{"title":"Kali Audio","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look At Kali's History\u003c\/h2\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali_bottom_1.jpg?v=1787060220\" alt=\"Kali Audio\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eKali Audio’s debut line of studio monitors, the Lone Pine series, has the world-class performance you need to create great mixes. The monitors feature a hyper-accurate frequency response and you’ll easily be able to pick up on the subtle spatial elements in a mix. Nothing about the sonic performance of the speaker is augmented or masked in any way. Therefore, you can expect an honest image of source audio.\r\n\u003cbr\u003e\u003cbr\u003e\r\nThe brand began in 2018 to make loudspeakers that offer value and professional performance. After a considerable amount of time spent on research and development, Kali Audio presently makes high-performance products for any budget. Most of the team resides in Southern California, working in a creative environment and furthering the development of innovative products.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali_bottom_2.jpg?v=1787060223\" alt=\"Kali Audio\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe LP-6 (6-inch) and LP-8 (8-inch) are built using the same 1” soft dome tweeter and are driven by clean Class-D power. Despite a slight difference in max SPL, both models rely on a 3-D imaging wave guide, dual-layer voice coil, and low-noise port tube. Together, these specs offer exceptional accuracy at an affordable price.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali_bottom_3.jpg?v=1787060227\" alt=\"Kali Audio\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eFor a truly hyper-realistic monitoring experience, listen to your mixes on the IN Series from Kali Audio. These monitors offer the advantages of 3-way monitoring with a unique twist. To cut down on speaker workload and overall distortion, the IN-8 combines the tweeter and midrange speaker. By occupying the same space, the tweeter and midrange present a more natural image of a mix.\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe midrange, which surrounds the tweeter, acts as a waveguide as well. The specially engineered low-noise port reduces audible variations in sound speed by ensuring all sound exits the port at the same speed. The IN-8 doesn’t lie. Expect flawless translation of mixes between different playback systems.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali_bottom_4.jpg?v=1787060230\" alt=\"Kali Audio\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eIt’s hard to find a versatile subwoofer under $1000 that does it all. That’s where the Kali Audio WS-12 comes in. The WS-12 was designed as a companion subwoofer for Kali’s LP- and IN-Series Studio monitors. This 1000W subwoofer delivers clean, powerful low-end for studio or stage use.\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe WS-12 features selectable crossovers, gain adjustment, and polarity controls are found on the back panel, along with recommendations to suit either the LP Series or IN Series speakers. The general size and construction of the subwoofer favors easy transport between gigs, while also packing enough punch for live use. The WS-12 can even be configured as a dedicated Low Frequency Effects channel.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali_last_block.jpg?v=1787060234\" alt=\"Kali Audio\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eNo matter what type of monitor set-up you’re looking for, Kali Audio has an option that will fit your needs. Perfect for recording or mixing, you’ll be able to honestly assess your audio projects and find satisfaction with your final results.\u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"kali-audio-ws-12-12-powered-subwoofer-single","title":"Kali Audio WS-12 12\" Powered Subwoofer - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio WS-12\u003c\/strong\u003e is an affordable 1000W powered 12” subwoofer for studio or stage use. Its low-end is controlled by an easy-to-use DSP section to tune the proper settings needed for any system. The WS-12 is a great companion for near-field and far-field monitors, as well as PA systems. With frequency extension down to 23 Hz and 123 dB max SPL, you’ll have plenty of low end for any setting.\u003c\/p\u003e\r\n\u003cp\u003e1000W of Class D power drives the WS-12. It’s capable of playing a bass management role in a 5.1 system, particularly when used alongside Kali IN-8 monitors. The WS-12 is also a great live subwoofer. The Kali Audio team designed the WS-12 to fit nicely into small vehicles. It’s size, enclosure, and carrying handles make transport between gigs easy.\u003c\/p\u003e\r\n\u003cp\u003eThe DSP section has various settings to optimize performance in any setup. The back panel includes parameters for selectable crossovers, gain adjustment, and polarity. To listen to a mix full-range, the WS-12 accepts input from a footswitch of your choice.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450560278631,"sku":"136628","price":719.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-ws-12_136628_1_08cd3f5e-7fe3-4756-afe4-92ee7e8ae086.jpg?v=1787093547"},{"product_id":"kali-audio-mv-bt-bluetooth-monitor-controller","title":"Kali Audio MV-BT Bluetooth Monitor Controller","description":"\u003cp\u003e\u003cspan id=\"E58\"\u003eThe \u003cstrong\u003eKali Audio MV-BT\u003c\/strong\u003e allows you to use professional equipment (speakers, mixers, and audio interfaces) with Bluetooth devices using high-res audio codecs and balanced output options. Pair your device by pressing the Kali logo on the front, and connect your preferred output source via XLR or TRS cables. The weighted knob offers precise volume control at your fingertips.\u003c\/span\u003e\u003cspan id=\"E59\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450560311399,"sku":"136629","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-mv-bt_136629_1.jpg?v=1787093547"},{"product_id":"kali-audio-lp-8-8-powered-studio-monitor-single","title":"Kali Audio Lone Pine LP-8 8\" Powered Studio Monitor - Single","description":"\u003cp\u003eKali’s debut, the \u003cstrong\u003eKali Audio Lone Pine LP-8\u003c\/strong\u003e studio monitors are designed to give you world-class power and accuracy, so you can mix with confidence. The exceptionally accurate frequency response allows you to hear everything present in the mix. Kali Audio boasts three-dimensional sound, a dual-layer voice coil, and a low noise port tube. Together, these features produce accurate reflection of source material that translates well over multiple systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePower \u0026amp; Accuracy\u003c\/h3\u003e\r\n\u003cp\u003eThe integrated Class D Power amp delivers clean, reliable power for large listening setups. While listening for long periods within a defined listening distance, momentary peaks come through clearly with minimal distortion. Kali Audio defines this as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. Bass drops and explosive effects, for example, translate very well. By using larger magnets and voice coils, you get more accurate bass response. The entire frequency spectrum is uncolored and unhyped, meaning the LP-8 presents sound in the truest way possible.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-8 uses 40W for the 1” soft dome tweeter and 60W for the 8-inch woofer.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e3-D Imaging Waveguide\u003c\/h3\u003e\r\n\u003cp\u003eThe calibrated waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. It also helps expose all the spatial details in a mix. When you’re able to connect with the subtle elements, wiser mixing decisions can be made. Furthermore, this aspect of the LP-8 makes mixing on the LP-8 feel natural and intuitive.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eLow Noise Port Tube\u003c\/h3\u003e\r\n\u003cp\u003eKali Audio specifically designed the LP-8 to perform well against walls or where space is limited by adding a noiseless port on the front. The low noise port tube allows all air to leave at the same velocity, whereas others release air at different speeds. A poorly designed port can add undesirable sound to the noise floor and diminish an otherwise powerful low end. Kali Audio’s LP-8 doesn’t suffer from any audible turbulance. During playback, bass will remain tight and clean, devoid of extra noise to keep you from experiencing a mix in full.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eEase of Use\u003c\/h3\u003e\r\n\u003cp\u003eSimilar to the Kali Audio IN-8, the back panel of the LP-8 features an array of EQ recommendations to suit different speaker placements. This way, regardless of where or how the speakers are placed, you’ll get optimum sound from a stereo pair of LP-8 studio monitors.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-8 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450560344167,"sku":"136626","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-8_136626_1_6ec6687c-342c-4fc4-a7e6-1ff90d0771e5.jpg?v=1787093547"},{"product_id":"kali-audio-lp-6-6-5-powered-studio-monitor-white-single","title":"Kali Audio Lone Pine LP-6 6.5\" Powered Studio Monitor - White, Single","description":"\u003cp\u003eKali’s debut studio monitor, the \u003cstrong\u003eKali Audio Lone Pine LP-6,\u003c\/strong\u003e is designed to give you world-class power and accuracy, so you can mix with confidence. The exceptionally accurate frequency response allows you to hear everything present in the mix. Kali Audio boasts three-dimensional sound, a dual layer voice coil, and a low noise port tube. Together, these features produce accurate reflection of source material that translates well over multiple systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePower \u0026amp; Accuracy\u003c\/h3\u003e\r\n\u003cp\u003eThe integrated Class D Power amp delivers clean, reliable power for 1-2 person listening setups. While listening for long periods within a defined listening distance, momentary peaks come through clearly with minimal distortion. Kali Audio defines this as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. Bass drops and explosive effects, for example, translate very well. By using larger magnets and voice coils, you get more accurate bass response. The entire frequency spectrum is uncolored and unhyped, meaning the LP-6 presents sound in the truest way possible.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-6 uses 40W for the 1” soft dome tweeter and 40W for the 6.5-inch woofer.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e3-D Imaging Waveguide\u003c\/h3\u003e\r\n\u003cp\u003eThe calibrated waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. It also helps expose all the spatial details in a mix. When you’re able to connect with the subtle elements, wiser mixing decisions can be made. Furthermore, this aspect of the LP-6 makes mixing on the LP-6 feel natural and intuitive.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eLow Noise Port Tube\u003c\/h3\u003e\r\n\u003cp\u003eKali Audio specifically designed the LP-6 to perform well against walls or where space is limited by adding a noiseless port on the front. The low noise port tube allows all air to leave at the same velocity, whereas others release air at different speeds. A poorly designed port can add undesirable sound to the noise floor and diminish an otherwise powerful low end. Kali Audio’s LP-6 doesn’t suffer from any audible turbulance. During playback, bass will remain tight and clean, devoid of extra noise to keep you from experiencing a mix in full.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eEase of Use\u003c\/h3\u003e\r\n\u003cp\u003eSimilar to the Kali Audio IN-8, the back panel of the LP-6 features an array of EQ recommendations to suit different speaker placements. This way, regardless of where or how the speakers are placed, you’ll get optimum sound from a stereo pair of LP-6 studio monitors.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450560442471,"sku":"136625","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-6_136625_1_d195c6ba-8bec-4815-a153-c2dafe55db78.jpg?v=1787093547"},{"product_id":"kali-audio-lp-6-6-5-powered-studio-monitor-single","title":"Kali Audio Lone Pine LP-6 6.5\" Powered Studio Monitor - Single","description":"\u003cp\u003eKali’s debut studio monitor, the \u003cstrong\u003eKali Audio Lone Pine LP-6,\u003c\/strong\u003e is designed to give you world-class power and accuracy, so you can mix with confidence. The exceptionally accurate frequency response allows you to hear everything present in the mix. Kali Audio boasts three-dimensional sound, a dual layer voice coil, and a low noise port tube. Together, these features produce accurate reflection of source material that translates well over multiple systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePower \u0026amp; Accuracy\u003c\/h3\u003e\r\n\u003cp\u003eThe integrated Class D Power amp delivers clean, reliable power for 1-2 person listening setups. While listening for long periods within a defined listening distance, momentary peaks come through clearly with minimal distortion. Kali Audio defines this as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. Bass drops and explosive effects, for example, translate very well. By using larger magnets and voice coils, you get more accurate bass response. The entire frequency spectrum is uncolored and unhyped, meaning the LP-6 presents sound in the truest way possible.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-6 uses 40W for the 1” soft dome tweeter and 40W for the 6.5-inch woofer.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e3-D Imaging Waveguide\u003c\/h3\u003e\r\n\u003cp\u003eThe calibrated waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. It also helps expose all the spatial details in a mix. When you’re able to connect with the subtle elements, wiser mixing decisions can be made. Furthermore, this aspect of the LP-6 makes mixing on the LP-6 feel natural and intuitive.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eLow Noise Port Tube\u003c\/h3\u003e\r\n\u003cp\u003eKali Audio specifically designed the LP-6 to perform well against walls or where space is limited by adding a noiseless port on the front. The low noise port tube allows all air to leave at the same velocity, whereas others release air at different speeds. A poorly designed port can add undesirable sound to the noise floor and diminish an otherwise powerful low end. Kali Audio’s LP-6 doesn’t suffer from any audible turbulance. During playback, bass will remain tight and clean, devoid of extra noise to keep you from experiencing a mix in full.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eEase of Use\u003c\/h3\u003e\r\n\u003cp\u003eSimilar to the Kali Audio IN-8, the back panel of the LP-6 features an array of EQ recommendations to suit different speaker placements. This way, regardless of where or how the speakers are placed, you’ll get optimum sound from a stereo pair of LP-6 studio monitors.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450560376935,"sku":"136624","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-6_136624_1_7572bf54-b58c-4a53-b29c-f4eb12ac71b2.jpg?v=1787093548"},{"product_id":"kali-audio-in-8-8-powered-studio-monitor-single","title":"Kali Audio IN-8 8\" 3-Way Powered Studio Monitor - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-8\u003c\/strong\u003e is a powered 3-way monitor featuring the powerful 8” woofer from the LP-8 series paired with a coaxial tweeter and midrange combo. The added midrange behaves like a waveguide for the tweeter, which lessens distortion and heightens clarity. Its hyper-realistic soundstage makes it a suitable monitoring system for making critical decisions that translate clearly across multiple playback systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eImaging\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-8 monitors produce a wealth of spatial information that isn’t perceivable on standard 2-way monitors. Monitors built using separated tweeters and woofers typically lack the ability to produce a full stereo image; however, the IN-8’s tweeter and midrange share the same space, thereby lessening the distance between the woofer and the midrange. The unique relationship forms an acoustic point source. The soundstage that you experience will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eClarity\u003c\/h3\u003e\r\n\u003cp\u003eMuch of the stellar performance of the IN-8 results from the tweeter and midrange occupying the same space. This feature lessens the amount of work required from each. By unburdening the tweeter and woofer, the IN-8’s total harmonic distortion is at an exceptionally low 1.4%. The midrange also acts as a waveguide for the tweeter, which is why the shape is precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eAs a waveguide, the midrange is also designed to remain still during playback. This is accomplished by keeping its peak excursion limited to 1mm.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eEase of Use\u003c\/h3\u003e\r\n\u003cp\u003eAs most know, the placement of studio monitors can drastically alter the frequency response. To aid proper placement, Kali’s team organized a set of compensation EQ settings pictured on the back panel. Using these recommended settings and HP \/ LP trims, the speakers will sound great regardless of room style or speaker placement.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-8 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450560409703,"sku":"136627","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-in-8_136627_1_8a684a34-655f-4612-93b4-3178d995b9e8.jpg?v=1787093547"},{"product_id":"kali-audio-lone-pine-lp-6-6-5-powered-studio-monitor-single-demo-deal","title":"Kali Audio Lone Pine LP-6 6.5\" Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eKali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing. With the \u003cstrong\u003eKali Audio LP-6\u003c\/strong\u003e, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eACCURACY\u003c\/h3\u003e  \u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003ePOWER\u003c\/h3\u003e  \u003cp\u003eKali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.\u003c\/p\u003e  \u003cp\u003eThis means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.\u003c\/p\u003e  \u003cp\u003eBass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.\u003c\/p\u003e  \u003cp\u003eThe integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.\u003c\/p\u003e  \u003cp\u003eBoth models use 40 W for the 1” soft dome tweeter. The LP-6 uses 40 W for the 6.5-Inch woofer, and the LP-8 uses 60 W for the 8-Inch woofer.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eEASE OF USE\u003c\/h3\u003e  \u003cp\u003eA speaker’s given position in a space can drastically change its frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected.\u003c\/p\u003e  \u003cp\u003eKali’s team did Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.\u003c\/p\u003e  \u003cp\u003eCombined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.\u003c\/p\u003e  \u003cp\u003eThe LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eTECHNOLOGY\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003e3-D IMAGING WAVEGUIDE\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.\u003c\/p\u003e  \u003cp\u003eIn practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eLOW-NOISE PORT TUBE\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eKali wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, they didn’t want noise from the front port to distract from the accuracy of the speaker, so they developed a special front port that doesn’t make noise.\u003c\/p\u003e  \u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.\u003c\/p\u003e  \u003cp\u003eThe port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450611101799,"sku":"143387","price":134.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-6_136624_1_1_4a3ae2a2-b801-4963-baf5-0ae117ec75ff.jpg?v=1787093754"},{"product_id":"kali-audio-in-8-8-3-way-powered-studio-monitor-single-demo-deal","title":"Kali Audio IN-8 8\" 3-Way Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-8\u003c\/strong\u003e is a powered 3-way monitor featuring the powerful 8” woofer from the LP-8 series paired with a coaxial tweeter and midrange combo. The added midrange behaves like a waveguide for the tweeter, which lessens distortion and heightens clarity. Its hyper-realistic soundstage makes it a suitable monitoring system for making critical decisions that translate clearly across multiple playback systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eImaging\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-8 monitors produce a wealth of spatial information that isn’t perceivable on standard 2-way monitors. Monitors built using separated tweeters and woofers typically lack the ability to produce a full stereo image; however, the IN-8’s tweeter and midrange share the same space, thereby lessening the distance between the woofer and the midrange. The unique relationship forms an acoustic point source. The soundstage that you experience will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eClarity\u003c\/h3\u003e\r\n\u003cp\u003eMuch of the stellar performance of the IN-8 results from the tweeter and midrange occupying the same space. This feature lessens the amount of work required from each. By unburdening the tweeter and woofer, the IN-8’s total harmonic distortion is at an exceptionally low 1.4%. The midrange also acts as a waveguide for the tweeter, which is why the shape is precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eAs a waveguide, the midrange is also designed to remain still during playback. This is accomplished by keeping its peak excursion limited to 1mm.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eEase of Use\u003c\/h3\u003e\r\n\u003cp\u003eAs most know, the placement of studio monitors can drastically alter the frequency response. To aid proper placement, Kali’s team organized a set of compensation EQ settings pictured on the back panel. Using these recommended settings and HP \/ LP trims, the speakers will sound great regardless of room style or speaker placement.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-8 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450639675495,"sku":"147317","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-in-8_136627_1_1_6c7a9bfe-300c-42f6-b802-e37b4ef8315f.jpg?v=1787093869"},{"product_id":"kali-audio-in-5-5-3-way-powered-studio-monitor-single","title":"Kali Audio IN-5 5\" 3-Way Powered Studio Monitor - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-5\u003c\/strong\u003e is one of the most innovative active studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, they offer more transparency, lower distortion, and a soundstage that must be heard to be believed.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUnrivalled Punch and Detail\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors are unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum.\u003c\/p\u003e\r\n\u003cp\u003eAt the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\r\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either.\u003c\/p\u003e\r\n\u003cp\u003eAll of this makes the IN-5 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on. Not only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIMAGING\u003c\/h3\u003e\r\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\r\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\r\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCLARITY\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\r\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003e2ND WAVE\u003c\/h3\u003e\r\n\u003cp\u003eThe 2nd Wave is Kali's second generation of loudspeaker products. They’ve developed a new amplifier platform, and taken lessons that they’ve learned from their first years in business to enact several manufacturing improvements. The IN-5 is the first speaker to realize these improvements:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB reduction in amplifier self noise: the IN-5 is dead quiet when not being used\u003c\/li\u003e\r\n\u003cli\u003eNatural finish driver cones: Less material on the cone increases driver efficiency\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\r\n\u003cli\u003eMore robust DSP for more precise tuning New Boundary EQ tunings to take advantage of the fact that the IN-5 can be placed horizontally Input sensitivity lowered by 3 dB for higher output from a given input signal\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450647277671,"sku":"142019","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-5-2025_142019_1.jpg?v=1787093902"},{"product_id":"kali-audio-lone-pine-lp-6-6-5-powered-studio-monitor-white-single-demo-deal","title":"Kali Audio Lone Pine LP-6 6.5\" Powered Studio Monitor - White, Single (Demo Deal)","description":"\u003cp\u003eKali’s debut studio monitor, the \u003cstrong\u003eKali Audio Lone Pine LP-6,\u003c\/strong\u003e is designed to give you world-class power and accuracy, so you can mix with confidence. The exceptionally accurate frequency response allows you to hear everything present in the mix. Kali Audio boasts three-dimensional sound, a dual layer voice coil, and a low noise port tube. Together, these features produce accurate reflection of source material that translates well over multiple systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePower \u0026amp; Accuracy\u003c\/h3\u003e\r\n\u003cp\u003eThe integrated Class D Power amp delivers clean, reliable power for 1-2 person listening setups. While listening for long periods within a defined listening distance, momentary peaks come through clearly with minimal distortion. Kali Audio defines this as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. Bass drops and explosive effects, for example, translate very well. By using larger magnets and voice coils, you get more accurate bass response. The entire frequency spectrum is uncolored and unhyped, meaning the LP-6 presents sound in the truest way possible.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-6 uses 40W for the 1” soft dome tweeter and 40W for the 6.5-inch woofer.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e3-D Imaging Waveguide\u003c\/h3\u003e\r\n\u003cp\u003eThe calibrated waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. It also helps expose all the spatial details in a mix. When you’re able to connect with the subtle elements, wiser mixing decisions can be made. Furthermore, this aspect of the LP-6 makes mixing on the LP-6 feel natural and intuitive.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eLow Noise Port Tube\u003c\/h3\u003e\r\n\u003cp\u003eKali Audio specifically designed the LP-6 to perform well against walls or where space is limited by adding a noiseless port on the front. The low noise port tube allows all air to leave at the same velocity, whereas others release air at different speeds. A poorly designed port can add undesirable sound to the noise floor and diminish an otherwise powerful low end. Kali Audio’s LP-6 doesn’t suffer from any audible turbulance. During playback, bass will remain tight and clean, devoid of extra noise to keep you from experiencing a mix in full.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eEase of Use\u003c\/h3\u003e\r\n\u003cp\u003eSimilar to the Kali Audio IN-8, the back panel of the LP-6 features an array of EQ recommendations to suit different speaker placements. This way, regardless of where or how the speakers are placed, you’ll get optimum sound from a stereo pair of LP-6 studio monitors.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450653601895,"sku":"148525","price":134.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-6_136625_1_1_3cd8197a-56c9-49a9-898e-4b335e64e5f2.jpg?v=1787093928"},{"product_id":"kali-audio-lone-pine-lp-8-8-powered-studio-monitor-single-demo-deal","title":"Kali Audio Lone Pine LP-8 8\" Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eKali’s debut, the \u003cstrong\u003eKali Audio Lone Pine LP-8\u003c\/strong\u003e studio monitors are designed to give you world-class power and accuracy, so you can mix with confidence. The exceptionally accurate frequency response allows you to hear everything present in the mix. Kali Audio boasts three-dimensional sound, a dual-layer voice coil, and a low noise port tube. Together, these features produce accurate reflection of source material that translates well over multiple systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePower \u0026amp; Accuracy\u003c\/h3\u003e\r\n\u003cp\u003eThe integrated Class D Power amp delivers clean, reliable power for large listening setups. While listening for long periods within a defined listening distance, momentary peaks come through clearly with minimal distortion. Kali Audio defines this as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. Bass drops and explosive effects, for example, translate very well. By using larger magnets and voice coils, you get more accurate bass response. The entire frequency spectrum is uncolored and unhyped, meaning the LP-8 presents sound in the truest way possible.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-8 uses 40W for the 1” soft dome tweeter and 60W for the 8-inch woofer.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e3-D Imaging Waveguide\u003c\/h3\u003e\r\n\u003cp\u003eThe calibrated waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. It also helps expose all the spatial details in a mix. When you’re able to connect with the subtle elements, wiser mixing decisions can be made. Furthermore, this aspect of the LP-8 makes mixing on the LP-8 feel natural and intuitive.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eLow Noise Port Tube\u003c\/h3\u003e\r\n\u003cp\u003eKali Audio specifically designed the LP-8 to perform well against walls or where space is limited by adding a noiseless port on the front. The low noise port tube allows all air to leave at the same velocity, whereas others release air at different speeds. A poorly designed port can add undesirable sound to the noise floor and diminish an otherwise powerful low end. Kali Audio’s LP-8 doesn’t suffer from any audible turbulance. During playback, bass will remain tight and clean, devoid of extra noise to keep you from experiencing a mix in full.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eEase of Use\u003c\/h3\u003e\r\n\u003cp\u003eSimilar to the Kali Audio IN-8, the back panel of the LP-8 features an array of EQ recommendations to suit different speaker placements. This way, regardless of where or how the speakers are placed, you’ll get optimum sound from a stereo pair of LP-8 studio monitors.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-8 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450663956583,"sku":"150829","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-8_136626_1_1_b7b4a885-dd1b-4019-bb64-ce07c0006d00.jpg?v=1787093971"},{"product_id":"kali-audio-in-8-v2-8-3-way-powered-studio-monitor-single","title":"Kali Audio IN-8 V2 8\" 3-Way Powered Studio Monitor - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-8 V2\u003c\/strong\u003e is unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum. At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\r\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either. All of this make the IN-8 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\r\n\u003cp\u003eThe 2nd Wave (V2) IN-8 features the latest technology developed by Kali including:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB reduction in amplifier self noise: 2nd Wave IN-Series monitors are dead quiet when not being used, the only noise you'll hear is whatever you're playing in your mix\u003c\/li\u003e\r\n\u003cli\u003eNatural finish driver cones: less material on the cone increases driver efficiency\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_0\"\u003eACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.\u003c\/p\u003e\r\n\u003cp\u003eNot only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\r\n\u003cp\u003eBecause of the IN-Series' coincident architecture, you may notice a dip between 8 - 10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the INs based on single point static measurements.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eIMAGING\u003c\/h3\u003e\r\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\r\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\r\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCLARITY\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\r\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450701246567,"sku":"156381","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-8-v2_156381_1_1748a554-6d80-4bba-a1a5-b45f8be033f7.jpg?v=1787094155"},{"product_id":"kali-audio-in-8-v2-8-3-way-powered-studio-monitor-single-demo-deal","title":"Kali Audio IN-8 V2 8\" 3-Way Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-8 V2\u003c\/strong\u003e is unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum. At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\r\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either. All of this make the IN-8 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\r\n\u003cp\u003eThe 2nd Wave (V2) IN-8 features the latest technology developed by Kali including:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB reduction in amplifier self noise: 2nd Wave IN-Series monitors are dead quiet when not being used, the only noise you'll hear is whatever you're playing in your mix\u003c\/li\u003e\r\n\u003cli\u003eNatural finish driver cones: less material on the cone increases driver efficiency\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_0\"\u003eACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.\u003c\/p\u003e\r\n\u003cp\u003eNot only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\r\n\u003cp\u003eBecause of the IN-Series' coincident architecture, you may notice a dip between 8 - 10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the INs based on single point static measurements.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eIMAGING\u003c\/h3\u003e\r\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\r\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\r\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCLARITY\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\r\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450715598951,"sku":"157775","price":429.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-8-v2_156381_1_1_29cded8a-ef0a-4a30-8464-4cbb086a5fef.jpg?v=1787094218"},{"product_id":"kali-audio-ws-12-12-powered-subwoofer-single-demo-deal","title":"Kali Audio WS-12 12\" Powered Subwoofer - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio WS-12\u003c\/strong\u003e is an affordable 1000W powered 12” subwoofer for studio or stage use. Its low-end is controlled by an easy-to-use DSP section to tune the proper settings needed for any system. The WS-12 is a great companion for near-field and far-field monitors, as well as PA systems. With frequency extension down to 23 Hz and 123 dB max SPL, you’ll have plenty of low end for any setting.\u003c\/p\u003e\r\n\u003cp\u003e1000W of Class D power drives the WS-12. It’s capable of playing a bass management role in a 5.1 system, particularly when used alongside Kali IN-8 monitors. The WS-12 is also a great live subwoofer. The Kali Audio team designed the WS-12 to fit nicely into small vehicles. It’s size, enclosure, and carrying handles make transport between gigs easy.\u003c\/p\u003e\r\n\u003cp\u003eThe DSP section has various settings to optimize performance in any setup. The back panel includes parameters for selectable crossovers, gain adjustment, and polarity. To listen to a mix full-range, the WS-12 accepts input from a footswitch of your choice.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450722742375,"sku":"157414","price":577.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-ws-12_136628_1_1_e4dabdad-75f4-4283-a488-2d5486bab00a.jpg?v=1787094248"},{"product_id":"kali-audio-lone-pine-lp-8-v2-8-powered-studio-monitor-single","title":"Kali Audio Lone Pine LP-8 V2 8\" Powered Studio Monitor - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio Lone Pine LP-8 V2\u003c\/strong\u003e is an 8-inch active studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space.  New in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e3-D Imaging Waveguide \u003c\/h3\u003e\r\n\u003cp\u003eThe 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.  The LP-8 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you're hearing both the direct sound from the speaker, and reflections from the speaker's signal bouncing off of objects in the room.  When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.  This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e1.5” Voice Coil \u003c\/h3\u003e\r\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.  The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eHigh Output \u003c\/h3\u003e\r\n\u003cp\u003eThe LP-8 is capable of 85 dB continuous output with 20 dB of dynamic headroom from as far as 2.8 meters. This makes it an excellent choice as a main, side surround, or overhead speaker in most small- to medium-sized immersive mixing rooms.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eBass Power\u003c\/h3\u003e\r\n\u003cp\u003eBass on the LP-8 is delivered by a larger magnet and larger voice coil than any comparable speaker on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Nothing is over-represented, but the bass that is present on your track will come through with clarity and punch.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eBoundary EQ\u003c\/h3\u003e\r\n\u003cp\u003eKali's team came up with boundary compensation EQ settings at the Village Recorder in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in.\u003c\/p\u003e\r\n\u003cp\u003eThere are EQ settings for:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFree Space\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on stands, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, away from a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a console meter bridge\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a studio desk\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_5\"\u003eClass D Amplification \u003c\/h3\u003e\r\n\u003cp\u003eThe integrated 60W + 40W Class D Power amp delivers clean, reliable power that's optimized to this speaker. The new 2nd Wave amplifier platform delivers all this with significantly lower idle noise, and better sensitivity than the original version.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eXLR, TRS, and RCA Inputs \u003c\/h3\u003e\r\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_7\"\u003e2nd Wave Technologies\u003c\/h3\u003e\r\n\u003cp\u003eThe LP-8 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R\u0026amp;D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability.  \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB lower self noise\u003c\/li\u003e\r\n\u003cli\u003e3 dB higher max SPL\u003c\/li\u003e\r\n\u003cli\u003eSmoother HF response\u003c\/li\u003e\r\n\u003cli\u003eNew boundary EQ settings\u003c\/li\u003e\r\n\u003cli\u003eUpgraded, lighter transducer cones\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450743320679,"sku":"160797","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-8-v2_160797_1.jpg?v=1787094339"},{"product_id":"kali-audio-lone-pine-lp-6-v2-6-5-powered-studio-monitor-white-single","title":"Kali Audio Lone Pine LP-6 V2 6.5\" Powered Studio Monitor - White, Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio Lone Pine LP-6 V2\u003c\/strong\u003e is a 6.5-inch active studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space.\u003c\/p\u003e\r\n\u003cp\u003eNew in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e3-D Imaging Waveguide \u003c\/h3\u003e\r\n\u003cp\u003eThe 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.  The LP-6 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you're hearing both the direct sound from the speaker, and reflections from the speaker's signal bouncing off of objects in the room.  When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.  This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e1.5” Voice Coil \u003c\/h3\u003e\r\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.  The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eHigh Output \u003c\/h3\u003e\r\n\u003cp\u003eBass on the LP-6 is delivered by a larger magnet and larger voice coil than any comparable speaker on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Nothing is over-represented, but the bass that is present on your track will come through with clarity and punch.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eBoundary EQ\u003c\/h3\u003e\r\n\u003cp\u003eKali's team came up with boundary compensation EQ settings at the Village Recorder in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in.\u003c\/p\u003e\r\n\u003cp\u003eThere are EQ settings for:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFree Space\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on stands, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, away from a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a console meter bridge\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a studio desk\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_4\"\u003eClass D Amplification \u003c\/h3\u003e\r\n\u003cp\u003eThe integrated 40W + 40W Class D Power amp delivers clean, reliable power that's optimized to this speaker. The new 2nd Wave amplifier platform delivers all this with significantly lower idle noise, and better sensitivity than the original version.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eXLR, TRS, and RCA Inputs \u003c\/h3\u003e\r\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003e2nd Wave Technologies\u003c\/h3\u003e\r\n\u003cp\u003eThe LP-6 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R\u0026amp;D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability.  \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB lower self noise\u003c\/li\u003e\r\n\u003cli\u003e3 dB higher max SPL\u003c\/li\u003e\r\n\u003cli\u003eSmoother HF response\u003c\/li\u003e\r\n\u003cli\u003eNew boundary EQ settings\u003c\/li\u003e\r\n\u003cli\u003eUpgraded, lighter transducer cones\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450743353447,"sku":"160796","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-6-v2_160796_1_bf6aeca8-1189-4e3a-91eb-4e1184056722.jpg?v=1787094340"},{"product_id":"kali-audio-lone-pine-lp-6-v2-6-5-powered-studio-monitor-single","title":"Kali Audio Lone Pine LP-6 V2 6.5\" Powered Studio Monitor - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio Lone Pine LP-6 V2\u003c\/strong\u003e is a 6.5-inch active studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space.\u003c\/p\u003e\r\n\u003cp\u003eNew in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e3-D Imaging Waveguide \u003c\/h3\u003e\r\n\u003cp\u003eThe 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.  The LP-6 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you're hearing both the direct sound from the speaker, and reflections from the speaker's signal bouncing off of objects in the room.  When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.  This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e1.5” Voice Coil \u003c\/h3\u003e\r\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.  The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eHigh Output \u003c\/h3\u003e\r\n\u003cp\u003eBass on the LP-6 is delivered by a larger magnet and larger voice coil than any comparable speaker on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Nothing is over-represented, but the bass that is present on your track will come through with clarity and punch.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eBoundary EQ\u003c\/h3\u003e\r\n\u003cp\u003eKali's team came up with boundary compensation EQ settings at the Village Recorder in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in.\u003c\/p\u003e\r\n\u003cp\u003eThere are EQ settings for:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFree Space\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on stands, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, away from a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a console meter bridge\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a studio desk\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_4\"\u003eClass D Amplification \u003c\/h3\u003e\r\n\u003cp\u003eThe integrated 40W + 40W Class D Power amp delivers clean, reliable power that's optimized to this speaker. The new 2nd Wave amplifier platform delivers all this with significantly lower idle noise, and better sensitivity than the original version.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eXLR, TRS, and RCA Inputs \u003c\/h3\u003e\r\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003e2nd Wave Technologies\u003c\/h3\u003e\r\n\u003cp\u003eThe LP-6 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R\u0026amp;D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability.  \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB lower self noise\u003c\/li\u003e\r\n\u003cli\u003e3 dB higher max SPL\u003c\/li\u003e\r\n\u003cli\u003eSmoother HF response\u003c\/li\u003e\r\n\u003cli\u003eNew boundary EQ settings\u003c\/li\u003e\r\n\u003cli\u003eUpgraded, lighter transducer cones\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450743386215,"sku":"160795","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-6-v2_160795_1.jpg?v=1787094340"},{"product_id":"kali-audio-in-5-5-3-way-powered-studio-monitor-single-demo-deal","title":"Kali Audio IN-5 5\" 3-Way Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-5\u003c\/strong\u003e is one of the most innovative active studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, they offer more transparency, lower distortion, and a soundstage that must be heard to be believed.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eUnrivalled Punch and Detail\u003c\/h3\u003e\n\u003cp\u003eThe IN-Series monitors are unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum.\u003c\/p\u003e\n\u003cp\u003eAt the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either.\u003c\/p\u003e\n\u003cp\u003eAll of this makes the IN-5 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eACCURACY\u003c\/h3\u003e\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on. Not only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eIMAGING\u003c\/h3\u003e\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eCLARITY\u003c\/h3\u003e\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003e2ND WAVE\u003c\/h3\u003e\n\u003cp\u003eThe 2nd Wave is Kali's second generation of loudspeaker products. They’ve developed a new amplifier platform, and taken lessons that they’ve learned from their first years in business to enact several manufacturing improvements. The IN-5 is the first speaker to realize these improvements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12 dB reduction in amplifier self noise: the IN-5 is dead quiet when not being used\u003c\/li\u003e\n\u003cli\u003eNatural finish driver cones: Less material on the cone increases driver efficiency\u003c\/li\u003e\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\n\u003cli\u003eMore robust DSP for more precise tuning New Boundary EQ tunings to take advantage of the fact that the IN-5 can be placed horizontally Input sensitivity lowered by 3 dB for higher output from a given input signal\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450759147623,"sku":"165189","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-5_142019_1_fa2b2198-fb22-472d-8090-ebf4dfa91d8f.jpg?v=1787094412"},{"product_id":"kali-audio-in-5-c-5-inch-3-way-studio-monitor-ceiling-mountable","title":"Kali Audio IN-5-C 5\" 3-Way Powered Studio Monitor - Single, Ceiling-Mountable","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-5\u003c\/strong\u003e is one of the most innovative active studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, they offer more transparency, lower distortion, and a soundstage that must be heard to be believed.\u003c\/p\u003e\r\n\u003cp\u003eKali Audio offers the IN-5-C for ceiling and wall mounting applications making it perfect for Dolby ATMOS and other immersive systems. Acoustically identical to the IN-5, the IN-5-C includes a mounting adapter for use with third party or DIY mounting solutions. Kali recommends using a Triad-Orbit SM-1 or SM-2 to mount the IN-5-C.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003ePlease note: only mounting adapter included with purchase. Wall mount sold separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUNRIVALLED PUNCH AND DETAIL\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors are unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum.\u003c\/p\u003e\r\n\u003cp\u003eAt the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\r\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either.\u003c\/p\u003e\r\n\u003cp\u003eAll of this makes the IN-5 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on. Not only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIMAGING\u003c\/h3\u003e\r\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\r\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\r\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCLARITY\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\r\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003e2ND WAVE\u003c\/h3\u003e\r\n\u003cp\u003eThe 2nd Wave is Kali's second generation of loudspeaker products. They’ve developed a new amplifier platform, and taken lessons that they’ve learned from their first years in business to enact several manufacturing improvements. The IN-5 is the first speaker to realize these improvements:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB reduction in amplifier self noise: the IN-5 is dead quiet when not being used\u003c\/li\u003e\r\n\u003cli\u003eNatural finish driver cones: Less material on the cone increases driver efficiency\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\r\n\u003cli\u003eMore robust DSP for more precise tuning New Boundary EQ tunings to take advantage of the fact that the IN-5 can be placed horizontally Input sensitivity lowered by 3 dB for higher output from a given input signal\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450779267175,"sku":"168340","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-5-c_168340_1_e8b91e32-426a-4392-a860-d597f0aaa5a7.jpg?v=1787094496"},{"product_id":"kali-audio-7-1-4-immersive-studio-monitor-bundle","title":"Kali Audio 7.1.4 Immersive Studio Monitor Bundle","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio 7.1.4 Immersive Studio Monitor Bundle\u003c\/strong\u003e is perfect for engineers and producers looking to incorporate immersive mixing workflows into their studio. The 3-way powered IN-8 V2 studio monitors are used for the left, center and right, and surround channels. Kali's IN-5-C monitors are used for the overhead channels. The IN-5-C features a built-in ceiling mount adapter which is compatible with the included Triad-Orbit SM speaker mounting plate and mount swivel. Finally, two WS12 12\" subwoofers are used to deliver LFE.\u003c\/p\u003e \u003cp\u003eDolby Atmos naming taxonomy is structured as follows: \u003cem\u003e\u003cstrong\u003eStandard Channels.LFE (Low Frequency Effects) Channels.Overhead Channels\u003c\/strong\u003e\u003c\/em\u003e. So, for example, a 7.1.4 Dolby Atmos system consists of seven standard channels (left front, center, right front, left side surround [Lss], right side surround [Rss], left rear surround [Lrs] and right rear surround [Rrs]), one LFE channel, and four overhead channels. Learn more about mixing with Dolby Atmos \u003ca href=\"https:\/\/vintageking.com\/blog\/2020\/07\/buyers-guide-dolby-atmos\/\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\u003ch3 id=\"toc_0\"\u003eKALI AUDIO 7.1.4 IMMERSIVE STUDIO MONITOR BUNDLE INCLUDES:\u003c\/h3\u003e \u003chr\u003e \u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.com\/kali-audio-in-8-v2-8-3-way-powered-studio-monitor-single\"\u003eKALI AUDIO IN-8 V2 8\" 3-WAY POWERED STUDIO MONITOR\u003c\/a\u003e (QTY: 7 SPEAKERS TOTAL)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Kali Audio IN-8 V2 is unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum. At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision. The design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either. All of this make the IN-8 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e \u003chr\u003e \u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.com\/kali-audio-in-5-c-5-inch-3-way-studio-monitor-ceiling-mountable\"\u003eKALI AUDIO IN-5-C 5\" 3-WAY POWERED STUDIO MONITOR\u003c\/a\u003e (QTY: 4 SPEAKERS TOTAL)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Kali Audio IN-5 is one of the most innovative active studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, they offer more transparency, lower distortion, and a soundstage that must be heard to be believed. Kali Audio offers the IN-5-C for ceiling and wall mounting applications making it perfect for Dolby ATMOS and other immersive systems. Acoustically identical to the IN-5, the IN-5-C includes a mounting adapter for use with third party or DIY mounting solutions\u003c\/p\u003e \u003chr\u003e \u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.com\/kali-audio-ws-12-12-powered-subwoofer-single\"\u003eKALI AUDIO WS-12 12\" POWERED SUBWOOFER\u003c\/a\u003e (QTY: 2)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Kali Audio WS-12 is an affordable 1000W powered 12” subwoofer for studio or stage use. Its low-end is controlled by an easy-to-use DSP section to tune the proper settings needed for any system. The WS-12 is a great companion for near-field and far-field monitors, as well as PA systems. With frequency extension down to 23 Hz and 123 dB max SPL, you’ll have plenty of low end for any setting.\u003c\/p\u003e \u003chr\u003e \u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.com\/triad-orbit-sm-wm1-speaker-mounting-plate\"\u003eTRIAD-ORBIT SM-WM1 SPEAKER MOUNTING PLATE\u003c\/a\u003e (QTY: 4)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe patent pending design of the SM1 System utilizes a novel slide in wall or ceiling mount. This allows the installer to set up the speaker and swivel assembly prior to hanging the speaker. The Triad-Orbit SM-WM1 is wall\/ceiling mount houses the SM-SW1 swivel. The SM-SW1 slides into the SM-WM1 mount and secures by 4 hex screws. This allows the speaker to be attached to the swivel first and then sliding the assembly in the SM-WM1 mounting plate. It also accepts the SM-PM1 pipe plate.\u003c\/p\u003e \u003chr\u003e \u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/vintageking.com\/triad-orbit-sm-sw1-speaker-mount-swivel\"\u003eTRIAD-ORBIT SM-SW1 SPEAKER MOUNT SWIVEL\u003c\/a\u003e (QTY: 4)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe patented Triad-Orbit SM-SW1 is the main pan and tilt swivel fr the SM-1 System. The SM-SW1 controls are redundant with both a locking spring pin and tension knobs. The holes are set in 15 degree increments.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450835267687,"sku":"170383","price":7146.88,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-immersive_170383_1_70463359-74ba-487d-8f27-dd2095f67c37.jpg?v=1787094724"},{"product_id":"kali-audio-lone-pine-lp-6-v2-6-5-powered-studio-monitor-single-demo-deal","title":"Kali Audio Lone Pine LP-6 V2 6.5\" Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio Lone Pine LP-6 V2\u003c\/strong\u003e is a 6.5-inch active studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space.\u003c\/p\u003e\n\u003cp\u003eNew in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003e3-D Imaging Waveguide \u003c\/h3\u003e\n\u003cp\u003eThe 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.  The LP-6 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you're hearing both the direct sound from the speaker, and reflections from the speaker's signal bouncing off of objects in the room.  When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.  This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003e1.5” Voice Coil \u003c\/h3\u003e\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.  The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eHigh Output \u003c\/h3\u003e\n\u003cp\u003eBass on the LP-6 is delivered by a larger magnet and larger voice coil than any comparable speaker on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Nothing is over-represented, but the bass that is present on your track will come through with clarity and punch.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eBoundary EQ\u003c\/h3\u003e\n\u003cp\u003eKali's team came up with boundary compensation EQ settings at the Village Recorder in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in.\u003c\/p\u003e\n\u003cp\u003eThere are EQ settings for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFree Space\u003c\/li\u003e\n\u003cli\u003eSpeakers on stands, against a wall\u003c\/li\u003e\n\u003cli\u003eSpeakers on a desk, away from a wall\u003c\/li\u003e\n\u003cli\u003eSpeakers on a desk, against a wall\u003c\/li\u003e\n\u003cli\u003eSpeakers on a console meter bridge\u003c\/li\u003e\n\u003cli\u003eSpeakers on a studio desk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_4\"\u003eClass D Amplification \u003c\/h3\u003e\n\u003cp\u003eThe integrated 40W + 40W Class D Power amp delivers clean, reliable power that's optimized to this speaker. The new 2nd Wave amplifier platform delivers all this with significantly lower idle noise, and better sensitivity than the original version.\u003c\/p\u003e\n\u003ch3 id=\"toc_5\"\u003eXLR, TRS, and RCA Inputs \u003c\/h3\u003e\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.\u003c\/p\u003e\n\u003ch3 id=\"toc_6\"\u003e2nd Wave Technologies\u003c\/h3\u003e\n\u003cp\u003eThe LP-6 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R\u0026amp;D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability.  \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12 dB lower self noise\u003c\/li\u003e\n\u003cli\u003e3 dB higher max SPL\u003c\/li\u003e\n\u003cli\u003eSmoother HF response\u003c\/li\u003e\n\u003cli\u003eNew boundary EQ settings\u003c\/li\u003e\n\u003cli\u003eUpgraded, lighter transducer cones\u003c\/li\u003e\n\u003cli\u003eImproved cabinet construction\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450836512871,"sku":"176422","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-6-v2_160795_1_956b9072-1362-4b83-9fd8-8fa4540876f6.jpg?v=1787094730"},{"product_id":"kali-audio-mv-bt-bluetooth-monitor-controller-demo-deal","title":"Kali Audio MV-BT Bluetooth Monitor Controller (Demo Deal)","description":"\u003cp\u003e\u003cspan id=\"E58\"\u003eThe \u003cstrong\u003eKali Audio MV-BT\u003c\/strong\u003e allows you to use professional equipment (speakers, mixers, and audio interfaces) with Bluetooth devices using high-res audio codecs and balanced output options. Pair your device by pressing the Kali logo on the front, and connect your preferred output source via XLR or TRS cables. The weighted knob offers precise volume control at your fingertips.\u003c\/span\u003e\u003cspan id=\"E59\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450839134311,"sku":"176774","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-mv-bt_136629_1_d77d4ff2-5fff-48a4-9e8f-7b3351f0da5b.jpg?v=1787094742"},{"product_id":"kali-audio-in-unf-ultra-nearfield-3-way-studio-monitor-system","title":"Kali Audio IN-UNF Ultra-Nearfield 3-Way Studio Monitor System","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-UNF\u003c\/strong\u003e is an ultra-nearfield desktop studio monitor system. It’s designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The IN-UNF presents full-range audio at reference levels at 0.8 meters, or about arm’s length.\u003c\/p\u003e\r\n\u003cp\u003eThe entire system sits on your desk, and provides the same full-range, low distortion listening experience as a pair of IN-8s at standard listening distance. Flexible setup options allow users to easily integrate the IN-UNF in their existing deskscape; the bass unit can be placed vertically to sit behind a laptop or display, or horizontally to be used as a monitor riser for a display.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-UNF consists of three main pieces: a bass unit and two satellites. The bass unit houses two high-excursion 4.5-Inch woofers as well as the amplifier and other electronics for the system. The two woofers are horizontally opposed, so no net vibration is transferred to the desk or to anything sitting on the bass unit.\u003c\/p\u003e\r\n\u003cp\u003eThe two satellites use the same coaxial midrange and tweeter as Kali’s acclaimed IN-5 and IN-8 studio monitors. The architecture of this element has been praised for its excellent stereo imaging capabilities. At the close range of the IN-UNF, the intimacy and detail of the stereo image is unrivaled. You’ll hear a more engrossing, lifelike picture of your mix than you’ve ever heard before.\u003c\/p\u003e\r\n\u003cp\u003eThe bass unit also features a variety of inputs to meet all your audio needs. Via the USB-C connector, which supports 24-bit resolution and 48 k sample rate, you can connect computers, phones, and tablets without the need for an outboard interface or DAC. Optical and 3.5mm inputs provide support for both digital and analog connection to consumer devices like game consoles and receivers. For connection to standard pro audio devices, stereo TRS inputs are provided.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass, mids, and treble to your preferences.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450882256999,"sku":"183010","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-unf_183010_1.jpg?v=1787094941"},{"product_id":"kali-audio-lone-pine-lp-8-v2-8-powered-studio-monitor-single-demo-deal","title":"Kali Audio Lone Pine LP-8 V2 8\" Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio Lone Pine LP-8 V2\u003c\/strong\u003e is an 8-inch active studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space.  New in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003e3-D Imaging Waveguide \u003c\/h3\u003e\n\u003cp\u003eThe 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.  The LP-8 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you're hearing both the direct sound from the speaker, and reflections from the speaker's signal bouncing off of objects in the room.  When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.  This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003e1.5” Voice Coil \u003c\/h3\u003e\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.  The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eHigh Output \u003c\/h3\u003e\n\u003cp\u003eThe LP-8 is capable of 85 dB continuous output with 20 dB of dynamic headroom from as far as 2.8 meters. This makes it an excellent choice as a main, side surround, or overhead speaker in most small- to medium-sized immersive mixing rooms.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eBass Power\u003c\/h3\u003e\n\u003cp\u003eBass on the LP-8 is delivered by a larger magnet and larger voice coil than any comparable speaker on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Nothing is over-represented, but the bass that is present on your track will come through with clarity and punch.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eBoundary EQ\u003c\/h3\u003e\n\u003cp\u003eKali's team came up with boundary compensation EQ settings at the Village Recorder in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in.\u003c\/p\u003e\n\u003cp\u003eThere are EQ settings for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFree Space\u003c\/li\u003e\n\u003cli\u003eSpeakers on stands, against a wall\u003c\/li\u003e\n\u003cli\u003eSpeakers on a desk, away from a wall\u003c\/li\u003e\n\u003cli\u003eSpeakers on a desk, against a wall\u003c\/li\u003e\n\u003cli\u003eSpeakers on a console meter bridge\u003c\/li\u003e\n\u003cli\u003eSpeakers on a studio desk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_5\"\u003eClass D Amplification \u003c\/h3\u003e\n\u003cp\u003eThe integrated 60W + 40W Class D Power amp delivers clean, reliable power that's optimized to this speaker. The new 2nd Wave amplifier platform delivers all this with significantly lower idle noise, and better sensitivity than the original version.\u003c\/p\u003e\n\u003ch3 id=\"toc_6\"\u003eXLR, TRS, and RCA Inputs \u003c\/h3\u003e\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.\u003c\/p\u003e\n\u003ch3 id=\"toc_7\"\u003e2nd Wave Technologies\u003c\/h3\u003e\n\u003cp\u003eThe LP-8 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R\u0026amp;D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability.  \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12 dB lower self noise\u003c\/li\u003e\n\u003cli\u003e3 dB higher max SPL\u003c\/li\u003e\n\u003cli\u003eSmoother HF response\u003c\/li\u003e\n\u003cli\u003eNew boundary EQ settings\u003c\/li\u003e\n\u003cli\u003eUpgraded, lighter transducer cones\u003c\/li\u003e\n\u003cli\u003eImproved cabinet construction\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450896412775,"sku":"185233","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-8-v2_160797_1_fa2c2308-3d10-421b-a066-ff5ea4477bec.jpg?v=1787094993"},{"product_id":"kali-audio-in-unf-ultra-nearfield-3-way-studio-monitor-system-demo-deal","title":"Kali Audio IN-UNF Ultra-Nearfield 3-Way Studio Monitor System (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-UNF\u003c\/strong\u003e is an ultra-nearfield desktop studio monitor system. It’s designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The IN-UNF presents full-range audio at reference levels at 0.8 meters, or about arm’s length.\u003c\/p\u003e\n\u003cp\u003eThe entire system sits on your desk, and provides the same full-range, low distortion listening experience as a pair of IN-8s at standard listening distance. Flexible setup options allow users to easily integrate the IN-UNF in their existing deskscape; the bass unit can be placed vertically to sit behind a laptop or display, or horizontally to be used as a monitor riser for a display.\u003c\/p\u003e\n\u003cp\u003eThe IN-UNF consists of three main pieces: a bass unit and two satellites. The bass unit houses two high-excursion 4.5-Inch woofers as well as the amplifier and other electronics for the system. The two woofers are horizontally opposed, so no net vibration is transferred to the desk or to anything sitting on the bass unit.\u003c\/p\u003e\n\u003cp\u003eThe two satellites use the same coaxial midrange and tweeter as Kali’s acclaimed IN-5 and IN-8 studio monitors. The architecture of this element has been praised for its excellent stereo imaging capabilities. At the close range of the IN-UNF, the intimacy and detail of the stereo image is unrivaled. You’ll hear a more engrossing, lifelike picture of your mix than you’ve ever heard before.\u003c\/p\u003e\n\u003cp\u003eThe bass unit also features a variety of inputs to meet all your audio needs. Via the USB-C connector, which supports 24-bit resolution and 48 k sample rate, you can connect computers, phones, and tablets without the need for an outboard interface or DAC. Optical and 3.5mm inputs provide support for both digital and analog connection to consumer devices like game consoles and receivers. For connection to standard pro audio devices, stereo TRS inputs are provided.\u003c\/p\u003e\n\u003cp\u003eThe IN-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass, mids, and treble to your preferences.\u003c\/p\u003e\n\u003cp\u003eThe IN-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450904637543,"sku":"186344","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-unf_183010_1_c801f073-e3ca-489d-b8a8-2280526c629d.jpg?v=1787095031"},{"product_id":"kali-audio-ws-6-2-dual-6-subwoofer-single","title":"Kali Audio WS-6.2 Dual 6\" Subwoofer - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio WS-6.2 Dual 6\" Subwoofer\u003c\/strong\u003e is a small but mighty subwoofer that’s tailor-made to enhance the sound of Kali Audio studio monitors, but works equally well with speakers of all brands. With dual 6.5-inch LF drivers and a 1000-watt amplifier, this subwoofer provides exceptional performance in a compact form factor that fits under your desk or in other tight spaces.\u003c\/p\u003e\r\n\u003cp\u003eThe WS-6.2 subwoofer features a unique design with horizontally opposed woofers, which cancel out net vibration, ensuring that the subwoofer won't move or produce unwanted buzzing or rattling sounds—even at high SPLs. With 120 dB max SPL, this subwoofer is more than sufficient for most stereo setups and will work well in small multi-channel setups, too. If you need more SPL, you can easily add a second WS-6.2 without taking up much space.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eEXTENSIVE I\/O AND CONTROL\u003c\/h3\u003e\r\n\u003cp\u003eThe WS-6.2 offers flexible connectivity options, with balanced XLR and TRS inputs, unbalanced RCA inputs, and a footswitch jack that lets you turn the subwoofer on and off easily. The 80 Hz crossover mode is ideal for extending the low-end response of your monitors, while LFE mode is designed to feed the sub a dedicated LFE channel. You can also turn off the crossover and use an external crossover for greater customization. The WS-6.2's 80 Hz crossover is optimized for use with Kali's studio monitors, but it will work well with monitors from most popular manufacturers.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eLOW-NOISE PORT TUBE\u003c\/h3\u003e\r\n\u003cp\u003eOne of the standout features of the WS-6.2 is its low-noise port tube, which ensures that all of the air leaves the port tube at the same velocity, preventing noisy turbulence that can obscure the details of the low end. This feature helps to keep the bass clean, tight, and devoid of extra noise, making it ideal for critical listening and mixing.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450920366183,"sku":"187942","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-ws-6-2-sub_187942_1.jpg?v=1787095103"},{"product_id":"kali-audio-sm-5-c-5-3-way-passive-studio-monitor-single","title":"Kali Audio SM-5-C 5\" 3-Way Passive Studio Monitor - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio SM-5-C\u003c\/strong\u003e is a three-way passive monitor that combines the spatial imaging benefits of a point-source loudspeaker with the neutral frequency response of a three-way system. Delivering exceptional sonic transparency and reference-quality accuracy, the SM-5-C meets the high standards of professional mixing engineers and discerning audiophiles alike. Plus, its flexible mounting options and unobtrusive design make it a great fit for any space.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCUSTOM DRIVERS\u003c\/h3\u003e\r\n\u003cp\u003eThe Kali SM-5-C features coaxial midrange and high-frequency drivers for point-source sound in the critical frequency range above 280 Hz. The offset 5-inch woofer’s optimized placement and crossover frequency mean that it is never out of summation with the midrange, effectively making the SM-5-C a full-range point source monitor for all practical purposes.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eOUTSTANDING AUDIO PERFORMANCE\u003c\/h3\u003e\r\n\u003cp\u003eThe precision-engineered midrange baffle helps eliminate artifacts in the frequency response, while the 1-inch aluminum dome tweeter features unique geometry that prevents ultrasonic resonance, reducing harshness and fatigue. The woofer’s magnetic flux-reducing design, along with an anti-turbulence low-frequency port tube, give the SM-5-C smooth, distortion-free performance down to 39 Hz.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eMOUNTING HOLES\u003c\/h3\u003e\r\n\u003cp\u003eMounting points on the top and bottom allow for a variety of installation configurations using a custom U-bracket from Triad-Orbit or any speaker mount with a 4.25-by-2-inch bolt pattern and 21 lb capacity. While the passive SM-5-C is compatible with any suitable amplifier, downloadable tuning files for LEA Connect Series amplifiers provide optimal performance. When paired with Dante-enabled LEA Connect amplifiers (we recommend the \u003ca href=\"https:\/\/vintageking.com\/lea-professional-connect-354d-4-channel-x-350-w-iot-enabled-amplifier-with-dante\"\u003eCONNECT 354D\u003c\/a\u003e), the SM-5-C is an ideal choice for large multichannel systems where accuracy and practicality are paramount.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450920398951,"sku":"189602","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-sm-5-c_189602_1.jpg?v=1787095103"},{"product_id":"kali-audio-ws-6-2-dual-6-subwoofer-single-demo-deal","title":"Kali Audio WS-6.2 Dual 6\" Subwoofer - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio WS-6.2 Dual 6\" Subwoofer\u003c\/strong\u003e is a small but mighty subwoofer that’s tailor-made to enhance the sound of Kali Audio studio monitors, but works equally well with speakers of all brands. With dual 6.5-inch LF drivers and a 1000-watt amplifier, this subwoofer provides exceptional performance in a compact form factor that fits under your desk or in other tight spaces.\u003c\/p\u003e\r\n\u003cp\u003eThe WS-6.2 subwoofer features a unique design with horizontally opposed woofers, which cancel out net vibration, ensuring that the subwoofer won't move or produce unwanted buzzing or rattling sounds—even at high SPLs. With 120 dB max SPL, this subwoofer is more than sufficient for most stereo setups and will work well in small multi-channel setups, too. If you need more SPL, you can easily add a second WS-6.2 without taking up much space.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eEXTENSIVE I\/O AND CONTROL\u003c\/h3\u003e\r\n\u003cp\u003eThe WS-6.2 offers flexible connectivity options, with balanced XLR and TRS inputs, unbalanced RCA inputs, and a footswitch jack that lets you turn the subwoofer on and off easily. The 80 Hz crossover mode is ideal for extending the low-end response of your monitors, while LFE mode is designed to feed the sub a dedicated LFE channel. You can also turn off the crossover and use an external crossover for greater customization. The WS-6.2's 80 Hz crossover is optimized for use with Kali's studio monitors, but it will work well with monitors from most popular manufacturers.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eLOW-NOISE PORT TUBE\u003c\/h3\u003e\r\n\u003cp\u003eOne of the standout features of the WS-6.2 is its low-noise port tube, which ensures that all of the air leaves the port tube at the same velocity, preventing noisy turbulence that can obscure the details of the low end. This feature helps to keep the bass clean, tight, and devoid of extra noise, making it ideal for critical listening and mixing.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450976825447,"sku":"204936","price":540.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-ws-6-2-sub_187942_1_3a24766c-cf69-404b-99a3-dd698d543f2b.jpg?v=1787095337"},{"product_id":"kali-audio-lp-8-v2-pair-and-ws-6-2-bundle","title":"Kali Audio LP-8 V2 Studio Monitor Pair and WS 6.2 Subwoofer Bundle","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio LP-8 V2 Studio Monitor Pair and WS 6.2 Subwoofer Bundle\u003c\/strong\u003e includes the LP-8 V2 8\" active studio monitor pair which features an advanced waveguide, powerful drivers, and low noise port tube make it an extremely accurate monitor for all genres and formats. This is paired with the WS-6.2 1000-watt powered subwoofer with dual 6.5\" LF drivers, low-noise port tube, selectable crossover modes, polarity inversion, footswitch jack, and limiter circuit.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eLONE PINE LP-8 V2 8\" POWERED STUDIO MONITOR\u003c\/h3\u003e\r\n\u003cp\u003eThe Kali Audio Lone Pine LP-8 V2 is an 8-inch active studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space.  New in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.\u003c\/p\u003e\r\n\u003cp\u003eThe 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.  The LP-8 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you're hearing both the direct sound from the speaker, and reflections from the speaker's signal bouncing off of objects in the room.  When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.  This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.\u003c\/p\u003e\r\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.  The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eWS-6.2 DUAL 6\" SUBWOOFER\u003c\/h3\u003e\r\n\u003cp\u003eThe Kali Audio WS-6.2 Dual 6\" Subwoofer is a small but mighty subwoofer that’s tailor-made to enhance the sound of Kali Audio studio monitors, but works equally well with speakers of all brands. With dual 6.5-inch LF drivers and a 1000-watt amplifier, this subwoofer provides exceptional performance in a compact form factor that fits under your desk or in other tight spaces.\u003c\/p\u003e\r\n\u003cp\u003eThe WS-6.2 subwoofer features a unique design with horizontally opposed woofers, which cancel out net vibration, ensuring that the subwoofer won't move or produce unwanted buzzing or rattling sounds—even at high SPLs. With 120 dB max SPL, this subwoofer is more than sufficient for most stereo setups and will work well in small multi-channel setups, too. If you need more SPL, you can easily add a second WS-6.2 without taking up much space.\u003c\/p\u003e\r\n\u003cp\u003eThe WS-6.2 offers flexible connectivity options, with balanced XLR and TRS inputs, unbalanced RCA inputs, and a footswitch jack that lets you turn the subwoofer on and off easily. The 80 Hz crossover mode is ideal for extending the low-end response of your monitors, while LFE mode is designed to feed the sub a dedicated LFE channel. You can also turn off the crossover and use an external crossover for greater customization. The WS-6.2's 80 Hz crossover is optimized for use with Kali's studio monitors, but it will work well with monitors from most popular manufacturers.\u003c\/p\u003e\r\n\u003cp\u003eOne of the standout features of the WS-6.2 is its low-noise port tube, which ensures that all of the air leaves the port tube at the same velocity, preventing noisy turbulence that can obscure the details of the low end. This feature helps to keep the bass clean, tight, and devoid of extra noise, making it ideal for critical listening and mixing.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450991964263,"sku":"206517","price":997.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-8-v2-ws-6-2_206517_1_fe00061b-6f9a-4756-86cb-0d3847c19bd6.jpg?v=1787095398"},{"product_id":"kali-audio-in-unf-and-ws-6-2-bundle","title":"Kali Audio IN-UNF 3-Way Monitor System and WS-6.2 Subwoofer Bundle","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-UNF 3-Way Monitor System and WS-6.2 Subwoofer Bundle\u003c\/strong\u003e includes the IN-UNF ultra-nearfield 3-way studio monitor system specifically made for use on your desk featuring reference level full-range audio at 0.8 meters. This is paired with the WS-6.2 1000-watt powered subwoofer with dual 6.5\" LF drivers, low-noise port tube, selectable crossover modes, polarity inversion, footswitch jack, and limiter circuit.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eIN-UNF ULTRA-NEARFIELD 3-WAY STUDIO MONITOR SYSTEM\u003c\/h3\u003e\r\n\u003cp\u003eThe Kali Audio IN-UNF is an ultra-nearfield desktop studio monitor system. It’s designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The IN-UNF presents full-range audio at reference levels at 0.8 meters, or about arm’s length.\u003c\/p\u003e\r\n\u003cp\u003eThe entire system sits on your desk, and provides the same full-range, low distortion listening experience as a pair of IN-8s at standard listening distance. Flexible setup options allow users to easily integrate the IN-UNF in their existing deskscape; the bass unit can be placed vertically to sit behind a laptop or display, or horizontally to be used as a monitor riser for a display.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-UNF consists of three main pieces: a bass unit and two satellites. The bass unit houses two high-excursion 4.5-Inch woofers as well as the amplifier and other electronics for the system. The two woofers are horizontally opposed, so no net vibration is transferred to the desk or to anything sitting on the bass unit.\u003c\/p\u003e\r\n\u003cp\u003eThe two satellites use the same coaxial midrange and tweeter as Kali’s acclaimed IN-5 and IN-8 studio monitors. The architecture of this element has been praised for its excellent stereo imaging capabilities. At the close range of the IN-UNF, the intimacy and detail of the stereo image is unrivaled. You’ll hear a more engrossing, lifelike picture of your mix than you’ve ever heard before.\u003c\/p\u003e\r\n\u003cp\u003eThe bass unit also features a variety of inputs to meet all your audio needs. Via the USB-C connector, which supports 24-bit resolution and 48 k sample rate, you can connect computers, phones, and tablets without the need for an outboard interface or DAC. Optical and 3.5mm inputs provide support for both digital and analog connection to consumer devices like game consoles and receivers. For connection to standard pro audio devices, stereo TRS inputs are provided.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass, mids, and treble to your preferences.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eWS-6.2 DUAL 6\" SUBWOOFER\u003c\/h3\u003e\r\n\u003cp\u003eThe Kali Audio WS-6.2 Dual 6\" Subwoofer is a small but mighty subwoofer that’s tailor-made to enhance the sound of Kali Audio studio monitors, but works equally well with speakers of all brands. With dual 6.5-inch LF drivers and a 1000-watt amplifier, this subwoofer provides exceptional performance in a compact form factor that fits under your desk or in other tight spaces.\u003c\/p\u003e\r\n\u003cp\u003eThe WS-6.2 subwoofer features a unique design with horizontally opposed woofers, which cancel out net vibration, ensuring that the subwoofer won't move or produce unwanted buzzing or rattling sounds—even at high SPLs. With 120 dB max SPL, this subwoofer is more than sufficient for most stereo setups and will work well in small multi-channel setups, too. If you need more SPL, you can easily add a second WS-6.2 without taking up much space.\u003c\/p\u003e\r\n\u003cp\u003eThe WS-6.2 offers flexible connectivity options, with balanced XLR and TRS inputs, unbalanced RCA inputs, and a footswitch jack that lets you turn the subwoofer on and off easily. The 80 Hz crossover mode is ideal for extending the low-end response of your monitors, while LFE mode is designed to feed the sub a dedicated LFE channel. You can also turn off the crossover and use an external crossover for greater customization. The WS-6.2's 80 Hz crossover is optimized for use with Kali's studio monitors, but it will work well with monitors from most popular manufacturers.\u003c\/p\u003e\r\n\u003cp\u003eOne of the standout features of the WS-6.2 is its low-noise port tube, which ensures that all of the air leaves the port tube at the same velocity, preventing noisy turbulence that can obscure the details of the low end. This feature helps to keep the bass clean, tight, and devoid of extra noise, making it ideal for critical listening and mixing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFEATURES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1000-watt active studio subwoofer with two horizontally opposed, 6.5-inch, high-excursion woofers\u003c\/li\u003e\r\n\u003cli\u003e27 Hz to 200 Hz frequency response perfectly handles LFE\u003c\/li\u003e\r\n\u003cli\u003e120 dB max SPL making it suited for 5.1 arrays\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in limiter circuit guards against unsafe voltage levels\u003c\/li\u003e\r\n\u003cli\u003eLow-noise port tube delivers powerful and punchy bass\u003c\/li\u003e\r\n\u003cli\u003eSelectable crossover includes 80 Hz, LFE, and external crossover settings\u003c\/li\u003e\r\n\u003cli\u003ePolarity invert fixes common sonic problem\u003c\/li\u003e\r\n\u003cli\u003eRCA inputs for consumer-grade devices\u003c\/li\u003e\r\n\u003cli\u003eRear-panel jack allows you to connect a 3rd-party footswitch for bypassing sub\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450992029799,"sku":"206518","price":1098.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-unf-ws-6-2_206518_1_75f40c38-7daf-472b-8b10-4ea287255384.jpg?v=1787095398"},{"product_id":"kali-audio-ws-12-v2-12-powered-subwoofer-single","title":"Kali Audio WS-12 V2 12\" Powered Subwoofer - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio WS-12 V2\u003c\/strong\u003e is a 1000 watt, 12-inch subwoofer for studio and live use. With a frequency response down to 23 Hz, it is an authoritative studio subwoofer. The 1000 W power amp allows the WS-12 to be used for bass management in 5.1 systems, and one WS-12 will be sufficient when using up to 5 of Kali’s IN-8s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe WS-12 is the only subwoofer that can pull double duty as a studio and live subwoofer. An 18mm wooden enclosure means that the WS-12 V2is rugged and portable, making it a perfect solution for use in small PA systems. The WS-12 V2 is specifically designed to fit into small passenger cars, making it easy to carry to and from gigs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eV2 features several improvements over the original version. Signal-to-noise on the crossover is improved by more than 6 dB. The V2 also features an M10 pole cup, allowing users to attach a pole for mounting full-range PA speakers.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44450998452327,"sku":"208400","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-ws-12-v2_208400_1_c388d744-33f4-4f77-994a-dfb9d8f6a0d9.jpg?v=1787095427"},{"product_id":"kali-audio-lp-unf-ultra-nearfield-active-monitor-system-pair","title":"Kali Audio LP-UNF Ultra Nearfield Active Monitor System - Pair","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio LP-UNF\u003c\/strong\u003e is an ultra-nearfield desktop studio monitor system designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The LP-UNF presents full-range audio at reference levels with plenty of headroom at 0.8 meters, or about arm’s length.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe system is made up of a primary and secondary speaker, each with a 4.5-inch high excursion woofer and 1-inch dome tweeter. The LP-UNF features USB-C, TRS, RCA, and Bluetooth inputs for seamless integration into your desk space.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LP-UNF uses much of the same technology as Kali’s best-selling LP-6 and LP-8 V2 speakers. A 3-D imaging waveguide is employed to create a detailed, lifelike stereo image where all of the elements of the mix can be clearly perceived in space. The large front-firing port tube uses a unique. fluid dynamics derived shape that eliminates port noise and compression. This allows you to place the speakers against walls without worrying about adverse effects on the port’s performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe USB-C input lets users who aren’t recording use the LP-UNF without a separate interface. You’ll enjoy pristine sound with 24-bit\/48 kHz conversion. This makes the LP-UNF an excellent choice for traveling setups or as a floating pair of speakers in dynamic recording situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LP-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass and treble to your preferences.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LP-UNF has boundary EQ settings for placing the speakers on:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eStands\u003c\/li\u003e\r\n\u003cli\u003eDesk away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk against a wall\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands against a wall\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units away from walls\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units against a wall\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe LP-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451014967399,"sku":"212269","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-unf_212269_1_695936c2-42ad-4014-80d2-63bb482174a6.jpg?v=1787095501"},{"product_id":"kali-audio-lone-pine-lp-6-v2-6-5-powered-studio-monitor-white-single-demo-deal","title":"Kali Audio Lone Pine LP-6 V2 6.5\" Powered Studio Monitor - White, Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio Lone Pine LP-6 V2\u003c\/strong\u003e is a 6.5-inch active studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space.\u003c\/p\u003e\r\n\u003cp\u003eNew in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003e3-D Imaging Waveguide \u003c\/h3\u003e\r\n\u003cp\u003eThe 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.  The LP-6 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you're hearing both the direct sound from the speaker, and reflections from the speaker's signal bouncing off of objects in the room.  When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.  This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003e1.5” Voice Coil \u003c\/h3\u003e\r\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.  The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eHigh Output \u003c\/h3\u003e\r\n\u003cp\u003eBass on the LP-6 is delivered by a larger magnet and larger voice coil than any comparable speaker on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Nothing is over-represented, but the bass that is present on your track will come through with clarity and punch.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eBoundary EQ\u003c\/h3\u003e\r\n\u003cp\u003eKali's team came up with boundary compensation EQ settings at the Village Recorder in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in.\u003c\/p\u003e\r\n\u003cp\u003eThere are EQ settings for:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFree Space\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on stands, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, away from a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a desk, against a wall\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a console meter bridge\u003c\/li\u003e\r\n\u003cli\u003eSpeakers on a studio desk\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_4\"\u003eClass D Amplification \u003c\/h3\u003e\r\n\u003cp\u003eThe integrated 40W + 40W Class D Power amp delivers clean, reliable power that's optimized to this speaker. The new 2nd Wave amplifier platform delivers all this with significantly lower idle noise, and better sensitivity than the original version.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eXLR, TRS, and RCA Inputs \u003c\/h3\u003e\r\n\u003cp\u003eThe LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003e2nd Wave Technologies\u003c\/h3\u003e\r\n\u003cp\u003eThe LP-6 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R\u0026amp;D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability.  \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB lower self noise\u003c\/li\u003e\r\n\u003cli\u003e3 dB higher max SPL\u003c\/li\u003e\r\n\u003cli\u003eSmoother HF response\u003c\/li\u003e\r\n\u003cli\u003eNew boundary EQ settings\u003c\/li\u003e\r\n\u003cli\u003eUpgraded, lighter transducer cones\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451042066535,"sku":"216838","price":198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-6-v2_160796_1_d83e3251-17ac-401a-9bfd-38ccabee66e0.jpg?v=1787095599"},{"product_id":"kali-audio-lp-unf-ultra-nearfield-active-monitor-system-pair-demo-deal","title":"Kali Audio LP-UNF Ultra Nearfield Active Monitor System - Pair (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio LP-UNF\u003c\/strong\u003e is an ultra-nearfield desktop studio monitor system designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The LP-UNF presents full-range audio at reference levels with plenty of headroom at 0.8 meters, or about arm’s length.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe system is made up of a primary and secondary speaker, each with a 4.5-inch high excursion woofer and 1-inch dome tweeter. The LP-UNF features USB-C, TRS, RCA, and Bluetooth inputs for seamless integration into your desk space.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LP-UNF uses much of the same technology as Kali’s best-selling LP-6 and LP-8 V2 speakers. A 3-D imaging waveguide is employed to create a detailed, lifelike stereo image where all of the elements of the mix can be clearly perceived in space. The large front-firing port tube uses a unique. fluid dynamics derived shape that eliminates port noise and compression. This allows you to place the speakers against walls without worrying about adverse effects on the port’s performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe USB-C input lets users who aren’t recording use the LP-UNF without a separate interface. You’ll enjoy pristine sound with 24-bit\/48 kHz conversion. This makes the LP-UNF an excellent choice for traveling setups or as a floating pair of speakers in dynamic recording situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LP-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass and treble to your preferences.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LP-UNF has boundary EQ settings for placing the speakers on:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eStands\u003c\/li\u003e\r\n\u003cli\u003eDesk away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk against a wall\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands against a wall\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units away from walls\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units against a wall\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe LP-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451042164839,"sku":"216313","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-unf_212269_1_b2d0896e-503c-4997-920c-342053b701ba.jpg?v=1787095600"},{"product_id":"kali-audio-ws-12-v2-12-powered-subwoofer-single-demo-deal","title":"Kali Audio WS-12 V2 12\" Powered Subwoofer - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio WS-12 V2\u003c\/strong\u003e is a 1000 watt, 12-inch subwoofer for studio and live use. With a frequency response down to 23 Hz, it is an authoritative studio subwoofer. The 1000 W power amp allows the WS-12 to be used for bass management in 5.1 systems, and one WS-12 will be sufficient when using up to 5 of Kali’s IN-8s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe WS-12 is the only subwoofer that can pull double duty as a studio and live subwoofer. An 18mm wooden enclosure means that the WS-12 V2is rugged and portable, making it a perfect solution for use in small PA systems. The WS-12 V2 is specifically designed to fit into small passenger cars, making it easy to carry to and from gigs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eV2 features several improvements over the original version. Signal-to-noise on the crossover is improved by more than 6 dB. The V2 also features an M10 pole cup, allowing users to attach a pole for mounting full-range PA speakers.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451072311399,"sku":"286441","price":879.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-ws-12-v2_208400_1_f2cdb14d-07f2-4b2f-b871-3e963dcd40f1.jpg?v=1787095724"},{"product_id":"kali-audio-sm-5-c-5-3-way-passive-studio-monitor-single-demo-deal-open-box","title":"Kali Audio SM-5-C 5\" 3-Way Passive Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio SM-5-C\u003c\/strong\u003e is a three-way passive monitor that combines the spatial imaging benefits of a point-source loudspeaker with the neutral frequency response of a three-way system. Delivering exceptional sonic transparency and reference-quality accuracy, the SM-5-C meets the high standards of professional mixing engineers and discerning audiophiles alike. Plus, its flexible mounting options and unobtrusive design make it a great fit for any space.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eCUSTOM DRIVERS\u003c\/h3\u003e\n\u003cp\u003eThe Kali SM-5-C features coaxial midrange and high-frequency drivers for point-source sound in the critical frequency range above 280 Hz. The offset 5-inch woofer’s optimized placement and crossover frequency mean that it is never out of summation with the midrange, effectively making the SM-5-C a full-range point source monitor for all practical purposes.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eOUTSTANDING AUDIO PERFORMANCE\u003c\/h3\u003e\n\u003cp\u003eThe precision-engineered midrange baffle helps eliminate artifacts in the frequency response, while the 1-inch aluminum dome tweeter features unique geometry that prevents ultrasonic resonance, reducing harshness and fatigue. The woofer’s magnetic flux-reducing design, along with an anti-turbulence low-frequency port tube, give the SM-5-C smooth, distortion-free performance down to 39 Hz.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eMOUNTING HOLES\u003c\/h3\u003e\n\u003cp\u003eMounting points on the top and bottom allow for a variety of installation configurations using a custom U-bracket from Triad-Orbit or any speaker mount with a 4.25-by-2-inch bolt pattern and 21 lb capacity. While the passive SM-5-C is compatible with any suitable amplifier, downloadable tuning files for LEA Connect Series amplifiers provide optimal performance. When paired with Dante-enabled LEA Connect amplifiers (we recommend the \u003ca href=\"https:\/\/vintageking.com\/lea-professional-connect-354d-4-channel-x-350-w-iot-enabled-amplifier-with-dante\"\u003eCONNECT 354D\u003c\/a\u003e), the SM-5-C is an ideal choice for large multichannel systems where accuracy and practicality are paramount.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451089612903,"sku":"419345","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-sm-5-c_189602_1_8bd432d4-f5f8-430c-b19e-95ce8f11a1a9.jpg?v=1787095791"},{"product_id":"kali-audio-lp-unf-ultra-nearfield-active-monitor-system-pair-demo-deal-open-box","title":"Kali Audio LP-UNF Ultra Nearfield Active Monitor System - Pair (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio LP-UNF\u003c\/strong\u003e is an ultra-nearfield desktop studio monitor system designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The LP-UNF presents full-range audio at reference levels with plenty of headroom at 0.8 meters, or about arm’s length.\u003c\/p\u003e\n\n\u003cp\u003eThe system is made up of a primary and secondary speaker, each with a 4.5-inch high excursion woofer and 1-inch dome tweeter. The LP-UNF features USB-C, TRS, RCA, and Bluetooth inputs for seamless integration into your desk space.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-UNF uses much of the same technology as Kali’s best-selling LP-6 and LP-8 V2 speakers. A 3-D imaging waveguide is employed to create a detailed, lifelike stereo image where all of the elements of the mix can be clearly perceived in space. The large front-firing port tube uses a unique. fluid dynamics derived shape that eliminates port noise and compression. This allows you to place the speakers against walls without worrying about adverse effects on the port’s performance.\u003c\/p\u003e\n\n\u003cp\u003eThe USB-C input lets users who aren’t recording use the LP-UNF without a separate interface. You’ll enjoy pristine sound with 24-bit\/48 kHz conversion. This makes the LP-UNF an excellent choice for traveling setups or as a floating pair of speakers in dynamic recording situations.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass and treble to your preferences.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-UNF has boundary EQ settings for placing the speakers on:\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eStands\u003c\/li\u003e\n\u003cli\u003eDesk away from walls\u003c\/li\u003e\n\u003cli\u003eDesk against a wall\u003c\/li\u003e\n\u003cli\u003eDesk on speaker stands away from walls\u003c\/li\u003e\n\u003cli\u003eDesk on speaker stands against a wall\u003c\/li\u003e\n\u003cli\u003eRecording desk with rack units away from walls\u003c\/li\u003e\n\u003cli\u003eRecording desk with rack units against a wall\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe LP-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451139944551,"sku":"461004","price":269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-unf_212269_1_cb9f5a57-8808-42d7-b9cc-9a3936774162.jpg?v=1787095993"},{"product_id":"kali-audio-ws-12-v2-12-powered-subwoofer-single-demo-deal-open-box","title":"Kali Audio WS-12 V2 12\" Powered Subwoofer - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio WS-12 V2\u003c\/strong\u003e is a 1000 watt, 12-inch subwoofer for studio and live use. With a frequency response down to 23 Hz, it is an authoritative studio subwoofer. The 1000 W power amp allows the WS-12 to be used for bass management in 5.1 systems, and one WS-12 will be sufficient when using up to 5 of Kali’s IN-8s.\u003c\/p\u003e\n\n\u003cp\u003eThe WS-12 is the only subwoofer that can pull double duty as a studio and live subwoofer. An 18mm wooden enclosure means that the WS-12 V2is rugged and portable, making it a perfect solution for use in small PA systems. The WS-12 V2 is specifically designed to fit into small passenger cars, making it easy to carry to and from gigs.\u003c\/p\u003e\n\n\u003cp\u003eV2 features several improvements over the original version. Signal-to-noise on the crossover is improved by more than 6 dB. The V2 also features an M10 pole cup, allowing users to attach a pole for mounting full-range PA speakers.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451167502439,"sku":"465724","price":709.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-ws-12-v2_208400_1_9b561a23-2c29-41a7-b832-7f9ee96f8fce.jpg?v=1787096107"},{"product_id":"kali-audio-lp-unfw-ultra-nearfield-active-monitor-system-pair-white","title":"Kali Audio LP-UNFW Ultra Nearfield Active Monitor System - Pair, White","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio LP-UNF\u003c\/strong\u003e is an ultra-nearfield desktop studio monitor system designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The LP-UNF presents full-range audio at reference levels with plenty of headroom at 0.8 meters, or about arm’s length.\u003c\/p\u003e\r\n\u003cp\u003eThe system is made up of a primary and secondary speaker, each with a 4.5-inch high excursion woofer and 1-inch dome tweeter. The LP-UNF features USB-C, TRS, RCA, and Bluetooth inputs for seamless integration into your desk space.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF uses much of the same technology as Kali’s best-selling LP-6 and LP-8 V2 speakers. A 3-D imaging waveguide is employed to create a detailed, lifelike stereo image where all of the elements of the mix can be clearly perceived in space. The large front-firing port tube uses a unique. fluid dynamics derived shape that eliminates port noise and compression. This allows you to place the speakers against walls without worrying about adverse effects on the port’s performance.\u003c\/p\u003e\r\n\u003cp\u003eThe USB-C input lets users who aren’t recording use the LP-UNF without a separate interface. You’ll enjoy pristine sound with 24-bit\/48 kHz conversion. This makes the LP-UNF an excellent choice for traveling setups or as a floating pair of speakers in dynamic recording situations.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass and treble to your preferences.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF has boundary EQ settings for placing the speakers on:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStands\u003c\/li\u003e\r\n\u003cli\u003eDesk away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk against a wall\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands against a wall\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units away from walls\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units against a wall\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe LP-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451170254951,"sku":"462768","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-lp-unfw_462768_1.jpg?v=1787096119"},{"product_id":"kali-audio-sm-5-3-way-powered-studio-monitor-single","title":"Kali Audio SM-5 3-Way Powered Studio Monitor - Single","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio SM-5\u003c\/strong\u003e is the best studio monitor Kali have built so far. With unparalleled accuracy, imaging, and translation, it presents every detail of your mix with pinpoint precision and fidelity. The SM-5 features user-editable DSP to process room calibration profiles on board, for a perfect fit in your room.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eKALI'S ULTIMATE SPEAKER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eKali speakers have always been praised for their accuracy, translation, and ease of use. The SM-Series builds on these ideals, and incorporates the best available materials, components, and manufacturing. The result is a high performance studio monitor that is ready for the most demanding mixing and mastering applications. With onboard processing for room calibration, each speaker can be programmed with delays, trims, and EQs to deliver accurate response in your room.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eROOM CALIBRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SM-5 gives users full control of 8 parametric EQs, delay up to 12ms, and loudspeaker trim. These parameters can be accessed and edited using the Kali Control Panel application, available for both Mac and Windows. Importantly, since these parameters are processed by the same DSP hardware already in line, using user-defined DSP adds no additional latency to the system. Total digital latency is acceptably low to allow tracking using the SM-5s. Onboard calibration removes the need for a dedicated room calibration processor. It also prevents some of the confusion and mishap that is possible with a plug-in based processor. Calibration is available for any source you could plug into the speaker, without needing to route it through software, and it will never be active on a mix you print.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eDRIVERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SM-Series' aluminum-dome tweeter delivers excellent dynamics, resulting in clear high frequency response without distortion. The tweeter uses a unique geometry to reduce high-Q ultrasonic resonances, eliminating harshness that can make metal tweeters fatiguing over time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe SM-5's midrange is optimized not only for its own frequency band, but also for its role as the tweeter's waveguide. The shape is precision engineered for ideal directivity, and peak-to-peak excursion is limited to under 1mm to prevent intermodulation distortion.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe SM-5s woofer incorporates features that reduce magnetic flux modulation, bringing distortion down dramatically. Paper is used for both the woofer and midrange cone material. Kali's testing has shown that, despite its humble nature, paper is ideal in terms of stiffness, weight, and natural damping characteristics.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eEASE OF USE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SM-5's input panel is recessed to allow for easier wall and ceiling mounting. It features inputs for XLR or TRS connectors, AES\/EBU in and thru over BNC, and RJ45 (ethernet) for control. The back of the speaker also features the trim wheel, which allows for precise 0.5 dB adjustments from -12 dB to +6 dB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Kali logo on the SM-5 has a capacitive touch sensor, acting as a multi-function button to control basic loudspeaker functions like standby mode. The LED on the SM-5 changes color to indicate a variety of statuses, including the trim level, whether a user EQ is being processed, standby mode, and performance warnings. The USB-A input on the front of the speaker can be used to load firmware and tunings to the loudspeaker, even if it's permanently mounted in place.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eSOFTWARE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUser-editable DSP is available using Kali Control Panel software, available for both Mac and Windows. You may find links to download the latest version below. Kali Control Panel works in both Online Mode, meaning that each speaker is connected to a network with an ethernet cable, or Offline Mode, meaning that you can use a USB thumb drive to load files onto the speaker.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eMOUNTING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SM–5 features mounting holes on both the top and bottom of the loudspeaker. Kali recommends using a speaker specific U-bracket from Triad-Orbit, but any speaker mount with a 4.25 x 2-inch bolt pattern that is capable of holding the SM-5's 21 lb weight will also work.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451171074151,"sku":"273308","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-sm-5_273308_1_543965fe-96ea-4625-8657-d82a73c356ce.jpg?v=1787096123"},{"product_id":"kali-audio-sm-5-3-way-powered-studio-monitor-single-demo-deal-open-box","title":"Kali Audio SM-5 3-Way Powered Studio Monitor - Single (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio SM-5\u003c\/strong\u003e is the best studio monitor Kali have built so far. With unparalleled accuracy, imaging, and translation, it presents every detail of your mix with pinpoint precision and fidelity. The SM-5 features user-editable DSP to process room calibration profiles on board, for a perfect fit in your room.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_0\"\u003eKALI'S ULTIMATE SPEAKER\u003c\/h3\u003e\n\n\u003cp\u003eKali speakers have always been praised for their accuracy, translation, and ease of use. The SM-Series builds on these ideals, and incorporates the best available materials, components, and manufacturing. The result is a high performance studio monitor that is ready for the most demanding mixing and mastering applications. With onboard processing for room calibration, each speaker can be programmed with delays, trims, and EQs to deliver accurate response in your room.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_1\"\u003eROOM CALIBRATION\u003c\/h3\u003e\n\n\u003cp\u003eThe SM-5 gives users full control of 8 parametric EQs, delay up to 12ms, and loudspeaker trim. These parameters can be accessed and edited using the Kali Control Panel application, available for both Mac and Windows. Importantly, since these parameters are processed by the same DSP hardware already in line, using user-defined DSP adds no additional latency to the system. Total digital latency is acceptably low to allow tracking using the SM-5s. Onboard calibration removes the need for a dedicated room calibration processor. It also prevents some of the confusion and mishap that is possible with a plug-in based processor. Calibration is available for any source you could plug into the speaker, without needing to route it through software, and it will never be active on a mix you print.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_2\"\u003eDRIVERS\u003c\/h3\u003e\n\n\u003cp\u003eThe SM-Series' aluminum-dome tweeter delivers excellent dynamics, resulting in clear high frequency response without distortion. The tweeter uses a unique geometry to reduce high-Q ultrasonic resonances, eliminating harshness that can make metal tweeters fatiguing over time.\u003c\/p\u003e\n\n\u003cp\u003eThe SM-5's midrange is optimized not only for its own frequency band, but also for its role as the tweeter's waveguide. The shape is precision engineered for ideal directivity, and peak-to-peak excursion is limited to under 1mm to prevent intermodulation distortion.\u003c\/p\u003e\n\n\u003cp\u003eThe SM-5s woofer incorporates features that reduce magnetic flux modulation, bringing distortion down dramatically. Paper is used for both the woofer and midrange cone material. Kali's testing has shown that, despite its humble nature, paper is ideal in terms of stiffness, weight, and natural damping characteristics.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_3\"\u003eEASE OF USE\u003c\/h3\u003e\n\n\u003cp\u003eThe SM-5's input panel is recessed to allow for easier wall and ceiling mounting. It features inputs for XLR or TRS connectors, AES\/EBU in and thru over BNC, and RJ45 (ethernet) for control. The back of the speaker also features the trim wheel, which allows for precise 0.5 dB adjustments from -12 dB to +6 dB.\u003c\/p\u003e\n\n\u003cp\u003eThe Kali logo on the SM-5 has a capacitive touch sensor, acting as a multi-function button to control basic loudspeaker functions like standby mode. The LED on the SM-5 changes color to indicate a variety of statuses, including the trim level, whether a user EQ is being processed, standby mode, and performance warnings. The USB-A input on the front of the speaker can be used to load firmware and tunings to the loudspeaker, even if it's permanently mounted in place.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_4\"\u003eSOFTWARE\u003c\/h3\u003e\n\n\u003cp\u003eUser-editable DSP is available using Kali Control Panel software, available for both Mac and Windows. You may find links to download the latest version below. Kali Control Panel works in both Online Mode, meaning that each speaker is connected to a network with an ethernet cable, or Offline Mode, meaning that you can use a USB thumb drive to load files onto the speaker.\u003c\/p\u003e\n\n\u003ch3 id=\"toc_5\"\u003eMOUNTING\u003c\/h3\u003e\n\n\u003cp\u003eThe SM–5 features mounting holes on both the top and bottom of the loudspeaker. Kali recommends using a speaker specific U-bracket from Triad-Orbit, but any speaker mount with a 4.25 x 2-inch bolt pattern that is capable of holding the SM-5's 21 lb weight will also work.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451207282791,"sku":"476922","price":1349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-sm-5_273308_1_d320256d-2635-488a-94a3-34930268f332.jpg?v=1787096284"},{"product_id":"kali-audio-in-8w-v2-8-3-way-powered-studio-monitor-single-white","title":"Kali Audio IN-8W V2 8\" 3-Way Powered Studio Monitor - Single, White","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-8 V2\u003c\/strong\u003e is unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum. At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\r\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either. All of this make the IN-8 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\r\n\u003cp\u003eThe 2nd Wave (V2) IN-8 features the latest technology developed by Kali including:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB reduction in amplifier self noise: 2nd Wave IN-Series monitors are dead quiet when not being used, the only noise you'll hear is whatever you're playing in your mix\u003c\/li\u003e\r\n\u003cli\u003eNatural finish driver cones: less material on the cone increases driver efficiency\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_0\"\u003eACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.\u003c\/p\u003e\r\n\u003cp\u003eNot only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\r\n\u003cp\u003eBecause of the IN-Series' coincident architecture, you may notice a dip between 8 - 10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the INs based on single point static measurements.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eIMAGING\u003c\/h3\u003e\r\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\r\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\r\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCLARITY\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\r\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451245850727,"sku":"179741","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-8-v2-white_179741_1.jpg?v=1787096461"},{"product_id":"kali-audio-in-8w-v2-8-3-way-powered-studio-monitor-single-white-demo-deal","title":"Kali Audio IN-8W V2 8\" 3-Way Powered Studio Monitor - Single, White (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-8 V2\u003c\/strong\u003e is unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum. At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\r\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either. All of this make the IN-8 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\r\n\u003cp\u003eThe 2nd Wave (V2) IN-8 features the latest technology developed by Kali including:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB reduction in amplifier self noise: 2nd Wave IN-Series monitors are dead quiet when not being used, the only noise you'll hear is whatever you're playing in your mix\u003c\/li\u003e\r\n\u003cli\u003eNatural finish driver cones: less material on the cone increases driver efficiency\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_0\"\u003eACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.\u003c\/p\u003e\r\n\u003cp\u003eNot only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\r\n\u003cp\u003eBecause of the IN-Series' coincident architecture, you may notice a dip between 8 - 10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the INs based on single point static measurements.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eIMAGING\u003c\/h3\u003e\r\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\r\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\r\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCLARITY\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\r\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451254861927,"sku":"482376","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-8-v2_179741_1_1.jpg?v=1787096499"},{"product_id":"kali-audio-sm-8-3-way-powered-studio-monitor","title":"Kali Audio SM-8 3-Way Powered Studio Monitor","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio SM-8\u003c\/strong\u003e is a powered 3-way studio monitor with a 5-inch woofer, and a 4-inch midrange with a coaxial 1-inch metal dome tweeter. Part of Kali’s flagship Santa Monica series of speakers, the SM-8 combines Kali’s proven 3-way coincident architecture with uncompromising components to deliver unparalleled imaging, accuracy, and detail for critical mixing applications. SM-Series speakers feature user-definable DSP for room calibration. Each speaker can process up to 8 parametric EQs, 10ms of delay and 18 dB of trim. This allows you to tune the speakers for your room, delivering accurate monitoring that will translate without second guessing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLike Kali’s acclaimed IN-Series loudspeakers, the SM-8 is an acoustic point source, and special care has been taken with the unique geometry around the midrange to ensure a seamless transition to the edge of the speaker. This gives the loudspeaker an ideal directivity characteristic, resulting in an engrossing stereo image where details are lifelike and crisp. Off axis lobing that is unavoidable in 2-way loudspeakers is virtually eliminated in the SM-8.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003e3-WAY, COINCIDENT ARCHITECTURE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SM-Series speakers use a coincident 3-way design. The midrange and tweeter are coaxial, meaning that they share an acoustic center. In other words, the tweeter sits within the midrange. They are also coincident, meaning that they are physically time-aligned. This eliminates directivity and phase problems that are unavoidable in non-coaxial designs. This architecture, together with the physical placement and crossover of the woofer, makes each SM-Series speaker an acoustic point source. This gives the loudspeaker an ideal directivity characteristic, resulting in a lifelike stereo image where details are placed clearly and consistently. Being a 3-way, the SM-Series has a dedicated midrange transducer. This unburdens the woofer, resulting in lower distortion from the lower response of the loudspeaker through the high mids. This makes the SM-Series a very natural, musical sounding loudspeaker through the high mids. This makes the SM-Series a very natural, musical sounding loudspeaker, and it makes it very easy to hear every element of your mix clearly.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eONBOARD DSP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEach SM-Series speaker is capable of processing its own room calibration. Users can adjust 8 parametric EQs, delays, and trims per loudspeaker to get their speakers accurate in their rooms. The DSP can be accessed via ethernet on the back of each speaker, allowing for real time adjustments and button press switching between different tuning profiles. DSP parameters can also be updated via USB drive, with a convenient socket on the front of the speaker. In either case, per-loudspeaker tunings can be saved to the speaker’s DIP switches for easy recall. Because the DSP is processed in the speaker, there is no question of whether the DSP is active, or where it’s living in the signal chain. Sources can be changed and signal can be re-routed without losing room tuning parameters. Room calibration parameters live on the same DSP chip that the speaker is already using, so there is no added latency while processing room calibration. DSP latency is under 3 ms, allowing for tracking with room calibration active.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eDRIVERS AND LOW NOISE PORT TUBE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SM-Series’ woofer incorporates components that assist in inductance linearization and flux stabilization. These features reduce magnetic flux modulation, meaning that the voice coil is moving through a clean magnetic field, which dramatically reduces distortion.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe midrange is not only optimized for its own frequency handling, but also for its role as the tweeter’s waveguide. It controls the directivity of the tweeter so that off-axis reflections in all directions are congruent with the direct sound of the loudspeaker, which is part of what gives the SM-Series such excellent imaging. Peak-to-peak excursion on the midrange does not exceed 1mm, eliminating intermodulation distortion that is typical in coaxial design. The baffle around the midrange follows the shape of that driver, blending seamlessly from the edge of the driver and into the rest of the speaker cabinet. This eliminates on-axis diffraction artifacts in the frequency resposne, and helps reinforce the excellent imaging characteristics of the SM-Series.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe tweeter on the SM-Series is a 1-inch aluminum dome. The dynamic response of the aluminum is excellent, resulting in clear high frequency response without distortion. The tweeter uses a unique geometry to reduce high-Q ultrasonic resonances, eliminating harshness that can make metal tweeters fatiguing over time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOn most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as \"chuffing,\" or an audible air sound coming from the system. This sound will add to the noise floor and obscure the details of the low end. The port tube on the SM-Series was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the subwoofer, while keeping the bass clean, tight, and devoid of extra noise.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451255681127,"sku":"482343","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-sm-8_482343_1_1de5e422-36d0-409e-ae5e-ac1099e2d0ce.jpg?v=1787096503"},{"product_id":"kali-audio-hp-1-multi-reference-studio-headphone-with-bluetooth","title":"Kali Audio HP-1 Multi-Reference Studio Headphones with Bluetooth","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio HP-1\u003c\/strong\u003e is an over-ear studio headphone designed for mixing and QC. With 3 selectable voicings, the HP-1 gives you a neutral, accurate view of your mix, and also allows you to check how your work will sound on the most popular headphones in use today. With the press of a button, you can switch between the three different voicings:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eStudio Mode delivers crisp, accurate sound that can be trusted to translate to the widest variety of playback systems\u003c\/li\u003e\r\n\u003cli\u003eConsumer Mode mimics headphones sold alongside smartphones and tablets, the tuning is natural, balanced, and unobtrusive\u003c\/li\u003e\r\n\u003cli\u003eBass Heavy Mode is a fun voicing similar to headphones that are popular with hip-hop fans and producers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eQuality-of-life features like Bluetooth, noise cancelling, and 40 hours of battery life make the HP-1 a fantastic all-around headphone.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451276292199,"sku":"478715","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-hp-1_478715_1_0b95c351-8ea0-4bc8-9384-6a8351bf2f57.jpg?v=1787096589"},{"product_id":"kali-audio-hp-1-multi-reference-studio-headphones-with-bluetooth-demo-deal","title":"Kali Audio HP-1 Multi-Reference Studio Headphones with Bluetooth (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio HP-1\u003c\/strong\u003e is an over-ear studio headphone designed for mixing and QC. With 3 selectable voicings, the HP-1 gives you a neutral, accurate view of your mix, and also allows you to check how your work will sound on the most popular headphones in use today. With the press of a button, you can switch between the three different voicings:\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eStudio Mode delivers crisp, accurate sound that can be trusted to translate to the widest variety of playback systems\u003c\/li\u003e\n\u003cli\u003eConsumer Mode mimics headphones sold alongside smartphones and tablets, the tuning is natural, balanced, and unobtrusive\u003c\/li\u003e\n\u003cli\u003eBass Heavy Mode is a fun voicing similar to headphones that are popular with hip-hop fans and producers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eQuality-of-life features like Bluetooth, noise cancelling, and 40 hours of battery life make the HP-1 a fantastic all-around headphone.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451300638823,"sku":"487699","price":180.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-hp-1_478715_1_90843bb3-e3bb-4fa0-9d89-239be7e54499.jpg?v=1787096689"},{"product_id":"kali-audio-in-8-v2-8-3-way-powered-studio-monitor-single-0334-used","title":"Kali Audio IN-8 V2 8\" 3-Way Powered Studio Monitor - Single #0334 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-8 V2\u003c\/strong\u003e is unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum. At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e \u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either. All of this make the IN-8 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e \u003cp\u003eThe 2nd Wave (V2) IN-8 features the latest technology developed by Kali including:\u003c\/p\u003e \u003cul\u003e \u003cli\u003e12 dB reduction in amplifier self noise: 2nd Wave IN-Series monitors are dead quiet when not being used, the only noise you'll hear is whatever you're playing in your mix\u003c\/li\u003e \u003cli\u003eNatural finish driver cones: less material on the cone increases driver efficiency\u003c\/li\u003e \u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e \u003c\/ul\u003e \u003ch3 id=\"toc_0\"\u003eACCURACY\u003c\/h3\u003e \u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.\u003c\/p\u003e \u003cp\u003eNot only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e \u003cp\u003eBecause of the IN-Series' coincident architecture, you may notice a dip between 8 - 10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the INs based on single point static measurements.\u003c\/p\u003e \u003ch3 id=\"toc_1\"\u003eIMAGING\u003c\/h3\u003e \u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e \u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e \u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e \u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e \u003ch3 id=\"toc_2\"\u003eCLARITY\u003c\/h3\u003e \u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e \u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e \u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion and degrades the accuracy of the system. 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The LP-UNF presents full-range audio at reference levels with plenty of headroom at 0.8 meters, or about arm’s length.\u003c\/p\u003e\r\n\u003cp\u003eThe system is made up of a primary and secondary speaker, each with a 4.5-inch high excursion woofer and 1-inch dome tweeter. The LP-UNF features USB-C, TRS, RCA, and Bluetooth inputs for seamless integration into your desk space.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF uses much of the same technology as Kali’s best-selling LP-6 and LP-8 V2 speakers. A 3-D imaging waveguide is employed to create a detailed, lifelike stereo image where all of the elements of the mix can be clearly perceived in space. The large front-firing port tube uses a unique. fluid dynamics derived shape that eliminates port noise and compression. This allows you to place the speakers against walls without worrying about adverse effects on the port’s performance.\u003c\/p\u003e\r\n\u003cp\u003eThe USB-C input lets users who aren’t recording use the LP-UNF without a separate interface. You’ll enjoy pristine sound with 24-bit\/48 kHz conversion. This makes the LP-UNF an excellent choice for traveling setups or as a floating pair of speakers in dynamic recording situations.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass and treble to your preferences.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF has boundary EQ settings for placing the speakers on:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStands\u003c\/li\u003e\r\n\u003cli\u003eDesk away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk against a wall\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands against a wall\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units away from walls\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units against a wall\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe LP-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451307192423,"sku":"488594","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-unf-red_488594_1.jpg?v=1787096717"},{"product_id":"kali-audio-lp-unf-ultra-nearfield-active-monitor-system-pair-blue","title":"Kali Audio LP-UNF Ultra Nearfield Active Monitor System - Pair, Blue","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio LP-UNF\u003c\/strong\u003e is an ultra-nearfield desktop studio monitor system designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. 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This allows you to place the speakers against walls without worrying about adverse effects on the port’s performance.\u003c\/p\u003e\r\n\u003cp\u003eThe USB-C input lets users who aren’t recording use the LP-UNF without a separate interface. You’ll enjoy pristine sound with 24-bit\/48 kHz conversion. This makes the LP-UNF an excellent choice for traveling setups or as a floating pair of speakers in dynamic recording situations.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass and treble to your preferences.\u003c\/p\u003e\r\n\u003cp\u003eThe LP-UNF has boundary EQ settings for placing the speakers on:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStands\u003c\/li\u003e\r\n\u003cli\u003eDesk away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk against a wall\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands away from walls\u003c\/li\u003e\r\n\u003cli\u003eDesk on speaker stands against a wall\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units away from walls\u003c\/li\u003e\r\n\u003cli\u003eRecording desk with rack units against a wall\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe LP-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum.\u003c\/p\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451307225191,"sku":"488593","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-audio-lp-unf-blue_488593_1.jpg?v=1787096717"},{"product_id":"kali-audio-in-5w-5-3-way-studio-monitor-white","title":"Kali Audio IN-5 5\" 3-Way Studio Monitor - Single, White","description":"\u003cp\u003eThe \u003cstrong\u003eKali Audio IN-5\u003c\/strong\u003e is one of the most innovative active studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, they offer more transparency, lower distortion, and a soundstage that must be heard to be believed.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUnrivalled Punch and Detail\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors are unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum.\u003c\/p\u003e\r\n\u003cp\u003eAt the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.\u003c\/p\u003e\r\n\u003cp\u003eThe design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either.\u003c\/p\u003e\r\n\u003cp\u003eAll of this makes the IN-5 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eACCURACY\u003c\/h3\u003e\r\n\u003cp\u003eThe single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on. Not only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIMAGING\u003c\/h3\u003e\r\n\u003cp\u003eWhen you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.\u003c\/p\u003e\r\n\u003cp\u003eNot only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.\u003c\/p\u003e\r\n\u003cp\u003e2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.\u003c\/p\u003e\r\n\u003cp\u003eThe IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCLARITY\u003c\/h3\u003e\r\n\u003cp\u003eThe IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.\u003c\/p\u003e\r\n\u003cp\u003eTaking up the space in between in the hero of the IN-Series: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.\u003c\/p\u003e\r\n\u003cp\u003eIt also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003e2ND WAVE\u003c\/h3\u003e\r\n\u003cp\u003eThe 2nd Wave is Kali's second generation of loudspeaker products. They’ve developed a new amplifier platform, and taken lessons that they’ve learned from their first years in business to enact several manufacturing improvements. The IN-5 is the first speaker to realize these improvements:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e12 dB reduction in amplifier self noise: the IN-5 is dead quiet when not being used\u003c\/li\u003e\r\n\u003cli\u003eNatural finish driver cones: Less material on the cone increases driver efficiency\u003c\/li\u003e\r\n\u003cli\u003eImproved cabinet construction for better cosmetic longevity\u003c\/li\u003e\r\n\u003cli\u003eMore robust DSP for more precise tuning New Boundary EQ tunings to take advantage of the fact that the IN-5 can be placed horizontally Input sensitivity lowered by 3 dB for higher output from a given input signal\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":44451313221735,"sku":"215725","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kali-in-5-white_215725_1.jpg?v=1787096742"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/kali-audio.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}