{"title":"Mutable Instruments","description":null,"products":[{"product_id":"mutable-instruments-braids","title":"Mutable Instruments Braids","description":"\u003cp\u003e\u003cstrong\u003eBraids by Mutable Instruments\u003c\/strong\u003e is a voltage-controlled monophonic digital sound source.\u003c\/p\u003e\r\n\u003cp\u003eSound source… like an oscillator? Not really.\u003c\/p\u003e\r\n\u003cp\u003eMost of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators – that’s why we call it a macro-oscillator – intricate digital synthesis algorithms wrapped in oscillator’s clothes.\u003c\/p\u003e\r\n\u003cp\u003eEach algorithm is controlled by two continuously variable parameters, Timbre and Color, both of them voltage controllable. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup.\u003c\/p\u003e\r\n\u003ch3\u003eSynthesis algorithms\u003c\/h3\u003e\r\n\u003ch4\u003eAnalog synthesis\u003c\/h4\u003e\r\n\u003col\u003e\r\n\u003cli\u003eSawtooth with CS-80-style “tooth”-impurity. Modulating the tooth width and polarity creates phasing and timbre animation.\u003c\/li\u003e\r\n\u003cli\u003eContinuous morphing through triangle, sawtooth, square and pulse waveshapes. With adjustable overdrive and coloration.\u003c\/li\u003e\r\n\u003cli\u003eSawtooth and square morphing. Continuous interpolation between the two shapes; and pulse-width modulation controls. Pulse-width modulation is applied to the sawtooth wave too, resulting in a thick “animated saw” sound.\u003c\/li\u003e\r\n\u003cli\u003eDual square or saw wave with hard sync, with frequency ratio and balance control.\u003c\/li\u003e\r\n\u003cli\u003eTriangle and sine, with continuous interpolation between the two shapes; and wave multiplier.\u003c\/li\u003e\r\n\u003cli\u003eTriple saw, square, triangle or sine.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eDirect digital synthesis\u003c\/h4\u003e\r\n\u003cli\u003eThree ring-modulated sine waves, with detune controls.\u003c\/li\u003e\r\n\u003cli\u003eBand-limited dual pulse train, with bandwidth and detune controls.\u003c\/li\u003e\r\n\u003cli\u003eSwarm of seven sawtooth waves, with detune and high-pass filtering controls.\u003c\/li\u003e\r\n\u003cli\u003eDigital Sawtooth wave sent into a tuned delay line (comb filter) with positive and negative feedback.\u003c\/li\u003e\r\n\u003cli\u003eToy keyboard-like waveform generation, with waveshape and bitcrushing parameters.\u003c\/li\u003e\r\n\u003cli\u003eDirect digital emulation of triangle\u003c\/li\u003e\r\n\u003cli\u003esawtooth and square waves sent into low-pass, peaking, band-pass and high-pass filters (Casio CZ meets Roland D-50)\u003c\/li\u003e\r\n\u003cli\u003eCutoff frequency\u003c\/li\u003e\r\n\u003cli\u003ewaveshaping controls.\u003c\/li\u003e\r\n\u003ch4\u003eVocal synthesis\u003c\/h4\u003e\r\n\u003cli\u003eVOSIM synthesis with bell-shaped carrier; control over the frequency position of two formants.\u003c\/li\u003e\r\n\u003cli\u003e80s Home-computer vowel synthesis, with vowel and approximative chipmunk-approved vocal range control.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eFOF vowel synthesis, with vowel and voice range (bass to soprano) control.\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eAdditive harmonics with harmonic emphasis.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eFM\u003c\/h4\u003e\r\n\u003cli\u003eTwo-operators FM \u003c\/li\u003e\r\n\u003cli\u003eFM index and carrier\/modulator ratio controls.\u003c\/li\u003e\r\n\u003cli\u003eVariants with rough feedback and chaotic behavior.\u003c\/li\u003e\r\n\u003ch4\u003eSimulations\u003c\/h4\u003e\r\n\u003cli\u003ePlucked string simulation, with strength\/pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003ebowed string simulation\u003c\/li\u003e\r\n\u003cli\u003eBlown pipe simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eFlute simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eAdditive bell \u003c\/li\u003e\r\n\u003cli\u003eDrum\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 kick\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 snare\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 hi-hat \u003c\/li\u003e\r\n\u003ch4\u003eWavetables\u003c\/h4\u003e\r\n\u003cli\u003e33 waveforms distributed over 20 wavetable with quantized wavetable selector, and smooth interpolation within a wavetable.\u003c\/li\u003e\r\n\u003cli\u003e256 waveforms optimally laid out in a 16×16 map, with smooth XY interpolation across the map.\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic wavetable synthesis, with chord control.\u003c\/li\u003e\r\n\u003ch4\u003eNoise\u003c\/h4\u003e\r\n\u003cli\u003ePitched noise source with state variable filter; Q and Oberheim-style filter mode (LP to notch to HP) controls.\u003c\/li\u003e\r\n\u003cli\u003ePitched noise source with dual bandpass filters; Q and separation controls.\u003c\/li\u003e\r\n\u003cli\u003eClocked noise, with adjustable cycle length, and adjustable quantization.\u003c\/li\u003e\r\n\u003cli\u003eGranular cloud with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eParticle system simulation (“bag of stuff”) with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eSimulation of telecommunications digital modulator.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003ch3\u003eInputs and outputs\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTrigger input (required for the simulations which require an onset\/excitation impulse, or to trigger the internal AD envelope).\u003c\/li\u003e\r\n\u003cli\u003eV\/Oct CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter. This uses a finer conversion resolution than the V\/Oct input, making it suitable for subtle modulations with a resolution of 1 cent.\u003c\/li\u003e\r\n\u003cli\u003eTimbre CV input with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eColor CV input.\u003c\/li\u003e\r\n\u003cli\u003eAudio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured in september 2015 or later)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 100mA ; -12V: 15mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured before september 2015)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5V voltage source needed (for example Mutable Instruments Volts).\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 15mA ; -12V: 15mA ; +5V: 85mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750483047,"sku":"50087","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_braids_top_df14f36b-9e69-4f2b-83a0-21be6fae38e8.jpg?v=1787090254"},{"product_id":"mutable-instruments-branches","title":"Mutable Instruments Branches","description":"\u003cp\u003e\u003cstrong\u003eBranches Dual Bernoulli Gate\u003c\/strong\u003e takes a logic signal (trigger or gate) as an input, and routes it to either of its two outputs according to a random coin toss. The knob controls how fair the coin toss is – with the knob in minimal position, the first output always win, with the knob in maximal position the second output always wins – with random fun in-between. And obviously, this bias is CV-controllable!\u003c\/p\u003e\r\n\r\n\u003cp\u003eBranches packs two such gates in a small 6-HP panel. Get a sequencer to randomly skip steps, randomize drum patterns, dispatch events from a sequence to two subpatches, or patch a monster modular Pachinko machine…\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput specifications: 100k impedance, 0.6V threshold.\u003c\/li\u003e\r\n\u003cli\u003eOutput specifications: 5V HIGH level.\u003c\/li\u003e\r\n\u003cli\u003eResponse time: 15µs.\u003c\/li\u003e\r\n\u003cli\u003e6-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 10mA, -12V: 1mA.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750548583,"sku":"50095","price":101.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_branches_68a78c70-4470-4d5e-956c-afd8f924fc5e.jpg?v=1787090255"},{"product_id":"mutable-instruments-clouds","title":"Mutable Instruments Clouds","description":"\u003cp\u003e\u003cstrong\u003eClouds by Mutable Instruments\u003c\/strong\u003e is a granular audio processor – with a couple of twists.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnlike granular sample players, Clouds is focused on the realtime granularization of incoming audio signals, and the acquisition of textures from them.\u003c\/p\u003e\r\n\r\n\u003cp\u003eClassic controls such as grain position, size, and pitch are provided. Clouds can superimpose many grains simultaneously (at least 40, depending on the CPU used by its other features) and thus create thick textures. Control over texture density, independently of grain size, is thus provided. An external trigger input allows grains to be seeded in sync with LFOs or rhythmic generators.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo provide a richer variety of timbres, Clouds allows the shape of the grain’s envelope to be morphed – from sharp rectangular edges to a smooth bell curve. In addition, a diffusion network can further dissolve the edges of grains into blurry textures.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo cover various applications of granular synthesis without the need for additional modules, Clouds’ comes with four “blending” settings for mixing and re-routing its output signal: dry\/wet balance, random panning amount, feedback amount, and reverberation amount. Voltage control over one of those four parameters is possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eClouds’ delay memory ranges from 1s to 8s depending on audio quality settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOther surprises have been packed in Clouds, including alternative looping delay and pitch-shift\/time-stretch modes… and a very strange spectral buffer freeze\/glitch.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFreeze push-button.\u003c\/li\u003e\r\n\u003cli\u003eBlending setting (or audio quality) selection button.\u003c\/li\u003e\r\n\u003cli\u003eLoad\/save button.\u003c\/li\u003e\r\n\u003cli\u003eGrain position, size and pitch knobs.\u003c\/li\u003e\r\n\u003cli\u003eInput gain knob, -18dB to 6dB.\u003c\/li\u003e\r\n\u003cli\u003eGrain density and texture knobs.\u003c\/li\u003e\r\n\u003cli\u003eMulti-function “Blending mode” knob.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eInputs and outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBuffer freeze gate input.\u003c\/li\u003e\r\n\u003cli\u003eGrain generation trigger input.\u003c\/li\u003e\r\n\u003cli\u003eGrain position CV.\u003c\/li\u003e\r\n\u003cli\u003eGrain size CV.\u003c\/li\u003e\r\n\u003cli\u003ePitch-shifting\/transposition 1V\/Oct CV.\u003c\/li\u003e\r\n\u003cli\u003eDry\/wet CV (or feedback, balance, reverb amount – depending on blend mode).\u003c\/li\u003e\r\n\u003cli\u003eGrain density CV.\u003c\/li\u003e\r\n\u003cli\u003eGrain texture\/timbre CV.\u003c\/li\u003e\r\n\u003cli\u003e2-channel audio input (line-level, with pre-amplifier\/attenuator).\u003c\/li\u003e\r\n\u003cli\u003e2-channel audio output (modular level).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedances: 100k.\u003c\/li\u003e\r\n\u003cli\u003eCV range: +\/- 5V. CVs outside of this range are simply clipped.\u003c\/li\u003e\r\n\u003cli\u003eInternal processing: 32kHz, 32-bit floating point. RAM Recording buffer uses 16-bit (high quality) or 8-bit µ-law (low quality) resolution.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M4 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003e18-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 120mA ; -12V: 10mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750614119,"sku":"50090","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_clouds_6230f72f-9d98-4f91-86c4-7e2aef38bfee.jpg?v=1787090255"},{"product_id":"mutable-instruments-elements","title":"Mutable Instruments Elements","description":"\u003cp\u003e\u003cstrong\u003eElements by Mutable Instruments\u003c\/strong\u003e is a full-blown synthesis voice based on modal synthesis – an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback… or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank – an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes…) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds – often beyond physical realism – but always well controlled and stable. The “dark spots” of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free – what you dial\/patch is what you hear!\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch3\u003eExcitation signal generator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThree generators with mixer: bowing noise, blowing noise, percussive impulses.\u003c\/li\u003e\r\n\u003cli\u003eEnvelope contour for bowing and blowing.\u003c\/li\u003e\r\n\u003cli\u003eBowing noise generator: particle-like scratching noise with 2-pole low-pass filter.\u003c\/li\u003e\r\n\u003cli\u003eBlowing noise generator: granular pitched noise with wavetable-like scanning between various tone colors.\u003c\/li\u003e\r\n\u003cli\u003ePercussive impulse generator: interpolates through a collection of impulsive excitations – including sampled sticks, brushes and hammers, and models of damped mallets, plectrums, or bouncy particles. 2-pole low-pass filter and pitch control.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eModal resonator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInternally uses 64 zero-delay feedback state variable filters.\u003c\/li\u003e\r\n\u003cli\u003eCoarse, fine and FM frequency controls.\u003c\/li\u003e\r\n\u003cli\u003eGeometry: Interpolates through a collection of structures, including plates, strings, tubes, bowls.\u003c\/li\u003e\r\n\u003cli\u003eBrightness. Specifies the character of the material the resonating structure is made of – from wood to glass, from nylon to steel.\u003c\/li\u003e\r\n\u003cli\u003eDamping. Adds damping to the sound – simulates a “wet” material or the muting of the vibrations.\u003c\/li\u003e\r\n\u003cli\u003ePosition. Specifies at which point the structure is excited.\u003c\/li\u003e\r\n\u003cli\u003eSpace. Creates an increasingly rich stereo output by capturing the sound at two different points of the structure, and then adds more space through algorithmic reverberation.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eInputs \u0026amp; Outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll exciter and resonator parameters have a dedicated CV input with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003e1V\/Oct input for controlling main resonator frequency.\u003c\/li\u003e\r\n\u003cli\u003eFM input.\u003c\/li\u003e\r\n\u003cli\u003eGate input.\u003c\/li\u003e\r\n\u003cli\u003eStrength input, for amplitude control of the exciter section.\u003c\/li\u003e\r\n\u003cli\u003ePre- and post- exciter envelope external audio inputs.\u003c\/li\u003e\r\n\u003cli\u003eStereo audio output, with adjustable width\/reverberation. It is also possible to output the raw exciter signal on one channel, and the raw resonator signal on the other.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedances: 100k.\u003c\/li\u003e\r\n\u003cli\u003eCV range: +\/- 8V. CVs outside of this range are simply clipped.\u003c\/li\u003e\r\n\u003cli\u003eAudio acquisition and restitution: 16-bit, 32kHz (Kindly note that Elements’ synthesis method is inherently band-limited; and that the module synthesizes “full-bodied” sounds – the choice of 32kHz is deliberate and should not be seen as a limitation).\u003c\/li\u003e\r\n\u003cli\u003eInternal computations on 32-bit floating point numbers.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M4 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003e34-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 130mA ; -12V: 10mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750581351,"sku":"50097","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-elements_582a2207-cce2-4325-9472-56f07cb18a75.jpg?v=1787090255"},{"product_id":"mutable-instruments-frames","title":"Mutable Instruments Frames","description":"\u003cp\u003eThe heart of \u003cstrong\u003eFrames\u003c\/strong\u003e is a 4-channel analog VCA under tight digital control. Through flexible input\/output mixing and normalling options, it can be patched to serve the following purposes (among others):\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4-channel attenuator\/VCA.\u003c\/li\u003e\r\n\u003cli\u003e4-channel mixer.\u003c\/li\u003e\r\n\u003cli\u003e4-channel programmable CV source.\u003c\/li\u003e\r\n\u003cli\u003eQuadraphonic signal dispatcher.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eBut what makes Frames truly unique is the way in which channel\/CV levels can be controlled, using a technique inspired by computer animation. Frames allows up to 64 configurations of the 4 level knobs to be stored and recalled throughout the course of its big Frame knob. By rotating the knob (or sending a CV to the Frame modulation input and adjusting its amount with the attenuverter), the configurations are morphed into one another.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo fine-tune the animation and get varied morphing or sequencing results, the following options are available for each of the 4 channel:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eEasing curve (stepped, linear, exponential, logarithmic, sine, bouncy)\u003c\/li\u003e\r\n\u003cli\u003eAttenuation response of the level knob, from linear to logarithmic\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eWith a bit of patching and imagination, Frames can also be repurposed as a 4-channel sequencer, a multi-stage envelope generator or a trajectory generator for quadraphonic panning…\u003c\/p\u003e\r\n\r\n\u003cp\u003eMutable Instruments modules are packed with features and Frames is no exception: Frames can switch easily to an entirely different mode of operation in which it becomes a wavetable quadrature LFO.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInterpolation engine\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUp to 64 keyframes, each keyframe storing 4 CV\/gains.\u003c\/li\u003e\r\n\u003cli\u003ePer-channel easing curve selection: stepped (no interpolation), linear, accelerating, decelerating, sine, bouncy.\u003c\/li\u003e\r\n\u003cli\u003ePer-channel CV\/VCA response selection, from linear to logarithmic.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eInputs\/Outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 DC-coupled signal inputs.\u003c\/li\u003e\r\n\u003cli\u003e4 DC-coupled signal outputs.\u003c\/li\u003e\r\n\u003cli\u003eGlobal signal input, sent to all unconnected inputs.\u003c\/li\u003e\r\n\u003cli\u003eInternal precision +5V\/+10V voltage reference, can be connected to all unused inputs to turn them into CV sources.\u003c\/li\u003e\r\n\u003cli\u003eGlobal mix output, collecting signals from all unconnected outputs.\u003c\/li\u003e\r\n\u003cli\u003eFrame control CV input.\u003c\/li\u003e\r\n\u003cli\u003eKeyframe change trigger output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCV input impedance: 100k.\u003c\/li\u003e\r\n\u003cli\u003eAudio input impedance: 100k (25k for the global input in some configurations due to normalling).\u003c\/li\u003e\r\n\u003cli\u003eAnalog audio path, with low-noise\/distortion VCA core (V2164).\u003c\/li\u003e\r\n\u003cli\u003eFastest modulation rate: 15kHz.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e18-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 90mA ; -12V: 30mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750646887,"sku":"50088","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_frames_straight2_e3ad5d14-972f-4e54-a41b-baebaf364a3d.jpg?v=1787090255"},{"product_id":"mutable-instruments-grids","title":"Mutable Instruments Grids","description":"\u003cp\u003eTake the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you’ve got a drum pattern generator like no other.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGrids’\u003c\/strong\u003e “brain” is a map of the typical drum patterns used in (mostly electronic) music, laid out by similarity, trained on a large corpus of drum loops. The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBut Grids’ knowledge of drum patterns goes far beyond what would be achieved with presets – given a position in the map, thousands of variations can be intuitively generated by controlling the “event density” of each of the 3 channels (bd, sd, hh) – gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdd CV-control on these parameters and you can add subtle or drastic variations to the drum pattern. If you don’t want to waste a noise source or S\u0026amp;H for that, Grids has its own internal source of randomness that can unpredictably spice the pattern, in an always meaningful way.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilding the rhythmic foundation of your tracks with Grids is fun, surprisingly intuitive, with modulation and variations possibilities that will rapidly make you forget x0x-style sequencers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e Most generated patterns will work best with channel 1 = BD, channel 2 = SD, channel 3 = HH or percussion, though variations are possible!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eI\/O and controls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eClock input.\u003c\/li\u003e\r\n\u003cli\u003eInternal clock with a 40 to 240 BPM range (internal clock is paused when the tempo is set below 40 BPM).\u003c\/li\u003e\r\n\u003cli\u003ePattern reset trigger input.\u003c\/li\u003e\r\n\u003cli\u003eBeat indicator\/tap tempo button.\u003c\/li\u003e\r\n\u003cli\u003eLatitude\/Longitude knobs with CV input (range: 0 to 5V, protected).\u003c\/li\u003e\r\n\u003cli\u003eRandomness knob with CV input (range: 0 to 5V, protected).\u003c\/li\u003e\r\n\u003cli\u003ePattern complexity\/density knobs for channels 1, 2, 3 with CV inputs (range: 0 to 5V, protected).\u003c\/li\u003e\r\n\u003cli\u003e5V trigger and accent outputs for channels 1, 2, 3.\u003c\/li\u003e\r\n\u003cli\u003eSecret 3-channel euclidean sequencer mode.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSettings \/ options\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eClock resolution: 24ppqn, 8ppqn, 4ppqn.\u003c\/li\u003e\r\n\u003cli\u003eThe tap tempo button\/beat LED can also be configured as a reset button\/beginning of pattern LED.\u003c\/li\u003e\r\n\u003cli\u003e3-channel euclidean sequencer mode.\u003c\/li\u003e\r\n\u003cli\u003eAlternative output layout with Clock\/Reset outputs instead of Accent 2 and Accent 3.\u003c\/li\u003e\r\n\u003cli\u003eTrigger or Gate output mode.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eUnlockable items for DIY heroes\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBonus clock output!\u003c\/li\u003e\r\n\u003cli\u003eBonus random gate output!\u003c\/li\u003e\r\n\u003cli\u003eMIDI interface responding to start\/stop\/clock messages!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 500 Hz.\u003c\/li\u003e\r\n\u003cli\u003eClock resolution and MIDI processing latency: 120µs (Worst case jitter \u0026lt; 0.5% at 120 BPM). Independent benchmark here.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 25mA ; -12V: 1mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750679655,"sku":"50089","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_grids_top_bdf59ce1-e97d-42a5-b2b6-77b21c1312a0.jpg?v=1787090255"},{"product_id":"mutable-instruments-peaks","title":"Mutable Instruments Peaks","description":"\u003cp\u003e\u003cstrong\u003ePeaks by Mutable Instruments\u003c\/strong\u003e provides 4 different functions in a small 8-HP package. Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePeaks is a dual-channel module – making it very useful for duophonic patches or for controlling\/synthesizing the kick\/snare rhythmic backbone of a patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic ADSR\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSegment durations ranging from 0.2ms to 8s.\u003c\/li\u003e\r\n\u003cli\u003eQuartic attack, exponential decay, exponential release.\u003c\/li\u003e\r\n\u003cli\u003eOther fancy modes implemented in the code, waiting to be unlocked!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks’ first function is a no-frills ADSR envelope with segment times going from 0.2ms to 8s.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLFO and tap LFO\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e0.03 Hz to 160 Hz.\u003c\/li\u003e\r\n\u003cli\u003e5 basic waveforms: square, triangle, sine, stepped, random.\u003c\/li\u003e\r\n\u003cli\u003eWaveform variations and morphing for each of these: PWM, slope, folding\/harmonics, step size, interpolation.\u003c\/li\u003e\r\n\u003cli\u003ePhase at reset control.\u003c\/li\u003e\r\n\u003cli\u003eTap LFO can lock onto irregular rhythms.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks’ can work as a free-running, resettable LFO, or as a tempo synchronized LFO.\u003c\/p\u003e\r\n\r\n\u003cp\u003e5 waveforms are available, each of them with a shape\/morphing parameter: wavefolded sine, variable slope triangle, PWM square, stepped triangle and sampled\/interpolated noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA unique feature of Peaks is its ability to lock onto irregular sequence of taps: the module can detect the periodicity of the incoming trigger pattern, and adjust the duration of the LFO cycles accordingly.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDrum Generator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eChannel 1: 808 kick model with extra parameters (tune, punch).\u003c\/li\u003e\r\n\u003cli\u003eChannel 2: 808 snare model with extra parameters (tune, decay).\u003c\/li\u003e\r\n\u003cli\u003eChannel 2: A specific combination of settings transform the snare into a modelled 808 hi-hat.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003ePeaks can synthesize bass-drum, snare-drum and hi-hat sounds using a digital model of the TR-808 circuits. An alternate drum generation mode synthesizes more aggressive FM-style drum sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs, controls and outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 parameter edition pots.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger inputs.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger push-buttons.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 CV\/audio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e16-bit CV\/audio generation with 48kHz sample rate.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 60mA ; -12V: 2mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750712423,"sku":"50092","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_peaks_f29d7cc1-3947-43d3-a90a-9bdccad4ba50.jpg?v=1787090255"},{"product_id":"mutable-instruments-ripples","title":"Mutable Instruments Ripples","description":"\u003cp\u003e\u003cstrong\u003eRipples by Mutable Instruments\u003c\/strong\u003e delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments’ lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.\u003c\/p\u003e\r\n\r\n\u003cp\u003e3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelf-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from “loudness drop” when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH\/Jupiter filters, with a very round and “liquid” resonance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good “final stage” module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSignal in\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 1 (1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eResonance CV. Self oscillation starts at 4V. Control voltages above 5V are non-linearly compressed, for fine control of resonance overdrive\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 2 (with bipolar attenuator, from -1V\/Oct to 1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eVCA level. Control voltages above 5V are non-linearly compressed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCutoff frequency, 18Hz to 18kHz\u003c\/li\u003e\r\n\u003cli\u003eResonance (self oscillation at 80%)\u003c\/li\u003e\r\n\u003cli\u003eAttenuverter on Frequency CV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eOutputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e2-pole BP\u003c\/li\u003e\r\n\u003cli\u003e2-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP attenuated by VCA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFully analog, based on SSM2164 low noise\/distortion quad VCA chip, and LM13700 OTA for that extra bit of non-linearity.\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV inputs impedance: 100k.\u003c\/li\u003e\r\n\u003cli\u003eAudio input impedance: 75k.\u003c\/li\u003e\r\n\u003cli\u003eResonance and VCA CV input impedance: 30k.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 35mA ; -12V: 35mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750745191,"sku":"50091","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_ripples_top_a7aed7c2-e2ba-4169-bfac-ee8f4e92f4fe.jpg?v=1787090255"},{"product_id":"mutable-instruments-shelves","title":"Mutable Instruments Shelves","description":"\u003cp\u003e\u003cstrong\u003eShelves by Mutable Instruments\u003c\/strong\u003e brings to Eurorack modular systems something we are all very familiar with: the 4-band parametric EQ typically found in console channel strips. But this time, there’s CV control! The first band is a low-pass shelving filter, the fourth band a high-pass shelving filter, and band #2 and #3 have full-blown parametric controls with bandwidth (Q) adjustment. All analog.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShelves will provide a subtler spectral shaping \u0026amp; coloring than standard multimode filters. It is particularly useful in the feedback loop of effects or more generally in feedback patches in which the slightest tonal change has drastic consequences. Or as a novel way of shaping sounds obtained by west-coast techniques. Or as a formant-ish filter. Or to emulate the body of instruments in the context of physical modelling patches…\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnlike console EQs, each band is not restricted to a narrow range of frequencies: it can be swept across the entire audio range, from 20 Hz to 20kHz – with unexpected phase cancellations or reinforcements when corrections compete in the same frequency range. All parameters have direct CV control. Global frequency and cut\/boost CV inputs allow simultaneous CV control of all channels.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eI\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eScales: all frequency CV inputs: 1V\/Oct. All cut\/boost CV inputs: 3dB\/V.\u003c\/li\u003e\r\n\u003cli\u003eLow-shelf frequency and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eHigh-shelf frequency and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eParametric 1\u0026amp;2 frequency, cut\/boost and Q CV.\u003c\/li\u003e\r\n\u003cli\u003eGlobal frequency offset and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eSignal input.\u003c\/li\u003e\r\n\u003cli\u003eSignal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLow-shelf\/Parametric\/High-shelf correction frequency, 20 Hz to 20kHz.\u003c\/li\u003e\r\n\u003cli\u003eLow-shelf\/Parametric\/High-shelf cut\/boost, -15dB to 15dB.\u003c\/li\u003e\r\n\u003cli\u003eParametric correction Q, 0.5 to 20 (up to 1000 with external CV offset).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eExpansion\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe parametric sections are realized with state-variable filters, whose high-pass, band-pass, and low-pass outputs are available on a header on the back of the module or through an expander.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAnalog signal path.\u003c\/li\u003e\r\n\u003cli\u003eAll inputs DC-coupled.\u003c\/li\u003e\r\n\u003cli\u003eInput impedance 100k (25k for the global frequency and gain CV inputs).\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 75mA ; -12V: 75mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750777959,"sku":"50096","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_shelves1_0b24d53f-6a62-47c5-a12a-7f27236f3d29.jpg?v=1787090255"},{"product_id":"mutable-instruments-tides","title":"Mutable Instruments Tides","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments' Tides\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rate. This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and “bounces” to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003ch3\u003eFeatures, controls, I\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCycle mode selector: single shot AD, single shot AR, looping (VC-LFO\/VCDO).\u003c\/li\u003e\r\n\u003cli\u003eFrequency range selector: low (20 minutes to 5 Hz), medium (0.05 Hz to 300 Hz), high (8 Hz to 10kHz).\u003c\/li\u003e\r\n\u003cli\u003eFrequency control, with 1V\/Oct frequency CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or raised cosine segments.\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input.\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input. From 0V to -5V, smoothes the waveform using a 2-pole digital filter, from 0V to +5V, adds bumps and kinks with a digital wavefolder.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar CV input controlling output level.\u003c\/li\u003e\r\n\u003cli\u003eTrigger input, which works as a trigger in AD\/AR modes and a sync\/reset in looping mode.\u003c\/li\u003e\r\n\u003cli\u003eClock input to “tap” or “ping” the LFO and envelopes, or to lock the VCDO frequency through a PLL. In these cases, the frequency control acts as a frequency division\/multiplication control.\u003c\/li\u003e\r\n\u003cli\u003eFreeze gate input to stop the oscillator and hold its output.\u003c\/li\u003e\r\n\u003cli\u003eHigh tide and Low tide gate outputs for chaining\/quadrature operation, or other applications such as gate delaying.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar (8V) and bipolar (+\/- 5V) outputs, with a distinct shape\/character.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 500 Hz for shape\/slope\/smoothness, DC to 3kHz for FM, DC to 24 kHz for level.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV acquisition with separate power supply for converters and references.\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV generation, 48kHz sample rate (12.5kHz in the lowest frequency range).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e14-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 55mA ; -12V: 5mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750810727,"sku":"50094","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_tides_straight_f4780f3e-898f-46d8-b5db-be560daed83c.jpg?v=1787090256"},{"product_id":"mutable-instruments-yarns","title":"Mutable Instruments Yarns","description":"\u003cp\u003e\u003cstrong\u003eYarns\u003c\/strong\u003e is a MIDI interface providing up to 4 channels of CV\/Gate conversion, along with some MIDI note message processing features — including arpeggiator, euclidean sequencer, and a SH-101 inspired step sequencer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYarns provides 4 CV outputs and 4 Gate\/trigger outputs, which can be assigned to up to 4 voices. In single voice mode, note, velocity, modulation and aftertouch (or other CC) CV are produced, along with a gate, a trigger, and a clock\/reset output. In two voices mode, two channels of note, modulation or aftertouch CV are produced, along with two gates, and clock\/reset outputs. Finally, in four voices mode, four pairs of CV\/Gate outputs are provided.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 2 and 4-voice modes are available both in a “polyphonic” and “multitimbral” flavour. The former receives chords from one single MIDI channel and dispatches them to the voices; while the later provides independent monophonic parts – which can be addressed to different MIDI channels, keyboard ranges, or even velocity levels. Various note priority modes (low, high, last) and polyphonic allocation schemes (voice-stealing, random, cyclic) allows you to fine-tune the CV\/Gate conversion to your playing style. Each voice has a built-in digital LFO to interpret modulation wheel messages as a vibrato; can respond to pitch-bend messages; or can be smoothed with a glide\/portamento control – no need for a dedicated module and patches to get the right response from a MIDI keyboard!\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach part can generate sequences either through an arpeggiator\/euclidean sequencer combo; or with a SH-101 style sequencer with step-by-step recording, storing up to 64 notes. The module can sync to an external MIDI clock, and generate a clock\/reset output at any subdivisions of the MIDI clock.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOther unique features include support for microtunings (either through standard MIDI messages or from a selection of historical tunings or indian ragas), just intonation, and an audio output mode which can transform one, two, or four of the CV outputs into simple digital oscillators.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConversion modes\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMonophonic with note, velocity, modulation wheel, auxiliary CC\/aftertouch CV.\u003c\/li\u003e\r\n\u003cli\u003e2-voice polyphonic or 2-part multitimbral with two note CV and auxiliary CC\/aftertouch CV.\u003c\/li\u003e\r\n\u003cli\u003e4-voice polyphonic or 4-part multitimbral with four note CV.\u003c\/li\u003e\r\n\u003cli\u003e4-part trigger conversion with MIDI note selection for each part.\u003c\/li\u003e\r\n\u003cli\u003eClock\/reset output in monophonic, duophonic, or trigger conversion modes.\u003c\/li\u003e\r\n\u003cli\u003ePolychaining mode handling half of the notes internally and forwarding the other half to the MIDI out.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eMIDI processing\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTransposition.\u003c\/li\u003e\r\n\u003cli\u003eSplit\/keyboard ranges.\u003c\/li\u003e\r\n\u003cli\u003eMultiple voice allocation schemes in polyphonic mode (voice-stealing, random, cyclic).\u003c\/li\u003e\r\n\u003cli\u003eMultiple note priority modes in monophonic mode (lowest, highest, latest).\u003c\/li\u003e\r\n\u003cli\u003eArpeggiator with up\/down\/up\u0026amp;down\/random\/chord\/”as played” modes and 22 preset patterns.\u003c\/li\u003e\r\n\u003cli\u003e64-note SH-101 style sequencer per part.\u003c\/li\u003e\r\n\u003cli\u003eEuclidean pattern generator.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eConversion\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e1 V\/oct and 5V Gate\/Trigger standard.\u003c\/li\u003e\r\n\u003cli\u003eMicro-tunings (through MIDI tuning messages).\u003c\/li\u003e\r\n\u003cli\u003eJust intonation.\u003c\/li\u003e\r\n\u003cli\u003ePortamento, pitch-bend and modulation wheel (vibrato).\u003c\/li\u003e\r\n\u003cli\u003eAudio output mode replacing the note CV by a digital oscillator offering sine, square, pulse, triangle, sawtooth or noise waveforms.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e8kHz CV refresh rate, 48kHz refresh rate in audio mode.\u003c\/li\u003e\r\n\u003cli\u003eHigh-end 16-bit DAC and voltage references.\u003c\/li\u003e\r\n\u003cli\u003e12-point calibration table, adjusted in factory.\u003c\/li\u003e\r\n\u003cli\u003e8 memory slots for storing\/recalling all settings and sequences.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor guaranteeing blazingly fast response to MIDI messages, even with a full stack of arpeggiators and sequencers running.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e12-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through MIDI (SysEx).\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 60mA ; -12V: 2mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750843495,"sku":"50093","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_yarns_straight_dd0d3423-6bd9-44ef-ab2d-87888b500422.jpg?v=1787090256"},{"product_id":"mutable-instruments-edges","title":"Mutable Instruments Edges","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Edges\u003c\/strong\u003e is a module strictly focused on the straight lines, sharp edges, and clinical harsh modulations of digital logic. Its architecture is loosely based on classic 8-bit console soundchips, providing 4 simple voltage-controlled voices. Each voice consists of a digital oscillator with two pitch CV inputs and a coarse pitch knob, with a gate input allowing the voice to be turned on\/off without the need for an external VCA. The 4 channels are sent to an onboard mixer – making Edges easy to use for chord generation or heavy drone synthesis applications.\u003c\/p\u003e  \u003cp\u003eThe first 3 channels are square\/pulse digital oscillators, generated by subdivisions of a 4 MHz clock. 5 preset duty cycles settings are available from 50% to 95%. In addition, channel 4′s CV input can be used as a PWM CV for channels 1 to 3, with a 120° dephasing between each channel.\u003c\/p\u003e  \u003cp\u003eChannel 2 can be hardsynced to channel 1. Channel 2 and 3 are also equipped with a XOR ring-modulator, blending their harmonics with those of Channel 1.\u003c\/p\u003e  \u003cp\u003eThe fourth channel uses a 12-bit DAC without oversampling\/reconstruction filter to generate low-fi waveforms at a 48kHz sample rate. The available waveforms are sine, triangle, NES triangle, and various flavors of pitched LSFR noise.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449896267879,"sku":"57018","price":339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-edges_57018_1_910b5261-7316-478f-8d46-18d556eb67e3.jpg?v=1787090856"},{"product_id":"mutable-instruments-rings","title":"Mutable Instruments Rings","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Rings\u003c\/strong\u003e brings physical modeling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.\u003c\/p\u003e  \u003cp\u003eThree families of vibrating structures are simulated by the module, with CV control over their parameters:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eStrings, membranes and tubes as modeled by Elements’ resonator section (modal synthesis).\u003c\/li\u003e \u003cli\u003eStrings coupled together and vibrating in sympathy, with controllable intervals between them.\u003c\/li\u003e \u003cli\u003eStrings with a variable amount of inharmonicity.\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eRings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.\u003c\/p\u003e     \u003ch3\u003eControls\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eNumber of strings\/structures (1, 2 or 4).\u003c\/li\u003e \u003cli\u003eSynthesis model (modal, sympathetic strings, string).\u003c\/li\u003e \u003cli\u003eMain frequency (quantized in semitones).\u003c\/li\u003e \u003cli\u003eStructure. With the modal and waveguide models, controls the inharmonicity of the spectrum (which directly impacts the perceived “material”). With the sympathetic strings model, controls the intervals between strings.\u003c\/li\u003e \u003cli\u003eBrightness. Specifies the brightness and richness of the spectrum.\u003c\/li\u003e \u003cli\u003eDamping. Controls the damping rate of the sound, from 100ms to 10s.\u003c\/li\u003e \u003cli\u003ePosition. Specifies at which point the structure is excited.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eInputs and outputs\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFrequency, structure, brightness, damping and position modulation CV inputs with attenuverter (-8V to +8V).\u003c\/li\u003e \u003cli\u003e“Strum” trigger input to indicate when a new polyphony voice needs to be allocated. Normalized to an edge detector detecting changes on the main V\/Oct input, or sharp transients on the audio input. Detection threshold at 0.6V.\u003c\/li\u003e \u003cli\u003e1 V\/Oct frequency input (-1V to +5V).\u003c\/li\u003e \u003cli\u003eResonator audio input, normalized to a filtered pulse\/noise burst triggered by the “Strum” input. Modular level, up to 16Vpp.\u003c\/li\u003e \u003cli\u003eTwo audio outputs, splitting the signal into even\/odd partials in monophonic operation, or even\/odd notes in polyphonic operation.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eTechnical characteristics\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput impedances: 100k.\u003c\/li\u003e \u003cli\u003eAD\/DA: 16-bit, 48kHz.\u003c\/li\u003e \u003cli\u003eInternal processing: 32-bit floating point.\u003c\/li\u003e \u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e \u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e \u003cli\u003eCortex-M4 ARM processor.\u003c\/li\u003e \u003cli\u003e14-HP.\u003c\/li\u003e \u003cli\u003eCurrent consumption: +12V: 110mA ; -12V: 5mA.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449896235111,"sku":"57017","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-rings_57017_1_1d493a1c-f1bc-4bdb-aec6-8544f6aeadcd.jpg?v=1787090857"},{"product_id":"mutable-instruments-streams","title":"Mutable Instruments Streams","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Streams\u003c\/strong\u003e provides two channels of extremely flexible signal dynamics manipulation.\u003c\/p\u003e  \u003cp\u003eEach channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear. The amplifier gain is directly controllable from a CV input, through an attenuator. But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:\u003c\/p\u003e  \u003ch3\u003eEnvelope generator\u003c\/h3\u003e  \u003cp\u003eThe EXCITE input can work as a trigger input, triggering an internal AD or AR envelope routed to the gain and the filter cutoff (in variable amount). With only 6-HP of space, you can shape an oscillator or noise source into a full-bodied sound.\u003c\/p\u003e  \u003ch3\u003eVactrol curve generator\u003c\/h3\u003e  \u003cp\u003eThe EXCITE input is processed by a digital model of a resistive opto-isolator (Vactrol), controlling the gain and the filter cutoff (in variable amount). The digital emulation allows the modification of properties of opto-isolators – such as response time – which are otherwise difficult to control. The virtual vactrol response can be either optimized for processing CVs, or triggers (for “plucked” sounds).\u003c\/p\u003e  \u003ch3\u003eAmplitude and frequency content follower\u003c\/h3\u003e  \u003cp\u003eThe envelope and cutoff of the EXCITE signal is measured, and applied to the signal on the VCFA input.\u003c\/p\u003e  \u003ch3\u003eCompressor\/limiter\u003c\/h3\u003e  \u003cp\u003eStreams’ VCF is disabled, and the VCA is used to control the dynamics of the input signal. An intuitive control scheme allows the compressor to be used either for peak reduction\/limiting operation; or for boosting signal levels with soft-limiting. The EXCITE input can be used as a sidechain.\u003c\/p\u003e  \u003ch3\u003eDigital control modes\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAD or AR envelope generator.\u003c\/li\u003e \u003cli\u003eVactrol response generator – gated or pinged\/struck.\u003c\/li\u003e \u003cli\u003eAmplitude and cutoff follower.\u003c\/li\u003e \u003cli\u003eCompressor.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eI\/O (per channel)\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eMulti-purpose EXCITE input.\u003c\/li\u003e \u003cli\u003eDC-coupled Audio\/CV input (normalized to +5V constant voltage).\u003c\/li\u003e \u003cli\u003eVCA gain CV (normalized to +8V constant voltage).\u003c\/li\u003e \u003cli\u003eOutput.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eControls (per channel)\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eDigital control mode selection.\u003c\/li\u003e \u003cli\u003eResponse time \/ compression threshold.\u003c\/li\u003e \u003cli\u003eModulation amount \/ compression ratio and makeup gain.\u003c\/li\u003e \u003cli\u003eVCA gain CV input attenuator.\u003c\/li\u003e \u003cli\u003eVCA exponential to linear response curve.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eTechnical characteristics\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eAnalog signal path.\u003c\/li\u003e \u003cli\u003eAll inputs DC-coupled.\u003c\/li\u003e \u003cli\u003e12-bit, 31kHz EXCITE signal acquisition (for metering and following).\u003c\/li\u003e \u003cli\u003e16-bit, 31kHz control voltage generation.\u003c\/li\u003e \u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e \u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e \u003cli\u003e12-HP.\u003c\/li\u003e \u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e \u003cli\u003eCurrent consumption: +12V: 100mA ; -12V: 30mA.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449896300647,"sku":"57014","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-streams_57014_1_fb9f6df3-9225-4ce3-935b-91b387b6cd2d.jpg?v=1787090857"},{"product_id":"mutable-instruments-warps","title":"Mutable Instruments Warps","description":"\u003cp\u003eEvolved from the oscillator mixing section of desktop hybrid synths, the \u003cstrong\u003eMutable Instruments Warps\u003c\/strong\u003e is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods – some of them emulating classic analog circuits, some of them purely digital – are provided by the module.\u003c\/p\u003e  \u003cp\u003eWith Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness\/harshness of the modulated signal.\u003c\/p\u003e  \u003cp\u003eSince many classic cross-modulation effects work best when the carrier is a simple waveform – for example, a sine wave for ring-modulation or a buzzing waveform for vocoding – Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V\/Oct and supports through-zero FM, will replace the carrier audio input – freeing up one oscillator in your system for other duties!\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449896366183,"sku":"57015","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-warps_57015_1_4941a334-c682-4678-b099-a1fe5851bfec.jpg?v=1787090857"},{"product_id":"mutable-instruments-shades","title":"Mutable Instruments Shades","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments Shades\u003c\/strong\u003e provides 3 channels of audio\/CV processing which can be configured as active attenuators or attenuverters.\u003c\/p\u003e  \u003cp\u003eA bicolor output monitoring LED is available for each channel.\u003c\/p\u003e  \u003cp\u003eJumpers at the back of the unit allow each input to be optionally normalled to either a +5V or a +10V precision voltage reference.\u003c\/p\u003e  \u003cp\u003eNormalling on the outputs allow the module to be used as a mixer: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage references, this allows the module to be used as a CV offset control.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449907802215,"sku":"57085","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-shades_57085_1_510bc7cc-f1d9-4f02-9a5e-1c60712fbed9.jpg?v=1787090905"},{"product_id":"mutable-instruments-ripples-demo-deal","title":"Mutable Instruments Ripples (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eRipples by Mutable Instruments\u003c\/strong\u003e delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments’ lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.\u003c\/p\u003e\r\n\r\n\u003cp\u003e3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelf-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from “loudness drop” when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH\/Jupiter filters, with a very round and “liquid” resonance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good “final stage” module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSignal in\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 1 (1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eResonance CV. Self oscillation starts at 4V. Control voltages above 5V are non-linearly compressed, for fine control of resonance overdrive\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 2 (with bipolar attenuator, from -1V\/Oct to 1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eVCA level. Control voltages above 5V are non-linearly compressed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCutoff frequency, 18Hz to 18kHz\u003c\/li\u003e\r\n\u003cli\u003eResonance (self oscillation at 80%)\u003c\/li\u003e\r\n\u003cli\u003eAttenuverter on Frequency CV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eOutputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e2-pole BP\u003c\/li\u003e\r\n\u003cli\u003e2-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP attenuated by VCA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFully analog, based on SSM2164 low noise\/distortion quad VCA chip, and LM13700 OTA for that extra bit of non-linearity.\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV inputs impedance: 100k.\u003c\/li\u003e\r\n\u003cli\u003eAudio input impedance: 75k.\u003c\/li\u003e\r\n\u003cli\u003eResonance and VCA CV input impedance: 30k.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 35mA ; -12V: 35mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449972060263,"sku":"59987","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_ripples_top_1_671480e3-0f24-4feb-952b-a7931247c71e.jpg?v=1787091158"},{"product_id":"mutable-instruments-braids-2","title":"Mutable Instruments Braids","description":"\u003cp\u003e\u003cstrong\u003eBraids by Mutable Instruments\u003c\/strong\u003e is a voltage-controlled monophonic digital sound source.\u003c\/p\u003e\r\n\u003cp\u003eSound source… like an oscillator? Not really.\u003c\/p\u003e\r\n\u003cp\u003eMost of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators – that’s why we call it a macro-oscillator – intricate digital synthesis algorithms wrapped in oscillator’s clothes.\u003c\/p\u003e\r\n\u003cp\u003eEach algorithm is controlled by two continuously variable parameters, Timbre and Color, both of them voltage controllable. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup.\u003c\/p\u003e\r\n\u003ch3\u003eSynthesis algorithms\u003c\/h3\u003e\r\n\u003ch4\u003eAnalog synthesis\u003c\/h4\u003e\r\n\u003col\u003e\r\n\u003cli\u003eSawtooth with CS-80-style “tooth”-impurity. Modulating the tooth width and polarity creates phasing and timbre animation.\u003c\/li\u003e\r\n\u003cli\u003eContinuous morphing through triangle, sawtooth, square and pulse waveshapes. With adjustable overdrive and coloration.\u003c\/li\u003e\r\n\u003cli\u003eSawtooth and square morphing. Continuous interpolation between the two shapes; and pulse-width modulation controls. Pulse-width modulation is applied to the sawtooth wave too, resulting in a thick “animated saw” sound.\u003c\/li\u003e\r\n\u003cli\u003eDual square or saw wave with hard sync, with frequency ratio and balance control.\u003c\/li\u003e\r\n\u003cli\u003eTriangle and sine, with continuous interpolation between the two shapes; and wave multiplier.\u003c\/li\u003e\r\n\u003cli\u003eTriple saw, square, triangle or sine.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eDirect digital synthesis\u003c\/h4\u003e\r\n\u003cli\u003eThree ring-modulated sine waves, with detune controls.\u003c\/li\u003e\r\n\u003cli\u003eBand-limited dual pulse train, with bandwidth and detune controls.\u003c\/li\u003e\r\n\u003cli\u003eSwarm of seven sawtooth waves, with detune and high-pass filtering controls.\u003c\/li\u003e\r\n\u003cli\u003eDigital Sawtooth wave sent into a tuned delay line (comb filter) with positive and negative feedback.\u003c\/li\u003e\r\n\u003cli\u003eToy keyboard-like waveform generation, with waveshape and bitcrushing parameters.\u003c\/li\u003e\r\n\u003cli\u003eDirect digital emulation of triangle\u003c\/li\u003e\r\n\u003cli\u003esawtooth and square waves sent into low-pass, peaking, band-pass and high-pass filters (Casio CZ meets Roland D-50)\u003c\/li\u003e\r\n\u003cli\u003eCutoff frequency\u003c\/li\u003e\r\n\u003cli\u003ewaveshaping controls.\u003c\/li\u003e\r\n\u003ch4\u003eVocal synthesis\u003c\/h4\u003e\r\n\u003cli\u003eVOSIM synthesis with bell-shaped carrier; control over the frequency position of two formants.\u003c\/li\u003e\r\n\u003cli\u003e80s Home-computer vowel synthesis, with vowel and approximative chipmunk-approved vocal range control.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eFOF vowel synthesis, with vowel and voice range (bass to soprano) control.\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eAdditive harmonics with harmonic emphasis.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eFM\u003c\/h4\u003e\r\n\u003cli\u003eTwo-operators FM \u003c\/li\u003e\r\n\u003cli\u003eFM index and carrier\/modulator ratio controls.\u003c\/li\u003e\r\n\u003cli\u003eVariants with rough feedback and chaotic behavior.\u003c\/li\u003e\r\n\u003ch4\u003eSimulations\u003c\/h4\u003e\r\n\u003cli\u003ePlucked string simulation, with strength\/pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003ebowed string simulation\u003c\/li\u003e\r\n\u003cli\u003eBlown pipe simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eFlute simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eAdditive bell \u003c\/li\u003e\r\n\u003cli\u003eDrum\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 kick\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 snare\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 hi-hat \u003c\/li\u003e\r\n\u003ch4\u003eWavetables\u003c\/h4\u003e\r\n\u003cli\u003e33 waveforms distributed over 20 wavetable with quantized wavetable selector, and smooth interpolation within a wavetable.\u003c\/li\u003e\r\n\u003cli\u003e256 waveforms optimally laid out in a 16×16 map, with smooth XY interpolation across the map.\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic wavetable synthesis, with chord control.\u003c\/li\u003e\r\n\u003ch4\u003eNoise\u003c\/h4\u003e\r\n\u003cli\u003ePitched noise source with state variable filter; Q and Oberheim-style filter mode (LP to notch to HP) controls.\u003c\/li\u003e\r\n\u003cli\u003ePitched noise source with dual bandpass filters; Q and separation controls.\u003c\/li\u003e\r\n\u003cli\u003eClocked noise, with adjustable cycle length, and adjustable quantization.\u003c\/li\u003e\r\n\u003cli\u003eGranular cloud with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eParticle system simulation (“bag of stuff”) with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eSimulation of telecommunications digital modulator.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003ch3\u003eInputs and outputs\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTrigger input (required for the simulations which require an onset\/excitation impulse, or to trigger the internal AD envelope).\u003c\/li\u003e\r\n\u003cli\u003eV\/Oct CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter. This uses a finer conversion resolution than the V\/Oct input, making it suitable for subtle modulations with a resolution of 1 cent.\u003c\/li\u003e\r\n\u003cli\u003eTimbre CV input with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eColor CV input.\u003c\/li\u003e\r\n\u003cli\u003eAudio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured in september 2015 or later)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 100mA ; -12V: 15mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured before september 2015)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5V voltage source needed (for example Mutable Instruments Volts).\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 15mA ; -12V: 15mA ; +5V: 85mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450036023399,"sku":"64519","price":319.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_braids_top_1_adee4b8d-db7b-4560-b834-20eecfc23a86.jpg?v=1787091420"},{"product_id":"mutable-instruments-clouds-demo-deal","title":"Mutable Instruments Clouds (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eClouds by Mutable Instruments\u003c\/strong\u003e is a granular audio processor – with a couple of twists.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnlike granular sample players, Clouds is focused on the realtime granularization of incoming audio signals, and the acquisition of textures from them.\u003c\/p\u003e\r\n\r\n\u003cp\u003eClassic controls such as grain position, size, and pitch are provided. Clouds can superimpose many grains simultaneously (at least 40, depending on the CPU used by its other features) and thus create thick textures. Control over texture density, independently of grain size, is thus provided. An external trigger input allows grains to be seeded in sync with LFOs or rhythmic generators.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo provide a richer variety of timbres, Clouds allows the shape of the grain’s envelope to be morphed – from sharp rectangular edges to a smooth bell curve. In addition, a diffusion network can further dissolve the edges of grains into blurry textures.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo cover various applications of granular synthesis without the need for additional modules, Clouds’ comes with four “blending” settings for mixing and re-routing its output signal: dry\/wet balance, random panning amount, feedback amount, and reverberation amount. Voltage control over one of those four parameters is possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eClouds’ delay memory ranges from 1s to 8s depending on audio quality settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOther surprises have been packed in Clouds, including alternative looping delay and pitch-shift\/time-stretch modes… and a very strange spectral buffer freeze\/glitch.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFreeze push-button.\u003c\/li\u003e\r\n\u003cli\u003eBlending setting (or audio quality) selection button.\u003c\/li\u003e\r\n\u003cli\u003eLoad\/save button.\u003c\/li\u003e\r\n\u003cli\u003eGrain position, size and pitch knobs.\u003c\/li\u003e\r\n\u003cli\u003eInput gain knob, -18dB to 6dB.\u003c\/li\u003e\r\n\u003cli\u003eGrain density and texture knobs.\u003c\/li\u003e\r\n\u003cli\u003eMulti-function “Blending mode” knob.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eInputs and outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBuffer freeze gate input.\u003c\/li\u003e\r\n\u003cli\u003eGrain generation trigger input.\u003c\/li\u003e\r\n\u003cli\u003eGrain position CV.\u003c\/li\u003e\r\n\u003cli\u003eGrain size CV.\u003c\/li\u003e\r\n\u003cli\u003ePitch-shifting\/transposition 1V\/Oct CV.\u003c\/li\u003e\r\n\u003cli\u003eDry\/wet CV (or feedback, balance, reverb amount – depending on blend mode).\u003c\/li\u003e\r\n\u003cli\u003eGrain density CV.\u003c\/li\u003e\r\n\u003cli\u003eGrain texture\/timbre CV.\u003c\/li\u003e\r\n\u003cli\u003e2-channel audio input (line-level, with pre-amplifier\/attenuator).\u003c\/li\u003e\r\n\u003cli\u003e2-channel audio output (modular level).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedances: 100k.\u003c\/li\u003e\r\n\u003cli\u003eCV range: +\/- 5V. CVs outside of this range are simply clipped.\u003c\/li\u003e\r\n\u003cli\u003eInternal processing: 32kHz, 32-bit floating point. RAM Recording buffer uses 16-bit (high quality) or 8-bit µ-law (low quality) resolution.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M4 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003e18-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 120mA ; -12V: 10mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450036056167,"sku":"64520","price":323.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_clouds_1_0a5f9ace-5676-47ef-8477-e1c771b5ff1b.jpg?v=1787091420"},{"product_id":"mutable-instruments-edges-demo-deal","title":"Mutable Instruments Edges (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Edges\u003c\/strong\u003e is a module strictly focused on the straight lines, sharp edges, and clinical harsh modulations of digital logic. Its architecture is loosely based on classic 8-bit console soundchips, providing 4 simple voltage-controlled voices. Each voice consists of a digital oscillator with two pitch CV inputs and a coarse pitch knob, with a gate input allowing the voice to be turned on\/off without the need for an external VCA. The 4 channels are sent to an onboard mixer – making Edges easy to use for chord generation or heavy drone synthesis applications.\u003c\/p\u003e  \u003cp\u003eThe first 3 channels are square\/pulse digital oscillators, generated by subdivisions of a 4 MHz clock. 5 preset duty cycles settings are available from 50% to 95%. In addition, channel 4′s CV input can be used as a PWM CV for channels 1 to 3, with a 120° dephasing between each channel.\u003c\/p\u003e  \u003cp\u003eChannel 2 can be hardsynced to channel 1. Channel 2 and 3 are also equipped with a XOR ring-modulator, blending their harmonics with those of Channel 1.\u003c\/p\u003e  \u003cp\u003eThe fourth channel uses a 12-bit DAC without oversampling\/reconstruction filter to generate low-fi waveforms at a 48kHz sample rate. 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What about four more?\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMutable Instruments Veils\u003c\/strong\u003e provides four VCAs with an adjustable response curve. Veils’ outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450091991143,"sku":"62703","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-ins-veils_62703_1_35d72de1-e1f1-4221-9067-fe37b6356102.jpg?v=1787091668"},{"product_id":"mutable-instruments-blinds","title":"Mutable Instruments Blinds","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments Blinds\u003c\/strong\u003e is a 4-channel voltage-controlled signal polarizer. Each channel consists of a polarizer circuit, also known as a four-quadrant multiplier. 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For example, each individual channel can be used to scale\/offset a CV; and with audio rate modulation signals, each channel acts like a ring-modulator, with massive potential for drones and feedback patches.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450095726695,"sku":"78340","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-blinds_78340_1_1a963921-ff9e-47a5-832a-657ee4bef7fe.jpg?v=1787091678"},{"product_id":"mutable-instruments-peaks-demo-deal","title":"Mutable Instruments Peaks (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003ePeaks by Mutable Instruments\u003c\/strong\u003e provides 4 different functions in a small 8-HP package. Their common point? 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An alternate drum generation mode synthesizes more aggressive FM-style drum sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs, controls and outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 parameter edition pots.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger inputs.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 trigger push-buttons.\u003c\/li\u003e\r\n\u003cli\u003eChannel 1 \u0026amp; 2 CV\/audio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e16-bit CV\/audio generation with 48kHz sample rate.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 60mA ; -12V: 2mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450131837031,"sku":"80698","price":179.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_peaks_2_21bc388e-bb22-4f4d-92cc-663dbda78fb5.jpg?v=1787091825"},{"product_id":"mutable-instruments-tides-demo-deal","title":"Mutable Instruments Tides (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments' Tides\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rate. This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and “bounces” to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003ch3\u003eFeatures, controls, I\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCycle mode selector: single shot AD, single shot AR, looping (VC-LFO\/VCDO).\u003c\/li\u003e\r\n\u003cli\u003eFrequency range selector: low (20 minutes to 5 Hz), medium (0.05 Hz to 300 Hz), high (8 Hz to 10kHz).\u003c\/li\u003e\r\n\u003cli\u003eFrequency control, with 1V\/Oct frequency CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or raised cosine segments.\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input.\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input. From 0V to -5V, smoothes the waveform using a 2-pole digital filter, from 0V to +5V, adds bumps and kinks with a digital wavefolder.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar CV input controlling output level.\u003c\/li\u003e\r\n\u003cli\u003eTrigger input, which works as a trigger in AD\/AR modes and a sync\/reset in looping mode.\u003c\/li\u003e\r\n\u003cli\u003eClock input to “tap” or “ping” the LFO and envelopes, or to lock the VCDO frequency through a PLL. In these cases, the frequency control acts as a frequency division\/multiplication control.\u003c\/li\u003e\r\n\u003cli\u003eFreeze gate input to stop the oscillator and hold its output.\u003c\/li\u003e\r\n\u003cli\u003eHigh tide and Low tide gate outputs for chaining\/quadrature operation, or other applications such as gate delaying.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar (8V) and bipolar (+\/- 5V) outputs, with a distinct shape\/character.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 500 Hz for shape\/slope\/smoothness, DC to 3kHz for FM, DC to 24 kHz for level.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV acquisition with separate power supply for converters and references.\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV generation, 48kHz sample rate (12.5kHz in the lowest frequency range).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e14-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 55mA ; -12V: 5mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450177187943,"sku":"90170","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_tides_straight_1_2b9b4c6c-1bba-4439-861c-6baa321abc5c.jpg?v=1787091999"},{"product_id":"mutable-instruments-rings-demo-deal","title":"Mutable Instruments Rings (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Rings\u003c\/strong\u003e brings physical modeling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. 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Specifies at which point the structure is excited.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eInputs and outputs\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFrequency, structure, brightness, damping and position modulation CV inputs with attenuverter (-8V to +8V).\u003c\/li\u003e \u003cli\u003e“Strum” trigger input to indicate when a new polyphony voice needs to be allocated. Normalized to an edge detector detecting changes on the main V\/Oct input, or sharp transients on the audio input. Detection threshold at 0.6V.\u003c\/li\u003e \u003cli\u003e1 V\/Oct frequency input (-1V to +5V).\u003c\/li\u003e \u003cli\u003eResonator audio input, normalized to a filtered pulse\/noise burst triggered by the “Strum” input. Modular level, up to 16Vpp.\u003c\/li\u003e \u003cli\u003eTwo audio outputs, splitting the signal into even\/odd partials in monophonic operation, or even\/odd notes in polyphonic operation.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eTechnical characteristics\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInput impedances: 100k.\u003c\/li\u003e \u003cli\u003eAD\/DA: 16-bit, 48kHz.\u003c\/li\u003e \u003cli\u003eInternal processing: 32-bit floating point.\u003c\/li\u003e \u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e \u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e \u003cli\u003eCortex-M4 ARM processor.\u003c\/li\u003e \u003cli\u003e14-HP.\u003c\/li\u003e \u003cli\u003eCurrent consumption: +12V: 110mA ; -12V: 5mA.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450186854503,"sku":"93063","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-rings_57017_1_1_ea04622b-f169-451f-beb2-056c76c96dae.jpg?v=1787092038"},{"product_id":"mutable-instruments-kinks","title":"Mutable Instruments Kinks","description":"\u003cp\u003eWith the same compact 4-HP size as its vanilla friend Links, the \u003cstrong\u003eMutable Instruments Kinks\u003c\/strong\u003e provides three analog utility functions for altering the shape of audio or control signals.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSIGN section\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis section consists of a precision signal inverter, and half- and full- wave rectifiers (which respectively clips to 0 V, and inverts the negative half of the signal). 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Featuring completely redesigned hardware and software, Plaits offers a more streamlined approach to sound generation than its predecessor. Plaits boasts additional CV inputs, three timbre-tweaking tools per model, and intuitive controls that allow you to seamlessly weave between synthesis techniques. Capable of creating complex sounds that typically require a full rack of oscillators, filters, VCAs, waveshapers and ring-modulators, Plaits packs a powerful punch into a surprisingly small package.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMODULATE YOUR BRAINS OUT\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePlaits uses simple controls to create complex sonic landscapes. Toggle between all 16 synthesis modes with the touch of a button. Use the Frequency knob to create sounds that span across 8 octaves. Quickly dial-in the perfect texture with model-dependent tone controls. Transform your sound from dark and dense to bright and airy with the Timbre knob. Explores lateral timbral variations with the Morph knob, or use the Harmonics knob to add color and character to simple synth sounds. Featuring multiple CV inputs, a trigger input, two dedicated outputs, there’s no limit to what you can create with Plaits.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePITCHED SOUNDS\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePlaits features unique eight synthesis models designed for pitched sounds like ripping leads, lush chords, and ethereal pads. Create otherworldly synth sounds using:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eVirtual-analog synthesis of classic waveforms\u003c\/li\u003e\r\n\u003cli\u003eWaveshaping oscillator\u003c\/li\u003e\r\n\u003cli\u003eTwo operator FM (two sine-wave oscillators modulating each other’s phase)\u003c\/li\u003e\r\n\u003cli\u003eTwo independently controllable formants\u003c\/li\u003e\r\n\u003cli\u003eHarmonic oscillator\u003c\/li\u003e\r\n\u003cli\u003eWavetable oscillator with four banks of 8x8\u003c\/li\u003e\r\n\u003cli\u003eAn automatic chord generator\u003c\/li\u003e\r\n\u003cli\u003eVowel and speech synthesis  \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eNOISE AND PERCUSSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePlaits features eight additional synthesis models designed for noise and percussion sounds like kicks, snares and hi-hats. 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The sum of the two input channels is distributed to 2 outputs.\u003c\/li\u003e\r\n\u003cli\u003eThe 3:1 section is a 3-input mixer, with a gain of 1⁄3 per channel (also known as an averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450255962215,"sku":"62704","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-links_62704_1_cb5ba74b-23bc-405a-b267-35b2b6318023.jpg?v=1787092339"},{"product_id":"mutable-instruments-ears","title":"Mutable Instruments Ears","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Ears\u003c\/strong\u003e is Mutable Instruments’ take on Tom Whitwell’s open-source Mikrophonie module – a contact microphone and amplifier. A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case – even speaker feedback. 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This regular clock is perturbed by a process simulating an instrumentalist playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).\u003c\/p\u003e\r\n\r\n\u003ch3\u003eX: the random voltage generator\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComplete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centered or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA FEELING OF DÉJÀ-VU\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMarbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYou are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMaster clock\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInternal clock with adjustable rate (with V\/O CV input), or division\/multiplication of an external clock\u003c\/li\u003e\r\n\u003cli\u003eRange selection button further multiplying or dividing the clock by 4\u003c\/li\u003e\r\n\u003cli\u003eRhythm follower\/predictor to lock onto uneven clock divisions or rhythmic patterns\u003c\/li\u003e\r\n\u003cli\u003eAdjustable jitter (knob and CV), going from perfect tracking to completely erroneous – but always preserving the overall tempo\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTwo-channel random rhythm generator\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThere are three gate outputs, t2 is the main output carrying the jittery clock, t1 and t3 are the complementary random rhythm output. Three generative models, with CV-controlled bias parameter increasing the density of notes on one channel or the other:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eRandom routing of each clock pulse to either outputs, following a coin toss\u003c\/li\u003e\r\n\u003cli\u003eSelection of a random division factor for one output, and the reciprocal factor for the other\u003c\/li\u003e\r\n\u003cli\u003eGeneration of random kick\/snare patterns using a process similar to Grids\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eAdjustable gate duration, from short triggers to full length. 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With or without looping.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFlexible input\/output layout\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4… depends simply on how you patch it. Dummy patch cables might come handy!\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eThree segment types\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eRamp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes… or for LFOs.\u003c\/li\u003e\r\n\u003cli\u003eHold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.\u003c\/li\u003e\r\n\u003cli\u003eStep segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eLooping\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. 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But this time, there’s CV control! The first band is a low-pass shelving filter, the fourth band a high-pass shelving filter, and band #2 and #3 have full-blown parametric controls with bandwidth (Q) adjustment. All analog.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShelves will provide a subtler spectral shaping \u0026amp; coloring than standard multimode filters. It is particularly useful in the feedback loop of effects or more generally in feedback patches in which the slightest tonal change has drastic consequences. Or as a novel way of shaping sounds obtained by west-coast techniques. Or as a formant-ish filter. Or to emulate the body of instruments in the context of physical modelling patches…\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnlike console EQs, each band is not restricted to a narrow range of frequencies: it can be swept across the entire audio range, from 20 Hz to 20kHz – with unexpected phase cancellations or reinforcements when corrections compete in the same frequency range. All parameters have direct CV control. Global frequency and cut\/boost CV inputs allow simultaneous CV control of all channels.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eI\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eScales: all frequency CV inputs: 1V\/Oct. All cut\/boost CV inputs: 3dB\/V.\u003c\/li\u003e\r\n\u003cli\u003eLow-shelf frequency and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eHigh-shelf frequency and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eParametric 1\u0026amp;2 frequency, cut\/boost and Q CV.\u003c\/li\u003e\r\n\u003cli\u003eGlobal frequency offset and cut\/boost CV.\u003c\/li\u003e\r\n\u003cli\u003eSignal input.\u003c\/li\u003e\r\n\u003cli\u003eSignal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLow-shelf\/Parametric\/High-shelf correction frequency, 20 Hz to 20kHz.\u003c\/li\u003e\r\n\u003cli\u003eLow-shelf\/Parametric\/High-shelf cut\/boost, -15dB to 15dB.\u003c\/li\u003e\r\n\u003cli\u003eParametric correction Q, 0.5 to 20 (up to 1000 with external CV offset).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eExpansion\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe parametric sections are realized with state-variable filters, whose high-pass, band-pass, and low-pass outputs are available on a header on the back of the module or through an expander.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAnalog signal path.\u003c\/li\u003e\r\n\u003cli\u003eAll inputs DC-coupled.\u003c\/li\u003e\r\n\u003cli\u003eInput impedance 100k (25k for the global frequency and gain CV inputs).\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 75mA ; -12V: 75mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450311471207,"sku":"104975","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_shelves1_1_63dbaae7-578c-4b6e-8240-aca708cc165d.jpg?v=1787092543"},{"product_id":"mutable-instruments-tides-2018","title":"Mutable Instruments Tides 2018","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Tides 2018\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rates… This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and bounces to the waveform.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePOLYRHYTHMIC VARIATIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhat sets this 2018 revision apart from its predecessor is the introduction of additional output modes, producing variations (shifted in amplitude, time, phase or frequency) of the main signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd of course, a redesign from scratch focused on accuracy and audio quality.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDigital function generator:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e3 operating mode: AD envelope, looping (VC-LFO\/VCDO), AR envelope\u003c\/li\u003e\r\n\u003cli\u003e3 frequency ranges for the main frequency knob: low (2 minutes to 2 Hz), medium (0.125 Hz to 32 Hz), high (8 Hz to 2kHz), this range can be widened by applying an offset on the V\/OCT input\u003c\/li\u003e\r\n\u003cli\u003eA large palette of waveforms\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or sinusoidal segments\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input: smoothes the waveform using a 2-pole digital filter, or adds bumps and kinks with a digital wavefolder\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eExternal clocking\/PLL:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe module can use an external clock or clean audio signal as a reference, and operate at a multiple of this clock (from 1⁄16 to 16x)\u003c\/li\u003e\r\n\u003cli\u003eThis allows, for example, the generation of (sub)harmonics from another VCO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003e4 output modes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDifferent shapes - each output produces a different waveshape: main signal (with voltage-controlled attenuverter), raw asymmetric triangle, end of attack gate, end of release gate\u003c\/li\u003e\r\n\u003cli\u003eDifferent amplitudes: Voltage-controlled dispatching of the signal to each of the 4 outputs\u003c\/li\u003e\r\n\u003cli\u003eDifferent times: Voltage-controlled phase or apex shifting of the signal\u003c\/li\u003e\r\n\u003cli\u003eDifferent frequencies: Outputs 2, 3, and 4 are shifted up or down in frequency relatively to output 1, creating chords or polyrhythmic LFOs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 7.8 kHz\u003c\/li\u003e\r\n\u003cli\u003eSLOPE, SMOOTHNESS, SHAPE, SHIFT\/LEVEL input range: ±8 V\u003c\/li\u003e\r\n\u003cli\u003eV\/OCT input range: -3 to +7 V\u003c\/li\u003e\r\n\u003cli\u003eTRIG and CLOCK input range: 0 to +8 V, protected\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV capture\u003c\/li\u003e\r\n\u003cli\u003eInternal processing: 32-bit floating point\u003c\/li\u003e\r\n\u003cli\u003eCV Outputs: 14-bit, 62.5 kHz (31.25 kHz in different frequencies mode)\u003c\/li\u003e\r\n\u003cli\u003eOutput levels: bipolar ±5 V for cyclic signals; unipolar +8 V for gates and envelopes\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450337292391,"sku":"108933","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-tides-2018_108933_1_ba36343b-d957-40e9-bf85-eb5ba824141a.jpg?v=1787092643"},{"product_id":"mutable-instruments-veils-demo-deal","title":"Mutable Instruments Veils (Demo Deal)","description":"\u003cp\u003eVCAs are the cornerstones of modular patches: shaping the amplitude or timbre of a tone with an envelope, animating a mixture of several oscillators, controlling the amount of filter modulation with a random source or a touch controller, applying an envelope on the linear FM signal hitting an oscillator… are all possible uses of these super versatile building blocks. That’s why you never have enough of them. What about four more?\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMutable Instruments Veils\u003c\/strong\u003e provides four VCAs with an adjustable response curve. 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This regular clock is perturbed by a process simulating an instrumentalist playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).\u003c\/p\u003e\r\n\r\n\u003ch3\u003eX: the random voltage generator\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComplete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centered or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA FEELING OF DÉJÀ-VU\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMarbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.\u003c\/p\u003e\r\n\r\n\u003cp\u003eYou are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMaster clock\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInternal clock with adjustable rate (with V\/O CV input), or division\/multiplication of an external clock\u003c\/li\u003e\r\n\u003cli\u003eRange selection button further multiplying or dividing the clock by 4\u003c\/li\u003e\r\n\u003cli\u003eRhythm follower\/predictor to lock onto uneven clock divisions or rhythmic patterns\u003c\/li\u003e\r\n\u003cli\u003eAdjustable jitter (knob and CV), going from perfect tracking to completely erroneous – but always preserving the overall tempo\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTwo-channel random rhythm generator\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThere are three gate outputs, t2 is the main output carrying the jittery clock, t1 and t3 are the complementary random rhythm output. Three generative models, with CV-controlled bias parameter increasing the density of notes on one channel or the other:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eRandom routing of each clock pulse to either outputs, following a coin toss\u003c\/li\u003e\r\n\u003cli\u003eSelection of a random division factor for one output, and the reciprocal factor for the other\u003c\/li\u003e\r\n\u003cli\u003eGeneration of random kick\/snare patterns using a process similar to Grids\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eAdjustable gate duration, from short triggers to full length. Gate duration can be randomized\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRandom voltage generator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e3 outputs, either clocked by the 3 outputs of the random gate generator, or by a common external clock\u003c\/li\u003e\r\n\u003cli\u003eDistribution control: SPREAD control, scanning between constant, bell-shaped, uniform or discrete distributions; and BIAS control biasing the generated voltage towards the bottom or top of the voltage range\u003c\/li\u003e\r\n\u003cli\u003eAdjustable range: 0 to +2 V (for melodies), 0 to +5 V, -5 V to +5 V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eCV Post-processor\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe STEP parameter controls the steppiness\/quantization of the output voltages\u003c\/li\u003e\r\n\u003cli\u003eTurn this knob clockwise and a progressive quantizer is applied to the voltages - progressively reducing the probability of hitting a note outside of the scale, then making accidentals less likely, then giving more weight to the root and fifth - and at the extreme yielding only octaves\u003c\/li\u003e\r\n\u003cli\u003eIf steppy is not your thing, turn counterclockwise to increasingly slew the output voltages to the point that the module produces smooth, continuous curves\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eProgrammable quantizer\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e6 programmable scales\u003c\/li\u003e\r\n\u003cli\u003eScales are programmed by playing a short jam in the target scale: Marbles learns which notes are more prominent than others\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eOutput diversity\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe three outputs can all follow the settings dialed on the control panel, or react in different and opposite ways. The turn of a knob can completely push your patch towards a new direction!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eRandom looping and shuffling\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDEJA VU parameter increasing the probably of re-playing past material to the point that the generated output forms a loop... then increasing the probability of randomizing the order of this loop\u003c\/li\u003e\r\n\u003cli\u003eThe DEJA VU control applies to the random rhythm, the random voltages, or to both, or neither of them\u003c\/li\u003e\r\n\u003cli\u003eAdjustable loop length from 1 to 16 steps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eExternal CV processing\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAn external CV can be recorded in the DEJA VU loop in place of internal random voltages\u003c\/li\u003e\r\n\u003cli\u003eAll transformations performed by the random voltage generator (looping, shuffling, spreading, transposition, quantization, lag-processing) can be performed on external voltages\u003c\/li\u003e\r\n\u003cli\u003eTLDR: live remixing of external sequences!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAnalog random source\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 3.2kHz\u003c\/li\u003e\r\n\u003cli\u003eMaximum input clock rate: 1 kHz for the t Section, 8 kHz for the X section\u003c\/li\u003e\r\n\u003cli\u003e32kHz refresh rate\u003c\/li\u003e\r\n\u003cli\u003e14-bit DAC with accurate software calibration - error below 1mV\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture\u003c\/li\u003e\r\n\u003cli\u003eOutput levels: -5 V to +5 V for CVs (largest setting), 0 V to +8 V for gates\u003c\/li\u003e\r\n\u003cli\u003eInput CV range: -5 V to +5 V\u003c\/li\u003e\r\n\u003cli\u003eFront panel with Computer Modern labels, just like on your calculus textbook\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450450145383,"sku":"122966","price":323.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-marbles_99473_1_1_1_7caff9a1-c805-4195-b80b-c910bbcfacea.jpg?v=1787093113"},{"product_id":"mutable-instruments-shades-demo-deal","title":"Mutable Instruments Shades (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments Shades\u003c\/strong\u003e provides 3 channels of audio\/CV processing which can be configured as active attenuators or attenuverters.\u003c\/p\u003e  \u003cp\u003eA bicolor output monitoring LED is available for each channel.\u003c\/p\u003e  \u003cp\u003eJumpers at the back of the unit allow each input to be optionally normalled to either a +5V or a +10V precision voltage reference.\u003c\/p\u003e  \u003cp\u003eNormalling on the outputs allow the module to be used as a mixer: when no jack is inserted in an output, the signal from this output is summed into the next output. 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Plaits boasts additional CV inputs, three timbre-tweaking tools per model, and intuitive controls that allow you to seamlessly weave between synthesis techniques. Capable of creating complex sounds that typically require a full rack of oscillators, filters, VCAs, waveshapers and ring-modulators, Plaits packs a powerful punch into a surprisingly small package.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eMODULATE YOUR BRAINS OUT\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePlaits uses simple controls to create complex sonic landscapes. Toggle between all 16 synthesis modes with the touch of a button. Use the Frequency knob to create sounds that span across 8 octaves. Quickly dial-in the perfect texture with model-dependent tone controls. Transform your sound from dark and dense to bright and airy with the Timbre knob. Explores lateral timbral variations with the Morph knob, or use the Harmonics knob to add color and character to simple synth sounds. Featuring multiple CV inputs, a trigger input, two dedicated outputs, there’s no limit to what you can create with Plaits.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePITCHED SOUNDS\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePlaits features unique eight synthesis models designed for pitched sounds like ripping leads, lush chords, and ethereal pads. Create otherworldly synth sounds using:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eVirtual-analog synthesis of classic waveforms\u003c\/li\u003e\r\n\u003cli\u003eWaveshaping oscillator\u003c\/li\u003e\r\n\u003cli\u003eTwo operator FM (two sine-wave oscillators modulating each other’s phase)\u003c\/li\u003e\r\n\u003cli\u003eTwo independently controllable formants\u003c\/li\u003e\r\n\u003cli\u003eHarmonic oscillator\u003c\/li\u003e\r\n\u003cli\u003eWavetable oscillator with four banks of 8x8\u003c\/li\u003e\r\n\u003cli\u003eAn automatic chord generator\u003c\/li\u003e\r\n\u003cli\u003eVowel and speech synthesis  \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eNOISE AND PERCUSSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePlaits features eight additional synthesis models designed for noise and percussion sounds like kicks, snares and hi-hats. Creating synthetic beats using:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGranular sawtooth or sine oscillator\u003c\/li\u003e\r\n\u003cli\u003eClocked noise\u003c\/li\u003e\r\n\u003cli\u003e8 layers of particle noise\u003c\/li\u003e\r\n\u003cli\u003eInharmonic string modeling and modal resonator for rings\u003c\/li\u003e\r\n\u003cli\u003eAnalog bass drum model\u003c\/li\u003e\r\n\u003cli\u003eAnalog snare drum model\u003c\/li\u003e\r\n\u003cli\u003eAnalog hi-hat model  \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450574172263,"sku":"125387","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-plaits_98542_1_1_e7bc7148-f7b8-4fbb-a960-3d094b6efb60.jpg?v=1787093603"},{"product_id":"mutable-instruments-blades","title":"Mutable Instruments Blades Dual Multimode Filter Eurorack Module","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Blades\u003c\/strong\u003e is a dual multimode filter with CV-controlled, continuously variable filter response, filter routing, and an overdrive\/wavefolding stage for each filter.\u003c\/p\u003e\r\n\u003cp\u003eAn essential overdrive circuit:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCV-controlled overdrive stage precedes each of the two filters\u003c\/li\u003e\r\n\u003cli\u003eOverdrive response continuously adjustable between soft-clipping and 2-stage wavefolding\u003c\/li\u003e\r\n\u003cli\u003eTwo rich multimode filters\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eClean 2-pole (12 dB\/octave) state-variable design:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCV-controlled filter response, continuously variable between low-pass, band-pass and high-pass\u003c\/li\u003e\r\n\u003cli\u003eCV inputs with attenuverters for cutoff and resonance\u003c\/li\u003e\r\n\u003cli\u003eUnattenuated frequency CV input, calibrated for 1V\/Oct tracking\u003c\/li\u003e\r\n\u003cli\u003eClean and constant amplitude self-oscillation across the audio range, extending into very low frequencies\u003c\/li\u003e\r\n\u003cli\u003eModulating the filter response is akin to modulating the phase of the self-oscillation tone\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eUnique routing possibilities:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eContinuously variable (and CV-controlled) routing from single to parallel to series\u003c\/li\u003e\r\n\u003cli\u003eWith a signal patched into filter 2's audio input, the routing knob and CV act as a crossfader\u003c\/li\u003e\r\n\u003cli\u003eFilter 2's cutoff can be set relatively to filter 1's cutoff\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450640298087,"sku":"147305","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-ins-blades_147305_1_2c90a1ab-054d-49a7-8e5a-ada0d744dc2c.jpg?v=1787093872"},{"product_id":"mutable-instruments-beads-texture-synthesizer","title":"Mutable Instruments Beads Texture Synthesizer Eurorack Module","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Beads\u003c\/strong\u003e is a reinvention of Mutable Instruments’ Clouds. The concept is the same, live granular processing of an incoming audio signal, and the labels on the panel remain familiar. But the similarities stop here. The hardware and software have been redesigned from the ground up, with several goals in mind: a crisper and broader sound palette, more control, better playability, and direct access to exciting new features.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eDOTTING THE I’S AND CROSSING THE T’S\u003c\/h3\u003e\r\n\u003cp\u003eBeads’ vastly improved specifications allow a higher audio quality, a longer buffer, the use of better interpolation and anti-aliasing algorithms, and key DSP blocks to run at a faster rate. Granular processing can now go to new territories, such as formants, wavetables, hard-sync-like sounds, or crispy noise.\u003c\/p\u003e\r\n\u003cp\u003eThe range of parameters, their response to the turn of a knob or a CV modulation have all been refined, for new possibilities such as reverse playback or percussive envelopes.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eCONTROL, CHAOS AND CHARACTER\u003c\/h3\u003e\r\n\u003cp\u003eControl... To trigger or schedule grains, Beads provides new features to divide or randomize an external clock or trigger stream, spray bursts of grains in response to a gate, or get the grain rate to track a V\/O CV or the frequency of an external oscillator.\u003c\/p\u003e\r\n\u003cp\u003eChaos... Each key parameter of a grain comes with its own attenurandomizer, which allows direct CV control, CV control of the randomization (spread) of this parameter, or internal randomization using some of Marbles’ algorithms.\u003c\/p\u003e\r\n\u003cp\u003eCharacter... Beads provides four audio quality settings, which go well beyond buffer sample rate and bit-depth: they affect the clock of the converters, the amplitude limiting and saturation of the signal path, the tone of the reverb, and additional media-emulation effects. From a pristine digital device to a dirty cassette, through a mode reproducing some of Clouds’ characteristics.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eMODES?\u003c\/h3\u003e\r\n\u003cp\u003eBeads can operate as a delay without the need to switch to a different mode: just ask it to play a never-ending grain. Its DENSITY, TIME and SEED controls are repurposed to allow various features such as tap-tempo, beat slicing, time-stretching, or comb-filtering at rates tracking V\/O.\u003c\/p\u003e\r\n\u003cp\u003eWithout any audio input, Beads will granularize 8 internal banks of wavetables.\u003c\/p\u003e\r\n\u003cp\u003eAll parameters have a dedicated knob.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450665922663,"sku":"150939","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-beads_150939_1.jpg?v=1787093980"},{"product_id":"mutable-instruments-stages-demo-deal","title":"Mutable Instruments Stages (Demo Deal)","description":"\u003ch3\u003eTHE MODULATION CONSTRUCTION SET\u003c\/h3\u003e\r\n\r\n\u003cp\u003eASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: The \u003cstrong\u003eMutable Instruments Stages\u003c\/strong\u003e can be any kind of modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNot because all these behaviors have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFlexible input\/output layout\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4… depends simply on how you patch it. Dummy patch cables might come handy!\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eThree segment types\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eRamp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes… or for LFOs.\u003c\/li\u003e\r\n\u003cli\u003eHold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.\u003c\/li\u003e\r\n\u003cli\u003eStep segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eLooping\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviors allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSingle segment processing\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEven when they aren’t part of any group and don’t receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCV output: from 0 V to +8 V, negative CV down to -8 V can be generated by a Hold or Step segment if this segment is CV modulated\u003c\/li\u003e\r\n\u003cli\u003eSegment duration from 1ms to 16s\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 2 kHz\u003c\/li\u003e\r\n\u003cli\u003e31.25 kHz refresh rate\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV capture, 14-bit CV generation with accurate software calibration, error below 2 mV\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450716876903,"sku":"157744","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-stages_99319_1_1_dbf0366b-ba18-4c9a-9655-bd03d44dfb6b.jpg?v=1787094224"},{"product_id":"mutable-instruments-tides-2018-demo-deal","title":"Mutable Instruments Tides 2018 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Tides 2018\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rates… This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\n\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO).\u003c\/p\u003e\n\n\u003cp\u003eThe triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and bounces to the waveform.\u003c\/p\u003e\n\n\u003ch3\u003ePOLYRHYTHMIC VARIATIONS\u003c\/h3\u003e\n\n\u003cp\u003eWhat sets this 2018 revision apart from its predecessor is the introduction of additional output modes, producing variations (shifted in amplitude, time, phase or frequency) of the main signal.\u003c\/p\u003e\n\n\u003cp\u003eAnd of course, a redesign from scratch focused on accuracy and audio quality.\u003c\/p\u003e\n\n\u003ch3\u003eDigital function generator:\u003c\/h3\u003e\n\n\u003cul\u003e\n\u003cli\u003e3 operating mode: AD envelope, looping (VC-LFO\/VCDO), AR envelope\u003c\/li\u003e\n\u003cli\u003e3 frequency ranges for the main frequency knob: low (2 minutes to 2 Hz), medium (0.125 Hz to 32 Hz), high (8 Hz to 2kHz), this range can be widened by applying an offset on the V\/OCT input\u003c\/li\u003e\n\u003cli\u003eA large palette of waveforms\u003c\/li\u003e\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or sinusoidal segments\u003c\/li\u003e\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input\u003c\/li\u003e\n\u003cli\u003eSmoothness control with CV input: smoothes the waveform using a 2-pole digital filter, or adds bumps and kinks with a digital wavefolder\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\u003ch3\u003eExternal clocking\/PLL:\u003c\/h3\u003e\n\n\u003cul\u003e\n\u003cli\u003eThe module can use an external clock or clean audio signal as a reference, and operate at a multiple of this clock (from 1⁄16 to 16x)\u003c\/li\u003e\n\u003cli\u003eThis allows, for example, the generation of (sub)harmonics from another VCO\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e4 output modes:\u003c\/h3\u003e\n\n\u003cul\u003e\n\u003cli\u003eDifferent shapes - each output produces a different waveshape: main signal (with voltage-controlled attenuverter), raw asymmetric triangle, end of attack gate, end of release gate\u003c\/li\u003e\n\u003cli\u003eDifferent amplitudes: Voltage-controlled dispatching of the signal to each of the 4 outputs\u003c\/li\u003e\n\u003cli\u003eDifferent times: Voltage-controlled phase or apex shifting of the signal\u003c\/li\u003e\n\u003cli\u003eDifferent frequencies: Outputs 2, 3, and 4 are shifted up or down in frequency relatively to output 1, creating chords or polyrhythmic LFOs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\n\u003cul\u003e\n\u003cli\u003eAll inputs: 100k impedance, DC to 7.8 kHz\u003c\/li\u003e\n\u003cli\u003eSLOPE, SMOOTHNESS, SHAPE, SHIFT\/LEVEL input range: ±8 V\u003c\/li\u003e\n\u003cli\u003eV\/OCT input range: -3 to +7 V\u003c\/li\u003e\n\u003cli\u003eTRIG and CLOCK input range: 0 to +8 V, protected\u003c\/li\u003e\n\u003cli\u003e16-bit CV capture\u003c\/li\u003e\n\u003cli\u003eInternal processing: 32-bit floating point\u003c\/li\u003e\n\u003cli\u003eCV Outputs: 14-bit, 62.5 kHz (31.25 kHz in different frequencies mode)\u003c\/li\u003e\n\u003cli\u003eOutput levels: bipolar ±5 V for cyclic signals; unipolar +8 V for gates and envelopes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450816458855,"sku":"174468","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-tides-2018_108933_1_5aff7ab1-367e-4b35-b59c-cdcfdadbfbb1.jpg?v=1787094643"},{"product_id":"mutable-instruments-beads-texture-synthesizer-eurorack-module-demo-deal","title":"Mutable Instruments Beads Texture Synthesizer Eurorack Module (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Beads\u003c\/strong\u003e is a reinvention of Mutable Instruments’ Clouds. 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