{"title":"Modular Synth Prebuilt Systems","description":null,"products":[{"product_id":"moog-music-model-15","title":"Moog Music Model 15","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73447437\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73453607\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chl\u003e\u003c\/hl\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eMoog Model 15\u003c\/strong\u003e modular synthesizer is an ultra-powerful, compact studio synthesizer designed for live performance and portability. It is housed in a rugged tolex-encased cabinet and is an ideal solution for the touring synthesist. The Model 15 design focuses on speed, creativity and simplicity while still providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer. The 907 Fixed Filter Bank section of the Model 15 is available in multiple configurations to better suit the needs of the performing musician.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eFaithfully Recreating The Model 15\u003c\/h3\u003e\r\n\u003cp\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog Model 15 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/p\u003e\r\n\u003cp\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/p\u003e\r\n\u003cp\u003eThis limited reissue of the Moog Model 15 modular synthesizer is built to order. Only 150 total units will be made and sold worldwide.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModel 15 Modules\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 907A Fixed Filter Bank\u003c\/li\u003e\r\n\u003cli\u003e2x 911 Envelope Generators\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator\u003c\/li\u003e\r\n\u003cli\u003e1x 921A Oscillator driver\u003c\/li\u003e\r\n\u003cli\u003e2x 921B Oscillators\u003c\/li\u003e\r\n\u003cli\u003e1x 923 Random Noise\/Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 995 Attenuator\u003c\/li\u003e\r\n\u003cli\u003e1x CP15 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 130 Watt 120 VAC Power Supply(230 VAC available upon request)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIncluded Cabling\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e10x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e18x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e1x  - 1.5' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWeight and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 50 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 18” wide x 25” high x 9 ½” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModules and Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifiers: \u003c\/strong\u003eThe 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e907A Fixed Filter Bank: \u003c\/strong\u003eThe 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.    \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator driver: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators: \u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e923 Random Noise\/Filter:\u003c\/strong\u003eThe White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e995 Attenuator: \u003c\/strong\u003eAttenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692581991,"sku":"43758","price":10000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_model_15_6e4de45a-fb46-4b2b-b9dd-31d78a65218b.jpg?v=1787090009"},{"product_id":"moog-music-system-55","title":"Moog Music System 55","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMoog System 55 \u003c\/strong\u003emodular synthesizer is a highly sophisticated and dynamic analog instrument comprised of 36 handcrafted modules and housed in 2 hand-finished solid walnut cabinets. This instrument provides limitless sonic potential and inspiration, while delivering the depth and dimension of sound found only in a vintage Moog modular synthesizer. The System 55 comes equipped with the coveted 960 Sequential Controller for incorporating extensive rhythmic complexity into the creative process.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFaithfully Recreating The System 55\u003c\/h3\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 55 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eThis limited reissue of the Moog System 55 modular synthesizer is built to order. Only 55 total units will be made and sold worldwide.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSystem 55 Modules\u003c\/h3\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e5x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 903A Random Signal Generator\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 904B Voltage Controlled High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e5x 911 Envelope Generators\u003c\/li\u003e\r\n\u003cli\u003e1x 911A Dual Trigger Delay\u003c\/li\u003e\r\n\u003cli\u003e1x 914 Fixed Filter Bank\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator\u003c\/li\u003e\r\n\u003cli\u003e2x 921A Oscillator Drivers\u003c\/li\u003e\r\n\u003cli\u003e6x 921B Oscillators\u003c\/li\u003e\r\n\u003cli\u003e1x 960 Sequential Controller\u003c\/li\u003e\r\n\u003cli\u003e1x 961 Interface\u003c\/li\u003e\r\n\u003cli\u003e1x 962 Sequential Switch\u003c\/li\u003e\r\n\u003cli\u003e1x 992 Control Voltage Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 993 Trigger and Envelope Voltages Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 994 Dual Multiples Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 995 Attenuator\u003c\/li\u003e\r\n\u003cli\u003e1x CP2 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e3x CP3A Console Panels\u003c\/li\u003e\r\n\u003cli\u003e1x CP8 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 350 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eIncluded Patch Cabling\u003c\/h3\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e14x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e12x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e12x - 3' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e6x  - 4' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e4x  - 5' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e3x  - 3' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eWeights and Dimensions\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eMain Cabinet\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 100 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 15 ½” high x 14” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUpper Cabinet\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 60 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 10” high x 8 ½” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eModules And Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifier: \u003c\/strong\u003eThe 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e903A Random Signal Generator: \u003c\/strong\u003eThe Random Signal Generator produces continuous bursts of random frequencies and waveshape from approximately 25Hz to 20kHz. Two types of energy distribution are provided: white noise and pink noise. The former distributes amplitude evenly throughout the indicated audio spectrum- The latter reduces the amplitude of each frequency increment proportionally to produce equal energy per octave. Pink noise, thus, sounds \"lower\" in pitch to the ear.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904B Voltage Controlled High Pass Filter: \u003c\/strong\u003eThe 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003c\/p\u003e\r\n\u003cp\u003eThe Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format via the 961 Interface.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911A Dual Trigger Delay: \u003c\/strong\u003eThe 911A Dual Trigger Delay is designed to be used with 2 or more 911 Envelope Generators. It provides one or two time delays on an input trigger voltage - bound for the activation of an envelope switch trigger. Three different modes of operation are available via coupling mode switch:\u003c\/p\u003e\r\n\u003cp\u003eOFF: Delays are activated independently through individual trigger inputs.\u003c\/p\u003e\r\n\u003cp\u003ePARALLEL: Trigger input to top 911A activates timing circuit on both simultaneously.\u003c\/p\u003e\r\n\u003cp\u003eSERIES: Trigger input to top 911A activates top timing circuit then triggers second upon activation of first.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e914 Fixed Filter Bank: \u003c\/strong\u003eSimilar in function to the Moog 907A Fixed Filter Bank, the 914 Extended Range Fixed Filter Bank is a non-voltage controlled modifier with 14 separate passband controls: high pass, low pass and 12 center frequency knobs. Each passband range has an attenuation slope of 12dB per octave above or below the center frequency indicated\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator Drivers: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators:\u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e960 Sequential Controller: \u003c\/strong\u003eThe 960 Sequential Controller has a wide variation of functions, both as an independent module and in combination with the 961Interface and 962 Sequential Switch.\u003c\/p\u003e\r\n\u003cp\u003eThe sequencer module consists of a voltage controlled clock oscillator, which drives three rows of eight steps each. Indicator lights show sequence and step position status. A separate potentiometer for each step permits up to eight different voltage settings to be selected for each row. The DC voltage output corresponds to the column of pots below the lighted stage. Voltage range switches for each row determine the DC voltage range of each pot with two volts {X1}, four volts {X2}, or eight volts{X4} maximum extents. Two parallel outputs are provided for each row. Jacks for trigger inputs and outputs appear below each column. Trigger inputs activate that stage independently of the clock oscillator trigger. Trigger outputs are available for any other V-trigger activated input. Manual trigger buttons as well,are included for each of the eight stages {found below the V-trigger jacks}. Switches found immediately below each step position permit normal, skip or stop functions. A ninth position providing skip {continuous progression through the eight steps}or stop {one progression to closure} functions is included at the end of the row. Timing control for the eight steps is accomplished via the Third Row Control of Timing switch. This switch connects the third row of the sequencer into the control input of the clock speed for each stage according to the settings on the third-row potentiometers. The Shift input admits an external clock input to the sequencing circuit. This input may be used in addition to or exclusive of the internal clock oscillator trigger. Manual shift from step to step is accomplished with the button next to the shift input jack, as well as individual manual trigger buttons for each step found under each step column.\u003c\/p\u003e\r\n\u003cp\u003eManual buttons or external v-trigger sources initiate the clock oscillator start and stop functions. The clock oscillator is capable of producing frequencies from .1Hz to 1kHz. It has both octave {range} and vernier {fine adjust} controls. One control input jack is available, as well as one rectangular wave output {approximately 90\/10% duty cycle}. The clock oscillator, like other Moog oscillators, is standardized to one volt per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e961 Interface: \u003c\/strong\u003eFour independent circuits are found on the 961 Interface: one Audio-In to V-trigger Out circuit, one S-trigger In to V-Trigger Out circuit, and two V-trigger In to S-trigger Out circuits. All interface circuits may be used simultaneously, in combination, or separately.\u003c\/p\u003e\r\n\u003cp\u003eThe Audio to V-trigger circuit generates V-triggers when the audio input level rises above the threshold set on the Sensitivity potentiometer. This V-trigger sensitivity varies with the frequency band of the audio signal and with the frequency of its amplitude peaks. V-trigger duration is commensurate with the length of time the audio signal remains above the sensitivity threshold. Two parallel V-trigger outputs are included.\u003c\/p\u003e\r\n\u003cp\u003eThe S-trigger to V-trigger circuits converts any Short-to-ground trigger input to a v-trigger output.\u003c\/p\u003e\r\n\u003cp\u003eEach V-trigger In to S-trigger Out circuit has two columns of six jacks each for input triggers and one S-trigger output. Column A of the V-trigger inputs will convert V-trigger signals to S-triggers with duration equal to the input. Column B determines S-trigger duration by the Switch-on-time knob ONLY. B Column S-triggers will block, extend or fore-shorten Column B V-trigger inputs to conform to whatever duration is indicated on the B-column potentiometer. A minimum switch-on-time of 40 milliseconds and maximum time of 4 seconds duration is available. Simultaneous inputs to both A and B columns may be made. Simultaneous inputs to two parallel jacks will result in the longer of the two trigger signals being accepted.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e962 Sequential Switch: \u003c\/strong\u003eThe 962 Sequential Switch selects between two or three signal inputs, coupling one signal to the output jack at a time. A V-trigger pulse introduced to the Shift Input initiates the sequence. The Sequential Switch will alternate between stages One and Two, disregarding stage three until a standard {tip-sleeve} phone plug is patched into Signal Input Three. A connection to Input Three will cause the Sequential Switch to alternate between the three stages {in order) when triggered. Separate V-trigger input and output jacks are provided far each of the three stages, as well as buttons for manual switching. A small light for each stage indicates its status, on {coupled to the output} or off.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e992 Control Voltage Panel: \u003c\/strong\u003eThe 992 Control Voltage Panel is used for routing up to four control voltage signals to the 904B Low Pass Filter. The fourth input on the panel contains a signal inverting attenuator circuit.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e993 Trigger and Envelope Voltages Panel: \u003c\/strong\u003eThe Trigger and Envelope Voltages Panel is a signal routing module for S-triggers coming from one or two controllers. Lighted switches labeled \"FROM 1\" and \"FROM 2\" at the top of the panel connect the controller trigger outputs (when lighted) to the 911A Dual Trigger Delay. The lower three left hand column switches route the trigger signal as follows: top switch - to left 911 with no delay, center switch - to center 911 with delay set by top 911A delay unit, bottom switch - to the right 911 with delay set by the bottom 911A. The right hand green switches connect the DC control voltages from the 911's to their respective 902 Voltage Controlled Amplifiers: Left to left, center to center, right to right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e994 Dual Multiples Panel: \u003c\/strong\u003eThe multiple is a device, which permits multiple distribution of one signal to several different places. This process is often called signal splitting. Multiples are used for many purposes; from linking two patch cords together, sending a single signal to several different modules at the same time, to doubling or trebling the amplitude of a signal by sending it X3 to a particular source.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e995 Attenuator: \u003c\/strong\u003eAttenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCP3A Console Panels:\u003c\/strong\u003eThe CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692549223,"sku":"43756","price":35000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_system_55_b0f9c943-3e3c-4168-803f-70f5c4fc2be9.jpg?v=1787090010"},{"product_id":"moog-music-system-35","title":"Moog Music System 35","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73447437\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73453607\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chl\u003e\u003c\/hl\u003e\r\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMoog System 35\u003c\/strong\u003e modular synthesizer is a well-refined 5-oscillator instrument comprised of 22 handcrafted analog modules and housed in a hand-finished solid walnut cabinet. This elegant studio solution has been faithfully recreated to be the centerpiece of inspiration and sound in the modern composition studio, and delivers all of the sonic depth and dimension found only in a vintage Moog modular synthesizer. Also available configured with an additional 960 Sequencer Complement B. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eFaithfully Recreating The System 35\u003c\/h3\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis limited reissue of the Moog System 35 modular synthesizer is built to order. Only 35 total units will be made and sold worldwide.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSystem 35 Modules\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 904B Voltage Controlled High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 907A Fixed Filter Bank:\u003c\/li\u003e\r\n\u003cli\u003e3x 911 Envelope Generators:\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator:\u003c\/li\u003e\r\n\u003cli\u003e2x 921A Oscillator drivers:\u003c\/li\u003e\r\n\u003cli\u003e4x 921B Oscillators:\u003c\/li\u003e\r\n\u003cli\u003e1x 923 Random Noise\/Filter:\u003c\/li\u003e\r\n\u003cli\u003e2x CP3A Console Panels:\u003c\/li\u003e\r\n\u003cli\u003e1x CP4A Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x CP8A Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x CP35 Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x 180 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIncluded Patch Cabling\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e10x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e8x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e8x - 3' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e4x  - 4' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 5' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 3' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWeights and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 100 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 15 ½” high x 14” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModules And Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifier\u003c\/strong\u003e: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904B Voltage Controlled High Pass Filter: \u003c\/strong\u003eThe 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003c\/p\u003e\r\n\u003cp\u003eThe Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e907A Fixed Filter Bank: \u003c\/strong\u003eThe 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator drivers: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators: \u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e923 Random Noise\/Filter: \u003c\/strong\u003eThe White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCP3A Console Panels: \u003c\/strong\u003eThe CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692647527,"sku":"43757","price":22000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_system_35_1_640358c2-fc95-4592-aed8-009254f06ab2.jpg?v=1787090009"},{"product_id":"make-noise-black-and-gold-system","title":"Make Noise Black and Gold System","description":"\u003cp\u003eThe special edition \u003cstrong\u003eMake Noise Black and Gold Shared System\u003c\/strong\u003e assembles multiple modules that were designed to work together for powerful functional and aesthetic continuity.\u003c\/p\u003e\r\n\u003cp\u003eThe sound-generating hub is the DPO (dual prismatic oscillator). The two sides of this dual voltage-controlled oscillator can work as two independent voices, or work together for deep, complex cross-modulation.\u003c\/p\u003e\r\n\u003cp\u003eMaths provides plentiful control signal generation and manipulation.\u003c\/p\u003e\r\n\u003cp\u003ePressure Points provides tactile expression.\u003c\/p\u003e\r\n\u003cp\u003eThe René module offers intuitive and playable sequencing.\u003c\/p\u003e\r\n\u003cp\u003eThe Black and Gold Shared System contains both analog and digital methods for processing sound. Analog is addressed by modDemix and Optomix. ModDemix is two identical direct-coupled balanced modulator circuits that may be used together or independently for ring modulation, VCA, mixer, signal multiplication, voltage controlled polarization, attenuation, and more. Optomix is a two-channel low-pass gate. \u003c\/p\u003e\r\n\u003cp\u003eThe two modules included for digital processing are a collaboration with Soundhack: the Echophon, providing pitch-shifting delay, and the Erbe Verb, for lush, malleable reverb.\u003c\/p\u003e\r\n\u003cp\u003eBlack and Gold processes sound from the outside world by recording it into the Phonogene, a digital re-visioning and elaboration of the tape recorder as musical instrument.\u003cbr\u003e\r\n  The CV Bus provides color-coded signal distribution and a stereo line-level output with master volume control for headphones, mixer, audio interface, or PA.\u003c\/p\u003e\r\n\u003cp\u003eThere’s also a ¼-inch mono input with a preamp for boosting outside signal to modular level for processing within the system.\u003c\/p\u003e\r\n\u003cp\u003eEvery individual module in the system has wide-ranging parameters that are fully voltage-controlled and controllable, giving the artist the freedom to connect and re-connect a different way each time the system is patched.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSize: 7u\u003c\/li\u003e\n\u003cli\u003eTotal HP: 208\u003c\/li\u003e\n\u003cli\u003eUtilized HP: 190\u003c\/li\u003e\n\u003cli\u003eExpansion HP: 22\u003c\/li\u003e\n\u003cli\u003eDimensions: 22.25 x 14 x 7.25 (inches w\/ lid)\u003c\/li\u003e\n\u003cli\u003eWeight: 18 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732558951,"sku":"48452","price":4495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_shared_system_black_gold_9251a5f9-733a-4cf0-a0f8-2a16349d694b.jpg?v=1787090179"},{"product_id":"roland-system-1m-plug-out-synthesizer","title":"Roland System-1M Plug-out Synthesizer","description":"\u003cp\u003eThe \u003cstrong\u003eSYSTEM-1m\u003c\/strong\u003e is a semi-modular synthesizer with PLUG-OUT capability and a unique design that can be used as a Eurorack module, tabletop synth, or 19” rackmount unit. In addition to being a powerful standalone instrument, the SYSTEM-1m has external inputs and an array of CV\/Gate connections that allow it to be re-patched and to interface with other modular synthesizer systems. The SYSTEM-1m’s CV\/Gate connections combined with its ability to load classic Roland PLUG-OUT synth models like the SH-101 and PROMARS give it power and flexibility that is simply unparalleled.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSemi-modular synthesizer with PLUG-OUT capability\u003c\/li\u003e\r\n\u003cli\u003e19 color-coded CV\/Gate and audio connections with LED lighting\u003c\/li\u003e\r\n\u003cli\u003e84 HP Eurorack, tabletop and 19” rack compatible using AC adaptor or Eurorack power\u003c\/li\u003e\r\n\u003cli\u003eVersatile oscillators with six waveforms, Crossmod, Ring Mod, Sync and Color control\u003c\/li\u003e\r\n\u003cli\u003eAll parameters controlled with high-resolution knobs and sliders with LED indicators\u003c\/li\u003e\r\n\u003cli\u003eExternal input for processing external signals through filter, amp and FX section\u003c\/li\u003e\r\n\u003cli\u003e-12 dB and -24 dB filter types with independent high-pass filters\u003c\/li\u003e\r\n\u003cli\u003eIntegrated tone, crusher, reverb and delay effects\u003c\/li\u003e\r\n\u003cli\u003eTempo syncing for LFO and delay\u003c\/li\u003e\r\n\u003cli\u003e24-bit\/96kHz audio and MIDI interface\u003c\/li\u003e\r\n\u003cli\u003eAIRA Link for easy connection to MX-1 Mix Performer\u003c\/li\u003e\r\n\u003cli\u003eIncludes rackmount adapter and braided patch cables\u003c\/li\u003e\r\n\u003cli\u003eAbleton Live Lite is included\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModular for the Masses\u003c\/h3\u003e\r\n\u003cp\u003eModular synthesizers are highly prized by musicians for their ability to make totally unique and interesting sounds. 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They work like regular VST or AU compatible plugins in a DAW, with the SYSTEM-1m’s array of high-resolution knobs and sliders creating an elegant, one-to-one control surface that works seamlessly. But you can also load PLUG-OUT synths directly into the SYSTEM-1m and switch between the internal synthesizer architecture and one of a growing number of PLUG-OUT Roland classics, like the SH-101, SH-2 and PROMARS - with no computer required.\u003c\/p\u003e\r\n\u003ch3\u003eAll These Worlds Are Yours\u003c\/h3\u003e\r\n\u003cp\u003eWhile it provides a huge amount of synthesis power on its own, interconnecting the SYSTEM-1m with other modular gear creates a vast range of sonic possibilities. Its impressive oscillator section, sweet filters and snappy envelopes are sure to be welcome in any modular setup, no matter how big or small. But it’s the SYSTEM-1m’s combination of CV\/Gate modularity, PLUG-OUT, and DAW integration that takes things into completely uncharted territory.  For example, load the SH-101 PLUG-OUT into the SYSTEM-1m and you essentially have a hardware SH-101 with modular capabilities - something that has never existed before. You can process external sources through the SH-101’s acclaimed filters, or load the SH-2 PLUG-OUT and use its formidable oscillator section to drive any number of available Eurorack filters and envelopes. 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Housed in our larger Move[208] desktop case, the Foundation 3.1+ has room to grow. The additional space allows a nearly infinite number of expansion options. The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean.\u003c\/p\u003e\r\n\u003cp\u003eThe Foundation 3.1+ Synthesizer is the expandable version of a classic. A standalone, fully modular synthesizer styled after the great monosynths of the past, the Foundation 3.1+ has no hardwired signal path or fixed voice architecture to restrict creativity. An all analog signal path driving massive oscillators and multiple filters pushes the Foundation 3.1+ Synthesizer to new worlds of musical creativity. An unpatched Foundation 3.1+ offers a clean slate for sonic exploration and sound design, and the open format of a modular synthesizer allows for greater control and a deeper understanding of synthesis.\u003c\/p\u003e\r\n\u003cp\u003eThe Foundation 3.1+ Synthesizer is designed to function as a standalone instrument. However, the Foundation 3.1+ is a 100% eurorack compatible modular synthesizer. The system is made up of 13 individual eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other eurorack compatible modules. The Foundation 3.1+ Synthesizer uses the Pittsburgh Modular Move[208] Black Case and Power Rail to house and power the modules.\u003c\/p\u003e\r\n\u003ch3\u003eComplex Analog Oscillators\u003c\/h3\u003e\r\n\u003cp\u003eAt the heart of the Foundation 3.1+ Synthesizer is a pair of 2nd generation, complex waveform oscillators. The oscillators offer a full complement of standard waveforms including sine, triangle, saw, and pulse waves in addition to a sub octave generator, modulatable blade wave, and serious modulation options, creating a huge sonic base to build on.\u003c\/p\u003e\r\n\u003ch3\u003eMultifunction Filters \u0026amp; Envelopes\u003c\/h3\u003e\r\n\u003cp\u003eThe Foundation 3.1+ Synthesizer features our classic multimode filter alongside a character rich lopass gate creating an unmatched sonic palate.\u003c\/p\u003e\r\n\u003cp\u003eDual multifunction envelopes offer a wide range of creative potential. Each envelope module functions as a voltage controlled attack and decay or attack, sustain, and release, LFO, envelope follower, slew (portamento) and more.\u003c\/p\u003e\r\n\u003ch3\u003eFoundation 3.1+ Synthesizer Specs\u003c\/h3\u003e\r\n\u003cp\u003eHeavy Duty Pittsburgh Modular Move[208] Black Case      208hp Eurorack Road Case      Sliding Square Nut Mounting Nut System      Removable Lid      Dimensions with Lid: 23.5” x 12” x 7”\u003c\/p\u003e\r\n\u003ch3\u003eFOUNDATION 3.1+ MODULES\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eMidi 3\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMidi to CV Converter\u003c\/li\u003e\r\n\u003cli\u003eMonophonic Mode\u003c\/li\u003e\r\n\u003cli\u003eDuophonic Mode\u003c\/li\u003e\r\n\u003cli\u003eArpeggiator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003e2x Waveforms\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAnalog Saw Core\u003c\/li\u003e\r\n\u003cli\u003eWide Frequency Range\u003c\/li\u003e\r\n\u003cli\u003eComplex Modulation\u003c\/li\u003e\r\n\u003cli\u003eSub Octave Generator\u003c\/li\u003e\r\n\u003cli\u003eMultiple Waveforms\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO2\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDual Independent, Wide Range Voltage Controlled Low Frequency Oscillators\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eToolbox\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMulti-Function Processor\u003c\/li\u003e\r\n\u003cli\u003eSlew\u003c\/li\u003e\r\n\u003cli\u003eNoise Source\u003c\/li\u003e\r\n\u003cli\u003eSample \u0026amp; Hold\u003c\/li\u003e\r\n\u003cli\u003eVoltage Inverter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMulti-Function Mixer\u003c\/li\u003e\r\n\u003cli\u003e4 Channel Mixer\u003c\/li\u003e\r\n\u003cli\u003e4 Attenuators\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMix Mult\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMulti-Function Signal Router\u003c\/li\u003e\r\n\u003cli\u003e3 Channel Mixer\u003c\/li\u003e\r\n\u003cli\u003e3 Attenuators\u003c\/li\u003e\r\n\u003cli\u003eDual Passive Signal Multipliers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLopass Gate\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMulti-Mode Processor\u003c\/li\u003e\r\n\u003cli\u003eLow Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eHigh Quality VCA\u003c\/li\u003e\r\n\u003cli\u003eLopass Gate\u003c\/li\u003e\r\n\u003cli\u003eInverting CV Input\u003c\/li\u003e\r\n\u003cli\u003ePing Input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClassic Multi-Mode Filter\u003c\/li\u003e\r\n\u003cli\u003eInverting CV Inputs\u003c\/li\u003e\r\n\u003cli\u003eIndependent Filter and Oscillator Modes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003e2x Envelope\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVoltage Controlled Signal Processor\u003c\/li\u003e\r\n\u003cli\u003eEnvelope Generator\u003c\/li\u003e\r\n\u003cli\u003eLFO\u003c\/li\u003e\r\n\u003cli\u003eEnvelope Follower\u003c\/li\u003e\r\n\u003cli\u003eSlew (portamento)\u003c\/li\u003e\r\n\u003cli\u003eTrigger Delay\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual VCA\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDual Voltage Controlled Amplifier\u003c\/li\u003e\r\n\u003cli\u003eDual Voltage Controlled Mixer\u003c\/li\u003e\r\n\u003cli\u003eAttenuated CV Input\u003c\/li\u003e\r\n\u003cli\u003ePass-Thru Level Attenuators\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eOuts\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo or Dual Mono Outputs\u003c\/li\u003e\r\n\u003cli\u003eIndividual Headphone and Line Out Volume Controls\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe included Pittsburgh Modular DC power supply provides +12V @ 1400mA, -12v @ 1400mA, +5V @ 750mA of power. A single power rail delivers a full compliment of power and the eurorack bus system for up to 26 modules using standard 16 pin keyed power headers. The power board uses an external 15V 4A DC power adapter.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e18 - 3.5mm Patch Cables\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e6x 6\" Patch Cables\u003c\/li\u003e\r\n\u003cli\u003e6x 12\" Patch Cables\u003c\/li\u003e\r\n\u003cli\u003e6x 24\" Patch Cables\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751269479,"sku":"50060","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh-modular-foundation-3-1-plus_e0579dc0-f0dc-47d5-8bc6-b522b3fe02df.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-synthesizer-box","title":"Pittsburgh Modular Synthesizer Box","description":"\u003cp\u003eWired for instant access to classic tones without needing a single patch cable, the \u003cstrong\u003ePittsburgh Modular Synthesizer Box\u003c\/strong\u003e is a modern, complete semi-modular, monophonic synthesizer module. The Synthesizer Box is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal paths. The Synthesizer Box was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Waveforms Oscillator, Lopass Gate, LFO, Envelope Generator, and VCA to be broken apart and used like standalone modules.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull Range, Complex Waveform Oscillator\u003c\/li\u003e\r\n\u003cli\u003eOscillator Waveform Mixer\u003c\/li\u003e\r\n\u003cli\u003eVoltage Controlled Multi-Mode Lowpass Gate\u003c\/li\u003e\r\n\u003cli\u003eWide Range Low Frequency Oscillator\u003c\/li\u003e\r\n\u003cli\u003eGlide Control for Portamento Effects\u003c\/li\u003e\r\n\u003cli\u003eADSR Envelope Generator\u003c\/li\u003e\r\n\u003cli\u003eHigh Quality, Linear Response, Voltage Controlled Amplifier\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eSynthesizer Box Module Components\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eWAVEFORMS\u003c\/strong\u003e (Complex Waveform Oscillator)\u003c\/p\u003e\r\n\u003cp\u003eThe Waveforms oscillator is the heart of the Synthesizer Box. Complex modulation, voltage controlled waveform morphing, and a sub oscillator allow for a deep tones and rich timbres.\u003c\/p\u003e\r\n\u003cp\u003eWaveforms Controls: Coarse and Fine Tune Frequency Controls\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSub Oscillator -\u003c\/strong\u003e Square wave pitched one octave below the core oscillator creates a huge bottom end for the Synthesizer Box. Switch adjusts between low volume \/ off \/ full volume\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFrequency Modulation (FM)\u003c\/strong\u003e - Used to modulate the pitch of the oscillator, The attenuated FM input can be switched between exponential and linear response. The FM input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the FM CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSaw \/ Blade Switch -\u003c\/strong\u003e Selects the type of saw wave sent to the mixer. The SAW wave is the core wave of the oscillator and is not effected by the MOD CV input. The BLADE wave is a unique, complex saw wave that can be modulated using the MOD CV input. Additional manipulation of the blade wave can be achieved using the BLADE IN jack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWaveform Modulation (MOD CV) -\u003c\/strong\u003e Attenuated MOD CV input controls the amount of waveform modulation. Waveform modulation effects the square wave and blade wave. The modulation effects each wave type differently. Pulse width modulation of the square wave and wave shape morphing of the blade wave. The MOD CV input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the MOD CV IN input jack.\u003c\/p\u003e\r\n\u003ch4\u003eOscillator Patch Points:\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1V\/O IN - One volt per octave input.\u003c\/li\u003e\r\n\u003cli\u003eBLADE IN - Blade wave manipulation input.\u003c\/li\u003e\r\n\u003cli\u003eFM CV IN - Frequency modulation input overrides internal routing to allow for external modulation.\u003c\/li\u003e\r\n\u003cli\u003eMOD CV IN - Waveform modulation input overrides internal routing to allow for external modulation.\u003c\/li\u003e\r\n\u003cli\u003eTRI OUT - Post mixer triangle wave output.\u003c\/li\u003e\r\n\u003cli\u003eS\/B OUT - Post mixer saw or blade wave output.\u003c\/li\u003e\r\n\u003cli\u003eSQR OUT - Post mixer square wave output.\u003c\/li\u003e\r\n\u003cli\u003eMIX OUT - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eLPG  (Voltage Controlled Lopass Gate)\u003c\/h3\u003e\r\n\u003cp\u003eThe LPG is a distinctive module that incorporates both a low pass filter and VCA. The lopass gate is unique in the way that it simulates the characteristics of natural instruments. When used in LPG mode, additional harmonic content is added to louder sounds while quieter sounds pass through unmodified. This behavior imparts a rich, organic quality on the sounds.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Controls:\u003c\/strong\u003e Frequency Modulation (MOD CV) - Attenuated MOD CV input controls the amount of lopass gate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eMod \/ Ping Switch - Determines how the lopass gate responds to frequency modulation. In MOD mode, the MOD CV is used to sweep the frequency range of the lopass gate. In PING mode, the MOD CV is converted to a short trigger used to ping or strike the lopass gate. The PING mode takes advantage of the lopass gates fast attack and slow decay to create organic percussive sounds with a natural decay. The MOD CV input is internally patched to the envelope generator output. This routing can be bypassed by patching into the LPG CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eFrequency Control - In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/p\u003e\r\n\u003cp\u003eResonance Control - In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/p\u003e\r\n\u003cp\u003eLPG Mode Switch - Switch between the 3 modes of the lopass gate. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and LOPASS position (down) enables low pass filter mode.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Patch Points: \u003c\/strong\u003e LPG CV IN - Frequency modulation input overrides internal routing to allow for external modulation. LPG IN - Signal input overrides internal routing. LFP OUT - Signal output.\u003c\/p\u003e\r\n\u003ch3\u003eLFO (Low Frequency Oscillator)\u003c\/h3\u003e\r\n\u003cp\u003eWide Range LFO is perfect for long sweeps or audio rate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eLFO Controls: Rate Knob - Selects the frequency of the low frequency oscillator.\u003c\/p\u003e\r\n\u003cp\u003eRange Switch - Determines the range of the rate knob. Switches between low range and high range.\u003c\/p\u003e\r\n\u003cp\u003eLFO Patch Points: TRI OUT - Triangle wave output. SQR OUT - Square wave output.\u003c\/p\u003e\r\n\u003ch3\u003eENVELOPE (ADSR)\u003c\/h3\u003e\r\n\u003cp\u003eFour stage envelope generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Controls:\u003c\/strong\u003e Attack Knob - The first stage of the envelope generator. The attack knob adjusts the rise time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eDecay Knob - The second stage of the envelope generator. The decay knob adjusts amount of time the envelope remains at the maximum level while the envelope input contains a signal.\u003c\/p\u003e\r\n\u003cp\u003eSustain Switch - The third stage of the envelope generator. The sustain knob sets the maximum output level of the envelope once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003eRelease Knob - The fourth stage of the envelope generator. The release knob adjusts the amount of time it takes for the envelope to turn off once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Patch Points:\u003c\/strong\u003e ENV IN - Envelope input. ENV OUT - Envelope output.\u003c\/p\u003e\r\n\u003ch3\u003eGLIDE (Portamento)\u003c\/h3\u003e\r\n\u003cp\u003eHardwired between the 1 Volt Per Octave Input (1V\/O IN) and the waveforms oscillator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGlide Controls:\u003c\/strong\u003e Time Knob - Adjusts the amount of time it takes to shift from one frequency to another.\u003c\/p\u003e\r\n\u003ch3\u003eMIXER (Waveforms Output Mixer)\u003c\/h3\u003e\r\n\u003cp\u003eWaveform mixer for oscillator outputs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Controls:\u003c\/strong\u003e Triangle Wave Attenuator - Adjust the level of the triangle wave sent to the TRI OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Wave Attenuator - Adjust the level of the saw \/ blade wave sent to the S\/B OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSquare Wave Attenuator - Adjust the level of the square wave sent to the SQR OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Patch Points:\u003c\/strong\u003e MIX OUT  (in waveforms section) - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch3\u003eVCA  (Voltage Controlled Amplifier)\u003c\/h3\u003e\r\n\u003cp\u003eHigh quality, linear voltage controlled amplifier.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Controls:\u003c\/strong\u003e CV Input Attenuator Knob - Adjusts the output level of the VCA.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Patch Points:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eVCA CV IN - CV input. The VCA CV IN input is internally patched to the ENV OUT output. This routing can be bypassed by patching into the VCA CV IN input jack. VCA IN - VCA signal input The VCA IN input is internally patched to the LPG OUT output. This routing can be bypassed by patching into the VCA IN input jack. VCA OUT - Signal output.\u003c\/p\u003e\r\n\u003cp\u003eSize: 28hp Module depth with ribbon cable attached: 36.5mm Power Usage: 120mA\u003c\/p\u003e\r\n\u003ch3\u003eSequencer\u003c\/h3\u003e\r\n\u003cp\u003e8 Step Assignable Voltage Sequencer Suggested Retail Price - $149\u003c\/p\u003e\r\n\u003cp\u003eThe Sequencer module is a compact, simple 8 step analog sequencer. It uses an external clock to cycle through 4, 6, or 8 steps. The output of the sequencer can be used control the pitch of an oscillator, modulate a filter, or manipulate any module with a CV input.\u003c\/p\u003e\r\n\u003cp\u003eComplex sequences can be created using a combination of the Reset, Hold, and Add inputs. The Reset input can be used to create odd or variable length loops while Hold pauses the movement of the sequencer. Voltage from the Add input is summed with the voltage created by the Sequencer transcribing the output.\u003c\/p\u003e\r\n\u003cp\u003eThe Sequencer module also makes a great sub-octave generator. Clocking the Sequencer at audio rates using the square wave of an Oscillator turns the Sequencer into a sub-octave waveform generator able to produce 1, 2, or 3 octaves below the frequency of the clock.\u003c\/p\u003e\r\n\u003cp\u003eVariable Step Count of 4, 6, or 8 Steps Reset CV Input Hold CV Input Transpose CV Adder Input CV Range: 0-10v Dual Outputs\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eModule Controls\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAssignable Voltage Knobs Sets the output voltage from 0-10v for each of the 8 sequencer stages.\u003c\/p\u003e\r\n\u003cp\u003eVariable Step Count Switch (4 8 6) Sets the number of steps the Sequencer module cycles through. 4, 8, or 6 steps can be selected.\u003c\/p\u003e\r\n\u003cp\u003eClock Input (CLOCK) Clock source can be a square wave or gate signal.\u003c\/p\u003e\r\n\u003cp\u003eReset Input (RESET) Positive voltage resets the Sequencer to the first step.\u003c\/p\u003e\r\n\u003cp\u003eHold Input (HOLD) Positive voltage pauses the Sequencer.\u003c\/p\u003e\r\n\u003cp\u003eTranspose Input (ADD) Control Voltage Adder. Adds voltage of incoming signal to the output of the Sequencer. A simple way to transpose the output of the sequencer.\u003c\/p\u003e\r\n\u003cp\u003eOutputs (OUT) Dual buffered sequencer outputs.\u003c\/p\u003e\r\n\u003cp\u003eSize: 14hp\u003cbr\u003e Depth: 25mm \u003cbr\u003ePower Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751662695,"sku":"50000","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_synthesizer-box_034cf36b-551e-4d15-bd9c-331975ebf210.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-system-10-1","title":"Pittsburgh Modular System 10.1","description":"\u003ch2\u003eMassively Small Modular\u003c\/h2\u003e\r\n\u003cp\u003eThe Pittsburgh Modular System 10.1 Synthesizer is huge sound hiding in a small case. Updated for 2015 to include the new extremely featured Midi 3 module, the System 10.1 offers direct access to a wide array of modern, analog monosynth sounds. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1 Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe System 10.1 Synthesizer features a complex waveforms oscillator. Standard triangle, square, and saw waves are available alongside a sub oscillator and our new blade wave. The blade wave is a rich, modulatable saw that can be controlled in several unique ways.\u003c\/p\u003e\r\n\u003cp\u003eThe System 10.1 Synthesizer also features our Lopass Gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and res’d out piercing leads to organic percussion. The Lopass Gate has 3 modes of operation: low pass filter, VCA, and lopass gate. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1 Synthesizer Components\u003c\/h3\u003e\r\n\u003ch4\u003eSynthesizer Box\u003c\/h4\u003e\r\n\u003cp\u003e(Complete, Fully Patchable, 2nd Generation Semi-Modular Synthesizer Voice)\u003c\/p\u003e\r\n\u003cp\u003eWired for instant access to classic tones without needing a single patch cable, the Synthesizer Box is a modern, complete semi-modular, monophonic synthesizer module. The Synthesizer Box is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal paths.\u003c\/p\u003e\r\n\u003cp\u003eThe Synthesizer Box was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Waveforms Oscillator, Lopass Gate, LFO, Envelope Generator, and VCA to be split apart and used like standalone modules.\u003c\/p\u003e\r\n\u003cp\u003eFull Range, Complex Waveform Oscillator Oscillator Waveform Mixer Voltage Controlled Multi-Mode Lowpass Gate Wide Range Low Frequency Oscillator Glide Control for Portamento Effects ADSR Envelope Generator High Quality, Linear Response, Voltage Controlled Amplifier\u003c\/p\u003e\r\n\u003cp\u003eSynthesizer Box Module Components\u003c\/p\u003e\r\n\u003ch4\u003eWAVEFORMS\u003c\/h4\u003e\r\n\u003cp\u003e(Complex Waveform Oscillator)\u003c\/p\u003e\r\n\u003cp\u003eThe Waveforms oscillator is the heart of the Synthesizer Box. Complex modulation, voltage controlled waveform morphing, and a sub oscillator allow for a deep tones and rich timbres.\u003c\/p\u003e\r\n\u003cp\u003eWaveforms Controls: Coarse and Fine Tune Frequency Controls\u003c\/p\u003e\r\n\u003cp\u003eSub Oscillator - Square wave pitched one octave below the core oscillator creates a huge bottom end for the Synthesizer Box. Switch adjusts between low volume \/ off \/ full volume\u003c\/p\u003e\r\n\u003cp\u003eFrequency Modulation (FM) - Used to modulate the pitch of the oscillator, The attenuated FM input can be switched between exponential and linear response. The FM input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the FM CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Switch - Selects the type of saw wave sent to the mixer. The SAW wave is the core wave of the oscillator and is not effected by the MOD CV input. The BLADE wave is a unique, complex saw wave that can be modulated using the MOD CV input. Additional manipulation of the blade wave can be achieved using the BLADE IN jack.\u003c\/p\u003e\r\n\u003cp\u003eWaveform Modulation (MOD CV) - Attenuated MOD CV input controls the amount of waveform modulation. Waveform modulation effects the square wave and blade wave. The modulation effects each wave type differently. Pulse width modulation of the square wave and wave shape morphing of the blade wave. The MOD CV input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the MOD CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eOscillator Patch Points: 1V\/O IN - One volt per octave input. BLADE IN - Blade wave manipulation input. FM CV IN - Frequency modulation input overrides internal routing to allow for external modulation. MOD CV IN - Waveform modulation input overrides internal routing to allow for external modulation. TRI OUT - Post mixer triangle wave output. S\/B OUT - Post mixer saw or blade wave output. SQR OUT - Post mixer square wave output. MIX OUT - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eLPG\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Lopass Gate)\u003c\/p\u003e\r\n\u003cp\u003eThe LPG is a distinctive module that incorporates both a low pass filter and VCA. The lopass gate is unique in the way that it simulates the characteristics of natural instruments. When used in LPG mode, additional harmonic content is added to louder sounds while quieter sounds pass through unmodified. This behavior imparts a rich, organic quality on the sounds.\u003c\/p\u003e\r\n\u003cp\u003eLPG Controls: Frequency Modulation (MOD CV) - Attenuated MOD CV input controls the amount of lopass gate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eMod \/ Ping Switch - Determines how the lopass gate responds to frequency modulation. In MOD mode, the MOD CV is used to sweep the frequency range of the lopass gate. In PING mode, the MOD CV is converted to a short trigger used to ping or strike the lopass gate. The PING mode takes advantage of the lopass gates fast attack and slow decay to create organic percussive sounds with a natural decay. The MOD CV input is internally patched to the envelope generator output. This routing can be bypassed by patching into the LPG CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eFrequency Control - In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/p\u003e\r\n\u003cp\u003eResonance Control - In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/p\u003e\r\n\u003cp\u003eLPG Mode Switch - Switch between the 3 modes of the lopass gate. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and LOPASS position (down) enables low pass filter mode.\u003c\/p\u003e\r\n\u003cp\u003eLPG Patch Points: LPG CV IN - Frequency modulation input overrides internal routing to allow for external modulation. LPG IN - Signal input overrides internal routing. LFP OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eLFO\u003c\/h4\u003e\r\n\u003cp\u003e(Low Frequency Oscillator) Wide Range LFO is perfect for long sweeps or audio rate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Controls:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRate Knob - Selects the frequency of the low frequency oscillator.\u003c\/li\u003e\r\n\u003cli\u003eRange Switch - Determines the range of the rate knob. Switches between low range and high range.\u003c\/li\u003e\r\n\u003cli\u003eLFO Patch Points: TRI OUT - Triangle wave output. SQR OUT - Square wave output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eENVELOPE\u003c\/h4\u003e\r\n\u003cp\u003e(ADSR)\u003c\/p\u003e\r\n\u003cp\u003eFour stage envelope generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Controls:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAttack Knob - The first stage of the envelope generator. The attack knob adjusts the rise time of the envelope.\u003c\/li\u003e\r\n\u003cli\u003eDecay Knob - The second stage of the envelope generator. The decay knob adjusts amount of time the envelope remains at the maximum level while the envelope input contains a signal.\u003c\/li\u003e\r\n\u003cli\u003eSustain Switch - The third stage of the envelope generator. The sustain knob sets the maximum output level of the envelope once the decay stage has completed.\u003c\/li\u003e\r\n\u003cli\u003eRelease Knob - The fourth stage of the envelope generator. The release knob adjusts the amount of time it takes for the envelope to turn off once the decay stage has completed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Patch Points:\u003c\/strong\u003e ENV IN - Envelope input. ENV OUT - Envelope output.\u003c\/p\u003e\r\n\u003ch4\u003eGLIDE\u003c\/h4\u003e\r\n\u003cp\u003e(Portamento)\u003c\/p\u003e\r\n\u003cp\u003eHardwired between the 1 Volt Per Octave Input (1V\/O IN) and the waveforms oscillator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGlide Controls:\u003c\/strong\u003e Time Knob - Adjusts the amount of time it takes to shift from one frequency to another.\u003c\/p\u003e\r\n\u003ch4\u003eMIXER\u003c\/h4\u003e\r\n\u003cp\u003e(Waveforms Output Mixer) Waveform mixer for oscillator outputs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Controls:\u003c\/strong\u003e Triangle Wave Attenuator - Adjust the level of the triangle wave sent to the TRI OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Wave Attenuator - Adjust the level of the saw \/ blade wave sent to the S\/B OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSquare Wave Attenuator - Adjust the level of the square wave sent to the SQR OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Patch Points:\u003c\/strong\u003e MIX OUT (in waveforms section) - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eVCA\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Amplifier)\u003c\/p\u003e\r\n\u003cp\u003eHigh quality, linear voltage controlled amplifier.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Controls:\u003c\/strong\u003e CV Input Attenuator Knob - Adjusts the output level of the VCA.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Patch Points:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCA CV IN - CV input. The VCA CV IN input is internally patched to the ENV OUT output. This routing can be bypassed by patching into the VCA CV IN input jack.\u003c\/li\u003e\r\n\u003cli\u003eVCA IN - VCA signal input The VCA IN input is internally patched to the LPG OUT output. This routing can be bypassed by patching into the VCA IN input jack.\u003c\/li\u003e\r\n\u003cli\u003eVCA OUT - Signal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eMIX MULT\u003c\/h4\u003e\r\n\u003cp\u003e(Multifunction Utility Module)\u003c\/p\u003e\r\n\u003cp\u003e3 Channel Mixer 2 Passive Multiples\u003c\/p\u003e\r\n\u003cp\u003eThe Mix Mult is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and\/or attenuator and two sets of passive multiples.\u003c\/p\u003e\r\n\u003cp\u003eThe mixer\/attenuator section functions as a flexible, low-noise three channel mixer and\/or attenuator for audio and cv that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\u003cp\u003eThe bottom of the module contains two sets of passive multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once.\u003c\/p\u003e\r\n\u003ch4\u003eMIDI 3\u003c\/h4\u003e\r\n\u003cp\u003e(Extremely Full Featured MIDI to CV Converter)\u003c\/p\u003e\r\n\u003cp\u003eThe Midi 3 converts standard midi note messages into the analog control voltages used by modular synthesizers. This allows a modular synthesizer to be controlled by a midi keyboard, sequencer, or DAW.\u003c\/p\u003e\r\n\u003cp\u003eThe two sets of Gate (GT) outputs can be used to trigger envelope generators by providing a voltage of +5v. The Control Voltage (CV) outputs produce precisely 1volt per octave over a range of 10 octaves. Pitch bend, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, midi and external gate clock dividers, and multiple arpeggiator responses. This module is deep.\u003c\/p\u003e\r\n\u003ch4\u003eOUTS\u003c\/h4\u003e\r\n\u003cp\u003eThe simplest way to get sound out of a modular. Outs is a dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\" line level outputs.\u003c\/p\u003e\r\n\u003cp\u003eLeft and Right inputs are available. If only the left input is used, the signal is sent to both the Left and Right outputs.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1+ Synthesizer Specs\u003c\/h3\u003e\r\n\u003cp\u003ePittsburgh Modular Cell[90] DC Desktop Case 90hp Eurorack Desktop Case, with single row wood sides\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 19.5\" x 5.5\" x 2.5\"\u003c\/p\u003e\r\n\u003cp\u003eThe included Pittsburgh Modular DC power supply provides +12V @ 900mA, -12v @ 900mA, +5V @ 500mA of power. A custom flexible power rail delivers a full compliment of power and the eurorack bus system to the modules using standard 16 pin keyed power headers. The power board uses an external 15V DC 2.6A DC power adapter.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncluded:\u003c\/strong\u003e 6x Patch Cables\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751695463,"sku":"49969","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_system-10.1_top_a036bcba-ab4a-46ac-81c4-7593f879e31d.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-system-10-1-plus-synthesizer","title":"Pittsburgh Modular System 10.1 Plus Synthesizer","description":"\u003ch2\u003eStretching Small To The Limits\u003c\/h2\u003e\r\n\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular System 10.1+ Synthesizer\u003c\/strong\u003e is an expandable version of the System 10.1. Housed in our larger Cell[90] desktop case, the System 10.1+ has room to grow. The additional space allows a nearly infinite number of expansion options. The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean.\u003c\/p\u003e\r\n\u003cp\u003eJust like the System 10.1, the System 10.1+ offers direct access to a wide array of modern, analog monosynth sounds. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1+ Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe System 10.1+ Synthesizer features a complex waveforms oscillator. Standard triangle, square, and saw waves are available alongside a sub oscillator and our new blade wave. The blade wave is a rich, modulatable saw that can be controlled in several unique ways.\u003c\/p\u003e\r\n\u003cp\u003eThe System 10.1+ Synthesizer also features our new Lopass Gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and res’d out piercing leads to organic percussion. The Lopass Gate has 3 modes of operation: Low pass filter, VCA, and lopass gate. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1+ Synthesizer Components\u003c\/h3\u003e\r\n\u003ch4\u003eSynthesizer Box\u003c\/h4\u003e\r\n\u003cp\u003e(Complete, Fully Patchable, 2nd Generation Semi-Modular Synthesizer Voice)\u003c\/p\u003e\r\n\u003cp\u003eWired for instant access to classic tones without needing a single patch cable, the Synthesizer Box is a modern, complete semi-modular, monophonic synthesizer module. The Synthesizer Box is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal paths.\u003c\/p\u003e\r\n\u003cp\u003eThe Synthesizer Box was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Waveforms Oscillator, Lopass Gate, LFO, Envelope Generator, and VCA to be split apart and used like standalone modules.\u003c\/p\u003e\r\n\u003cp\u003eFull Range, Complex Waveform Oscillator Oscillator Waveform Mixer Voltage Controlled Multi-Mode Lowpass Gate Wide Range Low Frequency Oscillator Glide Control for Portamento Effects ADSR Envelope Generator High Quality, Linear Response, Voltage Controlled Amplifier\u003c\/p\u003e\r\n\u003ch3\u003eSynthesizer Box Module Components\u003c\/h3\u003e\r\n\u003ch4\u003eWAVEFORMS\u003c\/h4\u003e\r\n\u003cp\u003e(Complex Waveform Oscillator)\u003c\/p\u003e\r\n\u003cp\u003eThe Waveforms oscillator is the heart of the Synthesizer Box. Complex modulation, voltage controlled waveform morphing, and a sub oscillator allow for a deep tones and rich timbres.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWaveforms Controls:\u003c\/strong\u003e Coarse and Fine Tune Frequency Controls\u003c\/p\u003e\r\n\u003cp\u003eSub Oscillator - Square wave pitched one octave below the core oscillator creates a huge bottom end for the Synthesizer Box. Switch adjusts between low volume \/ off \/ full volume\u003c\/p\u003e\r\n\u003cp\u003eFrequency Modulation (FM) - Used to modulate the pitch of the oscillator, The attenuated FM input can be switched between exponential and linear response. The FM input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the FM CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Switch - Selects the type of saw wave sent to the mixer. The SAW wave is the core wave of the oscillator and is not effected by the MOD CV input. The BLADE wave is a unique, complex saw wave that can be modulated using the MOD CV input. Additional manipulation of the blade wave can be achieved using the BLADE IN jack.\u003c\/p\u003e\r\n\u003cp\u003eWaveform Modulation (MOD CV) - Attenuated MOD CV input controls the amount of waveform modulation. Waveform modulation effects the square wave and blade wave. The modulation effects each wave type differently. Pulse width modulation of the square wave and wave shape morphing of the blade wave. The MOD CV input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the MOD CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOscillator Patch Points:\u003c\/strong\u003e 1V\/O IN - One volt per octave input. BLADE IN - Blade wave manipulation input. FM CV IN - Frequency modulation input overrides internal routing to allow for external modulation. MOD CV IN - Waveform modulation input overrides internal routing to allow for external modulation. TRI OUT - Post mixer triangle wave output. S\/B OUT - Post mixer saw or blade wave output. SQR OUT - Post mixer square wave output. MIX OUT - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eLPG\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Lopass Gate)\u003c\/p\u003e\r\n\u003cp\u003eThe LPG is a distinctive module that incorporates both a low pass filter and VCA. The lopass gate is unique in the way that it simulates the characteristics of natural instruments. When used in LPG mode, additional harmonic content is added to louder sounds while quieter sounds pass through unmodified. This behavior imparts a rich, organic quality on the sounds.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Controls:\u003c\/strong\u003e Frequency Modulation (MOD CV) - Attenuated MOD CV input controls the amount of lopass gate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eMod \/ Ping Switch - Determines how the lopass gate responds to frequency modulation. In MOD mode, the MOD CV is used to sweep the frequency range of the lopass gate. In PING mode, the MOD CV is converted to a short trigger used to ping or strike the lopass gate. The PING mode takes advantage of the lopass gates fast attack and slow decay to create organic percussive sounds with a natural decay. The MOD CV input is internally patched to the envelope generator output. This routing can be bypassed by patching into the LPG CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eFrequency Control - In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/p\u003e\r\n\u003cp\u003eResonance Control - In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/p\u003e\r\n\u003cp\u003eLPG Mode Switch - Switch between the 3 modes of the lopass gate. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and LOPASS position (down) enables low pass filter mode.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Patch Points: \u003c\/strong\u003e LPG CV IN - Frequency modulation input overrides internal routing to allow for external modulation. LPG IN - Signal input overrides internal routing. LFP OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eLFO\u003c\/h4\u003e\r\n\u003cp\u003e(Low Frequency Oscillator) Wide Range LFO is perfect for long sweeps or audio rate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Controls:\u003c\/strong\u003e Rate Knob - Selects the frequency of the low frequency oscillator.\u003c\/p\u003e\r\n\u003cp\u003eRange Switch - Determines the range of the rate knob. Switches between low range and high range.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Patch Points: \u003c\/strong\u003e TRI OUT - Triangle wave output. SQR OUT - Square wave output.\u003c\/p\u003e\r\n\u003ch4\u003eENVELOPE\u003c\/h4\u003e\r\n\u003cp\u003e(ADSR)\u003c\/p\u003e\r\n\u003cp\u003eFour stage envelope generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Controls:\u003c\/strong\u003e Attack Knob - The first stage of the envelope generator. The attack knob adjusts the rise time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eDecay Knob - The second stage of the envelope generator. The decay knob adjusts amount of time the envelope remains at the maximum level while the envelope input contains a signal.\u003c\/p\u003e\r\n\u003cp\u003eSustain Switch - The third stage of the envelope generator. The sustain knob sets the maximum output level of the envelope once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003eRelease Knob - The fourth stage of the envelope generator. The release knob adjusts the amount of time it takes for the envelope to turn off once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Patch Points:\u003c\/strong\u003e ENV IN - Envelope input. ENV OUT - Envelope output.\u003c\/p\u003e\r\n\u003ch4\u003eGLIDE\u003c\/h4\u003e\r\n\u003cp\u003e(Portamento)\u003c\/p\u003e\r\n\u003cp\u003eHardwired between the 1 Volt Per Octave Input (1V\/O IN) and the waveforms oscillator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGlide Controls:\u003c\/strong\u003e Time Knob - Adjusts the amount of time it takes to shift from one frequency to another.\u003c\/p\u003e\r\n\u003ch4\u003eMIXER\u003c\/h4\u003e\r\n\u003cp\u003e(Waveforms Output Mixer) Waveform mixer for oscillator outputs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Controls:\u003c\/strong\u003e Triangle Wave Attenuator - Adjust the level of the triangle wave sent to the TRI OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Wave Attenuator - Adjust the level of the saw \/ blade wave sent to the S\/B OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSquare Wave Attenuator - Adjust the level of the square wave sent to the SQR OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eMixer Patch Points: MIX OUT  (in waveforms section) - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eVCA\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Amplifier)\u003c\/p\u003e\r\n\u003cp\u003eHigh quality, linear voltage controlled amplifier.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Controls:\u003c\/strong\u003e CV Input Attenuator Knob - Adjusts the output level of the VCA.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Patch Points: \u003c\/strong\u003e VCA CV IN - CV input. The VCA CV IN input is internally patched to the ENV OUT output. This routing can be bypassed by patching into the VCA CV IN input jack. VCA IN - VCA signal input The VCA IN input is internally patched to the LPG OUT output. This routing can be bypassed by patching into the VCA IN input jack. VCA OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eMIX MULT\u003c\/h4\u003e\r\n\u003cp\u003e(Multifunction Utility Module)\u003c\/p\u003e\r\n\u003cp\u003e3 Channel Mixer 2 Passive Multiples\u003c\/p\u003e\r\n\u003cp\u003eThe Mix Mult is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and\/or attenuator and two sets of passive multiples.\u003c\/p\u003e\r\n\u003cp\u003eThe mixer\/attenuator section functions as a flexible, low-noise three channel mixer and\/or attenuator for audio and cv that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\u003cp\u003eThe bottom of the module contains two sets of passive multiples. 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Effects can instantly be rerouted using the patchable footswitches and patch cables. The audio signal path can as simple or complex as needed.\u003cbr\u003e\u003cbr\u003eAccess to the control voltage signal path takes the Patch Box FX1 to a new level. Control voltages are used to automate module parameters using modulation or expression pedals. An expression pedal or the output of an LFO can be directly assigned to one or more parameters at a time creating powerful, expressive effects.\u003cbr\u003e\u003cbr\u003eThe Patch Box FX1 includes everything needed to start patching. A Patch Box enclosures, a full compliment of modules, and 12 high quality, Nazca Audio brand braided patch cables are included with each system. \u003cbr\u003e\u003cbr\u003eThe power of the FX1 does not live in the modules alone. The Patch Box enclosure is packed with the functionality of five highly tuned components integrated into the heavy duty steel enclosure.\u003cbr\u003e\u003cbr\u003eA custom designed preamp that adds everything from clean gain to sweet distortion without overdriving the modules within the Patch Box. \u003cbr\u003e\u003cbr\u003eDual, assignable expression pedal inputs allow the Patch Box to integrate 3rd party expression pedals anywhere into the signal path. This allows for realtime foot control of any voltage controllable parameter.\u003cbr\u003e\u003cbr\u003eDual, assignable A\/B footswitches expand signal routing options. 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Sought after by synthesizer enthusiasts around the world and beloved by those lucky enough to own one of the originals, these vintage Roland instruments are almost mythical in stature. With the SYSTEM-500 Complete Set, you can now own a modern version of these coveted classics, giving you the purest vintage analog synthesizer tones imaginable.\u003c\/p\u003e  \u003cp\u003eWith two VCOs, two VCFs, two VCAs, two ADSR envelopes, two dedicated LFO sections, and a powerful effects module, the SYSTEM-500 Complete Set is highly flexible and extremely capable right out of the box. It opens up vast possibilities for musical exploration and sound design—and it sounds simply incredible. It's the sound you hear in your head when you think of big, warm, analog synth tone. You get the gold standard for oscillators combined with the sweet filters and snappy envelopes that make vintage Roland synthesizers so desirable. The extremely thoughtful array of CV\/Gate connections and well-placed controls make it a joy to play and an ideal centerpiece for any modular setup.\u003c\/p\u003e  \u003cp\u003eBeautiful, powerful—and even portable—the SYSTEM-500 Complete Set is made for Eurorack, so you can easily expand by connecting to the wide-range of available Eurorack modules. Or it can neatly integrate into your existing modular setup. Its versatile wood and metal case can sit flat or tilt, and provides plenty of clean, stable power. It blends with the classic looks of the SYSTEM-500 modules creating an elegant instrument that looks as good as it sounds. You can take the whole thing with you, or neatly stack two units to build a larger, more powerful system. 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Now, after 50-plus years, the war has finally come to an end — but neither technique has been crowned the victor... the ultimate synthesis technique was not derived on the east coast, or the west: it comes from the \u003cstrong\u003eMake Noise 0-Coast\u003c\/strong\u003e.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAN ALL-NEW SYNTHESIS TECHNIQUE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 0-COAST is a single voice patchable synthesizer that combines elements from both the Moog and Buchla paradigms to create an all new \"no coast synthesis\" technique.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn the spirit of east coast synthesis, 0-COAST is designed to offer quick and simple subtractive synthesis on the go. 0-COAST utilizes classic modular synthesis techniques, but each circuit has also been hard-wired to allow for cable-free patching. 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Use the built-in MIDI Controlled Arpeggiator to create driving rhythms, or dial in biting leads with the triangle core analog VCO. Use the overtone and multiply functions for interesting timbral effects or use the unique transistor-based low-pass gate dynamics to create evolving pads. Craft unique synth sounds for any genre using the flexible, powerful, portable 0-COAST synthesizer.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449799012455,"sku":"53112","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-0-coast_53112_1_1_d466cf5b-e0e2-4805-8656-e479de6b09bb.jpg?v=1787090467"},{"product_id":"pittsburgh-modular-lifeforms-system-301-modular-synth","title":"Pittsburgh Modular Lifeforms System 301 Modular Synth","description":"\u003cp\u003eInteractive inspiration machine. Touch to begin. 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Two stellar Eowave digital creations: the hypnotic and compelling CHARCOT CIRCLES: a 16 x 8 step sequencer, and STE. 16: a fiery, expansive, dual digital LFO, seem to have been waiting in the wings for just this moment to shine, as you might have guessed from their center-staging. Space Hardware's* GRAINY CLAMPIT: a granular and phase distortion additive oscillator, and QUADNIC: a 4 voice, 64 waveform digital oscillator, pair and push away from our pristine 8+ octave tracking discrete Class-A OSCILLATION module, in ways which must be experienced firsthand—a best of both worlds arrangement...\u003c\/p\u003e\u003cp\u003eThree revered SE filters more than keep pace: SEM, 4075, and SE88.\u003c\/p\u003e\u003cp\u003eTwo case options: MonoRocket SE-M6104 Black Carbon Case, and Kahnco Modular Case System, powered by 4MS Row Power 30.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eThink PGH's \"Symbiotic Waves\"\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMODSTAR SENSEI - Module Description\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e4MS ROW POWER 30 - Clean, regulated, and protected power solution for eurorack systems. Row Power 30 provides 30W of power, suited for any typical eurorack row (84HP to 168HP).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e4075 - Arp-flavored Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e5089 - Mini-flavored voltage controlled, discrete analog, 24 db\/oct transistor ladder, low-pass filter (hand-matched transistors).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eAMP - 2 stage Class A discrete design, using 3 pairs of hand matched transistors; DRIVE—'70s era distortion and Drone control.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eCHARCOT CIRCLES - 16 x 8 step sequencer, that can be utilized as an 8 x 16 step track preset (8 CVs \u0026amp; gates), 4 x 32 (4 CVs \u0026amp; gates), 2 x 64 (2 CVs \u0026amp; gates), and 1 x 128 step track preset (1 CV, 1 gate). CV and gate expansion via our BBOX (Breakout Box).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eGRAINY CLAMPIT - Granular and phase distortion additive digital oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLEVELS - Versatile, low-noise six channel summing mixer\/attenuator for audio and CV—pots are wired with logarithmic volume curves.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLFO2 - Potent all analog dual LFO module; two independent low frequency oscillator circuits provide a variety of modulation options.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIDI 3 - Third generation extremely full-featured MIDI to CV converter, optimized and calibrated by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMULTIPLE - Passive utility module with two independent sections of four linked jacks.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOSCILLATION - Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOUTS - Dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\", optimized by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eQUADNIC - Four voice digital oscillator—each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSCI FI - Ring Mod, White and Pink Noise, Sample and Hold—Classic Synth Toolbox, with LFO and slewing control of S\u0026amp;H.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSE88 - CS-80 inspired dual resonant powerhouse with hi pass\/band reject, low pass\/band pass filter modes, and \"Pendulum Chaos Generation”—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSEM - Obi-flavored, 12 Db voltage controlled state variable filter and \"Pendulum ChaosGenerator\"—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHAPERS - Dual four stage envelope generator with independently adjustable attack, decay, sustain, and release stages. Short and long range settings deliver smooth, detailed, and complex expression.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHPR - Half-strength Shapers.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSTE. 16 - Dual digital LFO, featuring a hI-freq mode, complex waveform mixing possibilities and expressive patching possibilities.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eATTENULAG - Switchable dual attenuator, 3 output lag generator for CV and audio.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIX4 - Space conscious, unity gain, 4 in\/1 out, high quality audio and CV mixer and \"multer\".\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eROUTER (R) - Dual bi-directional (despite what the nomenclature states) audio \/ CV router.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eVCA2 - Dual high quality VCA for audio or CV level control—perfect for creating a CV modulation chain.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMonorocket M6104 Specifications\u003c\/h3\u003e\u003cp\u003eDimensions:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e2 rows \/ 106hp each (4 hp bonus)\u003c\/li\u003e\n\u003cli\u003eInternal depth 4.5 inches (except area over PSU which is 2 7\/8)\u003c\/li\u003e\n\u003cli\u003eExternal Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8\u003c\/li\u003e\n\u003cli\u003eUnit stands vertical or lays on its back\u003c\/li\u003e\n\u003cli\u003eStackable if you detach the handle (4 pan head screws)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3.5a on the +\/-12v rails\u003c\/li\u003e\n\u003cli\u003e500ma of +5v per row installed\u003c\/li\u003e\n\u003cli\u003e15 Doepfer compatible power connections per row (shrouded \u0026amp; keyed)\u003c\/li\u003e\n\u003cli\u003e5 Analogue Solutions power connections per row\u003c\/li\u003e\n\u003cli\u003eInternally mounted 120v and 240v Power Supply Unit - includes IEC power cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHardware:\u003c\/h3\u003e\u003cp\u003e\"Sliding Nuts\" mounting system - includes mounting screws\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888403559,"sku":"56773","price":6299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-modstar-sensei-hybrid-1_496f5037-0ca6-4620-aecf-98e39accdb61.jpg?v=1787090824"},{"product_id":"studio-electronics-modstar-sensei-hybrid-carbon","title":"Studio Electronics Modstar Sensei Hybrid - Carbon","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SENSEI HYBRID\u003c\/strong\u003e resists analog purity for richly contrasting tones, modulation, and points of origin and purpose. Two stellar Eowave digital creations: the hypnotic and compelling CHARCOT CIRCLES: a 16 x 8 step sequencer, and STE. 16: a fiery, expansive, dual digital LFO, seem to have been waiting in the wings for just this moment to shine, as you might have guessed from their center-staging. Space Hardware's* GRAINY CLAMPIT: a granular and phase distortion additive oscillator, and QUADNIC: a 4 voice, 64 waveform digital oscillator, pair and push away from our pristine 8+ octave tracking discrete Class-A OSCILLATION module, in ways which must be experienced firsthand—a best of both worlds arrangement...\u003c\/p\u003e\u003cp\u003eThree revered SE filters more than keep pace: SEM, 4075, and SE88.\u003c\/p\u003e\u003cp\u003eTwo case options: MonoRocket SE-M6104 Black Carbon Case, and Kahnco Modular Case System, powered by 4MS Row Power 30.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eThink PGH's \"Symbiotic Waves\"\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMODSTAR SENSEI - Module Description\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e4MS ROW POWER 30 - Clean, regulated, and protected power solution for eurorack systems. Row Power 30 provides 30W of power, suited for any typical eurorack row (84HP to 168HP).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e4075 - Arp-flavored Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e5089 - Mini-flavored voltage controlled, discrete analog, 24 db\/oct transistor ladder, low-pass filter (hand-matched transistors).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eAMP - 2 stage Class A discrete design, using 3 pairs of hand matched transistors; DRIVE—'70s era distortion and Drone control.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eCHARCOT CIRCLES - 16 x 8 step sequencer, that can be utilized as an 8 x 16 step track preset (8 CVs \u0026amp; gates), 4 x 32 (4 CVs \u0026amp; gates), 2 x 64 (2 CVs \u0026amp; gates), and 1 x 128 step track preset (1 CV, 1 gate). CV and gate expansion via our BBOX (Breakout Box).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eGRAINY CLAMPIT - Granular and phase distortion additive digital oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLEVELS - Versatile, low-noise six channel summing mixer\/attenuator for audio and CV—pots are wired with logarithmic volume curves.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eLFO2 - Potent all analog dual LFO module; two independent low frequency oscillator circuits provide a variety of modulation options.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIDI 3 - Third generation extremely full-featured MIDI to CV converter, optimized and calibrated by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMULTIPLE - Passive utility module with two independent sections of four linked jacks.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOSCILLATION - Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOUTS - Dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\", optimized by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eQUADNIC - Four voice digital oscillator—each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSCI FI - Ring Mod, White and Pink Noise, Sample and Hold—Classic Synth Toolbox, with LFO and slewing control of S\u0026amp;H.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSE88 - CS-80 inspired dual resonant powerhouse with hi pass\/band reject, low pass\/band pass filter modes, and \"Pendulum Chaos Generation”—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSEM - Obi-flavored, 12 Db voltage controlled state variable filter and \"Pendulum ChaosGenerator\"—damping\/stabilizing override feature.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHAPERS - Dual four stage envelope generator with independently adjustable attack, decay, sustain, and release stages. Short and long range settings deliver smooth, detailed, and complex expression.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSHPR - Half-strength Shapers.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eSTE. 16 - Dual digital LFO, featuring a hI-freq mode, complex waveform mixing possibilities and expressive patching possibilities.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eATTENULAG - Switchable dual attenuator, 3 output lag generator for CV and audio.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eMIX4 - Space conscious, unity gain, 4 in\/1 out, high quality audio and CV mixer and \"multer\".\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eROUTER (R) - Dual bi-directional (despite what the nomenclature states) audio \/ CV router.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eVCA2 - Dual high quality VCA for audio or CV level control—perfect for creating a CV modulation chain.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMonorocket M6104 Specifications\u003c\/h3\u003e\u003cp\u003eDimensions:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e2 rows \/ 106hp each (4 hp bonus)\u003c\/li\u003e\n\u003cli\u003eInternal depth 4.5 inches (except area over PSU which is 2 7\/8)\u003c\/li\u003e\n\u003cli\u003eExternal Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8\u003c\/li\u003e\n\u003cli\u003eUnit stands vertical or lays on its back\u003c\/li\u003e\n\u003cli\u003eStackable if you detach the handle (4 pan head screws)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3.5a on the +\/-12v rails\u003c\/li\u003e\n\u003cli\u003e500ma of +5v per row installed\u003c\/li\u003e\n\u003cli\u003e15 Doepfer compatible power connections per row (shrouded \u0026amp; keyed)\u003c\/li\u003e\n\u003cli\u003e5 Analogue Solutions power connections per row\u003c\/li\u003e\n\u003cli\u003eInternally mounted 120v and 240v Power Supply Unit - includes IEC power cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHardware:\u003c\/h3\u003e\u003cp\u003e\"Sliding Nuts\" mounting system - includes mounting screws\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888436327,"sku":"56771","price":5599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-modstar-sensei-hybrid-carbon_56771_fb875f40-74ce-45b5-9709-7d27e83f77a2.jpg?v=1787090825"},{"product_id":"studio-electronics-modstar-sensei-analog","title":"Studio Electronics Modstar Sensei Analog","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SENSEI ANALOG\u003c\/strong\u003e is a lustrous, three discrete Oscillator, all analog duophonic dream machine (OK, the customized MIDI 3 is a clever forgivable digital necessity) which could, should, be thought of in the same breath as celestial chariots of old—here transporting earthly creations beyond the hammered bowl\/barrier of the firmament into a synthetic, sonic paradise. Four supreme, exalted filters: SEM, 4075, 5089 and SE88, one for each Class-A OSC, stamp this Sensei with the trademark SE warmth; the extra SE88 filter provides the final resonant subtraction, and sanction. The Special Edition SE MonoRocket M6104 Black Carbon Case holds it all together, especially where beefy power delivery, clarity of sound, solid build quality, and handsome, rugged portability are concerned. Internally mounted IEC supply makes your pack \u0026amp; setup nice 'n' easy—does it every time.\u003c\/p\u003e\u003ch3\u003eMODSTAR SENSEI - Module Description\u003c\/h3\u003e\u003cp\u003e• OSCILLATION: (x3) - Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator.\u003c\/p\u003e\u003cp\u003e• MULTIPLE: Passive utility module with two independent sections of four linked jacks.\u003c\/p\u003e\u003cp\u003e• SEM: Obi-flavored, 12 Db voltage controlled state variable filter and \"Pendulum Chaos Generator\"—damping\/stabilizing override feature.\u003c\/p\u003e\u003cp\u003e• 4075: Arp-flavored Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims).\u003c\/p\u003e\u003cp\u003e• 5089: Mini-flavored voltage controlled, discrete analog, 24 db\/oct transistor ladder, low-pass filter (hand-matched transistors).\u003c\/p\u003e\u003cp\u003e• MIDI 3: Third generation extremely full-featured MIDI to CV converter, optimized and calibrated by Studio Electronics exclusively for Modstar Systems.\u003c\/p\u003e\u003cp\u003e• ATTENULAG: Switchable dual attenuation, 3 output lag generator for CV and audio.\u003c\/p\u003e\u003cp\u003e• MIX4: Space conscious, unity gain, 4 in\/1 out, high quality audio and CV mixer and \"multer\".\u003c\/p\u003e\u003cp\u003e• VCA2: Discrete quad op-amp dual VCAs for audio and level chaining, control, and sharper tonality.\u003c\/p\u003e\u003cp\u003e• SHAPERS: (x2) Dual four stage envelope generator with independently adjustable attack, decay, sustain, and release stages.\u003c\/p\u003e\u003cp\u003e• LFO2: Potent all analog dual LFO module—two different low frequency oscillator circuits provide a variety of modulation options.\u003c\/p\u003e\u003cp\u003e• AMP: (x2) 2 stage Class A discrete design, using 3 pairs of hand matched transistors; DRIVE—'70s era distortion and Drone control.\u003c\/p\u003e\u003cp\u003e• ROUTER (R): Compact switchable dual audio\/CV router.\u003c\/p\u003e\u003cp\u003e• SCI FI: Ring Mod, White and Pink Noise, Sample and Hold—Classic Synth Toolbox, with LFO and slewing control of S\u0026amp;H.\u003c\/p\u003e\u003cp\u003e• LEVELS: Versatile, low-noise six channel summing mixer\/attenuator for audio and CV—pots are wired with logarithmic volume curves.\u003c\/p\u003e\u003cp\u003e• OUTS: Dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\".\u003c\/p\u003e\u003ch3\u003eM6104 Specifications\u003c\/h3\u003e\u003cp\u003eDimensions:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e2 rows \/ 106hp each (4 hp bonus)\u003c\/li\u003e\n\u003cli\u003eInternal depth 4.5 inches (except area over PSU which is 2 7\/8)\u003c\/li\u003e\n\u003cli\u003eExternal Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8\u003c\/li\u003e\n\u003cli\u003eUnit stands vertical or lays on its back\u003c\/li\u003e\n\u003cli\u003eStackable if you detach the handle (4 pan head screws)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePower:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e3.5a on the +\/-12v rails\u003c\/li\u003e\n\u003cli\u003e500ma of +5v per row installed\u003c\/li\u003e\n\u003cli\u003e15 Doepfer compatible power connections per row (shrouded \u0026amp; keyed)\u003c\/li\u003e\n\u003cli\u003e5 Analogue Solutions power connections per row\u003c\/li\u003e\n\u003cli\u003eInternally mounted 120v and 240v Power Supply Unit - includes IEC power cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eHardware:\u003c\/h3\u003e\u003cp\u003e\"Sliding Nuts\" mounting system - includes mounting screws\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888469095,"sku":"56770","price":4999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-modstar-sensei-analog-1_024364a7-847b-493e-8600-dede581d8c1a.jpg?v=1787090825"},{"product_id":"studio-electronics-modstar-seito-rising","title":"Studio Electronics Modstar Seito Rising","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics Modstar Seito Rising\u003c\/strong\u003e comes wrapped up in the same Monorocket M6104 (212hp actual) black “carbon” case, with 106hp of free space—identical to Modstar Sensei Analog system enclosure. Count on uber-beefy power, clarity of sound, supreme build quality, and handsome, rugged portability. 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This exact collection of modules is utilized by all artists for the Make Noise Records Shared System Series. It was also utilized by both Alessandro Cortini and Richard Devine for their performances at the 2012 Make Noise Opening party. The Shared System is the deepest and most complex of the systems bringing together all of the synthesis techniques into one system. From analog FM to voltage controlled granularization, the Shared System will go to more sound destinations than most folks have time to travel to in a single lifetime.\u003c\/p\u003e  \u003cp\u003eThe CV Bus was originally designed for Alessandro Cortini's personal Make Noise system. It provides visual indication of level, rate and polarity for up to 4 control signals that will be shared throughout a patch. These 4 control signals are color coded and distributed across the center of the system allowing for quick, clean and intuitive patching. The distribution method is unlike the typical multiple since the control signals will appear beneath their possible destinations allowing for the use of shorter patch cables. The color coding and visual indication makes navigating complex patches easier and more intuitive. Typically, the CV Bus would be used to share the most important control signals in a patch such as your Master Clock.\u003c\/p\u003e  \u003cp\u003eThe CV Bus also has the tools needed for integrating the Make Noise system with the outside world. A 1\/4\" Mono input with plenty of gain allows for bringing external signals into the system. The optimal 10Vpp signal level is visually indicated. A high quality Stereo Line Driver converts powerful modular synthesizer signal levels to the commonly used Line Level. There is mini-jack inputs for Left and Right, a single Master Volume control, and a TRS Stereo 1\/4\" output jack. This output is capable of driving long cable out to a PA System or a set of Headphones. It has AC coupling and a built-in limiting circuit (with visual indication) that prevents damage to ears and PA system when the patching gets experimental.\u003c\/p\u003e  \u003ch3\u003eIncludes:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eNew School Sequencing: René\u003c\/li\u003e \u003cli\u003eHuman\/ Expression Control: Pressure Points\u003c\/li\u003e \u003cli\u003eDual Analog Oscillator: DPO\u003c\/li\u003e \u003cli\u003eVoltage Controlled Pitch Shifting and Echo: ECHOPHON\u003c\/li\u003e \u003cli\u003eDual Analog Control Voltage generator: MATHS\u003c\/li\u003e \u003cli\u003eComplex Random Voltage Generator: Wogglebug\u003c\/li\u003e \u003cli\u003eDual Low Pass Gate: Optomix\u003c\/li\u003e \u003cli\u003eBalanced Modulation: modDemix\u003c\/li\u003e \u003cli\u003eVoltage Controlled DSP (Digital Signal Processing): Phonogene\u003c\/li\u003e \u003cli\u003e7U case w\/ power supply and AC Adapter, Ready to Play\u003c\/li\u003e \u003cli\u003eShips with 30 Ad Infinitum patch cables\u003c\/li\u003e \u003cli\u003eFree blanking panels as appropriate\u003c\/li\u003e \u003cli\u003eComes with Lid, Highly portable, Meets requirements for carry-on luggage\u003c\/li\u003e \u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449897971815,"sku":"56537","price":3325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-cv-bus-shared-system_56537_1_1_5eabb080-2868-4f30-a4ed-3b0e79588861.jpg?v=1787090864"},{"product_id":"dreadbox-drone-system-eurorack-system","title":"Dreadbox Drone System","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Drone System\u003c\/strong\u003e is a modular case bundle that includes...\u003c\/p\u003e  \u003ch3\u003eGamma module\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSynth Voice\u003c\/li\u003e \u003cli\u003eIts Unique Oscillator is consisted of 6 sawtooth VCOs\u003c\/li\u003e \u003cli\u003eIt can produce from fat bass to space noise sounds\u003c\/li\u003e \u003cli\u003e2-pole 12dB self-oscillating state variable filter\u003c\/li\u003e \u003cli\u003eDual VCA\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eOmikron module\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e2 oscillators with 4 waves each\u003c\/li\u003e \u003cli\u003ePulse Width modulation input\u003c\/li\u003e \u003cli\u003eAudio interface\u003c\/li\u003e \u003cli\u003eSub wave generator\u003c\/li\u003e \u003cli\u003eAudio to Gate generator\u003c\/li\u003e \u003cli\u003eAudio to Sync convertor\u003c\/li\u003e \u003cli\u003eAudio can sync the VCO\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eLamda module\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e8-pole 48dB state variable filter\u003c\/li\u003e \u003cli\u003eDual Resonance frequencies\u003c\/li\u003e \u003cli\u003eFilter types\u003c\/li\u003e \u003cli\u003e2pole Low Pass (single resonance frequency)\u003c\/li\u003e \u003cli\u003e4pole High Pass (single resonance frequency)\u003c\/li\u003e \u003cli\u003e8pole Low Pass\u003c\/li\u003e \u003cli\u003e8pole High Pass\u003c\/li\u003e \u003cli\u003e8pole Band Pass\u003c\/li\u003e \u003cli\u003e8pole Notch\u003c\/li\u003e \u003cli\u003eOTA VCA\u003c\/li\u003e \u003cli\u003eOTA Drive Circuit\u003c\/li\u003e \u003cli\u003eFilter can be pre-driven with high input levels\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eDelta module\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eDual Digital Parallel Lo-Fi Delay\u003c\/li\u003e \u003cli\u003eWet output for both delays\u003c\/li\u003e \u003cli\u003eTime modulation for both delays\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eTheta module\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSimple Dual LFO\u003c\/li\u003e \u003cli\u003eSample \u0026amp; 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Touch to begin. A complete modular performance synthesizer, the Pittsburgh Modular Lifeforms System 201 packs the Lifeforms SV-1 analog synthesizer voice and a Lifeforms KB-1 pressure sensitive keyboard controller into the Structure EP-96, pairing huge sonic potential with maximum control. Anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 201 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory and more.\u003c\/p\u003e  \u003cp\u003eOverflowing with sonic potential, the Lifeforms System 201 houses a refined analog synth engine ready to explore new aural territories. The feature set includes everything you need to create unique synth sounds. 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Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.\u003c\/p\u003e  \u003cp\u003eA robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable you to cover new sonic territory with an unprecedented level of control.\u003c\/p\u003e  \u003ch3\u003eHEADPHONES:\u003c\/h3\u003e  \u003cp\u003eThe Audio-Technica ATH-M30x professional monitor headphones combine modern engineering and high-quality materials to deliver a comfortable listening experience, with enhanced audio clarity and sound isolation. Tuned for highly detailed audio, with strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording.\u003c\/p\u003e  \u003ch3\u003eCABLES:\u003c\/h3\u003e  \u003cp\u003eWe know you need excellent, reliable cables that don't cost a fortune. That's why we designed our own line of premium Vintage King cabling, made right here in Detroit, Michigan. We teamed up with a local manufacturer to pick the very best cabling and components to build our rugged-tough cables, purposefully designed for the most demanding studio and performance applications. 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Touch to begin. A complete modular performance synthesizer, the Pittsburgh Modular Lifeforms System 301 packs the Lifeforms SV-1 analog synthesizer voice and a Lifeforms KB-1 pressure sensitive keyboard controller into the Structure EP-208 professional Eurorack enclosure, pairing huge sonic potential with maximum control and room to grow. Anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 301 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory and more.\u003c\/p\u003e  \u003cp\u003eOverflowing with sonic potential, the Lifeforms System 301 houses a refined analog synth engine ready to explore new aural territories. The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.\u003c\/p\u003e  \u003cp\u003eTwo larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1 Pittsburg Modular has included their exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex west coast synthesis style FM timbres.\u003c\/p\u003e  \u003cp\u003eThe true sonic character of the System 301 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.\u003c\/p\u003e  \u003cp\u003eA robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable you to cover new sonic territory with an unprecedented level of control.\u003c\/p\u003e  \u003ch3\u003eHEADPHONES:\u003c\/h3\u003e  \u003cp\u003eThe Audio-Technica ATH-M30x professional monitor headphones combine modern engineering and high-quality materials to deliver a comfortable listening experience, with enhanced audio clarity and sound isolation. Tuned for highly detailed audio, with strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording.\u003c\/p\u003e  \u003ch3\u003eCABLES:\u003c\/h3\u003e  \u003cp\u003eWe know you need excellent, reliable cables that don't cost a fortune. That's why we designed our own line of premium Vintage King cabling, made right here in Detroit, Michigan. We teamed up with a local manufacturer to pick the very best cabling and components to build our rugged-tough cables, purposefully designed for the most demanding studio and performance applications. With our cables, you get better value without compromising sound or quality.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449951252583,"sku":"59119","price":1655.76,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburg-modular-lifeforms-system-301-bundle_59119_1_3fb4351e-f14e-4055-a900-a6d46547f583.jpg?v=1787091074"},{"product_id":"make-noise-rene-demo-deal","title":"Make Noise Rene (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise René\u003c\/strong\u003e is the world's only Cartesian Sequencer for music synthesizers. 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Made for Eurorack format, it's a complete system with multiple oscillators, filters and effects in a versatile custom case with top-quality patch cables. It's perfect for your first modular synth or as the centerpiece of an expanding Eurorack system.\u003c\/p\u003e  \u003cp\u003eDesigned and built in the USA, the SYSTEM-500 Complete Set is made to exacting standards, with top-quality components and extreme attention to detail. It delivers the classic character and playability of a vintage Roland modular synth—with all the advantages of a modern instrument. And it’s surprisingly affordable, turning the fantasy of finally owning one of these legendary instruments into reality.\u003c\/p\u003e  \u003cp\u003eThe SYSTEM-700 and 100M modular synthesizers were nothing short of groundbreaking in their time and are revered to this day for their classic tone and flexibility. Used by pioneering musicians on numerous landmark recordings, they combined the best of Roland's analog synthesizer technology into supremely powerful modular instruments. Sought after by synthesizer enthusiasts around the world and beloved by those lucky enough to own one of the originals, these vintage Roland instruments are almost mythical in stature. With the SYSTEM-500 Complete Set, you can now own a modern version of these coveted classics, giving you the purest vintage analog synthesizer tones imaginable.\u003c\/p\u003e  \u003cp\u003eWith two VCOs, two VCFs, two VCAs, two ADSR envelopes, two dedicated LFO sections, and a powerful effects module, the SYSTEM-500 Complete Set is highly flexible and extremely capable right out of the box. It opens up vast possibilities for musical exploration and sound design—and it sounds simply incredible. It's the sound you hear in your head when you think of big, warm, analog synth tone. You get the gold standard for oscillators combined with the sweet filters and snappy envelopes that make vintage Roland synthesizers so desirable. The extremely thoughtful array of CV\/Gate connections and well-placed controls make it a joy to play and an ideal centerpiece for any modular setup.\u003c\/p\u003e  \u003cp\u003eBeautiful, powerful—and even portable—the SYSTEM-500 Complete Set is made for Eurorack, so you can easily expand by connecting to the wide-range of available Eurorack modules. Or it can neatly integrate into your existing modular setup. Its versatile wood and metal case can sit flat or tilt, and provides plenty of clean, stable power. It blends with the classic looks of the SYSTEM-500 modules creating an elegant instrument that looks as good as it sounds. You can take the whole thing with you, or neatly stack two units to build a larger, more powerful system. With jaw-dropping sound, elegant design, and top-notch build quality, the SYSTEM-500 Complete Set is vintage Roland modular for the new golden age of synthesizers.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44449984348263,"sku":"60387","price":1599.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland-system-500-complete-set-1_1_54a3fa01-0983-4c8d-a704-21cf651ebec5.jpg?v=1787091203"},{"product_id":"make-noise-0-coast-demo-deal","title":"Make Noise 0-Coast (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise 0-COAST\u003c\/strong\u003e (sometimes called “No Coast”) is a single-voice patchable synthesizer with a very small form factor. Its name refers to its omnivorous and egalitarian inclusion of modulation techniques from both the Moog (East Coast) and Buchla (West Coast) paradigms.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhile the 0-COAST utilizes classic modular synthesis techniques, Make Noise designed it with connections already made from circuit to circuit so that it functions with or without the use of patch cables. A compelling choice for those who want to make noise right away, or who are less experienced with synthesizers, it operates as an expressive, musical monosynth as it comes; using only the MIDI controller of your choice you can apply new timbres to your existing musical forms.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThough should you decide to use the included patch cables, your experiments with new ways to wire the circuits will reward you with many more sounds — the synth features 13 sources and 14 destinations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFans of other Make Noise gear will recognize random step voltage borrowed from Wogglebug, an oscillator familiar from DPO, and functions from Maths.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44450015019111,"sku":"63115","price":439.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-0-coast_53112_1_1_1_9456e701-0751-422a-90c1-4328b538b5c5.jpg?v=1787091335"},{"product_id":"pittsburgh-modular-lifeforms-system-201-synth-demo-deal","title":"Pittsburgh Modular Lifeforms System 201 Synth (Demo Deal)","description":"\u003cp\u003eInteractive inspiration machine. Touch to begin. A complete modular performance synthesizer, the \u003cstrong\u003ePittsburg Modular Lifeforms System 201\u003c\/strong\u003e packs the Lifeforms SV-1 analog synthesizer voice and a Lifeforms KB-1 pressure sensitive keyboard controller into the Structure EP-96, pairing huge sonic potential with maximum control. Anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 201 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory and more.\u003c\/p\u003e  \u003ch3\u003eInteractive Analog Power\u003c\/h3\u003e  \u003cp\u003eOverflowing with sonic potential, the Lifeforms System 201 houses a refined analog synth engine ready to explore new aural territories. The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.\u003c\/p\u003e  \u003cp\u003eTwo larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1, Pittsburg Modular have included their exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex, west coast synthesis style FM timbres.\u003c\/p\u003e  \u003cp\u003eThe true sonic character of the System 201 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.\u003c\/p\u003e  \u003cp\u003eA robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. 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With exception of the MIDI to CV circuit, which by its nature must have a digital element, Nyborg really is analog and the sound benefit is immediately apparent!\u003c\/p\u003e  \u003cp\u003eThe modulation choices and range of sounds  produced have all been carefully thought out and quickly give you the sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.\u003c\/p\u003e  \u003chr\u003e   \u003ch3\u003eNYBORG: SYNTH – PERCUSSION – AUDIO PROCESSOR\u003c\/h3\u003e  \u003cp\u003eNyborg is a compact analog synthesizer. Analog –  as in really analog. Aside from the MIDI chip (which has to be digital), everything else is totally analog using real transistors and op-amps. There are no CPU stabilized and quantized circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so-called analog synths. The circuitry is based on designs dating back to the mid-1970s. Nyborg has a genuine old sound.\u003c\/p\u003e  \u003ch3\u003eMONO SYNTHESIZER\u003c\/h3\u003e  \u003cp\u003eNyborg is for use any time you need analog sound effects, fat basses, screaming leads, beeps, tones, zaps, and all the other crazy sounds associated with analog synthesis. 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It has some patch sockets that enable you to connect it to an external modular.\u003c\/p\u003e  \u003ch3\u003eMIDI (DAW Use) or CV \u0026amp; Gate?\u003c\/h3\u003e  \u003cp\u003eThis unit can be used with a MIDI keyboard (or DAW, or sequencer) or you can use it with an analog sequencer, such as Oberkorn. It can also be used by MIDI and CV at the same time! So you could have an analog step sequencer such as Oberkorn playing a little melody, then using a MIDI keyboard (or MIDI sequencer) transpose the Oberkorn sequence.\u003c\/p\u003e  \u003ch3\u003eOscillators\u003c\/h3\u003e  \u003cp\u003eThere are two VCOs – each providing a wealth of features and modulation choices. Controls include: TUNE, OCTAVE, MODULATION depth and destination, MOD. SOURCE (EGs, VCO audio, External CV, LFO), manual pulse WIDTH, VCO Sync\u003c\/p\u003e  \u003ch3\u003eLow Frequency Oscillator\u003c\/h3\u003e  \u003cp\u003eThe LFO has triangle and Square wave modulation signals. 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Use in place of your boring digital synths and DSP soft synths.\u003c\/p\u003e     \u003ch3\u003eEFFECTS PROCESSOR\u003c\/h3\u003e     \u003cp\u003eNyborg has an audio input socket, so you can feed external sounds through the on-board analog filters for analog processing.\u003c\/p\u003e     \u003ch3\u003eDRUM SYNTHESIZER\u003c\/h3\u003e     \u003cp\u003eNyborg is able to produce electronic percussion – kick, snare, hi-hats, cymbal, etc.\u003c\/p\u003e     \u003ch3\u003eMODULAR SYNTHESIZER\u003c\/h3\u003e     \u003cp\u003eNyborg is pre-patched – but has such a wide range of modulation routing possibilities that it is almost as versatile as a modular and can produce the same types of sounds, without the mess and confusion of cables. It has some patch sockets that enable you to connect it to an external modular.\u003c\/p\u003e     \u003ch3\u003eMIDI (DAW Use) or CV \u0026amp; Gate?\u003c\/h3\u003e     \u003cp\u003eThis unit can be used with a MIDI keyboard (or DAW, or sequencer) or you can use it with an analog sequencer, such as Oberkorn. It can also be used by MIDI and CV at the same time! So you could have an analog step sequencer such as Oberkorn playing a little melody, then using a MIDI keyboard (or MIDI sequencer) transpose the Oberkorn sequence.\u003c\/p\u003e     \u003ch3\u003eOscillators\u003c\/h3\u003e     \u003cp\u003eThere are two VCOs – each providing a wealth of features and modulation choices. Controls include: TUNE, OCTAVE, MODULATION depth and destination, MOD. SOURCE (EGs, VCO audio, External CV, LFO), manual pulse WIDTH, VCO Sync\u003c\/p\u003e     \u003ch3\u003eLow Frequency Oscillator\u003c\/h3\u003e     \u003cp\u003eThe LFO has triangle and Square wave modulation signals. 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It also lets you search BETWEEN notes to find and capture the microsounds you can’t hear with the naked ear. Since the world of sounds is so vast and subjective, Morphagene doesn’t come with preset sounds, but offers you a blank SD card so that you can load in your own samples.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOnce you have your recorded audio loaded, you can put samples in a particular order or jumble them using Organize. Vari-Speed will manipulate not only the playback speed, but also the playback direction. Playback and record are separate functions, so you can manipulate a sound, record it into a new Splice, and then play it back and layer more sounds on top of it. 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Housed in our larger Cell[90] desktop case, the System 10.1+ has room to grow. The additional space allows a nearly infinite number of expansion options. The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean.\u003c\/p\u003e\r\n\u003cp\u003eJust like the System 10.1, the System 10.1+ offers direct access to a wide array of modern, analog monosynth sounds. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1+ Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe System 10.1+ Synthesizer features a complex waveforms oscillator. Standard triangle, square, and saw waves are available alongside a sub oscillator and our new blade wave. The blade wave is a rich, modulatable saw that can be controlled in several unique ways.\u003c\/p\u003e\r\n\u003cp\u003eThe System 10.1+ Synthesizer also features our new Lopass Gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and res’d out piercing leads to organic percussion. The Lopass Gate has 3 modes of operation: Low pass filter, VCA, and lopass gate. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1+ Synthesizer Components\u003c\/h3\u003e\r\n\u003ch4\u003eSynthesizer Box\u003c\/h4\u003e\r\n\u003cp\u003e(Complete, Fully Patchable, 2nd Generation Semi-Modular Synthesizer Voice)\u003c\/p\u003e\r\n\u003cp\u003eWired for instant access to classic tones without needing a single patch cable, the Synthesizer Box is a modern, complete semi-modular, monophonic synthesizer module. The Synthesizer Box is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal paths.\u003c\/p\u003e\r\n\u003cp\u003eThe Synthesizer Box was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Waveforms Oscillator, Lopass Gate, LFO, Envelope Generator, and VCA to be split apart and used like standalone modules.\u003c\/p\u003e\r\n\u003cp\u003eFull Range, Complex Waveform Oscillator Oscillator Waveform Mixer Voltage Controlled Multi-Mode Lowpass Gate Wide Range Low Frequency Oscillator Glide Control for Portamento Effects ADSR Envelope Generator High Quality, Linear Response, Voltage Controlled Amplifier\u003c\/p\u003e\r\n\u003ch3\u003eSynthesizer Box Module Components\u003c\/h3\u003e\r\n\u003ch4\u003eWAVEFORMS\u003c\/h4\u003e\r\n\u003cp\u003e(Complex Waveform Oscillator)\u003c\/p\u003e\r\n\u003cp\u003eThe Waveforms oscillator is the heart of the Synthesizer Box. Complex modulation, voltage controlled waveform morphing, and a sub oscillator allow for a deep tones and rich timbres.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWaveforms Controls:\u003c\/strong\u003e Coarse and Fine Tune Frequency Controls\u003c\/p\u003e\r\n\u003cp\u003eSub Oscillator - Square wave pitched one octave below the core oscillator creates a huge bottom end for the Synthesizer Box. Switch adjusts between low volume \/ off \/ full volume\u003c\/p\u003e\r\n\u003cp\u003eFrequency Modulation (FM) - Used to modulate the pitch of the oscillator, The attenuated FM input can be switched between exponential and linear response. The FM input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the FM CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Switch - Selects the type of saw wave sent to the mixer. The SAW wave is the core wave of the oscillator and is not effected by the MOD CV input. The BLADE wave is a unique, complex saw wave that can be modulated using the MOD CV input. Additional manipulation of the blade wave can be achieved using the BLADE IN jack.\u003c\/p\u003e\r\n\u003cp\u003eWaveform Modulation (MOD CV) - Attenuated MOD CV input controls the amount of waveform modulation. Waveform modulation effects the square wave and blade wave. The modulation effects each wave type differently. Pulse width modulation of the square wave and wave shape morphing of the blade wave. The MOD CV input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the MOD CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOscillator Patch Points:\u003c\/strong\u003e 1V\/O IN - One volt per octave input. BLADE IN - Blade wave manipulation input. FM CV IN - Frequency modulation input overrides internal routing to allow for external modulation. MOD CV IN - Waveform modulation input overrides internal routing to allow for external modulation. TRI OUT - Post mixer triangle wave output. S\/B OUT - Post mixer saw or blade wave output. SQR OUT - Post mixer square wave output. MIX OUT - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eLPG\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Lopass Gate)\u003c\/p\u003e\r\n\u003cp\u003eThe LPG is a distinctive module that incorporates both a low pass filter and VCA. The lopass gate is unique in the way that it simulates the characteristics of natural instruments. When used in LPG mode, additional harmonic content is added to louder sounds while quieter sounds pass through unmodified. This behavior imparts a rich, organic quality on the sounds.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Controls:\u003c\/strong\u003e Frequency Modulation (MOD CV) - Attenuated MOD CV input controls the amount of lopass gate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eMod \/ Ping Switch - Determines how the lopass gate responds to frequency modulation. In MOD mode, the MOD CV is used to sweep the frequency range of the lopass gate. In PING mode, the MOD CV is converted to a short trigger used to ping or strike the lopass gate. The PING mode takes advantage of the lopass gates fast attack and slow decay to create organic percussive sounds with a natural decay. The MOD CV input is internally patched to the envelope generator output. This routing can be bypassed by patching into the LPG CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eFrequency Control - In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/p\u003e\r\n\u003cp\u003eResonance Control - In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/p\u003e\r\n\u003cp\u003eLPG Mode Switch - Switch between the 3 modes of the lopass gate. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and LOPASS position (down) enables low pass filter mode.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Patch Points: \u003c\/strong\u003e LPG CV IN - Frequency modulation input overrides internal routing to allow for external modulation. LPG IN - Signal input overrides internal routing. LFP OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eLFO\u003c\/h4\u003e\r\n\u003cp\u003e(Low Frequency Oscillator) Wide Range LFO is perfect for long sweeps or audio rate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Controls:\u003c\/strong\u003e Rate Knob - Selects the frequency of the low frequency oscillator.\u003c\/p\u003e\r\n\u003cp\u003eRange Switch - Determines the range of the rate knob. Switches between low range and high range.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Patch Points: \u003c\/strong\u003e TRI OUT - Triangle wave output. SQR OUT - Square wave output.\u003c\/p\u003e\r\n\u003ch4\u003eENVELOPE\u003c\/h4\u003e\r\n\u003cp\u003e(ADSR)\u003c\/p\u003e\r\n\u003cp\u003eFour stage envelope generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Controls:\u003c\/strong\u003e Attack Knob - The first stage of the envelope generator. The attack knob adjusts the rise time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eDecay Knob - The second stage of the envelope generator. The decay knob adjusts amount of time the envelope remains at the maximum level while the envelope input contains a signal.\u003c\/p\u003e\r\n\u003cp\u003eSustain Switch - The third stage of the envelope generator. The sustain knob sets the maximum output level of the envelope once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003eRelease Knob - The fourth stage of the envelope generator. The release knob adjusts the amount of time it takes for the envelope to turn off once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Patch Points:\u003c\/strong\u003e ENV IN - Envelope input. ENV OUT - Envelope output.\u003c\/p\u003e\r\n\u003ch4\u003eGLIDE\u003c\/h4\u003e\r\n\u003cp\u003e(Portamento)\u003c\/p\u003e\r\n\u003cp\u003eHardwired between the 1 Volt Per Octave Input (1V\/O IN) and the waveforms oscillator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGlide Controls:\u003c\/strong\u003e Time Knob - Adjusts the amount of time it takes to shift from one frequency to another.\u003c\/p\u003e\r\n\u003ch4\u003eMIXER\u003c\/h4\u003e\r\n\u003cp\u003e(Waveforms Output Mixer) Waveform mixer for oscillator outputs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Controls:\u003c\/strong\u003e Triangle Wave Attenuator - Adjust the level of the triangle wave sent to the TRI OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Wave Attenuator - Adjust the level of the saw \/ blade wave sent to the S\/B OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSquare Wave Attenuator - Adjust the level of the square wave sent to the SQR OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eMixer Patch Points: MIX OUT  (in waveforms section) - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eVCA\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Amplifier)\u003c\/p\u003e\r\n\u003cp\u003eHigh quality, linear voltage controlled amplifier.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Controls:\u003c\/strong\u003e CV Input Attenuator Knob - Adjusts the output level of the VCA.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Patch Points: \u003c\/strong\u003e VCA CV IN - CV input. The VCA CV IN input is internally patched to the ENV OUT output. This routing can be bypassed by patching into the VCA CV IN input jack. VCA IN - VCA signal input The VCA IN input is internally patched to the LPG OUT output. This routing can be bypassed by patching into the VCA IN input jack. VCA OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eMIX MULT\u003c\/h4\u003e\r\n\u003cp\u003e(Multifunction Utility Module)\u003c\/p\u003e\r\n\u003cp\u003e3 Channel Mixer 2 Passive Multiples\u003c\/p\u003e\r\n\u003cp\u003eThe Mix Mult is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and\/or attenuator and two sets of passive multiples.\u003c\/p\u003e\r\n\u003cp\u003eThe mixer\/attenuator section functions as a flexible, low-noise three channel mixer and\/or attenuator for audio and cv that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\u003cp\u003eThe bottom of the module contains two sets of passive multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once.\u003c\/p\u003e\r\n\u003ch4\u003eMIDI 3\u003c\/h4\u003e\r\n\u003cp\u003e(Extremely Full Featured MIDI to CV Converter)\u003c\/p\u003e\r\n\u003cp\u003eThe Midi 3 converts standard midi note messages into the analog control voltages used by modular synthesizers. This allows a modular synthesizer to be controlled by a midi keyboard, sequencer, or DAW.\u003c\/p\u003e\r\n\u003cp\u003eThe two sets of Gate (GT) outputs can be used to trigger envelope generators by providing a voltage of +5v. The Control Voltage (CV) outputs produce precisely 1volt per octave over a range of 10 octaves. Pitch bend, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, midi and external gate clock dividers, and multiple arpeggiator responses. 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The ability to reroute any signal with a push of a footswitch or by quickly repatching a cable creates an infinitely customizable sonic palate.\u003cbr\u003e\u003cbr\u003eThe Patch Box FX1 is stuffed with a complete set of our most popular effects modules, including the Analog Replicator, Filter, Crush, and LFO2. The Analog Replicator is a versatile delay that can be bright and clean or dark and dirty with an adjustable range and voltage controllable delay time, feedback, and wet\/dry mix. The Filter is a voltage controlled, analog, state variable filter offering creamy smooth lowpass, highpass, notch, and bandpass filters in addition to a chaotic self oscillation mode. Crush is an analog signal decimator. A voltage controlled bit crushing effect that breaks down an audio signal into larger and larger static chunks slowly turning any signal into noise.\u003cbr\u003e\u003cbr\u003eThe flow of the Patch Box FX1 audio path is not restricted to pedalboard layout. Effects can instantly be rerouted using the patchable footswitches and patch cables. The audio signal path can as simple or complex as needed.\u003cbr\u003e\u003cbr\u003eAccess to the control voltage signal path takes the Patch Box FX1 to a new level. Control voltages are used to automate module parameters using modulation or expression pedals. An expression pedal or the output of an LFO can be directly assigned to one or more parameters at a time creating powerful, expressive effects.\u003cbr\u003e\u003cbr\u003eThe Patch Box FX1 includes everything needed to start patching. A Patch Box enclosures, a full compliment of modules, and 12 high quality, Nazca Audio brand braided patch cables are included with each system. \u003cbr\u003e\u003cbr\u003eThe power of the FX1 does not live in the modules alone. The Patch Box enclosure is packed with the functionality of five highly tuned components integrated into the heavy duty steel enclosure.\u003cbr\u003e\u003cbr\u003eA custom designed preamp that adds everything from clean gain to sweet distortion without overdriving the modules within the Patch Box. \u003cbr\u003e\u003cbr\u003eDual, assignable expression pedal inputs allow the Patch Box to integrate 3rd party expression pedals anywhere into the signal path. This allows for realtime foot control of any voltage controllable parameter.\u003cbr\u003e\u003cbr\u003eDual, assignable A\/B footswitches expand signal routing options. 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The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean.\u003c\/p\u003e\r\n\u003cp\u003eThe Foundation 3.1+ Synthesizer is the expandable version of a classic. A standalone, fully modular synthesizer styled after the great monosynths of the past, the Foundation 3.1+ has no hardwired signal path or fixed voice architecture to restrict creativity. An all analog signal path driving massive oscillators and multiple filters pushes the Foundation 3.1+ Synthesizer to new worlds of musical creativity. An unpatched Foundation 3.1+ offers a clean slate for sonic exploration and sound design, and the open format of a modular synthesizer allows for greater control and a deeper understanding of synthesis.\u003c\/p\u003e\r\n\u003cp\u003eThe Foundation 3.1+ Synthesizer is designed to function as a standalone instrument. However, the Foundation 3.1+ is a 100% eurorack compatible modular synthesizer. 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