{"title":"Jackson Ampworks","description":null,"products":[{"product_id":"jackson-ampworks-mcfly-celestion-gold-combo-tweed","title":"Jackson Ampworks McFly\/Celestion Gold Combo - Tweed","description":"\u003ch3\u003eDESIGN GOALS\u003c\/h3\u003e\r\n\u003cp\u003eFrom the ground up, the \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e was designed as an original circuit and not a clone of anything that’s been done before. They wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e\r\n\u003cp\u003eAccomplishing these two goals was done over an 18 month period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until they felt  the McFly achieved a unique voice all its own.\u003c\/p\u003e\r\n\u003ch3\u003eFEATURES\u003c\/h3\u003e\r\n\u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e\r\n\u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e\r\n\u003ch3\u003eTONE CONTROLS\u003c\/h3\u003e\r\n\u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e\r\n\u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e\r\n\u003ch3\u003eOUTPUT TUBES\u003c\/h3\u003e\r\n\u003cp\u003eTo complement the 6SN7 preamp, Jackson Ampworks, chose to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. To help create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e\r\n\u003ch3\u003eOUTPUT POWER FOR EACH POWER MODE\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e6V6: 13W (Clean), 18W (Overdriven)\u003c\/li\u003e\r\n\u003cli\u003e6L6-GC: 25W (Clean), 40W (Overdriven)\u003c\/li\u003e\r\n\u003cli\u003eBOTH: 46W (Clean), 70W (Overdriven)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePOWER SCALING\u003c\/h3\u003e\r\n\u003cp\u003eTo round out the feature set for the McFly, and to make the amplifier more useful in volume sensitive environments, we have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode!\u003c\/p\u003e\r\n\u003cp\u003eTo guarantee reliability and that your tone is never restricted, Jackson Ampworks has custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With their new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. Compare this with most amplifiers that lose low-end and high-end definition at high volumes and cause the mid-range to “bunch up” and lose overall clarity.\u003c\/p\u003e\r\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eOutput Power\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e18W: 2x – 6V6 (Cathode Bias)\u003c\/li\u003e\r\n\u003cli\u003e40W: 2x – 6L6-GC (Cathode Bias)\u003c\/li\u003e\r\n\u003cli\u003e70W: BOTH (Cathode Bias)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePreamp: 1x 6SN7\u003c\/li\u003e\r\n\u003cli\u003ePhase Inverter: 1x 6SN7\u003c\/li\u003e\r\n\u003cli\u003eOutput: 2x – 6V6; 2x – 6L6-GC\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRectifier:\u003c\/strong\u003e Solid State     \u003cbr\u003e \u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 1MΩ\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHead Cabinet – 35lbs (Boxed)\u003c\/li\u003e\r\n\u003cli\u003e1×12 Combo – 50lbs (Boxed)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHead Size: 14″ x 8.5″ x 8.25″\u003c\/li\u003e\r\n\u003cli\u003eHead Size (Boxed): 19.5″ x 13.5″ x 14″\u003c\/li\u003e\r\n\u003cli\u003e1×12 Combo Size: 18.5″ x 10.5″ x 17.5″\u003c\/li\u003e\r\n\u003cli\u003e1×12 Combo Size (Boxed): 22.5″ x 14.5″ x 21.5″\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLine Voltage:\u003c\/strong\u003e 120VAC or 240VAC  (Switchable via Back Panel)\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449709162599,"sku":"47499","price":3245.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_mcfly_celestion_gold_combo_tweed_main_b70cc5cc-6404-4b74-bc44-4f26458fb20d.jpg?v=1787090091"},{"product_id":"jackson-ampworks-britain-4-0-head-black-black","title":"Jackson Ampworks Britain 4.0 Head Black\/Black","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Britain 4.0\u003c\/strong\u003e is the smallest, most flexible and portable British style guitar amplifier ever made. With four distinct power settings and two blendable channels, the Britain 4.0 offers more tone and more value than any amp ever made.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you are looking for one amp that will cover all the classic British guitar tones of the last 50 years along with a host of new tones never before available then the Britain 4.0 is your amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSMALL SIZE,  HUGE TONE, TREMENDOUS VALUE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJackson Ampworks, the creator of “The Britain” amplifier, has just released The Britain 4.0.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith careful consideration of the feedback from users of the original Britain and the Britain 2.0, Jackson Ampworks has totally redesigned the amp to become the most pristine, versatile, and compact boutique amp on the market today. The new Britain 4.0 is 18 pounds lighter than its original predecessor, 8” more narrow and 3 times more powerful!  In addition to these changes they added a second channel to the amplifier, a unique footswitch-able boost circuit for the Britain’s now legendary EF86 channel, series effects loops for each channel, and selectable 15\/25\/30W Class A or 50W Class A\/B operation that features 2 different sets of output tubes for unmatched versatility.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTWO CHANNELS - INFINITE TONES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Britain 4.0 features two totally separate channels, each with its own set of dedicated tone controls. While two channel amps have been available for any years, the magic of the Britain lies in its ability to blend those two channels together to create an infinite number of tonal options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannel 1 is the exact same EF86 based preamp that was featured in the original Britain but has been updated with Jackson Ampworks own footswitch-able boost circuit that true bypasses the Treble and Bass controls resulting in a substantial boost in volume, gain and tonal purity. Channel 1, being the higher gain of the two, is considered the dirty channel of the amp and offers a very broad frequency response that works to deliver your instruments true voice with minimal coloring or artifacts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannel 2 of the Britain 4.0 is a 12AX7 based “Top-Boost” preamp that balances perfectly against Channel 1 by providing pristine clean tones incredible headroom and articulation. This channel, which was designed to remain clean longer than Channel 1, embodies the very definition of clean British guitar tone but is enhanced with increased richness and depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannels 1 and 2 are internally linked so that the use of the input labeled “1\/2” sends the guitars signal to both channels equally. In this arrangement, each channel is active along with its associated tone controls and blending of the two channels is a simple as adjusting the Volume control for each channel. The true advantage of this type of arrangement lies in the ability to blend Channels 1 and 2 together while still allowing tonal shaping of each channel via their respective Treble and Bass controls.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlugging into the input labeled “2” breaks the internal connection to Channels 1 and 2 thereby allowing them to function independently. This feature allows the musician to use a completely different signal chain (floor based effects etc.) for each channel if desired, and is fully expanded by the use of an ABY box to select channels 1, 2 or both.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith all of these tonal options available, the Britain 4.0 truly delivers Two Channels, Infinite Tones.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eCONSTRUCTION FEATURES\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePrecision Cut and Welded Anodized Aluminum Chassis    Silver Plated Teflon Hookup Wire and Shielded Cable\u003c\/li\u003e\r\n\u003cli\u003eChassis Mount Ceramic Tube Sockets    4” High Flow Output Tube Cooling Fan\u003c\/li\u003e\r\n\u003cli\u003eProprietary Vented Cabinet Design Custom Designed Fan Isolation Mount\u003c\/li\u003e\r\n\u003cli\u003eLaser Engraved Stainless Steel Front and Back Face Plates Precision Cut and Drilled 1\/8” Fiberglass Turret Boards\u003c\/li\u003e\r\n\u003cli\u003eCustom Wound Output and Power Transformers    Heavy Duty Carling Switches\u003c\/li\u003e\r\n\u003cli\u003eF\u0026amp;T Filter Caps   1W 5% Carbon Comp and Carbon Film Resistors\u003c\/li\u003e\r\n\u003cli\u003eMallory 150 Coupling Capacitors   Tube Shields for all preamp tubes\u003c\/li\u003e\r\n\u003cli\u003eCentral Point Grounding with Star Ground  Genuine Neutrik Jacks for Input, FX Loop and Speaker Connections\u003c\/li\u003e\r\n\u003cli\u003eDistributed Power Supply  Die-cast Chrome Plated Emblem\u003c\/li\u003e\r\n\u003cli\u003eFully Regulated DC Heater Supply for All Preamp Tubes Internally Shielded Cabinet\u003c\/li\u003e\r\n\u003cli\u003eFully Isolated Input, FX Loop and Speaker Jacks   Threaded Metal Inserts used to attach back panel of cabinet\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOutput Power\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e15W Class A – (2) – EL84  Cathode Bias    Low Voltage\u003c\/li\u003e\r\n\u003cli\u003e30W Class A – (4) – EL84  Cathode Bias    Low Voltage\u003c\/li\u003e\r\n\u003cli\u003e25W Class A – (2) – EL34  Cathode Bias    Low Voltage\u003c\/li\u003e\r\n\u003cli\u003e50W Class A\/B – (2) – EL34    Fixed Bias  High Voltage\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eTubes\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePreamp    Channel 1   1x EF86\u003c\/li\u003e\r\n\u003cli\u003ePreamp    Channel 2   1x 12AX7\u003c\/li\u003e\r\n\u003cli\u003ePhase Inverter        1x 12AX7\u003c\/li\u003e\r\n\u003cli\u003eOutput        2x – EL34; 4x – EL84\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eRectifier: Solid State; 5U4G Simulated in 15\/30W and 25W Mode\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput Impedance: 1MΩ\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX Loop Impedance: 1MΩ\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX Loop Wiring: Stereo Plug Tip Send\/Ring Return\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeight: 31lbs (Boxed)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eHead Size: 14″ x 8.5″ x 8.25″\u003c\/li\u003e\r\n\u003cli\u003eHead Size (Boxed): 18″ x 13″ x 12″\u003c\/li\u003e\r\n\u003cli\u003e1×12 Combo Size: 21.5″ x 18.5″ x 11.5″\u003c\/li\u003e\r\n\u003cli\u003eShipping Package Size:    20″ Wide  12″ Tall  12″ Deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eLine Voltage: 120VAC or 240VAC; Switchable via Back Panel\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449728823399,"sku":"47484","price":2895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_britain_4_head_black_black_main_794917af-bb06-418d-868d-ac58cc734471.jpg?v=1787090163"},{"product_id":"jackson-ampworks-mcfly-head-black-ivory","title":"Jackson Ampworks McFly Head - Black\/Ivory","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e is the first amplifier to be released in their new American Series line and is their take on the best sounding and most flexible Tweed Style amp ever made. For the first time ever, you can get authentic Tweed era tones as well as Blackface era tones all from the same amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDesign Goals\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrom the ground up, the McFly was designed as an original circuit and not a clone of anything that’s been done before. Jackson Ampworks wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccomplishing these two goals was done over an 18 month long period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until Jackson Ampworks felt the McFly had achieved a unique voice all its own.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTone Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eOutput Tubes\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo complement the 6SN7 preamp we have chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. If you’re familiar with Jackson Ampworks you know they typically don’t leave well enough alone. They always expand a players tonal palette and offer more than they expect and we’re proud to say that with the release of the McFly, that tradition has continued. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutput Power For Each Power Mode:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e6V6: (Clean) 13W; (Overdriven) 18W\u003c\/li\u003e\r\n\u003cli\u003e6L6-GC: (Clean) 25W: (Overdriven) 40W\u003c\/li\u003e\r\n\u003cli\u003eBOTH: (Clean) 46W; (Overdriven)70W\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePower Scaling\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo guarantee reliability and that your tone is never restricted, they have custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With Jackson Ampwork's new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. Compare this with most amplifiers that lose low-end and high-end definition at high volumes and cause the mid-range to “bunch up” and lose overall clarity.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449728856167,"sku":"47485","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_mcfly_head_black_ivory_main_1_c2271a74-a6e5-4d53-9000-bf59cfdb488e.jpg?v=1787090162"},{"product_id":"jackson-ampworks-scarlett-30-head-black-cream","title":"Jackson Ampworks Scarlett 30 Head Black\/Ivory","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Scarlett 30\u003c\/strong\u003e was designed specifically for musicians who play church music, the Scarlett 30 is fully featured, very affordable and offers many of the features and tones that church players need on a weekly basis.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDESIGNED WITH YOU IN MIND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJackson Ampworks' focus when designing the Scarlett 30 was to design an amplifier that could be used by musicians in any size venue and still be affordable.  Whether you play stadiums or small 50 seat chapels, you need an amp that will perform in any of those environments without sacrificing your tone, and the Scarlett 30 does that perfectly. Big or small room, low or high volume, the Scarlett 30 will cover any sound across the tonal spectrum and do them all with ease.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFEATURES YOU WILL ACTUALLY USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Top Boost AC30 circuit is such a tremendous sounding circuit and has been used in every genre from country to rock but with all of its benefits, it is lacking one very important feature that would have made it perfect: A Mid-Range Control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the inclusion of a Mid-Range control, the Scarlett 30 allows the player to start with the classic tone of a Top Boost AC30 and tweak out the all too important mid-range tones to fit the mix perfectly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePOWER WHEN YOU NEED IT, FLEXIBILITY WHEN YOU DON’T\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to the Mid-Range control, Jackson Ampworks wanted to create an amp for players that would perform flawlessly at low volume levels, and power scaling is the perfect solution. With the power scaling, you can roll the volume back for a small room or crank it in a stadium without any tone loss. The amp retains the sponginess of the tube rectifier and still has incredible attack even when running it at 1\/8W. The amp is also super responsive. Whether you play delicate or heavy handed, the amp responds accordingly regardless of where the power is set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eCLEAN HEADROOM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSince most church players use a lot of pedals, Jackson Ampworks wanted the Scarlett 30 to be able to handle whatever the player might throw in front of it. Whether you’re searching for a super clean tone or something far more gritty, the Scarlett 30 achieves this effortlessly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePROVEN PERFORMANCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Scarlett 30 was developed over a period of more than a year of design, redesign and tweaking to deliver one of the most flexible and useful amplifiers on the market. 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The Dual Ported Cabinet uses internal baffles and porting to direct the sound coming from the back of the speaker toward the front of the cabinet so you don't lose any of your tone! Hear ALL of your tone for the first time with a Jackson Ampworks Dual Ported 1×12 Cabinet!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDual Ported Cabinet Technology\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs guitarists themselves, Jackson Ampworks works very hard to achieve great tone and, certainly, one of the most important aspects of that tone is the speaker cabinet they use. After all, the speaker cabinet is the final link between your amplifier and your ears, therefore, its effect on your tone cannot be understated.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt is with this in mind that they developed their new line of patented Jackson Ampworks Dual Ported cabinets -  the best sounding, most revolutionary speaker cabinets ever made for the electric guitar!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Jackson Ampworks Dual Ported cabinets are a totally unique approach to sound reproduction and the results are staggering!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eAll Your Tone - All The Time\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Jackson Ampworks line of Dual Ported Cabinets are a completely new Patent Pending design that features two ports that run vertically along the left and right side of the cabinet and allows the sound waves that come from the back of the speaker to be directed via precise baffles and shelves out the front of the cabinet. Months of research and development went into creating precise dimensions for the ports that ensure that the sound waves coming from the ports are in phase with the sound waves coming from the front of the speaker. These sound waves when aligned with each other work to augment and fatten the tone of the speaker! With Jackson Ampworks Dual Ported Cabinets the user gets the “airiness” of an open back cabinet with the presence and low-end of the best closed back cabinet you’ve ever heard!\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the Dual Ported design, Jackson Ampworks have also engineered an internal diffuser that breaks up and disperses the piercing high end that is often found in closed back designs. This critically tuned diffuser also helps to direct the sound waves out the side ports of the cabinet and create more dispersion of sound with none of the ‘beaming’ found in most closed back cabinets!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eConstruction Details\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJackson Ampworks Dual Ported cabinets are constructed with 13-ply Baltic Birch and feature Dovetail joints for unparalleled strength, rigidity and tone. Also included is an all steel handle that is recessed into the cabinet for easier carry, a genuine Switchcraft jack for reliable operation and 12AWG speaker wire for unrestricted tone and performance.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePremium 13-ply Void Free Baltic Birch Plywood\u003c\/li\u003e\r\n\u003cli\u003eDovetail Corner Joints Rattle Free Performance\u003c\/li\u003e\r\n\u003cli\u003eRecessed Steel Handles For Easy Stacking and Transport\u003c\/li\u003e\r\n\u003cli\u003eGenuine Switchcraft Jacks and 12AWG Speaker Hookup Wire\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003e1×12 Cabinet\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned to be the perfect complement to their line of amplifiers, the 1×12 Dual Ported Cabinet is small, lightweight and delivers floor shaking low end all in a package that is just 22” wide!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first time you hear this 1×12 Dual Ported cabinet you’ll be amazed at how open the tone is with highs that breathe like a vintage open back cabinet and lows that are smooth and punchy like the best 4×12 cabinet you ever heard! You’ve never heard a 1×12 cabinet that sounds this huge!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003especifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions: 22\" x 17\" x 11.5\" (WxHxD)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 34 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449728921703,"sku":"47491","price":945.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_1x12_celestion_gold_black_black_main_b52655c8-612c-42d0-b610-7bb612a5c2ea.jpg?v=1787090163"},{"product_id":"jackson-ampworks-1x12-celestion-gold-black-cream","title":"Jackson Ampworks 1x12 Celestion Gold - Black\/Cream","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks 1x12\u003c\/strong\u003e is a breakthrough in tone for guitarists everywhere! The Dual Ported Cabinet uses internal baffles and porting to direct the sound coming from the back of the speaker toward the front of the cabinet so you don't lose any of your tone! Hear ALL of your tone for the first time with a Jackson Ampworks Dual Ported 1×12 Cabinet!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDual Ported Cabinet Technology\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs guitarists themselves, Jackson Ampworks works very hard to achieve great tone and, certainly, one of the most important aspects of that tone is the speaker cabinet they use. After all, the speaker cabinet is the final link between your amplifier and your ears, therefore, its effect on your tone cannot be understated.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt is with this in mind that they developed their new line of patented Jackson Ampworks Dual Ported cabinets -  the best sounding, most revolutionary speaker cabinets ever made for the electric guitar!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Jackson Ampworks Dual Ported cabinets are a totally unique approach to sound reproduction and the results are staggering!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eAll Your Tone - All The Time\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Jackson Ampworks line of Dual Ported Cabinets are a completely new Patent Pending design that features two ports that run vertically along the left and right side of the cabinet and allows the sound waves that come from the back of the speaker to be directed via precise baffles and shelves out the front of the cabinet. Months of research and development went into creating precise dimensions for the ports that ensure that the sound waves coming from the ports are in phase with the sound waves coming from the front of the speaker. These sound waves when aligned with each other work to augment and fatten the tone of the speaker! With Jackson Ampworks Dual Ported Cabinets the user gets the “airiness” of an open back cabinet with the presence and low-end of the best closed back cabinet you’ve ever heard!\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the Dual Ported design, Jackson Ampworks have also engineered an internal diffuser that breaks up and disperses the piercing high end that is often found in closed back designs. This critically tuned diffuser also helps to direct the sound waves out the side ports of the cabinet and create more dispersion of sound with none of the ‘beaming’ found in most closed back cabinets!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eConstruction Details\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJackson Ampworks Dual Ported cabinets are constructed with 13-ply Baltic Birch and feature Dovetail joints for unparalleled strength, rigidity and tone. Also included is an all steel handle that is recessed into the cabinet for easier carry, a genuine Switchcraft jack for reliable operation and 12AWG speaker wire for unrestricted tone and performance.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePremium 13-ply Void Free Baltic Birch Plywood\u003c\/li\u003e\r\n\u003cli\u003eDovetail Corner Joints Rattle Free Performance\u003c\/li\u003e\r\n\u003cli\u003eRecessed Steel Handles For Easy Stacking and Transport\u003c\/li\u003e\r\n\u003cli\u003eGenuine Switchcraft Jacks and 12AWG Speaker Hookup Wire\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003e1×12 Cabinet\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned to be the perfect complement to their line of amplifiers, the 1×12 Dual Ported Cabinet is small, lightweight and delivers floor shaking low end all in a package that is just 22” wide!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe first time you hear this 1×12 Dual Ported cabinet you’ll be amazed at how open the tone is with highs that breathe like a vintage open back cabinet and lows that are smooth and punchy like the best 4×12 cabinet you ever heard! You’ve never heard a 1×12 cabinet that sounds this huge!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003especifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions: 22\" x 17\" x 11.5\" (WxHxD)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 34 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449728954471,"sku":"47492","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_1x12_celestion_gold_black_cream_main_8ef83e5b-ffcc-4311-ba98-1fda03cdc4c7.jpg?v=1787090163"},{"product_id":"jackson-ampworks-1x12-celestion-gold-open-back-black-ivory","title":"Jackson Ampworks 1x12 Celestion Gold Open Back - Black\/Ivory","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks 1×12 - Open Back\u003c\/strong\u003e is a perfect speaker cabinet to complement our entire line of amps and is ideal when you want a tone that is more “airy” and fills out the musical space!\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned while the American Series amps were being developed, the Open Back 1×12 Cabinet gives you the sense that your tone is coming from every direction and surrounding you as the open back design allows the tone to emanate from both the front and back of the cabinet!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eOPEN BACK - OPEN TONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs guitarists themselves, Jackson Ampworks works very hard to achieve great tone and, certainly, one of the most important aspects of that tone is the speaker cabinet they use. After all, the speaker cabinet is the final link between your amplifier and your ears, therefore, its effect on your tone cannot be understated.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt is with this in mind that they developed their new line of Open Back Speaker Cabinets. They've made several improvements to the way open back speaker cabinets have been built in the past and the results are staggering!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDECEPTIVELY SIMPLE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhen designing the 1×12 Open Back Cabinets, Jackson Ampworks paid very close attention to the size of the cabinet as well as the ratio of the height, width and depth. All of these factors work together to shape the final tone and resonant frequency produced by the cabinet and they’ve designed a cabinet that actually has the low end of their Dual Ported cabinets while retaining the signature highs and airiness of an open back cabinet.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOne of the critical components of any speaker cabinet, and certainly so with the an open back speaker cabinet design, is the baffle that the speaker physically mounts to. This piece of the cabinet is not only what the speaker mounts to but also how the vibrations from the speakers are transferred into the rest of the speaker cabinet. Too thick of a speaker baffle and the cabinet can sound stiff and restricted; too think of a speaker baffle and the low-end will suffer. Again, they experimented with this a great deal to arrive at a material thickness that translates all of the low end content they were looking to convey and still breathes in a natural way.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe most famous open back cabinets ever made were made not to reproduce a certain tone, but were instead designed for economy and speed of manufacture. While it is very inexpensive to manufacture these cabinets, the side effect of cutting corners is a dramatic loss of low-end content. So much so that the maker of these cabinets would have to increase low-end focus on the amplifiers in order to compensate for the lack of low-end response in their cabinets. Try This - take an American Styled amp from the 60’s, disconnect the speaker lead from the combo and plug it into a well made speaker cabinet – either open back or closed back. There’s a good chance you’ll find that you have WAY too much bass in your tone and will have to turn the Bass control either way down or almost completely off. This is because the standard speaker baffle design that has been used for years is extremely ineffective.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThere is a more costly downside to this oversight other than just having to adjust the Bass control on the amp. It takes power to reproduce low end. That is why you’ll seldom see a bass amp less than 60W any many times you’ll see solid state amps producing 1000W or more. The reason is that it takes a lot of power to reproduce low end cleanly. When your cabinet design is inefficient, you have to generate more low end in the amplifier which means that for a given volume your tone will be more overdriven that you may like. In short, it means you have to make compromises in the amplifier design to maintain low end, and the more low end you push from the amp, the more headroom you lose. Conversely it means that if you design the cabinet correctly, and it will accurately deliver the low end that is sent to it, you can remove some low end from the amplifier circuit and the amp will remain cleaner longer than it normally would with a poor speaker baffle design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSo how did Jackson Ampworks mount their speaker baffle? In order to mount the speaker baffle into the cabinet so that it would be mechanically secure (no rattles or buzzing!) and acoustically efficient, they chose to dado the entire speaker baffle along all four sides of the cabinet. As the cabinet is being assembled, three of the four sides of the cabinet are assembled using their dovetail joints and once they are together, the dado is filled with glue and the speaker baffle is installed. Once the speaker baffle is mounted into the cabinet, the 4th side of the cabinet is installed thus trapping the speaker baffle into position and supporting it on all four sides. Once the cabinet is dried, the speaker baffle is now part of the cabinet as a whole and cannot be removed. This construction method is more time consuming and costly than traditional methods, but the results speak for themselves.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFinal tuning of the cabinet was done using the port located on the back panel of the cabinet. Again every little thing matters including the size of an opening on the back of a speaker cabinet. They found that the location of the speaker on the speaker baffle made a huge difference in tone. Dead center was not the sweet spot in this cabinet design and several test baffles were made with the speaker mounted in various locations until the best sounding location was found.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVery seldom are well designed products as simple as they appear. In fact that is one of the hallmarks of a well designed product. It looks simple. There is usually a lot of experimenting and study involved until the desired result is achieved and our speaker cabinets are no different. Every little thing matters and everything Jackson Ampworks does has a specific reason. They can’t imagine doing it any other way.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eConstruction Details\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e13-ply Baltic Birch Plywood\u003c\/li\u003e\r\n\u003cli\u003eDovetail Corner Joints Rattle Free Performance\u003c\/li\u003e\r\n\u003cli\u003eRecessed Steel Handles For Easy Stacking and Transport\u003c\/li\u003e\r\n\u003cli\u003eGenuine Switchcraft Jacks and 12AWG Speaker Hookup Wire\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions: 22\" x 17\" x 11.5\" (WxHxD)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 30 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449729020007,"sku":"47497","price":845.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_1x12_celestion_gold_open_back_black_ivory_main_1_daecbc94-addb-46ff-a5ee-a6b0ee71abbf.jpg?v=1787090163"},{"product_id":"jackson-ampworks-newcastle-18-head-black-black","title":"Jackson Ampworks Newcastle 18 Head Black\/Black","description":"\u003cp\u003eDesigned as the most simple amp they could make, the Jackson Ampworks NewCastle is a testament to the saying, “Simplicity is the ultimate sophistication.” Once you plug into the NewCastle you'll understand why less is more when you hear the true voice of your guitar the way it was meant to sound. No channel switching, effects loops, boost modes or EQ's; just 100% pure tube amp tone!\u003c\/p\u003e\r\n\r\n\r\n\u003ch3\u003ePERFECT TONE - SIMPLIFIED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe NewCastle is a simple tone machine that will cover everything from pristine British clean to straight up Rock and everywhere in between.The clean tones are rich and full of authority with sparkling highs that never become brittle or piercing. The low end was specifically designed to remain tight and punchy even when cranked so you’ll never lose definition when playing at loud volumes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTonally the NewCastle has an English heritage but is cleaner and more robust than many EL84 based amps. The NewCastle is perfect for the player that uses a lot of pedals and wants an affordable clean platform to work from. In fact the NewCastle remains clean up till around 2:00 on the Volume control and from there breaks up into the most musical overdrive you have ever heard!\u003c\/p\u003e\r\n\r\n\u003cp\u003eOne of the best features of the NewCastle is how well it cleans up when you roll the volume on your guitar down. With the NewCastle you may find that you don’t need your overdrive pedals anymore as the volume control on your guitar acts like a gain control on the amp depending on how hard you play. In fact, you may find that your favorite setting is to leave the Volume up all the way on the amp and use your guitars volume to vary between your clean and dirty tones! Couple this with its very effective Tone control, and the NewCastle can morph between pristine clean, hard rock and warm smooth jazz tones with ease!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSIMPLE IS BETTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe NewCastle is a lesson in simplicity. Someone once asked Jackson Ampworks, “What’s your secret to great tone?” Answer: “Use good parts, and use as few as possible.” That is what the NewCastle is all about. The design was purposefully kept simple to make it easier to dial in and to keep your tone as pure as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDuring the design phase of the NewCastle they spent many hours working with artists, producers and engineers and used their feedback to help dial in the circuit so that the NewCastle would work seamlessly with all types of guitars, pickups and effects and the extra effort was well worth it! The NewCastle is a perfect go-to amp for players looking to capture great tone either live or in the studio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpecial attention was paid during the design of the NewCastle to guarantee that lack of headroom would never be a concern as is often the case with other 18W amps. To give as much power and headroom as possible, the power supply and output section were overbuilt to guarantee that the amp delivers every last bit of power possible out of it’s pair of EL84’s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlong with the power amp section, the preamp has been designed to handle single coil as well as humbucker equipped guitars with ease and without becoming flabby in the low end, even when the amp is cranked.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFULLY FEATURED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe front panel features a single Input, Volume and Tone controls. The Volume control acts as both a Volume as well as a gain control. The higher you run the Volume the more the amp will overdrive in response to how hard the player attacks the strings. The Tone control acts as a master tone control for the entire amp and works similar to the tone control on a guitar. Rotating the Tone control clockwise will increases the high-end response of the amp and conversely rotating the Tone control counter clockwise removes high-end response from the amp which helps when a darker tone is desired or with bright sounding guitars. The full clockwise position removes the Tone control from the amplifier circuit to keep your original tone as pure as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLike the front panel, the back panel is kept very simple. There are two speaker out jacks with an impedance selector switch that provides outputs of either 8 or 16 ohms. Located next to that are the Power and Standby switches as well as an IEC module with an integrated fuse and a switch for selecting between 120V and 240V operation. With the NewCastle you’ll never have to worry about traveling on the road since the amp is designed to work at all line voltages.\u003c\/p\u003e\r\n\r\n\r\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFront Panel Controls: Input, Volume, Tone\u003c\/li\u003e\r\n\u003cli\u003eRear Panel Controls: Speaker Jacks, Impedance Selector (8\/16), Power, Standby\u003c\/li\u003e\r\n\u003cli\u003e18W Class A\/B Mallory 150 Series Capacitors\u003c\/li\u003e\r\n\u003cli\u003e(2) – 12AX7 Preamp Tubes\u003c\/li\u003e\r\n\u003cli\u003eCarbon Film Resistors\u003c\/li\u003e\r\n\u003cli\u003e(2) – EL84 Output Tubes\u003c\/li\u003e\r\n\u003cli\u003eGenuine Carling Switches\u003c\/li\u003e\r\n\u003cli\u003eCathode Bias\u003c\/li\u003e\r\n\u003cli\u003e13 Ply Baltic Birch Cabinet with Dovetail Joints\u003c\/li\u003e\r\n\u003cli\u003eCustom Wound Overspec Power and Output Transformers\u003c\/li\u003e\r\n\u003cli\u003eAnodized Aluminum Chassis\u003c\/li\u003e\r\n\u003cli\u003eLaser Engraved Stainless Steel Panels\u003c\/li\u003e\r\n\u003cli\u003eSwitchable 120V\/240V Operation\u003c\/li\u003e\r\n\u003cli\u003eWeight: 20lbs\u003c\/li\u003e\r\n\u003cli\u003eHead Size: 14″ x 8.5″ x 8.25″\u003c\/li\u003e\r\n\u003cli\u003eHead Size (Boxed): 18″ x 13″ x 12″\u003c\/li\u003e\r\n\u003cli\u003e1×12 Combo Size: 21.5″ x 18.5″ x 11.5″\u003c\/li\u003e\r\n\u003cli\u003eGenuine Neutrik Jacks\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449729052775,"sku":"47481","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_newcastle_18_head_black_black_main_f6dc379e-5aea-4d7b-be79-8f2ad4b07b4a.jpg?v=1787090164"},{"product_id":"jackson-ampworks-1x12-open-back-w-wgs-g12c-red-ivory","title":"Jackson Ampworks 1x12 Open Back w\/ WGS G12C - Red\/Ivory","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks 1×12 - Open Back\u003c\/strong\u003e is a perfect speaker cabinet to complement our entire line of amps and is ideal when you want a tone that is more “airy” and fills out the musical space!\u003c\/p\u003e\r\n\u003cp\u003eDesigned while the American Series amps were being developed, the Open Back 1×12 Cabinet gives you the sense that your tone is coming from every direction and surrounding you as the open back design allows the tone to emanate from both the front and back of the cabinet!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eOPEN BACK - OPEN TONE\u003c\/h3\u003e\r\n\u003cp\u003eAs guitarists themselves, Jackson Ampworks works very hard to achieve great tone and, certainly, one of the most important aspects of that tone is the speaker cabinet they use. After all, the speaker cabinet is the final link between your amplifier and your ears, therefore, its effect on your tone cannot be understated.\u003c\/p\u003e\r\n\u003cp\u003eIt is with this in mind that they developed their new line of Open Back Speaker Cabinets. They've made several improvements to the way open back speaker cabinets have been built in the past and the results are staggering!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eDECEPTIVELY SIMPLE\u003c\/h3\u003e\r\n\u003cp\u003eWhen designing the 1×12 Open Back Cabinets, Jackson Ampworks paid very close attention to the size of the cabinet as well as the ratio of the height, width and depth. All of these factors work together to shape the final tone and resonant frequency produced by the cabinet and they’ve designed a cabinet that actually has the low end of their Dual Ported cabinets while retaining the signature highs and airiness of an open back cabinet.\u003c\/p\u003e\r\n\u003cp\u003eOne of the critical components of any speaker cabinet, and certainly so with the an open back speaker cabinet design, is the baffle that the speaker physically mounts to. This piece of the cabinet is not only what the speaker mounts to but also how the vibrations from the speakers are transferred into the rest of the speaker cabinet. Too thick of a speaker baffle and the cabinet can sound stiff and restricted; too think of a speaker baffle and the low-end will suffer. Again, they experimented with this a great deal to arrive at a material thickness that translates all of the low end content they were looking to convey and still breathes in a natural way.\u003c\/p\u003e\r\n\u003cp\u003eThe most famous open back cabinets ever made were made not to reproduce a certain tone, but were instead designed for economy and speed of manufacture. While it is very inexpensive to manufacture these cabinets, the side effect of cutting corners is a dramatic loss of low-end content. So much so that the maker of these cabinets would have to increase low-end focus on the amplifiers in order to compensate for the lack of low-end response in their cabinets. Try This - take an American Styled amp from the 60’s, disconnect the speaker lead from the combo and plug it into a well made speaker cabinet – either open back or closed back. There’s a good chance you’ll find that you have WAY too much bass in your tone and will have to turn the Bass control either way down or almost completely off. This is because the standard speaker baffle design that has been used for years is extremely ineffective.\u003c\/p\u003e\r\n\u003cp\u003eThere is a more costly downside to this oversight other than just having to adjust the Bass control on the amp. It takes power to reproduce low end. That is why you’ll seldom see a bass amp less than 60W any many times you’ll see solid state amps producing 1000W or more. The reason is that it takes a lot of power to reproduce low end cleanly. When your cabinet design is inefficient, you have to generate more low end in the amplifier which means that for a given volume your tone will be more overdriven that you may like. In short, it means you have to make compromises in the amplifier design to maintain low end, and the more low end you push from the amp, the more headroom you lose. Conversely it means that if you design the cabinet correctly, and it will accurately deliver the low end that is sent to it, you can remove some low end from the amplifier circuit and the amp will remain cleaner longer than it normally would with a poor speaker baffle design.\u003c\/p\u003e\r\n\u003cp\u003eSo how did Jackson Ampworks mount their speaker baffle? In order to mount the speaker baffle into the cabinet so that it would be mechanically secure (no rattles or buzzing!) and acoustically efficient, they chose to dado the entire speaker baffle along all four sides of the cabinet. As the cabinet is being assembled, three of the four sides of the cabinet are assembled using their dovetail joints and once they are together, the dado is filled with glue and the speaker baffle is installed. Once the speaker baffle is mounted into the cabinet, the 4th side of the cabinet is installed thus trapping the speaker baffle into position and supporting it on all four sides. Once the cabinet is dried, the speaker baffle is now part of the cabinet as a whole and cannot be removed. This construction method is more time consuming and costly than traditional methods, but the results speak for themselves.\u003c\/p\u003e\r\n\u003cp\u003eFinal tuning of the cabinet was done using the port located on the back panel of the cabinet. Again every little thing matters including the size of an opening on the back of a speaker cabinet. They found that the location of the speaker on the speaker baffle made a huge difference in tone. Dead center was not the sweet spot in this cabinet design and several test baffles were made with the speaker mounted in various locations until the best sounding location was found.\u003c\/p\u003e\r\n\u003cp\u003eVery seldom are well designed products as simple as they appear. In fact that is one of the hallmarks of a well designed product. It looks simple. There is usually a lot of experimenting and study involved until the desired result is achieved and our speaker cabinets are no different. Every little thing matters and everything Jackson Ampworks does has a specific reason. They can’t imagine doing it any other way.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eConstruction Details\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e13-ply Baltic Birch Plywood\u003c\/li\u003e\r\n\u003cli\u003eDovetail Corner Joints Rattle Free Performance\u003c\/li\u003e\r\n\u003cli\u003eRecessed Steel Handles For Easy Stacking and Transport\u003c\/li\u003e\r\n\u003cli\u003eGenuine Switchcraft Jacks and 12AWG Speaker Hookup Wire\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions: 22\" x 17\" x 11.5\" (WxHxD)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 30 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449753137255,"sku":"50339","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_1x12_open_back_g12c_red_ivory_1.jpg?v=1787090264"},{"product_id":"jackson-ampworks-mcfly-head-black-black","title":"Jackson Ampworks McFly Head - Black\/Black","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e is the first amplifier to be released in their new American Series line and is their take on the best sounding and most flexible Tweed Style amp ever made. For the first time ever, you can get authentic Tweed era tones as well as Blackface era tones all from the same amp.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eDesign Goals\u003c\/h3\u003e  \u003cp\u003eFrom the ground up, the McFly was designed as an original circuit and not a clone of anything that’s been done before. Jackson Ampworks wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e  \u003cp\u003eAccomplishing these two goals was done over an 18 month long period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until Jackson Ampworks felt the McFly had achieved a unique voice all its own.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eFeatures\u003c\/h3\u003e  \u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e  \u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eTone Controls\u003c\/h3\u003e  \u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e  \u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003eOutput Tubes\u003c\/h3\u003e  \u003cp\u003eTo complement the 6SN7 preamp we have chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. If you’re familiar with Jackson Ampworks you know they typically don’t leave well enough alone. They always expand a players tonal palette and offer more than they expect and we’re proud to say that with the release of the McFly, that tradition has continued. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e  \u003cp\u003eOutput Power For Each Power Mode:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e6V6: (Clean) 13W; (Overdriven) 18W\u003c\/li\u003e \u003cli\u003e6L6-GC: (Clean) 25W: (Overdriven) 40W\u003c\/li\u003e \u003cli\u003eBOTH: (Clean) 46W; (Overdriven)70W\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003e \u003c\/p\u003e  \u003ch3\u003ePower Scaling\u003c\/h3\u003e  \u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode.\u003c\/p\u003e  \u003cp\u003eTo guarantee reliability and that your tone is never restricted, they have custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With Jackson Ampwork's new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. Compare this with most amplifiers that lose low-end and high-end definition at high volumes and cause the mid-range to “bunch up” and lose overall clarity.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449753858151,"sku":"49903","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jacksonampworks-mcfly-head-black-3_4211b91b-9fda-46c8-87e4-464f5ea6dc5b.jpg?v=1787090268"},{"product_id":"jackson-ampworks-mcfly-head-shagreen","title":"Jackson Ampworks McFly Head - Shagreen","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e is the first amplifier to be released in their new American Series line and is their take on the best sounding and most flexible Tweed Style amp ever made. For the first time ever, you can get authentic Tweed era tones as well as Blackface era tones all from the same amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDesign Goals\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrom the ground up, the McFly was designed as an original circuit and not a clone of anything that’s been done before. Jackson Ampworks wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccomplishing these two goals was done over an 18 month long period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until Jackson Ampworks felt the McFly had achieved a unique voice all its own.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTone Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eOutput Tubes\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo complement the 6SN7 preamp we have chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. If you’re familiar with Jackson Ampworks you know they typically don’t leave well enough alone. They always expand a players tonal palette and offer more than they expect and we’re proud to say that with the release of the McFly, that tradition has continued. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutput Power For Each Power Mode:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e6V6: (Clean) 13W; (Overdriven) 18W\u003c\/li\u003e\r\n\u003cli\u003e6L6-GC: (Clean) 25W: (Overdriven) 40W\u003c\/li\u003e\r\n\u003cli\u003eBOTH: (Clean) 46W; (Overdriven)70W\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePower Scaling\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo guarantee reliability and that your tone is never restricted, they have custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With Jackson Ampwork's new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. 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Dubbed the Fullerton, the resulting amp pays homage to the Fender classic by utilizing what has made the amplifier a studio workhorse for over five decades; reverb, tremolo and incredible tone.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eDoubling Up On Power\u003c\/h3\u003e\u003cbr\u003eWhen looking to build upon the original amp design, the minds behind Jackson Ampworks set out to solve the issue of creating clean tones at a loud volume. The Fullerton achieves this by doubling up on 6V6 output transformers, now using four tubes instead of the standard two. By increasing the amp’s output to 40W, Jackson has ensured that the Fullerton is capable of pushing more volume with undeniable punch and maximum headroom.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eThe Reinvention of Reverb\u003c\/h3\u003e\u003cbr\u003eFrom subtle to surfy, Jackson Ampworks has improved upon the single knob reverb system by building a three knob, tube driven spring reverb into the Fullerton. These controls feature a Reverb Send, Reverb Tone and Reverb Return, which allows for you to decide how hard the reverb is driven, the warmth\/brightness of your tone and the amount of signal that goes back into your dry mix.  \u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eControlling Your Tone\u003c\/h3\u003e\u003cbr\u003eForgoing the traditional Treble and Bass controls, the Fullerton opts for a three-band EQ with knobs for Treble, Middle and Bass. The amp achieves the Princeton Reverb sound when the Middle control is set to the 12:00 position, but allows for tonal experiments when boosting and cutting mid frequencies depending on which way you turn the knob.\u003cbr\u003e\u003cbr\u003eFor those familiar with amplifiers that feature a bright switch, you likely have experienced an amp that may be too dark when the feature is not engaged. To prevent this issue with the Fullerton, Jackson Ampworks has wired in a permanent bright cap and installed a master control to create a wide range of tones from extremely bright to incredibly dark.\u003cbr\u003e\u003cbr\u003eIn addition to the basic controls and bright cap, the Fullerton also features a new Tweed control, which enables the amp to get back any gain lost while traveling through the EQ controls. At 0, the amp offers up the classic, clean sound that is typical of an American classic like the Princeton Reverb. When the Tweed knob is cranked, you’ll get more preamp gain added to your tone and a hearty boost.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOutput 20W: 2x - 6V6 Fixed Bias\u003c\/li\u003e\r\n\u003cli\u003ePower 40W: 2x - 6V6 Fixed Bias\u003c\/li\u003e\r\n\u003cli\u003eTubes \r\n\u003cul\u003e\r\n\u003cli\u003ePreamp: 2x 12AX7, 1x 12AT7\u003c\/li\u003e\r\n\u003cli\u003ePhase Inverter: 1x 12AX7\u003c\/li\u003e\r\n\u003cli\u003eOutput: 4x - 6V6\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eRectifier: Solid State\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 1MΩ\u003c\/li\u003e\r\n\u003cli\u003eWeight\r\n\u003cul\u003e\r\n\u003cli\u003eHead Cabinet - 35lbs. 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No channel switching, effects loops, boost modes or EQ's; just 100% pure tube amp tone!\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePERFECT TONE - SIMPLIFIED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe NewCastle is a simple tone machine that will cover everything from pristine British clean to straight up Rock and everywhere in between.The clean tones are rich and full of authority with sparkling highs that never become brittle or piercing. The low end was specifically designed to remain tight and punchy even when cranked so you’ll never lose definition when playing at loud volumes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTonally the NewCastle has an English heritage but is cleaner and more robust than many EL84 based amps. The NewCastle is perfect for the player that uses a lot of pedals and wants an affordable clean platform to work from. 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By using internal baffles and porting to direct the sound coming from the back of the speaker toward the front of the cabinet so you don't lose any of your tone. 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With the 50W\/100W switch, the player now has the option to decide for themselves which tone they prefer and can switch it as needed depending on the room or the gig. Please be aware that during testing of the El Guapo they measured a maximum sustained output of 132W when the amp was running wide open. 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Dubbed the Fullerton, the resulting amp pays homage to the Fender classic by utilizing what has made the amplifier a studio workhorse for over five decades; reverb, tremolo and incredible tone.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eDoubling Up On Power\u003c\/h3\u003e\u003cbr\u003eWhen looking to build upon the original amp design, the minds behind Jackson Ampworks set out to solve the issue of creating clean tones at a loud volume. The Fullerton achieves this by doubling up on 6V6 output transformers, now using four tubes instead of the standard two. By increasing the amp’s output to 40W, Jackson has ensured that the Fullerton is capable of pushing more volume with undeniable punch and maximum headroom.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eThe Reinvention of Reverb\u003c\/h3\u003e\u003cbr\u003eFrom subtle to surfy, Jackson Ampworks has improved upon the single knob reverb system by building a three knob, tube driven spring reverb into the Fullerton. These controls feature a Reverb Send, Reverb Tone and Reverb Return, which allows for you to decide how hard the reverb is driven, the warmth\/brightness of your tone and the amount of signal that goes back into your dry mix.  \u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eControlling Your Tone\u003c\/h3\u003e\u003cbr\u003eForgoing the traditional Treble and Bass controls, the Fullerton opts for a three-band EQ with knobs for Treble, Middle and Bass. The amp achieves the Princeton Reverb sound when the Middle control is set to the 12:00 position, but allows for tonal experiments when boosting and cutting mid frequencies depending on which way you turn the knob.\u003cbr\u003e\u003cbr\u003eFor those familiar with amplifiers that feature a bright switch, you likely have experienced an amp that may be too dark when the feature is not engaged. To prevent this issue with the Fullerton, Jackson Ampworks has wired in a permanent bright cap and installed a master control to create a wide range of tones from extremely bright to incredibly dark.\u003cbr\u003e\u003cbr\u003eIn addition to the basic controls and bright cap, the Fullerton also features a new Tweed control, which enables the amp to get back any gain lost while traveling through the EQ controls. At 0, the amp offers up the classic, clean sound that is typical of an American classic like the Princeton Reverb. When the Tweed knob is cranked, you’ll get more preamp gain added to your tone and a hearty boost.\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOutput 20W: 2x - 6V6 Fixed Bias\u003c\/li\u003e\r\n\u003cli\u003ePower 40W: 2x - 6V6 Fixed Bias\u003c\/li\u003e\r\n\u003cli\u003eTubes \r\n\u003cul\u003e\r\n\u003cli\u003ePreamp: 2x 12AX7, 1x 12AT7\u003c\/li\u003e\r\n\u003cli\u003ePhase Inverter: 1x 12AX7\u003c\/li\u003e\r\n\u003cli\u003eOutput: 4x - 6V6\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eRectifier: Solid State\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: 1MΩ\u003c\/li\u003e\r\n\u003cli\u003eWeight\r\n\u003cul\u003e\r\n\u003cli\u003eHead Cabinet - 35lbs. Boxed\u003c\/li\u003e\r\n\u003cli\u003e1x12 Combo - 50lbs Boxed\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eSize\r\n\u003cul\u003e\r\n\u003cli\u003eHead Size: 14\" x 8.5\" x 8.25\"\u003c\/li\u003e\r\n\u003cli\u003eHead Size (Boxed): 19.5\" x 13.5\" x 14\"\u003c\/li\u003e\r\n\u003cli\u003e1x12 Combo Size: 18.5\" x 10.5\" x 17.5\"\u003c\/li\u003e\r\n\u003cli\u003e1x12 Combo Size (Boxed): 22.5\" x 14.5\" x 21.5\"\u003c\/li\u003e\r\n\u003cli\u003eLine Voltage: 120VAC or 240VAC, switchable via Back Panel\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449802223719,"sku":"50338","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson-ampworks-fullerton-head-red-ivory-front_4e4c170f-e920-417c-ba10-81aa6bbf3837.jpg?v=1787090482"},{"product_id":"jackson-ampworks-tremolo-foot-controller","title":"Jackson Ampworks Continuum Reverb\/Tremolo Foot Controller","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Continuum\u003c\/strong\u003e is a footswitch that controls the reverb and tremolo for the Fullerton and Bakersfield amp models. What makes the Continuum special, is that it unlocks many features that are unavailable on the amp itself. It features the worlds first bias, tap tempo tremolo. Tap in quarter notes and then you can select which rhythmic subdivision such as 1\/8th, 1\/16th, dotted 1\/8th and so on... The tap gets sent to the power section and then transferred out through the front of the amp for a very retro, squishy tone. Within the tremolo side of the Continuum, you have 7 different waveforms to choose from such as Sine, Triangle, Square, Saw, reverse Saw and more.\u003c\/p\u003e  \u003ch3\u003eModulated Reverb\u003c\/h3\u003e  \u003cp\u003eAnother feature is that by selecting the Reverb and Tremolo buttons at once, it sends you in to Modulated Reverb mode. This puts the tremolo in the wet signal of the reverb so when you strike a chord, the reverberation is sliced and diced by the tremolo while keeping your dry signal unaffected.\u003c\/p\u003e  \u003ch3\u003eExpress Yourself\u003c\/h3\u003e  \u003cp\u003eTo get the most out of the Continuum, Jackson Ampworks has conveniently included expression inputs to adjust tremolo rate, tremolo depth and reverb depth.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449816641639,"sku":"47500","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson-ampworks-trem-reverb-pedal_47500_1_57151e72-18d0-4472-b789-0b269414aa2f.jpg?v=1787090542"},{"product_id":"jackson-ampworks-newcastle-30-head","title":"Jackson Ampworks Newcastle 30 Head","description":"\u003cp\u003eLike the original NewCastle, the \u003cstrong\u003eJackson Ampworks NewCastle 30\u003c\/strong\u003e is a simple tone machine that will cover everything from pristine British clean to straight up Rock and everywhere in between. The clean tones are rich and full of authority with sparkling highs that never become brittle or piercing. The low end was specifically designed to remain tight and punchy even when cranked so you’ll never lose definition when playing at loud volumes. The NewCastle 30 adds to the NewCastle’s tone with increased headroom and low end punch and clarity. Tonally the NewCastle 30 has an English heritage but is cleaner and more robust than many EL84 based amps. The NewCastle 30 is perfect for the player that uses a lot of pedals and wants an affordable clean platform to work from. In fact the NewCastle 30 remains clean up till around 2:00 on the Volume control and from there breaks up into the most musical overdrive you have ever heard! One of the best features of the NewCastle 30 is how well it cleans up when you roll the volume on your guitar down. With the NewCastle 30 you may find that you don’t need your overdrive pedals anymore as the volume control on your guitar acts like a gain control on the amp depending on how hard you play. In fact, you may find that your favorite setting is to leave the Volume up all the way on the amp and use your guitars volume to vary between your clean and dirty tones! Couple this with its very effective Tone control, and the NewCastle 30 can morph between pristine clean, hard rock and warm smooth jazz tones with ease!\u003c\/p\u003e  \u003cp\u003eThe NewCastle 30 is a lesson in simplicity. Someone once asked, “What’s your secret to great tone?” Answer: “Use good parts, and use as few as possible.” That is what the NewCastle 30 is all about. The design was purposefully kept simple to make it easier to dial in and to keep your tone as pure as possible. During the design phase of the NewCastle 30 Jackson Ampworks spent many hours working with artists, producers and engineers and used their feedback to help dial in the circuit so that the NewCastle 30 would work seamlessly with all types of guitars, pickups and effects and the extra effort was well worth it! The NewCastle 30 is a perfect go-to amp for players looking to capture great tone either live or in the studio! Special attention was paid during the design of the NewCastle 30 to guarantee that lack of headroom would never be a concern as is often the case with other 30W amps. To give as much power and headroom as possible, the power supply and output section were overbuilt to guarantee that the amp delivers every last bit of power possible out of it’s quartet of EL84’s! In addition to this, the NewCastle 30 features a Variable Power Supply which allows the high voltage of the amp to be seamlessly adjusted from 100% power down to 10% power with no tonal change at all. The only difference is how loud the amp is! The tone and dynamics stay the same and all the touch sensitivity you would expect from a tube amp remain constant but now at bedroom volumes! Along with the power amp section, the preamp has been designed to handle single coil as well as humbucker equipped guitars with ease and without becoming flabby in the low end, even when the amp is cranked! Try the NewCastle 30 yourself and experience its ease of use and pure rich tone, and you’ll agree that simple really is better!\u003c\/p\u003e  \u003cp\u003eThe front panel features a single Input, Volume and Tone controls and the addition of a Power control. The Volume control acts as both a Volume as well as a gain control. The higher you run the Volume the more the amp will overdrive in response to how hard the player attacks the strings. The Tone control acts as a master tone control for the entire amp and works similar to the tone control on a guitar. Rotating the Tone control clockwise will increases the high-end response of the amp and conversely rotating the Tone control counter clockwise removes high-end response from the amp which helps when a darker tone is desired or with bright sounding guitars. The full clockwise position removes the Tone control from the amplifier circuit to keep your original tone as pure as possible. The Power control on the front of the amp is where you can adjust to total output of the amp. Not a master volume though! While the Power does control the overall volume of the amp it does so by varying the high voltage of the amp from full power, 30W Class A to 1\/8W Class A. Try starting with the Power control at the 30W setting (fully clockwise) and adjusting lower as needed for the band or room you are playing in. Lower settings on the Power control will allow you to increase the Volume control for more gain while keeping the overall volume of the amp at a reasonable volume. For occasions when the player does not need to Power Scale the amplifier a Power Scaling bypass switch has been included that allows the player to completely bypass the Power Scaling feature and return the NewCastle 30 to stock performance.\u003c\/p\u003e  \u003cp\u003eWARNING: Never flip the Power Scaling Bypass Switch to the OFF position unless the Power control is in the full clockwise position. Doing so will cause undue stress on the amplifier and switch as the amplifier attempts to rapidly rebias itself. Like the front panel, the back panel is kept very simple. There are two speaker out jacks with an impedance selector switch that provides outputs of either 8 or 16 ohms. Located next to that are the Power and Standby switches as well as an IEC module with an integrated fuse and a switch for selecting between 120V and 240V operation. With the NewCastle 30 you’ll never have to worry about traveling on the road since the amp is designed to work at all line voltages!\u003c\/p\u003e  \u003cp\u003eTo make the NewCastle 30 even more flexible, Jackson Ampworks have incorporated a series FX loop between the preamp and power-amp. Adding an FX loop here allows the player to use his\/her effects in the loop and not interfere with the critical relationship between the guitar and preamp.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449816674407,"sku":"52462","price":2195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jacksonampworks_newcastle30head_52462_1_8eadd38f-1496-4e85-bdde-574b2d7fe24b.jpg?v=1787090542"},{"product_id":"jackson-ampworks-1x12-open-back-g12c-black-black","title":"Jackson Ampworks 1x12 Open Back G12C - Black\/Black","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Open Back 1×12 Cabinet\u003c\/strong\u003e is a perfect speaker cabinet to complement our entire line of amps and is ideal when you want a tone that is more “airy” and fills out the musical space!\u003c\/p\u003e  \u003cp\u003eDesigned while the American Series amps were being developed, the Open Back 1×12 Cabinet gives you the sense that your tone is coming from every direction and surrounding you as the open back design allows the tone to emanate from both the front and back of the cabinet! As guitarists we work very hard to achieve great tone and certainly one of the most important aspects of that tone is the speaker cabinet that we use. After all, the speaker cabinet is the final link between your amplifier and your ears, therefore it's effect on your tone cannot be understated.\u003c\/p\u003e  \u003cp\u003eJackson Ampworks' open back cabinets are constructed using 13-ply Baltic Birch and feature Dovetail joints for unparalleled strength, rigidity and tone. Also included is a steel strap handle, a genuine Switchcraft jack for reliable operation and 12AWG speaker wire for unrestricted tone and performance.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449819197543,"sku":"47493","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jacksonampworks-112-g12c-openback-4_d63d94c8-ffc1-4849-83ca-d28d53572aa6.jpg?v=1787090553"},{"product_id":"jackson-ampworks-1x12-celestion-gold-open-back-black-gold","title":"Jackson Ampworks 1x12 Celestion Gold Open Back - Black\/Gold","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Open Back 1×12 Cabinet\u003c\/strong\u003e is a perfect speaker cabinet to complement our entire line of amps and is ideal when you want a tone that is more “airy” and fills out the musical space!\u003c\/p\u003e  \u003cp\u003eDesigned while the American Series amps were being developed, the Open Back 1×12 Cabinet gives you the sense that your tone is coming from every direction and surrounding you as the open back design allows the tone to emanate from both the front and back of the cabinet! As guitarists, we work very hard to achieve great tone and certainly one of the most important aspects of that tone is the speaker cabinet that we use. After all, the speaker cabinet is the final link between your amplifier and your ears, therefore it's effect on your tone cannot be understated.\u003c\/p\u003e  \u003cp\u003eJackson Ampworks' open back cabinets are constructed using 13-ply Baltic Birch and feature Dovetail joints for unparalleled strength, rigidity and tone. Also included is a steel strap handle, a genuine Switchcraft jack for reliable operation and 12AWG speaker wire for unrestricted tone and performance.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449819230311,"sku":"50607","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jacksonampworks-112-celestiongold-openback-3_ead66b01-f4cc-4bb4-8386-5b89fc3a9144.jpg?v=1787090554"},{"product_id":"jackson-ampworks-1x12-celestion-gold-open-back-tweed","title":"Jackson Ampworks 1x12 Celestion Gold Open Back - Tweed","description":"\u003cp\u003eJackson Ampworks paid very close attention to detail with the \u003cstrong\u003e1x12 Open Back\u003c\/strong\u003e cabinet. The size of the cabinet as well as the ratio of the height, width and depth. All of these factors work together to shape the final tone and resonant frequency produced by the cabinet and they've designed a cabinet that actually has the low end of the Dual Ported cabinets but still retains the signature highs and airiness of an open back cabinet.\u003c\/p\u003e  \u003cp\u003eOne of the critical components of any speaker cabinet, and certainly so with the an open back speaker cabinet design, is the baffle that the speaker physically mounts to. This piece of the cabinet is not only what the speaker mounts to but also how the vibrations from the speakers are transferred into the rest of the speaker cabinet. Too thick of a speaker baffle and the cabinet can sound stiff and restricted; too thin of a speaker baffle and the low-end will suffer.\u003c\/p\u003e  \u003cp\u003eThe most famous open back cabinets ever made, were made not to reproduce a certain tone, but were instead designed for economy and speed of manufacture. While it is very inexpensive to manufacture these cabinets, the side effect of cutting corners is a dramatic loss of low-end content. So much so that the maker of these cabinets would have to increase low-end focus on the amplifiers in order to compensate for the lack of low-end response in their cabinets. Try this! Take an American styled amp from the 60’s, disconnect the speaker lead from the combo and plug it into a well made speaker cabinet – either open back or closed back. There’s a good chance you’ll find that you have WAY too much bass in your tone and will have to turn the Bass control either way down or almost completely off. This is because the standard speaker baffle design that has been used for years is extremely ineffective.\u003c\/p\u003e  \u003cp\u003eThere is a more costly downside to this oversight other than just having to adjust the Bass control on the amp. It takes power to reproduce low end. That is why you’ll seldom see a bass amp less than 60W any many times you’ll see solid state amps producing 1000W or more. The reason is that it takes a lot of power to reproduce low end cleanly. When your cabinet design is inefficient, you have to generate more low end in the amplifier which means that for a given volume your tone will be more overdriven that you may like. In short, it means you have to make compromises in the amplifier design to maintain low end, and the more low end you push from the amp, the more headroom you lose. Conversely it means that if you design the cabinet correctly, and it will accurately deliver the low end that is sent to it, you can remove some low end from the amplifier circuit and the amp will remain cleaner longer than it normally would with a poor speaker baffle design.\u003c\/p\u003e  \u003cp\u003eIn order to mount the speaker baffle into the cabinet so that it would be mechanically secure (no rattles or buzzing!) and acoustically efficient, they chose to dado the entire speaker baffle along all four sides of the cabinet. As the cabinet is being assembled, three of the four sides of the cabinet are assembled using their dovetail joints and once they are together, the dado is filled with glue and the speaker baffle is installed. Once the speaker baffle is mounted into the cabinet, the 4th side of the cabinet is installed thus trapping the speaker baffle into position and supporting it on all four sides. Once the cabinet is dried, the speaker baffle is now part of the cabinet as a whole and cannot be removed. This construction method is more time consuming and costly than traditional methods, but the results speak for themselves.\u003c\/p\u003e  \u003cp\u003eFinal tuning of the cabinet was done using the port located on the back panel of the cabinet. Again every little thing matters including the size of an opening on the back of a speaker cabinet. Jackson Ampworks also found that the location of the speaker on the speaker baffle made a huge difference in tone.\u003c\/p\u003e  \u003cp\u003eVery seldom are well designed products as simple as they appear. In fact that is one of the hallmarks of a well designed product. It looks simple. There is usually a lot of experimenting and study involved until the desired result is achieved and the speaker cabinets are no different. Every little thing matters and everything we do has a specific reason and I can’t imagine doing it any other way.\u003c\/p\u003e  \u003cp\u003eAll Open Back Cabinets are constructed using 13-ply Baltic Birch and feature Dovetail joints for unparalleled strength, rigidity and tone. Also included is a steel strap handle, a genuine Switchcraft jack for reliable operation and 12AWG speaker wire for unrestricted tone and performance.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449823162471,"sku":"47495","price":845.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson-ampworks-112-tweed-alnico-gold_47495_1_28cae66e-0d88-441b-adb4-2bbe74620343.jpg?v=1787090571"},{"product_id":"jackson-ampworks-mcfly-head-tweed","title":"Jackson Ampworks McFly Head - Tweed","description":"\u003cp\u003eFrom the ground up, the \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e head was designed as an original circuit and not a clone of anything that’s been done before. I wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible I wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e  \u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e  \u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e  \u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, they've included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e  \u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e  \u003cp\u003eTo complement the 6SN7 preamp Jackson Ampworks has chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own!\u003c\/p\u003e  \u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks has included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode!\u003c\/p\u003e  \u003cp\u003eTo guarantee reliability and that your tone is never restricted, custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With the new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp! Compare this with most amplifiers that lose low-end and high-end definition at high volumes and cause the mid-range to “bunch up” and lose overall clarity.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449823195239,"sku":"47486","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson-ampworks-mcfly-head-tweed_47486_1_35b26e43-b222-4656-900d-530ee4a56368.jpg?v=1787090571"},{"product_id":"jackson-ampworks-mcfly-head-shagreen-demo-deal","title":"Jackson Ampworks McFly Head - Shagreen (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks McFly\u003c\/strong\u003e is the first amplifier to be released in their new American Series line and is their take on the best sounding and most flexible Tweed Style amp ever made. For the first time ever, you can get authentic Tweed era tones as well as Blackface era tones all from the same amp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDesign Goals\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrom the ground up, the McFly was designed as an original circuit and not a clone of anything that’s been done before. Jackson Ampworks wanted to design an amp that gave a nod to those very early tweed style amps from the 1950’s but in doing so overcome some of the limitations and shortcomings that are inherit in many of those amps. To make the McFly more flexible, Jackson Ampworks wanted to give the player access to some of the cleaner tones and greater headroom that were found in the blackface era amps of the 1960’s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccomplishing these two goals was done over an 18 month long period of design\/redesign\/tweaking and testing with some of the greatest players in the industry until Jackson Ampworks felt the McFly had achieved a unique voice all its own.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe McFly very proudly features a 6SN7 preamp tube as well as a 6SN7 phase inverter tube. This 8 pin preamp tube was the precursor to the modern 9 pin 12AX7 style preamp tubes that are common now and is in large part why the McFly has the wide frequency response it has. With the McFly, your low-end will remain crystal clear and punchy at frequencies well past the low E string on your guitar and your high end will breathe with the openness and air of a studio grade preamp as these unique preamp tubes allow the full voice of your instrument to be heard.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis preamp, which has two operating modes (50’s and 60’s) gives you two distinct preamp modes with which to sculpt your tone. The 60’s mode is the cleaner of the two modes and will give you more clean headroom and is perfect for musical styles where a warm vintage Blackface type clean tone is needed. The 50’s mode is more aggressive and has more preamp gain which gives the McFly its signature Tweed era tone! In the 50’s mode you’ll notice that notes sustain longer and will often take off into controlled feedback at will.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTone Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInstead of a typical Treble and Bass control like you’ve seen on other amplifiers, the McFly features a unique set of controls to tailor the frequency response of the amplifier. To control the low end frequency response of the amplifier, we have included a 6-position Body Switch which allows the player to select various configurations of components to sculpt the amount of low-frequency in their tone. Using a switch to control the frequency response provides an intuitive and more repeatable method of dialing in your low-end and reduces loading on the guitars signal which results in a more natural and open tone like you’d find in a studio grade preamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the Body Switch, the McFly features a master Tone control that effects the high frequency of your tone. Much like the tone control on a guitar, the Tone control on the McFly allows the player to dial in a tone that is brighter at the clockwise position and darker at the full counter-clockwise position. The McFly also offer a Bright switch which further extends the high frequency boost when needed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eOutput Tubes\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo complement the 6SN7 preamp we have chosen to run a unique set of power tubes in the McFly. The McFly features two cathode biased 6V6 power tubes which allows the player to get the classic clean tones of a Blackface Deluxe amplifier in the 60’s mode or the aggressive rhythm tones of a Tweed Deluxe in the 50’s mode. The McFly also includes a cathode biased pair of 6L6-GC power tubes which offer a higher wattage clean tone in the 60’s mode and a more robust overdrive tone in the 50’s mode. If you’re familiar with Jackson Ampworks you know they typically don’t leave well enough alone. They always expand a players tonal palette and offer more than they expect and we’re proud to say that with the release of the McFly, that tradition has continued. To help you create a host of new tones that blur the lines between Blackface and Tweed, the McFly allows the player to select both types of power tubes simultaneously! This feature allows the player to blend the rock solid and dynamic response of the 6L6-GC power tubes with the softened compression of the 6V6 power tubes to create a hybrid tone that is uniquely their own.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutput Power For Each Power Mode:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e6V6: (Clean) 13W; (Overdriven) 18W\u003c\/li\u003e\r\n\u003cli\u003e6L6-GC: (Clean) 25W: (Overdriven) 40W\u003c\/li\u003e\r\n\u003cli\u003eBOTH: (Clean) 46W; (Overdriven)70W\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePower Scaling\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTo round out the feature set for the McFly and to make the amplifier more useful in volume sensitive environments, Jackson Ampworks have included power scaling with the McFly. Power scaling allows the player to adjust the output power of the amplifier from max power (depending on power mode) to 1\/8th of a watt! This feature allows the player to get true output tube distortion at a fraction of the original volume and will actually help to extend the life of the power tubes as they are not being run as hard when in the power scaling mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo guarantee reliability and that your tone is never restricted, they have custom designed an enormous 200W Output Transformer that couples the power tubes of the McFly to your speaker cabinet. Having an output transformer that is 3 times over-spec’ed first guarantees that you’ll never destroy it now matter how hard you run the amp, and second that every bit of tone that is created by the power tubes will be transmitted perfectly to your speaker cabinet will no loss of low end or high end. With Jackson Ampwork's new 200W output transformer you will maintain the entire frequency response of the amplifier regardless of how loud you run the amp. Compare this with most amplifiers that lose low-end and high-end definition at high volumes and cause the mid-range to “bunch up” and lose overall clarity.\u003c\/p\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449975795815,"sku":"59988","price":2195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson_ampworks_mcfly_head_shagreen_1_1_d86284e0-780a-4197-9457-e3afe632cf9c.jpg?v=1787091171"},{"product_id":"jackson-ampworks-scarlett-30-head-red-ivory","title":"Jackson Ampworks Scarlett 30 MKI Head Red\/Ivory 2016","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Scarlett 30\u003c\/strong\u003e was designed specifically for musicians who play church music, the Scarlett 30 is fully featured, very affordable and offers many of the features and tones that church players need on a weekly basis.\u003c\/p\u003e  \u003ch3\u003eDESIGNED WITH YOU IN MIND\u003c\/h3\u003e  \u003cp\u003eJackson Ampworks' focus when designing the Scarlett 30 was to design an amplifier that could be used by musicians in any size venue and still be affordable. Whether you play stadiums or small 50 seat chapels, you need an amp that will perform in any of those environments without sacrificing your tone, and the Scarlett 30 does that perfectly. Big or small room, low or high volume, the Scarlett 30 will cover any sound across the tonal spectrum and do them all with ease.\u003c\/p\u003e  \u003ch3\u003eFEATURES YOU WILL ACTUALLY USE\u003c\/h3\u003e  \u003cp\u003eThe Top Boost AC30 circuit is such a tremendous sounding circuit and has been used in every genre from country to rock but with all of its benefits, it is lacking one very important feature that would have made it perfect: A Mid-Range Control.\u003c\/p\u003e  \u003cp\u003eWith the inclusion of a Mid-Range control, the Scarlett 30 allows the player to start with the classic tone of a Top Boost AC30 and tweak out the all too important mid-range tones to fit the mix perfectly.\u003c\/p\u003e  \u003ch3\u003ePOWER WHEN YOU NEED IT, FLEXIBILITY WHEN YOU DON’T\u003c\/h3\u003e  \u003cp\u003eIn addition to the Mid-Range control, Jackson Ampworks wanted to create an amp for players that would perform flawlessly at low volume levels, and power scaling is the perfect solution. With the power scaling, you can roll the volume back for a small room or crank it in a stadium without any tone loss. The amp retains the sponginess of the tube rectifier and still has incredible attack even when running it at 1\/8W. The amp is also super responsive. Whether you play delicate or heavy handed, the amp responds accordingly regardless of where the power is set.\u003c\/p\u003e  \u003ch3\u003eCLEAN HEADROOM\u003c\/h3\u003e  \u003cp\u003eSince most church players use a lot of pedals, Jackson Ampworks wanted the Scarlett 30 to be able to handle whatever the player might throw in front of it. Whether you’re searching for a super clean tone or something far more gritty, the Scarlett 30 achieves this effortlessly.\u003c\/p\u003e  \u003ch3\u003ePROVEN PERFORMANCE\u003c\/h3\u003e  \u003cp\u003eThe Scarlett 30 was developed over a period of more than a year of design, redesign and tweaking to deliver one of the most flexible and useful amplifiers on the market. Whether you are a church player or a player who loves the class sound of a Top Boost AC30 but needs more flexibility, the Scarlett 30 was made for you.\u003c\/p\u003e  \u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFront Panel Controls: Hi\/Lo Inputs, Volume, Treble, Middle, Bass, Tone, Power\u003c\/li\u003e \u003cli\u003eRear Panel Controls: FX Loop, Speaker Jacks, Impedance Selector (8\/16), Power, Standby\u003c\/li\u003e \u003cli\u003e30W Class A – 1\/8W Class A Mallory 150 Series Capacitors\u003c\/li\u003e \u003cli\u003e(3) – 12AX7 Preamp Tubes\u003c\/li\u003e \u003cli\u003eCarbon Film Resistors\u003c\/li\u003e \u003cli\u003e(4) – EL84 Output Tubes\u003c\/li\u003e \u003cli\u003eGenuine Carling Switches\u003c\/li\u003e \u003cli\u003eCathode Bias\u003c\/li\u003e \u003cli\u003e13 Ply Baltic Birch Cabinet with Dovetail Joints\u003c\/li\u003e \u003cli\u003eCustom Wound 200W Power and Output Transformers Laser Cut Aluminum Chassis with Billet Cut End Plates\u003c\/li\u003e \u003cli\u003eLaser Engraved and Backfilled Plastic Front and Back Panels\u003c\/li\u003e \u003cli\u003eSwitchable 120V\/240V Operation\u003c\/li\u003e \u003cli\u003eWeight: 35lbs\u003c\/li\u003e \u003cli\u003eHead Size: 14″ x 8.5″ x 8.25″\u003c\/li\u003e \u003cli\u003eHead Size (Boxed): 18″ x 13″ x 12″\u003c\/li\u003e \u003cli\u003e1×12 Combo Size: 21.5″ x 18.5″ x 11.5″\u003c\/li\u003e \u003cli\u003e1\/8th Inch Thick Circuit Boards with 2oz Copper Traces\u003c\/li\u003e \u003cli\u003eGenuine Neutrik Jacks\u003c\/li\u003e \u003c\/ul\u003e","brand":"Jackson Ampworks","offers":[{"title":"Default Title","offer_id":44449996537959,"sku":"61574","price":1796.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jackson-ampworks-scarlett-30-red_61574_1_5812216b-f34f-4642-9659-3b82d1810cd7.jpg?v=1787091255"},{"product_id":"jackson-ampworks-scarlett-30-head-black-ivory-demo-deal","title":"Jackson Ampworks Scarlett 30 Head Black\/Ivory (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eJackson Ampworks Scarlett 30\u003c\/strong\u003e was designed specifically for musicians who play church music, the Scarlett 30 is fully featured, very affordable and offers many of the features and tones that church players need on a weekly basis.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDESIGNED WITH YOU IN MIND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJackson Ampworks' focus when designing the Scarlett 30 was to design an amplifier that could be used by musicians in any size venue and still be affordable.  Whether you play stadiums or small 50 seat chapels, you need an amp that will perform in any of those environments without sacrificing your tone, and the Scarlett 30 does that perfectly. Big or small room, low or high volume, the Scarlett 30 will cover any sound across the tonal spectrum and do them all with ease.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eFEATURES YOU WILL ACTUALLY USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Top Boost AC30 circuit is such a tremendous sounding circuit and has been used in every genre from country to rock but with all of its benefits, it is lacking one very important feature that would have made it perfect: A Mid-Range Control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the inclusion of a Mid-Range control, the Scarlett 30 allows the player to start with the classic tone of a Top Boost AC30 and tweak out the all too important mid-range tones to fit the mix perfectly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003ePOWER WHEN YOU NEED IT, FLEXIBILITY WHEN YOU DON’T\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to the Mid-Range control, Jackson Ampworks wanted to create an amp for players that would perform flawlessly at low volume levels, and power scaling is the perfect solution. With the power scaling, you can roll the volume back for a small room or crank it in a stadium without any tone loss. The amp retains the sponginess of the tube rectifier and still has incredible attack even when running it at 1\/8W. The amp is also super responsive. Whether you play delicate or heavy handed, the amp responds accordingly regardless of where the power is set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eCLEAN HEADROOM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSince most church players use a lot of pedals, Jackson Ampworks wanted the Scarlett 30 to be able to handle whatever the player might throw in front of it. 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