{"title":"Delay Pedals","description":null,"products":[{"product_id":"eventide-timefactor","title":"Eventide TimeFactor Delay Processor","description":"\u003cp\u003e\u003cstrong\u003eStudio Quality Effects at Your Feet \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eTop recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the last 39 years without compromising quality OR flexibility.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFlexibility Built-In \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePlug-and-play expression pedal control of wet\/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eObsolescence is so 20th Century \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eEasy to upgrade; download new software from the Internet and install via USB.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e10 Stereo or Mono Delay effects\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDigital Delay \u003c\/li\u003e\r\n\u003cli\u003eVintage Delay \u003c\/li\u003e\r\n\u003cli\u003eTape Echo \u003c\/li\u003e\r\n\u003cli\u003eMod Delay \u003c\/li\u003e\r\n\u003cli\u003eDucked Delay \u003c\/li\u003e\r\n\u003cli\u003eBand Delay \u003c\/li\u003e\r\n\u003cli\u003eFilter Pong \u003c\/li\u003e\r\n\u003cli\u003eMultiTap \u003c\/li\u003e\r\n\u003cli\u003eReverse\u003c\/li\u003e\r\n\u003cli\u003e Looper \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449416970343,"sku":"15408","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_timefactor_top_8685760c-92d6-4763-af72-e64f889821b0.jpg?v=1787088910"},{"product_id":"jhs-pedals-panther-analog-delay","title":"JHS Pedals Panther Analog Delay","description":"\u003cp\u003eTrue Bucket Brigade delay that has the tone and options to cover any style, any use and any player. The Panther Delay is JHS Pedals most anticipated  pedal to date with it’s groundbreaker feature set including “tap tempo  control” that lives within one “full second of delay time”. The  foot-switchable “effects loop” allows you to place any effect or effects  that you want on the repeats only. Another option is the four section  “ratio control” to give you quarter, dotted eighth, eighth and triplet  divisions. The built in “modulation” gives you shimmery Deluxe Memory  Man type vibe and can work with tap enabled. The \u003cstrong\u003eJHS Pedals Panther\u003c\/strong\u003e is the first to  do this! The “chirp switch” gives you two flavors of analog: one is  bright and chirpy like the vintage Boss DM-2 or Way Huge AP-1 while the  other is darker and more in the background. As the user you have the  ability to program an “expression control” to your favorite knob to use  on the fly with no bending down required! The “Tap IN\/OUT” jack lets you  remotely tap in a tempo or slave another tap device for amazing live  flexibility. All this and more is powered by a standard 9v supply, not a  crazy hard to power voltage.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44449512423527,"sku":"32253","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jhs_panther_top_9521dfd7-920b-4078-a18b-bb298c47bda9.jpg?v=1787089268"},{"product_id":"strymon-brigadier-dbucket-delay-pedal","title":"Strymon Brigadier dBucket Delay Pedal","description":"\u003cp\u003eIn setting out to design Brigadier, Strymon decided to take a super-powerful SHARC DSP and dedicate all of it’s horsepower to doing one thing and one thing only—delivering the best analog bucket brigade sound ever. They've utilized every last drop of DSP power, allowing Brigadier to deliver every minute detail and nuance that makes an analog delay special. Strymon's hand crafted, processor-intense dBucket algorithm delivers all of the sonic complexities of analog bucket delays. No stone has been left unturned.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eStrymon Brigadier\u003c\/strong\u003e gives you all of the tone and none of the noise of regular old bucket brigade chips, unless of course you choose to add it back with Strymon's exclusive Bucket Loss control! Go from warm and clean repeats all the way to noisy, saturated delays. Couple that with dedicated modulation and filter controls, tap tempo, and assignable expression pedal input, and you have yourself a versatile delay powerhouse.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449513603175,"sku":"31366","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon_brigadier_back_angle_019b954b-fc98-4f6d-9fa3-79c5d39614f2.jpg?v=1787089270"},{"product_id":"strymon-el-capistan-dtape-echo-pedal","title":"Strymon El Capistan dTape Echo Pedal","description":"\u003cp\u003eWhen Strymon decided to develop an effects pedal that delivers the sound and feel of their favorite tape echo machines, they knew they must relentlessly study and faithfully recreate every last nuance. They spent months in the Strymon sound design labs with an intense focus on capturing the warm, saturated, distinctive qualities of tape echo machines. The result is the hand crafted Strymon dTape technology. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eStrymon El Capistan\u003c\/strong\u003e provides three different tape machine types in one, each with three unique modes. With ten parameters to tweak, you get extensive control over tape quality, machine health and tone shaping. Go from the sound of a pristine, studio-quality tape machine to the heavily fluctuating sound of a machine in need of service. Get the full bodied sound of fresh tape all the way to the gnarled qualities of worn out tape. Because it's DSP driven, you get a range of tape experiences unattainable with a traditional tape machine. All of this without the headaches of tape machine maintenance and repair!\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449513635943,"sku":"31367","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon_el_capistan_angle_132cf43a-a914-4f6d-8524-fd8ea1d9db91.jpg?v=1787089270"},{"product_id":"strymon-timeline-pedal","title":"Strymon Timeline Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eStrymon Timeline Pedal\u003c\/strong\u003e provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss. Features include Presets, Expression Pedal Control, Stereo Looper, Feedback Loop, and MIDI Integration.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eEXPLORE YOUR CREATIVITY\u003c\/h3\u003e\r\n\u003cp\u003eStrymon delivers the next level in sound quality, sonic flexibility, hardware design, and processing power. They spent months locked up in the Strymon sound design labs with an intense focus on dreaming up the most spacious, lush, creative, and tweak-able delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. Each algorithm is so detailed it requires the entire processor.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449513898087,"sku":"31363","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon-timeline-23_31363_1_4e4eb44b-3359-43d3-a0fb-7bb0585eb968.jpg?v=1787089271"},{"product_id":"lotus-pedals-yellow-delay-pedal","title":"Lotus Pedals Yellow Delay Pedal","description":"\u003cp\u003ePhysical proof that analog and digital are not mutually exclusive concepts in the boutique pedal world, Lotus’s \u003cstrong\u003eYellow Delay\u003c\/strong\u003e cleverly combines both technologies for one fantastic delay pedal.\u003c\/p\u003e\n\u003cp\u003eBy using analog gain and filter stages, the Yellow Delay Pedal recreates the natural decay and super-warm tones of classic analog and tape delays. With delay times ranging from 10ms to 580ms, repeats start clean and get progressively colored with a tape echo treble roll-off as they fade out—a great Echoplex substitute. We love the way guitar through the Yellow Delay sits beautifully in a mix. The repeats are nice and soft with darker overtones without the muddiness and noise that can be a drag with vintage bucket-brigade analog delay circuits.\u003c\/p\u003e\n\u003cp\u003eEffects range from Cliff Gallup-like rockabilly slapback to spacey Hawkwind mindwarps, and the Yellow Delay’s thoughtful circuit design allows you to quickly dial in the delay sounds you seek before inspiration fades. This could very well be your go-to pedal for classic organic-sounding delay.\u003c\/p\u003e","brand":"Lotus Pedals","offers":[{"title":"Default Title","offer_id":44449514225767,"sku":"31337","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lotus_yellow_delay_front_438538c9-f92e-4038-983c-7d1376596f54.jpg?v=1787089273"},{"product_id":"caroline-guitar-company-kilobyte","title":"Caroline Guitar Company Kilobyte","description":"We’ve always wanted a truly macho delay pedal. One with manly delay repeats instead of the milquetoast whispers many manufacturers have called \"echo.\" Caroline must have heard our prayers to the pedal goddesses and upped the ante by dropping \u003cstrong\u003eKilobyte\u003c\/strong\u003e, a truly inspirational delay with repeats up to 21 dB louder than the dry source signal. This sonic miracle is achieved by utilizing an analog overdrive\/boost circuit feeding the digital echo path to make the echoes REALLY loud and clear, gritty and distorted, or ghostly and warm. Think all this electronic jiggery-pokery kills your dry tone? Turn the delay mix\/level knob down and you'll hear how honestly your original signal has been preserved.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe PT-2399 delay chip is an interesting choice.  Recommended for crappy Karaoke machines and kids toys, its horrible fidelity is surpassed only by its ability to distort. Caroline’s circuit exploits this perceived shortcoming by buffering the input signal and boosting the effect over said input signal. However, they didn’t stop molesting the innocent PT-2399 there. They pushed the delay time from the recommended max of 325ms to over 500ms, which doesn’t exactly let the chip relax. Which for all practical matters is a great sounding basis to build a gorgeously true bypass Lo-Fi delay pedal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJack DeVille, a designer out of Portland, Oregon, worked on the Mod control to give Kilobyte a touch of pitch shifting vibrato on the echo repeats for a hint of Magnatone warble. Also, to add a pinch of self-oscillating crazy-fun, a momentary switch sends the pedal into infinite feedback with additional high-pass filtering that slices through the mix like a plastic surgeon with a meth problem.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe chose Kilobyte because it’s just so damn cool! Who wouldn’t want a delay that boosts and distorts its echoes while keeping the original signal relatively pristine? We could see Kilobyte revolutionizing the Rockabilly\/Psychobilly scene more than the discovery of a shipping container full of NOS pomade. The range of sounds are staggering— from Zombie Cliff Gallup scary to the clipped blues Dobro echoes of Chris Whitley’s Living With the Law, with a good dose of the Cocteau Twins’ Heaven Or Las Vegas ethereal shoe-gazing echo hipness for good measure.\u003c\/p\u003e","brand":"Caroline Guitar Co","offers":[{"title":"Default Title","offer_id":44449516847207,"sku":"31436","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/caroline_kilobyte_top_47e19ac8-33be-4735-b8a4-c65bffaad87a.jpg?v=1787089282"},{"product_id":"abovegroundfx-rebote-delay-pedal","title":"AboveGroundFX Rebote Delay Pedal","description":"\u003cp\u003eDelay pedal sounds are defined by the technology behind them—warm analog delays, sterile digital delays or tape echoes with warmth and wobbliness. In the boutique pedal universe, users are accustomed to seeing anachronistic technology like discreet germanium transistors brought back from the dead because, well, if the tone you want is a geranium fuzz, nothing really does it like the real thing. As the old Bulgarian proverb says,  “If you wish to drown, why torture yourself with shallow water?”\u003c\/p\u003e\r\n\u003cp\u003eThat’s why the hip players cling to analog delays and crusty tape echoes. With digital delays, the repeated notes are exact copies of the original, whereas bucket-brigade analog is forced to use stronger noise filtering on the repeats causing high frequency content loss on each repeat. Whilst technically abhorrent, this creates the warm sound players dig. Tape echoes are even freakier in the way they mutate repeats by introducing analog distortion and pitch shift plus a key musical artifact—each repeat is increasingly lower fidelity than the previous, making the repeats distinct among themselves as well.\u003c\/p\u003e\r\n\u003cp\u003eSince this whole boutique thing is supposed to be about thinking outside the box, Peña figured he could use a PT-2399 delay chip to do the signal delay in an efficient fashion, without the noise, power consumption and expense of hard to acquire analog chips.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eRebote Delay\u003c\/strong\u003e circuit takes the dry signal to the output maintaining signal bandwidth integrity, then each repeat is filtered with analog circuitry that resembles tape technology. When pushing the limits of Rebote’s delay time, the quality of the repeats degrades allowing distinct tone between the dry signal and the repeats. The results are responsive rhythmic echoes that sound musical and decay naturally, from slap back echo to 560ms of delay.\u003c\/p\u003e\r\n\u003cp\u003eThe results speak for themselves. Rebote Delay pumps out gobs of deliciously warm echoes that go straight to whatever part of our animal brain that goes goofy over good delay sound. The Rebote Delay’s tones have some sort of psycho acoustic effect that we find hard to describe with mere words. Its repeats have a soothing yet weird underwater quality that is more pleasantly drifting than panic drowning. Rebote Delay is fantastic for any style of playing where delay is integral to the tone—from Rockabilly to spacey epic Pink Floyd style solos.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44449516978279,"sku":"31445","price":71.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_rebote_delay_front_1a5318f9-55f5-4ac9-8f25-189c8ae42ffb.jpg?v=1787089283"},{"product_id":"catalinbread-echorec-multi-tap-echo-pedal","title":"Catalinbread Echorec Multi-Tap Echo Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eCatalinbread Echorec\u003c\/strong\u003e has been in the making for several years, and is finally ready to be released. This multi-tap delay is based around the legendary Binson Echorec, an arcane tube echo which incorporated four playback heads and a spinning magnetic drum as its recording medium. The Binson is probably most famously known for Pink Floyd's use of the unit, and has long captivated musicians for both its rhythmic and ambient characteristics.\u003c\/p\u003e\n\u003cp\u003eThe Catalinbread Echorec has 12 programs which allow for all combinations of the 4 delay heads (something the original was never capable of). The original also has a fixed speed, and thus a fixed delay time, while the Catalinbread Echorec can go from 40ms to 1000ms. The repeats give you the ability for a single repeat or can go into spaceship feedback. The tone control is very useful, able to be tonally flat, dark and resonant on one side, or bright and bubbly on the other. The mix allows for 100% wet or dry signal. Inside the pedal you have the ability to run in true bypass or trails mode, as well as a trimmer for gain and modulation.\u003c\/p\u003e\n\u003cp\u003eNot only is the Catalinbread Echorec extremely versatile in its controls, the audio path was designed to be big, lush, and even more dynamic in its feel than the original. We've always designed pedals with this thought in mind, and continue to make effects that are extensions of your instrument rather than mere boxes at your feet.\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":44449517371495,"sku":"31460","price":229.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/catalinbread_echorec_top_438457d0-6fde-4cbb-be8c-ba3c428a06ee.jpg?v=1787089284"},{"product_id":"mxr-carbon-copy","title":"MXR Carbon Copy","description":"\u003cp\u003eGo from crisp \"bathroom\" slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePower: Dunlop ECB003 AC Adapter or Single 9 volt battery\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":44449528053863,"sku":"31901","price":149.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mxr_carboncopy_top_588a2738-0dc3-4b55-bf42-74765de57c4e.jpg?v=1787089325"},{"product_id":"crazy-tube-circuits-time","title":"Crazy Tube Circuits Time Delay","description":"With separate analog and digital paths to get the best of both worlds, the \u003cstrong\u003eCrazy Tube Circuits Time\u003c\/strong\u003e delay-echo will warm up your tone. An all analog signal path, featuring a Burr Brown opamp and high quality passive components, is used for the best reproduction of your dry signal. \u003cbr\u003e\u003cbr\u003e Two digital recording devices, along with analog filtering, placed in parallel with the dry analog path give you the most ambient echo unit you have ever heard. You can make it sound as lo-fi as you like. The “mood” knob is there to control the presence of your cascading repeats.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrazy Tube Circuits Users Include:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlex Skolnick, Testament\u003c\/li\u003e\n\u003cli\u003eBilly Gibbons, ZZ Top\u003c\/li\u003e\n\u003cli\u003eBrad Whitford, Aerosmith\u003c\/li\u003e\n\u003cli\u003eJames Valentine, Maroon 5\u003c\/li\u003e\n\u003cli\u003eDweezil Zappa\u003c\/li\u003e\n\u003cli\u003eJim Campilongo\u003c\/li\u003e\n\u003cli\u003eNels Cline, Wilco\u003c\/li\u003e\n\u003cli\u003eBill Frisell\u003c\/li\u003e\n\u003cli\u003eDavid Hidalgo, Los Lobos\u003c\/li\u003e\n\u003cli\u003eHenry Kaiser\u003c\/li\u003e\n\u003cli\u003eBrett Kingman\u003c\/li\u003e\n\u003cli\u003eChristos Thivaios\u003c\/li\u003e\n\u003cli\u003eNikos Portokaloglou\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Crazy Tube Circuits","offers":[{"title":"Default Title","offer_id":44449528479847,"sku":"31416","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/crazy_tube_circuits_time_afc7d9a3-98b7-4eb2-8019-5eee9043f8f4.jpg?v=1787089326"},{"product_id":"caroline-guitar-company-kilobyte-pedal","title":"Caroline Guitar Company Kilobyte Pedal - Kingston Gray","description":"We’ve always wanted a truly macho delay pedal. One with manly delay repeats instead of the milquetoast whispers many manufacturers have called \"echo.\" Caroline must have heard our prayers to the pedal goddesses and upped the ante by dropping \u003cstrong\u003eKilobyte\u003c\/strong\u003e, a truly inspirational delay with repeats up to 21 dB louder than the dry source signal. This sonic miracle is achieved by utilizing an analog overdrive\/boost circuit feeding the digital echo path to make the echoes REALLY loud and clear, gritty and distorted, or ghostly and warm. Think all this electronic jiggery-pokery kills your dry tone? Turn the delay mix\/level knob down and you'll hear how honestly your original signal has been preserved.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe PT-2399 delay chip is an interesting choice.  Recommended for crappy Karaoke machines and kids toys, its horrible fidelity is surpassed only by its ability to distort. Caroline’s circuit exploits this perceived shortcoming by buffering the input signal and boosting the effect over said input signal. However, they didn’t stop molesting the innocent PT-2399 there. They pushed the delay time from the recommended max of 325ms to over 500ms, which doesn’t exactly let the chip relax. Which for all practical matters is a great sounding basis to build a gorgeously true bypass Lo-Fi delay pedal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJack DeVille, a designer out of Portland, Oregon, worked on the Mod control to give Kilobyte a touch of pitch shifting vibrato on the echo repeats for a hint of Magnatone warble. Also, to add a pinch of self-oscillating crazy-fun, a momentary switch sends the pedal into infinite feedback with additional high-pass filtering that slices through the mix like a plastic surgeon with a meth problem.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe chose Kilobyte because it’s just so damn cool! Who wouldn’t want a delay that boosts and distorts its echoes while keeping the original signal relatively pristine? We could see Kilobyte revolutionizing the Rockabilly\/Psychobilly scene more than the discovery of a shipping container full of NOS pomade. The range of sounds are staggering— from Zombie Cliff Gallup scary to the clipped blues Dobro echoes of Chris Whitley’s Living With the Law, with a good dose of the Cocteau Twins’ Heaven Or Las Vegas ethereal shoe-gazing echo hipness for good measure.\u003c\/p\u003e","brand":"Caroline Guitar Co","offers":[{"title":"Default Title","offer_id":44449543782503,"sku":"33007","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/caroline_kilobyte_grey_front_1_1_492db1c8-9e4b-4c7b-a9f8-829f37fee990.jpg?v=1787089391"},{"product_id":"caroline-guitar-company-kilobyte-pedal-powder-blue","title":"Caroline Guitar Company Kilobyte Pedal - Powder Blue","description":"We’ve always wanted a truly macho delay pedal. One with manly delay repeats instead of the milquetoast whispers many manufacturers have called \"echo.\" Caroline must have heard our prayers to the pedal goddesses and upped the ante by dropping \u003cstrong\u003eKilobyte\u003c\/strong\u003e, a truly inspirational delay with repeats up to 21 dB louder than the dry source signal. This sonic miracle is achieved by utilizing an analog overdrive\/boost circuit feeding the digital echo path to make the echoes REALLY loud and clear, gritty and distorted, or ghostly and warm. Think all this electronic jiggery-pokery kills your dry tone? Turn the delay mix\/level knob down and you'll hear how honestly your original signal has been preserved.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe PT-2399 delay chip is an interesting choice.  Recommended for crappy Karaoke machines and kids toys, its horrible fidelity is surpassed only by its ability to distort. Caroline’s circuit exploits this perceived shortcoming by buffering the input signal and boosting the effect over said input signal. However, they didn’t stop molesting the innocent PT-2399 there. They pushed the delay time from the recommended max of 325ms to over 500ms, which doesn’t exactly let the chip relax. Which for all practical matters is a great sounding basis to build a gorgeously true bypass Lo-Fi delay pedal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJack DeVille, a designer out of Portland, Oregon, worked on the Mod control to give Kilobyte a touch of pitch shifting vibrato on the echo repeats for a hint of Magnatone warble. Also, to add a pinch of self-oscillating crazy-fun, a momentary switch sends the pedal into infinite feedback with additional high-pass filtering that slices through the mix like a plastic surgeon with a meth problem.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe chose Kilobyte because it’s just so damn cool! Who wouldn’t want a delay that boosts and distorts its echoes while keeping the original signal relatively pristine? We could see Kilobyte revolutionizing the Rockabilly\/Psychobilly scene more than the discovery of a shipping container full of NOS pomade. The range of sounds are staggering— from Zombie Cliff Gallup scary to the clipped blues Dobro echoes of Chris Whitley’s Living With the Law, with a good dose of the Cocteau Twins’ Heaven Or Las Vegas ethereal shoe-gazing echo hipness for good measure.\u003c\/p\u003e","brand":"Caroline Guitar Co","offers":[{"title":"Default Title","offer_id":44449543815271,"sku":"33008","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/caroline_kilobyte_blue_front_1_1077fdc5-4adb-407b-96c8-fffe91759995.jpg?v=1787089391"},{"product_id":"moog-mf-104m-moogerfooger-analog-delay","title":"Moog MF-104M Moogerfooger Analog Delay","description":"\u003cp\u003eThe \u003cstrong\u003eMoog MF-104M Moogerfooger Analog Delay\u003c\/strong\u003e is a limited reissue of the class MF-104 delay, featuring the same sought-after bucket brigade analog sound with added functionality! Originally designed by Bob Moog, the classic MF-104 analog delay became one of the most sought after delays on the planet.  There were only 1000 units available worldwide due to the limited availability of its signature “Bucket Brigade” chip which kept the delay 100% analog. Since the classic MF-104 has been off the market there has been two reissues which included the MF-104Z and MF-104SD, both delays added some extra features to the classic delay but also sold out quickly due to the limited availability of the bucket brigade chips.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe MF-104M utilizes the same vintage “bucket brigade” delay chips used in the older models and also includes some of the expanded features of the reissued pedals. The Spillover delay mode is now part of the MF-104M which allows the delay trails to end or continue when you disengage the delay.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect between short and long delay time to get up to 800ms of pure analog delay, adjustable through the TIME control. Dial in the number of repeats through the FEEDBACK control in the delay section, and listen as the delay trails modulate slightly with each repeat.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdd a bit of gain and bite to the delay trails with the DRIVE control. Use subtly for a warm and creamy delay, or full tilt for expansive oversaturated trails.\u003c\/p\u003e\r\n\r\n\u003cp\u003eControl the blend between the wet and dry signal with the MIX control, then set the ideal signal level to your amp, modular synth or recording interface with the OUTPUT LEVEL control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExpand the sonic quality and depth of the delay trails with the six selectable LFOs. Choose between sine wave, triangle, square, sawtooth, reverse sawtooth and a randomized step feature. Change the speed of the LFOs response to the input signal with the RATE control, then dial in the perfect blend using the AMOUNT dial. Unlike most 100% analog delays, the MF-104M has the ability for tap tempo to easily sync the delays and LFO rate to the BPM of a song or quickly adjust to time changes in a live setting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe addition of MIDI can be used to control and manipulate every function of the MF-104M, a perfect way to incorporate analog delay into your studio productions or have perfectly locked delay trails while playing to backing tracks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eManipulate time, rate, feedback, amount and mix by adding a Moog EP2 expression pedal to the rear panel CV\/Expression inputs. 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When the effect is off the Bypass LED is red\u003c\/li\u003e\r\n\u003cli\u003eRATE LED: Indicates both the Rate and Waveform LFO settings. The LED is Red when the Rate is set from the front panel, Green when set by Tap Tempo, and Orange when the LFO is synced to MIDI clock. 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It was designed as an anti-modern delay for those who appreciate a nice tape echo with all it’s peculiarities. It’s unique tone control doubles as a noise filter on longer delay settings and really helps the delay shine with a dirty signal. The mix control allows you to boost the effected signal to nearly 4x the original signal level and the modulation can go from subtle pitch shifting warble to ultra fast tremolo speeds while the LED visually shows the rate.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMix- \u003c\/strong\u003eSets the output level of the effected signal. This should be treated as a gain control\/ master volume for the delay line. Unity is around noon and everything above noon will boost the delayed signal louder than the original. This is a gain control so, like any pedal with a lot of gain, a hint of noise and distortion at max setting is completely normal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone-\u003c\/strong\u003e Most delay pedals are heavily filtered at the output to remove the clock noise and other unwanted hash that is common from extending the range of the delay time beyond the limit of the circuitry. This usually leaves the delay sounding dark, muddy and disappear when hitting it with dirt. The Disaster Transport has done away with a lot of the heavy filtering and replaced it with a tone control which allows the user to choose their desired sound and results in more natural tape-like repeats. The tone control is at it’s darkest fully counter clockwise and brightens as you turn it clockwise. A good rule of thumb is to leave the tone control between off (fully counter clockwise) and noon at longer delay times. 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Loved for both it’s small size and lush sound, the Dispatch Master is capable of producing nearly 2 seconds of delay time with near-infinite repeats and a cavernous reverb. The delay signal is clear and strong with no after effects or signal degradation and the repeats decay into a nice ambient swell with no oscillation. The reverb is MASSIVE and is sure to please those who love our Ghost Echo but want more modern depth and less artifacts. Both effects can be run separately or in unison. When using the reverb with no delay, the repeats control can be used to thicken up the reverb and give it more dimension. 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It was designed from the ground up to create an intense wash of lo-fi swirling tape styled echo. While it may look intimidating at first glance, it’s actually pretty easy to navigate. The top row of controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately, in parallel, in series or in series\/parallel. To take it one step further, there are also expression controls for the repeats on delay A as well as bleeding delay A into delay B. The switching was designed so each delay can be used individually or in tandem with both true bypass or trails.\u003c\/p\u003e\n\u003cp\u003eIn addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay and old school tape-style echo, the Disaster Transport SR can also be used to create a wide variety of wild sounds ranging from warped records, clanging flange, smooth chorus, echoed out squalls and various other-worldly effects that will blow your mind, man. If you are a fan of old school tape delay and crazy lo-fi sounds, you will get hours of enjoyment every time you plug into the Disaster Transport Sr.\u003c\/p\u003e\n\u003cp\u003eHand made one at a time in sunny Akron, Ohio USA.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44449574682727,"sku":"35055","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthquaker_disaster_delay_sr_top_1b46693d-f69f-4178-a9ab-50e686c8ec3a.jpg?v=1787089524"},{"product_id":"jhs-pedals-panther-cub-v1","title":"JHS Pedals Panther Cub - V1","description":"\u003cp\u003eIn 2011 JHS Pedals released the Panther Analog Delay.  Almost exactly two years later they tried a nearly impossible feat - taking everything they loved about the Panther Delay, making a few improvements, and packaging it into a enclosure half the size.  The result is the \u003cstrong\u003eJHS Pedals Panther Cub\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe Panther Cub Delay is a true bucket brigade delay that has the tone and options to cover any style, any use, and any player. The Panther Cub Delay is JHS's most anticipated pedal to date due to its groundbreaker feature set including “tap tempo control” that lives within an all analog 1000 milliseconds of delay time!  The “effects loop” allows you to place any effect or effects chain on the repeats only. They kept the four section “Ratio Control” to give you quarter, dotted eighth, eighth, and triplet divisions. The built in “Modulation” gives you a shimmery Deluxe Memory Man type vibe and works perfectly even with tap in use. 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An all analog signal path, featuring a Burr Brown opamp and high quality passive components, is used for the best reproduction of your dry signal. \u003cbr\u003e\u003cbr\u003e Two digital recording devices, along with analog filtering, placed in parallel with the dry analog path give you the most ambient echo unit you have ever heard. You can make it sound as lo-fi as you like. 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The power supply, bias, and rail generating circuitry have all been improved for greater sound quality and reduced microphonics, and an Emphasis\/De-Emphasis circuit has been added for reduced noise. Additionally, the delay-loop level matching circuitry from the 500 Series analog delay has been included for maximized feedback and mix stability.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe MF-104M Super Delay includes all of the features found in the MF-104M analog delay, including MIDI control of every feature on and under the hood, a 6 Waveshape LFO, tap tempo of delay time and LFO rate, spillover mode, and the traditional short\/long delay switch for bright, articulate 50ms-600ms trails, and dark, mysterious 100ms-1200ms trails.\u003cbr\u003e \u003cbr\u003e Like all Moogerfoogers, the MF-104M Super Delay is housed in a rugged steel chassis with wood sides and utilizes CV\/Expression inputs for external control of Time, Rate, Feedback, Amount, and Mix parameters. A delay feedback Insert is also available for adding external effects to the delay line.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCase: Black panel with hardwood sides - classic analog appearance.\u003c\/li\u003e\n\u003cli\u003eDimensions: 9\" x 6\" x 2-1\/2\"\u003c\/li\u003e\n\u003cli\u003eWeight: 3 lbs\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 105-125AC, 5W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDrive: From -7dB to +28dB of input signal gain or attenuation \u003c\/li\u003e\n\u003cli\u003eOutput Level: Use to optimize overall output volume\u003c\/li\u003e\n\u003cli\u003eMix: Cross fader control to set the ratio of wet to dry signal\u003c\/li\u003e\n\u003cli\u003eTime: Control range of 60ms – 1200ms of analog delay time\u003c\/li\u003e\n\u003cli\u003eShort\/Long Range: Select between a short, bright delay 50ms to 600ms and a long, dark delay 100ms to 1200ms\u003c\/li\u003e\n\u003cli\u003eFeedback: Continuous control of delay line output fed back to delay input from no feedback to infinite\u003c\/li\u003e\n\u003cli\u003eWaveshape: Selectable 6 waveshape LFO for modulating the delay time\u003c\/li\u003e\n\u003cli\u003eRate: Controls the LFO rate from 0.05 Hz to 50 Hz (wider range available via CV and MIDI)\u003c\/li\u003e\n\u003cli\u003eAmount: Controls the overall amount of LFO modulation of the delay time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEDs and Switches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTime LED: The LED is red when controlled by the Time knob and Green when controlled by Tap Tempo\u003c\/li\u003e\n\u003cli\u003eLevel LED: Bi-Color LED displays input signal for optimum processing level\u003c\/li\u003e\n\u003cli\u003eBypass LED:      \n\u003cul\u003e\n\u003cli\u003eWhen the effect is on the Bypass LED is green\u003c\/li\u003e\n\u003cli\u003eWhen in Spillover mode the Bypass LED is orange\u003c\/li\u003e\n\u003cli\u003eWhen the effect is off the Bypass LED is red\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRate LED* (indicates both the Rate and Waveform LFO settings):     \n\u003cul\u003e\n\u003cli\u003eRed when the Rate is set from the front panel\u003c\/li\u003e\n\u003cli\u003eGreen when set by Tap Tempo\u003c\/li\u003e\n\u003cli\u003eOrange when the LFO is synced to MIDI clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTap Tempo: Tap Tempo control assignable to Delay Time or LFO Rate by holding down the switch  \n\u003cul\u003e\n\u003cli\u003eTime LED or Rate LED will flash Green to indicate Tap Tempo assignment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpillover Mode: Press and hold Bypass to engage\/disengage Spillover Mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e*\u003cem\u003eNote:\u003c\/em\u003e When synced to MIDI clock, the Rate control is quantized to select only rhythmic subdivisions of the MIDI clock tempo\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRear Panel Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio In: 1\/4” TS jack that accepts any instrument level to line level audio signal\u003c\/li\u003e\n\u003cli\u003eMix Out: 1\/4” TS jack with adjustable output level for instrument or line level output\u003c\/li\u003e\n\u003cli\u003eDelay Out: 1\/4” TS jack that supplies wet-only output\u003c\/li\u003e\n\u003cli\u003eFeedback, Time, LFO Rate, MIX, LFO Amount: All are 1\/4” TRS jacks that accept Moog EP-3 (or equivalent) expression pedals, or 0-5VDC control voltages from either two-circuit (TS) or three-circuit (TRS) 1\/4” jacks\u003c\/li\u003e\n\u003cli\u003eFeedback Insert: 1\/4” TRS jack for inserting effects on the feedback loop of the delay line; supplies line-level output\u003c\/li\u003e\n\u003cli\u003eMIDI In: 5 Pin DIN input for controlling the MF-104M via MIDI\u003c\/li\u003e\n\u003cli\u003e+9VDC Power Jack: Accepts standard 9 volt center positive barrel power adaptor (power adaptor included)     \n\u003cul\u003e\n\u003cli\u003e400mA minimum required\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e“In 2005, we released the MF-104SD, of which only 250 units were ever produced. 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They share almost identical input and output circuit topologies, including the passive unbuffered mixer circuit of the EP-3. However, we tuned it to have a lower output impedance than the EP-3 to not load down the output as much while still retaining the open non-buffered output interface. A buffer does just what the name implies - it isolates one circuit from the next and can create a “disconnected” feeling that is subtle but a player who relies on touch-sensitive dynamics in his rig will appreciate the difference of not having the buffer. Having said that, the Belle Epoch will perform great in almost any pedal stacking situation. But for the most authentic Echoplex-like experience, we recommend that you run it before any foundation overdrive type pedals and after fuzzes, treble boosters, and the like. For the most awesome experience, try playing it right in line before your cranked up tube amp.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe MIX control replicates the functionality of the Echo Volume control on the EP-3 and uses the same basic passive mixer circuit. Set at minimum to get dry only. Set at maximum to get wet only.\u003c\/li\u003e\r\n\u003cli\u003eThe TONE \/ REC LEV control sets how hard the “tape” or delay line is hit. It does not affect your dry signal and only affects the initial first repeat. Turning the knob while repeats are playing will not affect them. In practice, you’ll want to use this control in conjunction with the Mix control to set your balance\u003c\/li\u003e\r\n\u003cli\u003eThe SWAY \/ MOD control sets the amount of random tape wow and flutter effects in the echoes. At minimum, there is no wow and flutter. For the most realistic tape warble, set this control fairly low.\u003c\/li\u003e\r\n\u003cli\u003eThe ECHO SUSTAIN controls how much delay signal is fed back to the delay line to get multiple repeats. From minimum up to around noon you’ll get a fixed number of repeats with a great decay curve. Above noon you start to get into infinite floating repeats and then into self-oscillation.\u003c\/li\u003e\r\n\u003cli\u003eThe ECHO DELAY controls the delay time, from about 80ms all the way up to 800ms. It was designed to be manipulated in real-time, as you are playing, to get the same sounds as an EP-3. You’ll notice, especially when the Echo Sustain is turned up a bit, that the echo sound “lags” a bit, much like how the Echoplex behaves when you move the slider back and forth.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":44449644150887,"sku":"37060","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/catalinbread_belle_epoch_1_d631a5d2-1f4b-41aa-97d0-57d5b96c4ea8.jpg?v=1787089810"},{"product_id":"tc-electronic-flashback-mini-delay","title":"TC Electronic Flashback Mini Delay","description":"\u003cp\u003e\u003cspan\u003eTC Electronics has taken all that you know and love about their delay sounds and poured it into a footprint too good to be true. There's more magic per square inch in the \u003cstrong\u003eTC Electronics Flashback Mini Delay\u003c\/strong\u003e than you'd find in a Smurf. The industry standard, most revered TC Electronic delay tones, plus TonePrint - the greatest innovation to guitar since guitar strings! \u003c\/span\u003eThis means you get the revered TC sound multiplied to infinity with rockstar customized versions of the best delays TC has to offer - free of charge.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/33667005\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn added benefit of TonePrint is that TC Electronic was able to cram tons of delay types into this little miracle. From tape, analog, the classic 2290 sound and dynamic delay, it's all here in spades!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eWord on the Street:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"It really is a case of the sky being the limit, if you can imagine it, you can probably create it here. if that wasn't enough you can also assign any three parameters you like to the knobs, so if you don't want a delay time knob, you could assign that knob to control modulation on the delay for example. Clever stuff!\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevi Clay - Guitar Interactive Magazine, Issue 26\u003c\/strong\u003e\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449645985895,"sku":"40018","price":119.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc_mini_flashback_front_6816867d-8c88-4fbf-809b-9f002fff8208.jpg?v=1787089818"},{"product_id":"malekko-ekko-616-mkii-dark-delay","title":"Malekko Ekko 616 MKII Dark Delay","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko Ekko 616 MKII Dark\u003c\/strong\u003e will add a muted, brooding, syrupy nastiness under your clean sound in a glorious mass of rich delay and heavy overtones. Gloss black on flat black, the menacing look of the Ekko 616 Dark is the perfect reflection of its heart of darkness. The sound is infused with the legacy of Malekko's long-discontinued hand built Echo 600 Dark. The inception of the Ekko 616 Dark was the forehead-slapping moment when Josh, while riding his bike somewhere (in Portland), was angry that he didn’t have an Echo 600 Dark from five years ago. “Why can’t we make a new dark delay?”, he thought. “We do all the manufacturing in house, our enclosures are powder coated and screened locally, plus I know what I’m doing!”, again, he thought. So into the laboratory he went to create this incredible sounding pedal.\u003c\/p\u003e\n\u003cp\u003eThe Ekko 616 Dark is a full featured yet compact delay with external modulation controls, an optional buffer, internal level pot and 650ms of pure analog bliss. Every detail was scrutinized, data sheets compared, parts swapped, and hours of listening followed before Malekko's designers and engineers were satisfied. The Ekko 616 Dark is based on the Ekko 616 Dark, yet voiced to have delays with the high frequencies rolled off like a low-pass filter set to about 400Hz. This allows sparkling guitars to reside over a dark background of morphing overtones (when set to high regeneration amounts), or a super-fat chug sound at less regen, shorter delay times and just the right amount of effect mixed in.\u003c\/p\u003e\n\u003cp\u003eThe E616 Dark's specially voiced repeats create a much heavier and muted delay sound than most traditional analog delays. Turn the mix pot all the way up and the repeats will be just louder than unity with the dry signal. The regeneration pot will take you from a simple slapback to a nice gentle decay of a few repeats then all the way to taking off into inner space with just a turn of the pot! Engage the modulation button and the Ekko 616 Dark takes on a whole new personality, from subtle chorusing or beautiful vibrato to way WAY beyond. Choose between true bypass or buffered bypass. The Ekko 616 Dark’s buffer circuit is smooth and transparent, even with many pedals on your board. Tired of annoying volume drops? An internal trimpot (labeled “gain”) will allow you to set the Ekko 616 Dark’s level to your specific setup. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCurrent Draw: 50mA\u003c\/li\u003e\n\u003cli\u003ePower: 9V battery or optional 9VDC neg tip regulated power supply\u003c\/li\u003e\n\u003cli\u003eBypass Circuit: The bypass circuit is only active when the effect is off. Choosing buffered will light the LED; true is LED off. If you have the buffered bypass circuit on and the LED goes out when you engage the effect, the pedal is working correctly.\u003c\/li\u003e\n\u003cli\u003eDelay Time Fidelity: In any analog delay, its longest time settings result in lower fidelity and may even generate odd sound artifacts.\u003c\/li\u003e\n\u003cli\u003eProudly made by us in-house in Portland, Oregon using the highest quality components\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449650606183,"sku":"40405","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_ekko_616_dark_front_e77ec74b-7ec7-43f5-94b3-a64f532a2a7e.jpg?v=1787089840"},{"product_id":"malekko-ekko-616-mkii","title":"Malekko Ekko 616 MKII","description":"\u003cp\u003eFor years, Malekko has been synonymous with the best quality BBD delays available. Today the evolution continues with the \u003cstrong\u003eMalekko Ekko 616 MKII\u003c\/strong\u003e, a full featured yet compact delay with external modulation controls, an optional buffer, internal level pot and 650ms of pure analog bliss!\u003c\/p\u003e\n\u003cp\u003eNot content to leave well enough alone, Malekko decided to go through every aspect of their acclaimed Ekko 616 to see how it could be improved upon. Every detail was scrutinized, data sheets compared, parts swapped, and hours of listening followed before we were satisfied. This resulted in hand picked components of the highest quality being used to achieve, what they consider, the nicest sounding, most musical analog delay pedal they’ve made.\u003c\/p\u003e\n\u003cp\u003eThe E616 MKII’s specially voiced repeats allow a larger bandwidth to pass than most traditional analog delays. Turn the mix pot all the way up and the repeats will be slightly louder than unity with the dry signal. The regeneration pot will take you from a simple slapback to a nice gentle decay of a few repeats then all the way to taking off into outer space with just a turn of the pot. Engage the modulation button and the Ekko 616 MKII takes on a whole new personality, from subtle chorusing or beautiful vibrato to way, way beyond. Choose between true bypass or buffered bypass. The Ekko 616 MKII’s revised buffer circuit is smooth and transparent, even with many pedals on your board. Tired of annoying volume drops? An internal trimpot (labeled “gain”) will allow you to set the Ekko 616 MKII’s level to your specific setup.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCurrent Draw: 50mA\u003c\/li\u003e\n\u003cli\u003ePower: 9V battery or optional 9VDC neg tip regulated power supply\u003c\/li\u003e\n\u003cli\u003eProudly made by us in-house in Portland, Oregon using the highest quality components\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449650638951,"sku":"40404","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_ekko_616_mkii_front_0a0fa93a-2a7c-410b-b9e1-f5251f4558b7.jpg?v=1787089840"},{"product_id":"lotus-pedals-yellow-delay-pedal-demo-deal","title":"Lotus Pedals Yellow Delay Pedal (Demo Deal)","description":"\u003cp\u003ePhysical proof that analog and digital are not mutually exclusive concepts in the boutique pedal world, Lotus’s \u003cstrong\u003eYellow Delay\u003c\/strong\u003e cleverly combines both technologies for one fantastic delay pedal.\u003c\/p\u003e\n\u003cp\u003eBy using analog gain and filter stages, the Yellow Delay Pedal recreates the natural decay and super-warm tones of classic analog and tape delays. With delay times ranging from 10ms to 580ms, repeats start clean and get progressively colored with a tape echo treble roll-off as they fade out—a great Echoplex substitute. We love the way guitar through the Yellow Delay sits beautifully in a mix. The repeats are nice and soft with darker overtones without the muddiness and noise that can be a drag with vintage bucket-brigade analog delay circuits.\u003c\/p\u003e\n\u003cp\u003eEffects range from Cliff Gallup-like rockabilly slapback to spacey Hawkwind mindwarps, and the Yellow Delay’s thoughtful circuit design allows you to quickly dial in the delay sounds you seek before inspiration fades. This could very well be your go-to pedal for classic organic-sounding delay.\u003c\/p\u003e","brand":"Lotus Pedals","offers":[{"title":"Default Title","offer_id":44449652113511,"sku":"38615","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lotus_yellow_delay_front_1_2ee2d905-484d-4bce-ab74-db40e5e99910.jpg?v=1787089846"},{"product_id":"strymon-brigadier-dbucket-delay-pedal-demo-deal","title":"Strymon Brigadier dBucket Delay Pedal (Demo Deal)","description":"\u003cp\u003eIn setting out to design Brigadier, Strymon decided to take a super-powerful SHARC DSP and dedicate all of it’s horsepower to doing one thing and one thing only—delivering the best analog bucket brigade sound ever. They've utilized every last drop of DSP power, allowing Brigadier to deliver every minute detail and nuance that makes an analog delay special. Strymon's hand crafted, processor-intense dBucket algorithm delivers all of the sonic complexities of analog bucket delays. No stone has been left unturned.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eStrymon Brigadier\u003c\/strong\u003e gives you all of the tone and none of the noise of regular old bucket brigade chips, unless of course you choose to add it back with Strymon's exclusive Bucket Loss control! Go from warm and clean repeats all the way to noisy, saturated delays. Couple that with dedicated modulation and filter controls, tap tempo, and assignable expression pedal input, and you have yourself a versatile delay powerhouse.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449652539495,"sku":"38008","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon_brigadier_back_angle_1_f80db02c-8bf9-4c3f-82da-2ffaad330e97.jpg?v=1787089848"},{"product_id":"caroline-guitar-company-kilobyte-vk-edition","title":"Caroline Guitar Company Kilobyte - VK Edition","description":"\u003cp class=\"p1\"\u003eCaroline Guitar Company and Vintage King have teamed up for another limited run of guitar pedals. Setting our eyes this time on Caroline’s Kilobyte, this collaboration, the \u003cstrong\u003eCaroline Guitar Compnay Kilobyte - VK Edition\u003c\/strong\u003e, gives a fresh facelift to the company’s essential digital delay pedal. \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003ePacking the Kilobyte with a PT-2399 delay chip (a piece used in unwanted karaoke machines), this pedal gets delays that are covered in a layer of sonic lo-fi sludge. With delay times pushed to 500ms, this pedal has an uncompromising sound that will flail with breakneck oscillation at a moment’s notice. \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eFeaturing a new paint job, exclusive to Vintage King, the Kilobyte – looks like it jumped off a vintage television screen and onto your pedalboard. Brown knobs and a khaki casing recall the earliest computers, while the knob graphics look like Frogger replacement characters.  Packed with the same circuitry as the original Kilobyte, this pedal still features killer delay, but has an updated look for 1984.\u003c\/p\u003e","brand":"Caroline Guitar Co","offers":[{"title":"Default Title","offer_id":44449663549543,"sku":"40925","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/caroline_kilobyte_computer_front_b21f459e-470b-41ca-bae2-056389a7447a.jpg?v=1787089893"},{"product_id":"strymon-dig-dual-digital-delay","title":"Strymon DIG Dual Digital Delay Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eStrymon DIG Dual Digital Delay Pedal\u003c\/strong\u003e unearths the true soul of digital delay and doubles it. —two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential.\u003c\/p\u003e\r\n\u003cp\u003eEffortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSeries, Parallel, Ping Pong:\u003c\/strong\u003e Set up your two delays in one of three configurations. Series is like setting up pedals in a chain on your board, feeding Delay 2 into Delay 1. Parallel will orient your delay lines so that they remain independent—Delay 1 in the left channel and Delay 2 in the right channel. With Ping Pong, each delay acts as a ping pong delay, interacting together when both Mix knobs are turned up.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFree Mode:\u003c\/strong\u003e Don’t want your delays to be synchronized? Free Mode disables time sync and subdivisions between Delay 1 and Delay 2, giving the Time 2 knob a full delay range from 20 ms to 1.6 s.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCircular Repeats:\u003c\/strong\u003e Holding down the TAP footswitch enables circular repeats, where both delay lines maintain a static volume and repeat continuously until the TAP footswitch is disengaged. At this point, all previous settings will be restored.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eExpression Pedal:\u003c\/strong\u003e Input allows for the connection of either an expression pedal, external tap, or Favorite switch. Plug in an expression pedal and control any one knob with your foot. Plug in an external tap pedal to remotely tap in your tempos. Plug in a Favorite switch to save and recall a favorite preset.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTRS Stereo Input:\u003c\/strong\u003e Some people like to run stereo rigs. This is why there is an option of running the input of your DIG in stereo. Flip a jumper inside your pedal, use a TRS splitter cable, and now you've got yourself a stereo input.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTHE DAWN OF DIGITAL\u003c\/h3\u003e\r\n\u003cp\u003eDon’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s was advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions achieved pristine delays that posess some unintended, unique characteristics as they sought to overcome the limitations of the conversion processes.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eADM\u003c\/strong\u003e – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis\/ deemphasis create a percussive wide-band delay that adds more character when input dynamics increase.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e12 bit\u003c\/strong\u003e – A 12 bit, 32 kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. 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Now, the DM is back! With the Waza Craft DM-2W, the coveted stomp has been reborn with switchable sound modes and greater versatility for today’s music styles. Using 100-percent analog circuitry, the DM-2W’s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. Flipping into Custom mode instantly changes the sound character to a cleaner analog tone with over twice the available delay time.\r\n\r\n\u003ch3\u003eWAZA CRAFT : The Art of Superior Tone\u003c\/h3\u003e\r\nSince the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. Continuing this enthusiastic spirit, we are pleased to introduce the new Waza Craft series. In Japan, “Waza” is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. With final sound approval carried out by BOSS in Japan, the Waza Craft series brings you exceptional tone and touch response through carefully-selected analog components, refined circuitry, and meticulous attention to detail.","brand":"Boss","offers":[{"title":"Default Title","offer_id":44449741275239,"sku":"49377","price":175.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/boss_dm-2w_f_5f382d59-1e71-4c1f-af0b-17ecec7cf33f.jpg?v=1787090215"},{"product_id":"boss-dd-7-digital-delay-pedal","title":"Boss DD-7 Digital Delay Pedal","description":"\u003cp\u003eEven with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. 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From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStudio-level stereo sound with 32-bit\/96 kHz processing throughout\u003c\/li\u003e\r\n\u003cli\u003e12 versatile delay modes from vintage to modern deliver unlimited creative possibilities\u003c\/li\u003e\r\n\u003cli\u003eUnrivaled real-time expression with customizable control settings for onboard and external switches\u003c\/li\u003e\r\n\u003cli\u003eGraphic LCD for easy, intuitive operation while performing and editing\u003c\/li\u003e\r\n\u003cli\u003eOnboard patch memories and hands-on controls\u003c\/li\u003e\r\n\u003cli\u003eEquipped with a built-in Phrase Looper, MIDI, USB, and more\u003c\/li\u003e\r\n\u003cli\u003eSelectable buffered or true-bypass operation\u003c\/li\u003e\r\n\u003cli\u003eRuns on four AA-size batteries or PSA-series AC adapter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eTwelve Versatile Delay Modes and Deep Editing Options\u003c\/h3\u003e\r\n\u003cp\u003eWith the DD-500’s 12 delay modes, you can create any delay sound you can imagine, and then some. Everything you need is here, from warm, gritty vintage delays and tape echo to complex modern delay lines that employ pitch shifting, filtering, and other unique processing. With the hands-on knobs, it’s easy to shape essential parameters and create great sounds immediately. Each delay type also includes a semi-parametric four-band EQ, modulation, ducking, and many other parameters, allowing you to dive deep and refine tones with maximum precision.\u003c\/p\u003e\r\n\u003ch3\u003eUnparalleled Sound Quality\u003c\/h3\u003e\r\n\u003cp\u003eIn the DD-500, every delay mode has been carefully crafted for a unique sonic personality and highly musical tones at every setting, realized by 32-bit\/96 kHz processing throughout. And while the DD-500’s delay effects are high-end digital, your straight guitar tone remains 100-percent analog at all times, with your choice of buffered or true-bypass operation. In addition to strengthening the analog dry signal, buffered bypass has the added benefit of enabling carryover, so delay trails are not cut off unnaturally when the effect is switched.\u003c\/p\u003e\r\n\u003ch3\u003eAdvanced Features for Stage and Studio Use\u003c\/h3\u003e\r\n\u003cp\u003eIn the world of sophisticated delay stomps, the DD-500 stands alone in practical usability. The large, integrated LCD fully supports the pedal’s immense capabilities, giving you clear visibility of delay time, patch ID, and more on one screen, plus sane navigation for detailed parameter tweaks, naming, and system management. And via USB, it’s simple to connect to your computer for patch backup and MIDI I\/O opens up many additional control options with advanced setups such as a pedal board incorporating BOSS Effect Switching System ES-8.\u003c\/p\u003e\r\n\u003ch3\u003eIntensive Real-Time Control\u003c\/h3\u003e\r\n\u003cp\u003eWith its freely assignable controls, the DD-500 delivers unmatched creative expression and performance flexibility. By default, the A, B, and TAP\/CTL switches offer intuitive control for two patches, bypass, bank selection, tap tempo, and more. However, they can be customized to operate in alternate ways, such as providing top-level access to three different delay patches, or allowing you to use two patches at once for layered delay sounds. Instead of tap tempo, you’re able to assign the TAP\/CTL switch to various real-time functions like Warp or Twist for a wide range of expressive effects. Even more parameters can be manipulated via an optional expression pedal or external switches, and MIDI I\/O opens up many additional control options with advanced setups.\u003c\/p\u003e\r\n\u003ch3\u003eDD-500 Delay Modes\u003c\/h3\u003e\r\n\u003cp\u003e\u003cspan\u003e•Standard—Clear digital delay.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Analog—Emulates classic analog “BBD” delays like the BOSS DM series.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Tape—Emulates the warm sound of tape-based delay units, including the Maestro Echoplex and legendary Roland RE-201 Space Echo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Vintage Digital—Emulations of early digital delays from the 1980s, including Roland’s famous SDE-2000 and SDE-3000 rack units and the BOSS DD-2, the original stompbox digital delay.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Dual—Two different delay lines that can be connected in series or parallel.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Pattern—Sixteen different delay lines that can be set independently for all types of unique rhythmic effects.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Reverse—Backwards delay for cool psychedelic effects and other unique tones.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•SFX—“Special effects” delay with a highly unique sound character.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Shimmer—Pitch-shifted delays for lush, heavenly textures.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Filter—Delay with a sweeping filter.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Slow Attack—Ethereal delays that fade in with playing dynamics.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•Tera Echo—Spacious, animated ambience effect derived from the innovative BOSS TE-2 pedal.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e*The product names mentioned in this web page are registered trademarks or trademarks of their respective owners.\tIn this page, these names are used because it is the most practical way of describing the sounds that are simulated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eDD-500 Assignable Control Functions\u003c\/h3\u003e\r\n\u003cp\u003eThe following functions can be assigned to the DD-500’s onboard TAP\/CTL switch and\/or optional external footswitches. 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Based around very carefully selected and very rigorously tested PT2399 delay chips, the Faux AnalogEcho and Faux Tape Echo circuits allowed Brian to combine the note clarity of a sophisticated digital delay with an all-analog dry path (unaffected signal) and magnificent all-analog tone-shaping and modulation circuitry.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith Wampler's hybrid design approach, you get the best of both worlds. You get note clarity, lower noise, and longer delay times from digital delays. You get the lovely warmth and little, exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal, all of its major functions, are analog. The “delay line” is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can’t really match.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBut everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle? Totally analog. Your all-important fundamental dry tone is 100% analog, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt’s the best of both worlds - from country slap-back to ambient washes to straight-ahead rock and metal delay, the hybrid approach lets Wampler make one pedal that can do it all.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Faux Tape Echo takes everything great about the original, and adds to it that much-requested tap tempo functionality that users have been asking for, as well as Brian’s new idea in emulating the elusive and beautiful character that people look for in classic tape echo units. The time has come to unveil the Faux Tape Echo that everyone has been waiting for – and we’ve all worked hard to make sure you’re going to love it!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eHandbuilt in the U.S.A.\u003c\/li\u003e\r\n\u003cli\u003eHigh grade film capacitors and resistors picked for their superior sound and response\u003c\/li\u003e\r\n\u003cli\u003eCompletely true bypass\u003c\/li\u003e\r\n\u003cli\u003eBattery connection and 9v power jack (barrel plug like Boss) Please note: Battery not provided. Mains power receommended.\u003c\/li\u003e\r\n\u003cli\u003ePower draw: 40mA\u003c\/li\u003e\r\n\u003cli\u003e6 controls – echo level, repeats, shade, “movement and sway” and delay time\u003c\/li\u003e\r\n\u003cli\u003eDoes not just add a chorus effect to simulate tape wobble, this reacts to your playing perfectly\u003c\/li\u003e\r\n\u003cli\u003eDoes NOT mess with your basic guitar tone like so many other delay pedals\u003c\/li\u003e\r\n\u003cli\u003eAnalog warmth\/tape echo tones\u003c\/li\u003e\r\n\u003cli\u003eAbout 800ms of delay time available (very slight signal deterioration is apparent after about 600m\/s).\u003c\/li\u003e\r\n\u003cli\u003e3.5” x 4.5” x 1.5″ (88.9mm x 114.3mm x 38.1mm) – height excludes knobs and switches\u003c\/li\u003e\r\n\u003cli\u003eWeight: 1.8 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":44449747992679,"sku":"49245","price":239.97,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wampler_faux_tape_echo_angle_dffb828a-d674-4e1a-a248-230b87f61bd9.jpg?v=1787090243"},{"product_id":"keeley-30ms-automatic-double-tracker","title":"Keeley 30ms Automatic Double Tracker","description":"\u003cp\u003eThe \u003cstrong\u003eKeeley 30ms Automatic Double Tracker\u003c\/strong\u003e is a stereo effect pedal that offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments.  Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals.\u003cbr\u003e\u003cbr\u003e“Since the early days of automatic double tracking pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the de facto way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at same time,” said chief engineer Robert Keeley.  “The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes.”\u003cbr\u003e\u003cbr\u003eThe Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode.  In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or through two amplifiers in stereo.  Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds.  Stereo or mono this mode gives players a wide, lush sound without sounding like a conventional chorus pedal.  Lastly the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. 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As you increase the Time, the delay trails become warmer causing sounds to move and decay naturally under each new note or chord.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFEEDBACK\u003c\/strong\u003e - Adjustable from a single repeat with no decay, to extended trails that dissipate into a reverb-like state. When pushed past 2 o’clock feedback trails swell into infinity. This is an excellent creative tool for making sonic beds and trails where notes decay into a wash of musical noise. Pushed to maximum, the MF Delay will self oscillate.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMIX\u003c\/strong\u003e - Allows you to determine the blend between dry and effected signals. At minimum, delay trails are nearly inaudible. This is useful for ghost delays and creating natural room-verb sounds. 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It can achieve the warm saturated sounds found in delays like the Maxon AD999 and the coveted Boss DM-2. Inversely, the repeats can also be brightened up with the tone control for more pronounced rhythmic delays.  The Analog Chorus Engine allows you to manipulate the depth and rate of the chorus effect applied to your trails; creating a deep soundscape of ambient modulation.  Set the time and repeat controls low to get that classic western slap back sound or drag them out to achieve shoegaze perfection.  Take it all the way to 10 to achieve a self-oscillating delay.\u003cbr\u003e\u003cbr\u003eFour tap division options are offered to control the rhythm of your repeats: quarter notes, eighth notes, dotted eighth notes, and triplets.  Expression control options are offered to swing either the time or repeat controls back-and-forth.  Manipulate the time control to get that Johnny Greenwood oscillation or use it on the fly to manipulate the repeat control; adding long tails to your diamonds.\u003cbr\u003e\u003cbr\u003eThere are seven rotary controls with black aluminum control knobs:  Tap Division, Time, Repeats, Tone (high-cut), and Level (of repeats). 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It delivers a tubey warmth that brings out the best in your natural tone, without taking the upper hand by adding too much color.\u003cbr\u003e\u003cbr\u003eThe Replica delay pedal embodies everything T-Rex Engineering stands for: the perfect feature set, simple, intuitive design and extraordinary tone. Try one today, and you’ll discover the only delay pedal you’ll ever need for a lifetime of great music.\u003cbr\u003e \u003cbr\u003e\u003ch3\u003eJust leave it on! - most players say\u003c\/h3\u003e\u003cbr\u003eIt is hard to believe, that this delay pedal is digital. It gives the warmth of all-tube echo and also cool digital delay in studio quality. All with the convenience of one pedal.\u003cbr\u003e\u003cbr\u003eTIME, REPEAT, MIX and LEVEL knobs allow for quick, precise control. A Hi-cut button cuts high frequencies on repeats - perfectly simulating the tone of a 60s era tape echo.\u003cbr\u003e\u003cbr\u003eWith a simple flick of a switch you can alter the delay’s subdivision parameter from 1\/4 to 1\/8 triplets, and to make the delay fit your purpose we even added a Tap-Tempo switch to get you right in time with your tune.\u003cbr\u003e\u003cbr\u003ePlay it and you'll buy it!","brand":"T-Rex","offers":[{"title":"Default Title","offer_id":44449788035175,"sku":"52403","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/t-rex_replica_1_763949b2-4ba1-4e14-8361-f43d57383b35.jpg?v=1787090415"},{"product_id":"t-rex-reptile-2-delay-pedal","title":"T-Rex Reptile-2 Delay Pedal","description":"\u003cp\u003eThe T-Rex Reptile delay pedal has all of the great sound and most of the features of the revered Replica delay in a more affordable pedal. The \u003cstrong\u003eT-Rex Reptile 2\u003c\/strong\u003e is the next step in the evolution of this sonic savage for both guitar and bass.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\u003ch3\u003e“Baby brother” sprouts Tap Tempo\u003c\/h3\u003e\u003cbr\u003eTap Tempo – or the ability to control the tempo of your delay by tapping a button with your foot while you play – is what separated the men from the boys in the first generation of Replica-family delays. Not any more. With the Reptile 2, T-Rex has brought their renowned Tap Tempo function to the Replica’s “baby brother”. Tap Tempo gives you ultimate control of your delay on stage, by letting you match the speed of your delay effect to the tempo of your music – without ever missing a beat.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eEnhanced Flutter section\u003c\/h3\u003e\u003cbr\u003eBesides Tap Tempo, Reptile 2 also features an enhanced Flutter section, with a new Tone control. Flutter introduces a touch of random-sounding “warble” to your delay for that great retro tape-effect sound. The Tone control lets you take the top end off your delayed repeats for an even more authentic vintage tone.\u003cbr\u003e\u003cbr\u003eIn the Reptile 2, you’ll find a gorgeous-sounding delay that easily beats the competition and comes closer than ever to offering the total Replica control – but at a price you can afford even if you’re not a rock star. \u003cbr\u003e\u003cbr\u003e","brand":"T-Rex","offers":[{"title":"Default Title","offer_id":44449788133479,"sku":"52404","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/t-rex_reptile2_1_e2dadc4c-1ba4-4b9c-9a7b-86ed3330b458.jpg?v=1787090415"},{"product_id":"dwarfcraft-devices-mini-van-echo-effects-pedal","title":"Dwarfcraft Devices Minivan Echo","description":"\u003cp\u003eThe \u003cstrong\u003eDwarfcraft Minivan\u003c\/strong\u003e is a dark echo, built off a digital chip so old it sounds analog. Yes pedal people, I’m talking about the pt2399. We have a couple tricks up our sleeves, though. Most echo pedals built of the 2399 give you a pretty short range of delays, using the “best” range of the circuit. But we’re Dwarfcraft. Sure, you can have those traditional sounds, but then you also have another half-turn or so to go into super slow and mangled territory. And what’s a delay pedal that doesn’t run away into self oscillation? A delay pedal you don’t need.  Crank that feedback up and ride the waves, my friend.\u003c\/p\u003e  \u003cp\u003eThe mix knob is a pretty standard affair, from 100% dry at 7 o’clock, and for echoes just a touch louder than the dry, twist it all the way up to 5 o’clock. We also added an insert FX loop so you can make your own fun.\u003c\/p\u003e  \u003cp\u003ePlug in an expression pedal to control the feedback amount, but it is a lot more fun to use a stereo 1\/4” to dual mono 1\/4” cable to insert effects into the delay line of the Minivan.  For example, putting a pitch shifter in the loop will shift each repeated signal up as it passes through.\u003c\/p\u003e  \u003cp\u003eThis is a great way to create otherworldly sounds, and also a great way to kill an afternoon testing EVERYTHING in the loop.  Currently my favorites are pitch shifters and tremolo.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e: 40mA\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eEnclosure Size\u003c\/strong\u003e: 4.77\" x 2.6\" x 1.39\"\u003c\/p\u003e","brand":"Dwarfcraft Devices","offers":[{"title":"Default Title","offer_id":44449789804647,"sku":"52261","price":131.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dwarfcraft-52261-mini-van-echo-effects-pedal_1_ff639929-15bd-4e9c-92dd-a9550b252472.jpg?v=1787090423"},{"product_id":"earthquaker-devices-avalanche-run-stereo-delay-reverb","title":"EarthQuaker Devices Avalanche Run","description":"\u003cp\u003eThe \u003cstrong\u003eAvalanche Run\u003c\/strong\u003e is EarthQuaker's first product built on a high powered DSP platform. The Avalanche Run was designed to satisfy all the requests EarthQuaker has received for a stereo and\/or tap tempo version of their wildly popular Dispatch Master.\u003c\/p\u003e  \u003cp\u003eWhile it is a delay and reverb just like the Dispatch Master, the style of delay and reverb is quite different. The delay has more of a tape quality with bucket brigade sensibilities and the reverb is adjustable while having more of a deep, plate-like cavernous tone.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eReverse delay mode\u003c\/li\u003e \u003cli\u003eSwell delay and reverb mode\u003c\/li\u003e \u003cli\u003eTap Tempo with subdivisons\u003c\/li\u003e \u003cli\u003eAssignable expression control\u003c\/li\u003e \u003cli\u003eTails\/True Bypass modes\u003c\/li\u003e \u003cli\u003eSound on sound style looping with adjustable length in tails mode\u003c\/li\u003e \u003cli\u003eAuto oscillation by holding down tap switch\u003c\/li\u003e \u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44449792360551,"sku":"52982","price":250.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthquaker_52982_1_8a1e4286-5bef-4071-9f28-53de9da5f2eb.jpg?v=1787090436"},{"product_id":"chase-bliss-audio-tonal-recall-analog-delay","title":"Chase Bliss Audio Tonal Recall Analog Delay","description":"\u003cp\u003eThe \u003cstrong\u003eChase Bliss Audio Tonal Recall\u003c\/strong\u003e is an unprecedented, modern approach to the classic, analog delay sound. Designed by Chase Bliss owner Joel Korte, this pedal features an all-analog signal path and digital controls that will give users the ability to effortlessly move from a simulated tape delay to dirty, out-of-this-world sounds.\u003c\/p\u003e\r\n\u003cp\u003eAt its core, the Tonal Recall uses two Xvive 3005 bucket brigade chips, which gives the pedal’s repeats a warm, decaying quality. The pedal’s breakup offers something sweet and musical. As for the Tonal Recall’s modulation section, the design employs three selectable waveforms (triangle, sine, square). This is perfect for shaping your repeats from a subtle wavering tape echo to stun gun later blasts using the Depth and Rate knobs.\u003c\/p\u003e\r\n\u003cp\u003eThe on-board tap tempo of the Tonal Recall works in tandem with the subdivisions selector (six rhythms) and can go into runaway oscillation freak outs when holding the switch down. In addition, the pedal can also be controlled via MIDI, which allows guitar players to use beat clocking in their DAW of choice to have an even greater deal of input on their audio creations. No matter your preference for controlling the pedal, the Tonal Recall enables pedal lovers to save their setting via two presets and a live mode, so you never have to scramble to remember your favorite settings again.\u003c\/p\u003e\r\n\u003cp\u003eLike all pedals designed by Joel, the Tonal Recall features a dip switch grid on the back that offers complete control over any parameter on the pedal, both individually or simultaneously via expression control. For example, you could go from a subtle slapback delay to a triumphant ambient pad with one sweep of an expression pedal. If you're looking for an analog delay that gives you the ultimate control over your range of sounds, this is the pedal for you.\u003c\/p\u003e","brand":"Chase Bliss Audio","offers":[{"title":"Default Title","offer_id":44449793048679,"sku":"52990","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chase-bliss-total-recall-front-crop_73c65b79-3c1a-4e8a-99bf-b1c065c6443f.jpg?v=1787090439"},{"product_id":"dunlop-echoplex-delay","title":"Dunlop EchoPlex Delay","description":"\u003cp\u003eThe Echoplex® EP-3 tape echo unit is famous for its deliciously warm, organic modulation and sweet musical voice—a key component to some of the most iconic guitar tones from the ’60s and ’70s. The original EP-3 units, however, are expensive, temperamental, and larger than a VCR. That’s where the new \u003cstrong\u003eDunlop Echoplex Delay\u003c\/strong\u003e comes in. It’s the size of a Phase 90, and it delivers the EP-3’s legendary tones with a simple control interface and a hi-fi all-analog dry path. The Delay control sets the time between repeats—from 4 to 750ms—the Sustain control sets the number of repeats, and the Volume control sets the output level of your repeats.\u003c\/p\u003e  \u003cp\u003eWhere the sound of this pedal really shines, though, is in Age mode. By default, your pedal performs as a perfectly-calibrated, factory-fresh tape echo machine would— bright and clear tape with subtle wow and flutter modulation. A quick push of the Volume knob lets you “age” the sound of your repeats, darkening the tone, upping the tape saturation (distortion), and increasing modulation and tape distress as you turn the knob clockwise.\u003c\/p\u003e  \u003cp\u003eThe EP103’s delay signal gets the same tonal conditioning that the EP101 Echoplex Preamp provides, while the dry path is left untouched. For the full EP-3 experience, put that secret sauce on your dry signal by running the EP101 in front of the EP103.\u003c\/p\u003e  \u003cp\u003eThe Echoplex Delay also features tap tempo functionality, for up to 4 seconds of delay time, when you hook up an M199 MXR Tap Tempo Switch. The dry path is all analog with Constant Headroom Technology™—providing a full 20 volts of headroom—and a choice of true relay or trails bypass. The EP103 can be set for 100% wet mode along with stereo input and output modes. No tape cartridges required!\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":44449799077991,"sku":"53173","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dunlop-echoplex-1_ed14aea8-a79d-49e0-ac4a-af455ad9db7a.jpg?v=1787090467"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/instruments-pedals-delay-pedals.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}