{"title":"Sequencing Modules","description":null,"products":[{"product_id":"malekko-wiard-jag","title":"Malekko Wiard Jag","description":"\u003cp\u003eThe Malekko Wiard series of modules offer the same great sound, ergonomics, musicality, and quality that made the Wiard 300 series legendary at a fraction of the cost and size in Eurorack modular format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMore than just a pretty face, the \u003cstrong\u003eMalekko Wiard J.A.G.\u003c\/strong\u003e (Joystick Axis Generator) is a unique and often surprising device that can twist almost any patch into a new creation. It takes any two modulation sources (LFO, Envelope, Sequencer, Random Generator, Oscillator, X and Y of a Joystick, etc…) and maps out an X and Y location. From this XY coordinate, the output level of the 8 outputs in the circle are determined, as well as a center (Dome with level control) and Edge (opposite of Dome) level – multiplying your 2 modulation inputs and providing you with a total of 12 outputs. The voltage distribution is most easily visualized with a joystick input; moving the the joystick will cause the LEDs to indicate the location of the joystick (as well as the level of each output), and the Dome LED will glow brighter the closer the joystick is to the center.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExperiment with connecting different inputs and inserting the modulation outputs into different points in your patch to animate your creations in a way that you never thought possible with just two modulation sources!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe input level can be switched to either 0-10 Volts (unipolar), or -5\/+5 Volts (Bipolar). 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The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBut Grids’ knowledge of drum patterns goes far beyond what would be achieved with presets – given a position in the map, thousands of variations can be intuitively generated by controlling the “event density” of each of the 3 channels (bd, sd, hh) – gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdd CV-control on these parameters and you can add subtle or drastic variations to the drum pattern. If you don’t want to waste a noise source or S\u0026amp;H for that, Grids has its own internal source of randomness that can unpredictably spice the pattern, in an always meaningful way.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilding the rhythmic foundation of your tracks with Grids is fun, surprisingly intuitive, with modulation and variations possibilities that will rapidly make you forget x0x-style sequencers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e Most generated patterns will work best with channel 1 = BD, channel 2 = SD, channel 3 = HH or percussion, though variations are possible!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eI\/O and controls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eClock input.\u003c\/li\u003e\r\n\u003cli\u003eInternal clock with a 40 to 240 BPM range (internal clock is paused when the tempo is set below 40 BPM).\u003c\/li\u003e\r\n\u003cli\u003ePattern reset trigger input.\u003c\/li\u003e\r\n\u003cli\u003eBeat indicator\/tap tempo button.\u003c\/li\u003e\r\n\u003cli\u003eLatitude\/Longitude knobs with CV input (range: 0 to 5V, protected).\u003c\/li\u003e\r\n\u003cli\u003eRandomness knob with CV input (range: 0 to 5V, protected).\u003c\/li\u003e\r\n\u003cli\u003ePattern complexity\/density knobs for channels 1, 2, 3 with CV inputs (range: 0 to 5V, protected).\u003c\/li\u003e\r\n\u003cli\u003e5V trigger and accent outputs for channels 1, 2, 3.\u003c\/li\u003e\r\n\u003cli\u003eSecret 3-channel euclidean sequencer mode.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSettings \/ options\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eClock resolution: 24ppqn, 8ppqn, 4ppqn.\u003c\/li\u003e\r\n\u003cli\u003eThe tap tempo button\/beat LED can also be configured as a reset button\/beginning of pattern LED.\u003c\/li\u003e\r\n\u003cli\u003e3-channel euclidean sequencer mode.\u003c\/li\u003e\r\n\u003cli\u003eAlternative output layout with Clock\/Reset outputs instead of Accent 2 and Accent 3.\u003c\/li\u003e\r\n\u003cli\u003eTrigger or Gate output mode.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eUnlockable items for DIY heroes\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBonus clock output!\u003c\/li\u003e\r\n\u003cli\u003eBonus random gate output!\u003c\/li\u003e\r\n\u003cli\u003eMIDI interface responding to start\/stop\/clock messages!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 500 Hz.\u003c\/li\u003e\r\n\u003cli\u003eClock resolution and MIDI processing latency: 120µs (Worst case jitter \u0026lt; 0.5% at 120 BPM). Independent benchmark here.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 25mA ; -12V: 1mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750679655,"sku":"50089","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_grids_top_bdf59ce1-e97d-42a5-b2b6-77b21c1312a0.jpg?v=1787090255"},{"product_id":"pittsburgh-modular-sequencer","title":"Pittsburgh Modular Sequencer","description":"\u003cp\u003eThe \u003cstrong\u003eSequencer\u003c\/strong\u003e module is a compact, simple 8 step analog sequencer. It uses an external clock to cycle through 4, 6, or 8 steps. The output of the sequencer can be used control the pitch of an oscillator, modulate a filter, or manipulate any module with a CV input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComplex sequences can be created using a combination of the Reset, Hold, and Add inputs. The Reset input can be used to create odd or variable length loops while Hold pauses the movement of the sequencer. Voltage from the Add input is summed with the voltage created by the Sequencer transcribing the output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Sequencer module also makes a great sub-octave generator. Clocking the Sequencer at audio rates using the square wave of an Oscillator turns the Sequencer into a sub-octave waveform generator able to produce 1, 2, or 3 octaves below the frequency of the clock.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVariable Step Count of 4, 6, or 8 Steps\r\nReset CV Input\r\nHold CV Input\r\nTranspose CV Adder Input\r\nCV Range: 0-10v\r\nDual Outputs\u003c\/p\u003e\r\n\r\n\u003ch3\u003eModule Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAssignable Voltage Knobs\r\nSets the output voltage from 0-10v for each of the 8 sequencer stages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVariable Step Count Switch (4 8 6)\r\nSets the number of steps the Sequencer module cycles through. 4, 8, or 6 steps can be selected.\u003c\/p\u003e\r\n\r\n\u003cp\u003eClock Input (CLOCK)\r\nClock source can be a square wave or gate signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReset Input (RESET)\r\nPositive voltage resets the Sequencer to the first step.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHold Input (HOLD)\r\nPositive voltage pauses the Sequencer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTranspose Input (ADD)\r\nControl Voltage Adder. Adds voltage of incoming signal to the output of the Sequencer. A simple way to transpose the output of the sequencer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutputs (OUT)\r\nDual buffered sequencer outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 14hp\r\nDepth: 25mm\r\nPower Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751629927,"sku":"50061","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_sequencer_98185ddb-366a-4e6c-96f9-d097cd95c7a9.jpg?v=1787090258"},{"product_id":"tiptop-audio-circadian-rhythms-grid-sequencer","title":"Tiptop Audio Circadian Rhythms Grid Sequencer Module - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio Circadian Rhythms\u003c\/strong\u003e is a professional performance gate sequencer in Eurorack format. Sitting at the center of your system the Circadian provides triggers and gates to all your drum modules and percussive sounds as well as clocking your other sequencers with exceptional timing accuracy. Each channel voice can be programmed directly from the intelligent, eight-channel, 512-step master gate sequencer designed for composers looking to make music on the modular and perform live. Building up from basic step programming, multi-channel patterns of musical phrases can be repeated, looped, chained, muted, and manipulated in real-time, and, most importantly, all through a simple, clearly labeled menu-free interface.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eLED GRID\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBuilt around 72 buttons set as a multi-color illuminated 8×9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view, turning the grid into a set of programming and real-time playing functions like Mutes, Loops, Swing, Fills, Copy and Paste, Grouping, Randomizing, and Manual drum-machine-style trigger entry. Activate any of those functions with only a button press or two.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsing an array of multi-color, illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful, glowing appearance that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, the Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system and can also act as a high precision bridge for DAW synchronization.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCLOCK\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of the groove. The four modes of clock sync make interfacing with other modules, hardware, or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eUNDER THE HOOD\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhen state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long-time pros will immediately feel a machine made for their needs, while newcomers can instantly dive into next-level programming and performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSYNCBUS TECHNOLOGY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Tiptop-Audio-designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so there is no need to patch anything together.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752285287,"sku":"50221","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_circadian-rhythms_cecac961-6ab2-466d-aa87-9566a62899b7.jpg?v=1787090261"},{"product_id":"tiptop-audio-trigger-riot-sequencer","title":"Tiptop Audio Trigger Riot Sequencer","description":"\u003cp\u003eAn innovative and unique trigger sequencer with memory and an entirely new concept. \u003cstrong\u003eTipTop's Trigger Riot\u003c\/strong\u003e has an internal a clock generator but can be synched to an external clock, too. Eight channels process clocks, each by passing four clock dividers in a row. Each clock divider has manipulators like probability of trigger output, clock shift, clock multiplication and pulse width. Combine thee parameters and you´ll get very diversified and living trigger sequences.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe eight channels are laid out in four columns and four rows. In Matrix Mode the columns and rows interact with each other as the controls affect both. In Independent Mode you can select the channel you want to by pressing the Mute\/Sel button. the Trigger Riot has an integrated precise clock generator but can be synched to an external clock of course. the tempo can be set in BPM. Besides that a Cycle Mode is available with adjustable start adn reset point,\u003c\/p\u003e\r\n\u003cp\u003eEach channel has four clock dividers. Following parameters can be set for each of those:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDivide: sets the clock division\u003c\/li\u003e\r\n\u003cli\u003eStep: allows setting of a single trigger on a given count\u003c\/li\u003e\r\n\u003cli\u003eProbability: sets the probability a trigger will fire\u003c\/li\u003e\r\n\u003cli\u003eSpeed: sets the time base in internal clocks\u003c\/li\u003e\r\n\u003cli\u003eClock Shift: delays the division by full clocks\u003c\/li\u003e\r\n\u003cli\u003eTime Shift: delays the division by fractions of a clock\u003c\/li\u003e\r\n\u003cli\u003ePulse Width: duty cycle of the trigger\/gate from 0% to 100%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003ecombining this parameters will lead to overlapping of clocks, cancelling, shifting and will result in interesting rhythmical structures in the end Please check the extensive operation manual for more details, tips and tricks.\u003c\/p\u003e\r\n\u003cp\u003eThe Trigger Riot understands TipTop's own SyncBus which carries clock, reset and preset data and is used for synchronize multiple TipTop Syncbus compatible devices like Circadian Rhythm. 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No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the µMIDI ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.\u003c\/p\u003e  \u003cp\u003eThe upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.\u003c\/p\u003e  \u003cp\u003eThe lower half of the µMIDI gives you everything you need to control a single voice synth via MIDI. 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Stage status (on\/off) is controlled by a slide switch, and current stage indication is provided by eight green LEDS and two yellow LEDS in a row\/column configuration. Stages one through eight are on the left column, and stages two through sixteen are in the right column. The real power of this module, like the graphic sequencer, is that multiple units can be linked internally to the time buffer module which allows them all to be controlled (rate and restart) from a master sequencer or drum machine via the “din sync” connection.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cp\u003eStages – These slide switches control wether the stage sends a trigger or not. The duty cycle of the stage is 50 percent when advanced by the clock bus or the duty cycle of the incoming clock applied to the shift input.\u003c\/p\u003e  \u003cp\u003eLength – This rotary switch controls how long the sequence is from two to sixteen stages. When a change is made at this control, it does not become active until the next cycle, which is very useful in a live context to allow more dynamic planning.\u003c\/p\u003e  \u003cp\u003eDivisions Switch – This switch is only active when the unit is connected to master sync via the time buffer. It allows you to select between quarter, eighth, and sixteenth-note rate for the sequencer. Any time the rate is changed, the change will not take effect until the unit returns to stage one. This allows you to better keep track of where the sequencer will land in a live performance context.\u003c\/p\u003e  \u003cp\u003eStop\/Loop at End Switch – This controls wether the sequencer stops at the last stage set by the length control or wether it returns to stage one and continues to advance from there. 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CLOCK INPUT allows for external clocking to progress sequences and RESET gate input sets all steps to 1. Varigate 4 also includes RANDOMIZER functions for both REPEAT and DELAY. 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Some of the outputs can be shuffled\/swung. The amount of shuffle is controlled by a CV Slip jack. A Rotate CV jack re-assigns the multiplication number of each jack. More features of the SCM can be controlled by the SCM Breakout.\u003c\/p\u003e     \u003ch3\u003eModule size:\u003c\/h3\u003e  \u003cp\u003eThe SCM is 4HP and 35mm (1.39\") deep\u003c\/p\u003e  \u003ch3\u003ePower consumption:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e5VSEL Jumper set to INT:\u003c\/li\u003e \u003cli\u003e33mA maximum power draw from +12V rail\u003c\/li\u003e \u003cli\u003e0mA max on the +5V rail\u003c\/li\u003e \u003cli\u003e4mA maximum power draw on the -12V rail\u003c\/li\u003e \u003cli\u003e5VSEL Jumper set to EXT:\u003c\/li\u003e \u003cli\u003e19mA maximum power draw on the +12V rail\u003c\/li\u003e \u003cli\u003e14mA max on the +5V rail\u003c\/li\u003e \u003cli\u003e4mA maximum power draw on the -12V rail\u003c\/li\u003e \u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921630311,"sku":"57683","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-company-scm-breakout_57683_new_b3bcf9c8-4271-4991-8ddd-25adf6cd044a.jpg?v=1787090962"},{"product_id":"4ms-company-rotating-clock-divider-rev-2","title":"4ms Company Rotating Clock Divider - Rev 2","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Rotating Clock Divider (RCD)\u003c\/strong\u003e produces eight divided clock tempos from a single input clock. The divisions range from \/1 to \/64, including all odd and non-standard divisions such as \/3 and \/17 and \/62. A Rotate CV input re-assigns the division number of each jack, allowing for creative mix-ups and experimentation. 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Six switches allow you to set the maximum Divide-by amount, Gate or Trigger mode, Counting mode, Spread mode, and Auto-Reset. The RCD Breakout requires the RCD to function, and does not use any extra power.\u003c\/p\u003e\u003ch3\u003eModule size:\u003c\/h3\u003e\u003cp\u003eThe RCD is 4HP and 48mm (1.85\")\u003c\/p\u003e\u003ch3\u003ePower consumption:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e+12V rail: __mA\u003c\/li\u003e\n\u003cli\u003e+5V rail: not used\u003c\/li\u003e\n\u003cli\u003e-12V rail: not used\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921695847,"sku":"57682","price":81.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-rcd-breakout-new_71269782-97c9-4391-b112-ead589ebd6e2.jpg?v=1787090963"},{"product_id":"sputnik-modular-quad-vcf-vca-demo-deal","title":"Sputnik Modular Quad VCF\/VCA (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSputnik Quad VCF\/VCA\u003c\/strong\u003e is a four channel, vactrol-based “lo-pass” gate with four independent outputs, a mix output, and two sub-mix outputs. Each of the four channels has a selectable switch for VCF, COMBO, and VCA modes. In VCF mode that channel will act as a non-resonant -6db low pass filter with the cutoff frequency controlled by the control knob and by a unipolar CV input. Switching the channel to VCA mode will allow for control of the amplitude of the input signal (gain varies from -120db to +3dB).\u003cbr\u003e\u003cbr\u003eSwitching to COMBO mode allows for simultaneous control of amplitude and timbre by the CV input or by the control knob.\u003cbr\u003e\u003cbr\u003eOutputs include individual channel signal outs, an ALL output (all outputs summed for mixing), an ODD out (outputs 1 and 3 summed) and an EVEN out (outputs 2 and 4 summed).\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e18hp\u003c\/li\u003e\r\n\u003cli\u003e+12V\/-12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sputnik Modular","offers":[{"title":"Default Title","offer_id":44449931264103,"sku":"57795","price":269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sputnik_modular_quad_vcf_vca_1_3028fcf2-5db2-4a63-9630-c5ff09a07299.jpg?v=1787090999"},{"product_id":"noise-engineering-numeric-repetitor","title":"Noise Engineering - Numeric Repetitor","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Numeric Repetitor\u003c\/strong\u003e is a rhythmic gate generator based on binary arithmetic. A core pattern forms the basis and variation is achieved by treating this pattern as a binary number and multiplying it by another. This module contains 32 prime rhythms derived by examining all possible rhythms and weeding out bad ones via heuristic. Three of the outputs are variable by knob or CV. It requires only a beat clock to run.\u003c\/p\u003e  \u003ch3\u003ePatching Suggestions\u003c\/h3\u003e  \u003cp\u003eThe simplest way to get to know Numeric Repetitor is to simply patch a master clock into BEAT and connect each of the four outputs to the gate of four different percussion modules, envelopes or other gate triggered modules. You can get an idea of the patterns included by adjusting the PRIME knob and a feel for how the time offset works by playing with the FACTOR knobs.\u003c\/p\u003e  \u003cp\u003eThe next step is to patch a CV. A CV sequencer or just a simple gate are both useful for controlling either the PRIME pattern or the FACTOR offset. These can be used to generate a wide variety of related rhythms and dynamic variations. A simple CV example is to take the beat clock being sent to Numeric Repetitor and divide it by 64. Send this divided beat in to one of the FACTOR inputs. Adjust the related FACTOR knob to control the amount of time offset that occurs to the FACTOR.\u003c\/p\u003e  \u003cp\u003eMany more complicated schemes are possible to dynamically vary the rhythms. Any slow control voltage or gate might produce an interesting variation!\u003c\/p\u003e  \u003ch3\u003eDesign Notes\u003c\/h3\u003e  \u003cp\u003eNumeric Repetitor started as a somewhat crazy idea: if rhythms can be represented as binary numbers what basic operations will produce human-meaningful variations?\u003c\/p\u003e  \u003cp\u003eA simple example: 1000. One downbeat every four units. If we multiply this by three (11 in binary) we get: 11000. Treating the measure as a circle then gives the rhythm: 1001. This is a human significant variation as it gives us an upbeat before the down. Other small number give interesting variations as well. Any power of two (2,4,8,16) perform offsets in time (1000 becomes 0010 with 4 for example). Odd numbers will always keep the down beat (1000 becomes 1100 multiplied by 9).\u003c\/p\u003e  \u003cp\u003eTo determine which PRIME rhythms would be included a program was written to determine the best possible set of PRIME rhythms given the following criteria:\u003c\/p\u003e  \u003col\u003e \u003cli\u003eRhythm must be 16 units long\u003c\/li\u003e \u003cli\u003eRhythm must have a beat on the first unit\u003c\/li\u003e \u003cli\u003eRhythm must not be rotationally equivalent to any other rhythm in the set\u003c\/li\u003e \u003cli\u003eRhythm must not have two beats in a row\u003c\/li\u003e \u003cli\u003eRhythm must not have a gap between beats of more than 6 units\u003c\/li\u003e \u003cli\u003eRhythm must have more than 3 beats per measure\u003c\/li\u003e \u003cli\u003eRhythm must have less than 8 beats per measure.\u003c\/li\u003e \u003cli\u003eRhythm must not have more than 2 beats in the first half of the measure than in the second half for all rotations\u003c\/li\u003e \u003c\/ol\u003e   \u003cp\u003eThese criteria produce exactly 32 rhythms from the 65536 possible 16 unit rhythms. They are ordered by numeric value with “four on the floor” being set 1 pattern 0.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePRIME (knob) - The PRIME knob selects the pattern set that is output. The PRIME knob acts as a scalar for the PRIME CV. The current patch is displayed on the LEDs near the center top. A key to the patterns is included later in the manual.\u003c\/li\u003e \u003cli\u003eFACTOR 1-3 (knob, input CV) - The FACTOR knobs control the variation factor applied to the PRODUCT outputs. The rhythm variation is a based on the angle of the prime knob. This angle selects the product (these are the numbers listed on the panel) which is multiplied by the PRIME pattern to produce the PRODUCT rhythm. FACTOR 2 and 3 additionally modify the rhythm by performing a binary-and between the prime rhythm and the values 0x0F0F and 0xF003 respectively before the multiplication variation.\u003c\/li\u003e \u003cli\u003eSET - The SET switch selects which bank of patterns to use. The status of the BANK switch is indicated by the orange LED.\u003c\/li\u003e \u003cli\u003eBEAT - The BEAT input is a clock input that advances the time on the rising edge and returns any active gates to zero on the falling edge.\u003c\/li\u003e \u003cli\u003eMEASURE - The MEASURE input resets the beat to the start of the measure on a rising edge.\u003c\/li\u003e \u003cli\u003eRST - The RST button will pause the advancement of time while depressed and when released reset the time back to the start of the measure.\u003c\/li\u003e \u003cli\u003ePRIME (output) - PRIME outputs a 6v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003cli\u003ePRODUCT 1-3 (output) - PRODUCT outputs a 6v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938178151,"sku":"58287","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-numeric-repetitor-1_216c1c21-6982-43b7-ae4f-18bf7e845b7b.jpg?v=1787091030"},{"product_id":"noise-engineering-zularic-repetitor","title":"Noise Engineering Zularic Repetitor - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Zularic Repetitor\u003c\/strong\u003e is a rhythmic gate generator based on African music theory. A core pattern forms the basis and variation is achieved by offsetting this pattern in time relative to the base.\u003c\/p\u003e  \u003cp\u003eThis module contains 30 mother rhythms from African, Indian, Latin, Funk and Rock roots. Each pattern outputs four parts and allows the offset of three parts relative to the mother. The offset is CV and knob controllable. It requires only a beat clock to run.\u003c\/p\u003e  \u003cp\u003eAlso included are two special modes. One turns Zularic Repetitor into a 3 section CV\/knob controllable divider. The other generates random gates where the probability is determined by the knob\/CV.\u003c\/p\u003e  \u003cp\u003eThe simplest way to get to know Numeric Repetitor is to simply patch a master clock into BEAT and connect each of the four outputs to the gate of four different percussion modules, envelopes or other gate triggered modules. You can get an idea of the patterns included by adjusting the PRIME knob and a feel for how the time offset works by playing with the FACTOR knobs.\u003c\/p\u003e   \u003cp\u003e  \u003c\/p\u003e\u003cp\u003eThe next step is to patch a CV. A CV sequencer or just a simple gate are both useful for controlling either the PRIME pattern or the FACTOR offset. These can be used to generate a wide variety of related rhythms and dynamic variations. A simple CV example is to take the beat clock being sent to Numeric Repetitor and divide it by 64. Send this divided beat in to one of the FACTOR inputs. Adjust the related FACTOR knob to control the amount of time offset that occurs to the FACTOR.\u003c\/p\u003e  \u003cp\u003eMany more complicated schemes are possible to dynamically vary the rhythms. Any slow control voltage or gate might produce an interesting variation!\u003c\/p\u003e  \u003ch3\u003eDesign Notes\u003c\/h3\u003e  \u003cp\u003eThe Zularic Repetitor was conceived while reading “Rhythm and Transforms” by William Sethares. This book provided the initial rhythms for the very first prototype of Zularic Repetitor. It was developed on a Texas Instruments MSP430 microcontroller. The first prototype was compelling from the start though it took more than a year of use, feedback and polish to produce what was finally released.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMOTHER (knob) - The MOTHER knob selects the pattern set that is output. The MOTHER knob acts as a scalar for the MOTHER CV. e current patch is displayed on the LEDs near the center top. A key to the patterns is included later in the manual.\u003c\/li\u003e \u003cli\u003eCHILD 1-3 (knob, input CV) - The CHILD knobs control the offset in beats of each part versus the mother rhythm. The knob acts as a scalar for the input CV.\u003c\/li\u003e \u003cli\u003eWORLD - The WORLD switch selects which bank of patterns to use. They are grouped by world. Old world contains Indian, African and African relatives such as Vodou. New world contains Funk, Rock and other more modern rhythms. The status of the WORLD switch is indicated by the orange LED.\u003c\/li\u003e \u003cli\u003eBEAT - The BEAT input is a clock input that advances the time on the rising edge and returns any active gates to zero on the falling edge.\u003c\/li\u003e \u003cli\u003eMEASURE - The MEASURE input resets the beat to the start of the measure on a rising edge.\u003c\/li\u003e \u003cli\u003eRST - The RST button will pause the advancement of time while depressed and when released reset the time back to the start of the measure.\u003c\/li\u003e \u003cli\u003eMOTHER (output) - MOTHER outputs a 6 v low impedance gate suitable for controlling most any gate driven device.\u003c\/li\u003e \u003cli\u003eCHILD 1-3 (output) - CHILD outputs a 6 v low impedance gate suitable for controlling most any gate driven device\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938276455,"sku":"58295","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-zularic-sil-23_58295_1.jpg?v=1787091030"},{"product_id":"noise-engineering-confundo-funkitus","title":"Noise Engineering - Confundo Funkitus","description":"\u003cp\u003e\u003cstrong\u003eNoise Engineering Confundo Funkitus\u003c\/strong\u003e crossfades between two sets of four rhythms using probability. Three different probability curves can be selected to control the behavior of the crossfader. Per-part switch mutes are included with live performance in mind.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003eConnect up to four rhythm outputs to each of the two sets of inputs (for example, Numeric Repetitor or Zularic Repetitor). Connect the outputs to modules that take triggers. Drums that take triggers such as Basimilus Iteritas are perhaps the easiest.\u003c\/p\u003e  \u003cp\u003eToggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Center light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.\u003c\/p\u003e  \u003cp\u003eBetween these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInputs 1-4 Left - These are gate inputs that feed into the crossfader core. They represent the rhythm that will have 100% probability when the crossfader is fully left.\u003c\/li\u003e \u003cli\u003eInputs 1-4 Right - These are gate inputs that feed into the crossfader core. They represent the rhythm that will have 100% probability when the crossfader is fully right.\u003c\/li\u003e \u003cli\u003eOutputs 1-4 - Where the combined rhythm emerges. Each output is a probabilistic combination of its two similarly numbered inputs.\u003c\/li\u003e \u003cli\u003eMutes 1-4 - These switches mute their respective output channels.\u003c\/li\u003e \u003cli\u003eCurve - Three probability modes are available to set the probability function used by the crossfader. 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Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePart Input 1-4 - These are the four gate input channels. Any gate over 2 v will trigger the input.\u003c\/li\u003e \u003cli\u003ePart Output 1-4 - These are the four gate output channels. They output 6 v gates.\u003c\/li\u003e \u003cli\u003eMode Switch - Selects the mode by which the inputs will be combined. Mode options include Trigger, Gate, or Logic. How each function affects output is described below.\u003c\/li\u003e \u003cli\u003eTrigger Mode (T) Modification Knob 1-4 - In Trigger Mode, the knobs determine the probability that an input gate will pass through to the output channel. Any time a rising edge is detected a random test with probability based on the position of the knob is performed possibly letting the rising edge through. The falling edge will always be emitted.\u003c\/li\u003e \u003cli\u003eGate Mode (G) Modification Knob 1-4 - In Gate Mode, the knobs select the probability that an edge will pass through; the die is rolled for both rising and falling edges. This produces much longer-lasting gate pulses than Trigger Mode as falling edges can be “consumed,” leaving the gate high until a subsequent falling edge passes the probability test.\u003c\/li\u003e \u003cli\u003eLogic Mode (L) Modification Knob 1-4 - In Logic Mode, the knobs choose which input channels are combined into the similarly numbered output channel. When the knob is fully CCW, the output channel will match the input channel. As the knob is turned the other parts are combined into the output channel. When fully CW, the knob acts as a channel mute.\u003c\/li\u003e \u003cli\u003eRhythm Modification 1-4 Jack - These are CV inputs for the modification knobs. When patched, the knobs act to attenuate the signal.\u003c\/li\u003e \u003cli\u003eBurn Switch \/ Jack - Burn combines all inputs into all outputs, creating a sort of instant fill.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938440295,"sku":"58282","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-integra-funkitus-1_1435d0b2-d062-4b73-be0f-5bfe140fb3a4.jpg?v=1787091031"},{"product_id":"noise-engineering-mimetic-sequent","title":"Noise Engineering Mimetic Sequent - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Mimetic Sequent\u003c\/strong\u003e is a three pattern sixteen step pitch aware CV randomizer and recorder.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939193959,"sku":"58286","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-mimetic-sequent-1_33e4f48e-5e71-40d4-9adc-9bb242574069.jpg?v=1787091033"},{"product_id":"wmdevices-sequential-switch-matrix","title":"WMDevices Sequential Switch Matrix","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eWMDevices Sequential Switch Matrix\u003c\/strong\u003e: WMD's take on an essential module.\u003c\/p\u003e  \u003cp\u003eFour inputs can be routed with individual buttons to four outputs. Those routing settings are stored in an array of matrices that can be sequenced or controlled with CV. Preset routing, feedback loops, chop sequences, trigger blasts (with expander), four-bit-wavetable-synthesis, and dramatic controllable mayhem are all possible.\u003c\/p\u003e  \u003ch3\u003eConcept\u003c\/h3\u003e  \u003cp\u003eThe Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.\u003c\/p\u003e  \u003ch3\u003eSignal Path\u003c\/h3\u003e  \u003cp\u003eThe signal path uses 0.1% resistors and will pass precision pitch or other CV signals with minimal gain and offset errors.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eInputs 1 - 4: These inputs accept bipolar +-10 V signals before clipping. Signal level will illuminate the adjacent LED; green for positive voltages, red for negative.\u003c\/li\u003e \u003cli\u003eOutputs 1 - 4: These outputs (along the bottom) contain the signals from the inputs (summed together) if the routing LED is lit.\u003c\/li\u003e \u003cli\u003eComparator: The Compare In input voltage is compared to each output voltage. If the output is higher than the Compare In voltage, the Comp output will be high (10 V gate) for that channel. The blue LED will also be illuminated.\u003c\/li\u003e \u003cli\u003eDAC 1:2 Out: This output is generated from the status of the first two columns. It is a weighted Digital to Analog conversion. 1-1 is the most significant bit, carrying a weight of 2.5 volts. 2-1 is exactly half that weight (1.25 V). 4-2 is the least significant bit (0.020 V). The two columns provide an 8 bit voltage output that is always present.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControl Scheme\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eBUTTONS OPERATION: Black text for tapping buttons. Red text for push and hold functions. Hold time is about one second. The button will begin toggling after being held more than one second.\u003c\/li\u003e \u003cli\u003eRouting Buttons: Tapping the routing buttons will toggle its state. If a button is pushed, it will change for that matrix only. Push and hold has no effect on routing buttons.\u003c\/li\u003e \u003cli\u003eMatrix: The current matrix is displayed on the numerical display. It will read 0-9 then A, B, C, D, E, F to represent the 16 matrices in hexidecimal.\u003c\/li\u003e \u003cli\u003eBank: Tapping the Bank button will change banks. LED off is bank 0. Green is bank 1. Red is bank 2. Orange is bank 3. All settings (except for Rnd Rcl) are stored with each bank.\u003c\/li\u003e \u003cli\u003eSave: Push and hold to save all banks, matrices and modes to the internal non-volatile memory. Powering down without saving will revert to the last saved settings.\u003c\/li\u003e \u003cli\u003eTop: The top matrix will be the reset point when stepping. It is indicated by the decimal point on the Matrix display. Tap the “Top Set” button to set the top to the currently selected matrix. Push and hold (Top Clear) to clear the top, which will step through all 16 matrices.\u003c\/li\u003e \u003cli\u003eCV Limit: When the LED is off, CV acts as an offset that can go beyond the Top. When the LED is Green (tap “CV Limit”), the CV is limited to the top, so the CV will be clipped to the Top Matrix.\u003c\/li\u003e \u003cli\u003eCV Sets Top: Indicated by the LED being red. The CV will set the top matrix. This allows for CV control of the Top matrix, or CV control over the length of the sequence. CV will no longer change matrices in this mode.\u003c\/li\u003e \u003cli\u003eStep Down: When the LED is off, gates and the Step button will step up. When the LED is green, gates and the Step button will step down.\u003c\/li\u003e \u003cli\u003eGate Rnd: Indicated by the LED being red, Gates (only, not the step button) will output a random matrix within the specified Top.\u003c\/li\u003e \u003cli\u003eStep: Tapping will step through the matrices.\u003c\/li\u003e \u003cli\u003eHold\/Slave: Indicated by the LED being red, this mode stops any CV or Gates from incrementing the matrix counter. You can still step through the Matrices with the buttons, as well as change modes.\u003c\/li\u003e \u003cli\u003eIf the Macro Machines Memory Manager is connected through the bus board, the SSM will listen for MIDI Control Changes and any received signals will change matrices. When a signal is received, the SSM will slave completely, and can only change matrices and banks from MIDI Control Change.\u003c\/li\u003e \u003cli\u003eClear Mtx: Tapping this will clear the matrix and any I\/O connections.\u003c\/li\u003e \u003cli\u003eReset: Push and hold to reset the matrix counter to 0. Remember that CV is not part of the counter and can still offset the matrix that is output.\u003c\/li\u003e \u003cli\u003eRnd Mtx: Tapping this will randomize the currently selected matrix.\u003c\/li\u003e \u003cli\u003eRnd Rcl: Push and hold to light the red LED. When lit, the currently selected matrix will be randomized every time it is recalled via CV, Gate\/Step or the Step button. 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It mirrors the routing shown by the SSM LEDs. Trig mode (Red LED lit) will output a trigger when a step (CV, Step\/Gate or Reset) is taken. Pushing a routing button will not change the output thus providing synchronized triggers.\u003c\/li\u003e \u003cli\u003eTrigger Length: CV and knob provide adjustable trigger length.\u003c\/li\u003e \u003cli\u003eRetrig on Step: When on, gates and triggers will retrigger quickly when a step is taken.\u003c\/li\u003e \u003cli\u003eInvert Behavior: When on, routings that are OFF will produce ON triggers or Gates.\u003c\/li\u003e \u003cli\u003eDAC3\/4: Two 4 bit DAC outputs that output a weighted 4 bit voltage between 0 and 5 volts. From routing columns 3 and 4.\u003c\/li\u003e \u003cli\u003eStep: Outputs a trigger for each step, reset or CV change that is made to the SSM.\u003c\/li\u003e \u003cli\u003eInstallation: Connect the 20 pin ribbon cable to the GTExp header on the SSM, and the ToSSM connector on the Expand. Red Stripe Down.\u003c\/li\u003e \u003cli\u003eSpecs: 8 HP. 25 mm Depth. 10 V Gate Outputs. Current consumption is +40 mA, -3 mA. 12 month warranty.\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eSpecifications:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eWidth: SSM 16 HP. Expand 8 HP.\u003c\/li\u003e \u003cli\u003eCurrent consumption: SSM +80 mA\/-32 mA. Expand +40 ma\/-3 mA.\u003c\/li\u003e \u003cli\u003eVoltage Levels: Input range +-10 V. Output range +-10V. Step\/Gate and Reset sense signals at 0.8 V.\u003c\/li\u003e \u003cli\u003eOperating Frequency: Maximum transition frequency is 26kHz. Pushing buttons at high\u003c\/li\u003e \u003cli\u003eclock speeds will slow the response as the buttons are debounced.\u003c\/li\u003e \u003cli\u003eCompare Input: ±10 V. 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