{"title":"Moog Music","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look At Moog's History\u003c\/h2\u003e\n  \u003csection class=\"brand-description__video\"\u003e\n    \u003cdiv class=\"brand-description__video-embed\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/8Z8zpbF1iyo\" title=\"Moog Music\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__video-text\"\u003e\u003cp\u003ePrior to the passing of revolutionary thinker Dr. Robert Moog, he began to help Moog Music prep for the company's next phase in their development. Moving the brand's operations to his adopted home of Asheville, North Carolina, the storied synthesizer creator helped his namesake select a new headquarters and design its floor plan. It's an impact that is still felt at Moog Music nearly 12 years later.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog-factory.jpg?v=1787060120\" alt=\"Moog Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cp\u003eThe Moog legacy is centered on a lineage of modular synthesizers. The iconic brand grew from the successful efforts of synthesis pioneer, Bob Moog, whose groundbreaking strides serve as the backbone of several models in their diverse lineup. To this day, Moog continues to handcraft the most sought after synthesizers in the world.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bob-moog-with-first-synth.jpg?v=1787060124\" alt=\"Moog Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cp\u003eBob Moog introduced the first synthesizer on October 12, 1964 at an AES convention in New York. The unveiling of his voltage-controlled instrument paved the way for modern synthesizers and opened doors of creativity for musicians in search of unconventional sounds. Moog’s products altered the public’s perception of electronic instruments, forever leaving a permanent mark on the progression of music and sound design during the late 60s and early 70s. The modular Moog relics from the early years stand at the height of sound and build-quality.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/vintage-minimoog.jpg?v=1787060127\" alt=\"Moog Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cp\u003eMoog pushed music forward during a period when musicians were on the edge of discovering the future of sound. In 1971, the relationship between music and engineering reached a new milestone after the release of the Minimoog. The flagship Moog synthesizer put the power of modular systems on stage. The Minimoog, which resulted from a happy accident and a few calculation errors, became the tool of choice for several bands and virtuosos of the decade. Its unique configuration and interesting array of textures lead to subsequent generations of other models that further solidified Moog’s legacy.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog-synth-being-built.jpg?v=1787060131\" alt=\"Moog Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cp\u003eMoog synthesizers are manufactured at the Moog Music factory in Asheville, NC. Every model is constructed by hand using quality materials sourced primarily in the USA. Traditional production techniques are combined with forward-minded specs to meet the demands of musicians in the digital age. Classic oscillators, velocity-sensitive Fatar keyboards, and extensive parameters sit at the core of durable frame enclosures.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog-in-the-wild.jpg?v=1787060134\" alt=\"Moog Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003e\u003cp\u003eTraditional circuitry is the root of several different Moog archetypes, however there’s an abundance of innovative concepts in production, like the Multidrive circuit installed on the Moog SUBsequent 37. In addition to ongoing advances in design, Moog makes synthesizers that integrate within analog and digital workflows for great flexibility. Use a Moog Sirin to embed an analog engine into your preferred DAW, or install the Mother-32 into a Eurorack system. The possibilities are practically endless.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003cdiv class=\"brand-description__testimonial\"\u003e\u003csection class=\"testimonial-wrapper\"\u003e\r\n\u003cdiv class=\"testimonial-container\"\u003e\r\n\u003cdiv class=\"image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bob-moog.jpg?v=1787060138\" alt=\"Bob\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"text-content\"\u003e\r\n\u003cp\u003e“I see my job as being one that must provide the artist with the capability of imparting complexity and dynamics to his music.”\u003c\/p\u003e\r\n\u003cspan class=\"name\"\u003e\u003cstrong\u003e- Dr. Robert Moog\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/section\u003e\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"moog-music-minimoog-voyager-electric-blue","title":"Moog Music Minimoog Voyager - Electric Blue","description":"\u003cp\u003eThe \u003cstrong\u003eElectric Blue Voyager\u003c\/strong\u003e is housed in a fractal blue solid ash cabinet with the stunning look of the electric blue back-lit panel, new blue LED's, and new patches.  All Electric Blues will have the upgraded software and hardware to allow the player 7 banks of 128 presets.\u003c\/p\u003e\n\u003cp\u003eThe External Mixer knob is another feature of the Electric Blue (right of the display panel) that has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269153895,"sku":"5041","price":3425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_minimoog_voyager_electric_blue.jpg?v=1787088375"},{"product_id":"moog-music-minimoog-voyager-rack-mount-edition","title":"Moog Music Minimoog Voyager - Rack Mount Edition","description":"\u003cp\u003eThe \u003cstrong\u003eMiniMoog Voyager\u003c\/strong\u003e is available in a 19\" Rack Mount Edition! The Rack Mount Edition (RME) is five units high and, with optional wood sides, doubles as a tabletop synth. Its backlit front panel includes all of the front panel controls of the Voyager (with the exception of the touch surface). All presets from the Voyager are useable in the Rack Mount Edition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoog Voyager RME at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe ultimate analog synth, now in a rack!\u003c\/li\u003e\n\u003cli\u003eClassic Moog oscillators, filters, and amplifiers\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O plus control voltage connectors\u003c\/li\u003e\n\u003cli\u003eNew features and seven banks of 128 presents (896) in v3.0\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe ultimate analog synth, now in a rack!\u003c\/strong\u003e\u003cbr\u003eThe Minimoog Voyager RME is perhaps the ultimate monophonic analog performance synth. It incorporates virtually all of the sound resources and functions of the original Model D Minimoog, which was produced by Moog Music, Inc. from 1970 to 1982. The Voyager Rack has many additional features, including MIDI IN and MIDI OUT implementation, extensive patching facilities, and a large number of new panel features.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClassic Moog oscillators, filters, and amplifiers\u003c\/strong\u003e\u003cbr\u003eThe Voyager RME's signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source, and one audio preamplifier for externally-applied audio signals. The sound modifiers are two 'Moog-style' low-pass filters and one VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multi-waveform LFO (Low Frequency Oscillator).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMIDI I\/O plus control voltage connectors\u003c\/strong\u003e\u003cbr\u003eThe Voyager RME's rear panel delivers all of the same input\/output resources that are available on the Voyager via its MIDI IN, THRU, and OUT connectors, four audio input and output jacks, and two accessory port connectors. The output accessory port connects the RME's 21 control and gate outputs to the forthcoming VX-351 Voyager CV Output Expander, while the input accessory port connects the 18 control and gate inputs to the VX-352 Voyager CV Input Expander.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eV3.0 adds even more capability to the Voyager:\u003c\/strong\u003e\u003cbr\u003eV3.0 extends the current single Bank of 128 Presets to 7 Banks of 128 Presets for a total of 896 user accessible presets. Of the 896 user accessible presets, 704 come pre-loaded with patches from Nigel Hopkins, Brian Kehew, Will Alexander, Bernie Worrell, Drew Newmann, Amos Gaynes, Steve Dunnington, Aron Magner, Chad Hugo, Darrell Diaz, Frank Lucas, Fred Wreck, Gabrial McNair, Geoffrey Keezer, Herbie Hancock, Khari Simmons, James Lumb, Jamie Muhoberac, Joseph Rivers, Neil Palmer, Printz Board, Randy Cantor, Rick Wakeman, Mark Kline, Zon Vern Pyles, Thomas Wolf.\u003cbr\u003e\u003cbr\u003eThe External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI Enhancements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllows you to send either 7 or 14 bit resolution from the Mod Wheel.\u003c\/li\u003e\n\u003cli\u003eOptionally reduces the amount of MIDI data being sent from the Touch Surface. \u003c\/li\u003e\n\u003cli\u003eThese changes enable the Voyager to work better with older MIDI equipment.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269186663,"sku":"5043","price":2695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_minimoog_voyager_rackmount_1.jpg?v=1787088375"},{"product_id":"moog-music-minimoog-voyager-performer-edition","title":"Moog Music Minimoog Voyager - Performer Edition","description":"\u003cp\u003eThe \u003cstrong\u003eMinimoog Voyager Synthesizer\u003c\/strong\u003e is a monophonic analog performance synthesizer. It incorporates virtually all of the sound resources and functions of the original Model D Minimoog, which was produced by Moog Music, Inc. from 1970 to 1982. It has many new additional features, including a three dimensional touch surface, MIDI IN and MIDI OUT implementation, extensive patching facilities, and a large number of new panel features.\u003cbr\u003e\u003cbr\u003eOf the 896 user accessible presets, 704 come pre-loaded with patches from Nigel Hopkins, Brian Kehew, Will Alexander, Bernie Worrell, Drew Newmann, Amos Gaynes, Steve Dunnington, Aron Magner, Chad Hugo, Darrell Diaz, Frank Lucas, Fred Wreck, Gabrial McNair, Geoffrey Keezer, Herbie Hancock, Khari Simmons, James Lumb, Jamie Muhoberac, Joseph Rivers, Neil Palmer, Printz Board, Randy Cantor, Rick Wakeman, Mark Kline, Zon Vern Pyles, Thomas Wolf.\u003cbr\u003e\u003cbr\u003eAdditionally, V3.0 adds the following capability to the Voyager: The External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons. MIDI enhancements allow you to send either 7 or 14 bit resolution from the Mod Wheel, and optionally reduces the amount of MIDI data being sent from the Touch Surface. \u003cbr\u003e\u003cbr\u003eThe signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source, and one audio preamplifier for externally-applied audio signals. The sound modifiers are two Moog filters and one stereo VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multiwaveform LFO (Low Frequency Oscillator).Control devices include a 44-key keyboard with velocity and afterpressure outputs, pitch bend and modulation wheels, a three dimensional touch surface, and many control\/pedal input jacks.\u003cbr\u003e\u003cbr\u003eThe Minimoog Voyager has a hinged, multi-position panel and a solid hardwood cabinet. The power supply accepts any power voltage from 100 volts to 240 volts.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269219431,"sku":"5042","price":2999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_minimoog_voyager_performer_edition.jpg?v=1787088375"},{"product_id":"moog-music-mf-101-moogerfooger-low-pass-filter","title":"Moog Music MF-101 Moogerfooger Low Pass Filter","description":"\u003cp\u003eThe award-winning \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-101\u003c\/span\u003e low pass filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument level to line level signal.\u003c\/p\u003e\r\n\u003cp\u003eThe Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the low pass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\r\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 low pass filter does the same sort of thing to the sound spectrum with it's cutoff control. As you turn up the resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the Moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\r\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269252199,"sku":"5044","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf101_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-105m-moogerfooger-midi-murf","title":"Moog Music MF-105M Moogerfooger MIDI MuRF","description":"\u003cp\u003e\u003cstrong\u003eMuRF\u003c\/strong\u003e stands for \"Multiple Resonance Filter Array\". What this means is the MuRF has eight filters - their levels are controlled by eight sliders. It looks like a graphic EQ, but the sound of the filters are very different: warm and resonant.\u003c\/p\u003e\n\u003cp\u003eWhat is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet\/Dry Mix.\u003c\/p\u003e\n\u003cp\u003eMuRF shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The MuRF is housed in the classic Moogerfooger \"double-wedge\" enclosure that may be used on a table or on the floor.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269284967,"sku":"5045","price":479.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf105m_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-102-moogerfooger-ring-modulator","title":"Moog Music MF-102  Moogerfooger Ring Modulator","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-102\u003c\/span\u003e Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and voltage-contolled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.\u003c\/p\u003e\n\u003cp\u003eA ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in it's use - you decide!\u003c\/p\u003e\n\u003cp\u003eThe Moogerfooger ring modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.\u003c\/p\u003e\n\u003cp\u003eImagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269317735,"sku":"5046","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf102_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-mf-103-moogerfooger-12-stage-phaser","title":"Moog Music MF-103 Moogerfooger 12 Stage Phaser","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music MF-103\u003c\/span\u003e 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains two compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control.\u003c\/p\u003e\n\u003cp\u003eThe 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1\/4\" jacks are provided for audio input and outputs, pedal\/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.\u003c\/p\u003e\n\u003cp\u003eA phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser \"whooshing\" sound. Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.\u003c\/p\u003e\n\u003cp\u003eThe MF-103 produces two comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has three dips in its frequency response, while the 12-Stage mode has six dips. These two modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269350503,"sku":"5047","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_mf103_moogerfooger.jpg?v=1787088376"},{"product_id":"moog-music-cp-251-moogerfooger-control-processor","title":"Moog Music CP-251 Moogerfooger Control Processor","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMoog Music CP-251\u003c\/span\u003e Control Processor can be used in connection with one or more moogerfooger analog effects modules, the minimoog Voyager, or other voltage-controlled gear. The CP-251 adds the same kind of power and versatility of the classic MOOG modular synthesizers.\u003c\/p\u003e\n\u003cp\u003eThere are two kinds of signals in a modular analog synthesizer: audio and control. As audio signals go through a system of synthesizer modules, they get shaped into the sounds that you hear. Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules.\u003c\/p\u003e\n\u003cp\u003eThe CP-251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as two attenuators, a lag processor, a CV mixer and a four-way multi. This gives you ways to modify, mix, and distribute control voltages to product the incredible variety of sounds and effects that analog synthesizers are famous for.\u003c\/p\u003e\n\u003cp\u003ePower supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269383271,"sku":"5048","price":385.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_moogerfooger_cp251.jpg?v=1787088376"},{"product_id":"moog-music-etherwave-standard-theremin-assembled","title":"Moog Music Etherwave Standard Theremin - Assembled","description":"\u003cp\u003eThe theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. Like the Ethervox, the \u003cspan style=\"font-weight: bold;\"\u003eMoog Music Etherwave\u003c\/span\u003e is an authentic adaptation of inventor Leon Theremin's original design.\u003c\/p\u003e\n\u003cp\u003eThe Etherwave is a quality theremin with a design that retains many characteristics of the original theremins, including a five-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3\/8\" brass tube and cabinets are furniture-grade hardwood, finished black. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and is designed for use with a musical instrument amplifier such as the Moog TB-15.\u003c\/p\u003e\n\u003cp\u003eAll Etherwaves ship with two video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa, and Mastering the Theremin, featuring Lydia Kavina.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269448807,"sku":"5050","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_etherwave_theremin_ew_std001_assembled.jpg?v=1787088376"},{"product_id":"moog-music-etherwave-theremin-kit","title":"Moog Music Etherwave Theremin - Kit","description":"\u003cp\u003eThe build-it-yourself \u003cspan style=\"font-weight: bold;\"\u003eMoog Music Etherwave Theremin kit \u003c\/span\u003ehas an unfinished wood cabinet and pre-built circuit board. Several wiring points require soldering. Power supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e\n\u003cp\u003eAll Etherwaves ship with a DVD containing two video tutorials: Clara Rockmore: the Greatest Theremin Virtuosa, and Mastering the Theremin, featuring Lydia Kavina.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449269416039,"sku":"5051","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_etherwave_theremin_ew_kit001.jpg?v=1787088376"},{"product_id":"moog-music-little-phatty-stage-ii-analog-synthesizer","title":"Moog Music Little Phatty Stage II Analog Synthesizer","description":"\u003cp\u003eMoog Music is proud to introduce the \u003cstrong\u003eMoog Music Little Phatty Stage II\u003c\/strong\u003e; the newest member of the Little Phatty family. Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100% analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller. \u003cbr\u003e\u003cbr\u003eAdditionally, the Stage II boasts great new features including: MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish new black finish. \u003cbr\u003e\u003cbr\u003e The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig, from full-on analog to a laptop\/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor\/Librarian. \u003cbr\u003e\u003cbr\u003e MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator. \u003cbr\u003e\u003cbr\u003e The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock. \u003cbr\u003e\u003cbr\u003e The distinctive new black finish is a real eye-catcher that emphasizes the unique new nature of the Little Phatty Stage II.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449315029095,"sku":"11790","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_little_phatty_top.jpg?v=1787088520"},{"product_id":"moog-music-taurus-3-bass-pedals","title":"Moog Music Taurus 3 Bass Pedals","description":"\u003cp\u003eConsidered by many to be the \"Fattest Synth Ever\" the \u003cstrong\u003eMoog Taurus Bass Pedal Synthesizer\u003c\/strong\u003e is back with Version 3. Since it was introduced in 1976, the Moog Taurus has been used in a wide variety of musical genres by a veritable \"who's who\" of award-winning bands including: Rush, Genesis, Led Zeppelin, Asia, The Police, U2, Styx, Scorpions, Weezer, and many more. \u003cbr\u003e\u003cbr\u003eTo keep this third version as close to the tone of its famous predecessor, the Taurus Bass Pedal was built with a 100% analog sound engine based entirely on the original Taurus 1 style, and Moog is keeping it a highly sought after model by only producing a run of 1000 units. It comes with two voltage-controlled oscillators, an ADS Contour Generator, one voltage-controlled filter. The Moog synth offers 16 banks with 4 presets for a total of 48 programmable bass sounds. Bank 0 even includes the original Taurus presets—VAR, TAURUS, TUBA, and BASS. You can merge or route MIDI via DIN or USB connection, and the Arpeggiator function can be set using MIDI Sync, TAP TEMPO, or internally. Lastly it has four CV inputs—Volume, Filter, Pitch, and Gate.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449336557671,"sku":"14788","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_taurus3_bass_pedals_1.jpg?v=1787088606"},{"product_id":"moog-music-moogerfooger-rack-mount-kit","title":"Moog Music Moogerfooger Rack Mount Kit","description":"\u003cp\u003eThe \u003cstrong\u003eMoogerfooger Rack Mount Kit\u003c\/strong\u003e is designed to allow the moogerfooger owner to mount moogerfooger effects in a standard 19\" equipment rack.  The kit is 6 units high, and can hold up to three moogerfooger units or up to four CP-251 size units.  Comes with instructions for assembly and all the hardware necessary for installation. Moogerfoogers sold separately.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449419133031,"sku":"5063","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_moogerfooger_rackmount_b1b4d1f5-fa62-4ca3-a720-8a8a41cb30ba.jpg?v=1787088917"},{"product_id":"moog-music-gig-bag-for-moog-little-phatty","title":"Moog Music Gig Bag for Moog Little Phatty Synthesizer","description":"\u003cp\u003eThe \u003cstrong\u003eLittle Phatty Synthesizer \u003c\/strong\u003ebag is designed specifically for the traveling needs of the Moog musician. With padded interior and exterior pockets for extra storage, the gig bag manages your musical gear with ease. Shoulder strap, backpack straps, and an easy to carry handle offers flexibility when traveling. Also, the bag is specifically sized for the Little Phatty, has 3\/ 4\" foam all around and contains internal velcro straps to keep it from sliding.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449419526247,"sku":"18252","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_lil_phatty_gig_bag_324ef352-2f1d-4102-812d-4ee5ac84100d.jpg?v=1787088919"},{"product_id":"moog-music-minitaur","title":"Moog Minitaur Analog Bass Synthesizer","description":"\u003cp\u003eThe \u003cstrong\u003eMoog Music Minitaur\u003c\/strong\u003e front panel features a knob-per-function design, for maximum real-time tweakability. There are no internally stored presets, but presets can be created and managed via MIDI. The Minitaur has several new features added to the classic Taurus synth engine, including an external audio input, that expand the basic synthesis and sound design capability of the instrument.  Minitaur fits right into the computer based music production rig or is easily controlled via MIDI controller.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449428504679,"sku":"20951","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_minitaur_2.jpg?v=1787088956"},{"product_id":"moog-music-the-ladder","title":"Moog Music The Ladder","description":"The \u003cb\u003eMoog Ladder\u003c\/b\u003e packs all the punch, fullness and analog euphoria  of the original Moog Filter, but adds key component and feature  upgrades required for professional studio use. From classic Moog  filtering and vibe to modern sweetening and wild, exciting behavior; The  Ladder is a powerful, articulate sound sculpting tool.\u003cbr\u003e \u003cbr\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449441710183,"sku":"19587","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_music_the_ladder_19587_1_e6776479-8338-4be4-889c-7ff9cdec2200.jpg?v=1787088972"},{"product_id":"moog-music-minimoog-voyager-xl","title":"Moog Music Minimoog Voyager XL","description":"The \u003cb\u003eMoog Minimoog Voyager XL \u003c\/b\u003eis a 61-note velocity sensitive keyboard with after-pressure.  Incorporating virtually all of the sound resources and functions of the original Minimoog Model D and Voyager, the Minimoog Voyager XL features extensive front-panel patch-ability that harkens back to the original ground-breaking Moog modular synthesizers. A host of features previously found only on massive modular synthesizers combined with state-of-the-art analog technology make it a sound design and control dream machine.\u003cbr\u003e\u003cbr\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449442398311,"sku":"20903","price":4995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_minimoog_voyager_xl_d20c247f-5eb1-4cf1-9309-c29b4a7688cb.jpg?v=1787088975"},{"product_id":"moog-music-minimoog-voyager-rack-mount-edition-used","title":"Moog Music Minimoog Voyager - Rack Mount Edition (Used)","description":"The \u003cb\u003eMinimoog Voyager Rack Mount Edition Synthesizer\u003c\/b\u003e is a monophonic (one note at a time) analog performance synthesizer housed in a 5U Rack Mount Enclosure. The signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source, and one audio preamplifier for externally-applied audio signals. The sound modifiers are a dual mode filter module, containing a dual Moog lowpass mode and a highpass\/lowpass mode and one stereo VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multiwaveform LFO (Low Frequency Oscillator). The digital functions of the Voyager allow for storage of presets, transmitting and reception of MIDI, and software upgrades via MIDI. The User Interface is a LCD display with variable contrast, +1\/-1 and cursor buttons for navigation, an Enter button for executing functions, and 3 Mode functions for determining the operation mode of the Voyager. Master Mode allows access to Global Settings and Utilities; Edit Mode allows access to Items stored as a Preset, and performs the Save function; Panel Mode allows access to the presets and is the mode used for performance, as well as performance related features. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eOscillators Module\u003c\/b\u003e\u003cbr\u003eThree wide-range, high stability VCO's (Voltage Controlled Oscillators) with continuously variable waveforms.\n\u003cul\u003e\n\u003cli\u003eTwo FREQUENCY controls vary the frequencies of Oscillators #2 and #3 over a +\/-7 semitone range with respect to Oscillator #1.\n\u003c\/li\u003e\n\u003cli\u003eThree OCTAVE selectors set the frequency ranges of the oscillators in six octave steps.\n\u003c\/li\u003e\n\u003cli\u003eThree WAVE controls provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular.\n\u003c\/li\u003e\n\u003cli\u003e1-2 SYNC switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects.\n\u003c\/li\u003e\n\u003cli\u003e3-1 FM switch provides linear frequency modulation of Oscillator #1 by Oscillator #3.\n\u003c\/li\u003e\n\u003cli\u003e3 KEYBOARD CONTROL switch disconnects Oscillator #3 from control by the keyboard CV, enabling it to function as a drone or a modulation source independent of the keyboard.\n\u003c\/li\u003e\n\u003cli\u003e3 FREQ switch lowers the frequency of Oscillator #3 into the sub-audio range, enabling it to function as a low frequency audio or modulating oscillator.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMixer Module\u003cbr\u003e\u003c\/b\u003eFive-input mixer for combining the audio sources prior to filtering.\n\u003cul\u003e\n\u003cli\u003eFive Input Level controls adjust the relative levels of the oscillator, noise, and external audio input signals.\n\u003c\/li\u003e\n\u003cli\u003eFive Input switches enable the player to quickly switch individual audio signals in and out.\n\u003c\/li\u003e\n\u003cli\u003eExternal Level LED enables the player to set the correct external audio signal level.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eFilters Module\u003c\/b\u003e\u003cbr\u003eDual mode filter module includes two Moog lowpass-resonant filters in parallel to stereo output or a highpass and lowpass-resonant filters in series, for highpass, bandpass, or lowpass filtering.\n\u003cul\u003e\n\u003cli\u003eCUTOFF control sweeps the frequencies of both filters throughout the audio range.\n\u003c\/li\u003e\n\u003cli\u003eSPACING control sets the spacing between the frequencies of the two lowpass filters or controls the frequency of the highpass filter, over a +\/-3 octave range.\n\u003c\/li\u003e\n\u003cli\u003eRESONANCE control adjusts the resonance of both filters, from none to filter oscillation.\n\u003c\/li\u003e\n\u003cli\u003eKEYBOARD CONTROL AMOUNT control sets how much the filters open and close as the player presses different keys on the keyboard controlling the Voyager Rack Mount.\n\u003c\/li\u003e\n\u003cli\u003eDUAL LOWPASS\/ HIGHPASS-LOWPASS switch selects between two lowpass filters in parallel or a lowpass and highpass filter in series.\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cb\u003e Envelopes Module\u003c\/b\u003e\u003cbr\u003eThe Envelopes Module generates two wide-range ADSR (Attack Decay Sustain Release) envelopes. The Filter Envelope sweeps the filter and is available for modulation shaping. The Volume Envelope shapes the overall volume.\n\u003cul\u003e\n\u003cli\u003eTwo ATTACK controls determine the attack times of the envelopes.\n\u003c\/li\u003e\n\u003cli\u003eTwo DECAY controls determine the decay time constants of the envelopes.\n\u003c\/li\u003e\n\u003cli\u003eTwo SUSTAIN controls determine the sustain levels of the envelopes.\n\u003c\/li\u003e\n\u003cli\u003eTwo RELEASE controls determine the release time constants of the envelopes.\n\u003c\/li\u003e\n\u003cli\u003eAMOUNT TO FILTER control determines how much the filter envelope will open and close the filter, from full negative (inverted envelope) to full positive (non-inverted envelope).\n\u003c\/li\u003e\n\u003cli\u003eENVELOPE GATE switch selects whether the envelopes will be triggered by the keyboard or by programmable envelope gate sources, including Keyboard Gate, S+H Gate (LFO), and MIDI Clock, allowing independent triggering of the two envelopes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cb\u003eLFO Module\u003c\/b\u003e\u003cbr\u003eLow Frequency Oscillator generates triangular, square, Sample \u0026amp; Hold, and smoothed Sample \u0026amp; Hold waveforms for use as modulating signals.\n\u003cul\u003e\n\u003cli\u003eRATE control sets the LFO rate over the range 0.2 Hz (one cycle every five seconds) to 50 Hz (50 times a second).\n\u003c\/li\u003e\n\u003cli\u003eSYNC selector selects LFO synchronization source to be from the keyboard gate, MIDI Clock, external gate, or off (no synchronization).\n\u003c\/li\u003e\n\u003cli\u003eRATE LED provides visual indication of the LFO rate. \u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eModulation Busses Module\u003c\/b\u003e\u003cbr\u003eSelects the sources, destinations, and shaping signals for the MOD WHEEL bus and the PEDAL\/ON bus.\n\u003cul\u003e\n\u003cli\u003eTwo SOURCE selectors select the modulation source from the LFO waveforms, Oscillator# 3, the MOD2 Voltage, or a software selectable source whose default is noise.\n\u003c\/li\u003e\n\u003cli\u003eTwo DESTINATION selectors select the modulation destination from the pitch of all the audio oscillators, just Oscillator #2, just Oscillator #3, the filter frequencies, the oscillator waveforms, or a software selectable destination whose default is LFO Rate.\n\u003c\/li\u003e\n\u003cli\u003eTwo SHAPING selectors select the filter envelope, key pressure signal, key velocity or a software selectable source whose default is on to shape the modulation signal on that bus.\n\u003c\/li\u003e\n\u003cli\u003eTwo AMOUNT controls set the overall modulation amount for each bus. \u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eOutput Module\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eMASTER VOLUME control sets the overall level of the instrument's audio outputs.\n\u003c\/li\u003e\n\u003cli\u003eHEADPHONE VOLUME control sets the overall level of the headphone output.\n\u003c\/li\u003e\n\u003cli\u003eHEADPHONES JACK: 1\/4\" tip-ring-sleeve phone jack for regular stereo headphones. \u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eGlide and Fine Tune Module\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eGLIDE varies the speed at which the keyboard voltage changes, from instantaneous to several seconds.\n\u003c\/li\u003e\n\u003cli\u003eFINE TUNE adjusts the overall tuning of the instrument.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449451442279,"sku":"11335","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_11335_1_9c224342-d356-4899-b9d9-01a9e9e4b91f.jpg?v=1787089007"},{"product_id":"moog-music-slim-phatty-used","title":"Moog Music Slim Phatty (Used)","description":"Based on the powerful Little Phatty sound engine, the \u003cb\u003eMoog Music’s Slim Phatty\u003c\/b\u003e is the latest descendant of the iconic Minimoog Model D and features the classic Moog Ladder Filter, the touchstone of analog sound design.\u003cbr\u003e\u003cbr\u003eIn addition to shaping the sound of its on-board oscillators, the Slim Phatty's filter is a valuable production tool that can be used to process external audio, sweetening your favorite audio source with everything from smooth analog warmth through wet, resonant filter sweeps.\u003cbr\u003e\u003cbr\u003eThe Slim Phatty's convenient size makes it an ideal voice expander for your existing gear, with two oscillators of massive Moog sound that are always just a MIDI cable away. A new Tuning Scale feature and editor allows easy exploration of alternate scales and tunings. Microtonal, just intonation, quarter-tone, world music scales and more make the Slim Phatty an international traveler. Good thing it has a universal power supply!\u003cbr\u003e\u003cbr\u003eIn addition to the world of MIDI and USB gear, the Slim Phatty's Control Voltage inputs give it unlimited realms of expression and sound design possibilities. \"Modular synth\" style patching with Moogerfooger effects processors, the CP-251 Control Voltage Processor and other Moog synths (even The Moog Guitar!) creates soundscapes previously available only on large modular systems. Connecting to the Etherwave Plus Control Voltage Theremin or the MP-201 Multi-Pedal adds unique and intuitive new modes of expression.","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449451475047,"sku":"22096","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_moog_music_slim_phatty_c7e342d1-3782-4b1f-b8cd-c7f036e09b13.jpg?v=1787089007"},{"product_id":"moog-music-500-series-analog-delay","title":"Moog Music 500 Series Analog Delay","description":"\u003cp\u003eThe \u003cstrong\u003eMoog Analog Delay\u003c\/strong\u003e is the world’s first delay designed exclusively for the 500 Series format. It is a MIDI-syncable module that features a 100% analog signal path, front panel MIDI, and an assignable tap tempo\/CV jack. Included with each unit is a free VST\/AU\/RTAS editor for easy implementation into any recording, live, or performance situation. \u003cbr\u003e\u003cbr\u003e Out of the box, you get 800ms of the warmest and most musical delay on the planet. No emulation plug-in can impart depth and life into your mixes like the Analog Delay. \u003cbr\u003e\u003cbr\u003e The Analog Delay has been designed with tone, connectivity, and flexibility at the forefront. Moog’s engineering team worked tirelessly to deliver a 500 Series module with an incredibly clean front end that could easily be pushed into a warm, natural overdrive for saturated delay trails or beyond for more distorted effects. Though not on the front panel, the Analog Delay features a six-waveshape LFO that allows you to create other time-based effects such as tape delay, chorus, and extreme modulated sounds. The LFO can be easily accessed via MIDI or the free VST\/AU\/RTAS Analog Delay plug-in editor. \u003cbr\u003e\u003cbr\u003e Also accessible via the editor are advanced features like tap temp\/CV input routing, keyboard control settings, clock divisions and a delay multiplier for access to illegal times up to 4x the front panel position. 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The soul and hands-on, real-time sound design functionality of vintage Moog instruments with a completely new — and stunningly aggressive — sound design machine. Fitted with 25 full-size synth action keys, 16 presets with panel mode, and a 31 knob front panel, Moog’s classic control design plugs you straight into the analog heart of this powerful new instrument.\u003c\/p\u003e\r\n\u003cp\u003eMoog Music’s engineers have crafted the Sub Phatty’s oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.\u003c\/p\u003e\r\n\u003cp\u003eThe Sub Phatty is the first analog synth to feature Moog’s transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.\u003c\/p\u003e\r\n\u003cp\u003eThe mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.\u003c\/p\u003e\r\n\u003cp\u003eThe Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument’s front panel, or via the free standalone\/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts — it’s all there.\u003c\/p\u003e\r\n\u003cp\u003eThe Sub Phatty brings a fearless new voice to the Moog family of synthesizers. 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Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules. The CP-251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as two attenuators, a lag processor, a CV mixer and a four-way multi. This gives you ways to modify, mix, and distribute control voltages to product the incredible variety of sounds and effects that analog synthesizers are famous for. Power supply is included: order 110v for use in US or Canada or 220v for use in Europe, Asia, South America, and Australia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Moog \u003cstrong\u003eVX-352\u003c\/strong\u003e is a control voltage input expander for the MMV Rack Mount Edition. 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A new Tuning Scale feature and editor allows easy exploration of alternate scales and tunings. Microtonal, just intonation, quarter-tone, world music scales and more make the Slim Phatty an international traveler. Good thing it has a universal power supply!\u003c\/p\u003e\n\u003cp\u003eIn addition to the world of MIDI and USB gear, the Slim Phatty's Control Voltage inputs give it unlimited realms of expression and sound design possibilities. \"Modular synth\" style patching with Moogerfooger effects processors, the CP-251 Control Voltage Processor and other Moog synths (even The Moog Guitar!) creates soundscapes previously available only on large modular systems. 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Like the Stage and  Tribute Edition before it, the Little Phatty Stage II puts the performer  in control of a 100% analog signal path, two ultra stable Voltage  Controlled Oscillators, a Voltage Controlled Filter and other versatile  features like an external audio input, CV and KB gate inputs and a full  MIDI controller. \u003cbr\u003e\u003cbr\u003eAdditionally, the Stage II boasts great new  features including: MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap  Tempo and a stylish new black finish. \u003cbr\u003e\u003cbr\u003e The addition of MIDI over  USB makes this performance and sound sculpting tool even more powerful.  Combined with its warm analog sound, ability to process external audio  and its intuitive performance, sound design and control features, the  Stage II makes a great addition to any rig, from full-on analog to a  laptop\/softsynth setup. 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Note range at 8’ = 18 - 116\u003c\/li\u003e\r\n\u003cli\u003eGLIDE MODULE: Assign to Osc1\/Osc2\/Both. Type - LCR, LCT, EXP, Gated, Legato\u003c\/li\u003e\r\n\u003cli\u003eFILTER: 20Hz-20Khz Moog Ladder Filter w\/ 6\/12\/18\/24 dB\/Oct Filter Slopes and \u003cem\u003eMultiDrive\u003c\/em\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eTRANSPOSITION:+\/- 1 Octaves\u003c\/li\u003e\r\n\u003cli\u003eARPEGGIATOR\/SEQUENCER: Up, Down, Order, Random, Latching, Back\/Forth, Invert, +\/-2 Range, Tie, Rest, MIDI Sync\u003c\/li\u003e\r\n\u003cli\u003eSOURCES: LFO, Filter Envelope, Programmable Sources - Amp Env,Osc1\/Osc2 Pitch\u003c\/li\u003e\r\n\u003cli\u003eDESTINATIONS: Osc1\/Osc2\/Both Pitch, Filter Cutoff, Osc1\/Osc2\/Both Wave, VCA, LFO1\/LFO2 Rate, Noise Level, EG Time. Programmable Destinations - Filter resonance, drive, slope, EG amt. 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The power supply, bias, and rail generating circuitry have all been improved for greater sound quality and reduced microphonics, and an Emphasis\/De-Emphasis circuit has been added for reduced noise. Additionally, the delay-loop level matching circuitry from the 500 Series analog delay has been included for maximized feedback and mix stability.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe MF-104M Super Delay includes all of the features found in the MF-104M analog delay, including MIDI control of every feature on and under the hood, a 6 Waveshape LFO, tap tempo of delay time and LFO rate, spillover mode, and the traditional short\/long delay switch for bright, articulate 50ms-600ms trails, and dark, mysterious 100ms-1200ms trails.\u003cbr\u003e \u003cbr\u003e Like all Moogerfoogers, the MF-104M Super Delay is housed in a rugged steel chassis with wood sides and utilizes CV\/Expression inputs for external control of Time, Rate, Feedback, Amount, and Mix parameters. A delay feedback Insert is also available for adding external effects to the delay line.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCase: Black panel with hardwood sides - classic analog appearance.\u003c\/li\u003e\n\u003cli\u003eDimensions: 9\" x 6\" x 2-1\/2\"\u003c\/li\u003e\n\u003cli\u003eWeight: 3 lbs\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 105-125AC, 5W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDrive: From -7dB to +28dB of input signal gain or attenuation \u003c\/li\u003e\n\u003cli\u003eOutput Level: Use to optimize overall output volume\u003c\/li\u003e\n\u003cli\u003eMix: Cross fader control to set the ratio of wet to dry signal\u003c\/li\u003e\n\u003cli\u003eTime: Control range of 60ms – 1200ms of analog delay time\u003c\/li\u003e\n\u003cli\u003eShort\/Long Range: Select between a short, bright delay 50ms to 600ms and a long, dark delay 100ms to 1200ms\u003c\/li\u003e\n\u003cli\u003eFeedback: Continuous control of delay line output fed back to delay input from no feedback to infinite\u003c\/li\u003e\n\u003cli\u003eWaveshape: Selectable 6 waveshape LFO for modulating the delay time\u003c\/li\u003e\n\u003cli\u003eRate: Controls the LFO rate from 0.05 Hz to 50 Hz (wider range available via CV and MIDI)\u003c\/li\u003e\n\u003cli\u003eAmount: Controls the overall amount of LFO modulation of the delay time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEDs and Switches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTime LED: The LED is red when controlled by the Time knob and Green when controlled by Tap Tempo\u003c\/li\u003e\n\u003cli\u003eLevel LED: Bi-Color LED displays input signal for optimum processing level\u003c\/li\u003e\n\u003cli\u003eBypass LED:      \n\u003cul\u003e\n\u003cli\u003eWhen the effect is on the Bypass LED is green\u003c\/li\u003e\n\u003cli\u003eWhen in Spillover mode the Bypass LED is orange\u003c\/li\u003e\n\u003cli\u003eWhen the effect is off the Bypass LED is red\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRate LED* (indicates both the Rate and Waveform LFO settings):     \n\u003cul\u003e\n\u003cli\u003eRed when the Rate is set from the front panel\u003c\/li\u003e\n\u003cli\u003eGreen when set by Tap Tempo\u003c\/li\u003e\n\u003cli\u003eOrange when the LFO is synced to MIDI clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTap Tempo: Tap Tempo control assignable to Delay Time or LFO Rate by holding down the switch  \n\u003cul\u003e\n\u003cli\u003eTime LED or Rate LED will flash Green to indicate Tap Tempo assignment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpillover Mode: Press and hold Bypass to engage\/disengage Spillover Mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e*\u003cem\u003eNote:\u003c\/em\u003e When synced to MIDI clock, the Rate control is quantized to select only rhythmic subdivisions of the MIDI clock tempo\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRear Panel Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio In: 1\/4” TS jack that accepts any instrument level to line level audio signal\u003c\/li\u003e\n\u003cli\u003eMix Out: 1\/4” TS jack with adjustable output level for instrument or line level output\u003c\/li\u003e\n\u003cli\u003eDelay Out: 1\/4” TS jack that supplies wet-only output\u003c\/li\u003e\n\u003cli\u003eFeedback, Time, LFO Rate, MIX, LFO Amount: All are 1\/4” TRS jacks that accept Moog EP-3 (or equivalent) expression pedals, or 0-5VDC control voltages from either two-circuit (TS) or three-circuit (TRS) 1\/4” jacks\u003c\/li\u003e\n\u003cli\u003eFeedback Insert: 1\/4” TRS jack for inserting effects on the feedback loop of the delay line; supplies line-level output\u003c\/li\u003e\n\u003cli\u003eMIDI In: 5 Pin DIN input for controlling the MF-104M via MIDI\u003c\/li\u003e\n\u003cli\u003e+9VDC Power Jack: Accepts standard 9 volt center positive barrel power adaptor (power adaptor included)     \n\u003cul\u003e\n\u003cli\u003e400mA minimum required\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e“In 2005, we released the MF-104SD, of which only 250 units were ever produced. 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Master Mode allows access to Global Settings and Utilities; Edit Mode allows access to Items stored as a Preset, and performs the Save function; Panel Mode allows access to the presets and is the mode used for performance, as well as performance related features. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOscillators Module\u003c\/strong\u003e\u003cbr\u003eThree wide-range, high stability VCO's (Voltage Controlled Oscillators) with continuously variable waveforms.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo FREQUENCY controls vary the frequencies of Oscillators #2 and #3 over a +\/-7 semitone range with respect to Oscillator #1. \u003c\/li\u003e\n\u003cli\u003eThree OCTAVE selectors set the frequency ranges of the oscillators in six octave steps. \u003c\/li\u003e\n\u003cli\u003eThree WAVE controls provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular. \u003c\/li\u003e\n\u003cli\u003e1-2 SYNC switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects. \u003c\/li\u003e\n\u003cli\u003e3-1 FM switch provides linear frequency modulation of Oscillator #1 by Oscillator #3. \u003c\/li\u003e\n\u003cli\u003e3 KEYBOARD CONTROL switch disconnects Oscillator #3 from control by the keyboard CV, enabling it to function as a drone or a modulation source independent of the keyboard. \u003c\/li\u003e\n\u003cli\u003e3 FREQ switch lowers the frequency of Oscillator #3 into the sub-audio range, enabling it to function as a low frequency audio or modulating oscillator.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMixer Module\u003cbr\u003e\u003c\/strong\u003eFive-input mixer for combining the audio sources prior to filtering.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFive Input Level controls adjust the relative levels of the oscillator, noise, and external audio input signals. \u003c\/li\u003e\n\u003cli\u003eFive Input switches enable the player to quickly switch individual audio signals in and out. \u003c\/li\u003e\n\u003cli\u003eExternal Level LED enables the player to set the correct external audio signal level.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFilters Module\u003c\/strong\u003e\u003cbr\u003eDual mode filter module includes two Moog lowpass-resonant filters in parallel to stereo output or a highpass and lowpass-resonant filters in series, for highpass, bandpass, or lowpass filtering.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCUTOFF control sweeps the frequencies of both filters throughout the audio range. \u003c\/li\u003e\n\u003cli\u003eSPACING control sets the spacing between the frequencies of the two lowpass filters or controls the frequency of the highpass filter, over a +\/-3 octave range. \u003c\/li\u003e\n\u003cli\u003eRESONANCE control adjusts the resonance of both filters, from none to filter oscillation. \u003c\/li\u003e\n\u003cli\u003eKEYBOARD CONTROL AMOUNT control sets how much the filters open and close as the player presses different keys on the keyboard controlling the Voyager Rack Mount. \u003c\/li\u003e\n\u003cli\u003eDUAL LOWPASS\/ HIGHPASS-LOWPASS switch selects between two lowpass filters in parallel or a lowpass and highpass filter in series. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e Envelopes Module\u003c\/strong\u003e\u003cbr\u003eThe Envelopes Module generates two wide-range ADSR (Attack Decay Sustain Release) envelopes. The Filter Envelope sweeps the filter and is available for modulation shaping. The Volume Envelope shapes the overall volume.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo ATTACK controls determine the attack times of the envelopes. \u003c\/li\u003e\n\u003cli\u003eTwo DECAY controls determine the decay time constants of the envelopes. \u003c\/li\u003e\n\u003cli\u003eTwo SUSTAIN controls determine the sustain levels of the envelopes. \u003c\/li\u003e\n\u003cli\u003eTwo RELEASE controls determine the release time constants of the envelopes. \u003c\/li\u003e\n\u003cli\u003eAMOUNT TO FILTER control determines how much the filter envelope will open and close the filter, from full negative (inverted envelope) to full positive (non-inverted envelope). \u003c\/li\u003e\n\u003cli\u003eENVELOPE GATE switch selects whether the envelopes will be triggered by the keyboard or by programmable envelope gate sources, including Keyboard Gate, S+H Gate (LFO), and MIDI Clock, allowing independent triggering of the two envelopes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLFO Module\u003c\/strong\u003e\u003cbr\u003eLow Frequency Oscillator generates triangular, square, Sample \u0026amp; Hold, and smoothed Sample \u0026amp; Hold waveforms for use as modulating signals.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRATE control sets the LFO rate over the range 0.2 Hz (one cycle every five seconds) to 50 Hz (50 times a second). \u003c\/li\u003e\n\u003cli\u003eSYNC selector selects LFO synchronization source to be from the keyboard gate, MIDI Clock, external gate, or off (no synchronization). \u003c\/li\u003e\n\u003cli\u003eRATE LED provides visual indication of the LFO rate. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModulation Busses Module\u003c\/strong\u003e\u003cbr\u003eSelects the sources, destinations, and shaping signals for the MOD WHEEL bus and the PEDAL\/ON bus.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo SOURCE selectors select the modulation source from the LFO waveforms, Oscillator# 3, the MOD2 Voltage, or a software selectable source whose default is noise. \u003c\/li\u003e\n\u003cli\u003eTwo DESTINATION selectors select the modulation destination from the pitch of all the audio oscillators, just Oscillator #2, just Oscillator #3, the filter frequencies, the oscillator waveforms, or a software selectable destination whose default is LFO Rate. \u003c\/li\u003e\n\u003cli\u003eTwo SHAPING selectors select the filter envelope, key pressure signal, key velocity or a software selectable source whose default is on to shape the modulation signal on that bus. \u003c\/li\u003e\n\u003cli\u003eTwo AMOUNT controls set the overall modulation amount for each bus. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Module\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMASTER VOLUME control sets the overall level of the instrument's audio outputs. \u003c\/li\u003e\n\u003cli\u003eHEADPHONE VOLUME control sets the overall level of the headphone output. \u003c\/li\u003e\n\u003cli\u003eHEADPHONES JACK: 1\/4\" tip-ring-sleeve phone jack for regular stereo headphones. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGlide and Fine Tune Module\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGLIDE varies the speed at which the keyboard voltage changes, from instantaneous to several seconds. \u003c\/li\u003e\n\u003cli\u003eFINE TUNE adjusts the overall tuning of the instrument.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449671708775,"sku":"41878","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_41878_1_ef41df9d-947d-459e-8d92-aec571888b30.jpg?v=1787089927"},{"product_id":"moog-little-phatty-molded-ata-case","title":"Moog Little Phatty Molded ATA Case","description":"\u003cp\u003eProtect your investment when you're on the road. The \u003cstrong\u003eMoog Little Phatty Molded case\u003c\/strong\u003e has heavy duty casters and an internal compartment for storing cables.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449686126695,"sku":"30418","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_acc-rc-003_little_phatty_case_open_f34d1e39-ef89-4851-82fb-c72e2b224885.jpg?v=1787089981"},{"product_id":"moog-music-minimoog-voyager-electric-blue-with-bubinga","title":"Moog Music Minimoog Voyager - Electric Blue with Bubinga","description":"\u003cp\u003eLess than 30 of this limited edition \u003cstrong\u003eMinimoog Voyager\u003c\/strong\u003e were made. This model comes with electric blue backlighting and is bundled with one CP-251 and one VX-351. To top it all off, the unit is made with Bubinga wood sides.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eCP-251\u003c\/h3\u003e\r\n\u003cp\u003eThe CP-251 Control Processor can be used in connection with one or more Moogerfooger analog effects modules, the Minimoog Voyager, or other voltage-controlled gear. The CP-251 adds the same kind of power and versatility of the classic MOOG modular synthesizers.  There are two kinds of signals in a modular analog synthesizer: audio and control. As audio signals go through a system of synthesizer modules, they get shaped into the sounds that you hear. Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules.  The CP-251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as two attenuators, a lag processor, a CV mixer and a 4-way mult. This gives you ways to modify, mix, and distribute control voltages to produce the incredible variety of sounds and effects that analog synthesizers are famous for.  Power Supply is included for use with 110 VAC.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eVX-351\u003c\/h3\u003e\r\n\u003cp\u003eThe VX-351 connects to the Voyagers accessory port with the included detachable cable. It houses twenty-one one-quarter inch jacks that are connected to the Voyagers CV and Gate outputs in a CP-251 sized enclosure with an optional rack mount kit. It also includes two 4-way mults and two attenuators. Adding this to your Voyager adds the capabilities of a modular synthesizer. Think: if Voyager = infinite sound possibilities, then Voyager + VX-351 = infinity squared!!!\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449689763943,"sku":"39683","price":3995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_minimoog_voyager_electric_blue_bubinga_bundle_a99ab545-77e5-474f-b7c2-1ae5c97525f9.jpg?v=1787089996"},{"product_id":"moog-ep-3-expression-pedal","title":"Moog EP-3 Expression Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eMoog EP-3 Expression Pedal\u003c\/strong\u003e features a newly designed cam system with extremely smooth performance and durability, a polarity switch that ensures compatibility with non-Moog products, a scalable output knob for specifying musical range, and a ¼” output jack on the front panel that allows you to use the supplied 6.5’ cable, or select a different cable length that perfectly suits your needs.\u003c\/p\u003e\r\n\u003cp\u003eThe EP-3 is built to withstand the rigors of daily abuse and touring, while providing the action and feel you need for precise, musical expression. When paired with Minifooger or Moogerfooger analog effects, the EP-3 unlocks new dimensions of sonic possibilities.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003eWeight: 2.6lbs\u003c\/li\u003e\r\n\u003cli\u003eBoxed Dims: 4” x 3 ½” x 12 ½”\u003c\/li\u003e\r\n\u003cli\u003ePolarity: Selectable\u003c\/li\u003e\r\n\u003cli\u003eSupplied Cable: 6.5’ ¼” TRS - TRS\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449691500647,"sku":"35191","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog-ep-3-23_35191_1_6ae73159-e6d3-4466-b5e9-502e518dbc48.jpg?v=1787090004"},{"product_id":"moog-music-model-15","title":"Moog Music Model 15","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73447437\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73453607\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chl\u003e\u003c\/hl\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eMoog Model 15\u003c\/strong\u003e modular synthesizer is an ultra-powerful, compact studio synthesizer designed for live performance and portability. It is housed in a rugged tolex-encased cabinet and is an ideal solution for the touring synthesist. The Model 15 design focuses on speed, creativity and simplicity while still providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer. The 907 Fixed Filter Bank section of the Model 15 is available in multiple configurations to better suit the needs of the performing musician.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eFaithfully Recreating The Model 15\u003c\/h3\u003e\r\n\u003cp\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog Model 15 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/p\u003e\r\n\u003cp\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/p\u003e\r\n\u003cp\u003eThis limited reissue of the Moog Model 15 modular synthesizer is built to order. Only 150 total units will be made and sold worldwide.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModel 15 Modules\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 907A Fixed Filter Bank\u003c\/li\u003e\r\n\u003cli\u003e2x 911 Envelope Generators\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator\u003c\/li\u003e\r\n\u003cli\u003e1x 921A Oscillator driver\u003c\/li\u003e\r\n\u003cli\u003e2x 921B Oscillators\u003c\/li\u003e\r\n\u003cli\u003e1x 923 Random Noise\/Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 995 Attenuator\u003c\/li\u003e\r\n\u003cli\u003e1x CP15 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 130 Watt 120 VAC Power Supply(230 VAC available upon request)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIncluded Cabling\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e10x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e18x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e1x  - 1.5' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWeight and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 50 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 18” wide x 25” high x 9 ½” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModules and Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifiers: \u003c\/strong\u003eThe 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e907A Fixed Filter Bank: \u003c\/strong\u003eThe 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.    \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator driver: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators: \u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e923 Random Noise\/Filter:\u003c\/strong\u003eThe White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e995 Attenuator: \u003c\/strong\u003eAttenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692581991,"sku":"43758","price":10000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_model_15_6e4de45a-fb46-4b2b-b9dd-31d78a65218b.jpg?v=1787090009"},{"product_id":"moog-music-system-55","title":"Moog Music System 55","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMoog System 55 \u003c\/strong\u003emodular synthesizer is a highly sophisticated and dynamic analog instrument comprised of 36 handcrafted modules and housed in 2 hand-finished solid walnut cabinets. This instrument provides limitless sonic potential and inspiration, while delivering the depth and dimension of sound found only in a vintage Moog modular synthesizer. The System 55 comes equipped with the coveted 960 Sequential Controller for incorporating extensive rhythmic complexity into the creative process.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFaithfully Recreating The System 55\u003c\/h3\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 55 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eThis limited reissue of the Moog System 55 modular synthesizer is built to order. Only 55 total units will be made and sold worldwide.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSystem 55 Modules\u003c\/h3\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e5x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 903A Random Signal Generator\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 904B Voltage Controlled High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e5x 911 Envelope Generators\u003c\/li\u003e\r\n\u003cli\u003e1x 911A Dual Trigger Delay\u003c\/li\u003e\r\n\u003cli\u003e1x 914 Fixed Filter Bank\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator\u003c\/li\u003e\r\n\u003cli\u003e2x 921A Oscillator Drivers\u003c\/li\u003e\r\n\u003cli\u003e6x 921B Oscillators\u003c\/li\u003e\r\n\u003cli\u003e1x 960 Sequential Controller\u003c\/li\u003e\r\n\u003cli\u003e1x 961 Interface\u003c\/li\u003e\r\n\u003cli\u003e1x 962 Sequential Switch\u003c\/li\u003e\r\n\u003cli\u003e1x 992 Control Voltage Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 993 Trigger and Envelope Voltages Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 994 Dual Multiples Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 995 Attenuator\u003c\/li\u003e\r\n\u003cli\u003e1x CP2 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e3x CP3A Console Panels\u003c\/li\u003e\r\n\u003cli\u003e1x CP8 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 350 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eIncluded Patch Cabling\u003c\/h3\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e14x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e12x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e12x - 3' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e6x  - 4' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e4x  - 5' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e3x  - 3' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eWeights and Dimensions\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eMain Cabinet\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 100 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 15 ½” high x 14” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUpper Cabinet\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 60 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 10” high x 8 ½” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eModules And Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifier: \u003c\/strong\u003eThe 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e903A Random Signal Generator: \u003c\/strong\u003eThe Random Signal Generator produces continuous bursts of random frequencies and waveshape from approximately 25Hz to 20kHz. Two types of energy distribution are provided: white noise and pink noise. The former distributes amplitude evenly throughout the indicated audio spectrum- The latter reduces the amplitude of each frequency increment proportionally to produce equal energy per octave. Pink noise, thus, sounds \"lower\" in pitch to the ear.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904B Voltage Controlled High Pass Filter: \u003c\/strong\u003eThe 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003c\/p\u003e\r\n\u003cp\u003eThe Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format via the 961 Interface.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911A Dual Trigger Delay: \u003c\/strong\u003eThe 911A Dual Trigger Delay is designed to be used with 2 or more 911 Envelope Generators. It provides one or two time delays on an input trigger voltage - bound for the activation of an envelope switch trigger. Three different modes of operation are available via coupling mode switch:\u003c\/p\u003e\r\n\u003cp\u003eOFF: Delays are activated independently through individual trigger inputs.\u003c\/p\u003e\r\n\u003cp\u003ePARALLEL: Trigger input to top 911A activates timing circuit on both simultaneously.\u003c\/p\u003e\r\n\u003cp\u003eSERIES: Trigger input to top 911A activates top timing circuit then triggers second upon activation of first.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e914 Fixed Filter Bank: \u003c\/strong\u003eSimilar in function to the Moog 907A Fixed Filter Bank, the 914 Extended Range Fixed Filter Bank is a non-voltage controlled modifier with 14 separate passband controls: high pass, low pass and 12 center frequency knobs. Each passband range has an attenuation slope of 12dB per octave above or below the center frequency indicated\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator Drivers: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators:\u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e960 Sequential Controller: \u003c\/strong\u003eThe 960 Sequential Controller has a wide variation of functions, both as an independent module and in combination with the 961Interface and 962 Sequential Switch.\u003c\/p\u003e\r\n\u003cp\u003eThe sequencer module consists of a voltage controlled clock oscillator, which drives three rows of eight steps each. Indicator lights show sequence and step position status. A separate potentiometer for each step permits up to eight different voltage settings to be selected for each row. The DC voltage output corresponds to the column of pots below the lighted stage. Voltage range switches for each row determine the DC voltage range of each pot with two volts {X1}, four volts {X2}, or eight volts{X4} maximum extents. Two parallel outputs are provided for each row. Jacks for trigger inputs and outputs appear below each column. Trigger inputs activate that stage independently of the clock oscillator trigger. Trigger outputs are available for any other V-trigger activated input. Manual trigger buttons as well,are included for each of the eight stages {found below the V-trigger jacks}. Switches found immediately below each step position permit normal, skip or stop functions. A ninth position providing skip {continuous progression through the eight steps}or stop {one progression to closure} functions is included at the end of the row. Timing control for the eight steps is accomplished via the Third Row Control of Timing switch. This switch connects the third row of the sequencer into the control input of the clock speed for each stage according to the settings on the third-row potentiometers. The Shift input admits an external clock input to the sequencing circuit. This input may be used in addition to or exclusive of the internal clock oscillator trigger. Manual shift from step to step is accomplished with the button next to the shift input jack, as well as individual manual trigger buttons for each step found under each step column.\u003c\/p\u003e\r\n\u003cp\u003eManual buttons or external v-trigger sources initiate the clock oscillator start and stop functions. The clock oscillator is capable of producing frequencies from .1Hz to 1kHz. It has both octave {range} and vernier {fine adjust} controls. One control input jack is available, as well as one rectangular wave output {approximately 90\/10% duty cycle}. The clock oscillator, like other Moog oscillators, is standardized to one volt per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e961 Interface: \u003c\/strong\u003eFour independent circuits are found on the 961 Interface: one Audio-In to V-trigger Out circuit, one S-trigger In to V-Trigger Out circuit, and two V-trigger In to S-trigger Out circuits. All interface circuits may be used simultaneously, in combination, or separately.\u003c\/p\u003e\r\n\u003cp\u003eThe Audio to V-trigger circuit generates V-triggers when the audio input level rises above the threshold set on the Sensitivity potentiometer. This V-trigger sensitivity varies with the frequency band of the audio signal and with the frequency of its amplitude peaks. V-trigger duration is commensurate with the length of time the audio signal remains above the sensitivity threshold. Two parallel V-trigger outputs are included.\u003c\/p\u003e\r\n\u003cp\u003eThe S-trigger to V-trigger circuits converts any Short-to-ground trigger input to a v-trigger output.\u003c\/p\u003e\r\n\u003cp\u003eEach V-trigger In to S-trigger Out circuit has two columns of six jacks each for input triggers and one S-trigger output. Column A of the V-trigger inputs will convert V-trigger signals to S-triggers with duration equal to the input. Column B determines S-trigger duration by the Switch-on-time knob ONLY. B Column S-triggers will block, extend or fore-shorten Column B V-trigger inputs to conform to whatever duration is indicated on the B-column potentiometer. A minimum switch-on-time of 40 milliseconds and maximum time of 4 seconds duration is available. Simultaneous inputs to both A and B columns may be made. Simultaneous inputs to two parallel jacks will result in the longer of the two trigger signals being accepted.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e962 Sequential Switch: \u003c\/strong\u003eThe 962 Sequential Switch selects between two or three signal inputs, coupling one signal to the output jack at a time. A V-trigger pulse introduced to the Shift Input initiates the sequence. The Sequential Switch will alternate between stages One and Two, disregarding stage three until a standard {tip-sleeve} phone plug is patched into Signal Input Three. A connection to Input Three will cause the Sequential Switch to alternate between the three stages {in order) when triggered. Separate V-trigger input and output jacks are provided far each of the three stages, as well as buttons for manual switching. A small light for each stage indicates its status, on {coupled to the output} or off.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e992 Control Voltage Panel: \u003c\/strong\u003eThe 992 Control Voltage Panel is used for routing up to four control voltage signals to the 904B Low Pass Filter. The fourth input on the panel contains a signal inverting attenuator circuit.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e993 Trigger and Envelope Voltages Panel: \u003c\/strong\u003eThe Trigger and Envelope Voltages Panel is a signal routing module for S-triggers coming from one or two controllers. Lighted switches labeled \"FROM 1\" and \"FROM 2\" at the top of the panel connect the controller trigger outputs (when lighted) to the 911A Dual Trigger Delay. The lower three left hand column switches route the trigger signal as follows: top switch - to left 911 with no delay, center switch - to center 911 with delay set by top 911A delay unit, bottom switch - to the right 911 with delay set by the bottom 911A. The right hand green switches connect the DC control voltages from the 911's to their respective 902 Voltage Controlled Amplifiers: Left to left, center to center, right to right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e994 Dual Multiples Panel: \u003c\/strong\u003eThe multiple is a device, which permits multiple distribution of one signal to several different places. This process is often called signal splitting. Multiples are used for many purposes; from linking two patch cords together, sending a single signal to several different modules at the same time, to doubling or trebling the amplitude of a signal by sending it X3 to a particular source.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e995 Attenuator: \u003c\/strong\u003eAttenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCP3A Console Panels:\u003c\/strong\u003eThe CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692549223,"sku":"43756","price":35000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_system_55_b0f9c943-3e3c-4168-803f-70f5c4fc2be9.jpg?v=1787090010"},{"product_id":"moog-music-system-35","title":"Moog Music System 35","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73447437\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73453607\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chl\u003e\u003c\/hl\u003e\r\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMoog System 35\u003c\/strong\u003e modular synthesizer is a well-refined 5-oscillator instrument comprised of 22 handcrafted analog modules and housed in a hand-finished solid walnut cabinet. This elegant studio solution has been faithfully recreated to be the centerpiece of inspiration and sound in the modern composition studio, and delivers all of the sonic depth and dimension found only in a vintage Moog modular synthesizer. Also available configured with an additional 960 Sequencer Complement B. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eFaithfully Recreating The System 35\u003c\/h3\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis limited reissue of the Moog System 35 modular synthesizer is built to order. Only 35 total units will be made and sold worldwide.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSystem 35 Modules\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 904B Voltage Controlled High Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 907A Fixed Filter Bank:\u003c\/li\u003e\r\n\u003cli\u003e3x 911 Envelope Generators:\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator:\u003c\/li\u003e\r\n\u003cli\u003e2x 921A Oscillator drivers:\u003c\/li\u003e\r\n\u003cli\u003e4x 921B Oscillators:\u003c\/li\u003e\r\n\u003cli\u003e1x 923 Random Noise\/Filter:\u003c\/li\u003e\r\n\u003cli\u003e2x CP3A Console Panels:\u003c\/li\u003e\r\n\u003cli\u003e1x CP4A Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x CP8A Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x CP35 Console Panel:\u003c\/li\u003e\r\n\u003cli\u003e1x 180 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIncluded Patch Cabling\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e10x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e8x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e8x - 3' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e4x  - 4' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 5' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 3' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWeights and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 100 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 48 ½” wide x 15 ½” high x 14” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModules And Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifier\u003c\/strong\u003e: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904B Voltage Controlled High Pass Filter: \u003c\/strong\u003eThe 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003c\/p\u003e\r\n\u003cp\u003eThe Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e907A Fixed Filter Bank: \u003c\/strong\u003eThe 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator drivers: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators: \u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e923 Random Noise\/Filter: \u003c\/strong\u003eThe White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCP3A Console Panels: \u003c\/strong\u003eThe CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449692647527,"sku":"43757","price":22000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_system_35_1_640358c2-fc95-4592-aed8-009254f06ab2.jpg?v=1787090009"},{"product_id":"moog-minifooger-chorus","title":"Moog Minifooger Chorus","description":"100%-analog Bucket-brigade-delay-based Modulation Effect with a Wide Range of Chorus and Vibrato Effects and Expression-pedal Control","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449693368423,"sku":"44047","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_mf_chorus_front_cb9b7d3a-15b6-436b-94b8-c59ea72bd9c3.jpg?v=1787090013"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/moog-music.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}