{"title":"Effect Modules","description":null,"products":[{"product_id":"malekko-richter-noisering","title":"Malekko Richter Noisering","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko Richter Noisering\u003c\/strong\u003e was sanctioned by Grant Richter of Wiard Synthesizer Company. 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Delay time can be further modified by the CV and FM inputs. The delay then outputs four taps from the different time intervals in the delay line, which can then be used for feedback patching (like a feedback knob on a typical delay pedal) or patched into one of the two voltage controlled crossfaders (for use in feedback patching or as a wet\/dry mix).\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eSignal Inputs: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 input jacks with attenuator control knobs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEcho\/Delay: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDelay time attenuator control knob\u003c\/li\u003e\r\n\u003cli\u003ex1 and x10 switch\u003c\/li\u003e\r\n\u003cli\u003eCV input to control delay time + attenuator control knob\u003c\/li\u003e\r\n\u003cli\u003eFM in with attenuator control knob\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4 distinct stereo outputs: 1\/4t, 1\/2t, 3\/4t and full time\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual Crossfader:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 audio inputs per crossfader\u003c\/li\u003e\r\n\u003cli\u003eCV control input with control knob (fade from input 1-to-2)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 22hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 40mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 90mA@ +12V, 90mA @ -12V, 100mA @ +5V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sputnik Modular","offers":[{"title":"Default Title","offer_id":44449720729703,"sku":"47418","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sputnik_modular_four_tap_delay_dual_crossfader_eurorack_module_95b10521-5484-4a1e-9957-101445cd7564.jpg?v=1787090127"},{"product_id":"make-noise-echophon","title":"Make Noise Echophon","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Echophon\u003c\/strong\u003e provides pitch-shifting echo with smooth time modulation, tempo sync, saturating feedback and a unique pitch shifting algorithm inspired by the Springer Tempophon and lovingly engineered by DSP Guru Tom Erbe of soundhack . \"...the most inspiring module of the year.\" - Electronic Musician.\u003c\/p\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 20hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 70mA@ +12V, 40mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732100199,"sku":"48405","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_echophon_ab216907-bff6-42ff-9a20-77984915ff78.jpg?v=1787090176"},{"product_id":"make-noise-erbe-verb","title":"Make Noise Erbe-Verb","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Erbe-Verb\u003c\/strong\u003e is more than a collection of reverb algorithms or presets, it is a unique, mode less, continuously variable reverb algorithm with complete voltage control. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found. Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 20hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 149mA@ +12V, 15mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732067431,"sku":"48416","price":489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-erbe-verb-21_b5dbf4a3-996d-44f7-b397-34a83c596fb0.jpg?v=1787090176"},{"product_id":"make-noise-moddemix","title":"Make Noise ModDemix","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise modDemix \u003c\/strong\u003efeatures 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplication, Voltage Controlled Polarization, Attenuation and more.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 6hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 24mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 30mA@ +12V, 30mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732165735,"sku":"48424","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_moddemix_40ee5d2b-9035-43ce-bc25-28e0a77091f1.jpg?v=1787090176"},{"product_id":"make-noise-phonogene","title":"Make Noise Phonogene","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Phonogene\u003c\/strong\u003e is a digital re-visioning and elaboration of the tape recorder as musical instrument. It takes its name from a little known, one of a kind instrument used by composer Pierre Schaeffer. It is informed by the worlds of Musique Concrète where speed and direction variation were combined with creative tape splicing to pioneer new sounds, and Microsound where computers divide sound into pieces smaller then 1\/10 of a second to be manipulated like sub-atomic particles.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 20hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 70mA@ +12V, 40mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732296807,"sku":"48430","price":530.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_phonogene_23b0622a-ce80-4832-b264-1b4c50a91cde.jpg?v=1787090177"},{"product_id":"make-noise-rosie","title":"Make Noise Rosie","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Rosie\u003c\/strong\u003e is designed to facilitate live performance on the modular synthesizer by allowing the artist to preview and modify portions of a patch using the Auto-CUE system, while the audience is listening to a different portion of the patch as selected by the crossfader. Additionally it allows for Stereo processing of all sounds via the FX Loop. The Rosie is suitable for headphone monitoring of the modular system and interfacing the modular system to a recording environment. Internal Level Matching and Limiting w\/ overload indication makes it easy to connect the modular system in the studio or on stage.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 8hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 29mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 45mA@ +12V, 40mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732362343,"sku":"48433","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_rosie_6afa7692-b779-4c79-97fc-ba9c450e0033.jpg?v=1787090177"},{"product_id":"roland-system-1m-plug-out-synthesizer","title":"Roland System-1M Plug-out Synthesizer","description":"\u003cp\u003eThe \u003cstrong\u003eSYSTEM-1m\u003c\/strong\u003e is a semi-modular synthesizer with PLUG-OUT capability and a unique design that can be used as a Eurorack module, tabletop synth, or 19” rackmount unit. In addition to being a powerful standalone instrument, the SYSTEM-1m has external inputs and an array of CV\/Gate connections that allow it to be re-patched and to interface with other modular synthesizer systems. The SYSTEM-1m’s CV\/Gate connections combined with its ability to load classic Roland PLUG-OUT synth models like the SH-101 and PROMARS give it power and flexibility that is simply unparalleled.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSemi-modular synthesizer with PLUG-OUT capability\u003c\/li\u003e\r\n\u003cli\u003e19 color-coded CV\/Gate and audio connections with LED lighting\u003c\/li\u003e\r\n\u003cli\u003e84 HP Eurorack, tabletop and 19” rack compatible using AC adaptor or Eurorack power\u003c\/li\u003e\r\n\u003cli\u003eVersatile oscillators with six waveforms, Crossmod, Ring Mod, Sync and Color control\u003c\/li\u003e\r\n\u003cli\u003eAll parameters controlled with high-resolution knobs and sliders with LED indicators\u003c\/li\u003e\r\n\u003cli\u003eExternal input for processing external signals through filter, amp and FX section\u003c\/li\u003e\r\n\u003cli\u003e-12 dB and -24 dB filter types with independent high-pass filters\u003c\/li\u003e\r\n\u003cli\u003eIntegrated tone, crusher, reverb and delay effects\u003c\/li\u003e\r\n\u003cli\u003eTempo syncing for LFO and delay\u003c\/li\u003e\r\n\u003cli\u003e24-bit\/96kHz audio and MIDI interface\u003c\/li\u003e\r\n\u003cli\u003eAIRA Link for easy connection to MX-1 Mix Performer\u003c\/li\u003e\r\n\u003cli\u003eIncludes rackmount adapter and braided patch cables\u003c\/li\u003e\r\n\u003cli\u003eAbleton Live Lite is included\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModular for the Masses\u003c\/h3\u003e\r\n\u003cp\u003eModular synthesizers are highly prized by musicians for their ability to make totally unique and interesting sounds. But they can demand a real investment of both time and money to create a fully functional instrument. The SYSTEM-1m takes the guesswork out of getting into modular with great sounds and the freedom to experiment right out of the box. The fully self-contained module can be placed in a rack or on a table and can be powered by a standard AC adaptor. And it can be played from any standard MIDI keyboard or receive MIDI messages from your DAW - just like you’d expect.  But the SYSTEM-1m goes way beyond standard synthesizer modules. WIth fully-lit, color coded patch points, you can experiment with reconfiguring its architecture and easily connect to a wide world of available synthesizer modules. In addition to functioning as a rackmount or tabletop unit, the SYSTEM-1m can be mounted in a standard Eurorack case and can be powered via integrated case power with the included adapter cable. Its versatile synth architecture integrates beautifully with existing modular setups - or it can be the heart of a burgeoning modular synthesizer rig.\u003c\/p\u003e\r\n\u003ch3\u003eA Collection of Classics\u003c\/h3\u003e\r\n\u003cp\u003eThe SYSTEM-1m is a stunningly powerful instrument based on our more than 40 years of experience in designing synthesizers. It’s capable of an astonishing range of synth tones, from glistening arps to thunderous basses. But we’re also known for our lineage of iconic vintage instruments, sought after by musicians the world over. These include a long list of classic synths renowned for their identifiable character and genre-defining tone. And this is why we developed PLUG-OUT technology.  PLUG-OUT synthesizers use our Analog Circuit Behavior technology to perfectly replicate some of our most revered classics. They work like regular VST or AU compatible plugins in a DAW, with the SYSTEM-1m’s array of high-resolution knobs and sliders creating an elegant, one-to-one control surface that works seamlessly. But you can also load PLUG-OUT synths directly into the SYSTEM-1m and switch between the internal synthesizer architecture and one of a growing number of PLUG-OUT Roland classics, like the SH-101, SH-2 and PROMARS - with no computer required.\u003c\/p\u003e\r\n\u003ch3\u003eAll These Worlds Are Yours\u003c\/h3\u003e\r\n\u003cp\u003eWhile it provides a huge amount of synthesis power on its own, interconnecting the SYSTEM-1m with other modular gear creates a vast range of sonic possibilities. Its impressive oscillator section, sweet filters and snappy envelopes are sure to be welcome in any modular setup, no matter how big or small. But it’s the SYSTEM-1m’s combination of CV\/Gate modularity, PLUG-OUT, and DAW integration that takes things into completely uncharted territory.  For example, load the SH-101 PLUG-OUT into the SYSTEM-1m and you essentially have a hardware SH-101 with modular capabilities - something that has never existed before. You can process external sources through the SH-101’s acclaimed filters, or load the SH-2 PLUG-OUT and use its formidable oscillator section to drive any number of available Eurorack filters and envelopes. The potential is staggering.  *SH-101 PLUG-OUT will be available for sale soon.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44449742225511,"sku":"49478","price":649.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland_system-1m_left_2f59cfee-68ea-44a2-b207-37bde2ab26b5.jpg?v=1787090219"},{"product_id":"roland-aira-modular-torcido-distortion","title":"Roland AIRA Modular Torcido Distortion","description":"\u003cp\u003eTORCIDO is a versatile modular effect combining classic Roland distortion sound and unprecedented control and flexibility. Able to be used as a tabletop unit or as a Eurorack module, and with an array of CV\/Gate inputs, this compact 21 HP unit has a wide range of uses from studio production to live performance. Not only for modular synth users, TORCIDO is perfect for keyboard players, guitarists, DJs or any adventurous musician looking to expand their sound. Carefully crafted in Japan, TORCIDO has large, ultra-smooth controls with over 16 million steps of resolution and is fully re-programmable via computer or tablet.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClassic Roland distortion sound\u003c\/li\u003e\r\n\u003cli\u003eCV\/Gate parameter control including distortion amount, tone and tube warmth\u003c\/li\u003e\r\n\u003cli\u003eTabletop unit or 21 HP Eurorack module using AC adaptor or Eurorack power\u003c\/li\u003e\r\n\u003cli\u003e24-bit “GRF” knobs with over 16 million steps of resolution\u003c\/li\u003e\r\n\u003cli\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/li\u003e\r\n\u003cli\u003e15 patchable submodules, expandable with free updates\u003c\/li\u003e\r\n\u003cli\u003e2 inputs and 2 outputs with dual-mono or stereo capability\u003c\/li\u003e\r\n\u003cli\u003eAIRA Link compatible\u003c\/li\u003e\r\n\u003cli\u003e24bit\/96kHz audio interface\u003c\/li\u003e\r\n\u003cli\u003eCarefully crafted in Japan\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eClassic Roland distortion sound\u003c\/h3\u003e\r\n\u003cp\u003eTORCIDO can produce tones ranging from gentle, warm overdrive to heavy distortion. Using the large, high-resolution knobs, or standard 1\/8\" patch cables, you can independently control the distortion amount, tone, tube warmth, wet\/dry signal, low-end boost and signal bypass. Both the distortion amount and tone parameters have input level controls for adjusting the modulation range when controlled from an external source. Two inputs and two outputs make TORCIDO a stereo-capable, 24bit\/96kHz audio interface for Eurorack systems and the built-in AIRA Link USB compatibility gives it single-cable, plug and play connectivity with the MX-1 Mix Performer.\u003c\/p\u003e\r\n\u003ch3\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/h3\u003e\r\n\u003cp\u003eWhile it sounds great out of the box, you can fully customize TORCIDO’s internal signal path by re-patching its array of virtual sub-modules via a custom application that works on Mac and PC as well as iOS and Android devices. 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Carefully crafted in Japan, SCOOPER has large, ultra-smooth controls with over 16 million steps of resolution and is fully re-programmable via computer or tablet.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSingle-pass looper with dramatic Scatter effects\u003c\/li\u003e\r\n\u003cli\u003eCV\/Gate parameter control including Scatter depth\/type, pitch, and filter\u003c\/li\u003e\r\n\u003cli\u003eTabletop unit or 21 HP Eurorack module using AC adaptor or Eurorack power\u003c\/li\u003e\r\n\u003cli\u003e24-bit knobs with over 16 million steps of resolution\u003c\/li\u003e\r\n\u003cli\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/li\u003e\r\n\u003cli\u003e15 patchable submodules, expandable with free updates\u003c\/li\u003e\r\n\u003cli\u003e2 inputs and 2 outputs with dual-mono or stereo capability\u003c\/li\u003e\r\n\u003cli\u003eAIRA Link compatible\u003c\/li\u003e\r\n\u003cli\u003e24bit\/96kHz audio interface\u003c\/li\u003e\r\n\u003cli\u003eCarefully crafted in Japan\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSingle-pass looper with dramatic Scatter effects\u003c\/h3\u003e\r\n\u003cp\u003eSCOOPER is an ultra-modern effect that can sample, mangle, degrade and glitch captured loops of incoming audio. After capturing an audio loop, you can use SCOOPER to djust the loop’s pitch as well as process it through a filter section and various Scatter types that slice and warp individual steps. Using the large comfortable controls or standard 1\/8\" patch cables, you can independently control the Scatter type and depth, pitch, filter, sync trigger and Scatter on\/off toggle. Both the Scatter Depth and Scatter Type parameters have input level controls for adjusting the modulation range when controlled from an external source. Two inputs and two outputs make SCOOPER a stereo-capable, 24bit\/96kHz audio interface for Eurorack systems, and AIRA Link USB compatibility gives it single-cable, plug and play connectivity with the MX-1 Mix Performer.\u003c\/p\u003e\r\n\u003ch3\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/h3\u003e\r\n\u003cp\u003eWhile it sounds great out of the box, you can fully customize SCOOPER’s internal signal path by re-patching its array of virtual sub-modules via a custom application that works on Mac and PC as well as iOS and Android devices. Submodules are re-patched through a simple and intuitive drag and drop interface that even lets you choose which parameters are assigned to the high-resolution “GRF” knobs. You can reprogram SCOOPER in realtime via USB connection or save and recall patches with a simple audio signal. You can even share patches with other SCOOPER users. While it sounds great out of the box, you can fully customize SCOOPER’s internal signal path by re-patching its array of virtual sub-modules via a custom application that works on Mac and PC as well as iOS and Android devices. Submodules are re-patched through a simple and intuitive drag and drop interface that even lets you choose which parameters are assigned to the high-resolution “GRF” knobs. You can reprogram SCOOPER in realtime via USB connection or save and recall patches with a simple audio signal. You can even share patches with other SCOOPER users.\u003c\/p\u003e\r\n\u003ch3\u003eSCOOPER includes 15 virtual sub-modules with more available through future expansion:\u003c\/h3\u003e\r\n\u003cp\u003eLFO, ADSR, NOISE, SAMPLE \u0026amp; HOLD, RING MOD, FILTER 6dB, FILTER 12dB, TONE, AMP, MIXER, STEREO MIXER, CURVE CONV, GATE DIVIDER, TRIG TO CV DELAY TIME, MIDI CLOCK TO GATE\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44449742717031,"sku":"49481","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland-aira-scooper_front_82952844-1636-4732-970a-88622885ef46.jpg?v=1787090221"},{"product_id":"roland-aira-modular-demora-eurorack-delay","title":"Roland AIRA Modular Demora - Eurorack Delay","description":"\u003cp\u003e\u003cstrong\u003eDEMORA\u003c\/strong\u003e is a unique modular effect combining an all-new, high-resolution delay with unprecedented control and flexibility. 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With the massive range of delay times and buffer hold function you can create anything from ultra-subtle widening to dramatic rhythmic effects. Using the large comfortable controls or standard 1\/8\" patch cables, you can independently control the delay time, feedback, width, wet\/dry signal, delay hold and signal bypass. Both the delay time and feedback parameters have input level controls for adjusting the modulation range when controlled from an external source. 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Carefully crafted in Japan, BITRAZER has large, ultra-smooth controls with over 16 million steps of resolution and is fully re-programmable via computer or tablet.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIntense bit and sample rate destruction\u003c\/li\u003e\r\n\u003cli\u003eCV\/Gate parameter control including sample rate, bit depth, and filter\u003c\/li\u003e\r\n\u003cli\u003eTabletop unit or 21 HP Eurorack module using AC adaptor or Eurorack power\u003c\/li\u003e\r\n\u003cli\u003e24-bit knobs with over 16 million steps of resolution\u003c\/li\u003e\r\n\u003cli\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/li\u003e\r\n\u003cli\u003e15 patchable submodules, expandable with free updates\u003c\/li\u003e\r\n\u003cli\u003e2 inputs and 2 outputs with dual-mono or stereo capability\u003c\/li\u003e\r\n\u003cli\u003eAIRA Link compatible\u003c\/li\u003e\r\n\u003cli\u003e24bit\/96kHz audio interface\u003c\/li\u003e\r\n\u003cli\u003eCarefully crafted in Japan\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIntense bit and sample rate destruction\u003c\/h3\u003e\r\n\u003cp\u003eBITRAZER is an intense bit and sample rate crusher effect that can add edgy character or create total sonic mayhem. Using the large comfortable controls or standard 1\/8\" patch cables, you can independently control the sample rate, filter type, cutoff, resonance, bit depth, and signal bypass. Both the sample rate and filter cutoff parameters have input level controls for adjusting the modulation range when controlled from an external source. Two inputs and two outputs make BITRAZER a stereo-capable, 24bit\/96kHz audio interface for Eurorack systems and AIRA Link USB compatibility gives it single-cable, plug and play connectivity with the MX-1 Mix Performer.\u003c\/p\u003e\r\n\u003ch3\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/h3\u003e\r\n\u003cp\u003eWhile it sounds great out of the box, you can fully customize BITRAZER’s internal signal path by re-patching its array of virtual sub-modules via a custom application that works on Mac and PC as well as iOS and Android devices. Submodules are re-patched through a simple and intuitive drag and drop interface that even lets you choose which parameters are assigned to the high-resolution “GRF” knobs. You can reprogram BITRAZER in realtime via USB connection or save and recall patches with a simple audio signal. 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Effects possible with this module range from subtle tape warble to full-on pitch weirdness, snapback delay, rubbery sounds, dark echo, delayed swells, and self-oscillating feedback madness.\u003cbr\u003eUsing it as a regular delay with the Warp knob turned down, the color is dark and soft. Turn up the warp halfway and you begin to get pitched delays and warbly goo.Turn Warp all the way up and it has a unique sound all its own. For those of you who have never tried a Wow and Flutter, it is so much more than a delay. In fact the original intent of the box wasn’t delay at all, it was the sound of the tape machine eating your tape. But it CAN do delay. And it can also do spiky sounds. And boing sounds. You just have to play with it. And using it on drums and synths allows a whole new basket of sounds to crash through your speaker.\u003cbr\u003eWe have added CV control of Delay time (attenuated by the Depth knob) as well as an external envelope input AND Cv control of Decay time. So you have external control of 3 parameters. We have also added two feedback modes. With the toggle switch in the top position the feedback is very calm and resembles the original stompbox. With the toggle flipped down, WATCH OUT! At max feedback it only takes a second or two to go into self-oscillating distortion. But turn it down just a touch, and you can get quite a bit of control over your dubbed out explorations.\u003c\/p\u003e\r\n\u003cp\u003eThe attack and decay controls are exactly as they were on the original BUT we have added a jumper on the back of the module for those who wish to take their Warbles into extreme regions. Simply move the jumper into FAST mode.\u003c\/p\u003e\r\n\u003cp\u003eWe have also future-proofed this module by adding an expander port in the back. Coming sometime in late 2013 you can expect an expander which will add even more modulation weirdness and control to your new favorite delay module!\u003cbr\u003eAnd that’s not all. There are two extra jacks which were not found on the original. WET OUT and ENV OUT. Wet out is fully wet. Use this in combination with the Envelope Input for unique sounds, or just use it to add to your mix. The ENV OUT allows you to take the Wow’s envelope follower control output and patch it into your filter CV or VCO cv…..create interesting feedback loops where the Wow is responding to the very amplitude and pitch that it is effecting!\u003c\/p\u003e\r\n\u003cp\u003eThere is also a new ENV LED, so now when you dial in the threshold control, you can see exactly when and how intensely the WARP function is going to garble your sound.\u003cbr\u003eSo in closing, the new Wow and Flutter module has a bunch of new features, keeps all the old ones, and in the process ends up as a very powerful modulation tool. We have put up some videos to let you hear the Wow processing drums and synths. With just a few knob turns you can really change the entire character of your input.If you have been searching for a delay with the character of a tape delay twisted and melted, look no further.\u003c\/p\u003e\r\n\u003cp\u003eThe depth of the module is around .8”—-which means it WILL fit happily in your SKIFF. Current draw is about +\/- 45 ma.\u003c\/p\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44449743896679,"sku":"48483","price":330.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_wow-flutter_front_84f380cf-1a26-40de-9b42-bf4395c0f6ef.jpg?v=1787090227"},{"product_id":"snazzy-fx-telephone-game","title":"Snazzy FX Telephone Game","description":"\u003cp\u003eInspired by sample and hold \/ analog shift register with some very unique features.  The \u003cstrong\u003eSnazzy FXTelephone Game Module\u003c\/strong\u003e incorporates not one but five sample and holds, chained together, with two controllable feedback taps, individual outputs at five points, a wave shaper output, built in white noise, two different clock modes, lag, and the ability to Loop the analog cells ( You load in 5 different voltages and then loop them this can all be started and stopped via a gate pulse and\/OR with the built in BUTTON)  Includes attenuverters on both Main Outputs to allow for fine tuning of output signals, a slew section with two input sources(one being the clocked waveshaper), White Noise output, A very unique SUM output which allows for a mixture of ALL FIVE sampling cells to create trills, strange Legato effects, and interesting reconstruction of the incoming signal.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive analog sample and holds (chained)\u003c\/li\u003e\r\n\u003cli\u003eFeedback of individual and all stages\u003c\/li\u003e\r\n\u003cli\u003etwo controllable feedback taps\u003c\/li\u003e\r\n\u003cli\u003eindividual outputs at five points\u003c\/li\u003e\r\n\u003cli\u003ewave shaper output\u003c\/li\u003e\r\n\u003cli\u003ebuilt in white noise\u003c\/li\u003e\r\n\u003cli\u003etwo different clock modes\u003c\/li\u003e\r\n\u003cli\u003elag\u003c\/li\u003e\r\n\u003cli\u003elooping of analog cells\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eTo put it lightly, The Telephone Game can crate a multitude of different modulation effects. Just give it a clock, you can either use the built in white noise as your Signal Source, or plug in any CV or Audio in your system. Then you have the option of taking the clock out from the Telephone Game and driving your sequencers, clock dividers, and envelope generators\/vcas in time with all the wonderful random voltages the Telephone Game creates.\u003c\/p\u003e\r\n\u003cp\u003eYou can use it without any other clocked modules and tune in to the wavy world of “science sounds”.  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CVs outside of this range are simply clipped.\u003c\/li\u003e\r\n\u003cli\u003eInternal processing: 32kHz, 32-bit floating point. RAM Recording buffer uses 16-bit (high quality) or 8-bit µ-law (low quality) resolution.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M4 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003e18-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 120mA ; -12V: 10mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750614119,"sku":"50090","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_clouds_6230f72f-9d98-4f91-86c4-7e2aef38bfee.jpg?v=1787090255"},{"product_id":"pittsburgh-modular-adsr","title":"Pittsburgh Modular ADSR","description":"\u003cp\u003eFour Stage Envelope Generator\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular ADSR\u003c\/strong\u003e is a four stage envelope generator with independently adjustable Attack, Decay, Sustain, and Release stages. This module does one thing amazingly well. The ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.\u003c\/p\u003e\r\n\u003cp\u003eThe functionality of the ADSR is simple. The incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the attack determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. Decay sets the amount of time needed to transition to the level set by the sustain knob. The sustain level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The release knob sets the time needed to close the envelope and return the ADSR output to 0 volts.\u003c\/p\u003e\r\n\u003cp\u003eADSR CONTROLS:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eATTACK Knob - Attack stage control.\u003c\/li\u003e\r\n\u003cli\u003eDECAY Knob - A=Decay stage control.\u003c\/li\u003e\r\n\u003cli\u003eSUSTAIN Knob - Sustain stage control.\u003c\/li\u003e\r\n\u003cli\u003eRELEASE Knob - Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eINPUT Jack - Gate or trigger input.\u003c\/li\u003e\r\n\u003cli\u003eRANGE Switch - Sets the range of the four stage controls.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT Jack - Envelope output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 6hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 35mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750941799,"sku":"50064","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_adsr_ed679b5c-318b-4965-8d51-ce199dbc7826.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-analog-replicator","title":"Pittsburgh Modular Analog Replicator","description":"\u003cp\u003eCleaner, dirtier, brighter, darker, and more versatile than any other analog BBD delay line effects unit available. The \u003cstrong\u003eAnalog Replicator\u003c\/strong\u003e is the astounding result of over a year of ambitious design and engineering.\u003c\/p\u003e\r\n\u003ch4\u003eA New Beginning\u003c\/h4\u003e\r\n\u003cp\u003eThe Analog Replicator was redesigned from scratch to be the finest analog delay available with a sound and feature set focused around the modular synthesizer.\u003c\/p\u003e\r\n\u003cp\u003eOur original Analog Delay module grew out of the circuitry of a guitar pedal. The new Analog Replicator module does not share the same stompbox lineage. Michael Johnsen, Pittsburgh Modular's analog engineer, created a modern BBD core fed by a unique clock source and proprietary signal processing circuits. The result is a flexible, more musical, eurorack delay module.\u003c\/p\u003e\r\n\u003ch3\u003eHow It Works\u003c\/h3\u003e\r\n\u003cp\u003eAt the heart of the Analog Replicator is a pair of 4,096 stage BBD chips. The name BBD stands for [B]ucket [B]rigade [D]evice in reference to a line of people passing buckets of water to quickly extinguish a fire.  Each stage of a BBD chip contains a single capacitor. Pairing two chips together creates a chain of 8,192 capacitors.  Like the water buckets, an audio signal is passed from capacitor to capacitor within the BBD chips once every clock step. A slower clock produces a longer delay and a faster clock produces a shorter delay.\u003c\/p\u003e\r\n\u003ch3\u003eMulti-Mode Delay\u003c\/h3\u003e\r\n\u003cp\u003eThe controls of the Analog Replicator can be used to produce a wide range of delay effects. The STAGES switch flips between 4,096 and 8,192 BBD stages. 4,096 uses a single BBD chip and 8,192 uses two. Using both BBD chips doubles the available delay time, perfect for echos and longer delays. Using a single BBD is useful for reverb and chorus effects. The SHORT\/LONG switch drastically adjusts the delay range. Using a single BBD, the SHORT range varies between 10ms and 175ms and the long range varies between 10ms and 1300ms. The SHORT mode produces bright, clean analog repeats. LONG mode is dark and grimy. Mud and clock noise (whine) begin to leak in and eventually take over as the Analog Replicator reaches the longest available delay time.\u003c\/p\u003e\r\n\u003ch3\u003eChorus and Reverb\u003c\/h3\u003e\r\n\u003cp\u003eThe design of the Analog Replicator allows it to mimic Chrous and Reverb effects. Setting the switches to 4,096 and SHORT, adjusting the TIME control to create shorter delays, and adding a small to medium amount of FEEDBACK, the Analog Replicator generates an analog reverb effect. Add modulation using the TIME CV IN to take advantage of a range of chrous like effects.\u003c\/p\u003e\r\n\u003ch3\u003eDelay Ranges\u003c\/h3\u003e\r\n\u003cp\u003e4,096 and SHORT Selected: 10ms to 175ms 8,192 and SHORT Selected: 20ms to 350ms\u003c\/p\u003e\r\n\u003cp\u003e4,096 and LONG Selected: 10ms to 1300ms (1.3 seconds) 8,192 and LONG Selected: 20ms to 2600ms (2.6 seconds)\u003c\/p\u003e\r\n\u003ch3\u003eAnalog Replicator Controls:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClock Controls: TIME Knob - Adjust the delay time.\u003c\/li\u003e\r\n\u003cli\u003eTIME CV IN Knob - CV attenuverter used to attenuate and\/or invert the incoming TIME CV signal.\u003c\/li\u003e\r\n\u003cli\u003e4,096 \/ 8,192 Switch - Select between 1 and 2 BBD chips. 8,192 doubles the amount of available delay range.\u003c\/li\u003e\r\n\u003cli\u003eSHORT \/ LONG Switch - Select between SHORT and LONG delay ranges. Short range is bright and clean, long range is dark and dirty.\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK Knob - Sets the number of repeats generated from the delay signal.\u003c\/li\u003e\r\n\u003cli\u003eINVERT POLARITY Switch - In the up position, the switch inverts the Feedback polarity. This setting has an interesting effect with shorter delay times.\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK CV IN Knob - CV attenuverter used to attenuate and\/or invert the incoming FEEDBACK CV signal.\u003c\/li\u003e\r\n\u003cli\u003eBYPASS Switch - Enable or disable the analog delay effect.\u003c\/li\u003e\r\n\u003cli\u003eSPILLOVER Switch - Enable or disable the analog delay effect. Feedback is allowed to trail off.\u003c\/li\u003e\r\n\u003cli\u003eINPUT DRIVE Knob - Audio signal input level contol.\u003c\/li\u003e\r\n\u003cli\u003eMIX CV IN Knob - CV attenuverter used to attenuate and\/or invert the incoming MIX CV signal.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT MIX Knob - Sets the signal mix sent to the MIX OUT jack.\u003c\/li\u003e\r\n\u003cli\u003eINPUT JACK - Audio signal input.\u003c\/li\u003e\r\n\u003cli\u003eTIME CV Input Jack - CV input used to modulate TIME (length of delay time).\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK (FBK) CV Input Jack - CV input used to modulate FEEDBACK amount.\u003c\/li\u003e\r\n\u003cli\u003eMIX CV Input Jack - CV input used to modulate the OUTPUT MIX.\u003c\/li\u003e\r\n\u003cli\u003eDELAY OUT Jack - Delayed signal only output.\u003c\/li\u003e\r\n\u003cli\u003eMIX OUT Jack - Mix of dry and delayed signal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 16hp\u003cbr\u003e Module depth: 35mm\u003cbr\u003e Power Usage: 45mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750876263,"sku":"50070","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_analog-replicator_0211c19f-c1b7-4c2a-b88f-70d645ad89c3.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-crush","title":"Pittsburgh Modular Crush","description":"\u003cp\u003eThe \u003cstrong\u003eCrush\u003c\/strong\u003e is an audio destroyer; a voltage controlled, all analog sound decimator. A sonic laser designed to shatter waveforms into a million pieces. The sound of the Crush module is defined by three parameters, Sample Rate, Interpolation, and Mix. Sample Rate assigns the periodic voltage sample timing, breaking down an audio source into ever-larger static chunks. The Interpolate switch tries to rebuild the original waveform from the remaining pieces imprinting another layer of errors and unique artifacts on the output. The results are crushing.\u003c\/p\u003e\r\n\u003cp\u003eThe Crush wrecks audio without ever sounding harsh or thin. Compared to a digital bit crusher, the analog Crush sounds full and warm. Taking advantage of unlimited bit and sample rate resolutions, the Crush avoids lo-fi digital results by smoothly downsampling at infinite resolution.\u003c\/p\u003e\r\n\u003cp\u003eAn integrated voltage controlled mix circuit allows the perfect amount of destruction to be added to the audio. Manually set the mix or use a control voltage to sweep from squeaky clean to completely crushed.\u003c\/p\u003e\r\n\u003ch3\u003eCrush Controls:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSample Rate Control - Sample rate control.\u003c\/li\u003e\r\n\u003cli\u003eSample Rate CV In Control - Sample Rate CV input jack attenuator.\u003c\/li\u003e\r\n\u003cli\u003eInterpolate\/Step Mode Switch - Step mode offers true downsampling. Interpolate mode attempts to smooth the downsampled waveform.\u003c\/li\u003e\r\n\u003cli\u003eOutput Mix Control - Controls the signal mix of the Mix Out.\u003c\/li\u003e\r\n\u003cli\u003eMix CV In Control - Mix CV input jack attenuator.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCrush Patch Points:\u003c\/strong\u003e SR CV IN - CV input modulates the Sample Rate. MIX CV IN - CV input modulates the Output Mix. INPUT - Waveform Input. CRUSH OUT - Processed waveform output. OUTPUT - Mixed waveform output.\u003c\/p\u003e\r\n\u003cp\u003eSize: 8hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 45mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750974567,"sku":"50066","price":122.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_crush_1a649e84-63bd-44b4-b498-fd698c4acb78.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-phase-shifter","title":"Pittsburgh Modular Phase Shifter","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Phase Shifter\u003c\/strong\u003e is a complex, 16 stage, analog effect module designed to expand on the classic swirls, rich swooshes, and doppler effects associated with the phaser.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Phase Shifter has a single 16 stage audio signal path to create a very rich, full sound. Phased audio outputs are tapped from stages 7, 8, 15, and 16.  Stages 8 and 16 each have a mix output that allow the phased signal to be mixed with an attenuvertable dry signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFour CV inputs, an onboard LFO, and multiple CV routing options allow for maximum flexibility and extremely deep modulation options. The CV inputs are split into 2 groups. The first group of CV inputs controls either all 16 stages or just stages 1-8. The second group of CV input controls stages 9-16 and is switchable on or off. All CV signals routed to stages 9-16 can be inverted. Resonance can be positive or negative and the module will self oscillate in either direction.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo modulate the phase shifter circuit, the module includes a wide range low frequency oscillator. The LFO range varies from 1 minute per cycle to well into audio range. The triangle wave of the LFO is hardwired to modulate the frequency of all 16 channels of the Phase Shifter. External modulation sources are handled using 2 sets of CV inputs. Each set includes an invertible, uni-polar CV input that accepts 0v to 5v modulation signals and a bi-polar CV input which accepts -5v to +5v signals. All of the modulation CV inputs can be used simultaneously and can be mixed with the internal LFO to create very complex frequency modulations. Stages 1-8 and 9-16 can be modulated together or independently using the available switches and CV inputs.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHistory and Theory Behind the Phase Shifter\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe origin of the phase shifter as an electronic effect starts with the studio tape technique of flanging. The technique involved playing identical copies of audio through two different tape machines simultaneously and pressing on the flange of one machine to slow down the tape. This action shifted the sound slightly out of sync to the first tape machine and created a moving notch filter effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronically, the effect is created using a series of all-pass filters. Each all-pass filter stage shifts the phase of the audio signal by 90°. Chaining a series of all-pass filters together creates a larger amount of shift and a richer sounding effect. Mixing the dry, unshifted signal with the wet, shifted signal produces a notch filter effect. The notch filter effect is caused by the interaction of the 2 waves. Some frequencies are canceled out and some are reinforced creating peaks and troughs in the frequency spectrum. For every 2 stages (180° of shift) another peak and trough is created. More notches in a notch filter the deeper the effect. The real magic of the phase shifter becomes apparent when the center frequency of each stage is modulated using an triangle wave or other modulation source to produce the signature sweeping sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePhase Shifter Control Descriptions\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrequency Control Knob: Adjusts the center frequency.\u003c\/p\u003e\r\n\r\n\u003cp\u003eResonance Control knob: Adjusts the amount of resonance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Frequency Control Knob: Adjusts the rate of the LFO.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Send Level: Adjusts the amount of LFO used to modulate the frequency. Full left is off.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Triangle Wave Out and Square Wave Out: Individual LFO waveform outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Range Switch: Adjust the frequency range of the LFO.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs Uni-Polar CV In Control Knob, CV Input, and Invert Switch: Main uni-polar CV input for all 16 stages. Control knob adjusts the incoming CV level. Invert switch inverts the incoming CV signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs Bi-Polar CV In Control Knob and CV Input: Main bi-polar CV input for all 16 stages. Control knob adjusts the incoming CV level.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnable CV Inputs 9-16 Switch: Enables or disables CV Inputs 9-16 section. When enabled, external modulation for stages 9-16 uses the CV Inputs 9-16 section instead of the CV Inputs section.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInvert CV Stages 9-16 Switch: Invert switch inverts the modulation source for stages 9-16.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs 9-16 Uni-Polar CV In Control Knob, CV Input, and Invert Switch: Alternative uni-polar CV input for stages 9-16. Control knob adjusts the incoming CV level. Invert switch inverts the incoming CV signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs 9-16 Bi-Polar CV In Control Knob and CV Input: Alternative bi-polar CV input for stages 9-16. Control knob adjusts the incoming CV level.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8 Stage Out Static Wave Blender Control Knob and Mix Output: Mix of the unphased dry signal and the output of the 8th stage of the Phase Shifter. The Static Wave Blender is an attenuverter for the dry signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 7 Output: Output of the 7th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 8 Output: Output of the 8th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003e16 Stage Out Static Wave Blender Control Knob and Mix Output: This is the main mix out. Mix of the unphased dry signal and the output of the 16th stage of the Phase Shifter. The Static Wave Blender is an attenuverter for the dry signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 15 Output: Output of the 15th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 16 Output: Output of the 16th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput Drive Knob: Audio signal input level contol.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput Jack: Audio Signal Input\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 26hp\r\nDepth: 35mm\r\nPower Usage: 165mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751597159,"sku":"50069","price":369.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_phase-shifter_f0839436-170e-4b82-9c76-ad98e29dd534.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-verbtronic","title":"Pittsburgh Modular Verbtronic","description":"\u003cp\u003eReverb creates the illusion of space, adding another dimension to sound and offering a sense of time and distance. The \u003cstrong\u003eVerbtronic\u003c\/strong\u003e digital reverb module generates spaces large enough to overwhelm sounds and smear the audio spectrum with a wash of relentless reflections and echoes, building a tidal wave of never-ending feedback.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"Space...is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is.\" - Douglas Adams\u003c\/p\u003e\r\n\r\n\u003cp\u003eWe did not design the Verbtronic to mimic the real world; instead we have created a reverb full of lush, artificial spaces that blend perfectly with the electronic sounds of modular synthesis.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Verbtronic controls offer a full palette of reverberation effects. Tonal Tilt shifts the frequency emphasis from low and dark to high and bright, acting as a tone control for the reverberated signal. The Feedback knob sends a variable portion of the output signal back into the input, creating results similar to simultaneously adjusting both reverb density and decay time. The Verbtronic voltage controlled Mode switch flips between two unique reverbs: Verb mode is a shorter, more natural sounding reverb, perfect for augmenting leads and more fragile sounds; and Tronic mode creates a much larger, synthetic sounding reverb. The voltage controlled Output Mix knob smoothly shifts between the dry input signal and 100% reverb. Giant percussion drowning in feedback and alien soundscapes are just the beginning....Mix in a touch of reverb to add a sense of space or turn it up for full signal saturation. Dial in the perfect mix for any sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eVerbtronic Controls:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTonal Tilt Control - Tone control affecting the reverberated signal. Shift the emphasis from low to flat to high.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeedback Control - Reverb signal feedback control. The effect is similar to reverb density and decay time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode Switch - Verb is a shorter, more natural sounding reverb. Tronic is a larger, electronic sounding reverb.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutput Mix - Fade between dry signal and 100% reverb.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMix CV IN - CV attenuverter used to attenuate and\/or invert the incoming Mix CV Input signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVerbtronic Patch Points:\u003c\/strong\u003e\r\nMix CV Input - CV input used to modulate the Mix Output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput - Audio signal input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode Gate Input - Flips the Mode switch from Tronic to Verb. Switch must be set to Tronic for incoming gate to have effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVerb Output - 100% reverb signal output only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMix Output - Mix of dry and reverb effect audio output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize - 10hp\r\nModule Depth with Ribbon Cable Attached - 36.5mm\r\nPower Usage - 65mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751793767,"sku":"50068","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_verbtronic_3eae18ee-8087-48f0-96b3-87f6c2348d4d.jpg?v=1787090259"},{"product_id":"tiptop-audio-bat-filter-zdsp-cartridge","title":"Tiptop Audio Bat Filter ZDSP Cartridge","description":"\u003cp\u003e \u003cstrong\u003eTipTop's Bat Filter\u003c\/strong\u003e for Z-DSP contains eight different voltage controllable digital filters.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.005 kg   -   0.01 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449751990375,"sku":"50273","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bat_filter_d5a65d53-2dac-4fb7-bc4c-95be3aec725c.jpg?v=1787090259"},{"product_id":"tiptop-audio-bitrot-bit-manipulation-zdsp-cartridge","title":"Tiptop Audio BitROT Bit Manipulation ZDSP Cartridge","description":"\u003cp\u003e\u003cstrong\u003eBit-Rot\u003c\/strong\u003e is an independent collection of 8 voltage-controlled waveform-combination and bit-manipulation effects written by segoh (Sebastian Gutsfeld) and released by Equinoxoz from Australia.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe algorithms cover a wide range from soft ring modulation with stereo spread to glitchy distortion and harsh digital noise. Particular care was taken to create effects with consistent control parameters which allow the usage of the Z-DSP's sequential program control in a more musical way.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe bit-rot parameter defines the amount of harshness in the nonlinear combination of both inputs. Increase it to tear the bits apart or leave it at 0 to skip the waveform-combination and send the left input signal directly to the left output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll 8 effects include a ring modulation of the output signal with the right input (set the amount with the rmod-r parameter). The right output is an inverted and delayed (0ms to 100ms) copy of the left output, controllable by the dly-r parameter (try hard panning each output for nice stereo effects and mix both outputs or add some feedback for strange phase cancellations).\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWaveform-combination Algorithms:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eINTERLEAVE L\/R:\u003c\/strong\u003e Interleaved bitwise combination of both inputs. Increase the bit-rot parameter to select input bitmasks with longer word lengths.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eXOR:\u003c\/strong\u003e Single bits are xor'ed - \"true\" means the left input is sent to out, \"false\" the right input. Increase the bit-rot parameter to select other positions for the bit comparison.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMIX:\u003c\/strong\u003e Both inputs are mixed together. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMIN:\u003c\/strong\u003e The minimum of both inputs. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eINTERLEAVE MIX\/L\/R:\u003c\/strong\u003e Interleaved bitwise combination of the mix and both individual inputs. Increase the bit-rot parameter to select input bitmasks with longer word lengths.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eC-GATE:\u003c\/strong\u003e A Muller C-gate to compare single bits - \"true\" means the left input is sent to out, \"false\" the right input. Increase the bit-rot parameter to select other positions for the bit comparison.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003ePOS\/NEG:\u003c\/strong\u003e The positive part of left input is mixed with the negative part of the right input. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMAX:\u003c\/strong\u003e The maximum of both inputs. Increase the bit-rot parameter to select the bitmask applied to the output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.005 kg   -   0.01 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752121447,"sku":"50276","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_bitrot2_3799f47e-01ac-4364-b9e9-7f76ea0f8f4c.jpg?v=1787090260"},{"product_id":"tiptop-audio-blank-zdsp-cartridge","title":"Tiptop Audio Blank ZDSP Cartridge","description":"\u003cp\u003e\u003cstrong\u003eTipTop Audio´s Z-DSP Blank Cartridge\u003c\/strong\u003e memory card, for writing programs.  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Here you can order it a s a replacement part in case your \"Dragonfly Delay\" card is defective or if it was not included in your 2nd hand Z-DSP.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/strong\u003e\r\n0,05 kg\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752318055,"sku":"50274","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_dragonfly-delay_9fd1e281-4a44-40c6-ab90-db6e8909dde4.jpg?v=1787090261"},{"product_id":"tiptop-audio-halls-of-valhalla-reverb-zdsp-cartridge","title":"Tiptop Audio Halls of Valhalla Reverb ZDSP Cartridge","description":"\u003cp\u003e\u003cstrong\u003eValhalla DSP's \"The Halls of Valhalla\"\u003c\/strong\u003e is an effect cartridge with eight reverberation algorithms, designed to work with the strengths of the Z-DSP and tailored towards electronic music.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe eight reverb algorithms are ordered from shortest to longest and are called Room, Chamber, Plate, EnsembleVerb, Cathedral, Niflheim, Asgard and Ginnungagap.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGenerally the reverbs have a nice dense sound and even the short reverbs can be quite long with the decay control turned all the way up. Tone control is a powerful control damping the reverbs and has a strong effect especially with the Plate and EnsembleVerb algorithms. Chorus controls the frequency of a (more or less) slight motion, vibration or chorus.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA few remarks about some of the algiorothms: PLATE is definitely a natural but a clearly digital plate reverb. ENSEMBLEVERB softens attacks and sounds much like a string ensemble, especially with chorus. CATHEDRAL can have a long hovering space-ish sound with slight ensemble effect. NIFLHEIM's special behaviour is the the lower volume at short decay times; nice effect when controlled with voltages. GINNUNGAGAP sound very orchestral and you can turn monophonic sounds easily into pads.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe cartridge is manufactured by Valhalla DSP but is being distributed by TipTop Audio who have no influence on production and quantites.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePre-programmed effect cartridge for the Z-DSP\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.005 kg   -   0.01 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752383591,"sku":"50275","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_valhalla_037f68c1-e71c-4133-be4b-bdc79c34deae.jpg?v=1787090261"},{"product_id":"tiptop-audio-zdsp-voltage-controlled-dgtl-signal-processor","title":"Tiptop Audio ZDSP Voltage Controlled Dgtl Signal Processor","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Z-DSP\u003c\/strong\u003e is a stereo DSP processor, with 24-bit sampling, 15khz of bandwidth, voltage controlled parameters, and has the ability to be programmed with a powerful assembly language - all in a Eurorack format. The Z-DSP gives you all the tools you need to control and manipulate digital effects to explore the new sonic spectrum DSP is bringing to the modular synth, including; VC digital parameters, VC Mix\/Dry, manual and sequential program switching and a pair of VC Feedback-loop path with exposed patch points that let you insert the rest of your modular inside the DSP process.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Z-DSP has two totally independent audio channels with separate input level controls and feedback loops that you can break up. thus cross-feedbacks are possible what gives interesting effects e.g. with delays, three digital parameters per effect can be set manually or with control voltages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYou can step through the eight programs of the memory card with a pushbutton or via a trigger signal. A CV can determine the direction (fwd\/bwd). Also you can address the eight effects with a CV. The dry\/wet mix of the Z-DSP can be set either with a manual control and\/or a CV.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eParameters of the DSP:\u003c\/strong\u003e 24bit AD\/DA converters, speed: 6MB\/sec, 32k RAM, THD at 1kHz: 0,015%\u003c\/p\u003e\r\n\r\n\u003cp\u003eIncluded is the \"Dragonfly Delay\" cartridge which gives you following eight delays:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003emono delay with lowpass filter on feedback\u003c\/li\u003e\r\n\u003cli\u003estereo ping-pong\u003c\/li\u003e\r\n\u003cli\u003estereo delay with independent delay times per channel\u003c\/li\u003e\r\n\u003cli\u003estereo delay with independent feedback settings per channel\u003c\/li\u003e\r\n\u003cli\u003e3-taps stereo delay with 25% feedback\u003c\/li\u003e\r\n\u003cli\u003e3-taps stereo delay with 75% feedback\u003c\/li\u003e\r\n\u003cli\u003estereo in\/out polyrhythm\u003c\/li\u003e\r\n\u003cli\u003emono in\/ stereo out polyrhythm\u003c\/li\u003e\r\n\u003cli\u003eadditional cartridge: Broken Silicon Error Codes 1\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003ecommon connections: CV input for dry\/wet mix. 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One input is sent to two fuzz circuits, The Ruiner and the Torn's Peaker. The output of these circuits are mixed down to OUT 2. Or, for the immersive experience, hook up OUT 1 and OUT 2 to their own amps, or even more pedals and then amps! STEREO DESTRUCTION.\u003c\/p\u003e  \u003cp\u003eThe Ruiner is one of our greatest hits, effectively converting any input into a brassy, bassy square wave. Throw a chord at it an listen to it glitch!  You can also roll back the gain for less destruction, but really, how often is that called for?\u003c\/p\u003e  \u003cp\u003eThe Torn's Peaker is the \"deluxe version\" found in our TP\/AE Hybrid. That means a WORSE toggle for super clipping sizzles. Zazz knob for textural changes. TP\/AE knob for subtle gain and tone shifts. And plenty of volume. 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The phase shifter has panel controls for shift frequency and resonance amount that can vary from subtle to a deep, lush analog effect. Similarly, the audio delay has independent knob control of delay time and resonance (or feedback) for short chorus-like modulation delays. Both the phase shifter and delay can be modulated by the 572’s internal LFO or external CV signals and feature wet\/dry effects mix controllable via the front panel or with CV.\u003c\/p\u003e  \u003cp\u003eThe LFO section has a knob for controlling frequency and features both normal and inverted output jacks. 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With automatic routing based upon what you plug in the I\/O, Dimensions can do mono-\u0026gt;mono, mono-\u0026gt;stereo, and true stereo chorus duties. \u003cbr\u003e\u003cbr\u003eDimensions' Mode A operation is a ludicrously thick chorus. Most chorus effects have either a single delay line or a pair. Dimensions has six of them, each with its own modulation scheme. The Mode B operation changes the routing to match the vintage rack unit, but keeps the controls available. This results in a subtly different, but equally thick and appealing, effect.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions: 6HP, 25mm depth\u003c\/li\u003e\r\n\u003cli\u003ePower: 40mA@ +12V, 9mA @ -12V\u003c\/li\u003e\r\n\u003cli\u003eAudio Conversion: 24-bit sampling resolution, 48kHz sampling rate\u003c\/li\u003e\r\n\u003cli\u003eSignal Processing: 32-bit floating point\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Audio Damage","offers":[{"title":"Default Title","offer_id":44449809137767,"sku":"51792","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audio-damage-adm11-dimensions-main_cf2a98d1-e082-4e56-bf83-cd02488c923d.jpg?v=1787090509"},{"product_id":"intellijel-springray","title":"Intellijel Springray","description":"\u003cp\u003eThere are many excellent digital reverbs available these days but there is still nothing quite like the timeless and magical character of a true spring reverb.\u003c\/p\u003e  \u003cp\u003eintellijel has a love for true analog devices and it has always been important for them to explore as many of these fundamental analog building blocks of synthesis as possible.\u003c\/p\u003e  \u003cp\u003eIn the development of the \u003cstrong\u003eintellijel Springray\u003c\/strong\u003e, they were blown away by how much there is to explore. Each tank has a totally different set of characteristics and there were many unexpected surprises when feeding it a wide variety of sound sources. 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This beloved other-worldly, warm, and at times clangorous coloring dates at least as far back to Bode's Melochord of 1947 technology, which was ultimately licensed to Robert Moog in the early 1960s. Of course analog maestros Don Buchla, and Lord Tom Oberheim made their indelible marks, with circuitry culminating—to the ears—in the brilliantly rhythmic, and wildly expressive Yamaha CS-80 Ringmod's sonic alchemy and \"Electone\" informed controls.\u003c\/p\u003e\u003cp\u003eBack at the Modstar Ranch: The SCI FI's outputted ring-modulated signal is the sum and difference of the frequencies present in each waveform—a signal rich in partials—often producing a haunting, bell-like, metallic, and sometimes softly grinding, understated modulation awash in harmonic and non-harmonic tones. S.E. brought its own brand of dynamic ModMax Pedal-flavored Ringmod to the world in 2002.\u003c\/p\u003e\u003cp\u003eSCI FI is getting better all the time with its companion LFO FREQ (low frequency oscillator), true analog PINK, and digital WHITE noise, S \u0026amp; H—a true sample and hold generator, with RANGE control, and LAG generator—a slew limiter which craftily smooths out changes in audio or modulation signals: higher values = smoother signal flowing. This module is every bit as creamy sounding as it is electrically charged: the higher frequencies coat the sound with a sparkling quality one wouldn't naturally expect, but it is a welcome sound indeed.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eSix attenuation pots: RING MOD, LFO FREQ, WHITE, PINK, RANGE, and LAG.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eSeven patch points: RM X IN, RM Y IN, GATE, SOURCE, RM OUT, WHITE, PINK, and S \u0026amp; H OUT.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eRING MOD – Adjusts the ring mod depth.\u003c\/li\u003e\n\u003cli\u003eLFO FREQ – Adjusts the rate of the sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eWHITE – Adjusts the white noise level.\u003c\/li\u003e\n\u003cli\u003ePINK – Adjusts the pink noise level.\u003c\/li\u003e\n\u003cli\u003eRANGE – Adjusts the sample \u0026amp; hold depth or intensity.\u003c\/li\u003e\n\u003cli\u003eLAG – Adjusts the sample and hold lag or slew limiting (glide): in the circuit after the sample \u0026amp; hold and before the range attenuator.\u003c\/li\u003e\n\u003cli\u003eRM X IN – Ring Mod X waveform input.\u003c\/li\u003e\n\u003cli\u003eRM Y IN – Ring Mod Y waveform input.\u003c\/li\u003e\n\u003cli\u003eGATE – External gate input for sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eSOURCE – External audio input for sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eRM OUT – Ring Mod output.\u003c\/li\u003e\n\u003cli\u003eWHITE – White noise output.\u003c\/li\u003e\n\u003cli\u003ePINK – Pink noise output—the pink noise is normaled to the source input of the sample \u0026amp; hold.\u003c\/li\u003e\n\u003cli\u003eS \u0026amp; H OUT – Sample \u0026amp; hold output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 48mA, 41mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888272487,"sku":"56788","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-scifi-1_7a8335df-6a10-4bc8-9f81-7d5a5f44aec3.jpg?v=1787090824"},{"product_id":"mutable-instruments-warps","title":"Mutable Instruments Warps","description":"\u003cp\u003eEvolved from the oscillator mixing section of desktop hybrid synths, the \u003cstrong\u003eMutable Instruments Warps\u003c\/strong\u003e is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods – some of them emulating classic analog circuits, some of them purely digital – are provided by the module.\u003c\/p\u003e  \u003cp\u003eWith Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness\/harshness of the modulated signal.\u003c\/p\u003e  \u003cp\u003eSince many classic cross-modulation effects work best when the carrier is a simple waveform – for example, a sine wave for ring-modulation or a buzzing waveform for vocoding – Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V\/Oct and supports through-zero FM, will replace the carrier audio input – freeing up one oscillator in your system for other duties!\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449896366183,"sku":"57015","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-warps_57015_1_4941a334-c682-4678-b099-a1fe5851bfec.jpg?v=1787090857"},{"product_id":"dreadbox-delta-eurorack-module","title":"Dreadbox Delta","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Delta Module\u003c\/strong\u003e is a dual digital parallel lo-fi delay with wet outputs for both delays and has time modulation for both delays.\u003c\/p\u003e  \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput: accepts up to 5Vpp inputs\u003c\/li\u003e \u003cli\u003eHigher inputs will work, but the wet signal will be overdriven\u003c\/li\u003e \u003cli\u003eCV: accepts +\/-5V\u003c\/li\u003e \u003cli\u003eTime: 15ms – 500ms\u003c\/li\u003e \u003cli\u003e16 HP\u003c\/li\u003e \u003c\/ul\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44449901707367,"sku":"57210","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-delta_57210_1_b1375a15-ba40-4f54-8e3a-41cc01c98151.jpg?v=1787090880"},{"product_id":"antimatter-audio-sub-ring-sub-octave-ringmod","title":"Antimatter Audio Sub Ring - Sub Octave Ringmod","description":"\u003ch3\u003eMultifunction Analog Sub Octave Ringmod Noise Mixerizer\u003c\/h3\u003e     \u003cp\u003eThe \u003cstrong\u003eAntimatter Audio Sub Ring\u003c\/strong\u003e is the missing 5-­channel analog mixer section of your modular, especially tuned to play well with oscillators. It features a ring mod, 2 sub octaves, and a noise generator. It adds character, volume, and depth to your synth voice. All 5 channels are summed at the ‘Mix’ output and have 1.5X amplification. A mix out and dedicated white noise output are provided. Use the Sub Ring to fatten and add depth to your patches!\u003c\/p\u003e     \u003ch3\u003eSpecifications:\u003c\/h3\u003e     \u003cul\u003e \u003cli\u003e6HP\u003c\/li\u003e \u003cli\u003e100% analog\u003c\/li\u003e \u003cli\u003eInput with gain and bipolar level control\u003c\/li\u003e \u003cli\u003e2 analog sub octaves derived from input 1 with level control\u003c\/li\u003e \u003cli\u003eAnalog white noise with level control and dedicated full­level output\u003c\/li\u003e \u003cli\u003eRing mod of input 1 x input 3 (or whatever is input into the Ring input) with level control\u003c\/li\u003e \u003cli\u003eDC­ coupled to facilitate experimentation with CV signals!\u003c\/li\u003e \u003cli\u003eInputs 2­4 provide normaling functions to act as mixer inputs\u003c\/li\u003e \u003cli\u003eThicken and add depth to classic synth patches, experiment with adding sub octaves and ring mod to unexpected sources (vocals\/drum machines\/CV signals), use as a 4­input utility mixer + ring mod (which can act as a 5th input with VCA), a noise source for sound or random functions, etc…\u003c\/li\u003e \u003c\/ul\u003e","brand":"Antimatter Audio","offers":[{"title":"Default Title","offer_id":44449904492647,"sku":"57253","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antimatter-sub-ring_57253_1_75e4a32c-d586-4e29-8afe-788342b937d6.jpg?v=1787090892"},{"product_id":"4ms-company-spectral-multiband-resonator","title":"4ms Company Spectral Multiband Resonator","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Spectral Multiband Resonator\u003c\/strong\u003e is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked\/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more... A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).\u003c\/p\u003e  \u003cp\u003eAt a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance\/Q is variable, which changes the \"ringy-ness\" or width of the bands.\u003c\/p\u003e  \u003cp\u003eBut here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the \"notes\" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up\/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.\u003c\/p\u003e  \u003cp\u003eAt maximum Resonance\/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.\u003c\/p\u003e  \u003cp\u003eTwo 1V\/octave Frequency jacks allow for tracking even and\/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.\u003c\/p\u003e  \u003cp\u003eSave your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!\u003c\/p\u003e     \u003ch3\u003eAdvanced features:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eProgram your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank\u003c\/li\u003e \u003cli\u003eAdjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red\/Green\/Blue values. Custom color schemes can be saved permanently\u003c\/li\u003e \u003cli\u003eSave your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.\u003c\/li\u003e \u003cli\u003eOptional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V\/oct in this mode.\u003c\/li\u003e \u003cli\u003eSlider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e26HP Eurorack module\u003c\/li\u003e \u003cli\u003e0.95\" module depth (24mm)\u003c\/li\u003e \u003cli\u003ePower consumption:\u003c\/li\u003e \u003cli\u003e+12V rail: 86mA maximum (110mA max when jumper set to +12V)\u003c\/li\u003e \u003cli\u003e-12V rail: 28mA maximum\u003c\/li\u003e \u003cli\u003e+5V rail: 25mA maximum (0mA [not used] when jumper set to +12V)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControls, Inputs and Outputs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSix sliders control level of filter\u003c\/li\u003e \u003cli\u003eWhite LED on each slider indicates gain (selectable to indicate clipping)\u003c\/li\u003e \u003cli\u003eSix CV inputs for level of each filter (slider attenuates CV on jack)\u003c\/li\u003e \u003cli\u003eTwenty full-color LEDs indicate which filters are assigned to which channels\u003c\/li\u003e \u003cli\u003eColor on LED ring match colors of Env Out LEDs\u003c\/li\u003e \u003cli\u003eBrightness of each LED shows level of each filter\u003c\/li\u003e \u003cli\u003eQ (Resonance) knob\u003c\/li\u003e \u003cli\u003eQ (Resonance) CV jack\u003c\/li\u003e \u003cli\u003eStereo input and output (divided into even\/odd bands)\u003c\/li\u003e \u003cli\u003eOdd input jack and Even output jack serve as Mono in\/out\u003c\/li\u003e \u003cli\u003eRotate Clockwise and Rotate Counter-clockwise trigger jacks\u003c\/li\u003e \u003cli\u003eRotate CV input jack maps any waveshape to a rotation pattern\u003c\/li\u003e \u003cli\u003eScale CV input jack selects scale from current bank\u003c\/li\u003e \u003cli\u003eSpread knob sets the interval (spacing) between channels\u003c\/li\u003e \u003cli\u003eSpread CV input jack\u003c\/li\u003e \u003cli\u003eMorph knob sets speed of cross fading rotating or spreading\u003c\/li\u003e \u003cli\u003eMorph CV input jack\u003c\/li\u003e \u003cli\u003eSix CV outputs follow envelope of frequency content per band\u003c\/li\u003e \u003cli\u003eFast | Slow switch selects envelope tracking speed, or Trigger output mode\u003c\/li\u003e \u003cli\u003ePre\/Post switch selects whether Env Out jacks track the filter before or after the slider attenuates\u003c\/li\u003e \u003cli\u003eSix Lock buttons lock the frequency of each channel\u003c\/li\u003e \u003cli\u003eButton is lit when locked\u003c\/li\u003e \u003cli\u003eTurning Q knob while holding a lock button also locks the Q value (button flashes to indicate Q-lock)\u003c\/li\u003e \u003cli\u003eLock jack toggles lock status of even or odd channels\u003c\/li\u003e \u003cli\u003e1V\/oct Frequency input jack for even and odd channels\u003c\/li\u003e \u003cli\u003eOdds Switch selects if 1V\/oct Freq jack, Freq Nudge knob, and Lock jack control all odd channels (1\/3\/5) or just channel 1\u003c\/li\u003e \u003cli\u003eEvens Switch selects if 1V\/oct Freq jack, Freq Nudge knob, and Lock jack control all even channels (2\/4\/6) or just channel 6\u003c\/li\u003e \u003cli\u003eSlew switch enables slew-limiting of incoming CV on the level CV jacks (click and pop prevention).\u003c\/li\u003e \u003cli\u003eAmount of slew limiting is proportional to Morph setting at the time the switch is flipped on.\u003c\/li\u003e \u003cli\u003eScale Rotation switch enables filters to rotate into the next scale each time they rotate fully around\u003c\/li\u003e \u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921532007,"sku":"57684","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-company-spectral-multiband-resonator_57684_1_92907757-0c9e-4aad-8d1c-ad32885d8c48.jpg?v=1787090962"},{"product_id":"4ms-company-quad-pingable-lfo","title":"4ms Company Quad Pingable LFO","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Quad Pingable LFO\u003c\/strong\u003e is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.\u003c\/p\u003e\u003cp\u003eThe QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.\u003c\/p\u003e\u003ch3\u003eControls and jacks\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTap tempo button (\"Ping\") for manually setting the tempo\u003c\/li\u003e\n\u003cli\u003ePing jack sets tempo with an external clock (any complex signal can be used as a clock)\u003c\/li\u003e\n\u003cli\u003eOn\/mute button enables or mutes the output (latching button)\u003c\/li\u003e\n\u003cli\u003eSkew knob and CV jack control the waveshape by altering the ratio between rise and fall times\u003c\/li\u003e\n\u003cli\u003eAt 0% Skew (0V of CV), the shape is a \"plucky\" near-expo curve\u003c\/li\u003e\n\u003cli\u003eAt 1% Skew (just over 0V of CV), the shape is ramp-down\u003c\/li\u003e\n\u003cli\u003eAt 50% Skew (about 5V of CV), the shape is a triangle\u003c\/li\u003e\n\u003cli\u003eAt 100% Skew (about 10V of CV), the shape is ramp-up\u003c\/li\u003e\n\u003cli\u003eSkew knob provides offset to the incoming CV signal, so any range of CV is acceptable\u003c\/li\u003e\n\u003cli\u003eReset jack restarts the LFO without changing the tempo (rising edge triggered)\u003c\/li\u003e\n\u003cli\u003eOUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)\u003c\/li\u003e\n\u003cli\u003eLED flashes and dims to the signal on the OUT jack\u003c\/li\u003e\n\u003cli\u003eTap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack\u003c\/li\u003e\n\u003cli\u003eOn\/Mute button lights up when channel is On\u003ch3\u003eAdvanced\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003ePing and Reset inputs use comparators, so any waveshape can be used for triggering (audio waves, complex LFOs, even the QPLFO itself!) Trim-pot on PCB allows for adjustment of comparator threshold value\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\"Fire-on-unmute\" jumper per channel:When this optional jumper is installed, pressing the On button to turn the channel on will reset the LFO.If the jumper is not installed (factory default), pressing On will unmute the LFO without resetting (LFO runs in the background when muted)\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eBipolar\/Unipolar jumper:\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003eSetting jumper to Bipolar makes the outputs -5V to +5V\u003c\/li\u003e\n\u003cli\u003eSetting jumper to Unipolar makes the outputs 0V to +10V\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne jumper controls all four channels\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne-shot mode: Reset jack can be used to trigger a one-shot envelope if the external ping clock is stopped. See manual for detailed discussion\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eFloating Reset mode: Holding a high gate on Reset jack allows the waveshape to run freely without automatically re-syncing to the ping clock. A bare cable plugged into the jack causes a high gate\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eConnects to other modules using ribbon cables:\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003eOutputs can connect to the 4ms VCA Matrix, or the 4ms SISM, the Circuit Abbey Intermix or the Toppobrillo Mixiplexer\u003c\/li\u003e\n\u003cli\u003eNormalization of ping jacks can connect to the 4ms Quad Clock Distributor\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eModule size:\u003c\/h3\u003e\u003cp\u003eThe QPLFO is 12HP and 1.57 inches (40mm) deep.\u003c\/p\u003e\u003ch3\u003ePower consumption:\u003c\/h3\u003e\u003cp\u003eA jumper selects using +5V from the power supply, or generating +5V on-board from the +12V rail.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e+12V rail:\u003c\/li\u003e\n\u003cli\u003e89mA max with jumper selecting external 5V\u003c\/li\u003e\n\u003cli\u003e154mA max with jumper selecting internal 5V.\u003c\/li\u003e\n\u003cli\u003e+5V rail:\u003c\/li\u003e\n\u003cli\u003e65mA max with jumper selecting external 5V\u003c\/li\u003e\n\u003cli\u003enot used (0mA) with jumper selecting internal 5V.\u003c\/li\u003e\n\u003cli\u003e-12V rail:\u003c\/li\u003e\n\u003cli\u003e73mA max\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921728615,"sku":"57677","price":250.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-quad-pingable-lfo-new_e15959e5-2a26-439a-a727-5f675fc6e35c.jpg?v=1787090963"},{"product_id":"4ms-company-dual-looping-delay","title":"4ms Company Dual Looping Delay","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Dual Looping Delay (DLD)\u003c\/strong\u003e is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular timebase and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.\u003c\/p\u003e\u003ch3\u003eWhat is a \"Looping Delay\"?\u003c\/h3\u003e\u003cp\u003eModern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modeled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. 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The external feedback loop allows you to patch your favorite filter\/waveshaper\/reverb\/chorus\/whatever directly in to the feedback loop for further sonic exploration. All in all, a worthy successor to the venerable DubJr, and a must-have for any live performance modular.\u003c\/p\u003e","brand":"Audio Damage","offers":[{"title":"Default Title","offer_id":44449937588327,"sku":"58257","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audio-damage-adm16-1_86e5a34a-44c9-40f6-b464-c007e2ce238c.jpg?v=1787091028"},{"product_id":"wmdevices-geiger-counter-eurorack","title":"WMDevices Geiger Counter Eurorack","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Geiger Counter Eurorack\u003c\/strong\u003e is WMD's flagship Geiger Counter guitar pedal turned Eurorack module. Added features include direct input to bypass the gain and tone circuits and CV control over every parameter. The Eurorack Geiger Counter is fully DC coupled and will accept audio and CV signals. Run a slow LFO into the direct input, tweak the wave table knob and see what happens!\u003c\/p\u003e  \u003ch3\u003eThe Controls\u003c\/h3\u003e  \u003cp\u003e The Geiger Counter may seem overwhelming, but once broken down, the controls are quite logical.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eGain - Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.\u003c\/li\u003e \u003cli\u003eTone - The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.\u003c\/li\u003e \u003cli\u003eTone Enable\/Disable - This switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.\u003c\/li\u003e \u003cli\u003eDirect In\/Level - The direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.\u003c\/li\u003e \u003cli\u003eSample Rate - Controls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy. When the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end. The CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.\u003c\/li\u003e \u003cli\u003eBit Depth - This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound. The LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds. The Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.\u003c\/li\u003e \u003cli\u003eWave Table - This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eThe display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.\u003c\/p\u003e  \u003cp\u003eThe Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. 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