{"title":"Joe Meek","description":null,"products":[{"product_id":"joe-meek-mc2","title":"Joe Meek MC2","description":"The \u003cb\u003eJoemeek mc2\u003c\/b\u003e is a professional studio-quality stereo compressor in a compact half-rack format. Simple to use yet extremely powerful, it will bring out the best in any line-level stereo material and give the gloss of a professional studio to all your performances. It can be used for both recording\/mastering, and live work. \u003cbr\u003e\u003cbr\u003e Think of the mc2 as three separate pieces of equipment: \u003cul\u003e \u003cli\u003e A line level stereo preamplifier \u003c\/li\u003e\n\u003cli\u003e A stereo Joemeek optical compressor \u003c\/li\u003e\n\u003cli\u003e A stereo width processor \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":44449251426407,"sku":"11982","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joemeek_mc2.jpg?v=1787088316"},{"product_id":"joe-meek-jm27-pac","title":"Joe Meek JM27 Pac","description":"Sooner or later, every engineer finds the need to record in stereo. The new \u003cb\u003eJoemeek JM27 Pac\u003c\/b\u003e fits the bill perfectly! Consisting of a factory-matched pair of JM27 Small Diaphragm Condenser Microphones, the Pac also includes two of our new heavy-duty all metal suspensions, foam windscreens (for outdoor use), and a Stereo \"T\" Bar (necessary for X\/Y recording applications). \u003cbr\u003e\u003cbr\u003e All of this comes neatly packed into an impact resistant, foam lined ABS case, making it easy to transport your microphones while protecting them from the elements. \u003cbr\u003e\u003cbr\u003e You'll find the JM27 Pac perfect for use as drum overheads, as well as for recording acoustic and orchestral instruments. Every mic locker needs a stereo pair. Here's yours! \u003cbr\u003e\u003cbr\u003e \u003cb\u003eApplications:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e Percussion overheads \u003c\/li\u003e\n\u003cli\u003e Strings \u003c\/li\u003e\n\u003cli\u003e Instrument Miking \u003c\/li\u003e\n\u003cli\u003e Acoustic instruments \u003c\/li\u003e\n\u003cli\u003e Piano, Choir \u003c\/li\u003e\n\u003cli\u003e Stereo M\/S and X\/Y applications \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":44449422934119,"sku":"12007","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joemeek_jm27_pac_03126c3c-5b04-4f8c-b8bc-59a7bddc6992.jpg?v=1787088932"},{"product_id":"joe-meek-jm27","title":"Joe Meek JM27","description":"The \u003cb\u003eJoemeek JM27\u003c\/b\u003e is a small diaphragm condenser microphone with a fixed Cardioid pattern. Building on the tradition of classic studio microphones, we combined an FET pre-amplifier with transformer-balanced output resulting in a low noise, high SPL mic - perfect for a variety of studio applications. \u003cbr\u003e\u003cbr\u003e The capsule is manufactured in the classic \"concentric electrode\" design, providing smooth extended frequency response. We further enhanced the audio quality by using dynamic feedback at the capacitor element. This technique eliminates distortions, which can occur at high SPL. \u003cbr\u003e\u003cbr\u003e The diaphragm is made from micro-fine Mylar and is gold sputtered. The microphone body is machined from brass, with audio connection via a balanced 3-pin XLR connector. Power is supplied via Phantom Power from either your console or microphone preamplifier. \u003cbr\u003e\u003cbr\u003e You'll find the JM27 performs especially well when used for acoustic and orchestral instruments as well as in pairs for drum overheads and other stereo applications.","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":44449422999655,"sku":"10900","price":79.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joemeek_jm27_79ce456a-29ab-490a-a51a-d30e58b4cbfe.jpg?v=1787088932"},{"product_id":"joe-meek-gbq","title":"Joe Meek GBQ","description":"The \"GB\" part of the name \u003cb\u003eJoemeek gbQ\u003c\/b\u003e stands for \"Guitar and Bass\" but it could also be read as \"Great British\" since - like all the other JOEMEEK products - the pedals were dreamed up in the Devonshire home of pre-eminent audio designer Allan Bradford: \"I started off as a kid building analogue synthesisers back in the 70s and those were all about giving people endless combinations of sounds to play with. I also made guitar amplifiers and effects pedals for myself and friends, when we were all playing in bands, so really with the gbQ I am revitalising a lot of those old ideas.\"","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":44449425326183,"sku":"12017","price":359.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joemeek_gbq.jpg?v=1787088943"},{"product_id":"joe-meek-floorq","title":"Joe Meek FloorQ","description":"The \u003cb\u003eJoemeek floorQ\u003c\/b\u003e is basically a Joemeek Optical Compressor in a pedal. \"We realized that a lot of guitarists and bass players were buying our studio gear - such as the twinQ - just to put their guitars through\" says PMI President Alan Hyatt. \"They loved what the compressor did for their sound but it wasn't very practical from a live performance point of view. Actually the same circuit is in our small threeQ box but it still ain't a pedal, so we decided to give them one!\" The floorQ also boasts a high impedance JFET input, Class-A preamplifier with an Input Level control, so even with the Compressor switched out, the pedal makes an excellent front end and level matcher for all types of guitar amps.","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":44449425424487,"sku":"12016","price":249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joemeek_floorq.jpg?v=1787088943"},{"product_id":"joemeek-vc2-channel-strip-used","title":"Joemeek VC2 Channel Strip (Used)","description":"Clean used example of this unit. Premium VK serviced.","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":44449674756199,"sku":"41090","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_41090_1_b11301cf-71a9-4219-a5ca-eab3dad70ddd.jpg?v=1787089941"},{"product_id":"joemeek-twinq2-demo-deal","title":"Joemeek twinQ2 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eJoemeek twinq2\u003c\/strong\u003e is everything you ever wanted in a dual studio channel - and then some!\u003c\/p\u003e\r\n\r\n\u003cp\u003eJoemeek started with high quality Burr-Brown IC's for the preamp, added an extremely musical EQ section and an optical compressor for that signature \"Meek\" sound. Then, they included some new and innovative features, like an \"Iron\" switch that switches the IC front end to a transformer - completely changing the topology of the circuit. It even has 24bit, 96k A\/D converters built in.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll of this comes housed in a rugged 2u chassis with a beautifully sculpted aluminum faceplate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith sonic quality rivaling mic pre's priced thousands of dollars more, the twinq2 sets a new standard for dual channels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedances: Mic: 1.2kohm; Line: 10k ohm\u003c\/li\u003e\r\n\u003cli\u003ePre-amp overall gain: -2dB to 60dB\u003c\/li\u003e\r\n\u003cli\u003eCommon mode rejection: 70dB\u003c\/li\u003e\r\n\u003cli\u003eEquivalent input noise: -128.5dBu (unweighted)\u003c\/li\u003e\r\n\u003cli\u003eDistortion: 0.001% (below Compressor threshold)\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 10Hz to 70kHz (-3dB)\u003c\/li\u003e\r\n\u003cli\u003eMaximum input before clipping: Mic: +24dBu, +45dBu\u003c\/li\u003e\r\n\u003cli\u003eHeadroom before clipping: +29dBu\u003c\/li\u003e\r\n\u003cli\u003eCompressor threshold: -6dBu to -22dBu (variable)\u003c\/li\u003e\r\n\u003cli\u003eCompressor ratio: 1:1 to 10:1 (variable)\u003c\/li\u003e\r\n\u003cli\u003eCompressor attack time: 1 msec to 100 msec (adaptive)\u003c\/li\u003e\r\n\u003cli\u003eCompressor release time: 0.1 sec to 3 sec (adaptive)\u003c\/li\u003e\r\n\u003cli\u003eNominal output levels: +4dBu\/-10dBv\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance: 75ohm\u003c\/li\u003e\r\n\u003cli\u003eOutput Level switch: 12dB attenuation\u003c\/li\u003e\r\n\u003cli\u003eNoise Floor: -85dBu (typical, with ~40dB mic gain)\u003c\/li\u003e\r\n\u003cli\u003eVU Meter: Analogue movement\u003c\/li\u003e\r\n\u003cli\u003ePower supply: 115V \/ 230V ac mains, 50\/60Hz\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 30W\u003c\/li\u003e\r\n\u003cli\u003eMechanical: 482W x 88H x 220D (overall)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 3 kilos\u003c\/li\u003e\r\n\u003cli\u003eHigh Pass Filter: 12dB per octave cut below 80Hz\u003c\/li\u003e\r\n\u003cli\u003eEQ Boost \u0026amp; Cut: +\/-15dB (zero phase-shift bell response)\u003c\/li\u003e\r\n\u003cli\u003eLF Frequency : 40Hz to 650Hz variable\u003c\/li\u003e\r\n\u003cli\u003eMID Frequency : 300Hz to 5kHz variable\u003c\/li\u003e\r\n\u003cli\u003eHF Frequency : 6kHz\/12kHz switchable\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eDigital Output Specifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSampling: 24 Bit\u003c\/li\u003e\r\n\u003cli\u003eResolution: 24-bit delta sigma using Wolfson WM8738 ADC\u003c\/li\u003e\r\n\u003cli\u003eSampling Rate: 44.1kHz, 48kHz, 88.2kHz or 96kHz selectable\u003c\/li\u003e\r\n\u003cli\u003eOutput Formats: AES3 compliant (balanced), S\/PDIF electrical\u003c\/li\u003e\r\n\u003cli\u003eOversampling:  This is [sample frequency divided by twice the bandwidth]. So for a 20kHz bandwidth sampled at 96kHz, oversampling = 2.4x.\u003c\/li\u003e\r\n\u003cli\u003eHowever the term oversampling is sometimes confused with [clock frequency divided by sample rate]. In the DB-1 that would be 256x at 96kHz\u003c\/li\u003e\r\n\u003cli\u003eNoise Floor:  typically 92dB A-weighted (referenced to 0dBFS = +18dBu). So for a +4dBu signal, the SNR is 78dB\u003c\/li\u003e\r\n\u003cli\u003eDistortion:   typically 0.01% @ 0dBu (20Hz - 20kHz) at 96kHz sample rate; typically 0.02% @ 0dBu (20Hz - 20kHz) at 48kHz sample rate; typically 0.02% @ -1dBFS (20Hz - 20kHz) at all sample rates\u003c\/li\u003e\r\n\u003cli\u003eExternal Word Clock input: 75ohm, 1.25V - TTL level, 44.1kHz to 96kHz (auto synchronising)\u003c\/li\u003e\r\n\u003cli\u003eCrosstalk: typically -67dB (20Hz - 20kHz)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":44449726693479,"sku":"48394","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joe_meek_pro2q_c389aa8b-c735-416a-91fa-aefed8b2c285.jpg?v=1787090153"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/joe-meek.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}