{"title":"Envelope Modules","description":null,"products":[{"product_id":"malekko-richter-envelator","title":"Malekko Richter Envelator","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko Richter Envelator\u003c\/strong\u003e is part of a series of modules in Eurorack format, offer the same great sound, ergonomics, musicality, and quality that made the Wiard 300 series legendary, at a fraction of the cost and size.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe attack and decay slopes are individually voltage controllable with input attenuators. Each unit outputs the envelope, inverse of the envelope (negative going envelope), a voltage step signal during the attack phase, and a pulse at the end of the decay phase.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe three-position mode switch determines the function of the envelopes. When set to AR, the envelope will act as an AR envelope, maintaining full level until GATE [in] goes “low”. In AD mode, the envelope acts as an AD envelope, and will begin decay as soon as the attack stage is complete. In Cycle mode, the end pulse is fed back to the envelope input, and will force the envelope to re-trigger. In this mode, the Envelator output functions as a shaped triangle waveform LFO. When in Cycle mode, the SQR output acts as a square wave LFO with the pulse width determined by the settings of the A and D controls. This output can also be used to clock.\u003c\/p\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449720238183,"sku":"47407","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_richter_envelator_98d377f3-8fe0-40f3-8375-84d2ae32c85a.jpg?v=1787090125"},{"product_id":"sputnik-modular-quad-function-and-trigger-source","title":"Sputnik Quad Function \u0026 Trigger Source","description":"\u003cp\u003eThe \u003cstrong\u003eSputnik Quad Function and Trigger Source\u003c\/strong\u003e provides four independent or paired (quadrature mode) CV function generators for creating complex envelopes. Each generator can be triggered by an external pulse, a sustained gate (for ASR response), and is also able to self-cycle (for looping AD\/AR or LFO-like shapes). Attack and decay times are controllable via CV or control knobs and each stage ranges in length from 0.05 to 10 seconds.\u003cbr\u003e\u003cbr\u003eEach section has a CV output and an end-of-cycle pulse output. Each pair of channels (1+2, 3+4) also features an output jack for an OR logic gate that allows for complex envelope combinations with the help of a control knob. Finally, quadrature mode allows each channel pair to be synchronized 90° out of phase with the duty cycle of its pair (i.e. channel 2 will begin its cycle when channel 1 starts its attack phase).\u003cbr\u003e\u003cbr\u003eTwo slide switches (A\/B and C\/D) on a back on a module give a possibility to select the maximum envelope voltage level 0-5V or 0-8V.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eAttack and Decay\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4 generators\u003c\/li\u003e\r\n\u003cli\u003eThe time range of each generator (.005 – 10 seconds) can be controlled via CV pulse input jacks for both attack and decay + control knobs\u003c\/li\u003e\r\n\u003cli\u003e3-mode switch per generator: CYCLE (LFO), TRANSIENT, SUSTAINED\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eOutput\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eEach generator includes CV output + pulse output that generates a transient pulse at the end of the decay segment: if the generator is in CYCLE mode for instance, that cycle will repeat\u003c\/li\u003e\r\n\u003cli\u003eQUADRATURE MODE SWITCH with green LED: when engaged, 1+2 (or 3+4) work in tandem + a shift of 90 degrees to each other. These pairs can then be linked creating complex ADSR envelopes.\u003c\/li\u003e\r\n\u003cli\u003eDedicated outputs for 1+2 and 3+4 as well as attenuator knobs for mixing channels.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e28hp +12V\/-12V\/+5V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sputnik Modular","offers":[{"title":"Default Title","offer_id":44449720664167,"sku":"47420","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sputnik_modular_quad_function_trigger_source_afa62ba9-6d53-4e4f-b2e3-36684d457d53.jpg?v=1787090127"},{"product_id":"make-noise-maths","title":"Make Noise MATHS Complex Function Generator Eurorack Module","description":"\u003cp\u003e\u003cstrong\u003eMake Noise Maths\u003c\/strong\u003e is an all in one modular synth module, and a great improvement on their older model, now with far more flexibility to alter sound, and multiple independent outputs per channel so no channel summing is necessary. Maths now has four isolated channels, each can generate a variety of modular functions, or can be looped back into one another to expand on the modular sound. With so many ways to manipulate audio on Maths, you can easily come up with new ideas, and never run out of inspiration.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGenerate a variety of linear, logarithmic, or exponential triggered or continuous functions\u003c\/li\u003e\r\n\u003cli\u003eIntegrate an incoming signal\u003c\/li\u003e\r\n\u003cli\u003eWith no signal applied, generate a variety of linear, logarithmic, or exponential functions\u003c\/li\u003e\r\n\u003cli\u003eAdd, subtract and OR up to 4 signals\u003c\/li\u003e\r\n\u003cli\u003eGenerate analog signals from digital information (Gate \/ Clock)\u003c\/li\u003e\r\n\u003cli\u003eGenerate digital information (Gate \/ Clock) from analog signals\u003c\/li\u003e\r\n\u003cli\u003eDelay digital (Gate \/ Clock) information\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eIf the above list reads like science rather than music, here is the translation:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eVoltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz\u003c\/li\u003e\r\n\u003cli\u003eApply Lag, Slew or Portamento to control voltages\u003c\/li\u003e\r\n\u003cli\u003eChange the depth of modulation and modulate backwards!\u003c\/li\u003e\r\n\u003cli\u003eCombine up to 4 control signals to create more complex modulations\u003c\/li\u003e\r\n\u003cli\u003eMusical Events such as Ramping up or Down in Tempo, on command\u003c\/li\u003e\r\n\u003cli\u003eInitiating Musical events upon sensing motion in the system\u003c\/li\u003e\r\n\u003cli\u003eMusical note division and \/ or Flam\u003c\/li\u003e\r\n\u003cli\u003ePerfect for modulating the Make Noise DPO and just about anything else\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449731870823,"sku":"48423","price":290.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-maths_48423_1_12b2bf40-2706-4d09-ae70-222b9f3528c7.jpg?v=1787090175"},{"product_id":"snazzy-fx-chaos-brother","title":"Snazzy FX Chaos Brother","description":"\u003cp\u003eThe \u003cstrong\u003eSnazzy FX Chaos Brother\u003c\/strong\u003e is a new modulation module full of enough options and knobs to keep it interesting no matter where you decide to use it.  It all starts with the CHAOS knob, when turned all the way to the left, you get repetitive, tame oscillations like you would find in a basic LFO. Start turning the knob to the right and the Chaos ensues.\u003c\/p\u003e\r\n\u003cp\u003eThe speed of the chaos can be adjusted with the speed knob so there is a wide range of variation possible.  With Speed and Chaos knobs, it is very easy to dial in just the right amount of craziness. At times like an LFO, other times generating wild patterns, jagged waveforms, or even strange bass blasts. Use it to add vibrato to a melody, out of this world sweeps, hiccups, slow swirls, or use the smooth out for more subtle controlled modulation.  With a CV input, you can have the whole cloud of modulation stop and start, melt and reform on the beat, synced to your sequencer or a sharp LFO.\u003c\/p\u003e\r\n\u003cp\u003eThings get more interesting when you take advantage of the gate output. This single output allows the performer to create chains of percussion. Drive the Chaos Brother with a gate, and then drive the rest of your system with the Chaos Brothers gate out. Flip the threshold till it’s just right, take one of the three outputs (x, y and smooth) and plug them in all over the place.  Modulate your VCOS and your filters, trigger your envelopes, clock your sequencer, and cross-modulate to your hearts content.  10hp wide\u003c\/p\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44449744027751,"sku":"48484","price":295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_chaos-brother_front_15676dc6-79ca-4807-b000-c978a41fe397.jpg?v=1787090227"},{"product_id":"intellijel-quadra","title":"Intellijel Quadra","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel Quadra\u003c\/strong\u003e is a quad-function\/envelope generator with four function generators 3 modes: ad (attack – decay), ahr (attack – hold – release), cycle (ad envelope loops).\u003c\/p\u003e  \u003cp\u003eEach function can have a linear or exponential curve. Wide time range for attack\/decay controls: \u0026lt;0.5ms to well over 30s. All analog and discrete logic for function generation (totally smooth and continuous waveforms).\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744453735,"sku":"48004","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-quadra_48004_1_cc71eeb6-6f85-4944-a9d8-6bb3dcdd77c5.jpg?v=1787090229"},{"product_id":"intellijel-dual-adsr","title":"Intellijel Dual ADSR","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel Dual ADSR\u003c\/strong\u003e circuit is based in part on the Roland SH-101 \/ System100 m design with several enhancements.\u003c\/p\u003e  \u003ch3\u003eFeature:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eManual GATE buttons\u003c\/li\u003e \u003cli\u003eThree timing ranges: (1 second, 10second, 1minute A\/D times)\u003c\/li\u003e \u003cli\u003eNormal and inverted outputs\u003c\/li\u003e \u003cli\u003eEnd of Decay (EOD) logic output\u003c\/li\u003e \u003cli\u003eCycle mode (which GATE logic control)\u003c\/li\u003e \u003cli\u003eRetrig input (allows re-triggering of the envelope if source gate held high)\u003c\/li\u003e \u003cli\u003eDynamic control of the envelope output level (each ADSR is routed through a linear VCA and the control is normalled to +5 V via the LEVEL jack. You can patch another control source like an LFO or VELOCITY level from a keyboard to this jack\u003c\/li\u003e \u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744748647,"sku":"47995","price":220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-dual-adsr-23_47995_1_f27eed3d-ae9c-44eb-99d6-21ceb7fe3f32.jpg?v=1787090230"},{"product_id":"mutable-instruments-peaks","title":"Mutable Instruments Peaks","description":"\u003cp\u003e\u003cstrong\u003ePeaks by Mutable Instruments\u003c\/strong\u003e provides 4 different functions in a small 8-HP package. Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePeaks is a dual-channel module – making it very useful for duophonic patches or for controlling\/synthesizing the kick\/snare rhythmic backbone of a patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic ADSR\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSegment durations ranging from 0.2ms to 8s.\u003c\/li\u003e\r\n\u003cli\u003eQuartic attack, exponential decay, exponential release.\u003c\/li\u003e\r\n\u003cli\u003eOther fancy modes implemented in the code, waiting to be unlocked!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks’ first function is a no-frills ADSR envelope with segment times going from 0.2ms to 8s.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLFO and tap LFO\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e0.03 Hz to 160 Hz.\u003c\/li\u003e\r\n\u003cli\u003e5 basic waveforms: square, triangle, sine, stepped, random.\u003c\/li\u003e\r\n\u003cli\u003eWaveform variations and morphing for each of these: PWM, slope, folding\/harmonics, step size, interpolation.\u003c\/li\u003e\r\n\u003cli\u003ePhase at reset control.\u003c\/li\u003e\r\n\u003cli\u003eTap LFO can lock onto irregular rhythms.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks’ can work as a free-running, resettable LFO, or as a tempo synchronized LFO.\u003c\/p\u003e\r\n\r\n\u003cp\u003e5 waveforms are available, each of them with a shape\/morphing parameter: wavefolded sine, variable slope triangle, PWM square, stepped triangle and sampled\/interpolated noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA unique feature of Peaks is its ability to lock onto irregular sequence of taps: the module can detect the periodicity of the incoming trigger pattern, and adjust the duration of the LFO cycles accordingly.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDrum Generator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eChannel 1: 808 kick model with extra parameters (tune, punch).\u003c\/li\u003e\r\n\u003cli\u003eChannel 2: 808 snare model with extra parameters (tune, decay).\u003c\/li\u003e\r\n\u003cli\u003eChannel 2: A specific combination of settings transform the snare into a modelled 808 hi-hat.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks can synthesize bass-drum, snare-drum and hi-hat sounds using a digital model of the TR-808 circuits. An alternate drum generation mode synthesizes more aggressive FM-style drum sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs, controls and outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 parameter edition pots.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger inputs.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger push-buttons.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 CV\/audio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e16-bit CV\/audio generation with 48kHz sample rate.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 60mA ; -12V: 2mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750712423,"sku":"50092","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_peaks_f29d7cc1-3947-43d3-a90a-9bdccad4ba50.jpg?v=1787090255"},{"product_id":"pittsburgh-modular-envelope","title":"Pittsburgh Modular Envelope","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Envelope\u003c\/strong\u003e is a complex multi-stage envelope generator with voltage controllable attack and decay\/release. Using the sustain switch to toggle between modes, the Envelope functions as either a 2 stage attack-decay envelope or a 3 stage attack-sustain-release envelope.\u003c\/p\u003e\r\n\u003cp\u003eThe Envelope response for attack and decay\/release is continually adjustable between logarithmic, linear, and exponential allowing for precision envelope shaping. Cycle times range from .8ms or 1250Hz at the shortest to at the longest.\u003c\/p\u003e\r\n\u003cp\u003eThis module is incredibly versatile.  It can perform as a:\u003c\/p\u003e\r\n\u003cp\u003eVoltage Controlled Envelope Generator Voltage Controlled Slewing (Portamento) Envelope Follower VCO and Voltage Controlled LFO VC pulse delay VC wave shaper\u003c\/p\u003e\r\n\u003ch4\u003eTo Use the Envelope as an Envelope...\u003c\/h4\u003e\r\n\u003cp\u003eSet the Envelope to the default settings. Input a gate signal to the Input jack. Adjust the ATTACK knob to control the attack stage of the envelope. Use the SUSTAIN ON\/SUSTAIN OFF Switch to turn sustain on\/off. Left for off, right for on. Adjust the DECAY\/RELEASE control to adjust the decay\/release stages. When sustain is off, the DECAY\/RELEASE knob acts as a decay control. When sustain is on, the DECAY\/RELEASE knob acts as a release control.\u003c\/p\u003e\r\n\u003ch4\u003eTo Use the Envelope as a Voltage Controlled Envelope...\u003c\/h4\u003e\r\n\u003cp\u003eSet the Envelope to the default settings. Input a gate signal to the INPUT jack. Adjust the ATTACK knob to control the attack stage of the envelope. Adjust the SUSTAIN ON\/SUSTAIN OFF Switch to turn sustain on\/off. Left for off, right for on. Adjust the DECAY\/RELEASE control to adjust the decay\/release stages.\u003c\/p\u003e\r\n\u003cp\u003eThe top row of jacks (RISE CV, BOTH CV, FALL CV) are CV inputs that control the Attack stage, BOTH the Attack and Decay\/Release stage, and Decay\/Release stage respectively. The ATTACK NON-LINEARITY\/CV IN knob and the DECAY NON-LINEARITY\/CV IN knob are attenuverters that positively (turn the knob to the right of 12 0'clock) or negatively (turn the knob to the left of 12 o'clock) control the amount of CV applied to the Attack (RISE) or Decay\/Release (FALL) stages.\u003c\/p\u003e\r\n\u003ch4\u003eTo Adjust the Response Curve of the Rise and Fall Controls Individually...\u003c\/h4\u003e\r\n\u003cp\u003eThe ATTACK NON-LINEARITY\/CV IN and DECAY\/RELEASE NON-LINEARITY\/CV IN knobs each serve a dual function. The ATTACK and DECAY\/RELEASE control response can be adjusted from logarithmic to linear to exponential, or anything in between. The following example uses the Attack controls but the Decay\/Release works in the same way. Switch the Attack LINEAR\/NON-LINEAR switch to Non-Linear. This enables the ATTACK NON-LINEARITY\/CV IN control to control the response curve of the Attack. Turning the ATTACK NON-LINEARITY\/CV IN full counter-clockwise will set the Attack response to logarithmic. Turning the ATTACK NON-LINEARITY\/CV IN to 12 o'clock sets the response to linear. Turning the ATTACK NON-LINEARITY\/CV IN full right will set the Rise response to exponential.\u003c\/p\u003e\r\n\u003ch4\u003eTo Use the Envelope as an LFO or A Voltage Controlled LFO...\u003c\/h4\u003e\r\n\u003cp\u003eSet the Envelope to the default settings. Switch the CYCLE ON\/CYCLE OFF switch to on (up). The attack and decay\/release stages act as the waveshape and frequency controls. Turning the ATTACK and DECAY\/RELEASE knobs to the left creates a very high frequency triangle wave. Adjusting the the ATTACK and\/or DECAY\/RELEASE knobs to the right lower the frequency and modify the wave shape. The ATTACK knob controls the left side of the wave shape.  The DECAY\/RELEASE adjusts the right side of the waveform. Switching a LINEAR\/NON-LINEAR  switch to non-linear allows the corresponding NON-LINEARITY\/CV IN knob to further shape the waveforms.\u003c\/p\u003e\r\n\u003cp\u003eThe top row of jacks (RISE CV, BOTH CV, FALL CV) are CV inputs that control the Attack stage, BOTH the Attack and Decay\/Release stage, and Decay\/Release stage respectively. The ATTACK NON-LINEARITY\/CV IN knob and the DECAY NON-LINEARITY\/CV IN knob are attenuverters that positively (turn the knob to the right of 12 0'clock) or negatively (turn the knob to the left of 12 o'clock) control the amount of CV applied to the Attack (RISE) or Decay\/Release (FALL) stages. Using the BOTH CV input jack allows the Envelope module to function as a voltage controlled LFO.\u003c\/p\u003e\r\n\u003ch3\u003eEnvelope Controls:\u003c\/h3\u003e\r\n\u003cp\u003eLINEAR ATTACK \/ NON-LINEAR ATTACK SWITCH - Determines the response type of the attack portion of the envelope. Set to linear, the response is always linear. Set to non-linear, the response is assigned using the attack NON-LINEARITY\/CV IN attenuator. Full left offers a logarithmic response, setting the knob to 12 o'clock provides a linear response, and turning the knob full right results in an exponential response.\u003c\/p\u003e\r\n\u003cp\u003eATTACK CONTROL KNOB - Adjusts the attack time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eATTACK NON-LINEARITY\/CV IN ATTENUVERTER - Multifunction attenuverter used to attenuvert incoming attack CV. Turning the knob left of 12 o'clock results in attenuated inverted CV. At 12 o'clock, the CV response is off. Turning the knob to the right of 12 o'clock results in attenuated CV.\u003c\/p\u003e\r\n\u003cp\u003eSUSTAIN ON\/OFF SWITCH - Changes the envelope response. Set to off (left), the envelopes functions as an attack-decay envelope generator. Set to on (right), the envelope functions as an attack-sustain-release envelope generator.\u003c\/p\u003e\r\n\u003cp\u003eLINEAR DECAY\/RELEASE \/ NON-LINEAR DECAY\/RELEASE SWITCH -  Determines the response type of the decay\/release portion of the envelope. Set to linear, the response is always linear. Set to non-linear, the response is assigned using the decay\/release NON-LINEARITY\/CV IN attenuator. Full left offers a logarithmic response, setting the knob to 12 o'clock provides a linear response, and turning the knob full right results in an exponential response.\u003c\/p\u003e\r\n\u003cp\u003eDECAY\/RELEASE CONTROL KNOB - Adjusts the decay\/release time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eDECAY\/RELEASE NON-LINEARITY\/CV IN ATTENUVERTER - Multifunction attenuverter used to attenuvert incoming decay\/release CV. Turning the knob left of 12 o'clock results in attenuated inverted CV. At 12 o'clock, the CV response is off. Turning the knob to the right of 12 o'clock results in attenuated CV.\u003c\/p\u003e\r\n\u003cp\u003eCYCLE ON\/OFF SWITCH - Set to on (up), the envelope will retrigger the attack stage at the end of the decay\/release stage causing the Envelope module to cycle.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eENVELOPE PATCH POINTS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRISE CV IN - Attack CV input. * BOTH CV IN - Attack and decay\/release CV input.\u003c\/li\u003e\r\n\u003cli\u003eFALL CV IN - Decay\/release CV input. * SIGNAL INPUT - Main signal input.\u003c\/li\u003e\r\n\u003cli\u003eEND OF ATTACK OUT - Gate signal output. Signal goes high at end of attack stage.\u003c\/li\u003e\r\n\u003cli\u003eTRIGGER OUT - Trigger output. Trigger created at end of decay\/release stage.\u003c\/li\u003e\r\n\u003cli\u003eSIGNAL OUT - Main signal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 8hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 35mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751007335,"sku":"49988","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_envelope_c1a72a1d-aa53-4373-89d5-b766cf7f9597.jpg?v=1787090256"},{"product_id":"tiptop-audio-z4000-voltage-controlled-envelope-generator","title":"Tiptop Audio Z4000 Voltage Controlled Envelope Generator","description":"\u003cp\u003eThe attack, decay and release potantiometers are scaled in a special way: the first 50% of the knob´s rotation are used for finest adjustment of very short envelope times from miliseconds to one second. This is useful to create snappy envelopes with minimum times without popping or clicking sounds. The rest of the knob´s rotation controls times from one second up to the minute range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAttack, Decay, Sustain and Release can be controlled with voltages from 0V to 5V. The ATK switch selects between an exponential and a logarithmic attack curve. The Shoot button allows you to fire the envelope manually.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe voltage processor at the output has several functions. The Attenuverter attenuates and\/or inverts the output voltage. The voltage controllable Deviator adds a static positive or negative offset voltage to the envelope. By combining those\r\nameters you can mirror the envelope or clip it. A bicolor LED indicates whether the envelope is in negative or positive voltage range.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGate input, Retrigger input, envelope output.\r\nCV inputs for attack, decay, sustain, release and the deviator parameter\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 8HP wide, 2.8cm deep.\r\nCurrent draw: 34mA @ +12V and 18mA @ -12V\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.25 kg   -   0.55 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752940647,"sku":"50211","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-audio-z4000-voltage-controlled-envelope-generator_50211_1_1_b4f115b6-a5dc-4ac5-94d3-e5f41d611c1e.jpg?v=1787090263"},{"product_id":"dwarfcraft-devices-yep-eurorack","title":"Dwarfcraft Devices YEP Eurorack","description":"\u003cp\u003eThere are many ways to describe the \u003cstrong\u003eDwarfcraft YEP\u003c\/strong\u003e. My favorite is a “clock wrecker” but it is probably more accurately called a “gate burst generator.”\u003c\/p\u003e  \u003cp\u003eThe internal clock (square wave LFO) enables\/disables a bank of 3 additional Square wave LFOs with the intent of having things start and stop on time (thanks to the clock) but allows for some chaos in the middle.\u003c\/p\u003e  \u003cp\u003eThere’s an output for each LFO, and the clock.  You can also substitute another wave in for the clock signal. I am partial to a nice long envelope.\u003c\/p\u003e","brand":"Dwarfcraft Devices","offers":[{"title":"Default Title","offer_id":44449789575271,"sku":"52274","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dwarfcraft-52274-yep-eurorack_850b0752-ba20-4fd9-a25c-6282ab384831.jpg?v=1787090422"},{"product_id":"pittsburgh-modular-detect","title":"Pittsburgh Modular Detect","description":"\u003cp\u003eConvert the dynamic fluctuations of an audio signal into control voltage. The \u003cstrong\u003ePittsburgh Modular Detect\u003c\/strong\u003e is a utility envelope follower module that generates gate and envelope signals based on the overall level of an incoming signal. The attack and decay controls allow precise control over the response time of the envelope follower circuit, allowing for independent sharp to smooth control over both the rise and fall readings of the incoming waveform.\u003c\/p\u003e  \u003cp\u003eGate threshold sets the level that the incoming audio must exceed for the Detect to generate a gate signal. Once the gate threshold has been exceeded, the input level must drop below the gate threshold before a new gate signal can be created.\u003c\/p\u003e  \u003ch3\u003eDetect Controls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAttack Control - Sets the attack or rise time of the envelope output.\u003c\/li\u003e \u003cli\u003eDecay Control - Sets the decay or fall time of the envelope output.\u003c\/li\u003e \u003cli\u003eGate Threshold Control - Sets the trigger point for the gate output. An audio signal with a level exceeding the gate threshold will trigger a gate at the Gate Out jack.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eDetect Patch Points:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput Jack - Audio input.\u003c\/li\u003e \u003cli\u003eEnv Out Jack - CV output based on amplitude of audio input.\u003c\/li\u003e \u003cli\u003eGate Out Jack - Gate output triggered by audio input level exceeding the level set by the gate threshold control.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eDetect Specs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSize: 6hp\u003c\/li\u003e \u003cli\u003eModule depth with ribbon cable attached: 36.5mm\u003c\/li\u003e \u003cli\u003ePower Usage: 30mA\u003c\/li\u003e \u003c\/ul\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449862647911,"sku":"56079","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburg-modular-detect_56079_1_1_e48c18b7-98f7-408c-bfb0-70284f72faa2.jpg?v=1787090739"},{"product_id":"studio-electronics-shapers","title":"Studio Electronics Shapers","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SHAPERS\u003c\/strong\u003e is a dual four stage envelope generator with independently adjustable ATTACK, DECAY, SUSTAIN, and RELEASE stages. The Pittsbutgh Modular hybrid ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument, just like its antecedent. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.\u003c\/p\u003e\u003cp\u003eThe functionality of SHAPERS is easy enough: the incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the ATTACK determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. DECAY sets the amount of time needed to transition to the level set by the sustain knob. The SUSTAIN level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The RELEASE knob sets the time needed to close the envelope and return the ADSR output to 0 volts.\u003c\/p\u003e\u003cp\u003eSHAPERS envelopes can respond lightening fast or demonstrate the patience of a saint, especially in the LONG RANGE 1 and 2 settings. INV 1 makes topsy-turvy time fun with the inverting of the ADSR 1, and the LED indicators provide a useful visual assist.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eEight attenuation pots control the ATTACK (x2), DECAY (x2), SUSTAIN (x2), RELEASE (x2), delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eSHORT and LONG range time settings for both ADSRs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eFive patch points: IN 1, OUT 1, INV 1, IN 2, and OUT 2 connect and direct the deepest manipulation.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAll Controls and Patch Points\u003c\/li\u003e\n\u003cli\u003eATTACK (x2) - Adjusts the attack stage.\u003c\/li\u003e\n\u003cli\u003eDECAY (x2) - Adjusts the decay stage.\u003c\/li\u003e\n\u003cli\u003eSUSTAIN (x2) - Adjust the sustain stage.\u003c\/li\u003e\n\u003cli\u003eRELEASE (x2) - Adjusts the release stage.\u003c\/li\u003e\n\u003cli\u003eSHORT \/ LONG RANGE 1 - Selects the envelope range for ADSR 1.\u003c\/li\u003e\n\u003cli\u003eSHORT \/ LONG RANGE 2 - Selects the envelope range for ADSR 2.\u003c\/li\u003e\n\u003cli\u003eIN 1 - Control voltage input 1.\u003c\/li\u003e\n\u003cli\u003eOUT 1 - Control voltage output 1.\u003c\/li\u003e\n\u003cli\u003eINV 1 - Inverted control voltage output 1.\u003c\/li\u003e\n\u003cli\u003eIN 2 - Control voltage input 2.\u003c\/li\u003e\n\u003cli\u003eOUT 2 - Control voltage output 2.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 16mA, 17mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888174183,"sku":"56791","price":171.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-shapers-1_60388f9a-1262-4718-b0a8-49c646c30f44.jpg?v=1787090824"},{"product_id":"studio-electronics-tonestar","title":"Studio Electronics ToneStar 2600","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics TONESTAR\u003c\/strong\u003e is an ARP 2600-inspired synth voice 31 years in the shaping, pre-patched like Pearlman's prodigy, and fully \"outs to outs\" in-the-box modular, allowing for highpass\/bandpass\/notch filter tones, and bristling X-mod effects. Connect CV \/ gate and twist 'n' switch, or pull its tones and voltages apart one 3.5mm cord at a time. 26 knobs, 7 switches, and 21 jacks make for complex and satisfying signal flow, color and collisions. If it gets reedy, route the triangle wave 'round the VCF, and push dat Sub. Nearly thrilling Out to Outs\/Interesting Patches (in case you missed it above).\u003c\/p\u003e\r\n\u003cp\u003eCaswell Knowledge (circuit designer):\u003c\/p\u003e\r\n\u003cp\u003e\"The VCO is the same affair as the Oscillation, the Boomstar, and the Omega. It's kind of a combination of Arp®, Oberheim® and Moog® circuits (sort of a greatest hits), time-tested, very stable—very good tracking over a very large range; certain parts have to be hand selected to achieve that level of exacting performance. Editors Note: This module is a TONESTAR—its own thing—and not a 2600 clone attempt; nevertheless, the Tone☆ tugs lovingly at times on the sleeve of the 1970's era classic.\u003c\/p\u003e\r\n\u003cp\u003eEnvelope FYI: The Tonestar Sustain control replicates the behavior of the 2600 and Odyssey: after the initial Decay, it continues to move (sink) very slowly, adding a little extra texture to the sound. It's technically a flaw, but after digging out my Odyssey, it is for sure a desirable \"quirk\", and the perfect companion to the 4072 filter (which is mistakenly titled a 4075 in the Boomstar Modular line).\u003c\/p\u003e\r\n\u003cp\u003eAnother bit of fun: The LFO is voltage controlled, so you can envelope, LFO, or otherwise modulate both the rate and the depth; the ADSR amount is also voltage controlled, so it can be manipulated by MIDI dynamics, MIDI volume, an LFO, etc. Greg [St. Regis] has decreed that anything must be patchable to anything, so some technically wrong patchings (for example, pulse wave out to ADSR out) may often produce unexpectedly interesting, x-mod\/notch filtering—quite pleasing effects.\u003c\/p\u003e\r\n\u003cp\u003eThe Tonestar was Greg's concept, but as I understood it, the goal was a single oscillator, 2600 VCF, pre-patched and yet fully modular classic synth voice, at a specific size, wielding every trick that Studio Electronics could cram in. Main use would be as a go-to bassline\/lead tool, or a premium quality, entry-level, complete synth module, for root-to-leaf sound design, and multiform analog exploration\/expression.\"\u003c\/p\u003e\r\n\u003cp\u003e( ) represents normalled connections, which will be explained in greater detail before long.\u003c\/p\u003e\r\n\u003ch3\u003e26 Knobbed and \"Shafted\" Potentiometers\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: FREQUENCY, PULSE WIDTH, LFO (^), GLIDE, MOD (ADSR), SAW, SQUARE, SUB, TUNE; Noise: LEVEL;\u003c\/li\u003e\r\n\u003cli\u003eVCF: FREQUENCY, RESONANCE, TRACK, DRIVE, ADSR, MOD (LFO);\u003c\/li\u003e\r\n\u003cli\u003eLFO: DEPTH (OSC), SPEED; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE;\u003c\/li\u003e\r\n\u003cli\u003eVCA: FEEDBACK (filter), VOLUME\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e7 Switches\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: OCT (up\/down), FREQ\/PW, NO VCF;\u003c\/li\u003e\r\n\u003cli\u003eVCF: FREQ\/RESO;\u003c\/li\u003e\r\n\u003cli\u003eLFO: TRIANGLE\/SQUARE*;\u003c\/li\u003e\r\n\u003cli\u003eENVs: DRONE, MASTER;\u003c\/li\u003e\r\n\u003cli\u003eVCA: IN\/MIX\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e21 Jacks\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V\/O, MOD IN;\u003c\/li\u003e\r\n\u003cli\u003eNOISE: NOISE (white);\u003c\/li\u003e\r\n\u003cli\u003eLFO: DEPTH, TRIANGLE*, SQUARE, SPEED;\u003c\/li\u003e\r\n\u003cli\u003eVCF: EXT IN, FIL OUT, MOD IN;\u003c\/li\u003e\r\n\u003cli\u003eENVs: MOD IN, ADSR OUT, AR OUT, GATE IN;\u003c\/li\u003e\r\n\u003cli\u003eVCA: IN\/MIX, VCA IN, OUTPUT\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eAll Controls—arranged in order of signal flow—and Patch Points\u003c\/h3\u003e\r\n\u003cp\u003eVCO:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY – Oscillator frequency attenuator.\u003c\/li\u003e\r\n\u003cli\u003ePULSE WIDTH – Variable pulse wave width control.\u003c\/li\u003e\r\n\u003cli\u003eOCT – +1\/-1 octave switch.\u003c\/li\u003e\r\n\u003cli\u003eLFO (^) – Triangle wave low frequency oscillation to pulse width control.\u003c\/li\u003e\r\n\u003cli\u003eFREQ\/PW – Oscillator frequency, or Pulse (square wave) width to ADSR modulation routing switch. Center off.\u003c\/li\u003e\r\n\u003cli\u003eGLIDE – Slew generator control.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE\/NO VCF – Triangle to VCA switch—bypasses VCF.\u003c\/li\u003e\r\n\u003cli\u003eMOD (ADSR) – Oscillation modulation via ADSR control.\u003c\/li\u003e\r\n\u003cli\u003eSAWTOOTH* – Sawtooth wave attenuator.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE* – Square wave attenuator.\u003c\/li\u003e\r\n\u003cli\u003eSUB – Square wave Sub Oscillator attenuator.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eSAWTOOTH* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eMIX – Composite waveform output.\u003c\/li\u003e\r\n\u003cli\u003e1V\/O – One volt per octave control voltage input.\u003c\/li\u003e\r\n\u003cli\u003eTUNE – Master fine tune (approx. -5\/+ 5 semitones).\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Modulation CV input. Normaled to ADSR; ADSR is replaced when alt. source connected.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eNoise:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNOISE – White noise generator output.\u003c\/li\u003e\r\n\u003cli\u003eLEVEL – Noise attenuator.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVCF:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY Frequency, or cut-off attenuator\u003c\/li\u003e\r\n\u003cli\u003eRESONANCE – Resonance, or Q attenuator.\u003c\/li\u003e\r\n\u003cli\u003eTRACK – Keyboard\/voltage tracking attenuator.\u003c\/li\u003e\r\n\u003cli\u003eDRIVE – Oscillator output to filter input attenuator.\u003c\/li\u003e\r\n\u003cli\u003eFREQ\/RESO – Filter Frequency, or Resonance to LFO modulation routing switch. Center off position.\u003c\/li\u003e\r\n\u003cli\u003eADSR – Filter to ADSR envelope attenuator.\u003c\/li\u003e\r\n\u003cli\u003eMOD (LFO) – Filter to LFO attenuator.\u003c\/li\u003e\r\n\u003cli\u003eEXT IN – External audio input.\u003c\/li\u003e\r\n\u003cli\u003eFIL OUT – Filter audio output.\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Frequency or Resonance modulation CV input.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eLFO:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTRIANGLE\/SQUARE* – Waveform select switch (triangle core).\u003c\/li\u003e\r\n\u003cli\u003eDPTH (OSC) – LFO to Oscillator control.\u003c\/li\u003e\r\n\u003cli\u003eSPEED – Speed or rate attenuator.\u003c\/li\u003e\r\n\u003cli\u003eDEPTH – Control voltage Input.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE* – Triangle wave output.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE*– Square wave output.\u003c\/li\u003e\r\n\u003cli\u003eSPEED – Speed or rate CV input.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eENVs:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eATTACK – Attack stage control.\u003c\/li\u003e\r\n\u003cli\u003eDECAY – Decay stage control.\u003c\/li\u003e\r\n\u003cli\u003eSUSTAIN – Sustain stage control.\u003c\/li\u003e\r\n\u003cli\u003eRELEASE – Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eDRONE\/MASTER – Indefinite\/instant sustain, and master mode for ADSR routing switch. Center off.\u003c\/li\u003e\r\n\u003cli\u003eATTACK – Attack stage control\u003c\/li\u003e\r\n\u003cli\u003eRELEASE – Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Allows for dynamic modulation of the ADSR, eg., if you want the amount of modulation added to\/determined by a external source, jack in; or if you prefer, modulation input to the ADSR routing—use with velocity, or a sequencer: the sequencer could isolate the ADSR amount the amount to a single step in the phrase for example. Exciting. A second external envelope can provide an interesting effect, or the AR (in the box patching).\u003c\/li\u003e\r\n\u003cli\u003eADSR OUT – ADSR output.\u003c\/li\u003e\r\n\u003cli\u003eAR OUT – AR Output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVCA:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFEEDBACK – Oscillator\/filter feedback loop control.\u003c\/li\u003e\r\n\u003cli\u003eVOLUME – Master volume control.\u003c\/li\u003e\r\n\u003cli\u003eVCA\/CV – Amplifier control voltage output.\u003c\/li\u003e\r\n\u003cli\u003eIN\/MIX – VCA mix input switch switch (normalled jack). When set to IN, external audio replaces filter output to VCA; when set to mix MIX, filter output is fed along with the filter audio to VCA.\u003c\/li\u003e\r\n\u003cli\u003eVCA IN – Audio input.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT – Main output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVitals:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePCB Mounting Scheme - Through-hole.\u003c\/li\u003e\r\n\u003cli\u003eFilter - Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter, employing six pairs of hand-matched transistors.\u003c\/li\u003e\r\n\u003cli\u003eSize - 32hp.\u003c\/li\u003e\r\n\u003cli\u003eDepth - 35mm including connectors.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional DIY Adjustments\u003c\/h3\u003e\r\n\u003cp\u003eUnits #2-15 \/ Noise - The noise on the Tonestar leans to the Pink side, a little dark and moody. Some may like it, some may want the more bright and sizzled white variety. One resistor or capacitor change will shift it to the white spectrum.\u003c\/p\u003e\r\n\u003cp\u003eUnits #2-22 \/ Feedback - The Feedback loop is big, bold and deep on the low end; maybe a bit too much so. One resistor change will reign it in, but still allow enough chaotic madness at maximum level.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888141415,"sku":"56792","price":639.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-tonestar_56792_1_acfcd9b1-ed86-478d-b9e2-77a32a131d39.jpg?v=1787090824"},{"product_id":"dreadbox-alpha-eurorack-module","title":"Dreadbox Alpha","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Alpha Module\u003c\/strong\u003e has 2 ADSR envelope generators with offset depth control, rate switch (fast-slow), MIDI to CV gate and paraphony Convertor (with seperate Glide controls) modulation Wheel to CV convertor, dip switch for MIDI channel select \/ envelope re-trigger \/ unison-paraphony.\u003c\/p\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44449901641831,"sku":"57207","price":309.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-alpha_57207_1_cf4a9cb9-ef90-49b2-8009-4d0f41c7ceb7.jpg?v=1787090879"},{"product_id":"4ms-company-pingable-envelope-generator","title":"4ms Company Pingable Envelope Generator","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Pingable Envelope Generator (PEG)\u003c\/strong\u003e is a dual envelope generator whose envelope lengths are set by incoming clocks or \"pings\".\u003c\/p\u003e\u003cp\u003eThe PEG has full CV control of envelope shape, skew, and ping (clock) division\/multiplication, as well as a plethora of triggering and cycling options (AD, AR, quantization, cycle), and a tap tempo button for each channel.\u003c\/p\u003e\u003ch3\u003eScaling\/shifting:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eScale knob is an attenuating inverter for main envelope output (Maximum 0V to +10V non-inverted, and Minimum -10V to 0V inverted).\u003c\/li\u003e\n\u003cli\u003eBi-polar button centers main envelope output around 0V (-5V to +5V output)\u003c\/li\u003e\n\u003cli\u003e\"+5V ENV\" jack is a non-scaling output that always produces a 0V to +5V envelope, regardless of Scale and Bi-polar settings\u003c\/li\u003e\n\u003cli\u003e\"OR\" jack outputs an analog OR of the two scaled envelope curves. This outputs the highest value from either envelope at any given moment, taking into account the Scale and Bi-polar controls.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eGate outputs:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eEnd-of-Rise (EOR) gate output goes high when envelope finishes a rise portion, and goes low when envelope begins a rise portion\u003c\/li\u003e\n\u003cli\u003eEnd-of-Fall (EOF) gate output goes high when envelope finishes a fall portion, and goes low when envelope begins a fall portion\u003c\/li\u003e\n\u003cli\u003eJumper for each channel changes EOR output to a Half-Rise gate output. The Half-Rise jack goes high when 50% of the time of the rise portion has elapsed, and goes low after 50% of the time of the fall portion. Using the Skew parameter, this jack provides a variable phase gate output useful for quadrature effects and clock phase shifting and trigger delay effects. Factory setting is EOR for red channel, Half-Rise for blue channel.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eTriggering\/cycling:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCycle button for each channel forces envelope to self-cycle in sync with the ping clock (LFO mode). Button lights up when in cycle mode.\u003c\/li\u003e\n\u003cli\u003e\"T\" jack toggles the state of both channels' Cycle button when a gate is applied\u003c\/li\u003e\n\u003cli\u003e\"QNT\" jack for each channel triggers an envelope to start at the next quantized beat, with respect to the divided\/multiplied ping clock. Holding a gate high on this jack causes the envelope to repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\"Async\" jack for each channel causes an envelope to output immediately (asynchronously). Holding a gate high results in an AR envelope (rise-sustain-fall). If cycle mode is enabled, the envelope will continue to cycle at this new phase with respect to the ping clock. Phase can be reset to being in sync with the ping clock by pressing the cycle button or applying a pulse to the QNT jack.\u003c\/p\u003e\n\u003ch3\u003eCV input jacks:\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eCV control of Ping Div\/Mult, Skew, and Curve using the CV jacks. Respective knobs set the center offset for the applied CV\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003eCV of 0-10V will modulate the parameter's full range However, a 0-5V CV will modulate the parameter within a very useful range.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eModule size:\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eThe PEG is 20HP and 1.0 inches (26mm) deep.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003ePower consumption:\u003c\/h3\u003e\u003cp\u003eA jumper selects using +5V from the power supply, or generating +5V on-board from the +12V rail.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e+12V rail:\u003c\/li\u003e\n\u003cli\u003e60mA max with jumper selecting external 5V\u003c\/li\u003e\n\u003cli\u003e105mA max with jumper selecting internal 5V.\u003c\/li\u003e\n\u003cli\u003e+5V rail:\u003c\/li\u003e\n\u003cli\u003e40mA max with jumper selecting external 5V\u003c\/li\u003e\n\u003cli\u003enot used (0mA) with jumper selecting internal 5V.\u003c\/li\u003e\n\u003cli\u003e-12V rail:\u003c\/li\u003e\n\u003cli\u003e35mA max\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921761383,"sku":"57678","price":345.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-pingable-envelope-generator-new_e90c61e4-afed-413c-9a6e-498aa9d84cec.jpg?v=1787090963"},{"product_id":"noise-engineering-sinclastic-emplatrix","title":"Noise Engineering - Sinclastic Empulatrix","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Sinclastic Empulatrix\u003c\/strong\u003e is a 4HP envelope generator with a voltage controlled clamp. The envelope generator is an exponential curve with controllable attack and release. The time ranges for both attack and release vary from 50 microseconds to 5 seconds. This is normaled to a voltage controlled clamp which acts much like a VCA but with subtle distortion added on the release.\u003c\/p\u003e  \u003cp\u003eThe envelope in Sinclastic Empulatrix is a simple asymmetric voltage controlled slew so the ENVELOPE IN input need not be a gate. The attack controls the rate of voltage increase and release controls the rate of decrease. If ENVELOPE IN is a square wave it acts much like a traditional envelope generator.\u003c\/p\u003e  \u003cp\u003eThe inspiration of the Sinclastic Empulatrix is the brilliant minimal design of the envelopes in the Roland TR-808 which use both simple capacitor charging for envelope generation and minimum voltage circuits for VCA like behavior.\u003c\/p\u003e  \u003ch3\u003ePatching Suggestions\u003c\/h3\u003e  \u003cp\u003eThe most basic patch with Sinclastic Empulatrix is to send a gate from a clock or rhythm generator into the GATE input. At this point the led should be displaying the envelope and the ATTACK\/RELEASE knobs should be affecting the LED. At first put the GATE\/TRIG switch into the GATE position.\u003c\/p\u003e  \u003cp\u003eAt this point you can use the generated envelope for CV control of another module by connecting ENVELOPE OUT to the other module.\u003c\/p\u003e  \u003cp\u003eNext connect an audio source, say a basic oscillator into AUDIO IN. To get the maximum effect from the clamping choose a waveform with low harmonic content like a sinusoid. You should be able to distinctly hear the clipping that occurs when listening to AUDIO OUT.\u003c\/p\u003e  \u003cp\u003eNext turn the ATTACK knob fully CCW and Ęip the GATE\/TRIG switch to TRIG. This pings the envelope rather than driving it directly from ENVELOPE IN. The main use for this is when one wants to synchronize a release envelope with a rising gate or trigger. RELEASE will be the main useful control in this configuration.\u003c\/p\u003e  \u003cp\u003eIt is possible to drive the Sinclastic Emplatrix with non-digital signals such as an LFO. In this configuration ATTACK\/RELEASE become up\/down slew controls. If ATTACK\/RELEASE are both fully CCW than the ENVELOPE IN can be used as an amplitude control for the clamp section.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938669671,"sku":"58290","price":155.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-sinclastic-empulatrix-1_47d2a68d-e381-4684-b3f1-a41a2b52c1f1.jpg?v=1787091032"},{"product_id":"wmdevices-multimode-envelope","title":"WMDevices Multimode Envelope","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Multimode Envelope\u003c\/strong\u003e is WMD's take on the classic ADSR. It offers expanded controls, multiple logic modes, and voltage control with the expansion module. This is the most powerful envelope ever designed for Eurorack.\u003c\/p\u003e  \u003ch3\u003eTheory of Operation\u003c\/h3\u003e  \u003cp\u003eThe Multimode Envelope uses an analog integrator core with digital control over positive and negative slopes. This allows for total control over the envelope shape and logic operation. Since the core is analog, the envelope is smooth and stepless, especially important for slow envelopes.\u003c\/p\u003e  \u003cp\u003eThe nature of the core allows for control over its shape through a feedback mechanism, this design also allows for Voltage Control over each segment and for the entire envelope duration.\u003c\/p\u003e  \u003cp\u003eThe 8HP Multimode Envelope is small and powerful, easy to integrate into any system that needs a powerful envelope generator. Voltage control was left off so that this envelope can be easily fit into an existing modular system. Add voltage control if desired with the 6HP expansion module.\u003c\/p\u003e  \u003ch3\u003eThe Controls\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAttack Rate - Determines the speed of the attack. At its lowest (CCW) setting, the attack will be around four minutes. Fastest (CW) is 200µS.\u003c\/li\u003e \u003cli\u003eAttack Shape - This affects the rate of attack as the envelope opens. Continuously variable from logarithmic (starts fast and slows) to linear to exponential (starts slowly and speeds up).\u003c\/li\u003e \u003cli\u003eDecay Rate - Determines the speed that the envelope will decay down to the sustain level. This has the same time range as Attack and Release.\u003c\/li\u003e \u003cli\u003eDecay Shape - This control determines the shape of the decay until the sustain level.\u003c\/li\u003e \u003cli\u003eSustain Level - This controls the breakpoint for the decay segment. When this level is reached (0 - 8 volts), the Envelope will transition from decaying to the mode determined by the Mode knob.\u003c\/li\u003e \u003cli\u003eMode - This knob controls the operation of the Multimode Envelope. Modes are listed below. Turn the knob to the desired mode.\u003c\/li\u003e \u003cli\u003eRelease Rate - Determines the speed of the release segment. The release segment is from the sustain level down to 0 volts.\u003c\/li\u003e \u003cli\u003eRelease Shape - This control determines the shape of the release until the 0 volts is reached.\u003c\/li\u003e \u003cli\u003eGate\/Trig - This input starts the envelope. How it is handled is dependent on the active mode. When a gate is present, the Gate LED will be lit.\u003c\/li\u003e \u003cli\u003e0 - 8 V Out - This is the normal envelope output, it produces voltage from 0 to 8 volts.\u003c\/li\u003e \u003cli\u003e±8 V Out \/ ±8 V Out -These outputs give full swing envelopes of 16 Volts peak to peak. The -+8V Out is inverted.\u003c\/li\u003e \u003cli\u003eManual - This button allows for manual triggering or gating of the envelope.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eModes of Operation\u003c\/h3\u003e  \u003cp\u003eFirst, a note about gates and triggers. A gate is an on or off signal that has duration. A trigger is an on or off signal whose duration is ignored.\u003c\/p\u003e  \u003cp\u003eWhen the gate turns on, the envelope will run through the specified segments until the gate is released. If the gate goes off at any time, the envelope will immediately jump to the release segment. Gate modes have the ability to sustain, and are applicable to ADSR and ADSAR.\u003c\/p\u003e  \u003cp\u003eTrigger modes will cause the envelope to run its course every time it is triggered, from start to finish, regardless of the trigger's length. Trigger modes include AR, ADR, and ADAR.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eADSR - This is the classic East Coast envelope shape. Upon a Gate input (key down), the envelope opens, then closes to the sustain level. When the gate is off (key up), the envelope releases to ground. To use as an ASR envelope, turn the Sustain fully CW and Decay will be ignored.\u003c\/li\u003e \u003cli\u003eAR - This is the classic West Coast envelope shape. Upon a trigger input, the envelope opens with the Attack control, peaks, and then falls with the release control. It is triggered instead of gated and will not sustain.\u003c\/li\u003e \u003cli\u003eADR - The ADR is a trigger mode that will not sustain. Instead, at the sustain point, Decay transitions instantly to Release, allowing you to change shapes or speeds in the middle of the falling action.\u003c\/li\u003e \u003cli\u003eADSAR - This gate mode attacks, decays and sustains like a normal ADSR. After the gate is released (key up), the envelope will attack again and then release. This gives you an accent on key up.\u003c\/li\u003e \u003cli\u003eADAR - This trigger mode attacks, then decays until reaching the sustain level, then attacks again and releases.\u003c\/li\u003e \u003cli\u003eADSRst - ADSR Step Through mode runs one segment at a time as triggered. This mode causes sustain after each segment runs. After attack, it will sustain at 8 volts. After decay it will hold at the sustain level. After release, the cycle is finished and 0 volts will be output. Each segment must be complete before another trigger is recognized. This mode requires three triggers per cycle.\u003c\/li\u003e \u003cli\u003eADSARst - This is similar to ADSRst, but with a second attack after the decay. This mode requires four triggers per cycle.\u003c\/li\u003e \u003cli\u003eADRcy - This mode will cycle automatically after release is compete. It can be an AR cycling envelope by setting the sustain level to maximum. Decay will transition to Release at the sustain point. A trigger or gate will reset to the attack segment.\u003c\/li\u003e \u003cli\u003eADARcy - This self cycling mode works just like ADRcy, but will attack again from the sustain point after the decay segment. A trigger or gate will reset to the attack segment.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942831207,"sku":"58335","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-multimode-envelope-1_f5c44ca7-bc6d-4775-a76e-9363e995ada9.jpg?v=1787091036"},{"product_id":"wmdevices-multimode-envelope-exp","title":"WMDevices Multimode Envelope EXP","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Multimode Envelope Expansion\u003c\/strong\u003e module introduces a number of useful elements including voltage control, trigger outputs, and behavior control.\u003c\/p\u003e  \u003ch3\u003eExpansion Controls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eCV Inputs and Attenuator Knobs - These dedicated CV inputs and bipolar attenuators give massive control over the shape of the envelope by allowing each segment to be CV controlled. Bipolar attenuators allow inversion of the source signal. A 12 o'clock position will yield no change from the control voltage. Spin CW for normal operation, CCW for inverted CV control. Each input is calibrated so when set to maximum CW, one volt will double the rate the segment.\u003c\/li\u003e \u003cli\u003eEOA, EOD, EOS, EOR - These output triggers go off when the respective segment comes to an end. Useful for triggering other modules for complex timings. Standard trigger length is 10mS. This can be trimmed on the back of the module.\u003c\/li\u003e \u003cli\u003eRetrig - This trigger input will cause the envelope to return to the attack segment if the envelope is already in progress. If the envelope is not running (no lights on), retriggers will be ignored.\u003c\/li\u003e \u003cli\u003eHold - Apply a signal to this input to pause\/hold the envelope. Use for stepping the envelope or halting motion during complex patches.\u003c\/li\u003e \u003cli\u003eADR TimeScale - This CV input affects the Attack, Decay and Release segments speed equally. The Multimode Envelope is designed so that this input will make each segment track reasonably close to 1 V\/octave.\u003c\/li\u003e \u003cli\u003eReset on Gate - This switch determines whether the envelope will reset to 0 volts when a new trigger or gate is applied if the output is above 0 volts. It does not affect Retrig.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eConstruction, Power \u0026amp; Warranty\u003c\/h3\u003e  \u003cp\u003eThe Multimode envelope is a hybrid digital and analog envelope generation module.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942863975,"sku":"58336","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-multimode-exp_58336_1_52bd3df7-0220-490b-a529-753565948c20.jpg?v=1787091036"},{"product_id":"wmdevices-synchrodyne","title":"WMDevices Synchrodyne","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Synchrodyne\u003c\/strong\u003e is a multi part and multi use Eurorack module for the creation and manipulation of audio. Containing several pieces to a traditional synthesizer voice, the Synchrodyne is a powerful addition to any subtractive oriented system. However, it is designed primarily as an experimental sound source\/filter, intended to push the limits of modular synthesis...WMD style.\u003c\/p\u003e  \u003ch3\u003eSynchrodyne Concept\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne is designed as a way to implement a switched capacitor filter (SCF) chip without the use of a microcontroller to run the clock. We developed a fast analog VCO that can drive the SCF with a broad range of frequency control. The problem with this would be that the VCO is then dedicated to only running the filter. So we designed a frequency multiplier based around a Phase Locked Loop IC (PLL) to take the VCO and multiply its frequency up so that the VCO could be used as an audio source, while still controlling the filter. The SCF has a frequency ratio of 50:1 or 100:1 clock frequency to output cutoff frequency. The PLL allows for many ratios of input to output frequencies to be selected, making the VCO a simultaneous audio and control source.\u003c\/p\u003e  \u003cp\u003eThe PLL introduced its own challenges. Taming the PLL to stabilize at high multiplication ratios required us to develop a damping circuit. The Damping and Track Speed controls cause the PLL to have its own sound, sort of a slew limiter and self Frequency Modulation. We wanted the Synchrodyne to distort nicely with audio input, and also to self-oscillate. We added single stage rectifiers to the -12 dB and -24 dB filter outputs for a more aggressive sound. We opted to develop a VCA and wavefolder for the front end of the filter to further expand the palate of distortion and processing of the Synchrodyne. We had more features to add, but space was limited and we didn't want to make an excessively expensive module, so we added two 14pin expansion headers for future development.\u003c\/p\u003e  \u003ch3\u003eVCO Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne's VCO is a traditional Sawtooth Core. It uses very modern parts to achieve the stability and speed necessary for driving the Synchrodyne.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e1V\/Oct Input - Calibrated input for pitch control. The VCO will track at least 5 octaves using this input.\u003c\/li\u003e \u003cli\u003eSync Input - Rising edge sawtooth reset\/sync input. Does not affect slope of sawtooth.\u003c\/li\u003e \u003cli\u003eCoarse \u0026amp; Fine Knobs - Coarse knob adjust the frequency of the VCO throughout its full range. Use the Fine knob to tune the oscillator within approximately 1\/3 octave range.\u003c\/li\u003e \u003cli\u003eExp FM - This input jack and bipolar attenuator provide exponential FM to the VCO. This input is DC coupled.\u003c\/li\u003e \u003cli\u003eLin FM - This input jack and bipolar attenuator provide linear FM to the VCO. This input can be DC or AC coupled. A jumper on the back enables DC coupling when in place. We recommend AC coupling to prevent frequency shift caused by the bipolar attenuator's offset voltage.\u003c\/li\u003e \u003cli\u003eSaw Output - The Sawtooth output is available here. Its level is approximately +-4.5 volts.\u003c\/li\u003e \u003cli\u003ePulse Output - This output presents the rectangle wave necessary for driving the PLL. It is not a 50% duty cycle square, but approximately 30%\/70% as that provided the best performance for driving PLL.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePLL Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe PLL takes the rectangle wave from the VCO and drives the filter.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCLK Input - The Pulse Output from the VCO is normaled here. Plug in an external clock source to drive the PLL with something else.\u003c\/li\u003e \u003cli\u003eMultiply \u0026amp; Divide Switch Knobs - These rotary switches adjust the frequency of the clock multiplier \u0026amp; divider inside the PLL. Adjust these to set the frequency ratio. Higher multiplcation factors cause the PLL to react slower to changes, especially at low input frequencies.\u003c\/li\u003e \u003cli\u003ePhase Delta Output (ΦΔ) - This output is the result of the multiplication factor. It produces some self PWM as the PLL stabilizes and will equal the input clock frequency if the PLL is locked. This output provides an interesting self modulating audio or clock source.\u003c\/li\u003e \u003cli\u003ePLL Output - This is the output of the PLL stage. It is the input frequency multiplied and divided by the set ratios.\u003c\/li\u003e \u003cli\u003eTrack Speed Knob - This controls the reaction speed of the PLL in trying to keep up with changes to the input frequency. Fully CCW it will introduce lots of glissando in the filter reaction. Fully CW and it will over-track, causing the PLL to respond faster than the input frequency. Overtracking produces bursts of high frequency output and low frequency output.\u003c\/li\u003e \u003cli\u003eDamping Knob - This control reduces the rate of fluctuation while overtracking, damping the overtracking and increasing stability. More damping will be needed as higher ratios of Frequency Multiplication are selected.\u003c\/li\u003e \u003cli\u003eInfluence Input and Knob - This control acts directly with the Track Speed and Damping controls in stabilizing the frequency of the PLL. Use a voltage source to modulate the PLL signal. Very complex modulations are possible by using Influence with the internal VCO and other controls.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFilter Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe core of the Synchrodyne is a 4 pole (-24 dB\/octave) Switched Capacitor Filter circuit. The 2 pole output is tapped and provides a mellower filter sound. The Synchrodyne will self-oscillate at high resonances on both outputs, however it is more prominent on the 4 Pole output.\u003c\/p\u003e  \u003cp\u003eThe Switched Capacitor Filter topology has a few interesting features. It is a sampled data construct, so at low cutoff frequencies, the filter will produce aliasing noise, similar to the sample rate reduction on the Geiger Counter. This topology is also very stable and accurate, allowing for predictable cutoff frequencies to be selected. Across its entire range (.02 Hz to 16 kHz) the filter will remain within ±0.2% of where it should be.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIn Jack - Insert signal to be filtered here.\u003c\/li\u003e \u003cli\u003eVCA CV Input and Knob - When there is no input to the VCA CV jack, the knob acts as an attenuator for the input signal. Plugging into the VCA CV jack causes the knob to act as an attenuator for the CV signal controlling the input VCA.\u003c\/li\u003e \u003cli\u003eFold Toggle - Flipping this up causes the input VCA to drive a four stage wavefolder. The output of the wavefolder then goes o the filter. The level of the input signal going into the filter from the wave-folder is adjustable with the blue trim-pot on the back of the Synchrodyne. This will be broken out to the expansion.\u003c\/li\u003e \u003cli\u003eResonance Knob - Directly Controls the resonance of the Switched Capacitor Filter.\u003c\/li\u003e \u003cli\u003eResonance CV Input and Attenuator - This input will add to the primary Resonance knob through the attenuator. Use for animating the Filter's resonance.\u003c\/li\u003e \u003cli\u003e100:1 - 50:1 Ratio Toggle - This controls the filter core's frequency ratio. There is one octave of difference between the two settings. At low frequencies, the 50:1 ratio will produce more aliasing\/sampling distortion.\u003c\/li\u003e \u003cli\u003eLowPass \/ BandPass \/ HighPass Toggle - Selects the output mode of both the 2 Pole and 4 Pole outputs.\u003c\/li\u003e \u003cli\u003eFilter Outputs - Jacks for the 2 Pole (-12 dB\/oct) and 4 Pole (-24 dB\/oct) are available. Please note that they are 180 degrees out of phase from each other. Additionally, a single stage wave-folded output is available for both the 2 Pole and 4 Pole outputs. The wave-folded outputs provide another level of sonic depth to experiment with.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943158887,"sku":"58344","price":469.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-syncro22_58344_1_114f5c4a-7250-41e6-a7c1-ce68a59d8bdb.jpg?v=1787091037"},{"product_id":"wmdevices-and-steady-state-fate-adsrvca","title":"WMDevices and Steady State Fate ADSRVCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices and Steady State Fate ADSRVCA\u003c\/strong\u003e is a multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA).\u003c\/p\u003e  \u003cp\u003eThis envelope generator is capable of producing a classic, gate driven Attack\/Decay\/Sustain\/Release (ADSR) envelope as well as a self sustaining, looping Attack Decay (AD) and Attack Decay Release (ADR) one shot envelopes.\u003c\/p\u003e  \u003cp\u003eThe integrated VCA eliminates the need for an external VCA module and can be used independently when an external control voltage is utilized.\u003c\/p\u003e  \u003cp\u003eThe envelope controls the shape of the VCA’s amplitude response by default.\u003c\/p\u003e  \u003cp\u003ePower Draw: +36 mA, -16 mA. 6HP width. 25 mm depth.\u003c\/p\u003e","brand":"WMD \/ Steady State Fate","offers":[{"title":"Default Title","offer_id":44449943421031,"sku":"58358","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-ssf-adsrvca-1_0daa156c-1851-4585-928e-fc7785c2b92d.jpg?v=1787091038"},{"product_id":"snazzy-fx-chaos-brother-demo-deal","title":"Snazzy FX Chaos Brother (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSnazzy FX Chaos Brother\u003c\/strong\u003e is a new modulation module full of enough options and knobs to keep it interesting no matter where you decide to use it.  It all starts with the CHAOS knob, when turned all the way to the left, you get repetitive, tame oscillations like you would find in a basic LFO. Start turning the knob to the right and the Chaos ensues.\u003c\/p\u003e\r\n\u003cp\u003eThe speed of the chaos can be adjusted with the speed knob so there is a wide range of variation possible.  With Speed and Chaos knobs, it is very easy to dial in just the right amount of craziness. At times like an LFO, other times generating wild patterns, jagged waveforms, or even strange bass blasts. Use it to add vibrato to a melody, out of this world sweeps, hiccups, slow swirls, or use the smooth out for more subtle controlled modulation.  With a CV input, you can have the whole cloud of modulation stop and start, melt and reform on the beat, synced to your sequencer or a sharp LFO.\u003c\/p\u003e\r\n\u003cp\u003eThings get more interesting when you take advantage of the gate output. This single output allows the performer to create chains of percussion. Drive the Chaos Brother with a gate, and then drive the rest of your system with the Chaos Brothers gate out. Flip the threshold till it’s just right, take one of the three outputs (x, y and smooth) and plug them in all over the place.  Modulate your VCOS and your filters, trigger your envelopes, clock your sequencer, and cross-modulate to your hearts content.  10hp wide\u003c\/p\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44450032779367,"sku":"64176","price":209.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_chaos-brother_front_1_273f5ffd-1dac-4fdd-9566-e255aa663960.jpg?v=1787091407"},{"product_id":"2hp-env-envelope","title":"2hp ENV - Envelope","description":"\u003cp\u003e\u003cstrong\u003e2hp ENV\u003c\/strong\u003e is a multimode envelope capable of producing shapes that are short and snappy, or long and smooth. Linear and exponential shapes are accessible.\u003c\/p\u003e  \u003cp\u003eIn addition to the envelope output, a gate signal is produced at the end of each attack stage. This can be used for clocking anything in your system ranging from sequencers to drums.\u003c\/p\u003e  \u003cp\u003eHigh quality and feature packed, Env is a great addition to any system.\u003c\/p\u003e","brand":"2hp","offers":[{"title":"Default Title","offer_id":44450045034599,"sku":"64939","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/2hp-env-1_8f997927-d054-4409-890f-e49e6f11b9fa.jpg?v=1787091456"},{"product_id":"qu-bit-electronix-eon","title":"Qu-Bit Electronix EON","description":"\u003cp\u003e\u003cstrong\u003eQu-Bit EON\u003c\/strong\u003e is an envelope, oscillator, and noise source in 2 HP.\u003c\/p\u003e  \u003cp\u003eIt has three modes that are quickly and easily set via a 3 position switch.\u003c\/p\u003e  \u003cp\u003eIts functionality is deep and multifaceted. The EON can be a full fledged envelope with linear and exponential shapes, a square wave oscillator that tracks 1 volt per octave, or a digital noise source with downsample control.\u003c\/p\u003e  \u003cp\u003eIn addition to the three main functions, the EON also has a triangle wave LFO, random gates, and cycling envelopes.\u003c\/p\u003e  \u003cp\u003ePacking more features per HP than any other module before, the EON is the best way to fill any empty spot in your case.\u003c\/p\u003e","brand":"Qu-Bit Electronix Inc.","offers":[{"title":"Default Title","offer_id":44450056044647,"sku":"64695","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/qu-bit-eon-1_8f1228c3-f9b3-46c4-aa1e-bbdf22df05dd.jpg?v=1787091502"},{"product_id":"intellijel-quadra-demo-deal","title":"Intellijel Quadra (Demo Deal)","description":"\u003cp\u003eThe Intellijel \u003cstrong\u003eQuadra\u003c\/strong\u003e has 4 x function generators\u003c\/p\u003e\r\n\u003cp\u003e3 modes:\u003cbr\u003e 1. ad (attack – decay) \u003cbr\u003e2. ahr (attack – hold – release) \u003cbr\u003e3. cycle (ad envelope loops)  each function can have a linear or exponential curve. wide time range for attack\/decay controls: \u0026lt;0.5ms to well over 30s All analog and discrete logic for function generation (totally smooth and continous waveforms)\u003c\/p\u003e\r\n\u003cp\u003e12hp and skiff friendly\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450084388967,"sku":"77381","price":233.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel_quadra_1_d99b146f-9bb0-446e-ab88-ecc3cdf43912.jpg?v=1787091635"},{"product_id":"mutable-instruments-peaks-demo-deal","title":"Mutable Instruments Peaks (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003ePeaks by Mutable Instruments\u003c\/strong\u003e provides 4 different functions in a small 8-HP package. Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePeaks is a dual-channel module – making it very useful for duophonic patches or for controlling\/synthesizing the kick\/snare rhythmic backbone of a patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic ADSR\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSegment durations ranging from 0.2ms to 8s.\u003c\/li\u003e\r\n\u003cli\u003eQuartic attack, exponential decay, exponential release.\u003c\/li\u003e\r\n\u003cli\u003eOther fancy modes implemented in the code, waiting to be unlocked!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks’ first function is a no-frills ADSR envelope with segment times going from 0.2ms to 8s.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLFO and tap LFO\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e0.03 Hz to 160 Hz.\u003c\/li\u003e\r\n\u003cli\u003e5 basic waveforms: square, triangle, sine, stepped, random.\u003c\/li\u003e\r\n\u003cli\u003eWaveform variations and morphing for each of these: PWM, slope, folding\/harmonics, step size, interpolation.\u003c\/li\u003e\r\n\u003cli\u003ePhase at reset control.\u003c\/li\u003e\r\n\u003cli\u003eTap LFO can lock onto irregular rhythms.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks’ can work as a free-running, resettable LFO, or as a tempo synchronized LFO.\u003c\/p\u003e\r\n\r\n\u003cp\u003e5 waveforms are available, each of them with a shape\/morphing parameter: wavefolded sine, variable slope triangle, PWM square, stepped triangle and sampled\/interpolated noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA unique feature of Peaks is its ability to lock onto irregular sequence of taps: the module can detect the periodicity of the incoming trigger pattern, and adjust the duration of the LFO cycles accordingly.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDrum Generator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eChannel 1: 808 kick model with extra parameters (tune, punch).\u003c\/li\u003e\r\n\u003cli\u003eChannel 2: 808 snare model with extra parameters (tune, decay).\u003c\/li\u003e\r\n\u003cli\u003eChannel 2: A specific combination of settings transform the snare into a modelled 808 hi-hat.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks can synthesize bass-drum, snare-drum and hi-hat sounds using a digital model of the TR-808 circuits. An alternate drum generation mode synthesizes more aggressive FM-style drum sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs, controls and outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 parameter edition pots.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger inputs.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger push-buttons.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 CV\/audio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e16-bit CV\/audio generation with 48kHz sample rate.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 60mA ; -12V: 2mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450131837031,"sku":"80698","price":179.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_peaks_2_21bc388e-bb22-4f4d-92cc-663dbda78fb5.jpg?v=1787091825"},{"product_id":"verbos-electronics-voltage-multistage","title":"Verbos Electronics Voltage Multistage","description":"\u003cp\u003eIn theory, a sophisticated enough control voltage source can replace all of the control voltage sources in a modular system. That includes saw, square, pulse, triangle LFOs, AR, AD, ADSR, multistage envelopes, tracking generators, quantizers and of course sequencers. It is not practical to actually replace all of these with one module type, but the \u003cstrong\u003eVerbos Electronics Voltage Multistage\u003c\/strong\u003e can create any of these control signals.\u003c\/p\u003e  \u003cp\u003eAs a sequencer, it  has switchable slides and gates on each stage. Gate are output musically to match slides and stepped stages.  As a multistage envelope, any stage can be the sustain. Stage \"TIME\" can be voltage controlled.\u003c\/p\u003e  \u003cp\u003eThe \"ref\" output is a falling ramp the length of the entire stage. This is usable as a decay envelope the length of the stage.\u003c\/p\u003e  \u003cp\u003eWhen the \"strobe\" input is pulsed, the setting of the \"analog\" control and CV input selects the stage. This is usable as a reset or to jump to any specific stage of the sequencer.\u003c\/p\u003e","brand":"Verbos Electronics","offers":[{"title":"Default Title","offer_id":44450145861735,"sku":"81275","price":790.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/verbos-voltage-multistage_81275_1_5ca96509-c05a-40cc-821e-7d8fe03124ae.jpg?v=1787091865"},{"product_id":"verbos-electronics-multi-envelope","title":"Verbos Electronics Multi-Envelope","description":"\u003cp\u003eReimagining the envelope generator, several shapes of 4-stage functions are available simultaneously on each of the two parts in the \u003cstrong\u003eVerbos Electronics Multi-Envelope\u003c\/strong\u003e. From the same set of controls and voltage control inputs, each shape has its own dedicated output. All at the same time... Delay Attack Decay Sustain Release, Attack Hold Decay Sustain Release, Delay Attack Hold Release and (on the upper generator) Attack Decay Attack Release. End pulse outs allow chaining and looping. Gate and Trigger inputs can be used alone or together to control re-trigger characteristics. The \"shape\" control blends continuously from linear ramps to RC curves typical of East Coast Synthesis, without changing the overall time. The upper generator also has gate outs that are high during each stage.\u003c\/p\u003e","brand":"Verbos Electronics","offers":[{"title":"Default Title","offer_id":44450146156647,"sku":"81269","price":678.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/verbos-multi-envelope_81269_1_130df0ce-fcf3-4697-9ad4-dca885c94573.jpg?v=1787091866"},{"product_id":"verbos-electronics-bark-filter-processor","title":"Verbos Electronics Bark Filter Processor","description":"\u003cp\u003eThe \u003cstrong\u003eVerbos Electronics Bark Filter Processor\u003c\/strong\u003e is a voluminous, voltage controllable analog filter bank comprised of twelve filter bands with individual outputs for envelope followers and audio, individual level control and dynamic frequency band scanning. The envelope followers' speed is globally adjustable.\u003c\/p\u003e  \u003cp\u003eDue to the individual audio inputs and outputs for odd and even filter bands the module can be patched to be a six-band vocoder. You might as well combine two Bark Filters to a 12-band vocoder.\u003c\/p\u003e  \u003cp\u003eThe Bark Filter Processor is based on the Bark scale, a psychacoustic perceptual scale of pitches, thus the module's twelve frequency bands originate from the Bark Scale. The lowest band uses a band pass filter, the highest uses a high pass, all other bands use band pass filters. Besides an individual audio output each band also features a separate envelope follower CV output.\u003c\/p\u003e  \u003cp\u003eThe levels of the filter bands can be set and modulated in a number of ways. On one hand for each individual band manually with the fader and with a CV which is injected into the socket below the fader. On the other hand there is the scan function from Verbos' own Harmonic Oscillator which dynamically can control several bands, independent of the faders:\u003c\/p\u003e  \u003cp\u003e\"Frequency Scan\" sequentially scans through the frequency spectrum, with Center and Width determining the center frequency and bandwidth\u003c\/p\u003e  \u003cp\u003e\"Spectral Tilt\" either emphasizes the low or high harmonics.\u003c\/p\u003e  \u003cp\u003eEach filter band passes an individual envelope follower which emits a CV. The sum of all twelve EV-CVs is available at the all followers output, though. The envelope followers' decay times are set globally which affects the quickness of the filterbank - longer settings might be fine for voice, shorter more suitable for percussive signals.\u003c\/p\u003e  \u003cp\u003eThe module has two level-adjustable audio inputs, each one for the odd and the even filter bands which makes possible to use the Bark Filter Processor as a dual six-band filterbank. The inputs can be criss-crossed by normalizations in order to process the same audio signal with all frequency bands. There are three mix audio outputs: one for all even bands, one for all odd bands and one for all frequency bands.\u003c\/p\u003e  \u003cp\u003eHow to construct a six-band vocoder? One half of the bands is used as analysis section and is fed with speech for instance; the other half of the bands makes for the synthesis section and is fed with oscillator and noise signals. Now patch the analysis section's envelope follower outputs to the level CV inputs of the synthesis section - the vocoder signal will be present at the synthesis output. That's it!\u003c\/p\u003e","brand":"Verbos Electronics","offers":[{"title":"Default Title","offer_id":44450146353255,"sku":"81261","price":749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/verbos-bark-filter_81261_1_3b3a4dcd-4951-4751-b8cf-29219aec811d.jpg?v=1787091867"},{"product_id":"intellijel-planar-ii","title":"Intellijel Planar 2","description":"\u003ch3\u003eModulator Joy\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe most complex modulator is you. The \u003cstrong\u003eIntellijel Planar 2\u003c\/strong\u003e puts macro control over six outputs—including a quad panning mixer—into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it—synced or not. Add yourself to your patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA Cornucopia of Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith its smoothly responsive precision joystick, Planar2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X\/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar2 puts the ‘joy’ back in ‘joystick,’ and the ‘fun’ back in ‘function generator.’ Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450229059687,"sku":"97600","price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-planar2-23_97600_1_23b7d2fb-109b-447a-a24a-632fdf01251e.jpg?v=1787092222"},{"product_id":"qu-bit-electronix-contour","title":"Qu-Bit Electronix Contour","description":"\u003cp\u003eThe \u003cstrong\u003eQu-Bit Electronix Contour\u003c\/strong\u003e is a quad envelope generator. Each channel has looping, CV over attack and decay, as well as unique chaining capabilities. This makes for the creation of complex modulation patterns with a minimum amount of trigger sources. Cycle times range from 5ms all the way to 20 minutes, providing an extremely wide range. In addition to its full feature set and four channel architecture, the ergonomic interface makes it ideal for performance scenarios.\u003c\/p\u003e","brand":"Qu-Bit Electronix Inc.","offers":[{"title":"Default Title","offer_id":44450231976039,"sku":"82190","price":296.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/qu-bit-contour_82190_1_5ef3025e-1dbe-445f-846f-b2ff4e617af5.jpg?v=1787092235"},{"product_id":"malekko-quad-envelope","title":"Malekko Quad Envelope","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko Quad Envelope\u003c\/strong\u003e includes 4 individual AHDSR envelope generators with individual outputs as well as a 16-step automation sequencer per channel. Hold the RECORD button and move the sliders for Attack, Hold, Decay, Sustain and Release to animate each of these settings for a given channel. Autosave in stand-alone mode, or save up to 16 presets of these settings using Varigate 4+ or up to 100 presets using Varigate 8+.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYou can set each envelope to either Trigger, Gate, Loop or Gate\/Loop. You can also set each individual envelope to either Fast, Slow or Tempo synced modes. Each automation sequencer can be set to either Forward, Reverse, Pendulum or Random. Link Mode allows for linking envelope channels 2-4 to channel 1. The Quad Envelope allows for a multitude of dynamic possibilities for live performance and recording.\u003c\/p\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44450232303719,"sku":"97563","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko-quad-envelope_97563_1_bf984b9a-22f4-436d-a898-32d104d4b693.jpg?v=1787092237"},{"product_id":"dreadbox-envelope","title":"Dreadbox Envelope","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Envelope\u003c\/strong\u003e is a standard ADSR envelope with manual trigger and bipolar output.\u003c\/p\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44450234335335,"sku":"97798","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-envelope_97798_1_45f34f0b-a2a6-469d-af26-73a940b4a223.jpg?v=1787092245"},{"product_id":"2hp-adsr","title":"2hp ADSR","description":"\u003cp\u003eThe \u003cstrong\u003e2hp ADSR\u003c\/strong\u003e is a four-stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.\u003c\/p\u003e","brand":"2hp","offers":[{"title":"Default Title","offer_id":44450263335015,"sku":"99541","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/2hp-adsr_99541_1_bb633133-cf15-4c16-bb01-371fbf78dc4e.jpg?v=1787092366"},{"product_id":"mutable-instruments-stages","title":"Mutable Instruments Stages","description":"\u003ch3\u003eTHE MODULATION CONSTRUCTION SET\u003c\/h3\u003e\r\n\r\n\u003cp\u003eASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: The \u003cstrong\u003eMutable Instruments Stages\u003c\/strong\u003e can be any kind of modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNot because all these behaviors have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFlexible input\/output layout\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4… depends simply on how you patch it. Dummy patch cables might come handy!\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eThree segment types\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eRamp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes… or for LFOs.\u003c\/li\u003e\r\n\u003cli\u003eHold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.\u003c\/li\u003e\r\n\u003cli\u003eStep segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eLooping\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviors allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSingle segment processing\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEven when they aren’t part of any group and don’t receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCV output: from 0 V to +8 V, negative CV down to -8 V can be generated by a Hold or Step segment if this segment is CV modulated\u003c\/li\u003e\r\n\u003cli\u003eSegment duration from 1ms to 16s\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 2 kHz\u003c\/li\u003e\r\n\u003cli\u003e31.25 kHz refresh rate\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV capture, 14-bit CV generation with accurate software calibration, error below 2 mV\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450265661543,"sku":"99319","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-stages_99319_1_1607b2d1-457d-4d92-95aa-39d1ca012091.jpg?v=1787092375"},{"product_id":"ajh-synth-minimod-dual-contour-silver","title":"AJH Synth MiniMod Dual Contour - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eAJH Synth MiniMod Dual Contour\u003c\/strong\u003e features two independent Contour Envelope Generators in a single 12hp wide Eurorack module.  These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3 V and -10 V supply voltages of the original; so they exactly replicate the original envelope response along  with all of it eccentricities. Extra features include manual trigger buttons  and envelope status LEDs.\u003c\/p\u003e  \u003cp\u003eThe contour generators played a larger part in the sound of the Model D than many people realize. There are two factors that make them unique,  firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D  “punch”.  Secondly, the re-trigger behavior is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally or the filter opens incrementally with each extra key press.\u003c\/p\u003e  \u003cp\u003eAJH have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesizer, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).\u003c\/p\u003e","brand":"AJH Synth","offers":[{"title":"Default Title","offer_id":44450268348519,"sku":"100080","price":249.3,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ajh-minimod-dual-contours-silver_100080_1_0735111c-3ee9-4826-8d7c-fd481fba9c0c.jpg?v=1787092386"},{"product_id":"ajh-synth-minimod-dual-contour-black","title":"AJH Synth MiniMod Dual Contour - Black","description":"\u003cp\u003eThe \u003cstrong\u003eAJH Synth MiniMod Dual Contour\u003c\/strong\u003e features two independent Contour Envelope Generators in a single 12hp wide Eurorack module.  These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3 V and -10 V supply voltages of the original; so they exactly replicate the original envelope response along  with all of it eccentricities. Extra features include manual trigger buttons  and envelope status LEDs.\u003c\/p\u003e  \u003cp\u003eThe contour generators played a larger part in the sound of the Model D than many people realize. There are two factors that make them unique,  firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D  “punch”.  Secondly, the re-trigger behavior is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally or the filter opens incrementally with each extra key press.\u003c\/p\u003e  \u003cp\u003eAJH have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesizer, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).\u003c\/p\u003e","brand":"AJH Synth","offers":[{"title":"Default Title","offer_id":44450268381287,"sku":"100095","price":317.4,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ajh-minimod-dual-contours-black_100095_1.jpg?v=1787092386"},{"product_id":"ajh-synth-minimod-dh-adsr-envelope-silver","title":"AJH Synth MiniMod DH-ADSR Envelope - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eAJH Synth MiniMod DH-ADSR Envelope Generator\u003c\/strong\u003e is a compact 10hp wide Eurorack format module. It has been developed to offer a full ADSR envelope for the MiniMod system and of course other Eurorack synthesizers, as an alternative to the original Model D style contour generators which do not have separate Decay and Release controls.\u003c\/p\u003e  \u003cp\u003eThe DH-ADSR uses exactly the same discrete transistor circuitry as the original Model D contour generators, so it retains all of the \"punchiness\" of the original, along with it's unique multiple key trigger behavior; AJH have simply added a Release control so that it now offers a true ADSR envelope, and the Decay and Release curves can be individually controlled.\u003c\/p\u003e  \u003cp\u003eThe  Delay-Hold Mode can generate very complex envelopes when mixed with another regular envelope generator output. Retrigger mode allows automatic re-triggering of the envelope, the Pre-Delay control sets the \"hold off\" time between individual retriggers, and the Hold control sets the gate length, so it can produce repeating ADSR envelopes, this has a very wide range and even be used as an LFO. Slow mode switches the envelope down to 1\/5th of regular speed, so slow, evolving envelopes are now possible too.\u003c\/p\u003e","brand":"AJH Synth","offers":[{"title":"Default Title","offer_id":44450268446823,"sku":"100085","price":249.3,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ajh-synth-minimod-adsr-silver_100085_1_88e8ce35-f98c-44e2-93db-ac452359e922.jpg?v=1787092386"},{"product_id":"ajh-synth-minimod-dh-adsr-envelope-black","title":"AJH Synth MiniMod DH-ADSR Envelope - Black","description":"\u003cp\u003eThe \u003cstrong\u003eAJH Synth MiniMod DH-ADSR Envelope Generator\u003c\/strong\u003e is a compact 10hp wide Eurorack format module. It has been developed to offer a full ADSR envelope for the MiniMod system and of course other Eurorack synthesizers, as an alternative to the original Model D style contour generators which do not have separate Decay and Release controls.\u003c\/p\u003e  \u003cp\u003eThe DH-ADSR uses exactly the same discrete transistor circuitry as the original Model D contour generators, so it retains all of the \"punchiness\" of the original, along with it's unique multiple key trigger behavior; AJH have simply added a Release control so that it now offers a true ADSR envelope, and the Decay and Release curves can be individually controlled.\u003c\/p\u003e  \u003cp\u003eThe  Delay-Hold Mode can generate very complex envelopes when mixed with another regular envelope generator output. Retrigger mode allows automatic re-triggering of the envelope, the Pre-Delay control sets the \"hold off\" time between individual retriggers, and the Hold control sets the gate length, so it can produce repeating ADSR envelopes, this has a very wide range and even be used as an LFO. Slow mode switches the envelope down to 1\/5th of regular speed, so slow, evolving envelopes are now possible too.\u003c\/p\u003e","brand":"AJH Synth","offers":[{"title":"Default Title","offer_id":44450268512359,"sku":"100100","price":317.4,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ajh-synth-minimod-adsr-black_100100_1_88c3cc60-892f-4b6d-b5e3-164127b38c7a.jpg?v=1787092387"},{"product_id":"waldorf-nw1-wavetable-eurorack-module","title":"Waldorf NW1 Wavetable Eurorack Module","description":"\u003cp\u003eThe \u003cstrong\u003eWaldorf NW1 Wavetable Eurorack Module\u003c\/strong\u003e is Waldorf's debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness – just like Nave.\u003c\/p\u003e  \u003cp\u003eWavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.\u003c\/p\u003e  \u003cp\u003eWavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.\u003c\/p\u003e  \u003cp\u003eStarting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf‘s neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard – sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":44450286764135,"sku":"101843","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/waldorf-nw1_101843_1_bbcb6241-cd6e-4cd8-97ea-7f8cc38d017a.jpg?v=1787092460"},{"product_id":"1010-music-synthbox","title":"1010 Music Synthbox Polyphonic Synthesizer Module","description":"\u003cp\u003eThe \u003cstrong\u003e1010 Music Synthbox Polyphonic Synthesizer Module\u003c\/strong\u003e is a 4-polyphonic synthesizer for your eurorack system.  Connect your favorite MIDI controller to Synthbox and start jamming with built in presets. Use the touchscreen to choose and shape the waveforms and to apply the built in sound effects. Modulate the waves and the effects using a combination of on screen controls of envelopes, low-frequency oscillators, and sequencers together with hard wired CV inputs to tweak the sound to meet your creative vision.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSeries 1 Module Firmware Switching\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBecause Synthbox is a Series 1 module, you can swap out the Synthbox firmware for other series 1 module firmware quickly and easily.  You can also download the latest synthbox firmware to get new features and updates. It’s like getting three modules in 1 with available upgrades! All this can be done through 1010 Music's forum.\u003c\/p\u003e","brand":"1010 Music","offers":[{"title":"Default Title","offer_id":44450287648871,"sku":"101999","price":599.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/1010-music-synthbox_101999_1_9e9fa08d-341a-4ec7-85dd-7fabab3a1546.jpg?v=1787092464"},{"product_id":"mutable-instruments-tides-2018","title":"Mutable Instruments Tides 2018","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Tides 2018\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rates… This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and bounces to the waveform.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePOLYRHYTHMIC VARIATIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhat sets this 2018 revision apart from its predecessor is the introduction of additional output modes, producing variations (shifted in amplitude, time, phase or frequency) of the main signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd of course, a redesign from scratch focused on accuracy and audio quality.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDigital function generator:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e3 operating mode: AD envelope, looping (VC-LFO\/VCDO), AR envelope\u003c\/li\u003e\r\n\u003cli\u003e3 frequency ranges for the main frequency knob: low (2 minutes to 2 Hz), medium (0.125 Hz to 32 Hz), high (8 Hz to 2kHz), this range can be widened by applying an offset on the V\/OCT input\u003c\/li\u003e\r\n\u003cli\u003eA large palette of waveforms\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or sinusoidal segments\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input: smoothes the waveform using a 2-pole digital filter, or adds bumps and kinks with a digital wavefolder\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eExternal clocking\/PLL:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe module can use an external clock or clean audio signal as a reference, and operate at a multiple of this clock (from 1⁄16 to 16x)\u003c\/li\u003e\r\n\u003cli\u003eThis allows, for example, the generation of (sub)harmonics from another VCO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003e4 output modes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDifferent shapes - each output produces a different waveshape: main signal (with voltage-controlled attenuverter), raw asymmetric triangle, end of attack gate, end of release gate\u003c\/li\u003e\r\n\u003cli\u003eDifferent amplitudes: Voltage-controlled dispatching of the signal to each of the 4 outputs\u003c\/li\u003e\r\n\u003cli\u003eDifferent times: Voltage-controlled phase or apex shifting of the signal\u003c\/li\u003e\r\n\u003cli\u003eDifferent frequencies: Outputs 2, 3, and 4 are shifted up or down in frequency relatively to output 1, creating chords or polyrhythmic LFOs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 7.8 kHz\u003c\/li\u003e\r\n\u003cli\u003eSLOPE, SMOOTHNESS, SHAPE, SHIFT\/LEVEL input range: ±8 V\u003c\/li\u003e\r\n\u003cli\u003eV\/OCT input range: -3 to +7 V\u003c\/li\u003e\r\n\u003cli\u003eTRIG and CLOCK input range: 0 to +8 V, protected\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV capture\u003c\/li\u003e\r\n\u003cli\u003eInternal processing: 32-bit floating point\u003c\/li\u003e\r\n\u003cli\u003eCV Outputs: 14-bit, 62.5 kHz (31.25 kHz in different frequencies mode)\u003c\/li\u003e\r\n\u003cli\u003eOutput levels: bipolar ±5 V for cyclic signals; unipolar +8 V for gates and envelopes\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450337292391,"sku":"108933","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-tides-2018_108933_1_ba36343b-d957-40e9-bf85-eb5ba824141a.jpg?v=1787092643"},{"product_id":"2hp-eg","title":"2hp EG","description":"\u003cp\u003e\u003cstrong\u003e2hp EG\u003c\/strong\u003e is a full featured two-stage envelope generator. In addition to a colossal range from 3ms to 11 minutes per stage, EG features the ability to switch between linear and exponential curves on the fly, a built-in attenuator, and CV over attack and decay. Boasting more features than modules five times its size, EG can fill any envelope-sized gap in your system.\u003c\/p\u003e","brand":"2hp","offers":[{"title":"Default Title","offer_id":44450346467431,"sku":"107125","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/2hp-eg_107125_1_cca9f1af-ca68-42e5-9fb1-6f273b240455.jpg?v=1787092682"},{"product_id":"intellijel-planar-2-demo-deal","title":"Intellijel Planar 2 (Demo Deal)","description":"\u003ch3\u003eModulator Joy\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe most complex modulator is you. The \u003cstrong\u003eIntellijel Planar 2\u003c\/strong\u003e puts macro control over six outputs—including a quad panning mixer—into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it—synced or not. Add yourself to your patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA Cornucopia of Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith its smoothly responsive precision joystick, Planar2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X\/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar2 puts the ‘joy’ back in ‘joystick,’ and the ‘fun’ back in ‘function generator.’ Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450350858343,"sku":"109944","price":306.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intelljel-planar-2_97600_1_1_afc3c0da-018c-46b4-ac0e-00f24465bb96.jpg?v=1787092702"},{"product_id":"dreadbox-alpha-demo-deal","title":"Dreadbox Alpha (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Alpha Module\u003c\/strong\u003e has 2 ADSR envelope generators with offset depth control, rate switch (fast-slow), MIDI to CV gate and paraphony Convertor (with seperate Glide controls) modulation Wheel to CV convertor, dip switch for MIDI channel select \/ envelope re-trigger \/ unison-paraphony.\u003c\/p\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44450356592743,"sku":"111316","price":212.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-alpha_57207_1_1_533aa420-24b3-4c5f-927d-204b0e2c4ea3.jpg?v=1787092724"},{"product_id":"noise-engineering-pons-asinorum","title":"Noise Engineering Pons Asinorum - Silver","description":"\u003cp\u003e\u003cstrong\u003eNoise Engineering Pons Asinorum\u003c\/strong\u003e is a compact four-channel multimode envelope generator and LFO with voltage control. PA has three different envelope shapes, CV over cycle length, and a unique single encoder control scheme that makes adjusting multiple channels mid-performance easy. Channels can be set separately to envelope mode or to cycle in LFO mode, giving PA maximal flexibility in a minimal footprint.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450380218471,"sku":"111838","price":260.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-pons-asinorum_111838_1.jpg?v=1787092824"},{"product_id":"noise-engineering-sinc-bucina","title":"Noise Engineering Sinc Bucina - Silver","description":"\u003cp\u003eNoise Engineering is proud to announce the sequel to the Sinclastic Empulatrix, the \u003cstrong\u003eNoise Engineering\u003c\/strong\u003e Sinc Bucina. Based around a VCA\/VCF combo, its internal envelope can be pinged via the appropriately named Ping input for classic lowpass gate action. It also features an updated version of SE’s slew, that can function as a simple ASR envelope with a gate input, or smooth out stepped signals like a traditional slew. Its internal filter offers 6 db and 12 db filter slopes.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450390114407,"sku":"114932","price":202.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-sinc-bucina_114932_1.jpg?v=1787092868"},{"product_id":"antimatter-audio-crossfold","title":"Antimatter Audio Crossfold","description":"\u003cp\u003eThe \u003cstrong\u003eAntimatter Audio Crossfold\u003c\/strong\u003e is a new concept wavefolder: A high quality, compact, 8-stage, dual voltage-controlled crossfader, analog wavefolder\/waveshaper from Antimatter Audio capable of producing subtle to extreme distortion, folding, and experimental synthesis.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVoltage controlled balance of two audio sources before processing through the high fidelity 8 stage wavefolder creates \"crossfolds\", unexpected and complex interactions of sound that can resemble through-zero FM synthesis, bizarre distortion, and even more mysterious results.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs lovers of wave shapers, Antimatter refined the Crossfold to produce timbres and patches that they were always seeking, patches that were either not possible, or required many more modules to accomplish before the Crossfold.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Crossfold utilizes high quality op amps, multiple high quality VCA chips, and a small army of resistors and diodes to create a unique, hi fidelity wavefolder capable of producing sounds yet unheard of!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe fold and range controls with voltage control provide the main intensity level, with the range control setting the scope of the fold control, traveling from single folds, up to eight, further into clipping, which compresses and offsets the folds both into the positive and negative range. A built in output limiter allows you to explore clipping effects without large volume spikes, while still allowing for a musical dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe output stage has 3 modes selectable by a switch on the front panel: a voltage-controlled dry\/wet of the input crossfader (great for balancing fundamental tones Vs added harmonics), wet vs. input 1 (great for mixing signals for the wet signal while maintaining a single dry signal), or as a final VCA to complete a voice or provide amplitude modulation of the output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Crossfold is capable of combining sources to produce low punchy basses, glassy marimbas, screaming synced leads, morphing alien drones, and much more. It even sounds amazing on bass guitar, thanks to its smooth distortion capabilities!\u003c\/p\u003e\r\n\r\n\u003cp\u003eAntimatter Audio modules are proudly designed and assembled in Portland, OR, USA.\u003c\/p\u003e","brand":"Antimatter Audio","offers":[{"title":"Default Title","offer_id":44450393161831,"sku":"109598","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antimatter-crossfold_109598_1_622ab3f9-2bcc-426d-ac12-c655b19bed5c.jpg?v=1787092880"},{"product_id":"noise-engineering-cursus-iteritas-percido","title":"Noise Engineering Cursus Iteritas Percido - Black","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Cursus Iteritas Percido\u003c\/strong\u003e is the second module in the Percido line of powerful synth voices. Similar to its predecessor the Loquelic Iteritas Percido, CIP takes the original Cursus Iteritas and adds the same musical envelope from LIP with attenuverter-controlled routing to every knob. With the inclusion of the performance-oriented Master Blaster and CV outputs, CIP is a powerhouse of incredibly versatile synthesis.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCursus - series, from Latin cursus \"series\"\u003c\/p\u003e\r\n\r\n\u003cp\u003eIteritas - repetitiousness - from Latin itero \"repeat\" with suffix -tas \"state of being\"\u003c\/p\u003e\r\n\r\n\u003cp\u003ePercido - from Latin “danger”\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"Dangerous repetitiousness series.\"\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450424324199,"sku":"114929","price":685.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-cursus-iteritas-percido_114929_1_836f8474-ddfa-4fbf-96f8-b20df13f2d97.jpg?v=1787093006"},{"product_id":"studio-electronics-tonestar-folktek-d-2600","title":"Studio Electronics Tonestar Folktek'D 2600","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics Tonestar Folktek'D 2600\u003c\/strong\u003e is an Arias Blaze\/Folktek Fibonacci flight, feast and fancy. Studio Electronics were hyped when Arias told the, \"I like your layout - it's very approachable. And you've got some hex things happening which I'm all about.\" Who knew the Tonestar was so hexy?\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlaze continued \"I'm a circle person so you're going to end up with something that circle driven. The design will end up like a mescaline vision. If you're not into that, say the word now...\" Oh but we were. He continued—well he wrote this bit before the last, \"One of my goals is not just to throw some image stuff on this but to create something that makes sense visually as it corresponds to functionality. I find that kind of thing difficult with complex layouts like this - it's difficult to find the room for pure design, yours or mine. But at this point I'm starting to come to something...\"\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450425208935,"sku":"116547","price":669.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-tonestar-folktek-d-2600_116547_1_dbe330f5-d222-40b5-85f7-1f0b42397f55.jpg?v=1787093010"},{"product_id":"ajh-synth-minimod-dual-contour-black-demo-deal","title":"AJH Synth MiniMod Dual Contour - Black (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAJH Synth MiniMod Dual Contour\u003c\/strong\u003e features two independent Contour Envelope Generators in a single 12hp wide Eurorack module.  These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3 V and -10 V supply voltages of the original; so they exactly replicate the original envelope response along  with all of it eccentricities. Extra features include manual trigger buttons  and envelope status LEDs.\u003c\/p\u003e  \u003cp\u003eThe contour generators played a larger part in the sound of the Model D than many people realize. There are two factors that make them unique,  firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D  “punch”.  Secondly, the re-trigger behavior is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally or the filter opens incrementally with each extra key press.\u003c\/p\u003e  \u003cp\u003eAJH have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesizer, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).\u003c\/p\u003e","brand":"AJH Synth","offers":[{"title":"Default Title","offer_id":44450432548967,"sku":"120245","price":246.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ajh-minimod-dual-contours-black_100095_1_1_33ad4c0a-8a5a-42f0-9d27-5150e8e09a20.jpg?v=1787093041"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/instruments-modular-synthesizers-eurorack-and-modular-synth-modules-envelope-modules.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}