the first time ever, you can get authentic Tweed era tones as well as Blackface era tones all from the same amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDesign Goals\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrom the ground up, the McFly was designed as an original circuit and not a clone of anything that’s been done before. Jackson Ampworks wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccomplishing these two goals was done over an 18 month long period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until Jackson Ampworks felt the McFly had achieved a unique voice all its own.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTone Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eOutput Tubes\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo complement the 6SN7 preamp we have chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. If you’re familiar with Jackson Ampworks you know they typically don’t leave well enough alone. They always expand a players tonal palette and offer more than they expect and we’re proud to say that with the release of the McFly, that tradition has continued. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutput Power For Each Power Mode:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e6V6: (Clean) 13W; (Overdriven) 18W\u003c\/li\u003e\r\n\u003cli\u003e6L6-GC: (Clean) 25W: (Overdriven) 40W\u003c\/li\u003e\r\n\u003cli\u003eBOTH: (Clean) 46W; (Overdriven)70W\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePower Scaling\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo guarantee reliability and that your tone is never restricted, they have custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With Jackson Ampwork's new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. Compare this with most amplifiers that lose low-end and high-end definition at high volumes and cause the mid-range to “bunch up” and lose overall clarity.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449728856167,"sku":"47485","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_mcfly_head_black_ivory_main_1_c2271a74-a6e5-4d53-9000-bf59cfdb488e.jpg?v=1787090162"},{"product_id":"jackson-ampworks-scarlett-30-head-black-cream","title":"Jackson Ampworks Scarlett 30 Head Black\/Ivory","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Scarlett 30\u003c\/strong\u003e was designed specifically for musicians who play church music, the Scarlett 30 is fully featured, very affordable and offers many of the features and tones that church players need on a weekly basis.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDESIGNED WITH YOU IN MIND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJackson Ampworks' focus when designing the Scarlett 30 was to design an amplifier that could be used by musicians in any size venue and still be affordable.  Whether you play stadiums or small 50 seat chapels, you need an amp that will perform in any of those environments without sacrificing your tone, and the Scarlett 30 does that perfectly. Big or small room, low or high volume, the Scarlett 30 will cover any sound across the tonal spectrum and do them all with ease.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFEATURES YOU WILL ACTUALLY USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Top Boost AC30 circuit is such a tremendous sounding circuit and has been used in every genre from country to rock but with all of its benefits, it is lacking one very important feature that would have made it perfect: A Mid-Range Control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the inclusion of a Mid-Range control, the Scarlett 30 allows the player to start with the classic tone of a Top Boost AC30 and tweak out the all too important mid-range tones to fit the mix perfectly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePOWER WHEN YOU NEED IT, FLEXIBILITY WHEN YOU DON’T\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to the Mid-Range control, Jackson Ampworks wanted to create an amp for players that would perform flawlessly at low volume levels, and power scaling is the perfect solution. With the power scaling, you can roll the volume back for a small room or crank it in a stadium without any tone loss. The amp retains the sponginess of the tube rectifier and still has incredible attack even when running it at 1\/8W. The amp is also super responsive. Whether you play delicate or heavy handed, the amp responds accordingly regardless of where the power is set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eCLEAN HEADROOM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSince most church players use a lot of pedals, Jackson Ampworks wanted the Scarlett 30 to be able to handle whatever the player might throw in front of it. Whether you’re searching for a super clean tone or something far more gritty, the Scarlett 30 achieves this effortlessly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePROVEN PERFORMANCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Scarlett 30 was developed over a period of more than a year of design, redesign and tweaking to deliver one of the most flexible and useful amplifiers on the market. 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No channel switching, effects loops, boost modes or EQ's; just 100% pure tube amp tone!\u003c\/p\u003e\r\n\r\n\r\n\u003ch3\u003ePERFECT TONE - SIMPLIFIED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe NewCastle is a simple tone machine that will cover everything from pristine British clean to straight up Rock and everywhere in between.The clean tones are rich and full of authority with sparkling highs that never become brittle or piercing. The low end was specifically designed to remain tight and punchy even when cranked so you’ll never lose definition when playing at loud volumes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTonally the NewCastle has an English heritage but is cleaner and more robust than many EL84 based amps. The NewCastle is perfect for the player that uses a lot of pedals and wants an affordable clean platform to work from. In fact the NewCastle remains clean up till around 2:00 on the Volume control and from there breaks up into the most musical overdrive you have ever heard!\u003c\/p\u003e\r\n\r\n\u003cp\u003eOne of the best features of the NewCastle is how well it cleans up when you roll the volume on your guitar down. With the NewCastle you may find that you don’t need your overdrive pedals anymore as the volume control on your guitar acts like a gain control on the amp depending on how hard you play. In fact, you may find that your favorite setting is to leave the Volume up all the way on the amp and use your guitars volume to vary between your clean and dirty tones! Couple this with its very effective Tone control, and the NewCastle can morph between pristine clean, hard rock and warm smooth jazz tones with ease!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSIMPLE IS BETTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe NewCastle is a lesson in simplicity. Someone once asked Jackson Ampworks, “What’s your secret to great tone?” Answer: “Use good parts, and use as few as possible.” That is what the NewCastle is all about. The design was purposefully kept simple to make it easier to dial in and to keep your tone as pure as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDuring the design phase of the NewCastle they spent many hours working with artists, producers and engineers and used their feedback to help dial in the circuit so that the NewCastle would work seamlessly with all types of guitars, pickups and effects and the extra effort was well worth it! The NewCastle is a perfect go-to amp for players looking to capture great tone either live or in the studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpecial attention was paid during the design of the NewCastle to guarantee that lack of headroom would never be a concern as is often the case with other 18W amps. To give as much power and headroom as possible, the power supply and output section were overbuilt to guarantee that the amp delivers every last bit of power possible out of it’s pair of EL84’s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlong with the power amp section, the preamp has been designed to handle single coil as well as humbucker equipped guitars with ease and without becoming flabby in the low end, even when the amp is cranked.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFULLY FEATURED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe front panel features a single Input, Volume and Tone controls. The Volume control acts as both a Volume as well as a gain control. The higher you run the Volume the more the amp will overdrive in response to how hard the player attacks the strings. The Tone control acts as a master tone control for the entire amp and works similar to the tone control on a guitar. Rotating the Tone control clockwise will increases the high-end response of the amp and conversely rotating the Tone control counter clockwise removes high-end response from the amp which helps when a darker tone is desired or with bright sounding guitars. The full clockwise position removes the Tone control from the amplifier circuit to keep your original tone as pure as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLike the front panel, the back panel is kept very simple. There are two speaker out jacks with an impedance selector switch that provides outputs of either 8 or 16 ohms. Located next to that are the Power and Standby switches as well as an IEC module with an integrated fuse and a switch for selecting between 120V and 240V operation. With the NewCastle you’ll never have to worry about traveling on the road since the amp is designed to work at all line voltages.\u003c\/p\u003e\r\n\r\n\r\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFront Panel Controls: Input, Volume, Tone\u003c\/li\u003e\r\n\u003cli\u003eRear Panel Controls: Speaker Jacks, Impedance Selector (8\/16), Power, Standby\u003c\/li\u003e\r\n\u003cli\u003e18W Class A\/B Mallory 150 Series Capacitors\u003c\/li\u003e\r\n\u003cli\u003e(2) – 12AX7 Preamp Tubes\u003c\/li\u003e\r\n\u003cli\u003eCarbon Film Resistors\u003c\/li\u003e\r\n\u003cli\u003e(2) – EL84 Output Tubes\u003c\/li\u003e\r\n\u003cli\u003eGenuine Carling Switches\u003c\/li\u003e\r\n\u003cli\u003eCathode Bias\u003c\/li\u003e\r\n\u003cli\u003e13 Ply Baltic Birch Cabinet with Dovetail Joints\u003c\/li\u003e\r\n\u003cli\u003eCustom Wound Overspec Power and Output Transformers\u003c\/li\u003e\r\n\u003cli\u003eAnodized Aluminum Chassis\u003c\/li\u003e\r\n\u003cli\u003eLaser Engraved Stainless Steel Panels\u003c\/li\u003e\r\n\u003cli\u003eSwitchable 120V\/240V Operation\u003c\/li\u003e\r\n\u003cli\u003eWeight: 20lbs\u003c\/li\u003e\r\n\u003cli\u003eHead Size: 14″ x 8.5″ x 8.25″\u003c\/li\u003e\r\n\u003cli\u003eHead Size (Boxed): 18″ x 13″ x 12″\u003c\/li\u003e\r\n\u003cli\u003e1×12 Combo Size: 21.5″ x 18.5″ x 11.5″\u003c\/li\u003e\r\n\u003cli\u003eGenuine Neutrik Jacks\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449729052775,"sku":"47481","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_newcastle_18_head_black_black_main_f6dc379e-5aea-4d7b-be79-8f2ad4b07b4a.jpg?v=1787090164"},{"product_id":"morgan-amplification-abbey-head-black","title":"Morgan Amplification Abbey Head - Black","description":"\u003cp\u003eThe \u003cstrong\u003eMorgan Abbey\u003c\/strong\u003e is a classic Class A cathode biased EL84 amplifier in the style of the old British “top boost” design. The design has been updated to the 21st century with some player comforts that make the amplifier easier to use with any pedal board and at any venue. The Abbey was created to solve modern guitar player amplifier issues with the ability to stay true to vintage tonality. The Abbey is a no compromise top boost amplifier designed for the gigging professional player as well as the casual home player. Distinctly different that the AC20 Deluxe, the Abbey offers slightly more gain and compression. It still maintains all of the classic tones that a Class A EL84 amp can deliver but with added tone shaping with individual treble and bass controls as well as a bright switch for even more chime. The Abbey also utilizes the revolutionary Power Level control. The Power Level control is a big part of the magic. Most guitarists today have spent large sums of money and even more amounts of time working on their pedal boards. Most pedals are not designed to be used with a tube amp on “1”. They were designed to interact with the amplifier at or near the point at which it begins to break up. That is why an overdrive pedal is called an “over” drive. It is driving the amp over that point. Unfortunately that volume can be too loud for most live applications. The Power Level control on the Abbey solves this. Think of conventional master volumes as a spigot on a garden hose, they choke off the signal to the power section of the amp to a usable level. Most conventional master volumes also affect the way your pedals interact with your amp. The Power Level control behaves like a zoom lens. It limits the size of the output signal that can be produced by the output tubes. It does NOT choke the signal down and therefore behaves identical as if the amp were running at full volume. This means that you can choose the power that you need, anything from ¼ of a watt to 20 watts. Handwired in the USA.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAvailable as - head or 112 combo\u003c\/li\u003e\r\n\u003cli\u003ePower: 1\/4 - 20w variable (tube)\u003c\/li\u003e\r\n\u003cli\u003eCathode follower driven tone stack\u003c\/li\u003e\r\n\u003cli\u003eBass and Treble controls\u003c\/li\u003e\r\n\u003cli\u003eHand-wired in the USA\u003c\/li\u003e\r\n\u003cli\u003e2x EL-84 power tubes\u003c\/li\u003e\r\n\u003cli\u003e3x 12AX7 preamp tubes\u003c\/li\u003e\r\n\u003cli\u003ePower Level control\u003c\/li\u003e\r\n\u003cli\u003eGlobal Cut – removes high frequencies from the power section\u003c\/li\u003e\r\n\u003cli\u003eVolume\u003c\/li\u003e\r\n\u003cli\u003eBright switch\u003c\/li\u003e\r\n\u003cli\u003e2x8 ohm 1x16 ohm outputs\u003c\/li\u003e\r\n\u003cli\u003eCustom USA made Mercury Magnetics transformers\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 7.5\" (D) x 17\" (W) x 9.75\" (H)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 25 lb.\u003c\/li\u003e\r\n\u003cli\u003eLimited lifetime warranty\u003c\/li\u003e\r\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Morgan Amplification","offers":[{"title":"Default Title","offer_id":44449732952167,"sku":"41694","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/morgan_abbey_head_front_02cad14f-a2e5-44e0-9257-29250081bf7c.jpg?v=1787090180"},{"product_id":"morgan-amplification-ac40-deluxe-head-black","title":"Morgan Amplification AC40 Deluxe Head - Black","description":"\u003cp\u003eThe \u003cstrong\u003eMorgan AC40 Deluxe\u003c\/strong\u003e is a deceptively simple amplifier that is capable of producing a myriad of early 60s British tones but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high gain growl. The power level control allows you to dial in just the right amount of volume without sacrificing your tone the way some master volumes do. The AC40 Deluxe was created to solve modern guitar player amplifier issues with the ability to stay true to vintage tonality. It is equally at home in the studio or on the stage. It can be seen on the stages of superstars like Jeff Tweedy, Mike Landau, Josh Smith and Kirk Fletcher. Plug into the AC40 Deluxe and you will instantly notice the familiar chime and compression of the Class A EL84 driven output section. The amplifier’s extreme touch-sensitivity will allow you to coax clean tones even at the highest of gain settings. To quote Keith Armstrong (Chief Engineer at Mix LA) “It is impossible to get a bad sound out of this amp!” The Power Level control is a big part of the magic. Most guitarists today have spent large sums of money and even more amounts of time working on their pedal boards. Most pedals are not designed to be used with a tube amp on “1”. They were designed to interact with the amplifier at or near the point at which it begins to break up. That is why an overdrive pedal is called an “over” drive. It is driving the amp over that point. Unfortunately that volume can be too loud for most live applications. The Power Level control on the AC40 Deluxe solves this. Think of conventional master volumes as a spigot on a garden hose, they choke off the signal to the power section of the amp to a usable level. Most conventional master volumes also affect the way your pedals interact with your amp. The Power Level control behaves like a zoom lens. It limits the size of the output signal that can be produced by the output tubes. It does NOT choke the signal down and therefore behaves identical as if the amp were running at full volume. This means that you can choose the power that you need, anything from 1\/2 of a watt to 40 watts. The AC40 Deluxe uses 3 separate switches to give you all of the original early 60’s EL84 tonalities, Normal, Brilliant and EF86. Never has such a deceptively simple amp had so many tonal options. 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For the first time ever, you can get authentic Tweed era tones as well as Blackface era tones all from the same amp.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eDesign Goals\u003c\/h3\u003e  \u003cp\u003eFrom the ground up, the McFly was designed as an original circuit and not a clone of anything that’s been done before. Jackson Ampworks wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e  \u003cp\u003eAccomplishing these two goals was done over an 18 month long period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until Jackson Ampworks felt the McFly had achieved a unique voice all its own.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eFeatures\u003c\/h3\u003e  \u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e  \u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eTone Controls\u003c\/h3\u003e  \u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e  \u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eOutput Tubes\u003c\/h3\u003e  \u003cp\u003eTo complement the 6SN7 preamp we have chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. If you’re familiar with Jackson Ampworks you know they typically don’t leave well enough alone. They always expand a players tonal palette and offer more than they expect and we’re proud to say that with the release of the McFly, that tradition has continued. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e  \u003cp\u003eOutput Power For Each Power Mode:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e6V6: (Clean) 13W; (Overdriven) 18W\u003c\/li\u003e \u003cli\u003e6L6-GC: (Clean) 25W: (Overdriven) 40W\u003c\/li\u003e \u003cli\u003eBOTH: (Clean) 46W; (Overdriven)70W\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003ePower Scaling\u003c\/h3\u003e  \u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode.\u003c\/p\u003e  \u003cp\u003eTo guarantee reliability and that your tone is never restricted, they have custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With Jackson Ampwork's new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. Compare this with most amplifiers that lose low-end and high-end definition at high volumes and cause the mid-range to “bunch up” and lose overall clarity.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449753858151,"sku":"49903","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jacksonampworks-mcfly-head-black-3_4211b91b-9fda-46c8-87e4-464f5ea6dc5b.jpg?v=1787090268"},{"product_id":"jackson-ampworks-mcfly-head-shagreen","title":"Jackson Ampworks McFly Head - Shagreen","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e is the first amplifier to be released in their new American Series line and is their take on the best sounding and most flexible Tweed Style amp ever made. For the first time ever, you can get authentic Tweed era tones as well as Blackface era tones all from the same amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDesign Goals\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrom the ground up, the McFly was designed as an original circuit and not a clone of anything that’s been done before. Jackson Ampworks wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccomplishing these two goals was done over an 18 month long period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until Jackson Ampworks felt the McFly had achieved a unique voice all its own.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTone Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eOutput Tubes\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo complement the 6SN7 preamp we have chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. If you’re familiar with Jackson Ampworks you know they typically don’t leave well enough alone. They always expand a players tonal palette and offer more than they expect and we’re proud to say that with the release of the McFly, that tradition has continued. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutput Power For Each Power Mode:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e6V6: (Clean) 13W; (Overdriven) 18W\u003c\/li\u003e\r\n\u003cli\u003e6L6-GC: (Clean) 25W: (Overdriven) 40W\u003c\/li\u003e\r\n\u003cli\u003eBOTH: (Clean) 46W; (Overdriven)70W\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePower Scaling\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo guarantee reliability and that your tone is never restricted, they have custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With Jackson Ampwork's new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. 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Dubbed the Fullerton, the resulting amp pays homage to the Fender classic by utilizing what has made the amplifier a studio workhorse for over five decades; reverb, tremolo and incredible tone.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eDoubling Up On Power\u003c\/h3\u003e\u003cbr\u003eWhen looking to build upon the original amp design, the minds behind Jackson Ampworks set out to solve the issue of creating clean tones at a loud volume. The Fullerton achieves this by doubling up on 6V6 output transformers, now using four tubes instead of the standard two. By increasing the amp’s output to 40W, Jackson has ensured that the Fullerton is capable of pushing more volume with undeniable punch and maximum headroom.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eThe Reinvention of Reverb\u003c\/h3\u003e\u003cbr\u003eFrom subtle to surfy, Jackson Ampworks has improved upon the single knob reverb system by building a three knob, tube driven spring reverb into the Fullerton. These controls feature a Reverb Send, Reverb Tone and Reverb Return, which allows for you to decide how hard the reverb is driven, the warmth\/brightness of your tone and the amount of signal that goes back into your dry mix.  \u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eControlling Your Tone\u003c\/h3\u003e\u003cbr\u003eForgoing the traditional Treble and Bass controls, the Fullerton opts for a three-band EQ with knobs for Treble, Middle and Bass. The amp achieves the Princeton Reverb sound when the Middle control is set to the 12:00 position, but allows for tonal experiments when boosting and cutting mid frequencies depending on which way you turn the knob.\u003cbr\u003e\u003cbr\u003eFor those familiar with amplifiers that feature a bright switch, you likely have experienced an amp that may be too dark when the feature is not engaged. To prevent this issue with the Fullerton, Jackson Ampworks has wired in a permanent bright cap and installed a master control to create a wide range of tones from extremely bright to incredibly dark.\u003cbr\u003e\u003cbr\u003eIn addition to the basic controls and bright cap, the Fullerton also features a new Tweed control, which enables the amp to get back any gain lost while traveling through the EQ controls. At 0, the amp offers up the classic, clean sound that is typical of an American classic like the Princeton Reverb. When the Tweed knob is cranked, you’ll get more preamp gain added to your tone and a hearty boost.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOutput 20W: 2x - 6V6 Fixed Bias\u003c\/li\u003e\r\n\u003cli\u003ePower 40W: 2x - 6V6 Fixed Bias\u003c\/li\u003e\r\n\u003cli\u003eTubes \r\n\u003cul\u003e\r\n\u003cli\u003ePreamp: 2x 12AX7, 1x 12AT7\u003c\/li\u003e\r\n\u003cli\u003ePhase Inverter: 1x 12AX7\u003c\/li\u003e\r\n\u003cli\u003eOutput: 4x - 6V6\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eRectifier: Solid State\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 1MΩ\u003c\/li\u003e\r\n\u003cli\u003eWeight\r\n\u003cul\u003e\r\n\u003cli\u003eHead Cabinet - 35lbs. 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Designed as a cross between a Fender Twin and a Dumble Steel String Singer, the Bakersfield is Jackson Ampworks' cleanest, most powerful and sophisticated clean platform that features a 3-knob Reverb, Tap Tempo Bias Tremolo Circuit and a host of other features that make the Bakersfield a standout in any style of music.\u003cbr\u003e\u003cbr\u003eFrom the Buck Owens and Merle Haggard “Bakersfield Sound” to modern John Mayer style blues and pop music, the Bakersfield should be your choice when you want a rich and dynamic clean tone!\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449770602599,"sku":"47488","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_bakersfield_head_black_black_front_75468cdc-b6b9-41b0-9268-355833cdf4de.jpg?v=1787090338"},{"product_id":"kemper-profiler-head-white","title":"Kemper Profiler Head - White","description":"\u003cp\u003eThe \u003cstrong\u003eKemper Profiler\u003c\/strong\u003e enables you to do what generations of guitar players have been waiting for: to capture the soul of all your amps (and so many more) inside a lunchbox-sized amplifier.\u003c\/p\u003e  \u003cp\u003eSo, how does it work? We use cutting edge technology to capture the sonic DNA of virtually any guitar amp. The resulting profiles are as living, vivid and dynamic as the original amps.\u003c\/p\u003e  \u003cp\u003eImagine you’ve used some sweet-sounding, well-maintained vintage tube amps in your last studio session: With the Kemper Profiler, there’s no need to leave those sounds behind anymore. Simply create your own profiles from these amps and take them with you to use anywhere you like. Variations with alternative amp settings can be created and even the cabinet of a profiled combo amp can be exchanged at any time. Dozens of pro-grade onboard effects and stomp boxes can be used to spice up the profiles. We even give you profiles of many exceptional signature amps.\u003c\/p\u003e  \u003cp\u003eAny amp. Any time. Anywhere. We mean it.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eEnjoy the great profiles and rigs that come with it.\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThey were created by professional guitarists, engineers and producers in studios all over the world. Right out of the box, you will find classic tones of studio standards as well as profiles of highly sought-after amplifiers, some costing many times the price of the Kemper Profiler.\u003c\/p\u003e  \u003ch3\u003eThe growing library\u003c\/h3\u003e  \u003cp\u003eWe will be working tirelessly to create new profiles for you to download for free from our website. All the profiles we create are extracted from real amplifiers and cabinets, each with a distinct personality of its own. To take the profiles, we employ the exact same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive the most authentic sounds from a digital guitar amp, ever!\u003c\/p\u003e  \u003ch3\u003eCreate your own profiles from your own amps\u003c\/h3\u003e  \u003cp\u003eIf you happen to have access to tube amps, feel free to make your own profiles. You will probably feel more familiar with profiles of your own gear, than with those other people have made. It might be also a nice idea to hire a professional studio for a day or two, where you can create your signature profiles with the help of an experienced sound engineer. You then have the luxury of being able to use these profiles wherever you like, and with no time constraints. If you are tracking in a studio, you should profile the guitar amps that you record with. Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e  \u003ch3\u003eShare your own creations\u003c\/h3\u003e  \u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e  \u003ch3\u003eSo much more than just flicking channels\u003c\/h3\u003e  \u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e  \u003ch3\u003eWhat is profiling?\u003c\/h3\u003e  \u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e  \u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. 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What if you could modify the power supply of your profiled amp in order to benefit from power sagging or be larger than life? With the Kemper Profiler, you can! We allow you to dynamically adjust key aspects of your favorite amps which would otherwise be impossible or require hardware modifications. You can do anything from minor tweaks, such as making your Marshall Bluesbreaker profile sound a bit more vintage, to more radical changes such as adding some modern high gain chunk to your vintage Fender Bassman.\u003c\/p\u003e  \u003ch3\u003eControl way beyond the usual\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eThe Amp Definition parameter determines whether the Profile leans more towards a vintage or modern character. 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Dubbed the Fullerton, the resulting amp pays homage to the Fender classic by utilizing what has made the amplifier a studio workhorse for over five decades; reverb, tremolo and incredible tone.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eDoubling Up On Power\u003c\/h3\u003e\u003cbr\u003eWhen looking to build upon the original amp design, the minds behind Jackson Ampworks set out to solve the issue of creating clean tones at a loud volume. The Fullerton achieves this by doubling up on 6V6 output transformers, now using four tubes instead of the standard two. By increasing the amp’s output to 40W, Jackson has ensured that the Fullerton is capable of pushing more volume with undeniable punch and maximum headroom.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eThe Reinvention of Reverb\u003c\/h3\u003e\u003cbr\u003eFrom subtle to surfy, Jackson Ampworks has improved upon the single knob reverb system by building a three knob, tube driven spring reverb into the Fullerton. These controls feature a Reverb Send, Reverb Tone and Reverb Return, which allows for you to decide how hard the reverb is driven, the warmth\/brightness of your tone and the amount of signal that goes back into your dry mix.  \u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eControlling Your Tone\u003c\/h3\u003e\u003cbr\u003eForgoing the traditional Treble and Bass controls, the Fullerton opts for a three-band EQ with knobs for Treble, Middle and Bass. The amp achieves the Princeton Reverb sound when the Middle control is set to the 12:00 position, but allows for tonal experiments when boosting and cutting mid frequencies depending on which way you turn the knob.\u003cbr\u003e\u003cbr\u003eFor those familiar with amplifiers that feature a bright switch, you likely have experienced an amp that may be too dark when the feature is not engaged. 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