{"title":"Modular Synthesizers","description":null,"products":[{"product_id":"moog-music-model-15","title":"Moog Music Model 15","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73447437\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73453607\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chl\u003e\u003c\/hl\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eMoog Model 15\u003c\/strong\u003e modular synthesizer is an ultra-powerful, compact studio synthesizer designed for live performance and portability. It is housed in a rugged tolex-encased cabinet and is an ideal solution for the touring synthesist. The Model 15 design focuses on speed, creativity and simplicity while still providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer. The 907 Fixed Filter Bank section of the Model 15 is available in multiple configurations to better suit the needs of the performing musician.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eFaithfully Recreating The Model 15\u003c\/h3\u003e\r\n\u003cp\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog Model 15 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/p\u003e\r\n\u003cp\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/p\u003e\r\n\u003cp\u003eThis limited reissue of the Moog Model 15 modular synthesizer is built to order. Only 150 total units will be made and sold worldwide.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModel 15 Modules\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 907A Fixed Filter Bank\u003c\/li\u003e\r\n\u003cli\u003e2x 911 Envelope Generators\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator\u003c\/li\u003e\r\n\u003cli\u003e1x 921A Oscillator driver\u003c\/li\u003e\r\n\u003cli\u003e2x 921B Oscillators\u003c\/li\u003e\r\n\u003cli\u003e1x 923 Random Noise\/Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 995 Attenuator\u003c\/li\u003e\r\n\u003cli\u003e1x CP15 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 130 Watt 120 VAC Power Supply(230 VAC available upon request)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIncluded Cabling\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e10x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e18x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e1x  - 1.5' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWeight and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 50 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 18” wide x 25” high x 9 ½” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModules and Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifiers: \u003c\/strong\u003eThe 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e907A Fixed Filter Bank: \u003c\/strong\u003eThe 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.    \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator driver: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators: \u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e923 Random Noise\/Filter:\u003c\/strong\u003eThe White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e995 Attenuator: \u003c\/strong\u003eAttenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692581991,"sku":"43758","price":10000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_model_15_6e4de45a-fb46-4b2b-b9dd-31d78a65218b.jpg?v=1787090009"},{"product_id":"moog-music-system-55","title":"Moog Music System 55","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMoog System 55 \u003c\/strong\u003emodular synthesizer is a highly sophisticated and dynamic analog instrument comprised of 36 handcrafted modules and housed in 2 hand-finished solid walnut cabinets. This instrument provides limitless sonic potential and inspiration, while delivering the depth and dimension of sound found only in a vintage Moog modular synthesizer. The System 55 comes equipped with the coveted 960 Sequential Controller for incorporating extensive rhythmic complexity into the creative process.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFaithfully Recreating The System 55\u003c\/h3\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 55 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eThis limited reissue of the Moog System 55 modular synthesizer is built to order. Only 55 total units will be made and sold worldwide.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSystem 55 Modules\u003c\/h3\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e5x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 903A Random Signal Generator\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 904B Voltage Controlled High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e5x 911 Envelope Generators\u003c\/li\u003e\r\n\u003cli\u003e1x 911A Dual Trigger Delay\u003c\/li\u003e\r\n\u003cli\u003e1x 914 Fixed Filter Bank\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator\u003c\/li\u003e\r\n\u003cli\u003e2x 921A Oscillator Drivers\u003c\/li\u003e\r\n\u003cli\u003e6x 921B Oscillators\u003c\/li\u003e\r\n\u003cli\u003e1x 960 Sequential Controller\u003c\/li\u003e\r\n\u003cli\u003e1x 961 Interface\u003c\/li\u003e\r\n\u003cli\u003e1x 962 Sequential Switch\u003c\/li\u003e\r\n\u003cli\u003e1x 992 Control Voltage Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 993 Trigger and Envelope Voltages Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 994 Dual Multiples Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 995 Attenuator\u003c\/li\u003e\r\n\u003cli\u003e1x CP2 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e3x CP3A Console Panels\u003c\/li\u003e\r\n\u003cli\u003e1x CP8 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 350 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eIncluded Patch Cabling\u003c\/h3\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e14x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e12x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e12x - 3' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e6x  - 4' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e4x  - 5' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e3x  - 3' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eWeights and Dimensions\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eMain Cabinet\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 100 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 15 ½” high x 14” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUpper Cabinet\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 60 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 10” high x 8 ½” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eModules And Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifier: \u003c\/strong\u003eThe 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e903A Random Signal Generator: \u003c\/strong\u003eThe Random Signal Generator produces continuous bursts of random frequencies and waveshape from approximately 25Hz to 20kHz. Two types of energy distribution are provided: white noise and pink noise. The former distributes amplitude evenly throughout the indicated audio spectrum- The latter reduces the amplitude of each frequency increment proportionally to produce equal energy per octave. Pink noise, thus, sounds \"lower\" in pitch to the ear.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904B Voltage Controlled High Pass Filter: \u003c\/strong\u003eThe 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003c\/p\u003e\r\n\u003cp\u003eThe Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format via the 961 Interface.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911A Dual Trigger Delay: \u003c\/strong\u003eThe 911A Dual Trigger Delay is designed to be used with 2 or more 911 Envelope Generators. It provides one or two time delays on an input trigger voltage - bound for the activation of an envelope switch trigger. Three different modes of operation are available via coupling mode switch:\u003c\/p\u003e\r\n\u003cp\u003eOFF: Delays are activated independently through individual trigger inputs.\u003c\/p\u003e\r\n\u003cp\u003ePARALLEL: Trigger input to top 911A activates timing circuit on both simultaneously.\u003c\/p\u003e\r\n\u003cp\u003eSERIES: Trigger input to top 911A activates top timing circuit then triggers second upon activation of first.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e914 Fixed Filter Bank: \u003c\/strong\u003eSimilar in function to the Moog 907A Fixed Filter Bank, the 914 Extended Range Fixed Filter Bank is a non-voltage controlled modifier with 14 separate passband controls: high pass, low pass and 12 center frequency knobs. Each passband range has an attenuation slope of 12dB per octave above or below the center frequency indicated\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator Drivers: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators:\u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e960 Sequential Controller: \u003c\/strong\u003eThe 960 Sequential Controller has a wide variation of functions, both as an independent module and in combination with the 961Interface and 962 Sequential Switch.\u003c\/p\u003e\r\n\u003cp\u003eThe sequencer module consists of a voltage controlled clock oscillator, which drives three rows of eight steps each. Indicator lights show sequence and step position status. A separate potentiometer for each step permits up to eight different voltage settings to be selected for each row. The DC voltage output corresponds to the column of pots below the lighted stage. Voltage range switches for each row determine the DC voltage range of each pot with two volts {X1}, four volts {X2}, or eight volts{X4} maximum extents. Two parallel outputs are provided for each row. Jacks for trigger inputs and outputs appear below each column. Trigger inputs activate that stage independently of the clock oscillator trigger. Trigger outputs are available for any other V-trigger activated input. Manual trigger buttons as well,are included for each of the eight stages {found below the V-trigger jacks}. Switches found immediately below each step position permit normal, skip or stop functions. A ninth position providing skip {continuous progression through the eight steps}or stop {one progression to closure} functions is included at the end of the row. Timing control for the eight steps is accomplished via the Third Row Control of Timing switch. This switch connects the third row of the sequencer into the control input of the clock speed for each stage according to the settings on the third-row potentiometers. The Shift input admits an external clock input to the sequencing circuit. This input may be used in addition to or exclusive of the internal clock oscillator trigger. Manual shift from step to step is accomplished with the button next to the shift input jack, as well as individual manual trigger buttons for each step found under each step column.\u003c\/p\u003e\r\n\u003cp\u003eManual buttons or external v-trigger sources initiate the clock oscillator start and stop functions. The clock oscillator is capable of producing frequencies from .1Hz to 1kHz. It has both octave {range} and vernier {fine adjust} controls. One control input jack is available, as well as one rectangular wave output {approximately 90\/10% duty cycle}. The clock oscillator, like other Moog oscillators, is standardized to one volt per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e961 Interface: \u003c\/strong\u003eFour independent circuits are found on the 961 Interface: one Audio-In to V-trigger Out circuit, one S-trigger In to V-Trigger Out circuit, and two V-trigger In to S-trigger Out circuits. All interface circuits may be used simultaneously, in combination, or separately.\u003c\/p\u003e\r\n\u003cp\u003eThe Audio to V-trigger circuit generates V-triggers when the audio input level rises above the threshold set on the Sensitivity potentiometer. This V-trigger sensitivity varies with the frequency band of the audio signal and with the frequency of its amplitude peaks. V-trigger duration is commensurate with the length of time the audio signal remains above the sensitivity threshold. Two parallel V-trigger outputs are included.\u003c\/p\u003e\r\n\u003cp\u003eThe S-trigger to V-trigger circuits converts any Short-to-ground trigger input to a v-trigger output.\u003c\/p\u003e\r\n\u003cp\u003eEach V-trigger In to S-trigger Out circuit has two columns of six jacks each for input triggers and one S-trigger output. Column A of the V-trigger inputs will convert V-trigger signals to S-triggers with duration equal to the input. Column B determines S-trigger duration by the Switch-on-time knob ONLY. B Column S-triggers will block, extend or fore-shorten Column B V-trigger inputs to conform to whatever duration is indicated on the B-column potentiometer. A minimum switch-on-time of 40 milliseconds and maximum time of 4 seconds duration is available. Simultaneous inputs to both A and B columns may be made. Simultaneous inputs to two parallel jacks will result in the longer of the two trigger signals being accepted.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e962 Sequential Switch: \u003c\/strong\u003eThe 962 Sequential Switch selects between two or three signal inputs, coupling one signal to the output jack at a time. A V-trigger pulse introduced to the Shift Input initiates the sequence. The Sequential Switch will alternate between stages One and Two, disregarding stage three until a standard {tip-sleeve} phone plug is patched into Signal Input Three. A connection to Input Three will cause the Sequential Switch to alternate between the three stages {in order) when triggered. Separate V-trigger input and output jacks are provided far each of the three stages, as well as buttons for manual switching. A small light for each stage indicates its status, on {coupled to the output} or off.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e992 Control Voltage Panel: \u003c\/strong\u003eThe 992 Control Voltage Panel is used for routing up to four control voltage signals to the 904B Low Pass Filter. The fourth input on the panel contains a signal inverting attenuator circuit.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e993 Trigger and Envelope Voltages Panel: \u003c\/strong\u003eThe Trigger and Envelope Voltages Panel is a signal routing module for S-triggers coming from one or two controllers. Lighted switches labeled \"FROM 1\" and \"FROM 2\" at the top of the panel connect the controller trigger outputs (when lighted) to the 911A Dual Trigger Delay. The lower three left hand column switches route the trigger signal as follows: top switch - to left 911 with no delay, center switch - to center 911 with delay set by top 911A delay unit, bottom switch - to the right 911 with delay set by the bottom 911A. The right hand green switches connect the DC control voltages from the 911's to their respective 902 Voltage Controlled Amplifiers: Left to left, center to center, right to right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e994 Dual Multiples Panel: \u003c\/strong\u003eThe multiple is a device, which permits multiple distribution of one signal to several different places. This process is often called signal splitting. Multiples are used for many purposes; from linking two patch cords together, sending a single signal to several different modules at the same time, to doubling or trebling the amplitude of a signal by sending it X3 to a particular source.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e995 Attenuator: \u003c\/strong\u003eAttenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCP3A Console Panels:\u003c\/strong\u003eThe CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692549223,"sku":"43756","price":35000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_system_55_b0f9c943-3e3c-4168-803f-70f5c4fc2be9.jpg?v=1787090010"},{"product_id":"moog-music-system-35","title":"Moog Music System 35","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73447437\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73453607\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chl\u003e\u003c\/hl\u003e\r\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMoog System 35\u003c\/strong\u003e modular synthesizer is a well-refined 5-oscillator instrument comprised of 22 handcrafted analog modules and housed in a hand-finished solid walnut cabinet. This elegant studio solution has been faithfully recreated to be the centerpiece of inspiration and sound in the modern composition studio, and delivers all of the sonic depth and dimension found only in a vintage Moog modular synthesizer. Also available configured with an additional 960 Sequencer Complement B. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eFaithfully Recreating The System 35\u003c\/h3\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis limited reissue of the Moog System 35 modular synthesizer is built to order. Only 35 total units will be made and sold worldwide.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSystem 35 Modules\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 904B Voltage Controlled High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 907A Fixed Filter Bank:\u003c\/li\u003e\r\n\u003cli\u003e3x 911 Envelope Generators:\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator:\u003c\/li\u003e\r\n\u003cli\u003e2x 921A Oscillator drivers:\u003c\/li\u003e\r\n\u003cli\u003e4x 921B Oscillators:\u003c\/li\u003e\r\n\u003cli\u003e1x 923 Random Noise\/Filter:\u003c\/li\u003e\r\n\u003cli\u003e2x CP3A Console Panels:\u003c\/li\u003e\r\n\u003cli\u003e1x CP4A Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x CP8A Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x CP35 Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x 180 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIncluded Patch Cabling\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e10x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e8x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e8x - 3' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e4x  - 4' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 5' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 3' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWeights and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 100 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 15 ½” high x 14” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModules And Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifier\u003c\/strong\u003e: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904B Voltage Controlled High Pass Filter: \u003c\/strong\u003eThe 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003c\/p\u003e\r\n\u003cp\u003eThe Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e907A Fixed Filter Bank: \u003c\/strong\u003eThe 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator drivers: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators: \u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e923 Random Noise\/Filter: \u003c\/strong\u003eThe White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCP3A Console Panels: \u003c\/strong\u003eThe CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692647527,"sku":"43757","price":22000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_system_35_1_640358c2-fc95-4592-aed8-009254f06ab2.jpg?v=1787090009"},{"product_id":"moog-music-962-duophonic-61-note-keyboard-black-cabinet","title":"Moog Music 962 Duophonic 61 Note Keyboard - Black cabinet","description":null,"brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449693728871,"sku":"43761","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_962_duophonic_61_note_keyboard_black_1e35d7b1-abc8-4037-ac3e-c6c9ac137cbb.jpg?v=1787090015"},{"product_id":"moog-music-962-duophonic-61-note-keyboard-walnut-cabinet","title":"Moog Music 962 Duophonic 61 Note Keyboard - Walnut cabinet","description":null,"brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449693794407,"sku":"43760","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_962_duophonic_61_note_keyboard_walnut_dbe9d89e-d64c-4028-92d1-4153c715ac84.jpg?v=1787090014"},{"product_id":"sequential-dsm02-character-module","title":"Sequential DSM02 Character Module","description":"\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/185245545\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eGive Your Modular Some Character\u003c\/h3\u003e\r\n\u003cp\u003eDave Smith strikes again with a new offering for modular synthesizer users — the \u003cstrong\u003eDSM02 Character Module\u003c\/strong\u003e. It’s a sound designer’s tool kit of five unique digital effects for shaping, twisting, and mangling sound in subtle and not-so-subtle ways. These effects, Girth, Air, Decimate, Hack, and Drive form the Character section of DSI’s acclaimed Prophet 12 and Pro 2 synthesizers and contribute to their distinctive tone in a big way.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e“Girth” provides low-frequency harmonic enhancement for adding weight and density.\u003c\/li\u003e\r\n\u003cli\u003e“Air” provides high-frequency harmonic enhancement for adding definition and presence.\u003c\/li\u003e\r\n\u003cli\u003e“Decimate” performs sample rate reduction for adding lo-fi grunge.\u003c\/li\u003e\r\n\u003cli\u003e“Hack” is a bit crusher capable of trashing an otherwise clean signal nearly beyond recognition.\u003c\/li\u003e\r\n\u003cli\u003e“Drive” adds overdrive and saturation, with warmth at one end of the knob and harmonic overload at the other.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlug It and Play It\u003c\/h3\u003e\r\n\u003cp\u003eThe DSM02 is a 14 HP Eurorack-format module with interconnections made using 3.5 mm phone jacks. Two independent audio inputs and two independent audio outputs with shared control allow mono or stereo operation. A 24-bit, 96 kHz resolution digital signal path provides uncompromising signal fidelity.\u003c\/p\u003e\r\n\u003ch3\u003eInject Some Mojo into Your System\u003c\/h3\u003e\r\n\u003cp\u003eIf you’re looking to take your modular system into new sonic territory, the DSM02 may be just the ticket. 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It takes its name from a little known, one of a kind instrument used by composer Pierre Schaeffer. It is informed by the worlds of Musique Concrète where speed and direction variation were combined with creative tape splicing to pioneer new sounds, and Microsound where computers divide sound into pieces smaller then 1\/10 of a second to be manipulated like sub-atomic particles.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 20hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 70mA@ +12V, 40mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732296807,"sku":"48430","price":530.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_phonogene_23b0622a-ce80-4832-b264-1b4c50a91cde.jpg?v=1787090177"},{"product_id":"make-noise-rene","title":"Make Noise Rene","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise René\u003c\/strong\u003e is the world's only Cartesian Sequencer for music synthesizers. Named for the French philosopher and mathematician René Descartes, it uses his Cartesian coordinate system to unlock the analog step sequencer from the shackles of linearity.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 34hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 24mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 80mA@ +12V, 0mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732460647,"sku":"48432","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_rene_8334db43-5b39-4077-8a6b-7b619d87766e.jpg?v=1787090177"},{"product_id":"make-noise-rosie","title":"Make Noise Rosie","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Rosie\u003c\/strong\u003e is designed to facilitate live performance on the modular synthesizer by allowing the artist to preview and modify portions of a patch using the Auto-CUE system, while the audience is listening to a different portion of the patch as selected by the crossfader. Additionally it allows for Stereo processing of all sounds via the FX Loop. The Rosie is suitable for headphone monitoring of the modular system and interfacing the modular system to a recording environment. Internal Level Matching and Limiting w\/ overload indication makes it easy to connect the modular system in the studio or on stage.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 8hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 29mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 45mA@ +12V, 40mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732362343,"sku":"48433","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_rosie_6afa7692-b779-4c79-97fc-ba9c450e0033.jpg?v=1787090177"},{"product_id":"make-noise-rxmx","title":"Make Noise RxMx","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise RxMx\u003c\/strong\u003e is based on Grant Richter’s circuit idea for applying “cadavre exquis” (aka exquisite corpse, a technique of serial blind composition) to modular synthesis. If modulated by a Wogglebug, one will achieve modular “cadavre exquis.” If patch programmed using a sequencer such as the Pressure Points\/ BRAINS or René, modular “mélange automatique” (automatic re-mixing) could be achieved. The Level and Strike parameters are similar to those of the Optomix where Level is controlling amplitude and frequency content simultaneously and Strike triggers the LPG (Low Pass Gate) circuit by “plucking” or “pinging” the vactrol, thus allowing it to impart its magically slow response time upon the amplitude of the signal being processed.  The Channel parameter selects which of the 6 Low Pass Gate circuits is driven by the Level and Strike parameters and the Radiate parameter turns on channels adjacent to the selected channel. At maximum Radiate settings all six channels become active simultaneously. Radiate therefore allows for voltage control of the complexity of the mix ranging from 1 to 6 active sound sources, while Channel selects the focal point of the mix.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 20hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 24mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 35mA@ +12V, 30mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732427879,"sku":"48437","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_rxmx_4ff8bf43-1741-4141-8b46-439287f3fa1c.jpg?v=1787090177"},{"product_id":"make-noise-sto","title":"Make Noise STO Compact Voltage Controlled Oscillator Module","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise STO (Sub Timbral Oscillator)\u003c\/strong\u003e is a compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain. The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size: 18px; font-weight: 600;\"\u003eFEATURES:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTriangle Core with outputs for SINE, SUB and Variable SHAPE\u003c\/li\u003e\r\n\u003cli\u003eUnique Variable SHAPE circuit ripples Even and Odd harmonics for subtle timbral shifts\u003c\/li\u003e\r\n\u003cli\u003eLinear FM input with Depth control\u003c\/li\u003e\r\n\u003cli\u003eEXPOnential input for deep FM, SYNC sweeps or Transposition of sequences\u003c\/li\u003e\r\n\u003cli\u003eSUB-Oscillator yields max bass\u003c\/li\u003e\r\n\u003cli\u003eS-Gate input for gating or sync of SUB-Osc. independent of other outputs\u003c\/li\u003e\r\n\u003cli\u003eHard SYNC circuit which combined with Linear FM and Variable SHAPE yields harmonically rich sounds\u003c\/li\u003e\r\n\u003cli\u003ePairs well with the MMG or Optomix\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732395111,"sku":"48438","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-sto_48438_1_62dd3b67-2e3f-44e3-9e3b-862d3485aa2c.jpg?v=1787090178"},{"product_id":"make-noise-teleplexer","title":"Make Noise Teleplexer","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Teleplexer\u003c\/strong\u003e is a telegraph style multiplexer (signal router) that applies the fast, physically immediate techniques of telegraphy to playing the modular synthesizer. The user patches any number of control sources leaving the destination end of patch cables un-connected. Destinations are patched to the outputs of the Teleplexer. Touching the tip of any patch cable carrying a source signal to the surface of the Teleplexer creates a momentary connection. The user determines the destination(s) and polarity of signal by touching the patch cable to any one of the 14 metal plates.\u003cbr\u003e\u003cbr\u003eAs the building blocks of synthesis are a by-product of communications technologies, why not look to telegraphy for inspiration? The speed and agility telegraph operators displayed relaying life-altering messages across the world was staggering toward some form of future musical genius.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 8hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 24mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 20mA@ +12V, 20mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732493415,"sku":"48439","price":115.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_teleplexer_f5e16b9e-a54a-4981-b2ee-40b5d0001411.jpg?v=1787090178"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/instruments-modular-synthesizers.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}