{"title":"Microphone Deals","description":null,"products":[{"product_id":"beyerdynamic-mc-930-stereo-set","title":"beyerdynamic MC 930 Cardioid Condenser Mic - Stereo Set","description":"\u003cp\u003eThis high-quality, universal condenser microphone features an exceptional price\/performance ratio.  Features of the \u003cstrong\u003eMC 930\u003c\/strong\u003e are the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB.\u003cspan\u003e  The MC 930 is suitable for miking choirs, orchestras and solo instruments.  Due to the switchable pre-attenuation of 15 dB it provides excellent performance at high sound pressure levels.  The switchable bass roll-off filter with 6 dB\/Octave at 250 Hz compensates for proximity effects.  With the WS 101 wind screen the MC 930 can be used for vocal applications and speech.  The MC 930 is phantom powered (11 - 52 V) and is suitable for live applications and installations.  Due to its cardioid polar pattern, the MC 930 has a high-gain-before feedback and eliminates noise from the rear.  It is not only a first-class tool for studios, but also for sound contracting systems, where excellent sound and maximum gain-before-feedback is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e Studio, home recording, live applications, vocals, choirs, overhead, instruments\u003c\/span\u003e\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":44449220755559,"sku":"5830","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beyerdynamic_mc930_stereo.jpg?v=1787088195"},{"product_id":"se-electronics-se4400a","title":"sE Electronics sE4400A Dual-Diaphragm Condenser Microphone","description":"The sE Electronics SE4400a is the latest in a lineage of mics started 6 years ago with our sE2200a. Based on the same capsule tuning, but with a dual capsule to give multi polar pattern function, this mic is a rarity… a true all-rounder.\u003cbr\u003e\u003cbr\u003eIt has 4 polar patterns, Cardioid, Hypercardioid, Figure of 8 and Omni. 2 bass cuts at 60Hz and 120Hz; 2 pads at 10 and 20dB. The chassis is small… very small, but still manages to house a twin diaphragm 1” capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for sung vocals and voice over work, because although it’s the smallest mic of it’s type, it still ‘looks’ big when used full face on. It is extremely thin at less than 3\/4” and fits neatly in the palm of your hand.\u003cbr\u003e\u003cbr\u003eSpecifications:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz-20KHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 14.1mv\/pa-37db ± 1dB\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid, Figure 8, Omni, supercardioid\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤ 50 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 17dB(A weighted)\u003c\/li\u003e\n\u003cli\u003eMax SPL for 0.5% THD@1000Hz: 130dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: Phantom power 48V±4V\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin\u003c\/li\u003e\n\u003c\/ul\u003esE4400a has a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting.\u003cbr\u003e\u003cbr\u003eFinally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines.\u003cbr\u003e\u003cbr\u003eIt comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. It also comes with a full, steel re-enforced, black aluminium, signature sE flight case.\u003cbr\u003e\u003cbr\u003eAvailable also as a stereo pair, hand-matched at the factory, this mic is set to be a classic.","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":44449233141863,"sku":"12939","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se_electronics_se4400a_622fab4e-e2c0-475f-bd6a-1759ed695c0b.jpg?v=1787088240"},{"product_id":"sennheiser-e609-silver-microphone","title":"Sennheiser e609 Silver Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSennheiser e 609 Silver\u003c\/strong\u003e is based on the legendary MD 409 microphone. Able to withstand high SPLs without distorting, the e609 Silver's flat-profile capsule facilitates extremely close miking of guitar cabinets and is also suitable for drum miking, particularly toms. The e609 Silver's super-cardioid design improves isolation in live sound reinforcement and recording applications while its increased output and wider frequency response improves performance. Its sound inlet basket, made of refined steel, is distinguished by a unique silver address side. \u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44449233338471,"sku":"10417","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sennheis-e609-silver-23_10417_1_1_3edd0cc3-0a43-4572-8819-c3fc33eb1aff.jpg?v=1787088241"},{"product_id":"se-electronics-voodoo-vr1","title":"sE Electronics Voodoo VR1 Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003esE Electronics Voodoo VR1\u003c\/strong\u003e ribbon microphone marks a new era in ribbon technology. Whereas most ribbon microphones have a dark, muted high-frequency response, the VR1 utilizes a clever mechanical device to achieve nearly full-range frequency response that extends well beyond that of most other ribbon microphones, approaching nearly 20 kHz. This provides an extended level of top-end detail, so the result includes not only the distinctly natural low-end and midrange that most ribbons provide, but also minimal loss in high frequency content. Guitar and brass tones retain their “edge”, cymbals still sound rich and full, and a supremely natural sound is achieved from top to bottom.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdditionally, the VR1 can handle very high sound pressure levels and thus can be utilized for applications not normally considered for most ribbon microphones, including loud brass, drums, and electric guitar cabinets, both in the studio and on stage.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VR1 is a passive ribbon, so it does not require phantom power – though it is “phantom protected”, so it will not be damaged by accidental application of phantom power. Given its lower output, it is ideally suited for loud sources such as electric guitars, drum overheads, and brass.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":44449355071591,"sku":"16955","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se-electronics-voodoo-vr1-24_16955_1.jpg?v=1787088681"},{"product_id":"se-electronics-voodoo-vr2","title":"sE Electronics Voodoo VR2 Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003esE Electronics Voodoo VR-2 Active Ribbon Microphone\u003c\/strong\u003e marks a new era for ribbon mic technology – until now the only ribbon mic in the world to perform across 20 Hz - 20 kHz was the sE\/Rupert Neve collaboration, the RNR1, critically acclaimed as the best Ribbon mic in the world. This was achieved using state of the art transformers and a Rupert Neve designed circuit board to reveal HF usually absent. The Voodoo mics however achieve full frequency response using a new mechanical device (patent pending), designed by Siwei Zou, the company CEO.\u003c\/p\u003e\r\n\u003cp\u003eThis extraordinary technical achievement allows the traditional ribbon capsule to develop and capture frequencies from 20 Hz to 20 kHz like no other ribbon on the planet. The sound is revolutionary; where the RNR1 is simply a stunning mic in its own class entirely, the Voodoo range brings traditional ribbon sound to the project and commercial studio, but extends it to perform as well as most condensers do.\u003c\/p\u003e\r\n\u003cp\u003eThe result is superbly detailed and wonderfully open and natural sounding recordings of acoustic instruments and guitar cabs. The VR2 is an ‘active’ version of the VR1, which is the more traditional ‘passive’ ribbon design. These mics’ unique ability to perform, coupled with searingly good looks, are sure to make the VR1 and VR2 classics of their time.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":44449355169895,"sku":"16956","price":419.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/se-vr2_16956_1.jpg?v=1787088681"},{"product_id":"beyerdynamic-m-130-demo-deal","title":"beyerdynamic M 130 (Demo Deal)","description":"beyerdynamic is one of few microphone manufacturers world-wide that \nstill produce ribbon microphones. One of them is the legendary \u003cb\u003ebeyerdynamic M 130\u003c\/b\u003e.\n The M 130's unique double ribbon element has a superb transient \nresponse, creating a highly detailed sound with unequaled accuracy and \ntransparency. The bidirectional figure eight polar pattern effectively \nsuppresses unwanted interference from the sides. The M 130's balanced, \nuncolored sound handles a wide variety of applications. In conjunction \nwith the hypercardioid M 160, the M 130 is ideal for creating an \nauthentic stereo image through the use of the MS- (Mid-Side) technique.\n\u003cbr\u003e\u003cbr\u003e\nThe M 130 gives excellent results when the Mid-Side technique is used to\n record or broadcast a true stereo image. Its rugged Design handles the \ndemands of remote recording\/broadcast sessions as easily as those of the\n studio. Alone, the M 130 allows the recording of background audience \nnoise and concert hall \"ambience\" without unwanted resonances. In the \nrecording studio it is effective with backing vocal groups, percussion \nand mounted toms. The M 130's crisply articulated, uncolored sound is \nwell suited to such demanding audiophile applications as digital and \ndirect-to-disc recording.\n\u003cbr\u003e\u003cbr\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":44449361363047,"sku":"13884","price":810.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/beyer_dynamic_m130_1.jpg?v=1787088707"},{"product_id":"bock-audio-251-demo-deal","title":"Bock Audio 251 (Demo Deal)","description":"\u003cp\u003eThe vintage 251 is THE vocal sound people ask for, but the original (vintage) versions are 50+ years old and sound very different from one another. Repairing, rebuilding and “nursing” original 251’s along has been David Bock’s work spanning over 30 years. The risk for a modern studio or end user to depend on a vintage mic on a daily basis is increasingly problematic.\u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003eBock 251\u003c\/strong\u003e is David Bock’s answer to the vintage mic dilemma of getting “that sound” without the headaches. It is a premier lead microphone for premier voices. It is built to last and provide the studio and user with many years of daily, high end performance. \u003cbr\u003e\u003cbr\u003e The BOCK 251 provides the user with absolute confidence that this is the mic you put in the most critical situations. The BOCK 251 uses a proprietary hand made German capsule, a proprietary hand wound multi sectioned audio transformer, a NOS tube in the mic amplifier, a hand built outboard power supply and a custom low capacitance audio cable. This is one of the best overall mic packages available on the market at any price. The BOCK 251 is the ideal microphone to choose when there is a variety of applications that must met with absolute top recording quality. With frequency response that extends well beyond the normal range of typical studio microphones, the BOCK 251 sets new standards.\u003cbr\u003e\u003cbr\u003e For vocals, the BOCK 251 instantly delivers that huge vocal sound you have wanted for years. It sounds equally impressive on females and males. It will capture the most intimate and subtle details of a vocal yet maintain integrity at high SPL’s. It holds up track after track, “sitting on top” in extremely dense mixes without EQ. For instruments, the BOCK 251 offers very high end performance on critical stringed instruments, orchestras, choirs and small ensembles. The outstanding transient response reveals elusive harmonic details that spell the difference between good and great in your recordings. \u003cbr\u003e\u003cbr\u003e The BOCK 251 cardioid pattern shuts off the back of the capsule to deliver extraordinary vocals when worked very close. It is recommended to use a pop filter on less experienced vocalists to enable closer working distances to take advantage of the magical proximity effect. There is no low frequency filtering used on a BOCK 251 so you will hear low frequency content you’ve never heard before. \u003cbr\u003e\u003cbr\u003e At distance, the BOCK 251 delivers a level of definition that is amazing. The high end does not fade with distance like so many other condensers and the power and depth of the low end response is a joy to hear. The omni and Figure 8 patterns prove useful in these non-voice applications.\u003c\/p\u003e","brand":"Bock Audio","offers":[{"title":"Default Title","offer_id":44449361526887,"sku":"13613","price":4659.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bock_audio_251_1.jpg?v=1787088708"},{"product_id":"earthworks-pm40-piano-mic-system-demo-deal","title":"Earthworks PM40 Piano Mic System (Demo Deal)","description":"Many have told us that there needed to be a better way to mike a piano for churches, performing arts centers and recording studios. The new \u003cb\u003eEarthworks PianoMic System\u003c\/b\u003e meets all of these needs: \t\u003cul\u003e \u003cli\u003eIncredible High Definition Audio that will outperform any microphones at any price. \u003c\/li\u003e\n\u003cli\u003eCannot be seen from outside of the piano (needs no stands or mic booms) \u003c\/li\u003e\n\u003cli\u003eSuperb sound with the piano lid either up or down \u003c\/li\u003e\n\u003cli\u003eVirtually no leakage from sounds outside the piano \u003c\/li\u003e\n\u003cli\u003eIncredible gain before feedback \u003c\/li\u003e\n\u003cli\u003eRecording studios can now record piano with other instruments in the same room \u003c\/li\u003e\n\u003cli\u003eQuick, Simple and Easy Setup \u003c\/li\u003e\n\u003c\/ul\u003e It all started when sound contractors informed us that they had tried all types of microphones and microphone pickup systems for pianos in churches. They didn’t like the sound they were getting, they didn’t like the microphone stands in front of the piano, they couldn’t get enough sound level before feedback and they were also getting leakage from nearby instruments into the piano microphones. In addition, engineers in recording studios told us how difficult it was to record an acoustic piano in the same room with other instruments. When we let churches and recording studios take the PianoMic prototype for a test drive they were amazed and said it was an absolute winner, hands down! If you have a piano in a church, performing arts center or in a recording studio you too will be amazed when you see and hear the new Earthworks PianoMic™ System featuring Random Incidence High Definition Microphones. \u003cbr\u003e\u003cbr\u003e For recording studios the PianoMic™ System is a dream. You will never again have to spend the time and effort to mike a piano with stands and booms. Just place the PianoMic™ System inside the piano, position the two microphone heads where you want them and you are done. Anytime you want to record the piano, just plug the PianoMic™ System into your mic inputs and you are ready. Never again will recording engineers have to go to great lengths to record an acoustic piano in the same room with other instruments. Historically, they have had to place microphone booms inside the piano, close the piano lid (leaving room for the mic stand booms) then cover the piano and the openings around the mic booms with heavy moving blankets. It is a nightmare. With the PianoMic™ System, you simply close the piano lid (which will now close all the way because there are no mic booms) and you are in business. Leakage is insignificant, and if that’s not good enough, you can now very easily cover the piano with a moving blanket (without having to work around microphone stands and mic booms). Recording studio engineers who have seen and used the PianoMic™ System say the PianoMic is incredible! \u003cbr\u003e\u003cbr\u003e We took the PianoMic™ System into a church that was having piano sound problems: (1) they couldn’t use the piano along with the organ, because the piano microphone went into feedback; (2) they were having problems with leakage from instruments in the orchestra into the piano microphone; (3) they could not get the piano loud enough in the choir monitors without running into feedback; (4) they could not hear the full range of the piano (low, mid and high strings) evenly; and (5) they were not happy with the overall quality of the piano sound in the sound system. When they tried the PianoMic™ System they obtained an incredible piano sound and could hear the full range of the piano including the high and low strings. They could now make the piano louder than the organ (without feedback). The choir members were now telling them to turn down the piano in the choir monitors and orchestra instrument leakage into the piano microphones was no longer a problem. The Earthworks® PianoMic™ System overcame every problem they were encountering with their piano sound. \u003cbr\u003e\u003cbr\u003e The Earthworks® PianoMic™ High Definition Microphones™ do remarkable things with the sound of a piano. You will hear fidelity and detail like never before. Acoustic feedback is no longer a problem. You can have all of the sound level you want and even more, all you will hear is the pristine sound of the piano. Better yet, there are no visible microphone stands or mic booms in front of the piano. All you see is the piano just like it is in the adjacent photo of a performing arts center while you enjoy its magnificent sound. The PianoMic™ System is also ideal for use in touring sound systems as it is easy to transport, easy to position and it will provide the same pristine sound quality every time. The Earthworks PianoMic™ System is a long-awaited, incredible product for performing arts centers. The PianoMic™ System has it all!","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":44449362444391,"sku":"15540","price":2700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/earthworks_pm40_1.jpg?v=1787088712"},{"product_id":"gefell-m300-demo-deal","title":"Gefell M 300 (Demo Deal)","description":"The Gefell M 300 is a compact condenser microphone in studio quality. The frequency response of the transmission factor is practically linear for a wide range of sound incidence and has a smooth treble boost rising to about 3 dB between 6 and 10 kHz. The miniature microphone is well suited for vocal and instrumental soloists. lt permits a lifelike recording also at various sound incidence, e.g. announcer in synchronous studios, speaker, blower.\u003cbr\u003e \u003cbr\u003e The M 300 is designed for studio applications in radio, television broadcasting and films for live performance and recording of instruments, vocals and speech and sound reinforcement in the professional and semiprofessional market also under adverse acoustic conditions, e.g. in churches.\u003cbr\u003e \u003cbr\u003e A new low-noise integrated hybrid circuit and the transformer-less circuit design guarantee an extremely wide dynamic range by a low equivalent loudness level and a high reliability in operation.\u003cbr\u003e RFI susceptibility is very low.\u003cbr\u003e \u003cbr\u003e The microphone is powered by a 3-pin XLR connector with the C 70 microphone cable. The power supply is provided by 48 V phantom powering, which is internationally standardized as P 48 in DIN 45596 and IEC 268-15. A two-channel powering is possible with the N 200 power supply.\u003cbr\u003e \u003cbr\u003e The finish of the miniature microphone is dark bronze.","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":44449362903143,"sku":"16983","price":819.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gefell_m300_1_1.jpg?v=1787088713"},{"product_id":"gefell-um92-1s-demo-deal","title":"Gefell UM 92.1S (Demo Deal)","description":"The \u003cb\u003eGefell UM92.1S \u003c\/b\u003eis a ‘vintage’ large-diaphragm multi-pattern tube microphone. It is equipped with the original M7 capsule. This pressure gradient transducer features a dual-membrane, gold evaporated PVC capsule that is still hand-made in the Gefell factory following the 75-year tradition. The Gefell UM92.1S is the choice for those that want the true sound and character of the original Neumann-Gefell UM57 with the added benefit of improved reliability and lower noise. The UM92 exhibits high sensitivity, excellent signal-to-noise ratio and it has the full sound, tube warmth, and character that are favored by singers and soloists. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eDesign Features\u003c\/b\u003e\u003cbr\u003e The Gefell UM92.1S is a multi-pattern microphone with switchable back-diaphragm voltage on the power supply for choice of figure-8, cardioid and omni-directional patterns. It is also available in a cardioid-only version called the M92.1S. \u003cbr\u003e\u003cbr\u003e As with all Gefell microphones, mechanical and electrical attributes have been optimized for performance. Careful attention to reducing ‘vortex’ around the mic and capsule is achieved by mounting the M7 capsule on triangulated pedestal. This has the benefit of directing unwanted reflections away from the capsule, reducing comb-filtering and phase disturbance. The smaller housing advantages the user with greater freedom to place the mic in tighter spots while also reducing particle pressure refraction or what is also known as the vortex around the mic. \u003cbr\u003e\u003cbr\u003e Following tradition, a natural presence rise provides added clarity and detail ‘on-axis’, while the ‘off-axis’ transition is both smooth and musical. The habitual low-frequency proximity effect provides a warm bottom end that is enhanced as the source is brought closer to the diaphragm. \u003cbr\u003e\u003cbr\u003e The UM92’s internal low-noise vacuum-tube amplifier features a ‘time proven’ design that employs a high-mu triode valve that has been selected for its warm sonic characteristics and the natural even-order overtones that are only possible from a tube. For long cable runs, a filament voltage stabilizer is built into the microphone that allows distances of up to 100 meters (328feet) without fluctuation. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eUsing the UM92\u003c\/b\u003e\u003cbr\u003e The Gefell UM92 comes equipped with the EA92 deluxe elastic suspension to reduce vibration-borne noise from affecting the microphone. The suspension is secured to the base of the microphone by way of the screw-on, machined housing. This allows the UM92 to be positioned at any angle without worry. \u003cbr\u003e\u003cbr\u003e The UM92 comes with its own power supply called the UN920. The UN 920 power supply provides the polarization voltage for the capsule as well as DC voltage for the microphone amplifier. The UN920 features a selectable fuse housing that allows both 110V and 220V operation. A front-panel pattern switch allows the user to remotely select the pattern for figure-8, cardioid, or omnidirectional polar response. All connections are made on the rear panel. A 6-pin Tuchel connector and cable, which powers the microphone, is supplied. Output is balanced 3-pin XLR with pin-2 hot as per the AES standard. \u003cbr\u003e\u003cbr\u003e The 92.1S microphone is available in choice of multi-pattern (UM92.1S) or cardioid only (M92). May be custom ordered in a dark bronze finish. The complete system includes the UM92.1S or M92.1S mic, UN920.1 power supply, EA92 elastic suspension, C92.1 cable and W92 windscreen. Comes in it's own hand-crafted wood box.","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":44449362870375,"sku":"13928","price":3379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gefell_um92.1s_1.jpg?v=1787088714"},{"product_id":"korby-audio-kat-red-demo-deal","title":"Korby Audio KAT Red (Demo Deal)","description":"Hand made, the \u003cb\u003eKorby Audio KAT Red\u003c\/b\u003e is tailored to fall within the tone of the classic AKG large diaphragm family. (C12, Elam etc)\u003cbr\u003e \u003cp\u003eFree floating diaphragm gives you extended top end and air that we are all looking for in a microphone. Beautiful silky top end found in the most expense Tube Condenser Microphones.\u003cbr\u003e \u003cbr\u003eIncludes power supply, cable, mount and case. Contact us for a demonstration.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Korby Audio Technologies","offers":[{"title":"Default Title","offer_id":44449363558503,"sku":"13939","price":1800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/korby_kat_red_1.jpg?v=1787088717"},{"product_id":"peluso-microphone-lab-22-251-demo-deal","title":"Peluso Microphone Lab 22 251 (Demo Deal)","description":"The \u003cb\u003ePeluso Microphone Lab 22 251 \u003c\/b\u003eis inspired by and styled after the vintage \"251\". It has the additional feature of 9 polar patterns, controlled from the power supply. It captures the nuances of the original \"251\" sound. \u003cbr\u003e\u003cbr\u003e The output transformer is a custom unit made by Tom Reichenbach of CineMag Transformers. The microphone comes as a complete system, with Microphone in Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount all in Flight Case. Hand built in the USA. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eTechnical Data\u003c\/b\u003e\u003cbr\u003e Type: Condenser Pressure Gradient w\/ 34mm edge-terminated capsule\u003cbr\u003e Frequency Range: 20Hz\/24Khz\u003cbr\u003e Polar Pattern: 9 - Switchable from omni- to bi-directional\u003cbr\u003e Sensitivity: 14mv\/pa\u003cbr\u003e Impedance: 200 ohms\u003cbr\u003e SPL: 138 db\u003cbr\u003e Equivalent Noise: 15 db (A-weighted)\u003cbr\u003e Tube Type: 6072A-M\u003cbr\u003e Power Requirements: Dedicated Power Supply\u003cbr\u003e Size: 50mm x 225 mm\u003cbr\u003e Weight: 620 g \u003cbr\u003e\u003cbr\u003e \u003cb\u003eAbout Peluso Microphone Lab\u003c\/b\u003e\u003cbr\u003e Each of our microphones are hand-crafted, using the finest components. All the tubes in our microphones have been tested and hand selected in our lab to insure the highest quality and lowest noise possible. We carefully test and listen to each microphone, and all the components of systems, during construction and prior to shipment. Our commitment is to bring you the best possible microphone at a fair and affordable price. \u003cbr\u003e\u003cbr\u003e We have a full service repair lab with an extensive stock of vintage parts and a full service diaphragm repair lab. We offer the benefit of twenty-six years of experience repairing and restoring all brands of vintage and modern Microphones.","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449365753959,"sku":"14223","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso-22-251-22_14223_1.jpg?v=1787088725"},{"product_id":"peluso-microphone-lab-2247-le-limited-edition-demo-deal","title":"Peluso Microphone Lab 22 47 LE - Limited Edition (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePeluso 22 47 LE \u003c\/strong\u003eis inspired by and styled after the legendary \"Neumann U-47,\" utilizing the German steel tube (Stahlröhren). We use a Telefunken Steel Tube in the 2247 LE which works excellently in the circuit and provides the same sonic quality as the VF14. Each tube is selected individually and the selection parameters are the same or even better as Neumann used for the VF14. There are some tubes in the Telefunken Steel Tube family which are perfectly suitable to replace the old VF14 if they get an independent filament supply. \u003cbr\u003e\u003cbr\u003e Technically the only difference in the tube used in the old U47 is that the one that we use has a separate filament supply coming from the power supply. Our 2247 LE has the additional feature of 9 polar patterns, controlled from the power supply. It captures the low frequency nuances of the original \"47\" with smooth mids and balanced highs. \u003cbr\u003e\u003cbr\u003e The microphone comes as a complete system, with Microphone In Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount in Flight Case. Hand made in the USA. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTechnical Data\u003c\/strong\u003e\u003cbr\u003e Type: Condenser Pressure Gradient w\/ 34mm capsule\u003cbr\u003e Frequency Range: 20Hz\/22Khz\u003cbr\u003e Polar Pattern: 9 - Switchable from omni- to bi-directional\u003cbr\u003e Sensitivity: 12 mv\/pa\u003cbr\u003e Impedance: 200 ohms\u003cbr\u003e SPL: 140 db\u003cbr\u003e Equivalent Noise: 16 db (A-weighted)\u003cbr\u003e Tube Type: EF Stahlröhren (Steel Tube)\u003cbr\u003e Power Requirements: Dedicated Power Supply\u003cbr\u003e Size: 58mm x 235 mm\u003cbr\u003e Weight: 855 g\u003c\/p\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449365786727,"sku":"34876","price":2474.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_2247le_1_1.jpg?v=1787088725"},{"product_id":"peluso-microphone-lab-2247-se-standard-edition-demo-deal","title":"Peluso Microphone Lab 22 47 SE (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003ePeluso Microphone Lab \u003c\/strong\u003ehas identified some tubes in the American style Steel Tube family which work excellently in the circuit and provides the same sonic quality as the VF14. Each tube is selected individual and the selection parameters are the same or even better as Neumann used for the VF14. The American style tube has the advantage of being available in larger quantities than the German tubes. \u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003ePeluso 22 47 SE \u003c\/strong\u003ehas the additional feature of 9 polar patterns, controlled from the power supply. It captures the low frequency nuances of the original \"47\" with smooth mids and balanced highs. \u003cbr\u003e\u003cbr\u003e The microphone comes as a complete system, with Microphone In Wood Box, Power Supply, 7 Conductor Cable, and Shock Mount in Flight Case. 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When Neumann GmbH decided to take their distribution direct, Telefunken GmbH commissioned Austrian company AKG Acoustics GmbH to produce a series of 5 microphones. This series of microphones was comprised of the famous ELA M 251, the ELA M 250, the stereo ELA M 270, and two small capsule microphones, the ELA M 260 and the ELA M 261. \u003cbr\u003e\u003cbr\u003e Telefunken Elektroakustik is pleased to offer the \u003cb\u003eTelefunken Elektroakustik ELA M 260\u003c\/b\u003e, our first small diaphragm tube condenser. While not a historically accurate reproduction of the original ELA M 260 like the \"Diamond Series\" microphones, our version of the ELA M 260 is definitely built with the same attention to detail and level of quality as its Diamond Series brethren. \u003cbr\u003e\u003cbr\u003e The ELA M 260 is supplied with a set of three interchangeable capsules (the 260 cardioid, 261 omni, and 262 hyper-cardioid), as well as a custom adaptor designed by our friend and fellow audio enthusiast Chip Machokas that permits the use of any of the AKG \"CK\" series of capsules (or capsules made by other manufacturers with the same thread) AND Neumann bayonet-style capsules. It also features a brand-new circuit design based around a Telefunken EF-732 vacuum tube and a custom wound output transformer made in the United States. 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To this capsule was added an amplifier built from military surplus VF-14 tubes (they had been used in field and aircraft radios), and BV8 output transformer. The combination of these components created a sonic quality that was absolutely unheard of in the English speaking world of the mid-1940s when darker sounding, less detailed ribbon microphones were the standard. The introduction of the U-47 brought a new level of fidelity to the audio world, and is still considered to be one of the finest microphones ever produced. \u003cbr\u003e\u003cbr\u003e Upon first glance of the new U-47 from Telefunken Elektroakustik, it's easy to see the \"family resemblance.\" The large, chrome head grille houses our newly manufactured M7 capsule. Its matte nickel finished body houses a new BV8 output transformer and our new VF-14k vacuum tube; a \"plug and play\" replacement for the rare VF-14M tubes found in the original. The classic \"Telefunken\" diamond logo proudly adorns the front of the body tube. All of these accoutrements show that this microphone means business. \u003cbr\u003e\u003cbr\u003e Whether you're recording a symphony, a \"crooner,\" or any facet of modern music, you'll find a great tool in the U-47. Its authoritative mid-range and extended low-end response dance from your ears . . . much as a vintage wine dances from the palate. Everything, from vocals to the loudest of guitar sounds, full on orchestral recording, beautiful backing vocal arrangements, or a chamber ensemble will benefit wildly from the rich and vibrant tone of this stunning microphone. \u003cbr\u003e\u003cbr\u003e Find out why engineers, producers, and artists all over the globe have made the new U-47 from Telefunken Elektroakustik their go-to microphone. \u003cbr\u003e\u003cbr\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":44449367851111,"sku":"15619","price":9395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/telefunken_elektroakustik_u47_1_5b6ca5b6-2f5c-451c-b7fc-7b7f9bcac305.jpg?v=1787088734"},{"product_id":"placid-audio-copperphone-demo-deal","title":"Placid Audio Copperphone (Demo Deal)","description":"\u003cp\u003eConjuring up a bygone age in both sound and appearance, the \u003cstrong\u003ePlacid Audio Copperphone\u003c\/strong\u003e is a lo-fi dynamic effects microphone that reproduces a limited bandwidth of frequencies reminiscent of a telephone or AM radio. 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However the KU3A is a rare microphone, a collector’s item, and few studios or rental houses own them.  Opportunities to work with a good KU3A are limited.\u003cbr\u003e\u003cbr\u003eWe are proud to expand your opportunities with the AEA KU4 featuring an RCA ribbon, interchangeable KU3A parts and consistent performance.\u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow is the KU4 different from other ribbon microphones?\u003c\/strong\u003e\u003cbr\u003eThe KU4’s suppressed rear lobe is useful when the back of a figure-of-eight would pick up undesirable sounds.  The KU4’s reduced proximity bass boost facilitates closer micing and its low-tuned ribbon delivers solid, undistorted bass.  These characteristics make the KU4 well suited for modern studio production. \u003cbr\u003e\u003cbr\u003eIts lightly-tensioned, ultra low mass ribbon has a frequency response out to 40 kHz and fast, accurate transients.  There is no upper midrange ringing common to large condenser mics.  The KU4’s ribbon is well protected and its field-tech replaceable pole piece and ribbon assembly is a real convenience if an accident occurs.\u003cbr\u003e\u003cbr\u003eThe KU4 is your ticket to discovering why the KU3A has been part of high-end studio life for over 60 years.  AEA is honored to play a part in its history, and invites you to listen to the KU4 and claim your part of this legacy.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Principle: Velocity microphone\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eFrequency Response: Below 30 Hz to above 20 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 140 + dB SPL above 200Hz for 1% third harmonic\u003c\/li\u003e\n\u003cli\u003eOutput Sensitivity: 2.8 mV\/Pa into unloaded circuit\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 300 Ω nominal\u003c\/li\u003e\n\u003cli\u003eRecommended Load: 1.2 KΩ or greater\u003c\/li\u003e\n\u003cli\u003ePhantom power: Not required or recommended\u003c\/li\u003e\n\u003cli\u003ePolarity: Pin 2 high for positive pressure at the front of the microphone.\u003c\/li\u003e\n\u003cli\u003eConnector: XLR-3M wired to a 1.5 meter captive cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOff Axis Response\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003ePolar Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eRelative Output at 180° (dB): -12\u003c\/li\u003e\n\u003cli\u003eAngle of Maximum Rejection: 135°\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransducer element\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eRibbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum\u003c\/li\u003e\n\u003cli\u003eRibbon Width: 0.082” (2.1 mm)\u003c\/li\u003e\n\u003cli\u003eRibbon Length: 1.25” (28.6 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessories\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eIncluded: Custom storage\/shipping case, stand adapter, manual and\u003c\/li\u003e\n\u003cli\u003eattached 1.5 meter microphone cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimited Warranty\u003c\/strong\u003e \n\u003cul\u003e\n\u003cli\u003eThree years parts and labor, shipping not included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44449389772903,"sku":"18870","price":4499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aea_ku4_1_zoom_1.jpg?v=1787088819"},{"product_id":"earthworks-sr40v","title":"Earthworks SR40V Handheld Vocal Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eEarthworks SR40V\u003c\/strong\u003e is world-class handheld vocal microphone designed for live performance. 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A respectful nod to history.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eModern design that's true to the original's intent\u003c\/li\u003e\n\u003cli\u003eWarm and smooth close-miking workhorse\u003c\/li\u003e\n\u003cli\u003eNine polar patterns add flexibility\u003c\/li\u003e\n\u003cli\u003eCrafted with the benefit of today's PSU technology\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eModern design that's true to the original's intent\u003c\/strong\u003e\u003cbr\u003eWhen Wunder Audio set out to craft the CM67, they had one goal in mind: stay honest to the elegant simplicity that defined the original. To achieve the feat, Wunder Audio employed a K67 capsule and a vintage EF86 tube pentode wired into the circuit as a triode. They also spent considerable time making the transformer right. As the K67 capsule has a natural HF peak through its design, the transformer needed to naturally roll off the HF to compensate, just like the original. While some of today's re-creations take a quick-fix approach to the problem, Wunder Audio went above and beyond with a specially selected and wound transformer that makes use of an elaborate feedback network called tertiary winding. The result is negative feedback creation through the capsule to the tube, resulting in HF de-emphasis. It's a natural-sounding solution with impressive results. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWarm and smooth close-miking workhorse\u003c\/strong\u003e\u003cbr\u003eUse the Wunder Audio CM67 everywhere a \"67\" belongs. It's an all-around gorgeous large-diaphragm tube condenser. Vocals are a natural choice, and the CM67 retains every bit of the smoothness and warmth you'd expect, making it ideal for everything from subtle crooning to more aggressive vocals. 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Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eAcoustic features\u003c\/b\u003e\u003cbr\u003eThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. \u003cbr\u003e\u003cbr\u003eThe large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. 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With the similar film thickness and construction, similar high frequency resonance (a little edge), similar proximity effect and pretty good immunity from pops and sibilance problems, our Reference Cardioid more closely recalls how many of the vintage European tube mics such as the beloved U47 sounded like when they were new. Its rich tonal balance and liquid character is consistently admired for instruments such as guitars, drum overheads, saxophone, and especially vocals. With your present mic, if you find yourself leaning on your compressors and boosting 5 or 10K to score a bit more testosterone, then the Reference Cardioid just might be the mic you're looking for to cure what ails ya. 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Instead of having a switch on the outside of the grill, we employed a silent relay inside the capsule compartment. The pattern switch is still on the PSU, but the actual switch point in the circuit is directly below the capsule compartment. St the same time, it still has the 8 different polar patterns found in the older CM7-GT so it is like two mics in one! Those with older CM7-GT microphones can have a GTS upgrade done at our Wunder Audio shop.\u003cbr\u003e\u003cbr\u003eThe CM7-GTS uses a NOS Telefunken glass tube, which replaced the VF14\/EF14 in 1960-1979. The CM7-GT has 9 patterns selectable from the PSU. The CM7-GTS Circuit is basically the same as the CM7 with extra circuitry added to achieve the remote patterns. The CM7-GTS use a PCB. The critical high impedance parts are assembled point to point. It also uses the same custom wound \"large style\" Neumann U47 transformer that we use in the CM7. The CM7-GTS uses the identical grille setup as the original U47 and the CM7. 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This mic is for you! \u003cbr\u003e \u003cbr\u003e A large diaphragm, 6 micron, gold sputtered capsule sends the incoming signal to a New Old Stock tube (electrically identical, except for the heater voltage, to the very expensive Telefunken VF14 used in the famous Neumann U47) to the hand-wired circuit which includes selected WIMA polypropylene coupling capacitors to a state of the art output transformer custom designed (to match the European Tube output impedance) by either the wonderful folks at CINEMAG Transformers in Los Angeles or by the Tamura Transformer Company. \u003cbr\u003e \u003cbr\u003e This is NOT an assembly line microphone; each unit is hand-wired, point to point, and voltage tuned for maximum performance. The microphones were originally built to fill the need for more high quality tube microphones and are now in demand by everyone who has heard them.\u003cbr\u003e \u003cbr\u003e If you’re looking for a tube microphone with characteristics similar to the venerable Neumann U47 but at a tenth of the cost, then you will love this mic!\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eSet includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePearlman TM 1 Microphone\u003c\/li\u003e\n\u003cli\u003eCustom built power supply\u003c\/li\u003e\n\u003cli\u003eCustom tube microphone cable with Neutrik connectors and Mogami cabling\u003c\/li\u003e\n\u003cli\u003eHeavy duty shock mount\u003c\/li\u003e\n\u003cli\u003eAluminum shipping case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe TM-1 comes stock with a European Tube\u003c\/p\u003e","brand":"Pearlman","offers":[{"title":"Default Title","offer_id":44449507901543,"sku":"17959","price":1419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pearlman_tm_1_1.jpg?v=1787089251"},{"product_id":"josephson-c42-cardioid-fet-matched-pair-demo-deal","title":"Josephson C42 Cardioid FET - Matched Pair (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eJosephson Engineering C42\u003c\/span\u003e is an all-purpose cardioid condenser microphone suitable for multiple recording applications including spot miking acoustic and amplified instruments, drums and drum overheads, ensemble and choir pickups, concert recording, sound effects and vocals. Standard C42 microphones are satin machined stainless steel for years of rugged use.\u003cbr\u003e \u003cbr\u003e C42 electronics feature a selected discrete FET driving a fully balanced symmetrical transformerless discrete class-A output stage. The output impedance is low enough that very long cable runs may be used without signal degradation. Although the microphone is specified for full P48 phantom power, it will function with phantom power as low as 24 volts, with some limitation in maximum SPL.\u003cbr\u003e \u003cbr\u003e A stereo kit, the C42MP, includes a matched pair of C42 microphones in matte black chrome finish and a protective hard shell case.\u003c\/p\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":44449510621287,"sku":"17309","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/josephson_c42_cardioid_fet_pair_1_f6baff58-8526-4540-b032-86cd5d960c69.jpg?v=1787089261"},{"product_id":"coles-4038-ribbon-microphone-demo-deal","title":"Coles 4038 Ribbon Microphone (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eColes 4038 Studio Ribbon Microphone\u003c\/span\u003e is a British Broadcasting (BBC) design for broadcasting and recording applications.  It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.\u003cbr\u003e\u003cbr\u003eThe 4038 is a proven performer, and is in use around the world by broadcasting networks such as the BBC as well as top engineers and studios on hit recordings.\u003cbr\u003e\u003cbr\u003eFrequency response of the 4038 is exceptionally flat from 30 to 20,000 Hz and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural sonic quality with smooth frequency response.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressure gradient transducer ribbon microphone    \u003c\/li\u003e\n\u003cli\u003eSubstantially flat frequency response from 30 to 15,000 c\/s\u003c\/li\u003e\n\u003cli\u003eExtremely low (non-linear) distortion\u003c\/li\u003e\n\u003cli\u003eExceptionally low hum pick-up\u003c\/li\u003e\n\u003cli\u003eBi-directional (figure of eight) polar curve shape accurately maintained in both horizontal and vertical planes\u003c\/li\u003e\n\u003cli\u003eExcellent transient response\u003c\/li\u003e\n\u003cli\u003eNatural clear balanced response to sound signal\u003c\/li\u003e\n\u003cli\u003eBody shape to enhance acoustic performance\u003c\/li\u003e\n\u003cli\u003eClear natural high fidelity sound reproduction\u003c\/li\u003e\n\u003cli\u003eSmooth sonic textured response\u003c\/li\u003e\n\u003cli\u003eAll microphones factory tested in free field conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eRibbon:\u003c\/span\u003e Low mass damped ribbon to control transient response\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003ePolar Response:\u003c\/span\u003e Bi-directional\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eMagnetic Fields:\u003c\/span\u003e By use of hum neutralizing wiring and magnetic shielding of the toroidal ribbon to line transformer 30 to 40 dB reduction is achieved in response to stray disturbing magnetic fields\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFrequency Response:\u003c\/span\u003e 30 Hz to 15,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eImpedance:\u003c\/span\u003e 300 ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eSensitivity:\u003c\/span\u003e -65 dB W.R.T. IV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eDistortion:\u003c\/span\u003e Less than 1% at 125 dB SPL\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eConnection:\u003c\/span\u003e By means of 4069 3 pin jack plug. Pin 1 positive - Pin 2 negative - Pin 3 screen\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eBody Housing:\u003c\/span\u003e Made of heavy gauge perforated brass backed by finely woven Monel mesh. Rotating hinge connection allows microphone to tilt through 90° and turned in any direction when either suspended or free standing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eDimensions:\u003c\/span\u003e 7¼\" (197 mm) x 3¼\" (83 mm) x (61 mm).\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eWeight:\u003c\/span\u003e 2 lb. 6 oz. (1.08 Kg).\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFinish:\u003c\/span\u003e Black stove enamel textured paint\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003ePackaging:\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEach microphone comes in a foam lined rigid plastic carrying case with 4069 jack plug, and soft cloth protective bag, for safe keeping.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAccessories:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4071B Mic to stand adapter with XLR\u003c\/li\u003e\n\u003cli\u003e4069 to XLR\u003c\/li\u003e\n\u003cli\u003e4072 Anti-vibration mic to stand adapter\u003c\/li\u003e\n\u003cli\u003eSoft cloth protective bag\u003c\/li\u003e\n\u003cli\u003eFoam lined rigid plastic carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Coles Microphones","offers":[{"title":"Default Title","offer_id":44449532051559,"sku":"32155","price":1399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coles_4038_single_1_3124e784-4088-4ebe-84ed-62a1d6192273.jpg?v=1787089342"},{"product_id":"bock-audio-ifet-demo-deal","title":"Bock Audio iFet (Demo Deal)","description":"The \u003cb\u003eBock Audio iFet\u003c\/b\u003e is a phantom powered (P48) FET condenser mic designed to capture the high SPL handling and sound of the classic fet47. The unique sonic signature of this mic is not easily replaced by modern microphone alternatives. To increase the value and versatility of the iFet, Bock added a second set of FET electronics for a second \"sound\", accessed via a switch.\u003cbr\u003e\u003cbr\u003eThe iFet has two different sets of electronics (mic amplifiers) sharing a K47 type capsule and large core specially designed Bock output transformer. These two \"modes\" of the Bock iFet offer two distinctly different sounds in one mic: the ideal FET mic for kick drums and a classic FET vocal mic for a wide variety of voices.\u003cbr\u003e\u003cbr\u003eThe \"I\" mode employs a classic high SPL Class A discrete electronic package (one FET and four transistors) with improved HF and LF extension. The goal of the Bock iFet is to deliver the essential dynamic characteristics of the classic high SPL FET mic but offer a better top end and deeper bass than was possible in vintage days.\u003cbr\u003e\u003cbr\u003eThe \"V\" vocal mode is a Class A adaption of a km84 circuit offering a simpler single path (one FET) and a warmer more intimate vocal sound. This amp has 4dB more sensitivity for lower SPL sources such as vocals. This is a beautiful sounding vocal mic!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUsing the Bock iFet\u003c\/b\u003e\u003cbr\u003eAlways mute the mic when switching between V or I modes to avoid hearing a loud POP. Switching the mode means you are simultaneously switching the input and output of the mic's dual set of electronics!\u003cbr\u003e\u003cbr\u003eFor vocals or lower SPL sources, start with the \"V\" mode and use the proximity effect to taste. Bock's V mode offers a classic vocal mic sound that's \"warmer\" and not overly bright.\u003cbr\u003e\u003cbr\u003eFor kick drums and other high SPL sources, try the \"I\" mode. This classic FET sound may be used close up on a kick drum, snare drum, toms, bass amp, or super-loud vocalist.","brand":"Bock Audio","offers":[{"title":"Default Title","offer_id":44449534378087,"sku":"32310","price":1669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bock_audio_ifet_1_116b7a88-bf8d-4773-894a-66495ba78e9f.jpg?v=1787089351"},{"product_id":"avantone-cv-12-tube-mic-demo-deal","title":"Avantone CV-12 Tube Mic (Demo Deal)","description":"\u003cp\u003eThe Avantone “Cabernet (C-series)” mics from Avant Electronics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAvantone CV-12\u003c\/strong\u003e is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to some of the very finest vintage tube vocal mics but at a fraction of their cost!  Our rugged CV-12 microphone body and capsule assembly are precision machined of BRASS.\u003cbr\u003eAesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.  The transformer coupled tube circuitry has its origins in famous European vintage designs.  The CV-12 in its normal stock version uses high grade Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of components that are implemented by microphone modder\/hot-rodders!  Any studio can proudly offer the CV-12 as a primary vocal mic…It exudes class visually as well as sonically.  Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.  The versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character.  The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput impedance: \u0026lt;=250 Ohms \/ transformer isolated\u003c\/li\u003e\n\u003cli\u003eMaximum SPL :136dB (0.5% THD @1000Hz) 146dB with pad engaged\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level : \u0026lt;17dB\u003c\/li\u003e\n\u003cli\u003eS\/N ratio 78dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: -35dB\u003c\/li\u003e\n\u003cli\u003eOutput connector: male XLR 7 pin w\/ special power supply \u0026amp; cables\u003c\/li\u003e\n\u003cli\u003eIncluded accessories: padded wooden box, shockmount, metal road case\u003c\/li\u003e\n\u003cli\u003eTube type:6072A\u003c\/li\u003e\n\u003cli\u003eHigh-pass switch 80 Hz 6dB\/octave switch\u003c\/li\u003e\n\u003cli\u003eAttenuation switch -10dB switch\u003c\/li\u003e\n\u003cli\u003eFinish: polished nickel trim \/ metallic cabernet red body\u003c\/li\u003e\n\u003cli\u003eWeight: .8 kgs \/ 1.8 lbs\u003c\/li\u003e\n\u003cli\u003eDimensions: 237mm x 46mm \/ 9.5\" x 1.8\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":44449543028839,"sku":"32909","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avantone_cv-12_microphone_1_ccf88ffc-6c0b-46ff-880b-288bb673b674.jpg?v=1787089387"},{"product_id":"josephson-c716-demo-deal","title":"Josephson C716 (Demo Deal)","description":"\u003cp\u003eJosephson Series Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The \u003cstrong\u003eJosephson C716\u003c\/strong\u003e dual-diaphragm capsule is optimized for cardioid, and is ideal for vocal pickups and instrumentals where a warm, natural sound is needed with minimum acoustic coloration. Off-axis response is particularly smooth, yielding excellent results in a variety of acoustic environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe C716 features a cardioid version of the large dual-diaphragm capsule used in Josephson’s C700 series, with a 5 micron evaporated gold diaphragm. The head grille uses Josephson’s patented hard metal foam structure welded to the housing tube, instead of wire mesh or perforated metal. No other structure is needed, so internal reflections are randomized for clean, detailed sound pickup. The entire housing, circuit board, capsule and all its internal parts are made by Josephson in the USA. The microphone features a hard matte black chrome finish for durability in studio use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe internal circuitry uses a class-A FET front end with active balanced transformer-less output using discrete large-geometry devices like those in the Josephson C700 and C617. The internal high voltage linear supply generates capsule polarization voltage without using any digital devices or oscillators, for very low noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe capsule assembly in the C716 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePressure-gradient condenser microphone transducer\u003c\/li\u003e\r\n\u003cli\u003eCardioid directional pattern\u003c\/li\u003e\r\n\u003cli\u003eFrequency range 20-20,000 Hz\u003c\/li\u003e\r\n\u003cli\u003eSensitivity -32 dB ref 1V\/Pa (26 mV\/Pa)\u003c\/li\u003e\r\n\u003cli\u003eEquivalent noise level \u0026lt;15 dB SPL, A weighted rms\u003c\/li\u003e\r\n\u003cli\u003eOverload sound level 136 dB SPL\u003c\/li\u003e\r\n\u003cli\u003ePower supply P48 phantom, 5 mA\u003c\/li\u003e\r\n\u003cli\u003eDiameter 63 mm (100 mm wide at yoke), length 261 mm\u003c\/li\u003e\r\n\u003cli\u003eWeight 1.2 kg\u003c\/li\u003e\r\n\u003cli\u003eOutput connector 3-pin XLR\u003c\/li\u003e\r\n\u003cli\u003eMade in USA\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":44449569046631,"sku":"34875","price":4639.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/josephson_c716_1_f9089600-194b-4981-81cd-9b740c16c91c.jpg?v=1787089498"},{"product_id":"gefell-mt71s-demo-deal","title":"Gefell MT 71S (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMicrotech Gefell MT71S\u003c\/strong\u003e features original M7 capsule, fixed cardioid pattern, -10dB pad and bass roll-off switch.  Transformerless output stage.   Phantom powered, comes with deluxe wood case.  Satin nickel finish.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional Accessories:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMH93.1S\u003c\/li\u003e\n\u003cli\u003eMKV9 stand adapter\u003c\/li\u003e\n\u003cli\u003eW76 windscreen\u003c\/li\u003e\n\u003cli\u003eEA21S locking shock mount\u003c\/li\u003e\n\u003cli\u003eAT8410a spring clip shock mount\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":44449574617191,"sku":"35074","price":1349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gefell_mt71s_1_c442cd06-ead4-4da4-acb0-51a2122ee2b8.jpg?v=1787089524"},{"product_id":"coles-4038-stereo-matched-pair-demo-deal","title":"Coles 4038 - Stereo Matched Pair (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eColes 4038 Studio Ribbon Microphone\u003c\/span\u003e is a British Broadcasting (BBC) design for broadcasting and recording applications.  It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.\u003cbr\u003e\u003cbr\u003eThe 4038 is a proven performer, and is in use around the world by broadcasting networks such as the BBC as well as top engineers and studios on hit recordings.\u003cbr\u003e\u003cbr\u003eFrequency response of the 4038 is exceptionally flat from 30 to 20,000 Hz and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural sonic quality with smooth frequency response.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePressure gradient transducer ribbon microphone    \u003c\/li\u003e\r\n\u003cli\u003eSubstantially flat frequency response from 30 to 15,000 c\/s\u003c\/li\u003e\r\n\u003cli\u003eExtremely low (non-linear) distortion\u003c\/li\u003e\r\n\u003cli\u003eExceptionally low hum pick-up\u003c\/li\u003e\r\n\u003cli\u003eBi-directional (figure of eight) polar curve shape accurately maintained in both horizontal and vertical planes\u003c\/li\u003e\r\n\u003cli\u003eExcellent transient response\u003c\/li\u003e\r\n\u003cli\u003eNatural clear balanced response to sound signal\u003c\/li\u003e\r\n\u003cli\u003eBody shape to enhance acoustic performance\u003c\/li\u003e\r\n\u003cli\u003eClear natural high fidelity sound reproduction\u003c\/li\u003e\r\n\u003cli\u003eSmooth sonic textured response\u003c\/li\u003e\r\n\u003cli\u003eAll microphones factory tested in free field conditions\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eRibbon:\u003c\/span\u003e Low mass damped ribbon to control transient response\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003ePolar Response:\u003c\/span\u003e Bi-directional\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eMagnetic Fields:\u003c\/span\u003e By use of hum neutralizing wiring and magnetic shielding of the toroidal ribbon to line transformer 30 to 40 dB reduction is achieved in response to stray disturbing magnetic fields\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFrequency Response:\u003c\/span\u003e 30 Hz to 15,000 Hz\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eImpedance:\u003c\/span\u003e 300 ohm\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eSensitivity:\u003c\/span\u003e -65 dB W.R.T. IV\/Pa\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eDistortion:\u003c\/span\u003e Less than 1% at 125 dB SPL\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eConnection:\u003c\/span\u003e By means of 4069 3 pin jack plug. Pin 1 positive - Pin 2 negative - Pin 3 screen\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eBody Housing:\u003c\/span\u003e Made of heavy gauge perforated brass backed by finely woven Monel mesh. Rotating hinge connection allows microphone to tilt through 90° and turned in any direction when either suspended or free standing\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eDimensions:\u003c\/span\u003e 7¼\" (197 mm) x 3¼\" (83 mm) x (61 mm).\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eWeight:\u003c\/span\u003e 2 lb. 6 oz. (1.08 Kg).\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFinish:\u003c\/span\u003e Black stove enamel textured paint\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003ePackaging:\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eEach microphone comes in a foam lined rigid plastic carrying case with 4069 jack plug, and soft cloth protective bag, for safe keeping\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAccessories:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4071B Mic to stand adapter with XLR\u003c\/li\u003e\r\n\u003cli\u003e4069 to XLR\u003c\/li\u003e\r\n\u003cli\u003e4072 Anti-vibration mic to stand adapter\u003c\/li\u003e\r\n\u003cli\u003eSoft cloth protective bag\u003c\/li\u003e\r\n\u003cli\u003eFoam lined rigid plastic carrying case\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Coles Microphones","offers":[{"title":"Default Title","offer_id":44449575895143,"sku":"16137","price":2909.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/coles-4038-demo-deal-pair-1_310162aa-1ee7-4dfa-b423-5c07864d0d39.jpg?v=1787089531"},{"product_id":"telefunken-elektroakustik-m-80-demo-deal","title":"Telefunken Elektroakustik M80 Dynamic Microphone (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTelefunken Elektroakustik M80 Dynamic Microphone\u003c\/strong\u003e gives the user a superior alternative to the midrange-laden character of the industry standard microphone. 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Designed with the goal to develop a microphone that would not only complement the M80, Telefunken Elektroakustik's first dynamic offering, but to also stand out in a universe filled with dynamic microphone options.\u003cbr\u003e\u003cbr\u003eWhen the M80 was first introduced in 2008, it quickly became a favorite in both live and studio environments. Its clear and detailed top end, articulate mid-range, and minimal proximity effect won the hearts (and ears) of thousands of new users, making it a staple for vocal and snare drum applications, as well as the most popular microphone in the Telefunken product line.\u003cbr\u003e\u003cbr\u003eBuilding off many of the strengths of the M80, the Telefunken M81 retains the same minimal proximity effect, superior feedback rejection, and articulate mid-range. However, with the M81, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for taming brighter vocals and guitar tones and for fattening up percussion, horns and thinner sounding sources.\u003cbr\u003e\u003cbr\u003eThe Telefunken M81's tailored frequency response makes the microphone exceptional on electric guitars, percussion, rack and floor toms, and brass instruments. This microphone's wide range of uses and rugged reliability make it the workhorse for the new generation.\u003cbr\u003e\u003cbr\u003eFinished in the same flint gray body tube and tri-chrome head grill styling as the R-F-T AR-51, the M81 is readily identifiable when reaching for the microphone. The M81 was very much designed with the AR-51 in mind. Great care was taken to tune the M81's overall response to be complimentary to the AR-51 when recording electric guitars.\u003cbr\u003e\u003cbr\u003eBasically, the Telefunken M81 is designed to be used on... well, anything and everything! It truly is a \"Universal Dynamic Microphone.\"\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eType: Dynamic Moving Coil\u003c\/li\u003e\r\n\u003cli\u003eCapsule: N\/A\u003c\/li\u003e\r\n\u003cli\u003eFrequency Range: 30Hz \/ 18kHz \u003c\/li\u003e\r\n\u003cli\u003ePolar Pattern: Cardioid \u003c\/li\u003e\r\n\u003cli\u003eImpedance 200 ohms \u003c\/li\u003e\r\n\u003cli\u003eSize: 7.25\" (184mm) length x 1.88\" (48mm) diameter\u003c\/li\u003e\r\n\u003cli\u003eConnector: 3-pin male XLR\u003c\/li\u003e\r\n\r\n\u003c\/ul\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":44449580154983,"sku":"35319","price":212.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/telefunken_m81_front_1_f04af2f4-963f-4c0c-ba57-8b9bb65096d3.jpg?v=1787089549"},{"product_id":"flea-microphones-12-demo-deal","title":"FLEA Microphones 12 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eFLEA 12\u003c\/strong\u003e is an exact replica of the AKG C12. It is equipped with Tim Campbell's CT12 capsule - a great choice if you are considering the clones of original CK12. The tube is a GE 6072 in five-star version which is minimally noisy and microphonic. These tubes were produced especially for military purposes and were used in the original C12. The transformer is our own replica of the original. The FLEA 12 comes standard with modern-style power supply with integradted pattern switch. Vintage-style PSU and dedicated pattern-selector box are available for an addition cost, upon request.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eIn some applications, this mic will seem somewhat neutral, but its benefits will surely stand out during mix-down. 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The options are F (Forward), N (Neutral) and G (Gentle). Forward offers a very open response and very modern, revealing sound. Neutral is a more even response with slight de-emphasis on mid and high frequencies for a more classic sound. Gentle offers the ability to tame harsh, bright or very forward sources or for a very vintage sound. As you will see below, each voicing setting has a unique frequency response; it’s like getting three microphones in one.\u003c\/p\u003e\u003cp\u003eThe multi-voicing feature is an extremely powerful option when recording vocals and many other sources. 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The dual sided capsule in the P-49 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe P-49 features a heavy-duty 8-pin screw-on cable assembly. The large diameter pins in the screw-on assembly give a tight and secure cable connection, designed to perform for a lifetime of use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"paragraph_text\"\u003eAcoustically matched pairs are available upon special request.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMicrophone kit comes as a complete system including: P-49 Microphone in a wood box, MX-56 power supply, new-style 8-pin screw-on cable assembly and a shock mount, all packed in a flight case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule Type: condenser pressure gradient w\/ 34mm K-47 style capsule\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20Hz\/20kHz\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: 9 - switchable from omni- to bi-directional\u003c\/li\u003e\n\u003cli\u003eSensitivity: 15 mv\/pa\u003c\/li\u003e\n\u003cli\u003eImpedance: 200 ohms\u003c\/li\u003e\n\u003cli\u003eSPL: 147 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise: 14 dB(A)\u003c\/li\u003e\n\u003cli\u003eTube Type: 5744WB \u003c\/li\u003e\n\u003cli\u003ePower Requirements: dedicated power supply, 115V or 230V AC\u003c\/li\u003e\n\u003cli\u003eSize: 60mm x 205 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 731 g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Peluso Microphone Lab","offers":[{"title":"Default Title","offer_id":44449611350119,"sku":"37780","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/peluso_p_49_kit_1_b16df658-7239-4216-a441-b8a59cdb3e1e.jpg?v=1787089687"},{"product_id":"telefunken-elektroakustik-ela-m-251-e-demo-deal","title":"Telefunken Elektroakustik ELA M 251E (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eELA M 251E\u003c\/strong\u003e large diaphragm tube microphone is one of the world’s most sought-after recording tools and TELEFUNKEN Elektroakustik’s recreation, true to the original in every detail, delivers the same rich sonic response. The microphone of choice for vocals and acoustic instruments, offering a choice of three polar patterns, this reissue delivers classic character without busting your budget.\u003c\/p\u003e\r\n\u003ch3\u003eA FAITHFUL RECREATION OF A CLASSIC MIC\u003c\/h3\u003e\r\n\u003cp\u003ePrime examples of the TELEFUNKEN ELA M 251E large diaphragm tube microphone, which can be heard on some of the greatest recordings of the past 50 years, can cost you tens of thousands of dollars on today’s vintage market. TELEFUNKEN Elektroakustik’s recreation of this highly sought-after microphone will not break the bank yet offers all the performance and character of the original by staying true to the heritage of this legendary microphone.\u003c\/p\u003e\r\n\u003ch3\u003eUNPARALLELED PERFORMANCE\u003c\/h3\u003e\r\n\u003cp\u003eThe classic ELA M 251E is arguably without equal, offering a sonic character that is smooth while also present and open. TELEFUNKEN Elektroakustik’s recreation delivers those same qualities. The low end is extended and focused, its mid-range response is detailed, and it offers a silky top-end, making this new ELA M 251E a go-to mic for vocals and acoustic instruments.\u003c\/p\u003e\r\n\u003ch3\u003eATTENTION TO DETAIL, INSIDE AND OUT\u003c\/h3\u003e\r\n\u003cp\u003eThe ELA M 251E reissue includes an edge terminated, dual-backplate CK12 capsule, which offers selectable cardioid, omnidirectional and bidirectional polar patterns, an Electro Harmonix 6072a vacuum tube and a Haufe T14\/1 output transformer — the same transformer used by AKG Acoustics GmbH in the company’s venerable C12 microphone.\u003c\/p\u003e\r\n\u003cp\u003eTELEFUNKEN Elektroakustik’s attention to detail extends to the historically accurate cosmetic finish and structural design. On the exterior, the classic diamond-shaped TELEFUNKEN logo badge is attached to the front of the microphone while the ELA M model name is engraved at the base of the head grille. Inside, a molded plastic enclosure houses the amplifier circuit, including the vacuum tube and output transformer. In the head grille, the capsule is suspended on a moving polar pattern switch.\u003c\/p\u003e\r\n\u003ch3\u003eA VINTAGE REISSUE, TRUE TO SPEC\u003c\/h3\u003e\r\n\u003cp\u003eOriginal ELA M 251E microphones still in operation generally require costly maintenance and refurbishment to perform at their best. Utilizing modern components, this recreation offers tighter tolerance to the specifications, superior current handling and a lower self-noise than typical vintage examples still in use. In fact, the reissue is so faithful to the original that its parts are interchangeable with those 50-plus-year-old microphones.\u003c\/p\u003e\r\n\u003cp\u003eAccessories\r\nEach ELA M 251E microphone includes:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eM 950E power supply\u003c\/li\u003e\r\n\u003cli\u003eM 850E 25-ft. Sommer tube microphone cable (vintage compatible 6-pin female stand mount, 7-pin male XLR)\u003c\/li\u003e\r\n\u003cli\u003eM 751 Rycote shock mount\u003c\/li\u003e\r\n\u003cli\u003eFC50 locking flight case\u003c\/li\u003e\r\n\u003cli\u003eWB50 wooden microphone box\u003c\/li\u003e\r\n\u003cli\u003eM 950ES dual power supply\u003c\/li\u003e\r\n\u003cli\u003eFC50S stereo flight case\u003c\/li\u003e\r\n\u003cli\u003eElectro Harmonix 6072A vacuum tube\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":44449637204071,"sku":"14050","price":10800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/telefunken_ela-m_251e_1_3_3b7375a9-8331-41b7-b41a-4dfc5d1b45e4.jpg?v=1787089786"},{"product_id":"mercury-m76m-1-mkiii-demo-deal","title":"Mercury M76m\/1 MKIII (Demo Deal)","description":"\u003cp\u003eThe new \u003cspan style=\"font-weight: bold;\"\u003eMercury M76m\/1 (Mk. III)\u003c\/span\u003e is a mono version of the M76m. The M76m is based on one of the most sought after vintage amplifier modules, the ‘Telefunken\/Siemens’ V76m. These modules were used in European broadcast and recording studios in the 1960s. Later, after tube consoles where out of favor and replaced by smaller, more discrete transistor consoles, the V76 modules still lived on and were racked as outboard mic amps and used in studios around the world. \u003cbr\u003e \u003cbr\u003e Inspired by the vintage tone and craftsmanship of the classic, the Mercury M76m (Mk. III) focuses on bringing back the sound, look and feel that inspired not only this product but this company to manufacture recording equipment and keep this and other beloved circuits alive to make more music for another generation. The new M76m (Mk. 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Phantom Power (on\/off) , Phase (Polarity) Reverse, and our amazing sounding F.D.I. 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The electronics were designed to interface easily with either transformer or direct coupled mic preamps. The e22S has low self-noise, so it delivers low level detail, and handles high sound pressure levels for minimal distortion on extremely loud passages. The microphone housing is very rugged, with a precision machined, satin black chrome finish. \u003cbr\u003e \u003cbr\u003e“The specific need addressed by the e22S was drum kit recording, and the mics are used in that capacity nearly every day, but once they were in our hands, they \u003cbr\u003equickly became a favorite mic for many instruments, including acoustic guitar, mandolin, banjo, guitar amplifiers, organ and horns. The e22S is easily the most \u003cbr\u003eversatile microphone in our cabinet. On loud sounds like drums and guitar cabinets, the 609 head amplifier delivers a crisp, clear signal that is free of distortion, at a level that doesn't require an external pad.”   —Steve Albini\u003c\/p\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":44449658503271,"sku":"41251","price":1579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/josephson_e22s_1_7f02e303-473f-40a8-947b-d2719228c9a6.jpg?v=1787089873"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/microphone-deals.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}