{"title":"VCA\/Mixers\/Attenuator Modules","description":null,"products":[{"product_id":"malekko-8nu8r","title":"Malekko 8NU8R","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko 8NU8R\u003c\/strong\u003e is a clever utility. A dual 4hp attenuator, the 8NU8R also sports the ability to switch on diode rectification waveshaping. Regular attenuation, as well as full and half wave rectification with adjustable attenuation are possible. When no input is present, each half of the 8NU8R produces a steady DC voltage (offset) adjustable by the level control. DC offsets have many uses in a modular system.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRectification can be used to create subtle distortion effects on audio, or to transform bipolar or unipolar modulation sources into new unipolar waveforms.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: .2 lbs\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 5.5 x 3 x 2.25 in\u003c\/li\u003e\r\n\u003cli\u003eConsumes about 30mA power\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449709391975,"sku":"47402","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_8nu8r_e9427153-caa6-4413-81f7-4dd590dc1ea3.jpg?v=1787090092"},{"product_id":"malekko-unity-mixer","title":"Malekko Unity Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko 2hp Unity Mixer\u003c\/strong\u003e is a little powerhouse of unity gain mixing capability. 2 sets of 3 inputs (1 out per set) offers up your basic configuration, then hit the SWITCH button to allow for 6 total inputs (1 out). Unity Mixer also supports CV so the SWITCH button makes this module a great option for rerouting combinations of signals on the fly and is perfect for live performance.\u003c\/p\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449720336487,"sku":"47408","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_unity_mixer_73f663a0-6875-477f-9e8f-fa1cde645ece.jpg?v=1787090126"},{"product_id":"malekko-richter-dual-borg","title":"Malekko Richter Dual Borg","description":"\u003cp\u003eThe Malekko Richter series in Eurorack modular format offers the same great sound, ergonomics, musicality, and quality that made the Wiard 300 series legendary, at a fraction of the cost and size.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eMalekko Richter Dual Borg\u003c\/strong\u003e contains one Borg I (left side) and one Borg II (right side). These are two different filters, each with their own character. They do not sound the same nor react the same way to your inputs. The Dual Borg is a versatile audio processor and the concept comes from a marriage of two divergent influences: the Buchla 292 Low Pass Gate and the Korg MS20 filter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Borg Filter is different from most filters in that it, at its heart, is a vactrol. Vactrols are combination light sensor\/light resistors that possess interesting sonic traits. Often described as “rubbery” or smooth in quality, vactrols are also known for their relatively slow response. This response creates a natural, very musical decay. As a low pass gate (frequency mode), the Borg will act as a filter and a VCA simultaneously. In combination with the characteristic vactrol response, this creates a signature sound that is desired by many synth enthusiasts, especially when used with very short, percussive patches.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBut the Borg is no one-trick pony, and low pass gates are not for every patch. When in frequency mode, the Borg is a 12db filter with loads of personality. Gorgeous resonance (influenced by the MS20 and shaped by the vactrol design) swells from subtle warmth to a roaring howl that is unique to the Borg! For entering VCA mode, the new push button VCA switches allow instant changeover between modes- great for performances!\u003c\/p\u003e\r\n\r\n\u003cp\u003eA continuously adjustable low pass to high pass control is provided (a notch filter is a mix of these two). Each filter has one audio input and two CV frequency inputs (one with attenuation). Two separate outputs are provided, and output 2 has a slightly more aggressive resonance. Removing either jumper on the back of the filter will make the resonance “scream” even more! The jumper behind the Borg I effects the Borg I’s resonance, and the jumper behind the Borg II changes the Borg II’s resonance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Borg I (left side) has a slower response and a more mellow sound compared to the Borg II (right side). Thanks to its longer decay time, the Borg I is best for recreating the famous Buchla bongo patch, and the Borg II is best for a faster, more aggressive response.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe signal path of the Dual Borg is selectable: Series or Parallel.\r\n– In Series mode, when you plug into either in 1 or in 2, or even both inputs (as a mix), the signal is routed through the Borg I then Borg II filters and both out 1 or out 2 have the same signal. If you are connected to both outputs, you will only get signal from out 2.\r\n– In Parallel mode, a single input into in 1 or in 2 is routed through both filters side by side, and a single output (either out 1 or out 2) will give you a mix of both filters. If you have only one input but two outputs, out 1 is the Borg I filter only and out 2 is Borg II only. If you have two inputs and two outputs, then each filter is completely separate: in 1 and out 1 is Borg I, in 2 and out 2 is Borg II. To use only one filter, you must patch into both outputs then choose which filter’s output you want to hear.\u003c\/p\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449720402023,"sku":"47413","price":325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_richter_dual_borg_c83b4e88-00b4-419b-a2ce-2e248b5e72fe.jpg?v=1787090126"},{"product_id":"malekko-vca","title":"Malekko VCA","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko VCA\u003c\/strong\u003e is a dual module has two parallel channels. Output of channel 1 (top) normalized into channel 2 output (bottom). Insert cable into output 1 to break normalization. Can be used as a 2 channel mixer.\u003c\/p\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449720434791,"sku":"47409","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_vca_d9e63246-b5be-45e3-ad44-17068896c955.jpg?v=1787090126"},{"product_id":"malekko-wiard-xmix","title":"Malekko Wiard XMIX","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko Wiard XMIX\u003c\/strong\u003e is one in a series of modules offering the same great sound, ergonomics, musicality, and quality that made the Wiard 300 series legendary, at a fraction of the cost and size in Eurorack modular format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe XMIX is a versatile mixing\/crossfading utility module with Wiard flair. There are level controls for the two inputs (X and Y). The Y input can be inverted via a switch. Z controls the balance of X Vs. Y. Z has a CV input, along with an attenuator for CV amount. Positive and negative outputs are provided, as well as an Expand input which provides a unity input to chain the output of other modules (such as another XMIX).\u003c\/p\u003e\r\n\r\n\u003ch3\u003eUses\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eA 2 \u0026gt; 1 Mixer\u003c\/li\u003e\r\n\u003cli\u003eCV crossfading\u003c\/li\u003e\r\n\u003cli\u003eA signal inverter\u003c\/li\u003e\r\n\u003cli\u003eAudio rate amplitude\/crossfading modulation\u003c\/li\u003e\r\n\u003cli\u003eWith a single input, you can use the XMIX as a linear VCA\u003c\/li\u003e\r\n\u003cli\u003eInput different waveforms to create new wave shapes\u003c\/li\u003e\r\n\u003cli\u003eThe X input normals into the Y input when nothing is plugged into Y. 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Each channel features mute switches and volume control knobs. Four channels have stereo control via standard panning knobs and two channels have input jacks for CV panning (0V to +5V, Ch. 1 is normalled left and Ch. 6 is normalled right) with LED indicators for stereo position.\u003cbr\u003e\u003cbr\u003eThe mixer has a variety of outs including a direct mono out (a mono mix of all inputs summed pre-fader), a stereo headphone output with volume knob, and two dedicated 1\/8” stereo outs with a 16 LED VU meter.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Sputnik Modular","offers":[{"title":"Default Title","offer_id":44449720565863,"sku":"47423","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sputnik_modular_6_channel_stereo_mixer_4d43f1f7-50a0-4ad7-b515-cbdafd4f2072.jpg?v=1787090127"},{"product_id":"sputnik-modular-quad-vcf-vca","title":"Sputnik Modular Quad VCF\/VCA","description":"\u003cp\u003eThe \u003cstrong\u003eSputnik Quad VCF\/VCA\u003c\/strong\u003e is a four channel, vactrol-based “lo-pass” gate with four independent outputs, a mix output, and two sub-mix outputs. Each of the four channels has a selectable switch for VCF, COMBO, and VCA modes. In VCF mode that channel will act as a non-resonant -6db low pass filter with the cutoff frequency controlled by the control knob and by a unipolar CV input. Switching the channel to VCA mode will allow for control of the amplitude of the input signal (gain varies from -120db to +3dB).\u003cbr\u003e\u003cbr\u003eSwitching to COMBO mode allows for simultaneous control of amplitude and timbre by the CV input or by the control knob.\u003cbr\u003e\u003cbr\u003eOutputs include individual channel signal outs, an ALL output (all outputs summed for mixing), an ODD out (outputs 1 and 3 summed) and an EVEN out (outputs 2 and 4 summed).\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e18hp\u003c\/li\u003e\r\n\u003cli\u003e+12V\/-12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sputnik Modular","offers":[{"title":"Default Title","offer_id":44449720631399,"sku":"47421","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sputnik_modular_quad_vcf_vca_45c38bbe-b2b4-470a-8448-601a42dee57e.jpg?v=1787090127"},{"product_id":"make-noise-maths","title":"Make Noise MATHS Complex Function Generator Eurorack Module","description":"\u003cp\u003e\u003cstrong\u003eMake Noise Maths\u003c\/strong\u003e is an all in one modular synth module, and a great improvement on their older model, now with far more flexibility to alter sound, and multiple independent outputs per channel so no channel summing is necessary. Maths now has four isolated channels, each can generate a variety of modular functions, or can be looped back into one another to expand on the modular sound. With so many ways to manipulate audio on Maths, you can easily come up with new ideas, and never run out of inspiration.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGenerate a variety of linear, logarithmic, or exponential triggered or continuous functions\u003c\/li\u003e\r\n\u003cli\u003eIntegrate an incoming signal\u003c\/li\u003e\r\n\u003cli\u003eWith no signal applied, generate a variety of linear, logarithmic, or exponential functions\u003c\/li\u003e\r\n\u003cli\u003eAdd, subtract and OR up to 4 signals\u003c\/li\u003e\r\n\u003cli\u003eGenerate analog signals from digital information (Gate \/ Clock)\u003c\/li\u003e\r\n\u003cli\u003eGenerate digital information (Gate \/ Clock) from analog signals\u003c\/li\u003e\r\n\u003cli\u003eDelay digital (Gate \/ Clock) information\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eIf the above list reads like science rather than music, here is the translation:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eVoltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz\u003c\/li\u003e\r\n\u003cli\u003eApply Lag, Slew or Portamento to control voltages\u003c\/li\u003e\r\n\u003cli\u003eChange the depth of modulation and modulate backwards!\u003c\/li\u003e\r\n\u003cli\u003eCombine up to 4 control signals to create more complex modulations\u003c\/li\u003e\r\n\u003cli\u003eMusical Events such as Ramping up or Down in Tempo, on command\u003c\/li\u003e\r\n\u003cli\u003eInitiating Musical events upon sensing motion in the system\u003c\/li\u003e\r\n\u003cli\u003eMusical note division and \/ or Flam\u003c\/li\u003e\r\n\u003cli\u003ePerfect for modulating the Make Noise DPO and just about anything else\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449731870823,"sku":"48423","price":290.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-maths_48423_1_12b2bf40-2706-4d09-ae70-222b9f3528c7.jpg?v=1787090175"},{"product_id":"make-noise-rxmx","title":"Make Noise RxMx","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise RxMx\u003c\/strong\u003e is based on Grant Richter’s circuit idea for applying “cadavre exquis” (aka exquisite corpse, a technique of serial blind composition) to modular synthesis. If modulated by a Wogglebug, one will achieve modular “cadavre exquis.” If patch programmed using a sequencer such as the Pressure Points\/ BRAINS or René, modular “mélange automatique” (automatic re-mixing) could be achieved. The Level and Strike parameters are similar to those of the Optomix where Level is controlling amplitude and frequency content simultaneously and Strike triggers the LPG (Low Pass Gate) circuit by “plucking” or “pinging” the vactrol, thus allowing it to impart its magically slow response time upon the amplitude of the signal being processed.  The Channel parameter selects which of the 6 Low Pass Gate circuits is driven by the Level and Strike parameters and the Radiate parameter turns on channels adjacent to the selected channel. At maximum Radiate settings all six channels become active simultaneously. 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By rotating the knob (or sending a CV to the Frame modulation input and adjusting its amount with the attenuverter), the configurations are morphed into one another.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo fine-tune the animation and get varied morphing or sequencing results, the following options are available for each of the 4 channel:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eEasing curve (stepped, linear, exponential, logarithmic, sine, bouncy)\u003c\/li\u003e\r\n\u003cli\u003eAttenuation response of the level knob, from linear to logarithmic\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eWith a bit of patching and imagination, Frames can also be repurposed as a 4-channel sequencer, a multi-stage envelope generator or a trajectory generator for quadraphonic panning…\u003c\/p\u003e\r\n\r\n\u003cp\u003eMutable Instruments modules are packed with features and Frames is no exception: Frames can switch easily to an entirely different mode of operation in which it becomes a wavetable quadrature LFO.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInterpolation engine\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUp to 64 keyframes, each keyframe storing 4 CV\/gains.\u003c\/li\u003e\r\n\u003cli\u003ePer-channel easing curve selection: stepped (no interpolation), linear, accelerating, decelerating, sine, bouncy.\u003c\/li\u003e\r\n\u003cli\u003ePer-channel CV\/VCA response selection, from linear to logarithmic.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eInputs\/Outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 DC-coupled signal inputs.\u003c\/li\u003e\r\n\u003cli\u003e4 DC-coupled signal outputs.\u003c\/li\u003e\r\n\u003cli\u003eGlobal signal input, sent to all unconnected inputs.\u003c\/li\u003e\r\n\u003cli\u003eInternal precision +5V\/+10V voltage reference, can be connected to all unused inputs to turn them into CV sources.\u003c\/li\u003e\r\n\u003cli\u003eGlobal mix output, collecting signals from all unconnected outputs.\u003c\/li\u003e\r\n\u003cli\u003eFrame control CV input.\u003c\/li\u003e\r\n\u003cli\u003eKeyframe change trigger output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCV input impedance: 100k.\u003c\/li\u003e\r\n\u003cli\u003eAudio input impedance: 100k (25k for the global input in some configurations due to normalling).\u003c\/li\u003e\r\n\u003cli\u003eAnalog audio path, with low-noise\/distortion VCA core (V2164).\u003c\/li\u003e\r\n\u003cli\u003eFastest modulation rate: 15kHz.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e18-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 90mA ; -12V: 30mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750646887,"sku":"50088","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_frames_straight2_e3ad5d14-972f-4e54-a41b-baebaf364a3d.jpg?v=1787090255"},{"product_id":"pittsburgh-modular-dual-vca","title":"Pittsburgh Modular Dual VCA","description":"\u003cp\u003eThe perfect voltage controlled amplifier for both audio and CV applications. The \u003cstrong\u003eDual VCA\u003c\/strong\u003e, high quality linear voltage controlled amplifiers with both offset gain, CV attenuation, and a mix out.\u003c\/p\u003e\r\n\u003cp\u003e2 Standalone VCAs Fully Buffered Mix Output CV Attenuator Knob Input Gain Knob CV Range: 0-5v\u003c\/p\u003e\r\n\u003ch3\u003eModule Controls\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA 1\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eCV IN 1 Jack - CV Input used to control the VCA. CV IN 1 Attenuator Knob - CV input attenuator. IN 1 - Signal Input PASSTHRU 1 Knob - Adjusts the passthru level of the input signal. OUT 1 - Signal Output\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eCV IN 2 Jack - CV Input used to control the VCA. CV IN 2 Knob - CV input attenuator. IN 2 - Signal Input PASSTHRU 2 Knob - Adjusts the passthru level of the input signal. 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Voltage control of the module is handled using an invertible, attenuated input and ping input. The ping input takes any gate or square wave and converts it into a very tight trigger used to ping the vactrol.\u003c\/p\u003e\r\n\u003cp\u003eIn lowpass filter mode, frequency sweeps are warm and buttery and resonance is smooth and controlled until it gets near self oscillation. At this point the Pittsburgh Modular LPG module turns into a shouting beast. High resonance creates an edgier, shattered, more direct sound. It never loses control but is always teetering on the edge. Having both the smooth and snarling responses available creates a filter that is perfect for almost any situation.\u003c\/p\u003e\r\n\u003cp\u003eIn VCA mode, we worked very hard to reduce the bleed associated with most lopass gate circuits without resorting to tricks like adding an a traditional VCA after the vactrol circuit. After considerable effort, we succeeded in creating a vactrol based VCA that is identical or better in performance to our 2164 based Dual VCA module.\u003c\/p\u003e\r\n\u003cp\u003eAll the work we did on the filter and VCA come together with the lopass gate mode. The buttery warmth of the filter teams with the best attributes of the vactrol based VCA to create an impressive take on the original lopass gate.\u003c\/p\u003e\r\n\u003ch3\u003eHistory \u0026amp; Theory Behind the Lopass Gate\u003c\/h3\u003e\r\n\u003cp\u003eThe lopass gate module is unique in the way that it simulates the characteristics of natural instruments. When used in lopass gate mode, louder sounds contain more harmonic content and quieter sounds contain less harmonic content. This is not the case when using a standard VCA such as the Pittsburgh Modular Dual VCA module. A standard VCA simply changes the loudness of the sound without changing the harmonic content. There is no reason that synthesizers need to simulate how acoustic instruments function but because of how it affects the harmonic content of sound, a lowpass gate sounds more organic or natural compared to a standard filter\/vca chain.\u003c\/p\u003e\r\n\u003cp\u003eThe circuitry behind the lopass gate has evolved over the years to include resonance and more complex modulation options but the ability to switch between voltage controlled amplifier, low pass filter, and a third mode which uses both the VCA and filter together remains at the core of the modules functionality. A lot of the characteristics associated with the lopass gate circuit come from the use of vactrols. A vactrol is an optoelectronic device consisting of an LED and light detector enclosed in a light tight package. The elements of the vactrol are optically coupled and electrically isolated from each other. When the LED within the vactrol turns on, the light detector reacts very quickly creating a very sharp attack, however, when the LED turns off, the light detector within the vactrol does not react as quickly and closes more slowly. That slow decay or ringing is the quality most associated with the lopass gate. Therefore, using a very short trigger to ping the vactrol will not result in a very short sound, instead the result is an organic percussive sound with an natural sounding decay.\u003c\/p\u003e\r\n\u003cp\u003eThe lopass gate uses a Sallen-Key filter. The Sallen-Key filter is a 2 pole 12db filter with a very buttery, natural sound. In addition to the lopass gate, the Sallen-Key filter was used as the core of Korg's classic MS-10 and MS-20 filters. Although the Korg filters are remembered for their biting growl, that has more to do with the resonance then with the filter itself.\u003c\/p\u003e\r\n\u003ch3\u003eLPG Controls\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Control Knob: In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/li\u003e\r\n\u003cli\u003eResonance Control knob: In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/li\u003e\r\n\u003cli\u003eMode Switch: Switch between the 3 module modes. 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Three of the four channels have an output that removes the channel from the mixer circuit and allows it to become a standalone attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe pots are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePatching the output of channel 1, 2, or 3 will remove it from the mixer circuit.  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But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:\u003c\/p\u003e  \u003ch3\u003eEnvelope generator\u003c\/h3\u003e  \u003cp\u003eThe EXCITE input can work as a trigger input, triggering an internal AD or AR envelope routed to the gain and the filter cutoff (in variable amount). With only 6-HP of space, you can shape an oscillator or noise source into a full-bodied sound.\u003c\/p\u003e  \u003ch3\u003eVactrol curve generator\u003c\/h3\u003e  \u003cp\u003eThe EXCITE input is processed by a digital model of a resistive opto-isolator (Vactrol), controlling the gain and the filter cutoff (in variable amount). The digital emulation allows the modification of properties of opto-isolators – such as response time – which are otherwise difficult to control. The virtual vactrol response can be either optimized for processing CVs, or triggers (for “plucked” sounds).\u003c\/p\u003e  \u003ch3\u003eAmplitude and frequency content follower\u003c\/h3\u003e  \u003cp\u003eThe envelope and cutoff of the EXCITE signal is measured, and applied to the signal on the VCFA input.\u003c\/p\u003e  \u003ch3\u003eCompressor\/limiter\u003c\/h3\u003e  \u003cp\u003eStreams’ VCF is disabled, and the VCA is used to control the dynamics of the input signal. An intuitive control scheme allows the compressor to be used either for peak reduction\/limiting operation; or for boosting signal levels with soft-limiting. The EXCITE input can be used as a sidechain.\u003c\/p\u003e  \u003ch3\u003eDigital control modes\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAD or AR envelope generator.\u003c\/li\u003e \u003cli\u003eVactrol response generator – gated or pinged\/struck.\u003c\/li\u003e \u003cli\u003eAmplitude and cutoff follower.\u003c\/li\u003e \u003cli\u003eCompressor.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eI\/O (per channel)\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMulti-purpose EXCITE input.\u003c\/li\u003e \u003cli\u003eDC-coupled Audio\/CV input (normalized to +5V constant voltage).\u003c\/li\u003e \u003cli\u003eVCA gain CV (normalized to +8V constant voltage).\u003c\/li\u003e \u003cli\u003eOutput.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControls (per channel)\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eDigital control mode selection.\u003c\/li\u003e \u003cli\u003eResponse time \/ compression threshold.\u003c\/li\u003e \u003cli\u003eModulation amount \/ compression ratio and makeup gain.\u003c\/li\u003e \u003cli\u003eVCA gain CV input attenuator.\u003c\/li\u003e \u003cli\u003eVCA exponential to linear response curve.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eTechnical characteristics\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAnalog signal path.\u003c\/li\u003e \u003cli\u003eAll inputs DC-coupled.\u003c\/li\u003e \u003cli\u003e12-bit, 31kHz EXCITE signal acquisition (for metering and following).\u003c\/li\u003e \u003cli\u003e16-bit, 31kHz control voltage generation.\u003c\/li\u003e \u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e \u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e \u003cli\u003e12-HP.\u003c\/li\u003e \u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e \u003cli\u003eCurrent consumption: +12V: 100mA ; -12V: 30mA.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449896300647,"sku":"57014","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-streams_57014_1_fb9f6df3-9225-4ce3-935b-91b387b6cd2d.jpg?v=1787090857"},{"product_id":"antimatter-audio-sub-ring-sub-octave-ringmod","title":"Antimatter Audio Sub Ring - Sub Octave Ringmod","description":"\u003ch3\u003eMultifunction Analog Sub Octave Ringmod Noise Mixerizer\u003c\/h3\u003e     \u003cp\u003eThe \u003cstrong\u003eAntimatter Audio Sub Ring\u003c\/strong\u003e is the missing 5-­channel analog mixer section of your modular, especially tuned to play well with oscillators. It features a ring mod, 2 sub octaves, and a noise generator. It adds character, volume, and depth to your synth voice. All 5 channels are summed at the ‘Mix’ output and have 1.5X amplification. A mix out and dedicated white noise output are provided. Use the Sub Ring to fatten and add depth to your patches!\u003c\/p\u003e     \u003ch3\u003eSpecifications:\u003c\/h3\u003e     \u003cul\u003e \u003cli\u003e6HP\u003c\/li\u003e \u003cli\u003e100% analog\u003c\/li\u003e \u003cli\u003eInput with gain and bipolar level control\u003c\/li\u003e \u003cli\u003e2 analog sub octaves derived from input 1 with level control\u003c\/li\u003e \u003cli\u003eAnalog white noise with level control and dedicated full­level output\u003c\/li\u003e \u003cli\u003eRing mod of input 1 x input 3 (or whatever is input into the Ring input) with level control\u003c\/li\u003e \u003cli\u003eDC­ coupled to facilitate experimentation with CV signals!\u003c\/li\u003e \u003cli\u003eInputs 2­4 provide normaling functions to act as mixer inputs\u003c\/li\u003e \u003cli\u003eThicken and add depth to classic synth patches, experiment with adding sub octaves and ring mod to unexpected sources (vocals\/drum machines\/CV signals), use as a 4­input utility mixer + ring mod (which can act as a 5th input with VCA), a noise source for sound or random functions, etc…\u003c\/li\u003e \u003c\/ul\u003e","brand":"Antimatter Audio","offers":[{"title":"Default Title","offer_id":44449904492647,"sku":"57253","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antimatter-sub-ring_57253_1_75e4a32c-d586-4e29-8afe-788342b937d6.jpg?v=1787090892"},{"product_id":"mutable-instruments-shades","title":"Mutable Instruments Shades","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments Shades\u003c\/strong\u003e provides 3 channels of audio\/CV processing which can be configured as active attenuators or attenuverters.\u003c\/p\u003e  \u003cp\u003eA bicolor output monitoring LED is available for each channel.\u003c\/p\u003e  \u003cp\u003eJumpers at the back of the unit allow each input to be optionally normalled to either a +5V or a +10V precision voltage reference.\u003c\/p\u003e  \u003cp\u003eNormalling on the outputs allow the module to be used as a mixer: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage references, this allows the module to be used as a CV offset control.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449907802215,"sku":"57085","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-shades_57085_1_510bc7cc-f1d9-4f02-9a5e-1c60712fbed9.jpg?v=1787090905"},{"product_id":"noise-engineering-quantic-fictus","title":"Noise Engineering - Quantic Fictus","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Quantic Fictus\u003c\/strong\u003e is a passive 2HP Eurorack stereo to mono splitter.\u003c\/p\u003e  \u003cp\u003eQuantic - quantity - from Latin quantus 'how many' with suffix -ic 'pertaning to'\u003c\/p\u003e  \u003cp\u003eFictus - small extent - from Hungarian Fict 'extent' -aus diminutive\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938571367,"sku":"58288","price":37.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-quantic-fictus-1_a105b45f-0e61-49a1-814d-9dcf633b587e.jpg?v=1787091031"},{"product_id":"wmdevices-digital-vca","title":"WMDevices Digital VCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Digital VCA\u003c\/strong\u003e uses an analog integrator core with digital control over positive and negative slopes. This allows for total control over the envelope shape and logic operation. Since the core is analog, the envelope is smooth and stepless, especially important for slow envelopes.\u003c\/p\u003e  \u003cp\u003eThe nature of the core allows for control over its shape through a feedback mechanism, this design also allows for Voltage Control over each segment and for the entire envelope duration.\u003c\/p\u003e     \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput - This DC coupled input handles control voltages and signals up to 20 Vpp in amplitude\u003c\/li\u003e \u003cli\u003eCV - Insert your control voltage here - designed for 0-5V or 0-8V signals - CV strength will appear on the red LED above this jack - 5 or 8 V produces unity gain on the output - exceeding these voltages or using negative voltage will not damage the device\u003c\/li\u003e \u003cli\u003eUpdate G\/ZCD - This input controls the updating in Gate and ZCD modes - in Gate mode, the rising edge will cause CV to be updated - in ZCD mode, the signal must be at or crossing the 0V potential (ground) for CV to be processed\u003c\/li\u003e \u003cli\u003eOutput - Attenuated signal output\u003c\/li\u003e \u003cli\u003eCV 5 V \/ 8 V Switch - This slide switch controls whether the VCA expects to see 8 Volts or 5 Volts at the upper limit\u003c\/li\u003e \u003cli\u003eInst \/ Gate \/ ZCD Switch - This switch controls the operating mode of the Digital VCA - instant mode continuously updates from the CV input - gate updates on rising edges of the signal on the Update G\/ZCD jack (normaled from the Input) - ZCD mode updates on zero crossings\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942700135,"sku":"58331","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-vca_58331_1_27de8945-55e4-46e6-a56e-928a8dc369c0.jpg?v=1787091034"},{"product_id":"wmdevices-multimode-vca","title":"WMDevices Multimode VCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices MultiMode VCA\u003c\/strong\u003e is designed to be the most versatile amplifier in your modular. Period.\u003c\/p\u003e  \u003cp\u003eThe MMVCA is capable of a number of useful configurations utilizing both VCAs, or as two separate amplifiers. It has plenty of headroom in \"clean\" mode or can be easily overdriven with the soft saturation circuit. You'll want to run everything through the MMVCA.\u003c\/p\u003e  \u003ch3\u003eModes of Operation\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSplit Mode - The MMVCA serves as two separate VCAs in this mode. Set the B CV Source switch to B = B. Plug into both VCAs and use separate CV, or just the CV from the A jack.\u003c\/li\u003e \u003cli\u003eBipolar VCA - This mode requires the use of both A and B channels. Set both the B CV Source and In B Normal switches to B = -A. Plug CV and signal to be polarized into the A side. Monitor from A + B. The output will be inverted through zero at 0V CV.\u003c\/li\u003e \u003cli\u003eCrossfade - Run two inputs to the A and B Jacks. Set the Xfade\/FTZswitch to Xfade when in linear operation. Set the B CV Source switch to B = -A. Control crossfade with the CV A jack. Monitor on A+B Out. Works similarly in Exponential mode.\u003c\/li\u003e \u003cli\u003eFade Through Zero - Both VCAs set to Linear mode. Set the Xfade\/FTZswitch to FTZ. Set the B CV Source switch to B = -A. Control with CV A jack. Monitor on A+B Out. This fades B to silence to A as CV goes positive.\u003c\/li\u003e \u003cli\u003ePan - Run audio into the A jack. Set the In B Normal switch to B = A. Set the Xfade\/FTZ switch to Xfade. Monitor in stereo on both A and B Outputs. CV A will move right to left (B to A) as CV goes positive.\u003c\/li\u003e \u003cli\u003eSpread Pan - Run audio into the A jack. Set the In B Normal switch to B = A. Set the B CV Source switch to B = B . Audio in A, CV in A. Oppose the CV knobs to control response to CV. Use the Bias knobs to set the amount of spread. Monitor in stereo on both A and B Outputs.\u003c\/li\u003e \u003cli\u003eSpread Crossfade - Run audio into both the A and B jacks. Set the In B Normal switch to B = A. Set the B CV Source switch to B = B . Audio in A, CV in A. Oppose the CV knobs to control response to CV. Use the Bias knobs to set the amount of spread. Monitor the A+B.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eCV A \u0026amp; CV B - These jacks and bipolar CV attenuators control the CV for each VCA. Set the knob to the center for no CV. Spin CW for normal CV operation, CCW for inverted CV operation. The CV A jack is normaled to the input of the CV B jack. The CV B jack will be disabled by setting B CV Source to -A. Green LEDs on the top right and left sides indicate the strength of the CV signal applied to each VCA.\u003c\/li\u003e \u003cli\u003eIn A \u0026amp; In B - These jacks are for the injection of any signal. They can be DC or AC coupled.\u003c\/li\u003e \u003cli\u003eOut A \u0026amp; Out B - These jacks are the phase matched outputs for each side. These can be DC or AC coupled. The two bicolor LEDs at the top marked A and B will indicate output strength and polarity. Red for negative voltages, and blue for positive.\u003c\/li\u003e \u003cli\u003eOut -A \u0026amp; Out -B - These jacks are inverted outputs for each side. If AC coupled, these jacks are buffered after the DC offset removal. The center bicolor LED at the top marked A+B indicates signal strength and polarity. Red for negative voltage, and blue for positive.\u003c\/li\u003e \u003cli\u003eOut A+B - This is the summed output of both VCAs.\u003c\/li\u003e \u003cli\u003eOut -A+B - This is the summed inverted output of both VCAs.\u003c\/li\u003e \u003cli\u003eBias A \u0026amp; Bias B - These knobs control the ambient amplification of each VCA. In Linear and FTZ modes, set to center will produce no output. In Xfade mode, fully CCW will produce no output.\u003c\/li\u003e \u003cli\u003eLinear \/ Expo Switch - One switch for each channel. Selects the mode of operation for the VCA. Expo mode has a trimmer on the back to set the sensitivity to CV.\u003c\/li\u003e \u003cli\u003eAC \/ DC Switch - This switch introduces capacitors to the inputs and outputs of both channels. AC mode can eliminate the minor DC offset produced by the VCAs. This introduction of capacitors causes a minor rolloff at low frequencies. The -6dB\/octave rolloff begins at roughly 85 Hz. This frequency was selected to eliminate the settling effect of lower cutoff frequencies.\u003c\/li\u003e \u003cli\u003eXfade \/ FTZ Switch - This switch is only operational in Linear mode. It introduces a DC offset to the CV of both channels allowing for smooth crossfades between the two channels. Fade Through Zero mode produces a silent center where both VCAs are simultaneously off at 0 volts CV input.\u003c\/li\u003e \u003cli\u003eSat \/ Clean Switch \u0026amp; Saturation Knob - This switch enables the variable saturation circuit controlled by the knob. When off, the VCAs will hard clip at 20 Vpp. When on and Saturation is fully CCW, the peaks will begin to be rounded off starting at 11 Vpp. The signal can still hard clip at 20 Vpp. Turn Saturation CW and the circuit will compress the waveform more, adding a little bit of nice distortion. Turn Saturation fully CW for thick distorted waveforms with nice round peaks. Fully CW limits the output voltage to roughly 8 Vpp.\u003c\/li\u003e \u003cli\u003eB CV Source - Selects whether to look at the B CV jack and attenuator, or to override the input with the inverted CV signal from channel A.\u003c\/li\u003e \u003cli\u003eB In Normal - Selects whether the signal normaled to the B In jack is the straight signal from A, or the inverted signal from A. Use for Bipolar VCA mode.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942896743,"sku":"58337","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-multimode-vca-1_815faf0d-ecce-4af9-9dda-caa55c5e010e.jpg?v=1787091036"},{"product_id":"wmdevices-synchrodyne","title":"WMDevices Synchrodyne","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Synchrodyne\u003c\/strong\u003e is a multi part and multi use Eurorack module for the creation and manipulation of audio. Containing several pieces to a traditional synthesizer voice, the Synchrodyne is a powerful addition to any subtractive oriented system. However, it is designed primarily as an experimental sound source\/filter, intended to push the limits of modular synthesis...WMD style.\u003c\/p\u003e  \u003ch3\u003eSynchrodyne Concept\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne is designed as a way to implement a switched capacitor filter (SCF) chip without the use of a microcontroller to run the clock. We developed a fast analog VCO that can drive the SCF with a broad range of frequency control. The problem with this would be that the VCO is then dedicated to only running the filter. So we designed a frequency multiplier based around a Phase Locked Loop IC (PLL) to take the VCO and multiply its frequency up so that the VCO could be used as an audio source, while still controlling the filter. The SCF has a frequency ratio of 50:1 or 100:1 clock frequency to output cutoff frequency. The PLL allows for many ratios of input to output frequencies to be selected, making the VCO a simultaneous audio and control source.\u003c\/p\u003e  \u003cp\u003eThe PLL introduced its own challenges. Taming the PLL to stabilize at high multiplication ratios required us to develop a damping circuit. The Damping and Track Speed controls cause the PLL to have its own sound, sort of a slew limiter and self Frequency Modulation. We wanted the Synchrodyne to distort nicely with audio input, and also to self-oscillate. We added single stage rectifiers to the -12 dB and -24 dB filter outputs for a more aggressive sound. We opted to develop a VCA and wavefolder for the front end of the filter to further expand the palate of distortion and processing of the Synchrodyne. We had more features to add, but space was limited and we didn't want to make an excessively expensive module, so we added two 14pin expansion headers for future development.\u003c\/p\u003e  \u003ch3\u003eVCO Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne's VCO is a traditional Sawtooth Core. It uses very modern parts to achieve the stability and speed necessary for driving the Synchrodyne.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e1V\/Oct Input - Calibrated input for pitch control. The VCO will track at least 5 octaves using this input.\u003c\/li\u003e \u003cli\u003eSync Input - Rising edge sawtooth reset\/sync input. Does not affect slope of sawtooth.\u003c\/li\u003e \u003cli\u003eCoarse \u0026amp; Fine Knobs - Coarse knob adjust the frequency of the VCO throughout its full range. Use the Fine knob to tune the oscillator within approximately 1\/3 octave range.\u003c\/li\u003e \u003cli\u003eExp FM - This input jack and bipolar attenuator provide exponential FM to the VCO. This input is DC coupled.\u003c\/li\u003e \u003cli\u003eLin FM - This input jack and bipolar attenuator provide linear FM to the VCO. This input can be DC or AC coupled. A jumper on the back enables DC coupling when in place. We recommend AC coupling to prevent frequency shift caused by the bipolar attenuator's offset voltage.\u003c\/li\u003e \u003cli\u003eSaw Output - The Sawtooth output is available here. Its level is approximately +-4.5 volts.\u003c\/li\u003e \u003cli\u003ePulse Output - This output presents the rectangle wave necessary for driving the PLL. It is not a 50% duty cycle square, but approximately 30%\/70% as that provided the best performance for driving PLL.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePLL Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe PLL takes the rectangle wave from the VCO and drives the filter.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCLK Input - The Pulse Output from the VCO is normaled here. Plug in an external clock source to drive the PLL with something else.\u003c\/li\u003e \u003cli\u003eMultiply \u0026amp; Divide Switch Knobs - These rotary switches adjust the frequency of the clock multiplier \u0026amp; divider inside the PLL. Adjust these to set the frequency ratio. Higher multiplcation factors cause the PLL to react slower to changes, especially at low input frequencies.\u003c\/li\u003e \u003cli\u003ePhase Delta Output (ΦΔ) - This output is the result of the multiplication factor. It produces some self PWM as the PLL stabilizes and will equal the input clock frequency if the PLL is locked. This output provides an interesting self modulating audio or clock source.\u003c\/li\u003e \u003cli\u003ePLL Output - This is the output of the PLL stage. It is the input frequency multiplied and divided by the set ratios.\u003c\/li\u003e \u003cli\u003eTrack Speed Knob - This controls the reaction speed of the PLL in trying to keep up with changes to the input frequency. Fully CCW it will introduce lots of glissando in the filter reaction. Fully CW and it will over-track, causing the PLL to respond faster than the input frequency. Overtracking produces bursts of high frequency output and low frequency output.\u003c\/li\u003e \u003cli\u003eDamping Knob - This control reduces the rate of fluctuation while overtracking, damping the overtracking and increasing stability. More damping will be needed as higher ratios of Frequency Multiplication are selected.\u003c\/li\u003e \u003cli\u003eInfluence Input and Knob - This control acts directly with the Track Speed and Damping controls in stabilizing the frequency of the PLL. Use a voltage source to modulate the PLL signal. Very complex modulations are possible by using Influence with the internal VCO and other controls.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFilter Controls and I\/O\u003c\/h3\u003e  \u003cp\u003eThe core of the Synchrodyne is a 4 pole (-24 dB\/octave) Switched Capacitor Filter circuit. The 2 pole output is tapped and provides a mellower filter sound. The Synchrodyne will self-oscillate at high resonances on both outputs, however it is more prominent on the 4 Pole output.\u003c\/p\u003e  \u003cp\u003eThe Switched Capacitor Filter topology has a few interesting features. It is a sampled data construct, so at low cutoff frequencies, the filter will produce aliasing noise, similar to the sample rate reduction on the Geiger Counter. This topology is also very stable and accurate, allowing for predictable cutoff frequencies to be selected. Across its entire range (.02 Hz to 16 kHz) the filter will remain within ±0.2% of where it should be.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIn Jack - Insert signal to be filtered here.\u003c\/li\u003e \u003cli\u003eVCA CV Input and Knob - When there is no input to the VCA CV jack, the knob acts as an attenuator for the input signal. Plugging into the VCA CV jack causes the knob to act as an attenuator for the CV signal controlling the input VCA.\u003c\/li\u003e \u003cli\u003eFold Toggle - Flipping this up causes the input VCA to drive a four stage wavefolder. The output of the wavefolder then goes o the filter. The level of the input signal going into the filter from the wave-folder is adjustable with the blue trim-pot on the back of the Synchrodyne. This will be broken out to the expansion.\u003c\/li\u003e \u003cli\u003eResonance Knob - Directly Controls the resonance of the Switched Capacitor Filter.\u003c\/li\u003e \u003cli\u003eResonance CV Input and Attenuator - This input will add to the primary Resonance knob through the attenuator. Use for animating the Filter's resonance.\u003c\/li\u003e \u003cli\u003e100:1 - 50:1 Ratio Toggle - This controls the filter core's frequency ratio. There is one octave of difference between the two settings. At low frequencies, the 50:1 ratio will produce more aliasing\/sampling distortion.\u003c\/li\u003e \u003cli\u003eLowPass \/ BandPass \/ HighPass Toggle - Selects the output mode of both the 2 Pole and 4 Pole outputs.\u003c\/li\u003e \u003cli\u003eFilter Outputs - Jacks for the 2 Pole (-12 dB\/oct) and 4 Pole (-24 dB\/oct) are available. Please note that they are 180 degrees out of phase from each other. Additionally, a single stage wave-folded output is available for both the 2 Pole and 4 Pole outputs. The wave-folded outputs provide another level of sonic depth to experiment with.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943158887,"sku":"58344","price":469.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-syncro22_58344_1_114f5c4a-7250-41e6-a7c1-ce68a59d8bdb.jpg?v=1787091037"},{"product_id":"wmdevices-triple-bipolar-vca","title":"WMDevices Triple Bipolar VCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Triple Bipolar VCA\u003c\/strong\u003e is an input side expansion for the Phase Displacement Oscillator. This module provides dedicated inverting\/polarizing\/bipolar amplitude modulating inputs normaled to the Phase Modulation inputs on the PDO.\u003c\/p\u003e  \u003cp\u003eA bipolar VCA is like a normal VCA when operated with positive control voltage. But when using a negative control voltage, the output will swing back through zero amplitude and the output will be inverted. This produces deeper modulation than a normal VCA.\u003c\/p\u003e  \u003cp\u003eThe Triple Bipolar VCA is also designed to be used as a standalone module, it does not require the PDO to operate.\u003c\/p\u003e  \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e+In - This is the normal input for each VCA channel. It drives the inverting side of the Bipolar VCA. These inputs are normaled from outputs on the PDO.\u003c\/li\u003e \u003cli\u003e-In - This is the second input for the VCA channel. Normaled through this jack is the inverted signal from the + Input. 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