{"title":"Dynamic Modules","description":null,"products":[{"product_id":"4ms-company-spectral-multiband-resonator","title":"4ms Company Spectral Multiband Resonator","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Spectral Multiband Resonator\u003c\/strong\u003e is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked\/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more... A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).\u003c\/p\u003e  \u003cp\u003eAt a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance\/Q is variable, which changes the \"ringy-ness\" or width of the bands.\u003c\/p\u003e  \u003cp\u003eBut here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the \"notes\" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up\/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.\u003c\/p\u003e  \u003cp\u003eAt maximum Resonance\/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.\u003c\/p\u003e  \u003cp\u003eTwo 1V\/octave Frequency jacks allow for tracking even and\/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.\u003c\/p\u003e  \u003cp\u003eSave your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!\u003c\/p\u003e     \u003ch3\u003eAdvanced features:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eProgram your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank\u003c\/li\u003e \u003cli\u003eAdjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red\/Green\/Blue values. Custom color schemes can be saved permanently\u003c\/li\u003e \u003cli\u003eSave your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.\u003c\/li\u003e \u003cli\u003eOptional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V\/oct in this mode.\u003c\/li\u003e \u003cli\u003eSlider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e26HP Eurorack module\u003c\/li\u003e \u003cli\u003e0.95\" module depth (24mm)\u003c\/li\u003e \u003cli\u003ePower consumption:\u003c\/li\u003e \u003cli\u003e+12V rail: 86mA maximum (110mA max when jumper set to +12V)\u003c\/li\u003e \u003cli\u003e-12V rail: 28mA maximum\u003c\/li\u003e \u003cli\u003e+5V rail: 25mA maximum (0mA [not used] when jumper set to +12V)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControls, Inputs and Outputs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSix sliders control level of filter\u003c\/li\u003e \u003cli\u003eWhite LED on each slider indicates gain (selectable to indicate clipping)\u003c\/li\u003e \u003cli\u003eSix CV inputs for level of each filter (slider attenuates CV on jack)\u003c\/li\u003e \u003cli\u003eTwenty full-color LEDs indicate which filters are assigned to which channels\u003c\/li\u003e \u003cli\u003eColor on LED ring match colors of Env Out LEDs\u003c\/li\u003e \u003cli\u003eBrightness of each LED shows level of each filter\u003c\/li\u003e \u003cli\u003eQ (Resonance) knob\u003c\/li\u003e \u003cli\u003eQ (Resonance) CV jack\u003c\/li\u003e \u003cli\u003eStereo input and output (divided into even\/odd bands)\u003c\/li\u003e \u003cli\u003eOdd input jack and Even output jack serve as Mono in\/out\u003c\/li\u003e \u003cli\u003eRotate Clockwise and Rotate Counter-clockwise trigger jacks\u003c\/li\u003e \u003cli\u003eRotate CV input jack maps any waveshape to a rotation pattern\u003c\/li\u003e \u003cli\u003eScale CV input jack selects scale from current bank\u003c\/li\u003e \u003cli\u003eSpread knob sets the interval (spacing) between channels\u003c\/li\u003e \u003cli\u003eSpread CV input jack\u003c\/li\u003e \u003cli\u003eMorph knob sets speed of cross fading rotating or spreading\u003c\/li\u003e \u003cli\u003eMorph CV input jack\u003c\/li\u003e \u003cli\u003eSix CV outputs follow envelope of frequency content per band\u003c\/li\u003e \u003cli\u003eFast | Slow switch selects envelope tracking speed, or Trigger output mode\u003c\/li\u003e \u003cli\u003ePre\/Post switch selects whether Env Out jacks track the filter before or after the slider attenuates\u003c\/li\u003e \u003cli\u003eSix Lock buttons lock the frequency of each channel\u003c\/li\u003e \u003cli\u003eButton is lit when locked\u003c\/li\u003e \u003cli\u003eTurning Q knob while holding a lock button also locks the Q value (button flashes to indicate Q-lock)\u003c\/li\u003e \u003cli\u003eLock jack toggles lock status of even or odd channels\u003c\/li\u003e \u003cli\u003e1V\/oct Frequency input jack for even and odd channels\u003c\/li\u003e \u003cli\u003eOdds Switch selects if 1V\/oct Freq jack, Freq Nudge knob, and Lock jack control all odd channels (1\/3\/5) or just channel 1\u003c\/li\u003e \u003cli\u003eEvens Switch selects if 1V\/oct Freq jack, Freq Nudge knob, and Lock jack control all even channels (2\/4\/6) or just channel 6\u003c\/li\u003e \u003cli\u003eSlew switch enables slew-limiting of incoming CV on the level CV jacks (click and pop prevention).\u003c\/li\u003e \u003cli\u003eAmount of slew limiting is proportional to Morph setting at the time the switch is flipped on.\u003c\/li\u003e \u003cli\u003eScale Rotation switch enables filters to rotate into the next scale each time they rotate fully around\u003c\/li\u003e \u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921532007,"sku":"57684","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-company-spectral-multiband-resonator_57684_1_92907757-0c9e-4aad-8d1c-ad32885d8c48.jpg?v=1787090962"},{"product_id":"wmdevices-compressor","title":"WMDevices Compressor","description":"\u003cp\u003eDynamics processing is not something typically considered in modular synthesis, especially subtractive patches. With many synthesists doing fully modular feedback patches, percussion and outboard processing with their modulars, compression now has a place in a Eurorack. The \u003cstrong\u003eWMDevices  Compressor\u003c\/strong\u003e is designed to serve all of your normal dynamics processing needs, but it pushes boundaries further. It can subtly calm resonance peaks, or it can add dynamic character to a bass patch. It can also completely crush and distort a patch into a pumping breathing monster.\u003c\/p\u003e  \u003cp\u003eThe WMD Compressor is designed around the THAT 4301 core, a high end dynamics processor. It has been adapted for modular levels, but will work with +4 line level signals as well. It is designed to be transparent, using only ultra low noise opamps, but it also has variable input and output saturation to add some character and distortion.\u003c\/p\u003e  \u003ch3\u003eTheory of Operation\u003c\/h3\u003e  \u003cp\u003eThe WMD Compressor is a feed-forward design where the input signal is analyzed to determine how much compression is necessary. This architecture is powerful and fast and offers plenty of control over the compression control signal.\u003c\/p\u003e  \u003cp\u003eThe signal path is short, consisting of an input gain stage, the compressor VCA stage and then the final output mix stage. The input stage uses a TLE2027 ultra low noise and low offset opamp. The VCA and output mix use OPA1641 low noise high-headroom opamps. The maximum output swing is close to the supply rails at 22Vpp.\u003c\/p\u003e  \u003cp\u003eThe Manual Attack\/Release circuitry is based on principles designed into the Multimode Envelope. It is incredibly fast and can range to a near stop. This allows you to use the envelope as an effect, and use the CV to halt compression if desired. Too fast of both Attack and Release times will introduce distortion as the follower attempts to follow the signal itself rather than the envelope of the signal.\u003c\/p\u003e  \u003cp\u003eThe Side Chain lets you use another signal to control compression of the input. This lets you duck a bass sound for the kick, or duck a mix for voiceover work, or distort a lead when something else is happening. The Side Chain is very useful for adding dynamics to a patch quickly and easily. It also lets you use the Compressor to work in feedback mode, where the Compressor controls the input to a filter, and the output of that filter is run through the side chain; then when resonance starts to distort the signal, the input is dropped down to compensate. This allows for very smooth resonant patches.\u003c\/p\u003e  \u003cp\u003eThe Input and Output Saturation circuits are voiced differently from each other. The input side saturation works with the input gain control to give a very soft clipping. Lots of 2nd order harmonics to warm your signal here. Input saturation will be present on the Dry side of the Mix control as well as be passed through to the follower and the compression core. Output saturation is active on the Compressor's VCA circuit. It can clip much harder than the input side. Output saturation is great for distorting the initial transient from a slower attack, giving the initial hit more harmonics and a punchy timbre.\u003c\/p\u003e  \u003ch3\u003eThe Controls\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput Gain - Sets the input level on the Signal In jack. Range is +-12dB. 12 o’clock is unity gain. This level is normaled to the Side Chain input. Input level is indicated on the red In LED.\u003c\/li\u003e \u003cli\u003eInput Saturation - This knob and control switch determine the amount of input side saturation. The circuit is a soft clipper that begins to clip at +-4 volt peaks. Switch must be up for knob to be enabled.\u003c\/li\u003e \u003cli\u003eThreshold - This sets the input level where compression starts to happen. Its range from -14dB to +24dB covers the modular range. There is a CV input for this control that is added to the knob value. Th+ and Th- LEDs indicate whether the input signal is above or below the compression threshold.\u003c\/li\u003e \u003cli\u003eKnee Switch - This switch determines the threshold break point behavior. Hard knee will start compression at the specified ratio immediately at the break point. Soft knee starts compression slowly over the range of 3dB before the break point.\u003c\/li\u003e \u003cli\u003eRatio - Controls the amount of compression as a function of input level to output level. So, for every dB in level increase past the threshold, you get X level increase in the output. 4:1 ratio means 4dB input to get a 1dB change in output. ∞:1 is a limiter where the input signal is limited to the threshold level.\u003c\/li\u003e \u003cli\u003eDetector Mode Switch - This three position switch selects between RMS, Adaptive and Peak level detection modes. RMS - Ignores fast transients, slower and smoother. Good for un-compressed attack transients. More vintage sounding compression.; Adaptive - Smooth like RMS, but detects fast transients. Good for many types of material. Modern sounding compression.; Peak - Very fast, follows the signal closely. Use with manual A\/R with slower release for good peak limiting.\u003c\/li\u003e \u003cli\u003eA\/R Switch - This switch determines whether the manual Attack and Release knobs are activated, or if the Level Detector automatically controls attack and release times. Switch must be in Manual mode for Attack and Release knobs and CV to be enabled.\u003c\/li\u003e \u003cli\u003eAttack - This knob sets the amount of time taken for the onset of compression. Rotate clockwise for a slower attack. Attack may be affected by the CV input. Attack is measured in Seconds \/ dB.\u003c\/li\u003e \u003cli\u003eRelease - Controls the amount of time to open the compressor after the input signal goes back below the current level of compression. Rotate clockwise for longer release. Release may be affected by the CV input. Release is measured in Seconds \/ dB.\u003c\/li\u003e \u003cli\u003eRatio Mode - This switch controls whether the compressor reduces output level as the threshold is crossed (Comp), or increases level by the Ratio as the threshold is crossed (Xpand). Beware that flipping to Xpand will greatly increase the volume at the output. Reduce Makeup Gain before engaging this switch.\u003c\/li\u003e \u003cli\u003eComp LED - This blue LED shows the compression level to give rough feedback as to how much compression is taking place.\u003c\/li\u003e \u003cli\u003eMakeup Gain - This controls the amount of gain at the output stage. Range is -36 dB to +36 dB. Use higher settings to bring the level back up after high compression. If using Xpand mode, set this lower than 0dB to avoid high output levels. There is a CV input to further control the amount of Makeup Gain.\u003c\/li\u003e \u003cli\u003eOutput Saturation - This switch must be enabled for the knob to have an effect. Moderately Hard LED saturation begins at ±6 volt peaks.\u003c\/li\u003e \u003cli\u003eMix - This knob mixes the dry input signal with the wet output signal, allowing for simple parallel compression. Also use it as a way to compare input to output easily. This is the final output to the Signal Output jack. Its level is indicated on the red Out LED.\u003c\/li\u003e \u003cli\u003eSide Chain - This input drives the level detector of the compressor. When nothing is plugged in, the Input signal is normaled through to the detector. This allows you to use the compressor as a ducker or expander with other signals.\u003c\/li\u003e \u003cli\u003eEnvelope Out - This output jack produces the Compressor’s control signal for use in other places in your modular.\u003c\/li\u003e \u003cli\u003eStereo Link - If you have two WMD compressors, you can link them together with an 1\/8” cable on the back. Flipping each Compressor’s Link switch to Stereo will connect the two detectors together for true stereo bus compression. Knobs must be set the same for both channels to truly behave the same, as only the detector information is shared.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942569063,"sku":"58326","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-compressor-1_c3a951e0-5f36-4d27-a250-38db42d2cf4e.jpg?v=1787091035"},{"product_id":"intellijel-jellysquasher","title":"Intellijel Jellysquasher","description":"\u003cp\u003eThe \u003cstrong\u003eintellijel Jellyspuasher\u003c\/strong\u003e is an analog coloring compressor module and tone shaper.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e100% analog signal path and sidechain feedforward compressor\u003c\/li\u003e \u003cli\u003eUnique (log based RMS) detector\u003c\/li\u003e \u003cli\u003eOutput routed through a specially selected Edcor transformer with highly desirable saturation qualities.\u003c\/li\u003e \u003cli\u003eThree carefully designed analog circuits to impose specific character on the output signal:\u003c\/li\u003e \u003cli\u003eTUBE adds non-linear distortion providing second order harmonics\u003c\/li\u003e \u003cli\u003eTAPE adds symmetrical distortion providing both even and odd harmonics\u003c\/li\u003e \u003cli\u003eXFRM modifies the transformer feedback circuit, giving a boost to low bass content\u003c\/li\u003e \u003cli\u003eAll three color circuits can be engaged in any combination to react differently based on the input drive level and makeup gain\u003c\/li\u003e \u003cli\u003eSidechain routed through a voltage controllable SVF filter with LP, BP and HP modes. A trimmer on the PCB allows you to adjust Q. This filter can be used independently of the rest of the module.\u003c\/li\u003e \u003cli\u003eExternal sidechain input allows triggering of the compressor with external sources.\u003c\/li\u003e \u003cli\u003eLink IN\/OUT allows two Jellysquashers to be chained together for stereo operation.\u003c\/li\u003e \u003cli\u003eFull CV control of sidechain cutoff, threshold, ratio, attack time, release time, and makeup gain.\u003c\/li\u003e \u003cli\u003eWet\/Dry control allows for “New York” style compression where there is a blend of the dry and compressed output signal.\u003c\/li\u003e \u003cli\u003eLED bargraph with selectable display modes to view the signal level in VU or the gain reduction in dB.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449950990439,"sku":"57067","price":379.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-jellysquasher_57067_1_261025e2-22c4-4a31-8c67-2859c1a2f915.jpg?v=1787091073"},{"product_id":"wmd-devices-mscl","title":"WMD Devices MSCL","description":"\u003cp\u003e\u003cstrong\u003eWMD Devices MSCL\u003c\/strong\u003e is a stereo compressor in 4 hp designed for your master bus to help \"glue\" your mix together. Inspired by the DBX \"Over Easy\" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn.  Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44450173878375,"sku":"89607","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-devices-mscl22_89607_1_7324862b-ec18-43e5-afc9-5bb7a946756f.jpg?v=1787091984"},{"product_id":"waldorf-cmp1-analog-compressor-eurorack-module","title":"Waldorf CMP1 Analog Compressor Eurorack Module","description":"\u003cp\u003eThe \u003cstrong\u003eWaldorf CMP1 Analog Compressor Eurorack Module\u003c\/strong\u003e is a true high-end analog compressor not only adding punch to your signal, but can also be modulated in intriguing and unconventional ways!\u003c\/p\u003e  \u003cp\u003eSide-chaining with a adjustable balance control will open a huge set of modular possibilities. The CMP1 has all the features you expect from a modern compressor including attack and release control, automatic and manual modes, hard and soft knee as well as output gain and bleed amount of the original signal.\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":44450286895207,"sku":"101834","price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/waldorf-cmp1_101834_1_a4b9f0e0-3093-4ef5-bd94-6f69c32d8dea.jpg?v=1787092461"},{"product_id":"2hp-comp-compressor-module","title":"2hp Comp Compressor Module","description":"\u003cp\u003eThe \u003cstrong\u003e2hp Comp\u003c\/strong\u003e is a compressor with side chain functionality.\u003c\/p\u003e","brand":"2hp","offers":[{"title":"Default Title","offer_id":44450531213415,"sku":"132734","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/2hp-comp_132734_1_ced9f65a-a175-40a0-b7d0-cbbe3327a559.jpg?v=1787093442"},{"product_id":"erica-synths-stereo-comp-drum-compressor","title":"Erica Synths Stereo Compressor Module","description":"\u003cp\u003eWhether you need a bit of extra push for your drum sounds or just that extra touch to make your modular mix more nimble and tight, the \u003cstrong\u003eErica Synths Stereo Compressor\u003c\/strong\u003e will make your live performances a joy. The module is optimized for percussion sounds and will be a great addition to any Erica Synths Drum module rig. The Stereo sidechain can be used to animate melodic layers on the beat and to truly bring your Basslines to life.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":44450917089383,"sku":"189666","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/erica-stereo-comp_189666_1.jpg?v=1787095088"},{"product_id":"make-noise-dxg-dual-stereo-gate-module","title":"Make Noise DXG Dual Stereo Low Pass Gate and Mixer Module","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise DXG\u003c\/strong\u003e (Dual Stereo Gate) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, and other stereo modules by Make Noise or others. \u003c\/p\u003e\r\n\r\n\u003cp\u003eUnique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analog and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system. \u003c\/p\u003e\r\n\r\n\u003cp\u003eAs on all of Make Noise low pass gates, the DXG’s Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it. \u003c\/p\u003e\r\n\r\n\u003cp\u003eUnlike previous low pass gates made by Make Noise, all the DXG’s inputs and outputs are stereo. Each set of inputs  is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a  simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc. \u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44451027452007,"sku":"213841","price":215.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-dxg_213841_1_f3e8c515-1adb-42cc-a5d2-9699fd1fb5e6.jpg?v=1787095534"},{"product_id":"tiptop-audio-art-control-path-voice-dynamics-module","title":"TipTop Audio CONTROL PATH ART Voice Dynamics Module","description":"\u003cp\u003eThe \u003cstrong\u003eTipTop Audio CONTROL PATH ART Voice Dynamics Module\u003c\/strong\u003e is an all in one voice dynamics module that helps build full voices quickly. It contains two analog envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTIPTOP AUDIO ART\u003c\/h3\u003e  \u003cp\u003eART takes the power of musical harmony and fully enables its potential in a hardware modular synthesizer. ART is a new set of ideas, a paradigm. At the heart of it is the new ART control signal. Building upon the potential of the new ART signal a new generation of modules that had never existed before are now coming to life and give breath to possibilities we could only dream of prior to that.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44451041476711,"sku":"216321","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-control-path_216321_1_7a8b5b3d-7aef-4bfb-a1fb-2584a68a04c1.jpg?v=1787095597"},{"product_id":"behringer-sample-and-hold-random-voltage-module-1036","title":"Behringer Sample and Hold\/Random Voltage Module 1036","description":"\u003cp\u003eStep back into the golden age of modular synthesis with the \u003cstrong\u003eBehringer Sample and Hold\/Random Voltage Module 1036\u003c\/strong\u003e. An authentic recreation of the classic “2500” series dual sample and hold module from the 1970s, the 1036 brings vintage circuitry and endless modulation possibilities to your Eurorack setup—at an unbeatable value.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eDUAL SAMPLE \u0026amp; HOLD CIRCUITS\u003c\/h3\u003e  \u003cp\u003eThe 1036 features two independent sample and hold circuits, each capable of producing random tones, scales, and arpeggios that breathe life into your patches. With dedicated audio input and output per channel, plus a sample command input, you can precisely control timing and source selection for creative sampling from external or internal signals.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBUILT-IN RANDOM VOLTAGE GENERATORS\u003c\/h3\u003e  \u003cp\u003eEach circuit includes its own random noise generator with an adjustable level control, letting you craft unpredictable voltages or use them as sampling sources. Whether you’re adding motion to drones, generating chaotic modulation, or building rhythmic complexity, the 1036 is your go-to tool for classic randomness.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eVOLTAGE-CONTROLLED CLOCKS AND MANUAL CONTROL\u003c\/h3\u003e  \u003cp\u003eThe module includes two independent voltage-controlled clocks, each with adjustable frequency for tailoring sample rates. Use the clock frequency knobs, manual sample buttons, or external trigger\/gate inputs to manipulate timing in real time—perfect for synced sequences or freeform exploration.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eEURORACK READY\u003c\/h3\u003e  \u003cp\u003eDesigned for standard Eurorack systems, the 1036 module is 16 HP wide and draws 40 mA at +12 V \/ 40 mA at -12 V. Just plug in the power cable, mount with the included screws, and integrate it with your existing rig or use it as the foundation of your modular journey.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44451231301735,"sku":"477417","price":58.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/no_selection_636ece15-627b-426c-ac13-9f2b0f7ca03c.jpg?v=1787096396"},{"product_id":"4ms-company-spectral-multiband-resonator-demo-deal","title":"4ms Company Spectral Multiband Resonator (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Spectral Multiband Resonator\u003c\/strong\u003e is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked\/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more... A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).\u003c\/p\u003e  \u003cp\u003eAt a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance\/Q is variable, which changes the \"ringy-ness\" or width of the bands.\u003c\/p\u003e  \u003cp\u003eBut here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the \"notes\" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up\/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.\u003c\/p\u003e  \u003cp\u003eAt maximum Resonance\/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.\u003c\/p\u003e  \u003cp\u003eTwo 1V\/octave Frequency jacks allow for tracking even and\/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.\u003c\/p\u003e  \u003cp\u003eSave your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!\u003c\/p\u003e     \u003ch3\u003eAdvanced features:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eProgram your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank\u003c\/li\u003e \u003cli\u003eAdjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red\/Green\/Blue values. Custom color schemes can be saved permanently\u003c\/li\u003e \u003cli\u003eSave your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.\u003c\/li\u003e \u003cli\u003eOptional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V\/oct in this mode.\u003c\/li\u003e \u003cli\u003eSlider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e26HP Eurorack module\u003c\/li\u003e \u003cli\u003e0.95\" module depth (24mm)\u003c\/li\u003e \u003cli\u003ePower consumption:\u003c\/li\u003e \u003cli\u003e+12V rail: 86mA maximum (110mA max when jumper set to +12V)\u003c\/li\u003e \u003cli\u003e-12V rail: 28mA maximum\u003c\/li\u003e \u003cli\u003e+5V rail: 25mA maximum (0mA [not used] when jumper set to +12V)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControls, Inputs and Outputs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSix sliders control level of filter\u003c\/li\u003e \u003cli\u003eWhite LED on each slider indicates gain (selectable to indicate clipping)\u003c\/li\u003e \u003cli\u003eSix CV inputs for level of each filter (slider attenuates CV on jack)\u003c\/li\u003e \u003cli\u003eTwenty full-color LEDs indicate which filters are assigned to which channels\u003c\/li\u003e \u003cli\u003eColor on LED ring match colors of Env Out LEDs\u003c\/li\u003e \u003cli\u003eBrightness of each LED shows level of each filter\u003c\/li\u003e \u003cli\u003eQ (Resonance) knob\u003c\/li\u003e \u003cli\u003eQ (Resonance) CV jack\u003c\/li\u003e \u003cli\u003eStereo input and output (divided into even\/odd bands)\u003c\/li\u003e \u003cli\u003eOdd input jack and Even output jack serve as Mono in\/out\u003c\/li\u003e \u003cli\u003eRotate Clockwise and Rotate Counter-clockwise trigger jacks\u003c\/li\u003e \u003cli\u003eRotate CV input jack maps any waveshape to a rotation pattern\u003c\/li\u003e \u003cli\u003eScale CV input jack selects scale from current bank\u003c\/li\u003e \u003cli\u003eSpread knob sets the interval (spacing) between channels\u003c\/li\u003e \u003cli\u003eSpread CV input jack\u003c\/li\u003e \u003cli\u003eMorph knob sets speed of cross fading rotating or spreading\u003c\/li\u003e \u003cli\u003eMorph CV input jack\u003c\/li\u003e \u003cli\u003eSix CV outputs follow envelope of frequency content per band\u003c\/li\u003e \u003cli\u003eFast | Slow switch selects envelope tracking speed, or Trigger output mode\u003c\/li\u003e \u003cli\u003ePre\/Post switch selects whether Env Out jacks track the filter before or after the slider attenuates\u003c\/li\u003e \u003cli\u003eSix Lock buttons lock the frequency of each channel\u003c\/li\u003e \u003cli\u003eButton is lit when locked\u003c\/li\u003e \u003cli\u003eTurning Q knob while holding a lock button also locks the Q value (button flashes to indicate Q-lock)\u003c\/li\u003e \u003cli\u003eLock jack toggles lock status of even or odd channels\u003c\/li\u003e \u003cli\u003e1V\/oct Frequency input jack for even and odd channels\u003c\/li\u003e \u003cli\u003eOdds Switch selects if 1V\/oct Freq jack, Freq Nudge knob, and Lock jack control all odd channels (1\/3\/5) or just channel 1\u003c\/li\u003e \u003cli\u003eEvens Switch selects if 1V\/oct Freq jack, Freq Nudge knob, and Lock jack control all even channels (2\/4\/6) or just channel 6\u003c\/li\u003e \u003cli\u003eSlew switch enables slew-limiting of incoming CV on the level CV jacks (click and pop prevention).\u003c\/li\u003e \u003cli\u003eAmount of slew limiting is proportional to Morph setting at the time the switch is flipped on.\u003c\/li\u003e \u003cli\u003eScale Rotation switch enables filters to rotate into the next scale each time they rotate fully around\u003c\/li\u003e \u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44451374202983,"sku":"499962","price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-company-spectral-multiband-resonator_57684_1.jpg?v=1787096984"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/instruments-modular-synthesizers-eurorack-and-modular-synth-modules-dynamic-modules.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}