{"title":"Little Labs","description":null,"products":[{"product_id":"little-labs-lmnopre-mic-preamp","title":"Little Labs LMNOPre Mic Preamp","description":"\u003cp\u003eLittle Labs is excited to now be shipping the long awaited new and truly unique microphone preamplifier, the \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs LmnoPre\u003c\/span\u003e limited edition microphone pre-amplifier. With so many new microphone pre-amplifiers using some new, but mostly vintage design philosophy, Little Labs has done what it does best, designed a totally new microphone preamplifier, which not only sounds fantastic but gives a degree of control over the sound allowing you to capture sound unlike any microphone preamplifier before.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449244577895,"sku":"7747","price":1600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_lmnopre_2.jpg?v=1787088289"},{"product_id":"little-labs-vog-analog-bass-resonance-tool","title":"Little Labs VOG Analog Bass Resonance Tool","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs VOG\u003c\/span\u003e analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500-Series module format.\u003cbr\u003e\u003cbr\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice over artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God. However, when I heard it on kick drum and bass, it became clear this would be the go to device to make these instruments sound huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA subharmonic can be the focus, or the fundamental, or upper harmonics. On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449250869351,"sku":"13665","price":490.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_vog_front.jpg?v=1787088314"},{"product_id":"little-labs-ibp","title":"Little Labs IBP Phase Alignment Tool","description":"\u003cp\u003eThe\u003cspan style=\"font-weight: bold;\"\u003e Little Labs IBP \u003c\/span\u003eeasily eliminates the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449258209383,"sku":"654","price":630.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-ibp_654_1.jpg?v=1787088347"},{"product_id":"little-labs-ibp-junior","title":"Little Labs IBP Junior","description":"\u003cp\u003eThe\u003cspan style=\"font-weight: bold;\"\u003e Little Labs Junior\u003c\/span\u003e easily eliminates the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449258274919,"sku":"655","price":490.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-ibp-junior_655_1.jpg?v=1787088347"},{"product_id":"little-labs-multi-z","title":"Little Labs Multi Z","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs Multi Z PIP 3.0\u003c\/span\u003e is a completely updated, refined replacement for the now classic Little Labs Multi Z Direct Box. Little Labs added so many features to the original Multi Z Direct Box, we couldn’t call it just a direct box anymore. Every custom mod that was asked of Little Labs over the past ten years, of which there were many, has been incorporated into the new, but still compact, Multi Z PIP. Use it as a super instrument pre-amp, use it as a re-amp, use it as a DI, use it as a mini instrument mixer, use it all together at once. The Multi Z PIP is all about flexibility and superior sonics.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Multi Z source impedance optimized active DI circuitry\u003c\/li\u003e\n\u003cli\u003eSeperate on-board re-amplifer\u003c\/li\u003e\n\u003cli\u003eAllows simaltaneous re-amping and gain make up for vintage effect interfacing on a console insert\u003c\/li\u003e\n\u003cli\u003eSumming inputs (three extra inputs)\u003c\/li\u003e\n\u003cli\u003eInstrument pick up emulation transformer and line level transformer isolated outputs\u003c\/li\u003e\n\u003cli\u003ePre transformers insert (use pro gear before your guitar amp)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449258242151,"sku":"656","price":575.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_multiz_1.jpg?v=1787088347"},{"product_id":"little-labs-std-rev-2","title":"Little Labs STD Rev2 Instrument Cable Extender","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs STD\u003c\/span\u003e allows you to use long microphone cables or microphone tie lines to extend your guitar or any instrument cable without the loss of tone and increase of noise associated with long instrument cable runs. It also has two outputs for splitting between two amps or between an amp and a direct injection box, with a selectable ground lift on one output to eliminate ground loop problems.\u003cbr\u003e\u003cbr\u003eThe STD is the perfect solution for: the live player who is tired of the tone sucking wireless rigs but still needs to be able to walk more than ten feet from his amp; the studio player who needs his amplifier in isolation, but himself in close proximity to his band mates; the recording engineer using control room rack mounted direct injection boxes with a player located in the studio or isolation booth.\u003cbr\u003e\u003cbr\u003eThe single transistor unity gain buffer circuit utilized in the STD is mounted inside the special copper tipped phone plug itself. This elegantly simple buffer circuit was designed to load the instrument pickup properly for a natural frequency response regardless of cable length and also will eliminate susceptibility of the cable to extraneous noise sources. The rugged cast aluminum base unit which sits next to the amp or direct injection box contains the mating circuitry which utilizes high quality audio graded parts, including Elna Cerafine and Dale Vishay. The STD base unit is powered by two nine volt batteries that with regular use will last over one year. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449277149287,"sku":"6547","price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-std-2_6547_1_9d3fb572-169e-4569-ac3a-62d83d198980.jpg?v=1787088407"},{"product_id":"little-labs-redcloud-8810u8ers-attenuator-pack","title":"Little Labs Redcloud 8810U8ERS 8-Channel Balanced Attenuator","description":"\u003cp\u003eBorn out of necessity for recording engineer Don Smith, aka Redcloud (Rolling Stones, Tom Petty, Stevie Nicks), who liked lots of gain on his mic pre amps but needed a simple, flexible way to attenuate the post mic pre line level signals. Plug the \u003cstrong\u003eLittle Labs Redcloud 8810U8ERS Attenuator Pack\u003c\/strong\u003e into your DB25 modular patch bay and patch it in anywhere you need high-quality passive attenuation (more places than you might initially think). The Redcloud 8810U8ERS will be a must-have accessory in any engineer's toolbox!\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449306280039,"sku":"10392","price":390.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-redcloud_10392_1.jpg?v=1787088486"},{"product_id":"little-labs-pcp-instrument-distro","title":"Little Labs PCP Instrument Distro Rev 3.1","description":"\u003cp\u003eDesigned to eliminate the many headaches involved in recording guitars, it is also an invaluable tool in live guitar sound, and as an aid when utilizing vintage guitar effects on any instrument. Whether in the studio or live, you need the \u003cstrong\u003eLittle Labs PCP Instrument Distro\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e*Five out if you use the mult (direct out) and the combo amp line driver.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449344323687,"sku":"1060","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_pcp_1.jpg?v=1787088637"},{"product_id":"little-labs-multi-z-demo-deal","title":"Little Labs Multi Z (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs Multi Z PIP 3.0\u003c\/span\u003e is a completely updated, refined replacement for the now classic Little Labs Multi Z Direct Box. Little Labs added so many features to the original Multi Z Direct Box, we couldn’t call it just a direct box anymore. Every custom mod that was asked of Little Labs over the past ten years, of which there were many, has been incporporated into the new, but still compact, Multi Z PIP. Use it as a super instrument pre-amp, use it as a re-amp, use it as a DI, use it as a mini instrument mixer, use it all together at once…The Multi Z PIP is all about flexibility and superior sonics.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe Little Labs Multi Z Features:\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClassic multi z source impedance optimized active DI circuitry\u003c\/li\u003e\n\u003cli\u003eSeperate on-board re-amplifer\u003c\/li\u003e\n\u003cli\u003eAllows simaltaneous re-amping and gain make up for vintage effect interfacing on a console insert\u003c\/li\u003e\n\u003cli\u003eSumming inputs (3 extra inputs)\u003c\/li\u003e\n\u003cli\u003eInstrument pick up emulation transformer and line level transformer isolated outputs\u003c\/li\u003e\n\u003cli\u003ePre transformers insert (use pro gear before your guitar amp)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449363984487,"sku":"13864","price":525.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_multiz_1_1_3d52ed1f-94b8-4f30-95d9-73b74625d447.jpg?v=1787088718"},{"product_id":"little-labs-ivog-analog-bass-resonance-tool-stand-alone-unit","title":"Little Labs I-VOG Standalone Bass Resonance Control Module","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs VOG\u003c\/span\u003e analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500 Series module format.\u003cbr\u003e\u003cbr\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice-over-artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God.  The go to device to make instruments like kick drum and bass sound huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA subharmonic can be the focus, or the fundamental, or upper harmonics. On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449382465639,"sku":"17355","price":630.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_i-vog.jpg?v=1787088792"},{"product_id":"little-labs-redeye-3d-phantom","title":"Little Labs Redeye 3D Phantom","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs Redeye 3D Phantom\u003c\/span\u003e is the new improved major revision of the popular Little Labs Redeye direct box \/ re-amp box. More people are re-amping now than ever before, and Little Labs know re-amping! They made this new major Redeye revision because they wanted to make sure they continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eFor easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument \/ re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument \/ re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.\u003cbr\u003e \u003cbr\u003e The heart of the original Redeye was a Little Labs custom wound transformer. This transformer was chosen for its sonic characteristics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (10MΩ) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye. The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box.\u003cbr\u003e \u003cbr\u003e The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449407729767,"sku":"16826","price":310.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-redeye-23_16826_1_8ad67319-2140-4c2c-b174-5f1ae63b3616.jpg?v=1787088884"},{"product_id":"little-labs-ibp-junior-used","title":"Little Labs IBP Junior (Used)","description":"The\u003cstrong\u003e Little Labs IBP and IBP Junior\u003c\/strong\u003e easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003cbr\u003e \u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eIBP includes the above features plus all the following:\u003c\/strong\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInternal super quality active direct box\u003c\/li\u003e\n\u003cli\u003eInternal “re-amplier” to convert pro-level to guitar level (w\/ or w\/o phase adjust)\u003c\/li\u003e\n\u003cli\u003eBuffered instrument level output for driving long guitar cables\u003c\/li\u003e\n\u003cli\u003eSplitting between two instrument amps with transformer isolation + phase sweep\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449447084135,"sku":"21421","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_ibp_junior__used__1508754_709d08ff-fb5c-42f1-9e50-a662067bbf3f.jpg?v=1787088989"},{"product_id":"little-labs-ibp-junior-phase-aligner-used","title":"Little Labs IBP Junior Phase Aligner (Used)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Little Labs IBP and IBP Junior\u003c\/span\u003e\neasily eliminate the undesirable hollow sound when combining\nout-of-phase and partially out-of-phase audio signals. Designed as a\nphase problem solving device, the IBP Analong Phase Alignment Tool has\nquickly become popular among audio engineers as not only a “fix it” tool\nbut as a controlling audio phase creative, tonal color tool.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAllows mics to be placed where they sound best individually\u003c\/li\u003e\n\u003cli\u003eNo compromising mic place do to phase problems when using IBP technology\u003c\/li\u003e\n\u003cli\u003eRack mountable, 4 units fit in a 1U space\u003c\/li\u003e\n\u003cli\u003eReal time all analog phase sweep between 0° and 180º\u003c\/li\u003e\n\u003cli\u003eContinuously variable natural phase adjust\u003c\/li\u003e\n\u003cli\u003eLine level balanced XLR in and out\u003c\/li\u003e\n\u003cli\u003eAudiophile sound and construction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eIBP includes the above features plus all the following:\u003c\/span\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eInternal super quality active direct box\u003c\/li\u003e\n\u003cli\u003eInternal “re-amplier” to convert pro-level to guitar level (w\/ or w\/o phase adjust)\u003c\/li\u003e\n\u003cli\u003eBuffered instrument level output for driving long guitar cables\u003c\/li\u003e\n\u003cli\u003eSplitting between two instrument amps with transformer isolation + phase sweep\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449469169767,"sku":"26061","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_little_labs_ibp_junior_1_63a82933-6ccd-444a-9310-8763f1dde757.jpg?v=1787089072"},{"product_id":"little-labs-vog-analog-bass-resonance-tool-used","title":"Little Labs VOG Analog Bass Resonance Tool (Used)","description":"The \u003cspan style=\"font-weight: bold; \"\u003eLittle Labs VOG\u003c\/span\u003e analog bass  resonance tool is the latest creation from Little Labs, and is Little  Labs first entry in the popular API 500-Series module format.\u003cbr\u003e\u003cbr\u003eThe  VOG was originally designed to capture the chest resonance of vocalists  or voice over artists, enabling them to still have a proximity type  effect without having to be so close to the mic, hence the name, VOG, or  Voice of God. However, when I heard it on kick drum and bass, it became  clear this would be the go to device to make these instruments sound  huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to  300 Hz, while anything below the peak is rolled off at a steep -24dB per  octave. This lets users focus on the low end they want, while  eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA  subharmonic can be the focus, or the fundamental, or upper harmonics. On  a kick drum, for example, the overall effect of turning VOGs frequency  knob sounds like someone is tightening or loosening the drumhead. In a  mix, VOG allows users to place the bass spectrum instruments so they do  not interfere or get in the way of each other.","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449499021415,"sku":"17256","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_little_labs_vog_front_9261233c-b56a-48d6-a3bc-3093e37e5bca.jpg?v=1787089215"},{"product_id":"little-labs-redcloud-8810u8ers-attenuator-pack-demo-deal","title":"Little Labs Redcloud 8810U8ERS Attenuator Pack (Demo Deal)","description":"\u003cp\u003eSimply put, the \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs Redcloud 8810U8ERS Attenuator Pack\u003c\/span\u003e is a rock solid and compact, db25 in\/out (standard tascam type pin out), eight-channel balanced attenuator pack that fits in the same size chassis as the IBP. The Redcloud 8810U8ERS can be rack mounted the same way as the IBP, making it possible to have 32 channels of attenuation in a 1u rack space. Uses include, simple analog faders for pro tools and any job that needs a 5k balanced stereo or mono rotary attenuator. Patch it in anywhere you need high quality passive attenuation. \u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449534410855,"sku":"17109","price":324.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_redcloud_attenuator_pack_1_8fa6ec73-7832-4963-abf5-5875bdee19b5.jpg?v=1787089351"},{"product_id":"little-labs-ibp-junior-jp1-used","title":"Little Labs IBP Junior #JP1 (Used)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Little Labs IBP and IBP Junior\u003c\/span\u003e easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eAllows mics to be placed where they sound best individually\u003c\/li\u003e\n\u003cli\u003eNo compromising mic place do to phase problems when using IBP technology\u003c\/li\u003e\n\u003cli\u003eRack mountable, 4 units fit in a 1U space\u003c\/li\u003e\n\u003cli\u003eReal time all analog phase sweep between 0° and 180º\u003c\/li\u003e\n\u003cli\u003eContinuously variable natural phase adjust\u003c\/li\u003e\n\u003cli\u003eLine level balanced XLR in and out\u003c\/li\u003e\n\u003cli\u003eAudiophile sound and construction\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIBP includes the above features plus all the following:\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInternal super quality active direct box\u003c\/li\u003e\n\u003cli\u003eInternal “re-amplier” to convert pro-level to guitar level (w\/ or w\/o phase adjust)\u003c\/li\u003e\n\u003cli\u003eBuffered instrument level output for driving long guitar cables\u003c\/li\u003e\n\u003cli\u003eSplitting between two instrument amps with transformer isolation + phase sweep\u003c\/li\u003e(more...)\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449539424359,"sku":"32589","price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_32589_1_4a0efb7f-ad09-4441-ad4f-d7497db34f87.jpg?v=1787089373"},{"product_id":"little-labs-ibp-junior-jp2-used","title":"Little Labs IBP Junior #JP2 (Used)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Little Labs IBP and IBP Junior\u003c\/span\u003e easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eAllows mics to be placed where they sound best individually\u003c\/li\u003e\n\u003cli\u003eNo compromising mic place do to phase problems when using IBP technology\u003c\/li\u003e\n\u003cli\u003eRack mountable, 4 units fit in a 1U space\u003c\/li\u003e\n\u003cli\u003eReal time all analog phase sweep between 0° and 180º\u003c\/li\u003e\n\u003cli\u003eContinuously variable natural phase adjust\u003c\/li\u003e\n\u003cli\u003eLine level balanced XLR in and out\u003c\/li\u003e\n\u003cli\u003eAudiophile sound and construction\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIBP includes the above features plus all the following:\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInternal super quality active direct box\u003c\/li\u003e\n\u003cli\u003eInternal “re-amplier” to convert pro-level to guitar level (w\/ or w\/o phase adjust)\u003c\/li\u003e\n\u003cli\u003eBuffered instrument level output for driving long guitar cables\u003c\/li\u003e\n\u003cli\u003eSplitting between two instrument amps with transformer isolation + phase sweep\u003c\/li\u003e(more...)\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449539457127,"sku":"32547","price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_32547_1_f56124b6-13e4-47a1-b24e-458b246f679f.jpg?v=1787089374"},{"product_id":"little-labs-ibp-junior-jp3-used","title":"Little Labs IBP Junior #JP3 (Used)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Little Labs IBP and IBP Junior\u003c\/span\u003e easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analong Phase Alignment Tool has quickly become popular among audio engineers as not only a “fix it” tool but as a controlling audio phase creative, tonal color tool.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eAllows mics to be placed where they sound best individually\u003c\/li\u003e\n\u003cli\u003eNo compromising mic place do to phase problems when using IBP technology\u003c\/li\u003e\n\u003cli\u003eRack mountable, 4 units fit in a 1U space\u003c\/li\u003e\n\u003cli\u003eReal time all analog phase sweep between 0° and 180º\u003c\/li\u003e\n\u003cli\u003eContinuously variable natural phase adjust\u003c\/li\u003e\n\u003cli\u003eLine level balanced XLR in and out\u003c\/li\u003e\n\u003cli\u003eAudiophile sound and construction\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIBP includes the above features plus all the following:\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInternal super quality active direct box\u003c\/li\u003e\n\u003cli\u003eInternal “re-amplier” to convert pro-level to guitar level (w\/ or w\/o phase adjust)\u003c\/li\u003e\n\u003cli\u003eBuffered instrument level output for driving long guitar cables\u003c\/li\u003e\n\u003cli\u003eSplitting between two instrument amps with transformer isolation + phase sweep\u003c\/li\u003e(more...)\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449539489895,"sku":"32548","price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_32548_1_52d8fbc3-7bf8-42da-b843-1e23c86ceddd.jpg?v=1787089374"},{"product_id":"little-labs-redeye-direct-box-used","title":"Little Labs Redeye Direct Box (Used)","description":"\u003cul\u003e\n\u003cli\u003eSimultaneous vintage transformer direct box and re-amping tool\u003c\/li\u003e\n\u003cli\u003e Phantom powered super hi fi buffered or passive direct box inputs\u003c\/li\u003e\n\u003cli\u003e Compare direct and re-amped signal with one button What you heard is what you will hear easy re-amping operation\u003c\/li\u003e\n\u003cli\u003e Easily interfaces pro gear with guitar gear and vice versa\u003c\/li\u003e\n\u003cli\u003e Expandable for daisy chaining redeyes to feed multiple amps or pedals\u003c\/li\u003e\n\u003cli\u003e Rack mountable 4 redeyes fit in a 1U\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449539522663,"sku":"32549","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_32549_1_38a89207-186b-42bc-ad1d-cdac0d92605c.jpg?v=1787089374"},{"product_id":"little-labs-i-vog-standalone-demo-deal","title":"Little Labs I-VOG - Standalone (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs VOG\u003c\/span\u003e analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500 Series module format.\u003cbr\u003e\u003cbr\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice-over-artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God.  The go to device to make instruments like kick drum and bass sound huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA subharmonic can be the focus, or the fundamental, or upper harmonics. On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449542930535,"sku":"32908","price":529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_i-vog_1_5b9a8377-6fab-428d-b640-0b41d74f3373.jpg?v=1787089387"},{"product_id":"little-labs-vog-analog-bass-resonance-tool-ll6219-used","title":"Little Labs VOG Analog Bass Resonance Tool #LL6219 (Used)","description":"The \u003cspan style=\"font-weight: bold; \"\u003eLittle Labs VOG\u003c\/span\u003e analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500-Series module format.\u003cbr\u003e\u003cbr\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice over artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God. However, when I heard it on kick drum and bass, it became clear this would be the go to device to make these instruments sound huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA subharmonic can be the focus, or the fundamental, or upper harmonics. On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other.","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449566097511,"sku":"33965","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_little_labs_vog_analog_bass_resonance_tools__ll6219_cat_869ca789-230a-4394-b4e3-bfc2bfd8036f.jpg?v=1787089486"},{"product_id":"little-labs-vog-analog-bass-resonance-tool-demo-deal","title":"Little Labs VOG Analog Bass Resonance Tool (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs VOG\u003c\/span\u003e analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500-Series module format.\u003cbr\u003e\u003cbr\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice over artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God. However, when I heard it on kick drum and bass, it became clear this would be the go to device to make these instruments sound huge.\u003cbr\u003e\u003cbr\u003eThe VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.\u003cbr\u003e\u003cbr\u003eA subharmonic can be the focus, or the fundamental, or upper harmonics. On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449581498471,"sku":"17238","price":429.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_vog_1_09199876-2ae3-49eb-9e04-41b28295f278.jpg?v=1787089555"},{"product_id":"little-labs-pepper","title":"Little Labs Pepper","description":"\u003cp\u003eThe \u003cstrong\u003eLittle Labs Pepper\u003c\/strong\u003e is a central hub of connectivity for engineers\/guitarists’, interfacing pro gear and guitar gear, either direction, seamlessly. \u003cbr\u003e\u003cbr\u003eThe Pepper interfaces instruments with pedals, pro gear, guitar amps, mic preamps and line level gear, all at once. The Pepper will tidy up your signal path while keeping everything connected. Use the pro level insert for easily turning pro gear into a pedal, or insert your DAW on the pro insert for accurate, instant, easy re-amping. Parallel process your pedals or pro gear inserts with your dry instrument signal. The Pepper, the best sounding, ultimate analog  instrument interface, connectivity never sounded so good! \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e \u003ch3\u003eWord on the Street\u003c\/h3\u003e \u003cp\u003e\"If you want to take advantage of its unique functionality for interfacing your pro gear and pedal effects - in the studio or onstage - Pepper is a worthy investment.\"\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMike Levine - emusican.com\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003ca href=\"http:\/\/www.littlelabs.com\/empepper_review.pdf\" target=\"_blank\"\u003eFull Review\u003c\/a\u003e\u003c\/p\u003e  \u003cp\u003e\"The Little Labs Pepper is a unique and extremely elegant solution to many of the little problems that can arise in the studio or on stage when you're trying to interface electric and electro-acoustic guitars with the balanced connections of mixing consoles, pro-audio effects units, DAWs and analogue or digital recorders.\"\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBob Thomas - Sound on Sound\u003c\/strong\u003e\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449590247527,"sku":"36267","price":630.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_pepper_front_75f90754-830c-44fe-8364-856714593970.jpg?v=1787089592"},{"product_id":"little-labs-lmnopre-mic-pre-ll4630-used","title":"Little Labs LMNOPre Mic Pre #LL4630 (Used)","description":"Little Labs is excited to now be shipping the long awaited new and truly unique microphone preamplifier, the \u003cb\u003eLmnopre\u003c\/b\u003e limited edition microphone pre-amplifier. With so many new microphone pre-amplifiers using some new, but mostly vintage design philosophy, Little Labs has done what it does best, designed a totally new microphone preamplifier, which not only sounds fantastic but gives a degree of control over the sound allowing you to capture sound unlike any microphone preamplifier before. \u003cbr\u003e\u003cbr\u003eThe Little Labs Lmnopre microphone preamplifier features include: \u003cbr\u003e\u003cbr\u003e* A fully discrete gain stage with up to 74dB of clean, quiet, gain with a maximum level out of 31dB. \u003cbr\u003e* A completely differential circuit topology from input to output. \u003cbr\u003e* Low frequency resonance control (utilizing a unique polystyrene capacitor passive circuit topology) allowing a controlled resonance creating (amongst other things) a tune-able proximity effect without being in close proximity of the microphone. \u003cbr\u003e* Selectable fully variable phase alignment (the same circuit topology as the award winning Little Labs IBP phase alignment tool). \u003cbr\u003e* Phase alignment insert, allowing you to use the phase alignment control separately at line level. \u003cbr\u003e* Front panel direct injection system utilizing its own custom xfrmr, with two inputs, one passive for use with active instruments, and one active for passive pickups. \u003cbr\u003e* Rear panel external mic input transformer connector allowing optional external mic input xfrmrs to be selected by the user for special applications. \u003cbr\u003e* Switch selectable post output transformer output level trim, allowing controlled transformer saturation without overloading post microphone preamplifier devices. \u003cbr\u003e* Output transformer front panel bypass switch. \u003cbr\u003e* Front panel and rear panel mic in xlrs with a front panel selector switch. \u003cbr\u003e* And...the more common microphone preamplifier features, phantom, pad, polarity etc. \u003cbr\u003eThe Little Labs Lmnopre microphone preamplifier designed to empower the audio engineer with new tools, allowing new techniques, to explore deeper into the control of sound.","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449616986215,"sku":"37686","price":895.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37686_1_ccf29295-6101-44ff-901f-3ef65ae30744.jpg?v=1787089712"},{"product_id":"little-labs-mastering-digital-router-used","title":"Little Labs Mastering Digital Router (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eLittle Labs AES Digital Audio Mastering Router\u003c\/strong\u003e 4.8 is a true mastering quality device for digital audio distribution and routing.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonically 'invisible', 'one button, one function' provides ease of use \u003c\/li\u003e\n\u003cli\u003eHigh sample rate ready \u003c\/li\u003e\n\u003cli\u003eFive selectable digital audio inputs for each digital audio output \u003c\/li\u003e\n\u003cli\u003eTransformer isolated AES inputs and outputs with internal pin 1 ground lift jumpers \u003c\/li\u003e\n\u003cli\u003eProperly terminates unselected AES outputs \u003c\/li\u003e\n\u003cli\u003eNo re-clocking or sample rate conversion - \"it leaves the bits alone\" \u003c\/li\u003e\n\u003cli\u003eRack mountable single rack space \u003c\/li\u003e\n\u003cli\u003eExtremely high quality construction. Made in the U.S.A. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e The Little Labs Digital Audio Router is hand-made to the highest standards. It uses a 4 layer circuit board, and all AES ins and outs are transformer coupled and internally ground liftable. All AES outputs (if not selected) are properly terminated (nothing else out there does that). You will experience no switching pops. You may use high sample rates and 24 bit digital audio with no sacrifice in performance. All digital flags \u0026amp; clocks remain intact while passing through this router. You can use this router with absolute confidence that you are not sacrificing a thing.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449666072679,"sku":"41556","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_41556_1_fe1302ac-cbcd-49dc-8fb2-7a6695f6c0bd.jpg?v=1787089905"},{"product_id":"little-labs-redeye-3d-phantom-demo-deal","title":"Little Labs Redeye 3D Phantom (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs Redeye 3D Phantom\u003c\/span\u003e is the new improved major revision of the popular Little Labs Redeye direct box \/ re-amp box. More people are re-amping now than ever before, and Little Labs know re-amping! They made this new major Redeye revision because they wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.\u003cbr\u003e \u003cbr\u003e \r\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eFor easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument \/ re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument \/ re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.\u003cbr\u003e \u003cbr\u003e The heart of the original Redeye was a Little Labs custom wound transformer. This transformer was chosen for its sonic characteristics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (10MΩ) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye. The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box.\u003cbr\u003e \u003cbr\u003e The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449687863399,"sku":"43368","price":274.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_redeye_3d_phantom_1_ddfe3be8-d079-4855-9890-7a633ee5373e.jpg?v=1787089988"},{"product_id":"little-labs-std-rev-2-demo-deal","title":"Little Labs STD Rev 2 (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLittle Labs STD\u003c\/span\u003e allows you to use long microphone cables or microphone tie lines to extend your guitar or any instrument cable without the loss of tone and increase of noise associated with long instrument cable runs. It also has two outputs for splitting between two amps or between an amp and a direct injection box, with a selectable ground lift on one output to eliminate ground loop problems.\u003cbr\u003e\u003cbr\u003eThe STD is the perfect solution for: the live player who is tired of the tone sucking wireless rigs but still needs to be able to walk more than ten feet from his amp; the studio player who needs his amplifier in isolation, but himself in close proximity to his band mates; the recording engineer using control room rack mounted direct injection boxes with a player located in the studio or isolation booth.\u003cbr\u003e\u003cbr\u003eThe single transistor unity gain buffer circuit utilized in the STD is mounted inside the special copper tipped phone plug itself. This elegantly simple buffer circuit was designed to load the instrument pickup properly for a natural frequency response regardless of cable length and also will eliminate susceptibility of the cable to extraneous noise sources. The rugged cast aluminum base unit which sits next to the amp or direct injection box contains the mating circuitry which utilizes high quality audio graded parts, including Elna Cerafine and Dale Vishay. 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The Pepper, the best sounding, ultimate analog  instrument interface, connectivity never sounded so good! \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e \u003ch3\u003eWord on the Street\u003c\/h3\u003e \u003cp\u003e\"If you want to take advantage of its unique functionality for interfacing your pro gear and pedal effects - in the studio or onstage - Pepper is a worthy investment.\"\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMike Levine - emusican.com\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003ca href=\"http:\/\/www.littlelabs.com\/empepper_review.pdf\" target=\"_blank\"\u003eFull Review\u003c\/a\u003e\u003c\/p\u003e  \u003cp\u003e\"The Little Labs Pepper is a unique and extremely elegant solution to many of the little problems that can arise in the studio or on stage when you're trying to interface electric and electro-acoustic guitars with the balanced connections of mixing consoles, pro-audio effects units, DAWs and analogue or digital recorders.\"\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBob Thomas - Sound on Sound\u003c\/strong\u003e\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449822081127,"sku":"54548","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little_labs_pepper_front_1_526493dd-8018-4240-9d5d-6e66f3085804.jpg?v=1787090567"},{"product_id":"little-labs-vog-analog-bass-resonance-tool-ll5802-used","title":"Little Labs VOG Analog Bass Resonance Tool #LL5802 (Used)","description":"The \u003cstrong\u003eLittle Labs VOG\u003c\/strong\u003e analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500 Series module format.\u003cbr\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice over artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God. 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We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.\u003cbr\u003e  For easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to Mic Pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument \/ re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your Mic Pre and DAW or tape machine. In re-amp mode the instrument \/ re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the Mic Pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.\u003cbr\u003e The heart of the original Redeye was a Little Labs custom wound transformer. This transformer was chosen for its sonic characteristics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (10M?) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye. 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It was needed, and therefore designed, because all the digital audio routers available failed in our critical listening tests. All routers, detanglers, distributors designed for digital audio, that we tested, left a footprint on the sound. We wanted one that sounded exactly as if you hooked up, between two pieces of gear, one good \"wide eye\" style 110 ohm AES cable.\u003cbr\u003e\u003cbr\u003eEase of use was another issue that needed to be addressed. Some Digital Audio Routers available had some great flexibility, oh they eliminated the physical \"tangle\", but at the expense of a mental tangle, the dreaded heirarchical menu or multi sequence button pushing ( Oh I know, make a macro it's easy, yeah right, using the \"UFC\" is always a breeze), I just wanted to push one damn button! Well I researched and came up with, utilizing some hard work \u0026amp; a little luck, a totally transparent Digital Audio Router.\u003cbr\u003e\u003cbr\u003eThis Digital Audio Router was approved by the absolute finest Mastering Engineers (Stephen Marcussen \u0026amp; Dave Collins, two hear a flea fart golden ears) and also had the ease of use that a completely stoned assistant engineer can function with at 4:30am.\u003cbr\u003e\u003cbr\u003eThe latest Digital Audio Router has been further refined both cosmetically and electronically from the original A\u0026amp;M model. The router though is still hand made to the highest standards. It uses a 4 layer circuit board, all AES ins and outs are transformer coupled and internally ground liftable. All AES outputs if not selected are properly terminated (nothing else out there does that). You will experience no switching pops. You may use high sample rates and 24 bit digital audio with no sacrifice in performance. All flags \u0026amp; clocks remain intact while passing through this router. 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It was needed, and therefore designed, because all the digital audio routers available failed in our critical listening tests. All routers, detanglers, distributors designed for digital audio, that we tested, left a footprint on the sound. We wanted one that sounded exactly as if you hooked up, between two pieces of gear, one good \"wide eye\" style 110 ohm AES cable.\u003cbr\u003e\u003cbr\u003eEase of use was another issue that needed to be addressed. Some Digital Audio Routers available had some great flexibility, oh they eliminated the physical \"tangle\", but at the expense of a mental tangle, the dreaded heirarchical menu or multi sequence button pushing ( Oh I know, make a macro it's easy, yeah right, using the \"UFC\" is always a breeze), I just wanted to push one damn button! Well I researched and came up with, utilizing some hard work \u0026amp; a little luck, a totally transparent Digital Audio Router.\u003cbr\u003e\u003cbr\u003eThis Digital Audio Router was approved by the absolute finest Mastering Engineers (Stephen Marcussen \u0026amp; Dave Collins, two hear a flea fart golden ears) and also had the ease of use that a completely stoned assistant engineer can function with at 4:30am.\u003cbr\u003e\u003cbr\u003eThe latest Digital Audio Router has been further refined both cosmetically and electronically from the original A\u0026amp;M model. The router though is still hand made to the highest standards. It uses a 4 layer circuit board, all AES ins and outs are transformer coupled and internally ground liftable. All AES outputs if not selected are properly terminated (nothing else out there does that). You will experience no switching pops. You may use high sample rates and 24 bit digital audio with no sacrifice in performance. All flags \u0026amp; clocks remain intact while passing through this router. You can use this router with absolute confidence that you are not sacrificing a thing.\u003cbr\u003e\u003cbr\u003eThe Little Labs AES Digital Audio Mastering Router is a \"How did I work without it\" tool that will greatly benefit any Studio or Mastering facility. \u003cbr\u003eOcean Way \/ JVC Mastering Hollywood, Conway Recording Studios, Stephen Marcussen Mastering, The Mix Room, Marvins Room, Interscope Records, and Producer David Kahne are among the first to have purchased one.","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449987330151,"sku":"60087","price":425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-aes-digital-mastering-router-vka0065-used-6419681_71601bec-8793-46c9-9f72-30a574b0139c.jpg?v=1787091218"},{"product_id":"little-labs-aes-digital-mastering-router-ll3319-used","title":"Little Labs AES Digital Mastering Router #LL3319 (Used)","description":"The Little Labs AES Digital Audio Mastering Router, a true mastering quality device for digital audio distribution and routing. \u003cbr\u003e\u003cbr\u003eThis Digital Audio Router was initially developed by myself while working for A\u0026amp;M Studios \u0026amp; Mastering (The old A\u0026amp;M Chaplin lot is now the happy home of Kermit the Frog aka The Jim Henson Company). It was needed, and therefore designed, because all the digital audio routers available failed in our critical listening tests. All routers, detanglers, distributors designed for digital audio, that we tested, left a footprint on the sound. We wanted one that sounded exactly as if you hooked up, between two pieces of gear, one good \"wide eye\" style 110 ohm AES cable.\u003cbr\u003e\u003cbr\u003eEase of use was another issue that needed to be addressed. Some Digital Audio Routers available had some great flexibility, oh they eliminated the physical \"tangle\", but at the expense of a mental tangle, the dreaded heirarchical menu or multi sequence button pushing ( Oh I know, make a macro it's easy, yeah right, using the \"UFC\" is always a breeze), I just wanted to push one damn button! 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It was needed, and therefore designed, because all the digital audio routers available failed in our critical listening tests. All routers, detanglers, distributors designed for digital audio, that we tested, left a footprint on the sound. We wanted one that sounded exactly as if you hooked up, between two pieces of gear, one good \"wide eye\" style 110 ohm AES cable.\u003cbr\u003e\u003cbr\u003eEase of use was another issue that needed to be addressed. Some Digital Audio Routers available had some great flexibility, oh they eliminated the physical \"tangle\", but at the expense of a mental tangle, the dreaded heirarchical menu or multi sequence button pushing ( Oh I know, make a macro it's easy, yeah right, using the \"UFC\" is always a breeze), I just wanted to push one damn button! Well I researched and came up with, utilizing some hard work \u0026amp; a little luck, a totally transparent Digital Audio Router.\u003cbr\u003e\u003cbr\u003eThis Digital Audio Router was approved by the absolute finest Mastering Engineers (Stephen Marcussen \u0026amp; Dave Collins, two hear a flea fart golden ears) and also had the ease of use that a completely stoned assistant engineer can function with at 4:30am.\u003cbr\u003e\u003cbr\u003eThe latest Digital Audio Router has been further refined both cosmetically and electronically from the original A\u0026amp;M model. The router though is still hand made to the highest standards. It uses a 4 layer circuit board, all AES ins and outs are transformer coupled and internally ground liftable. All AES outputs if not selected are properly terminated (nothing else out there does that). You will experience no switching pops. You may use high sample rates and 24 bit digital audio with no sacrifice in performance. 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You can use this router with absolute confidence that you are not sacrificing a thing.\u003cbr\u003e\u003cbr\u003eThe Little Labs AES Digital Audio Mastering Router is a \"How did I work without it\" tool that will greatly benefit any Studio or Mastering facility. \u003cbr\u003eOcean Way \/ JVC Mastering Hollywood, Conway Recording Studios, Stephen Marcussen Mastering, The Mix Room, Marvins Room, Interscope Records, and Producer David Kahne are among the first to have purchased one.","brand":"Little Labs","offers":[{"title":"Default Title","offer_id":44449987428455,"sku":"60089","price":425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/little-labs-aes-digital-mastering-router-ll3320-used-6419684_20cb1677-6a05-445d-bab5-319ee295af9c.jpg?v=1787091218"},{"product_id":"little-labs-aes-digital-mastering-router-ll3248-used","title":"Little Labs AES Digital Mastering Router #LL3248 (Used)","description":"The Little Labs AES Digital Audio Mastering Router, a true mastering quality device for digital audio distribution and routing. \u003cbr\u003e\u003cbr\u003eThis Digital Audio Router was initially developed by myself while working for A\u0026amp;M Studios \u0026amp; Mastering (The old A\u0026amp;M Chaplin lot is now the happy home of Kermit the Frog aka The Jim Henson Company). It was needed, and therefore designed, because all the digital audio routers available failed in our critical listening tests. All routers, detanglers, distributors designed for digital audio, that we tested, left a footprint on the sound. We wanted one that sounded exactly as if you hooked up, between two pieces of gear, one good \"wide eye\" style 110 ohm AES cable.\u003cbr\u003e\u003cbr\u003eEase of use was another issue that needed to be addressed. Some Digital Audio Routers available had some great flexibility, oh they eliminated the physical \"tangle\", but at the expense of a mental tangle, the dreaded heirarchical menu or multi sequence button pushing ( Oh I know, make a macro it's easy, yeah right, using the \"UFC\" is always a breeze), I just wanted to push one damn button! Well I researched and came up with, utilizing some hard work \u0026amp; a little luck, a totally transparent Digital Audio Router.\u003cbr\u003e\u003cbr\u003eThis Digital Audio Router was approved by the absolute finest Mastering Engineers (Stephen Marcussen \u0026amp; Dave Collins, two hear a flea fart golden ears) and also had the ease of use that a completely stoned assistant engineer can function with at 4:30am.\u003cbr\u003e\u003cbr\u003eThe latest Digital Audio Router has been further refined both cosmetically and electronically from the original A\u0026amp;M model. The router though is still hand made to the highest standards. It uses a 4 layer circuit board, all AES ins and outs are transformer coupled and internally ground liftable. All AES outputs if not selected are properly terminated (nothing else out there does that). You will experience no switching pops. You may use high sample rates and 24 bit digital audio with no sacrifice in performance. All flags \u0026amp; clocks remain intact while passing through this router. 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