{"title":"EQ Pedals","description":null,"products":[{"product_id":"moog-music-mf-101-moogerfooger-low-pass-filter","title":"Moog Music MF-101 Moogerfooger Low Pass Filter","description":"\u003cp\u003eThe award-winning \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-101\u003c\/span\u003e low pass filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument level to line level signal.\u003c\/p\u003e\r\n\u003cp\u003eThe Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the low pass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\r\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 low pass filter does the same sort of thing to the sound spectrum with it's cutoff control. As you turn up the resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the Moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\r\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269252199,"sku":"5044","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf101_moogerfooger.jpg?v=1787088376"},{"product_id":"mxr-10-graphic-band-eq","title":"MXR 10 Graphic Band EQ","description":"\u003cp\u003eNo matter what your instrument, regain control of your tone with this incredible EQ. The MXR 10-Band Graphic EQ gives players huge amounts of tone shaping and level control in a bullet-proof enclosure. With ten carefully chosen frequencies and both input and output level controls, the 10-Band will let you tune your bass or guitar rig to any room in seconds; create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePower: Dunlop ECB004 18 volt AC Adapter\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":44449528021095,"sku":"31905","price":119.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mxr_tenband_top_714f383b-54f4-4f74-b091-122f92b84720.jpg?v=1787089325"},{"product_id":"spontaneous-audio-son-of-kong","title":"Spontaneous Audio Son of Kong EQ\/Gain Pedal and DI","description":"\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eThe Story\u003c\/h3\u003e\r\n\u003cp\u003eIt was 1976 and Arthur Sloatman was repairing all things musical and electronic as a technician at the old Valley Sound on Sunset Blvd. Frank Zappa sent in a busted ARP 2600 synthesizer vital to the recording of Zappa’s \u003cem\u003eZoot Allures\u003c\/em\u003e album. Sloatman fixed the ARP and Frank made him a tech at his studio, Utility Muffin Research Kitchen. For Zappa’s ’78 tour, he created custom on-board electronics for Steve Vai, Ray White and Ike Willis’ guitars.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e One day, Zappa came into the UMRK tech dungeon where Arthur was working and noticed an old Systech Harmonic Energizer and remarked that he really loved the sound of that box with his guitar, but it was so noisy at the settings he liked, he gave up on it. Sloatman studied the mystery box and figured out it was indeed a parametric EQ with a very sharp bandwidth. He consulted some audio circuit design books and created his own narrow band low noise filter. He showed it to Zappa who ultimately had Arthur install a two-band version in his stage guitars. Frank used Sloatman’s EQ circuit to “tune” his guitars to the resonant frequency of whatever room he happened to be playing. This not only allowed Zappa to produce a wide assortment of studio sounds live, it also gave him massive sustain and total control over feedback, which he used to great effect.\u003cbr\u003e\u003cbr\u003e Fast-forward thirty some years and Arthur was playing with his own band and finding himself dissatisfied with his guitar sound. After some thought, he dug up his old plans for Zappa’s EQ and set about modifying it for his own needs. The first version, dubbed \"Kong,\" was a giant box many deemed too large to be practical. Sloatman went back to the drawing board and finally miniaturized the beast to an elegant pedal-sized enclosure, and \u003cstrong\u003eSon of Kong\u003c\/strong\u003e was born.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eThe Pedal\u003c\/h3\u003e Son of Kong is an EQ\/Gain pedal and DI featuring two switchable channels of gain with the Zappa EQ hard wired in the Channel 1 signal path while Channel 2’s EQ is switchable in or out. SoK’s EQ provides up to 20 dB of boost or cut at the selected frequency and the frequency selection is infinitely variable from nearly sub-bass to high frequency definition and edge. The selected frequency band can be as wide as two octaves or as narrow as a single note so you can get quite specific when it comes to boosting or cutting frequencies.  \u003cbr\u003e\u003cbr\u003e Son of Kong features two Gain Modes – DI and +20. DI Mode is low-gain, and in conjunction with the EQ circuit provides massive headroom and killer clean tones. It works great with bass, pedal steel and all acoustic instruments, and can produce some incredibly Beatlesque keyboard tones as well. SoK’s +20 Mode provides up to 35dB of clean gain to pummel your amp’s front end into peals of singing overdrive and sustain. \u003cbr\u003e\u003cbr\u003e The EQ circuit can be clipped to create a vast palette of distortion. Crank the EQ gain then tune your distortion by sweeping the frequency and widening or narrowing the Q to achieve a variety of distortion sounds – from big, thick and heavy to sharp and nasal.  \u003cbr\u003e\u003cbr\u003e The switching capabilities inherent in Son of Kong are intense. In its simplest terms, SoK can be used to switch between direct guitar sounds in Bypass, an EQ’d boost in Channel 1 and a super boosted signal (with or without EQ) in Channel 2. Things get a bit more interesting when you utilize the Thru jack and its internal mute switch which operates like an A\/B\/Y switch. Various combinations will yield simple switching between two amps and various channel switching schemes on an old two-channel amp. \u003cbr\u003e\u003cbr\u003e We like Son of Kong because it’s just so damn cool. You can tweak and tweeze Zappa guitar tones of course—like his badass “Bulgarian Bagpipe” lead tone. When put to more subtle use, the available clean tones are exceptional— shimmering bell tones, wide clean leads, dark, vibey Motown sounds, and everything in between. Arthur swears by his beloved Tantalum capacitors and Lundhall transformer for optimum sonic integrity and we agree with his choice. Simply plugging in to Son of Kong will bring out more depth and detail of your tone.\r\n\u003cp\u003e\r\n\r\n\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eTestimonials\u003c\/h3\u003e\r\n\u003cp\u003e\u003cem\u003e\"While mixing Willie Nelson's 80th birthday concert, I used the Son of Kong on all of Neil Young's direct acoustic guitar tracks to add a fantastic body and presence to the sound. It's amazing how many ways there are to use this thing!\"  \u003c\/em\u003e\u003cstrong\u003e- F. Reid Shippen\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"I'm addicted to the Kong. This pedal has amazing tone capabilities. The EQ alone is worthy of it's own pedal, but the ability to get different gain settings makes this an essential tool for any time I record guitar. By having this pedal, it's like having new amps, too.\" \u003c\/em\u003e\u003cstrong\u003e - Jacquire King, Producer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I don't know another EQ that does exactly what it does...plugging into it with no EQ just seems to sound better.\" \u003c\/em\u003e\u003cstrong\u003e - Byron Gallimore, Producer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"This is the pedal I have always been waiting for.\"\u003c\/em\u003e\u003cstrong\u003e  - Buddy Miller, Producer\/Guitarist\u003c\/strong\u003e\u003c\/p\u003e","brand":"Spontaneous Audio","offers":[{"title":"Default Title","offer_id":44449528283239,"sku":"31928","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spontaneous_sonofkong_top_264b5308-99d5-4d84-b36d-492601bd94ea.jpg?v=1787089326"},{"product_id":"earthquaker-devices-tone-job","title":"EarthQuaker Devices Tone Job","description":"The \u003cstrong\u003eTone Job\u003c\/strong\u003e is a complete tone enhancement tool designed around a stereo preamp to cover as much frequency range as possible. What does this mean for you, the user? It means it can handle a wide variety of frequencies from electrical guitars, bass guitar, synthesizer machines and just about anything else you can plug in. The treble, bass and middle controls will cut or boost up to 20db. In addition to that, the level control will boost the signal (post EQ) up to 5 times the input depending on where the dial is set. A simple, perfect pedal to place at the end of your effect chain to boost output and fine tune your tone or at the front of the chain to alter the character of your guitar and breath new life into tired old dirt.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 O’Clock.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTreble: \u003c\/strong\u003eNoon is flat, boost is clockwise from noon, cut is counter clockwise from noon.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass:\u003c\/strong\u003e Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMiddle:\u003c\/strong\u003e Noon is flat, boost is clockwise from noon, cut is counter clockwise from noon.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTreble affects frequencies from around 2k Hz up, bass affects frequencies from around 500 Hz down. The middle is an adjustable resonant filter acting as a midrange control with it’s center frequency around 1k Hz. Treble and bass response are dependent on middle control settings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAnalog, true bypass and hand made one at a time in good old Akron Ohio.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44449548173415,"sku":"33462","price":123.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthquaker_tone_job_top_ccc3ba16-fe93-4e9b-807f-d1f7ef9c2e07.jpg?v=1787089408"},{"product_id":"eventide-h9-harmonizer-effects-pedal","title":"Eventide H9 Harmonizer Effects Pedal","description":"\u003cp\u003eThe award-winning \u003cstrong\u003eH9 Harmonizer\u003c\/strong\u003e delivers Eventide's acclaimed sound and can run all of Eventide's stompbox effects.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eThe H9 features a simple, one-knob user interface which allows easy Effect Editing and Preset Selection. Two onboard Footswitches let you change Presets, Tap Tempo, and Bypass with your feet during live performance.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eWhile the H9 is fully controllable via its front panel, a free editor\/librarian, H9 Control, can be downloaded to your Mac, PC, or iOS device. Use the H9 Control app for live editing, creating and managing presets, and changing system settings.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eH9 even connects via Bluetooth to iPods, iPhones and iPads for wireless live control.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003eThe H9 Harmonizer now includes Eventide's new SpaceTime algorithm. Artists worldwide rely on the H9 for its signature delay, modulation, pitch and reverb effects and SpaceTime is further evidence of Eventide’s ongoing commitment to provide innovative, high quality effects to help spark their creativity and expand their sonic horizons.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition, Eventide has created a new interface called Pedal View that gives artists a visual representation of the routing of the effects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpaceTime comes loaded with 23 Presets:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eNice Chorus\u003c\/li\u003e\r\n\u003cli\u003eSpace Cathedral\u003c\/li\u003e\r\n\u003cli\u003eQuarter Delay\u003c\/li\u003e\r\n\u003cli\u003eFaux Leslie\u003c\/li\u003e\r\n\u003cli\u003eVerb Repeats Only\u003c\/li\u003e\r\n\u003cli\u003eSmall Tight Room\u003c\/li\u003e\r\n\u003cli\u003eParallel Delays\u003c\/li\u003e\r\n\u003cli\u003eAphelion\u003c\/li\u003e\r\n\u003cli\u003eSlap in Space\u003c\/li\u003e\r\n\u003cli\u003eIntaStella\u003c\/li\u003e\r\n\u003cli\u003eOff the Ground\u003c\/li\u003e\r\n\u003cli\u003eShadows\u003c\/li\u003e\r\n\u003cli\u003eVoyage\u003c\/li\u003e\r\n\u003cli\u003eTwilightZoned\u003c\/li\u003e\r\n\u003cli\u003eSunlight\u003c\/li\u003e\r\n\u003cli\u003eHUBBLE\u003c\/li\u003e\r\n\u003cli\u003eOn the Verge\u003c\/li\u003e\r\n\u003cli\u003eEventHorizon\u003c\/li\u003e\r\n\u003cli\u003eGravitation\u003c\/li\u003e\r\n\u003cli\u003eExtra Terrestrial\u003c\/li\u003e\r\n\u003cli\u003eOuter Limits\u003c\/li\u003e\r\n\u003cli\u003eStar Sailor\u003c\/li\u003e\r\n\u003cli\u003eSpaceTime\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eSpaceTime also includes standard H9 features like mix, tap tempo, expression pedal support and output level control and is available now as a $20 in-app purchase in H9 Control for H9 standard and H9 Core owners and, as always, free for H9 Max owners. Simply update your H9 Control software to see the new algorithm for yourself, try it out and hopefully solve some of the great cosmological mysteries of our time.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44449567866983,"sku":"34743","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide_h9_harmonizer_front_071684af-18d7-4b4f-9617-5dd7387ad258.jpg?v=1787089494"},{"product_id":"jhs-pedals-colour-box","title":"JHS Pedals Colour Box","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eThe JHS Pedals Colour Box - vintage recording console sound, at your feet!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn 1961 a British engineer would start a company from a spare room in his England home that would permanently change the history of the Pro Audio industry. This company set a trajectory for musical tones that spanned across genres and impacted every generation that followed. We are talking about the infamous piece of gear known as the Neve* recording console. The \u003cstrong\u003eJHS Colour Box\u003c\/strong\u003e is a tribute to the legend and application of how a piece of gear can change music.\u003cbr\u003e\u003cbr\u003eHave you ever heard songs like the Beatles \"Revolution\", or Motown classics like Jackson 5, Marvin Gaye, or even the modern Radiohead's \"Bodysnatchers\" and thought, \"How are they getting that guitar sound?\"  Well, the answer is sort of clothed in obscurity, but it's actually created by the simplest practical application - plugging a guitar directly into a vintage studio console and recording \"direct in.\" The JHS Pedals ColorBox is designed and created to allow you to recreate these infamous guitar tones with your live rig, or in a studio environment by using 100% analog circuitry true to the design and schematic of vintage Neve* circuitry. The ColourBox is completely free from any digital modeling. Never before have \"direct in\" tones been available from your guitar amp in the way that the Color Box delivers them. Aside from creating these \"direct in\" tones, the Colour Box covers all the ground that you would expect a high quality studio preamp to cover.\u003c\/p\u003e\r\n\u003cp\u003eFrom your microphone, bass, keyboard, or even your acoustic guitar, the Colour Box it does it all.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhats Inside? \u003c\/strong\u003e\u003cbr\u003eJHS Pedals have gone to great lengths to bring the color and character of a real vintage console to your feet or desktop. They started with two gain stages in series that produce beautiful clean tones but that can also destroy any signal into a beautiful fuzzy mess, full of rich harmonics and body with over 39db of gain on tap. The local feedback of each gain stage makes for a very unique type of distortion. The same topology and discrete gain stage found in the Neve* 1073 was used, but there are two gain stages in series instead of one.  A high quality Lundahl transformer is used that adds weight, heft, and a 3D quality just like preamps that you will find costing much more. The transformer fattens the lows, adds harmonic complexity and richness to the midrange (kinda like stirring flour into your drippings to give you gravy) as well as smoothing and rounding of the high frequencies. It also blocks all DC voltages, adds electrical isolation, and blocks RF frequencies ensuring super quiet operation and noise floor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Controls and Jacks\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGain (Red)\u003c\/strong\u003e\u003cbr\u003eThe gain structure is made up of three parts:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe Pre Volume (labeled \"Pre-Vol\") can be used the same as you would a Drive knob on an overdrive pedal. In this circuit, the Pre Volume is between the two gain stages, and the setting of the Pre Volume determines how much signal continues to the second stage.\u003c\/li\u003e\r\n\u003cli\u003eThe Master Gain (labeled \"Master\") is what would typically be considered as a Volume control. Other terms are \"master volume\" or the \"output trim.\"\u003c\/li\u003e\r\n\u003cli\u003eThe Step Gain (labeled \"Step\") changes the gain of each preamp stage in five stages. Rotating the \"Step\" knob from left-to-right will increase the gain by the following:    \r\n\u003cul\u003e\r\n\u003cli\u003e1 is X 18 db\u003c\/li\u003e\r\n\u003cli\u003e2 is X 23 db\u003c\/li\u003e\r\n\u003cli\u003e3 is X 28 db\u003c\/li\u003e\r\n\u003cli\u003e4 is X 33 db\u003c\/li\u003e\r\n\u003cli\u003e5 is X 39 db\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eEqualizer \/ Tone Control (Blue)\u003c\/strong\u003e\u003cbr\u003eThe tone control section is a highly modified Baxandall type that is tuned for less control interaction and more boost\/cut capability.  The center frequencies are Treble 10kHz, Middle 1kHz, and Bass 120Hz, with +\/- 17dB of control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHighpass Filter (Yellow)\u003c\/strong\u003e\u003cbr\u003eThe Highpass spans from 60Hz to 800Hz with a 6dB per octave slope. This control allows you to only let high frequencies pass. In return you will find a vast palet of tones that sit perfect and inspire textures that you have never heard from your rig. The toggle switch will turn the Highpass on or off.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn and Out Jacks \u003c\/strong\u003e\u003cbr\u003eYou will notice that in addition to the normal 1\/4\" instrument input\/output found on a guitar pedal, JHS added an XLR input and output so that The Colour Box can be used as a vocal, bass, acoustic, or keyboard preamp live or in the studio. The 1\/4\" mono output and the XLR output are independent and allow you to run parallel outputs to two destinations. For example, run the 1\/4\" mono out into your guitar amplifier and at the same time run the XLR output to your front-of-house mixing board. Another example of using parallel outputs would be to track amp tones and the \"direct in\" sound of your performance onto two separate tracks. We achieved the parallel output by way of a discrete shunt-feedback circuit.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInput Selector Switch\u003c\/strong\u003e\u003cbr\u003eThe input selector switch located above the input jack lets you choose line or microphone input. In the down position it is in mic mode. In the up position it is in line mode.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e*The word\/name Neve® is a registered trademark of AMS Neve ltd.\u003cbr\u003eThe JHS Colour Box pedal is in no way affiliated with AMS Neve ltd.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44449604370535,"sku":"37428","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jhs-colour-box_37428_1_9ab01025-f487-477b-a9d2-b8fff4f4fd82.jpg?v=1787089656"},{"product_id":"jhs-pedals-colour-box-demo-deal","title":"JHS Pedals Colour Box (Demo Deal)","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eThe JHS Pedals Colour Box - vintage recording console sound, at your feet!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1961 a British engineer would start a company from a spare room in his England home that would permanently change the history of the Pro Audio industry. This company set a trajectory for musical tones that spanned across genres and impacted every generation that followed. We are talking about the infamous piece of gear known as the Neve* recording console. The \u003cstrong\u003eJHS Colour Box\u003c\/strong\u003e is a tribute to the legend and application of how a piece of gear can change music.\u003cbr\u003e\u003cbr\u003eHave you ever heard songs like the Beatles \"Revolution\", or Motown classics like Jackson 5, Marvin Gaye, or even the modern Radiohead's \"Bodysnatchers\" and thought, \"How are they getting that guitar sound?\"  Well, the answer is sort of clothed in obscurity, but it's actually created by the simplest practical application - plugging a guitar directly into a vintage studio console and recording \"direct in.\" The JHS Pedals ColorBox is designed and created to allow you to recreate these infamous guitar tones with your live rig, or in a studio environment by using 100% analog circuitry true to the design and schematic of vintage Neve* circuitry. The ColourBox is completely free from any digital modeling. Never before have \"direct in\" tones been available from your guitar amp in the way that the Color Box delivers them. Aside from creating these \"direct in\" tones, the Colour Box covers all the ground that you would expect a high quality studio preamp to cover.\u003c\/p\u003e\n\u003cp\u003eFrom your microphone, bass, keyboard, or even your acoustic guitar, the Colour Box it does it all.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhats Inside? \u003c\/strong\u003e\u003cbr\u003eJHS Pedals have gone to great lengths to bring the color and character of a real vintage console to your feet or desktop. They started with two gain stages in series that produce beautiful clean tones but that can also destroy any signal into a beautiful fuzzy mess, full of rich harmonics and body with over 39db of gain on tap. The local feedback of each gain stage makes for a very unique type of distortion. The same topology and discrete gain stage found in the Neve* 1073 was used, but there are two gain stages in series instead of one.  A high quality Lundahl transformer is used that adds weight, heft, and a 3D quality just like preamps that you will find costing much more. The transformer fattens the lows, adds harmonic complexity and richness to the midrange (kinda like stirring flour into your drippings to give you gravy) as well as smoothing and rounding of the high frequencies. It also blocks all DC voltages, adds electrical isolation, and blocks RF frequencies ensuring super quiet operation and noise floor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Controls and Jacks\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGain (Red)\u003c\/strong\u003e\u003cbr\u003eThe gain structure is made up of three parts:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Pre Volume (labeled \"Pre-Vol\") can be used the same as you would a Drive knob on an overdrive pedal. In this circuit, the Pre Volume is between the two gain stages, and the setting of the Pre Volume determines how much signal continues to the second stage.\u003c\/li\u003e\n\u003cli\u003eThe Master Gain (labeled \"Master\") is what would typically be considered as a Volume control. Other terms are \"master volume\" or the \"output trim.\"\u003c\/li\u003e\n\u003cli\u003eThe Step Gain (labeled \"Step\") changes the gain of each preamp stage in five stages. Rotating the \"Step\" knob from left-to-right will increase the gain by the following:    \n\u003cul\u003e\n\u003cli\u003e1 is X 18 db\u003c\/li\u003e\n\u003cli\u003e2 is X 23 db\u003c\/li\u003e\n\u003cli\u003e3 is X 28 db\u003c\/li\u003e\n\u003cli\u003e4 is X 33 db\u003c\/li\u003e\n\u003cli\u003e5 is X 39 db\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEqualizer \/ Tone Control (Blue)\u003c\/strong\u003e\u003cbr\u003eThe tone control section is a highly modified Baxandall type that is tuned for less control interaction and more boost\/cut capability.  The center frequencies are Treble 10kHz, Middle 1kHz, and Bass 120Hz, with +\/- 17dB of control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHighpass Filter (Yellow)\u003c\/strong\u003e\u003cbr\u003eThe Highpass spans from 60Hz to 800Hz with a 6dB per octave slope. This control allows you to only let high frequencies pass. In return you will find a vast palet of tones that sit perfect and inspire textures that you have never heard from your rig. The toggle switch will turn the Highpass on or off.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn and Out Jacks \u003c\/strong\u003e\u003cbr\u003eYou will notice that in addition to the normal 1\/4\" instrument input\/output found on a guitar pedal, JHS added an XLR input and output so that The Colour Box can be used as a vocal, bass, acoustic, or keyboard preamp live or in the studio. The 1\/4\" mono output and the XLR output are independent and allow you to run parallel outputs to two destinations. For example, run the 1\/4\" mono out into your guitar amplifier and at the same time run the XLR output to your front-of-house mixing board. Another example of using parallel outputs would be to track amp tones and the \"direct in\" sound of your performance onto two separate tracks. We achieved the parallel output by way of a discrete shunt-feedback circuit.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInput Selector Switch\u003c\/strong\u003e\u003cbr\u003eThe input selector switch located above the input jack lets you choose line or microphone input. In the down position it is in mic mode. In the up position it is in line mode.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePower \u003c\/strong\u003e\u003cbr\u003eThe Colour Box runs on 18v DC negative center power. 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Each Density Hulk is completely hand soldered, wired, assembled, and tested in the U.S.A, ensuring military-grade reliability certain to withstand the ‘roid-raged rigors of even the most hypertrophic of tours.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eFeatures  \u003cul\u003e  \u003cli\u003eOnly premium quality components on a hand-etched, hand-soldered PCB.\u003c\/li\u003e  \u003cli\u003eMechanical True-Bypass via heavy duty 3pdt footswitch\u003c\/li\u003e  \u003cli\u003eRugged construction using lightly polished, hand stamped, die cast enclosure (119mm x 94mm x 30mm)\u003c\/li\u003e  \u003cli\u003eMetal stepgaurd (30mm)\u003c\/li\u003e  \u003cli\u003eDry Output jack\u003c\/li\u003e  \u003cli\u003e9v DC center-negative barrel jack (Boss style)\u003c\/li\u003e  \u003cli\u003e20mA current draw\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Knob colors vary\u003c\/p\u003e","brand":"Mantic Effects","offers":[{"title":"Default Title","offer_id":44449801961575,"sku":"52293","price":189.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mantic-effects-density-hulk_6c5f4e29-96ce-436c-8263-77d4a5a72c7a.jpg?v=1787090481"},{"product_id":"stone-deaf-pdf-2-parametric-overdrive","title":"Stone Deaf PDF-2 Parametric Overdrive Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eStone Deaf PDF-2\u003c\/strong\u003e...What’s there to say other than its the successor to our very popular PDF-1, with reduced noise floor, adjustable gain knob and dual foot-switch for clean and dirty channels what is there not to love. 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As used by many professionals on tour this proves to be a rugged pedal.\u003c\/p\u003e","brand":"Stone Deaf","offers":[{"title":"Default Title","offer_id":44449811628135,"sku":"54008","price":180.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stone-deaf-pdf-2_54008_1_a130f9f6-3b7f-44c5-a90e-9e8979374859.jpg?v=1787090520"},{"product_id":"mxr-10-graphic-band-eq-demo-deal","title":"MXR 10 Graphic Band EQ (Demo Deal)","description":"\u003cp\u003eNo matter what your instrument, regain control of your tone with this incredible EQ. The MXR 10-Band Graphic EQ gives players huge amounts of tone shaping and level control in a bullet-proof enclosure. 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It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument level to line level signal.\u003c\/p\u003e\r\n\u003cp\u003eThe Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the low pass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\r\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 low pass filter does the same sort of thing to the sound spectrum with it's cutoff control. As you turn up the resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the Moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\r\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449931231335,"sku":"57802","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf101_moogerfooger_1_e9b9c946-00d0-422b-bf7b-46d61e2b72b9.jpg?v=1787090999"},{"product_id":"wmdevices-utility-parametric-eq","title":"WMDevices Utility Parametric EQ","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices Utility Parametric EQ\u003c\/strong\u003e features three bands of EQ with frequency ranges from about 40 Hz to 15 kHz. Each band is an independent bandpass filter with adjustable center frequency, quality factor, and gain. Use them to sculpt and shape your tone however you like.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eStomp Switch - This footswitch activates the EQ - the center LED will be lit when the pedal is engaged\u003c\/li\u003e \u003cli\u003eFreq - This selects the center frequency of the filter - the three frequency ranges are: 31 Hz to 1.6 kHz, 100 Hz to 4.8 kHz, 300 Hz to 16 kHz\u003c\/li\u003e \u003cli\u003eQ - The Quality Factor (Q) gives you control over the sharpness of the filter- turn it up and the filter section becomes resonant and more abrasive - low Q settings sound like a traditional EQ, higher Q adds resonant nodes - the Q ranges from about .1 to around 30.\u003c\/li\u003e \u003cli\u003eLevel - This controls how much cut or boost you have from the band - center it (0) and the band is out of the circuit, turn clockwise and you'll get more of that frequency, turn counter-clockwise and you'll hear less - if all three controls are at 0, you should be able to click the pedal on and off and not hear any difference\u003c\/li\u003e \u003cli\u003eOverall Level - This gives a overall cut or boost at the output of the Parametric EQ- like a volume control, but with some gain available\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943224423,"sku":"58320","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-parametric-eq_58320_1_7449f9aa-abad-4597-9146-e31c202f2a10.jpg?v=1787091037"},{"product_id":"api-tranzformer-lx","title":"API TranZformer LX Transformer\/Compressor\/EQ Bass Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eAPI TranZformer LX\u003c\/strong\u003e is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your bass. 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As used by many professionals on tour this proves to be a rugged pedal.\u003c\/p\u003e","brand":"Stone Deaf","offers":[{"title":"Default Title","offer_id":44450024489063,"sku":"63737","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stone-deaf-pdf-2-21_63737_1_6f68760d-439e-4260-8299-7456d604defd.jpg?v=1787091373"},{"product_id":"spontaneous-audio-son-of-kong-demo-deal","title":"Spontaneous Audio Son of Kong (Demo Deal)","description":"\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eThe Story\u003c\/h3\u003e\r\n\u003cp\u003eIt was 1976 and Arthur Sloatman was repairing all things musical and electronic as a technician at the old Valley Sound on Sunset Blvd. Frank Zappa sent in a busted ARP 2600 synthesizer vital to the recording of Zappa’s \u003cem\u003eZoot Allures\u003c\/em\u003e album. Sloatman fixed the ARP and Frank made him a tech at his studio, Utility Muffin Research Kitchen. For Zappa’s ’78 tour, he created custom on-board electronics for Steve Vai, Ray White and Ike Willis’ guitars.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e One day, Zappa came into the UMRK tech dungeon where Arthur was working and noticed an old Systech Harmonic Energizer and remarked that he really loved the sound of that box with his guitar, but it was so noisy at the settings he liked, he gave up on it. Sloatman studied the mystery box and figured out it was indeed a parametric EQ with a very sharp bandwidth. He consulted some audio circuit design books and created his own narrow band low noise filter. He showed it to Zappa who ultimately had Arthur install a two-band version in his stage guitars. Frank used Sloatman’s EQ circuit to “tune” his guitars to the resonant frequency of whatever room he happened to be playing. This not only allowed Zappa to produce a wide assortment of studio sounds live, it also gave him massive sustain and total control over feedback, which he used to great effect.\u003cbr\u003e\u003cbr\u003e Fast-forward thirty some years and Arthur was playing with his own band and finding himself dissatisfied with his guitar sound. After some thought, he dug up his old plans for Zappa’s EQ and set about modifying it for his own needs. The first version, dubbed \"Kong,\" was a giant box many deemed too large to be practical. Sloatman went back to the drawing board and finally miniaturized the beast to an elegant pedal-sized enclosure, and \u003cstrong\u003eSon of Kong\u003c\/strong\u003e was born.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eThe Pedal\u003c\/h3\u003e Son of Kong is an EQ\/Gain pedal and DI featuring two switchable channels of gain with the Zappa EQ hard wired in the Channel 1 signal path while Channel 2’s EQ is switchable in or out. SoK’s EQ provides up to 20 dB of boost or cut at the selected frequency and the frequency selection is infinitely variable from nearly sub-bass to high frequency definition and edge. The selected frequency band can be as wide as two octaves or as narrow as a single note so you can get quite specific when it comes to boosting or cutting frequencies.  \u003cbr\u003e\u003cbr\u003e Son of Kong features two Gain Modes – DI and +20. DI Mode is low-gain, and in conjunction with the EQ circuit provides massive headroom and killer clean tones. It works great with bass, pedal steel and all acoustic instruments, and can produce some incredibly Beatlesque keyboard tones as well. SoK’s +20 Mode provides up to 35dB of clean gain to pummel your amp’s front end into peals of singing overdrive and sustain. \u003cbr\u003e\u003cbr\u003e The EQ circuit can be clipped to create a vast palette of distortion. Crank the EQ gain then tune your distortion by sweeping the frequency and widening or narrowing the Q to achieve a variety of distortion sounds – from big, thick and heavy to sharp and nasal.  \u003cbr\u003e\u003cbr\u003e The switching capabilities inherent in Son of Kong are intense. In its simplest terms, SoK can be used to switch between direct guitar sounds in Bypass, an EQ’d boost in Channel 1 and a super boosted signal (with or without EQ) in Channel 2. Things get a bit more interesting when you utilize the Thru jack and its internal mute switch which operates like an A\/B\/Y switch. Various combinations will yield simple switching between two amps and various channel switching schemes on an old two-channel amp. \u003cbr\u003e\u003cbr\u003e We like Son of Kong because it’s just so damn cool. You can tweak and tweeze Zappa guitar tones of course—like his badass “Bulgarian Bagpipe” lead tone. When put to more subtle use, the available clean tones are exceptional— shimmering bell tones, wide clean leads, dark, vibey Motown sounds, and everything in between. Arthur swears by his beloved Tantalum capacitors and Lundhall transformer for optimum sonic integrity and we agree with his choice. Simply plugging in to Son of Kong will bring out more depth and detail of your tone.\r\n\u003cp\u003e\r\n\r\n\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eTestimonials\u003c\/h3\u003e\r\n\u003cp\u003e\u003cem\u003e\"While mixing Willie Nelson's 80th birthday concert, I used the Son of Kong on all of Neil Young's direct acoustic guitar tracks to add a fantastic body and presence to the sound. It's amazing how many ways there are to use this thing!\"  \u003c\/em\u003e\u003cstrong\u003e- F. Reid Shippen\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"I'm addicted to the Kong. This pedal has amazing tone capabilities. 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By having this pedal, it's like having new amps, too.\" \u003c\/em\u003e\u003cstrong\u003e - Jacquire King, Producer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I don't know another EQ that does exactly what it does...plugging into it with no EQ just seems to sound better.\" \u003c\/em\u003e\u003cstrong\u003e - Byron Gallimore, Producer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"This is the pedal I have always been waiting for.\"\u003c\/em\u003e\u003cstrong\u003e  - Buddy Miller, Producer\/Guitarist\u003c\/strong\u003e\u003c\/p\u003e","brand":"Spontaneous Audio","offers":[{"title":"Default Title","offer_id":44450024554599,"sku":"63736","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spontaneous_sonofkong_top_1_17397448-ec91-4789-baaf-59d32461e0d5.jpg?v=1787091373"},{"product_id":"api-tranzformer-gt-demo-deal","title":"API Tranzformer GT (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI TranZformer GT\u003c\/strong\u003e is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your guitar. 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This special limited-edition commemorative package features one-time-only reissues of the OD-1 Over Drive, PH-1 Phaser, and SP-1 Spectrum, the original three BOSS compact pedal models. Only 1500 box sets will be produced, and each comes in a deluxe presentation box with the BOSS 40th Anniversary logo and a numbered message card.\u003c\/p\u003e  \u003ch3\u003eSpecial Reissues of the Compact Models That Started It All\u003c\/h3\u003e  \u003cp\u003eIn 1977, BOSS introduced the now-famous compact series with the OD-1 Over Drive, PH-1 Phaser, and SP-1 Spectrum. Often referred to by collectors as the “traffic light series” because of their red, yellow, and green colors, these three pedals launched an effects revolution that continues to this day. With over 15 million units sold and counting, the iconic BOSS compact design remains as vital as ever, and continues to influence music makers all over the world. Now, dedicated BOSS fans everywhere can enjoy the classic sounds that started it all with this one-of-a-kind, hand-wired reissue set, which comes accompanied by a special heartfelt message from BOSS President Yoshihiro Ikegami.\u003c\/p\u003e  \u003ch3\u003eMade in Japan, Just Like the Original Pedals\u003c\/h3\u003e  \u003cp\u003eThe reissue OD-1, PH-1, and SP-1 pedals are produced exactly as the originals were, with wiring and circuit adjustment performed by hand on a special production line in Japan. All electronic components are carefully selected, ensuring fully accurate reproduction of the original pedals’ sound and response. Each pedal also features useful modern performance improvements that have absolutely no effect on the tone. These include a PSA-compatible power supply section with a protection circuit and noise filter, a reinforced battery snap, and an LED that shows effect on\/off status. 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Each of these lanes represents a specific frequency band.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums\u003c\/li\u003e\r\n\u003cli\u003eThe middle lanes make up the fundamental zone of most musical instruments and the male and female vocals\u003c\/li\u003e\r\n\u003cli\u003eThe right-hand lanes have all the high-frequency stuff , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eApplying EQ to Bass Instruments\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhen frequencies from 20 Hz - 200 Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low-frequency response.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe fundamental notes of most basses fall within the 40 Hz - 1000 Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500 Hz to 1000 Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are off ending, and by turning up the overall volume rather than boosting one specific band.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44450368618599,"sku":"105144","price":30.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/behringer-beq700_105144_1_2fc0cd17-be02-4e66-bcf1-6fe79edc3619.jpg?v=1787092775"},{"product_id":"tech-21-sansamp-bass-driver-di-v2","title":"Tech 21 SansAmp Bass Driver DI V2","description":"\u003cp\u003eMuch more than just a direct box, the \u003cstrong\u003eTech 21 SansAmp Bass Driver DI V2\u003c\/strong\u003e is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12 dB of cut or boost.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eVERSION 2\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eControls:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePresence: Controls the amount of definition and upper harmonic content\u003c\/li\u003e\r\n\u003cli\u003eDrive: Adjusts the overall gain structure and overdrive\u003c\/li\u003e\r\n\u003cli\u003eLevel: Regulates the XLR and effected 1\/4\" output levels\u003c\/li\u003e\r\n\u003cli\u003eBlend: Allows you to mix the direct bass signal with SansAmp Tube Amplifier Emulation circuitry (which is particularly useful for basses equipped with piezo pickups)\u003c\/li\u003e\r\n\u003cli\u003eBass and treble: Active EQ controls, specifically tuned for bass guitar, that cut or boost ±12 dB\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eFor studio and live applications, SansAmp Bass Driver DI is engineered with three outputs: an effected XLR, and effected 1\/4\", and a parallel, unaffected 1\/4\". The footswitch activates the Tube Amplifier Emulation circuitry. Disengaging the circuitry enables you to use SansAmp Bass Driver DI as a standard active transparent direct box.\u003c\/p\u003e","brand":"Tech 21","offers":[{"title":"Default Title","offer_id":44450399748199,"sku":"105682","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tech-21-sansamp-v2_105682_1_79995910-5a43-4a2f-b9aa-44c121bab34f.jpg?v=1787092906"},{"product_id":"kma-machines-tyler","title":"KMA Machines Tyler Two-Channel Signal Splitter Pedal","description":"\u003cp\u003eCan you hear the sounds coming from the woods? The steely strikes of an axe are echoing clearly through the forest, alongside the separated heavy thuds of chopped trees falling. It’s Tyler - a man, rough and towering, wielding his steely axe with only one aim: Splitting up your sound! The \u003cstrong\u003eKMA Machines Tyler\u003c\/strong\u003e is the ultimate tool for developing new sounds and pushing your creativity to new unprecedented heights.\u003c\/p\u003e  \u003cp\u003eTyler is an active and variable two channel crossover\/signal splitter, which divides your signal with HIGH PASS and LOW PASS paths. Both filters have a 12 db\/Oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz. Each channel has its own foot-switchable buffered FX-Loop to process your lows (WOOD) or your highs (STEEL) with independent effects loops in parallel.\u003c\/p\u003e  \u003cp\u003eThe MIX knob controls the ratio of the Low Pass and High Pass signals. The range goes from 100% LP over to a 50\/50 ratio until 100% HP when set fully clockwise. The mix control has a flat response, with equally chosen cut-off frequencies for the LP and HP to avoid notches or bumps. If required, the LEVEL control can boost your mixed signal up to 14 dB. To avoid any phase-cancellation issues when external pedals are inserted, KMA also added a phase inverter and internal trim pots to better control the impedance for not only the main input, but also for each effects-loop. This is pretty handy when you want to insert your favorite fuzz pedal and get the tone just right.\u003c\/p\u003e  \u003cp\u003eSome examples of use: Bass players want to retain their low end while using their favorite fuzz or dirt pedal. Insert your dirt box in the highpass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the STEEL footswitch and you will never turn off TYLER again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and TYLER will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any dirt pedals, for a very pronounced and punchy sound all coming from one amp.  As you can see, TYLER is like a Swiss army knife for your tone, being both a sonic tool and a supreme source of creativity - so take your axe and let the magic happen.\u003c\/p\u003e  \u003cp\u003ePowered by an optional standard 9 V DC (max) PSU (negative center, 2.1 mm, approx. 18 mA current draw).\u003c\/p\u003e  \u003cp\u003eEvery pedal is designed, assembled, silkscreened, tested and numbered by hand in KMA's small workshop. Doublesided PCBs are designed, tested and assembled by KMA, to guarantee a high quality standard and keep the price of the pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eLow Pass: Sets the cut-off frequency of the low-pass between 3 kHz and 20 Hz\u003c\/li\u003e \u003cli\u003eHigh Pass: Sets the cut-off frequency of the high-pass between 3 kHz and 20 Hz\u003c\/li\u003e \u003cli\u003eMix: Sets the ratio of the low- and high-pass channel: fully left 100% LP, noon 50\/50, fully right 100% HP\u003c\/li\u003e \u003cli\u003eLevel: Sets the overall volume with up to 14 dB boost\u003c\/li\u003e \u003cli\u003ePhase Switch: Switches the phase of the high-pass\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eInternal Controls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eHP_S: Sets the high-pass channel FX-loop input impedance\u003c\/li\u003e \u003cli\u003eLP_S: Sets the low-pass channel FX-loop input impedance\u003c\/li\u003e \u003cli\u003eIN_S: Sets the general input impedance\u003c\/li\u003e \u003c\/ul\u003e","brand":"KMA Machines","offers":[{"title":"Default Title","offer_id":44450439463015,"sku":"121766","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kma-tyler_121766_1.jpg?v=1787093069"},{"product_id":"boss-eq-200-graphic-equalizer","title":"Boss EQ-200 Graphic Equalizer Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eBoss EQ-200 Graphic Equalizer\u003c\/strong\u003e is the most flexible compact EQ ever created for guitar and bass. It features two wide-ranging 10-band EQ channels, plus an onboard graphic display that shows the current EQ curve at a glance. Selectable signal flow structures configure the channels for stereo, parallel, or series operation, and it’s even possible to patch in external pedals for deep pre\/post tone shaping. Going further, the frequency centers of all 10 bands can be set to three different types, letting you optimize the EQ-200’s performance for different instruments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit AD\/DA, 32-bit internal processing, and 96 kHz sampling rate, as well as support for additional control via external switches, an expression pedal, or MIDI.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":44450445885543,"sku":"122306","price":252.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/boss-eq-200_122306_1_688405bc-df7c-47c8-a3d9-ac8b66b4e3e3.jpg?v=1787093096"},{"product_id":"stone-deaf-pdf-1x-ltd-edition","title":"Stone Deaf PDF-1X Overdrive\/Distortion\/Fuzz Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eStone Deaf PDF-1X Ltd Edition\u003c\/strong\u003e is a hybrid pedal combining the attributes and features of the PDF-1 and the PDF-2. The addition of a volume control knob, lower noise floor and addition of an extra 15+ dB boost make this product the most versatile version of the PDF line. It also has an adjustable gain circuit and studio-quality parametric EQ.\u003c\/p\u003e","brand":"Stone Deaf","offers":[{"title":"Default Title","offer_id":44450515943527,"sku":"130676","price":180.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stone-deaf-pdf-1x_130676_1_2e26be89-df27-41b1-afd8-a5ff9eac05f0.jpg?v=1787093378"},{"product_id":"walrus-eb-10-preamp-eq-boost-cream","title":"Walrus EB-10 Preamp\/EQ\/Boost Pedal - Cream","description":"\u003cp\u003eA tone tweakers delight, the \u003cstrong\u003eWalrus EB-10\u003c\/strong\u003e works as a preamp, EQ and boost with three available presets to meticulously craft your guitar's sound allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12 dB of boost OR cut of Low, Mid, and High frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10 dB MOSFET boost for some great extra punch.\u003c\/p\u003e\r\n\u003cp\u003eUse the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had.\u003c\/p\u003e\r\n\u003cp\u003eThe EB-10 offers two operating modes, “Live” and “Preset”. In live mode, the pedal responds to the current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets.\u003c\/p\u003e\r\n\u003cp\u003eA portion of proceeds from each pedal sold will be donated to \u003ca href=\"www.raicestexas.org\" target=\"_blank\" rel=\"noopener\"\u003eRAICES\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003ePower requirements are 9VDC, center negative (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.\u003c\/p\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":44450589474919,"sku":"140450","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/walrus-eb-10-cream_140450_1_823df2d7-131a-4c5d-8087-6505b27c64fb.jpg?v=1787093664"},{"product_id":"walrus-eb-10-preamp-eq-boost-black","title":"Walrus EB-10 Preamp\/EQ\/Boost Pedal - Black","description":"\u003cp\u003eA tone tweakers delight, the \u003cstrong\u003eWalrus EB-10\u003c\/strong\u003e works as a preamp, EQ and boost with three available presets to meticulously craft your guitar's sound allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12 dB of boost OR cut of Low, Mid, and High frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10 dB MOSFET boost for some great extra punch.\u003c\/p\u003e\r\n\u003cp\u003eUse the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had.\u003c\/p\u003e\r\n\u003cp\u003eThe EB-10 offers two operating modes, “Live” and “Preset”. In live mode, the pedal responds to the current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets.\u003c\/p\u003e\r\n\u003cp\u003eA portion of proceeds from each pedal sold will be donated to \u003ca href=\"www.raicestexas.org\" target=\"_blank\" rel=\"noopener\"\u003eRAICES\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003ePower requirements are 9VDC, center negative (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.\u003c\/p\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":44450589507687,"sku":"140449","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/walrus-eb-10_140449_1_8ff8cb61-5278-4880-b8c4-c013f4e6aec1.jpg?v=1787093664"},{"product_id":"kma-machines-tyler-deluxe","title":"KMA Machines Tyler Deluxe Dual Frequency Splitter Pedal","description":"\u003cp\u003eDo you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature’s most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is the \u003cstrong\u003eKMA Machines Tyler Deluxe\u003c\/strong\u003e - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.\u003c\/p\u003e\r\n\u003cp\u003eKMA Machine’s Tyler (active and variable two channel crossover\/signal splitter) has successfully found its place on many bass and guitar players’ boards around the world, helping them refine and define their tone. However never to stand still, KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great user feedback.\u003c\/p\u003e\r\n\u003cp\u003eThe heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths both filters have a 12 dB\/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let’s dive into everything that makes this pedal Deluxe.\u003c\/p\u003e\r\n\u003cp\u003eSince the original Tyler was also used as an advanced AB\/Y box by many, it was found that ground loops could occur - no more with Tyler Deluxe! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (±) to get rid of potential unwanted phase cancelation.\u003c\/p\u003e\r\n\u003cp\u003eThe next new must-have feature is there to ensure the transparency of your setup - the good old CLEAN blend.\u003c\/p\u003e\r\n\u003cp\u003eSo far so good, but the Deluxe delights don’t stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter-frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow Tyler's evolution, KMA added another claimed feature. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artifacts pass through when disengaging one of the loops.\u003c\/p\u003e\r\n\u003cp\u003eModern times brings modern needs, so Tyler Deluxe is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.\u003c\/p\u003e\r\n\u003cp\u003eSome examples of use: Bass players want to retain their low end while using their favorite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the STEEL foot-switch and you will never turn off Tyler again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and Tyler will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any dirt pedals, for a very pronounced and punchy sound all coming from one amp. If there ever was a Swiss army knife for your tone, then Tyler Deluxe must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.\u003c\/p\u003e\r\n\u003cp\u003ePowered by an optional standard 9V DC (max) PSU (negative center, 2.1mm, approx. 100mA current draw).\u003c\/p\u003e","brand":"KMA Machines","offers":[{"title":"Default Title","offer_id":44450706554983,"sku":"156924","price":349.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kma-tyler-deluxe_156924_1.jpg?v=1787094177"},{"product_id":"api-tranzformer-gtr-pedal","title":"API Select TranZformer GTR Pedal","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe API Select TranZformer GTR Guitar Pedal incorporates API’s legendary EQ circuit into a versatile and compact guitar effects pedal. Designed to easily fit on your pedalboard and engineered to run on standard 9V power supplies, the API Audio GTR offers ±15 dB of gain on three specific frequencies. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAdditionally, the gain stage can be switched from Clean Boost to Overdrive mode to drive the input OpAmp and add even more tones to your arsenal. Other features include a buffered bypass, -20 dB output pad, selectable peak\/shelf for upper frequency range, transformer output, and of course the classic API sound.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eBOOST AND EQ PEDAL WITH THE CLASSIC API SOUND\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen you plug into the TranZformer GTR, the first thing a user sees is the pedal's variable-gain preamp. Filled with classic API character, this preamp includes a Gain knob with roughly 0dB to +40dB of gain, offering more gain for more boost or overdrive. The Mode knob can toggle between an undistorted Clean Boost and an Overdrive mode that helps drive a 2510 op-amp into saturation. Guitarists love the TranZformer GTR's Output Pad, which offers a -20dB pad on your output.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe TranZformer GTR is an API EQ and can fit on any pedalboard! The TranZformer GTR Boost Pedal can be configured as an undistorted clean boost or even as an overdrive that pushes this stompbox's 2510 input amplifier into a full saturation. Users can also get a guitar-optimized three-band equalizer for classic API-style sonic sculpting. A muscular-sounding transformer output can put the final sonic stamp on this guitar effects pedal's iconic API sound. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe TranZformer GTR Pedal was engineered for high-performance operation through a standard 9-volt power supply. At home in both the studio and on stage, the pro audio quality stompbox boasts\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ehigh-quality buffered bypass switching\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e for an optimal signal, even if the studio rig includes arena-sized cable runs. An easy-to-see LED indicator helps round out the API TranZformer GTR's outstanding features.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eRequires separate power supply. 9 - 18V DC negative center, 2.1 x 5.5mm barrel connector. Do not use more than 18V DC.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44450718023783,"sku":"157842","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-select-tranz-gtr_157842_1.jpg?v=1787094229"},{"product_id":"stone-deaf-pdf-1x-ltd-edition-standard-demo-deal","title":"Stone Deaf PDF-1X Overdrive\/Distortion\/Fuzz Pedal (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStone Deaf PDF-1X Ltd Edition\u003c\/strong\u003e is a hybrid pedal combining the attributes and features of the PDF-1 and the PDF-2. The addition of a volume control knob, lower noise floor and addition of an extra 15+ dB boost make this product the most versatile version of the PDF line. It also has an adjustable gain circuit and studio-quality parametric EQ.\u003c\/p\u003e","brand":"Stone Deaf","offers":[{"title":"Default Title","offer_id":44450731982951,"sku":"159762","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stone-deaf-pdf-1x_130676_1_1_2fda97ca-d872-4b60-ba3d-8a747359ac9a.jpg?v=1787094291"},{"product_id":"api-select-tranzformer-gtr-pedal-demo-deal","title":"API Select TranZformer GTR Pedal (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI Select TranZformer GTR Pedal\u003c\/strong\u003e incorporates API’s legendary EQ circuit into a versatile and compact guitar effects pedal. Designed to easily fit into your pedal board and engineered to run on standard 9V power supplies, the GTR offers ±15 dB of gain on 3 specific frequencies. Additionally, the gain stage can be switched from Clean Boost to Overdrive mode to drive the input OpAmp and add even more tones to your arsenal. Other features include a buffered bypass, -20 dB output pad, selectable peak\/shelf for upper frequency range, trans former output, and of course the classic API sound.\u003c\/p\u003e  \u003cp\u003e\u003cem\u003eRequires separate power supply. 9 - 18V DC negative center, 2.1 x 5.5mm barrel connector. Do not use more than 18V DC.\u003c\/em\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44450742992999,"sku":"160524","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-select-tranz-gtr_157842_1_c355fddc-7db8-4288-8244-ef0d77f06799.jpg?v=1787094338"},{"product_id":"darkglass-microtubes-b7k-v2-bass-preamp-pedal","title":"Darkglass Microtubes B7K V2 Bass Preamp Pedal","description":"\u003cp\u003eWith the \u003cstrong\u003eDarkglass Microtubes B7K V2 Bass Preamp Pedal\u003c\/strong\u003e you get all the features of the original, with the ability to better sculpture your tone: on the low mids you have the option to change the center frequency from 1KHz to 500Hz, and on the high mids you have the option to change the center frequency from 3 kHz to 1.5 kHz. This will enable you to tailor your absolute dream distortion tone.\u003c\/p\u003e\r\n\u003cp\u003eThe character and core of the Microtubes B7K remains the same, still retaining the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.\u003c\/p\u003e","brand":"Darkglass","offers":[{"title":"Default Title","offer_id":44450774614119,"sku":"158193","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tube-b7k_158193_2.jpg?v=1787094477"},{"product_id":"darkglass-microtubes-b7k-v2-bass-preamp-pedal-demo-deal","title":"Darkglass Microtubes B7K V2 Bass Preamp Pedal (Demo Deal)","description":"\u003cp\u003eWith the \u003cstrong\u003eDarkglass Microtubes B7K V2 Bass Preamp Pedal\u003c\/strong\u003e you get all the features of the original, with the ability to better sculpture your tone: on the low mids you have the option to change the center frequency from 1KHz to 500Hz, and on the high mids you have the option to change the center frequency from 3 kHz to 1.5 kHz. This will enable you to tailor your absolute dream distortion tone.\u003c\/p\u003e\n\u003cp\u003eThe character and core of the Microtubes B7K remains the same, still retaining the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.\u003c\/p\u003e","brand":"Darkglass","offers":[{"title":"Default Title","offer_id":44450776547431,"sku":"159254","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tube-b7k_158193_2_e8ab0471-2ae6-4b6c-b7eb-b9a8fa5a6742.jpg?v=1787094486"},{"product_id":"kma-machines-tyler-demo-deal","title":"KMA Machines Tyler (Demo Deal)","description":"\u003cp\u003eCan you hear the sounds coming from the woods? The steely strikes of an axe are echoing clearly through the forest, alongside the separated heavy thuds of chopped trees falling. It’s Tyler - a man, rough and towering, wielding his steely axe with only one aim: Splitting up your sound! The \u003cstrong\u003eKMA Machines Tyler\u003c\/strong\u003e is the ultimate tool for developing new sounds and pushing your creativity to new unprecedented heights.\u003c\/p\u003e  \u003cp\u003eTyler is an active and variable two channel crossover\/signal splitter, which divides your signal with HIGH PASS and LOW PASS paths. Both filters have a 12 db\/Oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz. Each channel has its own foot-switchable buffered FX-Loop to process your lows (WOOD) or your highs (STEEL) with independent effects loops in parallel.\u003c\/p\u003e  \u003cp\u003eThe MIX knob controls the ratio of the Low Pass and High Pass signals. The range goes from 100% LP over to a 50\/50 ratio until 100% HP when set fully clockwise. The mix control has a flat response, with equally chosen cut-off frequencies for the LP and HP to avoid notches or bumps. If required, the LEVEL control can boost your mixed signal up to 14 dB. To avoid any phase-cancellation issues when external pedals are inserted, KMA also added a phase inverter and internal trim pots to better control the impedance for not only the main input, but also for each effects-loop. This is pretty handy when you want to insert your favorite fuzz pedal and get the tone just right.\u003c\/p\u003e  \u003cp\u003eSome examples of use: Bass players want to retain their low end while using their favorite fuzz or dirt pedal. Insert your dirt box in the highpass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the STEEL footswitch and you will never turn off TYLER again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and TYLER will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any dirt pedals, for a very pronounced and punchy sound all coming from one amp.  As you can see, TYLER is like a Swiss army knife for your tone, being both a sonic tool and a supreme source of creativity - so take your axe and let the magic happen.\u003c\/p\u003e  \u003cp\u003ePowered by an optional standard 9 V DC (max) PSU (negative center, 2.1 mm, approx. 18 mA current draw).\u003c\/p\u003e  \u003cp\u003eEvery pedal is designed, assembled, silkscreened, tested and numbered by hand in KMA's small workshop. Doublesided PCBs are designed, tested and assembled by KMA, to guarantee a high quality standard and keep the price of the pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eLow Pass: Sets the cut-off frequency of the low-pass between 3 kHz and 20 Hz\u003c\/li\u003e \u003cli\u003eHigh Pass: Sets the cut-off frequency of the high-pass between 3 kHz and 20 Hz\u003c\/li\u003e \u003cli\u003eMix: Sets the ratio of the low- and high-pass channel: fully left 100% LP, noon 50\/50, fully right 100% HP\u003c\/li\u003e \u003cli\u003eLevel: Sets the overall volume with up to 14 dB boost\u003c\/li\u003e \u003cli\u003ePhase Switch: Switches the phase of the high-pass\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eInternal Controls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eHP_S: Sets the high-pass channel FX-loop input impedance\u003c\/li\u003e \u003cli\u003eLP_S: Sets the low-pass channel FX-loop input impedance\u003c\/li\u003e \u003cli\u003eIN_S: Sets the general input impedance\u003c\/li\u003e \u003c\/ul\u003e","brand":"KMA Machines","offers":[{"title":"Default Title","offer_id":44450776842343,"sku":"167746","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kma-tyler_121766_1_a318263b-de82-476b-b847-449ff5e29dd7.jpg?v=1787094487"},{"product_id":"api-select-tranzformer-llx-pedal","title":"API Select TranZformer LLX Pedal","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAPI’s tone-shaping circuitry and preamps have been legendary in the recording world, and that same circuitry is finally available as a powerful multi-faceted and tone-shaping pedal for bass guitars. The \u003cstrong\u003eAPI Select TranZformer LLX Compressor Pedal\u003c\/strong\u003e easily offers a helpful spread of boost, EQ, and overdrive options within a clean layout that’s easy to use and won’t overrun any pedalboard real estate. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe API TranZformer’s primary feature is the powerful EQ section with three bass guitar-specific frequencies that offer up to +\/- 15dB per band. With a quick twist of the knobs, users can effortlessly carve out a variety of perfect bass tones at a moment’s notice. Bassists can now enjoy pushing the lows for pulsing dub-like thump or even bumping the mids and highs into a timeless, raggedy, and cutting overdrive. The TranZformer Pedal can intuitively tackle hundreds of tones in between these options.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eSHARP BASS TONES WITH API'S POWERFUL BOOST, EQ, AND OVERDRIVE CAPABILITIES\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe API Select TranZformer LLX incorporates API's legendary equalizer circuit into a versatile and compact bass effects pedal. Made to easily fit on any pedal board and run on standard 9V or 18V power supplies, the API LLX Pedal offers ±15 dB of gain on three bass guitar-centric requencies. In addition, the gain stage can even be switched from Clean Boost to Overdrive mode to help drive the input OpAmp and add more tones to your bass rig. Other features include the TranZformer’s buffered bypass,  selectable peak\/shelf for upper frequency range,-20 dB output pad, transformer output, and that timeless API sound. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003cstrong\u003eAPI SELECT TRANZFORMER LLX PEDAL EQ FEATURES\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe API Audio TranZformer Pedal offers 3-band selectors (100Hz, 400Hz, and 2kHz). The lower bands have a bigger effect on overall core tone and fundamental notes while the higher 2kHz band affects upper-register fundamentals, harmonics, and overtones. Each of the TranZformer’s knobs offer +\/- 15dB with a locking indent in the center for a neutral equalizer option. The 2kHz range uses a peak\/shelf toggle that can alter the character of the user's attack similar to a frequency-specific compression. The entire peak\/shelf toggle is useful when running the TransZformer Compressor Pedal in overdrive mode or when playing with a simple pick. Finally, the TranZformer features a -20dB output pad toggle perfect for active pickup players or high-gain pedalboards. Order today!\u003c\/span\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44450831990887,"sku":"175590","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-select-tranzformer-llx_175590_1.jpg?v=1787094711"},{"product_id":"spaceman-effects-equinox-limited-edition-comet-finish","title":"Spaceman Effects Equinox EQ Pedal - Limited Edition Comet Finish","description":"\u003cp\u003eThe \u003cstrong\u003eSpaceman Effects Equinox\u003c\/strong\u003e is an expansive tone shaping tool inspired by studio equalizers of the past. Spaceman has thoughtfully analyzed these classic circuits to lovingly craft a modest form factor, instrument level focused design. The core circuit features an abundance of irregular options that have rarely been applied to traditional stompbox EQs. The atypical multi-band configuration, with custom filter ranges, are capable of complex and interactive frequency responses. Discrete high-headroom input and output stages make it suited to handle a variety of input sources, while providing tons of warm vintage character.\u003c\/p\u003e\r\n\u003cp\u003eThe Equinox is divided up into 3 sections: One LO band, with BOOST and CUT capabilities, one HI CUT band, and one HI BOOST band. The LO band, and HI CUT band are first order filters, while the HI BOOST band is a second order filter. A number of cool tricks can be accomplished by carefully mixing the various cut and boost parameters. For example, using both the CUT and BOOST parameters of the LO band can create large scoops or shelves similar to using 2 sections of a parametric EQ giving you a tight, focused, yet thunderous bass response. By exploring these interactions one can realize a plethora of frequency rolloff shapes to surgically alter your signal source in exciting and dynamic ways. Placing the Equinox at different spots in your chain gives you the ability to tweak your sonic soundscape as subtly or as dramatically as you like.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTRULY HAND CRAFTED\u003c\/h3\u003e\r\n\u003cp\u003eHand-wired and built in Portland, Oregon, the Equinox features mechanical true-bypass switching with a heavy-duty latching footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.\u003c\/p\u003e","brand":"Spaceman","offers":[{"title":"Default Title","offer_id":44450854404199,"sku":"177916","price":339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spaceman-equinox_177916_1.jpg?v=1787094810"},{"product_id":"empress-effects-paraeq-mkii-deluxe","title":"Empress Effects ParaEq MKII Deluxe EQ Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eEmpress Effects ParaEq MKII Deluxe\u003c\/strong\u003e brings back one of Empress’ most beloved pedal designs with exciting new features. The original ParaEq, released in 2010, steadily grew in reputation for its visceral tone-shaping, extreme transparency, and intuitive controls, rivaled only by studio-grade equipment. With the reintroduction of the ParaEq, Empress have kept everything people loved about the original, but we took it to the next level. They have enhanced the already amazing audio path purity with lower noise circuitry and a huge 27V of headroom. They have also also managed to squeeze it all into a pedalboard friendly footprint with top-mounted jacks for maximum convenience.\u003c\/p\u003e\r\n\u003cp\u003e3 bands of parametric EQ, each with fully adjustable Q width knobs for perfectly detailed EQ curves, give you an extremely flexible EQ. Setting the Q wide is great for general tone shaping and is extremely transparent. A medium Q setting is perfect for everyday problem solving like pulling out boxiness from the low mids to reduce harshness and adding a bit in the upper mids. Setting the Q to narrow excels at notching out problem frequencies and is a savior for acoustic guitarists when combating feedback issues. The ParaEq Deluxe also includes gorgeous sounding Baxandall high and low shelving filters for even more added control and 12\/dB\/oct high and low pass filters for maximum signal cleanup, leading to the most fully featured guitar pedal EQ available.\u003c\/p\u003e\r\n\u003cp\u003eThe Boost section offers +30 dB of clean boost and can be set to engage with the EQ section to act as a make-up gain when doing subtractive EQ, or can be used completely separately as a pure clean boost. Great for bumping up your volume for solos, or hitting the front end of a tube amp for a bit more break-up.\u003c\/p\u003e\r\n\u003cp\u003eThe signal path of the ParaEq MKII consists of the highest quality components chosen to deliver a perfectly organic tone. The transparent and sweet sounding EQ enhances your sound without masking the pure tone of your instrument, whether it be guitar, bass, synthesizer, or the human voice. Empress have increased the headroom significantly up to 27V internally, meaning it’ll be a real challenge to make this thing clip. Empress measured the distortion to be less than 0.05%, resulting in a pristine sound. True bypass means you’ll never worry if your tone has been sucked dry. Advanced configurations allow for buffered bypass, independence between EQ and boost controls, and startup state configurability. Top-mounted jacks mean the pedal can be patched up into your pedalboard as cleanly as it sounds and occupy a fraction of the space compared to Empress's old enclosures.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ePlease note: The Empress ParaEq MKII requires at least 300 mA of current to function properly. Any power supply rated at 9V DC, supplying negative tip polarity and at least 300 mA of current should work.\u003c\/em\u003e\u003c\/p\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":44450883534951,"sku":"184205","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/empress-paraeq-deluxe-mkii_184205_1_85625f38-4851-4909-907c-8620743a0802.jpg?v=1787094946"},{"product_id":"empress-effects-paraeq-mkii","title":"Empress Effects ParaEq MKII EQ Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eEmpress Effects ParaEq MKII\u003c\/strong\u003e brings back one of Empress’ most beloved pedal designs with exciting new features. The original ParaEq, released in 2010, steadily grew in reputation for its visceral tone-shaping, extreme transparency, and intuitive controls, rivaled only by studio-grade equipment. With the reintroduction of the ParaEq, Empress have kept everything people loved about the original, but we took it to the next level. They have enhanced the already amazing audio path purity with lower noise circuitry and a huge 27V of headroom. They have also also managed to squeeze it all into a pedalboard friendly footprint with top-mounted jacks for maximum convenience.\u003c\/p\u003e\r\n\u003cp\u003e3 bands of parametric EQ, each with 3 selectable Q widths, give you an extremely flexible EQ. The wide Q is great for general tone shaping and is extremely transparent. The medium Q is perfect for everyday problem solving like pulling out boxiness from the low mids or reducing harshness and adding a bit in the upper mids. The narrow Q excels at notching out problem frequencies and is a savior for acoustic guitarists when combating feedback issues.\u003c\/p\u003e\r\n\u003cp\u003eThe Boost section offers +30 dB of clean boost and can be set to engage with the EQ section to act as a make-up gain when doing subtractive EQ, or can be used completely separately as a pure clean boost. Great for bumping up your volume for solos, or hitting the front end of a tube amp for a bit more break-up.\u003c\/p\u003e\r\n\u003cp\u003eThe signal path of the ParaEq MKII consists of the highest quality components chosen to deliver a perfectly organic tone. The transparent and sweet sounding EQ enhances your sound without masking the pure tone of your instrument, whether it be guitar, bass, synthesizer, or the human voice. Empress have increased the headroom significantly up to 27V internally, meaning it’ll be a real challenge to make this thing clip. Empress measured the distortion to be less than 0.05%, resulting in a pristine sound. True bypass means you’ll never worry if your tone has been sucked dry. Advanced configurations allow for buffered bypass, independence between EQ and boost controls, and startup state configurability. Top-mounted jacks mean the pedal can be patched up into your pedalboard as cleanly as it sounds and occupy a fraction of the space compared to Empress's old enclosures.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ePlease note: The Empress ParaEq MKII requires at least 300 mA of current to function properly. Any power supply rated at 9V DC, supplying negative tip polarity and at least 300 mA of current should work.\u003c\/em\u003e\u003c\/p\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":44450883600487,"sku":"184204","price":274.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/empress-paraeq-mkii_184204_1_024699ee-0b51-4bba-a259-cfdad42f497c.jpg?v=1787094947"},{"product_id":"kma-machines-tyler-deluxe-dual-frequency-splitter-pedal-demo-deal","title":"KMA Machines Tyler Deluxe Dual Frequency Splitter Pedal (Demo Deal)","description":"\u003cp\u003eDo you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature’s most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is the \u003cstrong\u003eKMA Machines Tyler Deluxe\u003c\/strong\u003e - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.\u003c\/p\u003e\n\u003cp\u003eKMA Machine’s Tyler (active and variable two channel crossover\/signal splitter) has successfully found its place on many bass and guitar players’ boards around the world, helping them refine and define their tone. However never to stand still, KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great user feedback.\u003c\/p\u003e\n\u003cp\u003eThe heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths both filters have a 12 dB\/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let’s dive into everything that makes this pedal Deluxe.\u003c\/p\u003e\n\u003cp\u003eSince the original Tyler was also used as an advanced AB\/Y box by many, it was found that ground loops could occur - no more with Tyler Deluxe! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (±) to get rid of potential unwanted phase cancelation.\u003c\/p\u003e\n\u003cp\u003eThe next new must-have feature is there to ensure the transparency of your setup - the good old CLEAN blend.\u003c\/p\u003e\n\u003cp\u003eSo far so good, but the Deluxe delights don’t stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter-frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow Tyler's evolution, KMA added another claimed feature. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artifacts pass through when disengaging one of the loops.\u003c\/p\u003e\n\u003cp\u003eModern times brings modern needs, so Tyler Deluxe is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.\u003c\/p\u003e\n\u003cp\u003eSome examples of use: Bass players want to retain their low end while using their favorite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the STEEL foot-switch and you will never turn off Tyler again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and Tyler will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any dirt pedals, for a very pronounced and punchy sound all coming from one amp. If there ever was a Swiss army knife for your tone, then Tyler Deluxe must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.\u003c\/p\u003e\n\u003cp\u003ePowered by an optional standard 9V DC (max) PSU (negative center, 2.1mm, approx. 100mA current draw).\u003c\/p\u003e","brand":"KMA Machines","offers":[{"title":"Default Title","offer_id":44450896347239,"sku":"185231","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kma-tyler-deluxe_156924_1_c9acba47-e3bf-4478-ac84-c7d29a8c68ff.jpg?v=1787094993"},{"product_id":"api-select-tranzformer-llx-pedal-demo-deal","title":"API Select TranZformer LLX Pedal (Demo Deal)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAPI’s tone-shaping circuitry and preamps have been legendary in the recording world, and that same circuitry is finally available as a powerful multi-faceted and tone-shaping pedal for bass guitars. The \u003cstrong\u003eAPI Select TranZformer LLX Compressor Pedal\u003c\/strong\u003e easily offers a helpful spread of boost, EQ, and overdrive options within a clean layout that’s easy to use and won’t overrun any pedalboard real estate. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe API TranZformer’s primary feature is the powerful EQ section with three bass guitar-specific frequencies that offer up to +\/- 15dB per band. With a quick twist of the knobs, users can effortlessly carve out a variety of perfect bass tones at a moment’s notice. Bassists can now enjoy pushing the lows for pulsing dub-like thump or even bumping the mids and highs into a timeless, raggedy, and cutting overdrive. The TranZformer Pedal can intuitively tackle hundreds of tones in between these options.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSHARP BASS TONES WITH API'S POWERFUL BOOST, EQ, AND OVERDRIVE CAPABILITIES\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe API Select TranZformer LLX incorporates API's legendary equalizer circuit into a versatile and compact bass effects pedal. Made to easily fit on any pedal board and run on standard 9V or 18V power supplies, the API LLX Pedal offers ±15 dB of gain on three bass guitar-centric requencies. In addition, the gain stage can even be switched from Clean Boost to Overdrive mode to help drive the input OpAmp and add more tones to your bass rig. Other features include the TranZformer’s buffered bypass,  selectable peak\/shelf for upper frequency range,-20 dB output pad, transformer output, and that timeless API sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAPI SELECT TRANZFORMER LLX PEDAL EQ FEATURES\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe API Audio TranZformer Pedal offers 3-band selectors (100Hz, 400Hz, and 2kHz). The lower bands have a bigger effect on overall core tone and fundamental notes while the higher 2kHz band affects upper-register fundamentals, harmonics, and overtones. Each of the TranZformer’s knobs offer +\/- 15dB with a locking indent in the center for a neutral equalizer option. The 2kHz range uses a peak\/shelf toggle that can alter the character of the user's attack similar to a frequency-specific compression. The entire peak\/shelf toggle is useful when running the TransZformer Compressor Pedal in overdrive mode or when playing with a simple pick. Finally, the TranZformer features a -20dB output pad toggle perfect for active pickup players or high-gain pedalboards. Order today!\u003c\/span\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44450902933607,"sku":"186150","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api-select-tranzformer-llx_175590_1_57bf3e96-5435-4b60-880b-7db243b5fca4.jpg?v=1787095022"},{"product_id":"spaceman-effects-equinox-eq-pedal-limited-edition-comet-finish-demo-deal","title":"Spaceman Effects Equinox EQ Pedal - Limited Edition Comet Finish (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSpaceman Effects Equinox\u003c\/strong\u003e is an expansive tone shaping tool inspired by studio equalizers of the past. Spaceman has thoughtfully analyzed these classic circuits to lovingly craft a modest form factor, instrument level focused design. The core circuit features an abundance of irregular options that have rarely been applied to traditional stompbox EQs. The atypical multi-band configuration, with custom filter ranges, are capable of complex and interactive frequency responses. Discrete high-headroom input and output stages make it suited to handle a variety of input sources, while providing tons of warm vintage character.\u003c\/p\u003e\n\u003cp\u003eThe Equinox is divided up into 3 sections: One LO band, with BOOST and CUT capabilities, one HI CUT band, and one HI BOOST band. The LO band, and HI CUT band are first order filters, while the HI BOOST band is a second order filter. A number of cool tricks can be accomplished by carefully mixing the various cut and boost parameters. For example, using both the CUT and BOOST parameters of the LO band can create large scoops or shelves similar to using 2 sections of a parametric EQ giving you a tight, focused, yet thunderous bass response. By exploring these interactions one can realize a plethora of frequency rolloff shapes to surgically alter your signal source in exciting and dynamic ways. Placing the Equinox at different spots in your chain gives you the ability to tweak your sonic soundscape as subtly or as dramatically as you like.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTRULY HAND CRAFTED\u003c\/h3\u003e\n\u003cp\u003eHand-wired and built in Portland, Oregon, the Equinox features mechanical true-bypass switching with a heavy-duty latching footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.\u003c\/p\u003e","brand":"Spaceman","offers":[{"title":"Default Title","offer_id":44450948186215,"sku":"195861","price":309.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spaceman-equinox_177916_1_90c6d15b-0fac-4378-a563-969b370c5f4a.jpg?v=1787095223"},{"product_id":"empress-effects-paraeq-mkii-deluxe-eq-pedal-black","title":"Empress Effects ParaEq MKII Deluxe EQ Pedal - Limited Edition Black","description":"\u003cp\u003eThe original launch of the ParaEq MKII and ParaEq MKII Deluxe was one of the biggest in the history of Empress Effects, so wanted to do something special to celebrate its success with the \u003cstrong\u003eEmpress Effects ParaEq MKII Deluxe\u003c\/strong\u003e in a limited run of 500 pieces in a sleek black sparkle finish. Along with the white-on-black graphics, the pedal offers all the features that made the ParaEq MKII Deluxe Empress's top-selling pedal of 2023, with 3 parametric EQ bands, 4 additional filters, 30 dB of footswitchable boost, 27V internal operation for pristine headroom, and your choice of true or buffered bypass.\u003c\/p\u003e\r\n\u003cp\u003eGrab a ParaEq MKII Deluxe in this exclusive finish before they’re all gone, and enjoy this exclusive version of what might be the most powerful tone shaping pedal on the planet.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePOWERFUL PARAMETRIC EQ\u003c\/h3\u003e\r\n\u003cp\u003eThe pedal features 3 parametric bands, each with up to 15 dB of boost and cut and fully variable bandwidth. The lower knobs control high-pass, low-pass, and low- and high-shelf Baxandall filters. It’s the perfect tool whether you need wide, smooth curves or tight surgical precision. The pedal also operates internally at 27V, close to rack-mount studio gear, for enough clean headroom to handle even the most aggressive frequency boosts.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eFOOTSWITCHABLE BOOST\u003c\/h3\u003e\r\n\u003cp\u003eThe Boost section offers +30 dB of clean boost and can be set to engage with the EQ section to act as a make-up gain when doing subtractive EQ, or can be used completely separately as a pure clean boost. Great for bumping up your volume for solos, or hitting the front end of a tube amp for a bit more break-up.\u003c\/p\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":44451094757479,"sku":"343327","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/empress-paraeq-mkii-black_343327_1_3224c1e0-65ac-4c95-a9e8-f6af70b65880.jpg?v=1787095815"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/instruments-pedals-eq-pedals.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}