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The MMG bridges the Far East and West Coast synthesis styles by allowing for highly resonant acidic squelch and organic, percussive animations to be programmed simultaneously with a single module.\u003c\/p\u003e     \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eWidth: 12hp\u003c\/li\u003e \u003cli\u003eMax Depth: 24mm\u003c\/li\u003e \u003cli\u003ePower:  \u003cul\u003e \u003cli\u003e45mA@ +12V\u003c\/li\u003e \u003cli\u003e40mA @ -12V\u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449750450279,"sku":"49340","price":235.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise_mmg_b665bd87-59ae-436d-8654-383b6c2ef578.jpg?v=1787090254"},{"product_id":"mutable-instruments-frames","title":"Mutable Instruments Frames","description":"\u003cp\u003eThe heart of \u003cstrong\u003eFrames\u003c\/strong\u003e is a 4-channel analog VCA under tight digital control. Through flexible input\/output mixing and normalling options, it can be patched to serve the following purposes (among others):\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4-channel attenuator\/VCA.\u003c\/li\u003e\r\n\u003cli\u003e4-channel mixer.\u003c\/li\u003e\r\n\u003cli\u003e4-channel programmable CV source.\u003c\/li\u003e\r\n\u003cli\u003eQuadraphonic signal dispatcher.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eBut what makes Frames truly unique is the way in which channel\/CV levels can be controlled, using a technique inspired by computer animation. Frames allows up to 64 configurations of the 4 level knobs to be stored and recalled throughout the course of its big Frame knob. By rotating the knob (or sending a CV to the Frame modulation input and adjusting its amount with the attenuverter), the configurations are morphed into one another.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo fine-tune the animation and get varied morphing or sequencing results, the following options are available for each of the 4 channel:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eEasing curve (stepped, linear, exponential, logarithmic, sine, bouncy)\u003c\/li\u003e\r\n\u003cli\u003eAttenuation response of the level knob, from linear to logarithmic\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eWith a bit of patching and imagination, Frames can also be repurposed as a 4-channel sequencer, a multi-stage envelope generator or a trajectory generator for quadraphonic panning…\u003c\/p\u003e\r\n\r\n\u003cp\u003eMutable Instruments modules are packed with features and Frames is no exception: Frames can switch easily to an entirely different mode of operation in which it becomes a wavetable quadrature LFO.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInterpolation engine\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUp to 64 keyframes, each keyframe storing 4 CV\/gains.\u003c\/li\u003e\r\n\u003cli\u003ePer-channel easing curve selection: stepped (no interpolation), linear, accelerating, decelerating, sine, bouncy.\u003c\/li\u003e\r\n\u003cli\u003ePer-channel CV\/VCA response selection, from linear to logarithmic.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eInputs\/Outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 DC-coupled signal inputs.\u003c\/li\u003e\r\n\u003cli\u003e4 DC-coupled signal outputs.\u003c\/li\u003e\r\n\u003cli\u003eGlobal signal input, sent to all unconnected inputs.\u003c\/li\u003e\r\n\u003cli\u003eInternal precision +5V\/+10V voltage reference, can be connected to all unused inputs to turn them into CV sources.\u003c\/li\u003e\r\n\u003cli\u003eGlobal mix output, collecting signals from all unconnected outputs.\u003c\/li\u003e\r\n\u003cli\u003eFrame control CV input.\u003c\/li\u003e\r\n\u003cli\u003eKeyframe change trigger output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCV input impedance: 100k.\u003c\/li\u003e\r\n\u003cli\u003eAudio input impedance: 100k (25k for the global input in some configurations due to normalling).\u003c\/li\u003e\r\n\u003cli\u003eAnalog audio path, with low-noise\/distortion VCA core (V2164).\u003c\/li\u003e\r\n\u003cli\u003eFastest modulation rate: 15kHz.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e18-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 90mA ; -12V: 30mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750646887,"sku":"50088","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_frames_straight2_e3ad5d14-972f-4e54-a41b-baebaf364a3d.jpg?v=1787090255"},{"product_id":"mutable-instruments-shelves","title":"Mutable Instruments Shelves","description":"\u003cp\u003e\u003cstrong\u003eShelves by Mutable Instruments\u003c\/strong\u003e brings to Eurorack modular systems something we are all very familiar with: the 4-band parametric EQ typically found in console channel strips. But this time, there’s CV control! The first band is a low-pass shelving filter, the fourth band a high-pass shelving filter, and band #2 and #3 have full-blown parametric controls with bandwidth (Q) adjustment. All analog.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShelves will provide a subtler spectral shaping \u0026amp; coloring than standard multimode filters. It is particularly useful in the feedback loop of effects or more generally in feedback patches in which the slightest tonal change has drastic consequences. Or as a novel way of shaping sounds obtained by west-coast techniques. Or as a formant-ish filter. Or to emulate the body of instruments in the context of physical modelling patches…\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnlike console EQs, each band is not restricted to a narrow range of frequencies: it can be swept across the entire audio range, from 20 Hz to 20kHz – with unexpected phase cancellations or reinforcements when corrections compete in the same frequency range. All parameters have direct CV control. Global frequency and cut\/boost CV inputs allow simultaneous CV control of all channels.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eI\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eScales: all frequency CV inputs: 1V\/Oct. All cut\/boost CV inputs: 3dB\/V.\u003c\/li\u003e\r\n\u003cli\u003eLow-shelf frequency and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eHigh-shelf frequency and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eParametric 1\u0026amp;2 frequency, cut\/boost and Q CV.\u003c\/li\u003e\r\n\u003cli\u003eGlobal frequency offset and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eSignal input.\u003c\/li\u003e\r\n\u003cli\u003eSignal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLow-shelf\/Parametric\/High-shelf correction frequency, 20 Hz to 20kHz.\u003c\/li\u003e\r\n\u003cli\u003eLow-shelf\/Parametric\/High-shelf cut\/boost, -15dB to 15dB.\u003c\/li\u003e\r\n\u003cli\u003eParametric correction Q, 0.5 to 20 (up to 1000 with external CV offset).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eExpansion\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe parametric sections are realized with state-variable filters, whose high-pass, band-pass, and low-pass outputs are available on a header on the back of the module or through an expander.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAnalog signal path.\u003c\/li\u003e\r\n\u003cli\u003eAll inputs DC-coupled.\u003c\/li\u003e\r\n\u003cli\u003eInput impedance 100k (25k for the global frequency and gain CV inputs).\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 75mA ; -12V: 75mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750777959,"sku":"50096","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_shelves1_0b24d53f-6a62-47c5-a12a-7f27236f3d29.jpg?v=1787090255"},{"product_id":"mutable-instruments-tides","title":"Mutable Instruments Tides","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments' Tides\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rate. This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and “bounces” to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003ch3\u003eFeatures, controls, I\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCycle mode selector: single shot AD, single shot AR, looping (VC-LFO\/VCDO).\u003c\/li\u003e\r\n\u003cli\u003eFrequency range selector: low (20 minutes to 5 Hz), medium (0.05 Hz to 300 Hz), high (8 Hz to 10kHz).\u003c\/li\u003e\r\n\u003cli\u003eFrequency control, with 1V\/Oct frequency CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or raised cosine segments.\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input.\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input. From 0V to -5V, smoothes the waveform using a 2-pole digital filter, from 0V to +5V, adds bumps and kinks with a digital wavefolder.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar CV input controlling output level.\u003c\/li\u003e\r\n\u003cli\u003eTrigger input, which works as a trigger in AD\/AR modes and a sync\/reset in looping mode.\u003c\/li\u003e\r\n\u003cli\u003eClock input to “tap” or “ping” the LFO and envelopes, or to lock the VCDO frequency through a PLL. In these cases, the frequency control acts as a frequency division\/multiplication control.\u003c\/li\u003e\r\n\u003cli\u003eFreeze gate input to stop the oscillator and hold its output.\u003c\/li\u003e\r\n\u003cli\u003eHigh tide and Low tide gate outputs for chaining\/quadrature operation, or other applications such as gate delaying.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar (8V) and bipolar (+\/- 5V) outputs, with a distinct shape\/character.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 500 Hz for shape\/slope\/smoothness, DC to 3kHz for FM, DC to 24 kHz for level.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV acquisition with separate power supply for converters and references.\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV generation, 48kHz sample rate (12.5kHz in the lowest frequency range).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e14-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 55mA ; -12V: 5mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750810727,"sku":"50094","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_tides_straight_f4780f3e-898f-46d8-b5db-be560daed83c.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-adsr","title":"Pittsburgh Modular ADSR","description":"\u003cp\u003eFour Stage Envelope Generator\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular ADSR\u003c\/strong\u003e is a four stage envelope generator with independently adjustable Attack, Decay, Sustain, and Release stages. This module does one thing amazingly well. The ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.\u003c\/p\u003e\r\n\u003cp\u003eThe functionality of the ADSR is simple. The incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the attack determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. Decay sets the amount of time needed to transition to the level set by the sustain knob. The sustain level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. 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