{"title":"New Releases","description":null,"products":[{"product_id":"fryette-valvulator-mini-tube-buffer","title":"Fryette Valvulator Mini Tube Buffer","description":"\u003cp\u003eThe \u003cstrong\u003eFryette Valvulator Mini\u003c\/strong\u003e is a high voltage, vacuum tube–based buffer that is perfect for guitarists who utilize modelers, digital amps and long pedal chains. Designed to preserve and enhance your guitar’s tone by converting the signal from high to low impedance eliminating high-frequency loss and signal degradation caused by cable capacitance, impedance mismatches, phase\/ground loops and the use of effects pedals. The tube buffer also acts as a tone sweetener, cleaning up and enriching your sound while unveiling subtle harmonics, dynamics and the touch sensitivity normally associated with plugging directly into an amp.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePRESERVE YOUR GUITAR'S TONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eHoused in a compact steel chassis, the Valvulator Mini provides an unbalanced low-impedance output, an unbalanced transformer isolated output and a balanced XLR output, making it a versatile solution as a tube direct box for both pedalboards and studio use. It used a JJ 12AX7\/ECC83 vacuum tube and is powered by 120-volt AC and includes an AC adapter. Two impedance switches eliminate high-frequency loss and signal degradation caused by cable capacitance and the use of effects pedals. The phase switch keeps you in phase, ensure full tone. The ground loop switch assists in eliminating hum. It features a 1\/4\" input along with unbalanced low-impedance 1\/4\", unbalanced transformer isolated 1\/4\", and balanced XLR outputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHE VALULATOR EVOLVED\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Valvulator Mini is the long-awaited evolution of one of Fryette's most popular rig solutions, the Valvulator 1 Vacuum Tube Buffer. The Mini features increased headroom and dynamic range, together with significantly lower noise. \"\u003cem\u003eAs always, I wanted a solution for myself that I knew would be a welcome tool for players, especially those who really appreciate the tone and feel of plugging directly into an amp\u003c\/em\u003e,\" commented Steve Fryette.\u003c\/p\u003e","brand":"Fryette","offers":[{"title":"Default Title","offer_id":44451351101543,"sku":"502744","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/fryette-valvulator-mini-tube-buffer_502744_1.jpg?v=1787670797"},{"product_id":"ssl-ssl1-2x2-channel-usb-interface","title":"Solid State Logic SSL 1 2-in\/2-out USB-C Audio Interface","description":"\u003cp\u003eBig-studio sound in compact form - the \u003cstrong\u003eSolid State Logic SSL 1\u003c\/strong\u003e is built on decades of expertise that make Solid State Logic the benchmark in professional studios and trusted by the world's leading artists and producers. Portable and powerful, it delivers SSL performance in a 2-in\/2-out USB-C interface. Whether you're starting your journey or producing on-the-move, SSL 1 makes pro-quality audio simple, accessible and inspiring for musicians, producers, content creators and streamers alike.\r\nSSL 1 comes bundled with the acclaimed SSL Production Pack, giving you a complete hardware-and-software studio in one package, so you can start creating music with the sound you love from day one. Built-to-last, professional design can be found throughout SSL 1. It's easy-access controls and high-quality components create an interface you can trust with your creativity, now and in the future. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eBUILT TO MOVE WITH YOU\u003c\/h3\u003e\r\n\r\n\u003cp\u003eRugged and compact, SSL 1 is class-compliant and works seamlessly with iOS devices, as well as laptops and desktop computers. Power it via USB from your computer or externally using a 5V power bank or phone charger - perfect for recording wherever inspiration strikes. Whether it's DI guitar, bass, synths or drum machines, SSL 1's instrument\/line input captures your sound with depth and punch. Built on true SSL analog design, SSL 1 keeps every take rich, dynamic and full of tone, from the very first note. Thanks to its DC-coupled outputs, SSL 1 can send control voltage (CV) to compatible synths and modular systems, enabling deeper integration with hardware sound design setups.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSSL-DESIGNED MIC PREAMP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSSL 1 features a high-performance, SSL-designed microphone preamp that supports dynamic and condenser microphones. With plenty of clean SSL gain and best-in-class low-noise performance, record vocals and instruments with the clarity and detail SSL is known for. +48V phantom power and a built-in high-pass filter give you essential control for professional-grade recordings.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eTHE SSL SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrom flagship SSL consoles to compact interfaces, superior sound quality sits at the core of everything made by SSL. SSL 1 features next-generation 32-bit converters and exceptional low-noise design, delivering stunning clarity, depth and dynamic range. Record and hear every detail, from the quietest nuance to the biggest performance, with the confidence of best-in-class performance and SSL's legendary sonic character. Balanced monitor outputs deliver clean, accurate sound to your speakers, while low-latency monitoring keeps performances tight and inspiring. A powerful high-current headphone output gives you detailed, distortion-free playback, and built-in stereo loopbacks (three in total) make streaming and content creation effortless.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eLEGACY 4K\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe legendary SSL 4000 series consoles - the iconic ‘4K' - are famous for adding unmistakable character to whatever runs through them. If you have never recorded through a 4K console, Legacy 4K Analogue Enhancement captures the essence of that classic 4K vibe, adding sweet harmonic color and musical high-frequency lift to give your recordings the presence, energy and attitude artists have loved for decades.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eSSL PRODUCTION PACK\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSSL 1 includes the renowned SSL Production Pack, a curated collection of essential virtual instruments, samples, and software tools from leading industry brands including Harrison Audio, Antares, Loopcloud, Native Instruments, AAS, IK Multimedia, Ableton and more. Combined with plug-ins such as SSL Drumstrip, VocalStrip 2, Complete Access Bundle trial, and many other creative tools, it delivers a complete hardware-plus-software solution for making music with authentic SSL sound. From additional EQs, reverbs and compressors to guitar-processing plug-ins and more, registering your product unlocks a growing collection of creative tools. Register your product and become part of the family.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451388293223,"sku":"506979","price":159.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/solid-state-logic-ssl-1_506979_1.jpg?v=1787097046"},{"product_id":"make-noise-plexiphon-spatial-texturizer-module","title":"Make Noise Plexiphon Spatial Texturizer Module","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Plexiphon\u003c\/strong\u003e is a stereo, modeless spatial texturizer which allows for continuously morphing between reverberations and multi-tap echoes, the widest range of possible results being neither reverb nor echo, and all results highlighting and amplifying character previously hidden in the source material being processed. \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Plexus control simultaneously modulates the number of feedback paths in the algorithm, and their entanglement together. The Size of the paths determines the temporal relation between them, operating like a “delay time,” or a “room size,” at either extreme of Plexus.  Diffuse and Color offer softening\/sharpening\/darkening\/brightening effects over time. \u003c\/p\u003e\r\n\r\n\u003cp\u003eCouple and Skew are stereo operations: Couple determines to what degree the left and right sides are isolated or intermingled (from “dual mono” to fully interlaced stereo), while Skew offers simultaneous inverse or tandem control of the left and right paths on the Plexus, Size, and Color parameters.  The Send gate input (normalled high, or patchable) determines whether and when the input signal will be fed into the Plexus. An envelope follower is provided at the CV output for re-integration of the Plexus into its own controls or elsewhere in the voltage controlled system. \u003c\/p\u003e\r\n\r\n\u003cp\u003ePlexiphon is built from entirely new code by Tom Erbe, specifically for Make Noise’s newest digital hardware.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44451390193767,"sku":"511987","price":469.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-plexiphon_511987_1.jpg?v=1787097055"},{"product_id":"lindell-audio-lin-76-mkii-fet-compressor-limiting-amplifier","title":"Lindell Audio LiN 76 MKII FET Compressor\/Limiting Amplifier","description":"\u003cp\u003eFrom the start, the original LiN76 was designed to deliver a range of dynamics processing that ranged from transparent program compression to aggressively crushed, pulsing drum mixes. After four years of runaway success, the \u003cstrong\u003eLindell Audio LiN 76 MKII FET Compressor\/Limiting Amplifier\u003c\/strong\u003e has arrived with several updates coming directly from customer feedback and feature requests. Of course, you still get the same versatility and quality you’d expect from a LiN76. You’ll be able to gently shape a delicate lead vocal, or smash your drum room track with all-buttons in mode.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eUPDATED FOR MODERN STUDIOS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe LiN76 mkII builds upon the success of the original model with a host of practical enhancements. A redesigned compression circuit offers improved performance and lower noise, while an internal power supply with IEC connection eliminates the need for an external adapter.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHE BEST OF CLASSIC 76 REVISIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eRather than recreating a single vintage model, the LiN76 mkII combines carefully selected elements from several legendary revisions. Its input stage draws inspiration from the clean-sounding Rev. D and Rev. G circuits, while the output stage borrows the gritty character of the famous Rev. A design. A custom-made transformer and vintage-style FET complete the classic analog signal path.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eVERSATILE DYNAMICS CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhether you're subtly controlling a lead vocal or crushing a drum bus with the legendary all-buttons-in mode, the LiN76 mkII offers a wide range of compression textures. Multiple ratio settings and ultra-fast attack times make it equally capable of transparent control or aggressive coloration.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSTEREO LINKING AND TRUE BYPASS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAn integrated RCA stereo link connection allows two LiN76 mkII units to operate together for matched stereo compression. True bypass switching makes it easy to instantly compare processed and unprocessed signals during mixing and tracking.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eCLASSIC WORKFLOW, MODERN CONVENIENCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe mkII adopts the traditional 76-style control orientation, with clockwise attack and release settings producing faster response times. A vintage-style VU meter with an adjustable calibration trimmer provides accurate visual feedback while preserving the familiar analog workflow engineers love.\u003c\/p\u003e","brand":"Lindell","offers":[{"title":"Default Title","offer_id":44451393044583,"sku":"511515","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lindell-audio-lin-76-mkii-fet-compressor-limiting-amplifier_511515_1.jpg?v=1787097067"},{"product_id":"eventide-h9-harmonizer-gen-2-effects-pedal","title":"Eventide H9 Harmonizer Gen 2 Effects Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eEventide H9 Harmonizer Gen 2 Effects Pedal\u003c\/strong\u003e brings Eventide’s iconic multi-effects pedal into a new era delivering studio-quality sound and creative flexibility in a compact, performance-ready format. Building on everything players loved about H9 Classics (H9 Max, H9 Core, H9 Standard), H9 Harmonizer expands the platform with the full H90 algorithm lineup, modern ARM processing, and a faster, more intuitive workflow for today’s stage and studio rigs.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDESIGNED TO GROW\u003c\/h3\u003e\r\n\u003cp\u003eThe H9 Harmonizer is built as a long-term platform. It includes the complete H9 Max library and remains fully compatible with legacy presets. No subscriptions or hidden unlocks. New algorithms will continue to roll out as updates. Integrated with Eventide Control and powered by a modern software foundation, The H9 Harmonizer is designed to evolve alongside the needs of today’s players.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eSIGNATURE SOUND\u003c\/h3\u003e\r\n\u003cp\u003eH9 Gen 2 combines the full legacy of the original H9 with the expanded creative range of the H90. It includes the full 74-algorithm lineup found in the H90, including all 52 original H9 Max algorithms, spanning delay, reverb, pitch, granular, vocal FX, looping, and much more. For longtime H9 users, it’s everything you love, now expanded. For new players, it’s the most direct path into Eventide’s flagship effects platform. Built on the same modern ARM processing as the H90 and H9000, H9 delivers higher-fidelity sound, improved overall performance, and true spillover on preset changes for seamless transitions. Proprietary Spectral Instantaneous Frequency Tracking (SIFT) tech produces pristine polyphonic pitch shifting and powers algorithms such as Polysynth, Polyphony, Polyflex, and Prism Shift.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eBUILT TO PLAY\u003c\/h3\u003e\r\n\u003cp\u003eH9 Harmonizer is designed to make great sounds easier to access. A larger 2.5\" display, updated controls, and a simplified interface make navigation faster and more intuitive than the original H9, while preserving the immediacy players expect from a compact pedal format. Its workflow is built around three core modes: Select Mode, Bank Mode, and Perform Mode. Together, they create a faster, more performance-ready experience for browsing presets, organizing sounds for live use, and controlling effects in real time. With HotSwitch and HotKnob macro control, plus flexible footswitch behavior, H9 feels less like a menu-driven processor and more like an actual instrument.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eMADE FOR MODERN RIGS\u003c\/h3\u003e\r\n\u003cp\u003eH9 supports one algorithm at a time, featuring flexible I\/O and global or preset-specific settings. The various routing options make it easy to slot into pedalboards, amp loops, hybrid rigs, and studio setups. Get connected quickly and easily with Eventide Control, 5-pin MIDI I\/O, stereo audio I\/O, as well as expression and aux control. The next generation of H9 is ready for the demands of stage and studio. It’s compact enough to simplify a board, yet connected enough to anchor a modern rig.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eWHAT’S NEW IN GEN 2:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e74 algorithms, including the full H90 and H9 Max libraries\u003c\/li\u003e\r\n\u003cli\u003eHigh Fidelity Polyphonic Pitch FX using SIFT technology\u003c\/li\u003e\r\n\u003cli\u003e1000+ presets out of the box\u003c\/li\u003e\r\n\u003cli\u003eRedesigned UI with 3 Quick Knobs and button pads\u003c\/li\u003e\r\n\u003cli\u003eFull parameter control directly from the pedal (no app required)\u003c\/li\u003e\r\n\u003cli\u003eUSB-C connection to Eventide Control app\u003c\/li\u003e\r\n\u003cli\u003eDual instrument \u0026amp; line-level I\/O for flexible studio + live use\u003c\/li\u003e\r\n\u003cli\u003e2 programmable footswitches, plus HotKnob and HotSwitch macro control\u003c\/li\u003e\r\n\u003cli\u003eSeamless effects spillover between presets\u003c\/li\u003e\r\n\u003cli\u003eSelect, Bank, and Perform Modes for flexible workflows\u003c\/li\u003e\r\n\u003cli\u003eFlexible routing (Wet\/Dry, Pre\/Post)\u003c\/li\u003e\r\n\u003cli\u003eBluetooth support for Eventide Control on Mac and iPad\u003c\/li\u003e\r\n\u003cli\u003eLarger display with faster, streamlined interface\u003c\/li\u003e\r\n\u003cli\u003eFully compatible with H9 Classic presets\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in tuner\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44451393273959,"sku":"512440","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide-h9-harmonizer-gen-2-effects-pedal_512440_1.jpg?v=1787097068"},{"product_id":"echo-fix-ef-x3-vintage-voice-echo-tolex","title":"Echo Fix EF-X3 Vintage Voice Tape Echo - Tolex","description":"\u003cp\u003eThe \u003cstrong\u003eEcho Fix EF-X3 Vintage Voice Echo\u003c\/strong\u003e is built on the EF-X3 platform delivering the warmth and character of classic tape echo machines with hands-on control over every imperfection. Controls to introduce Wow and Flutter via sample-and-hold modulation to bring organic movement to your repeats, while an analog spring reverb section adds genuine vintage depth. An extended motor speed range allowing for slower delay times and introduces the lo-fi textures of aging tape. The Record\/Erase Off controls unlock a live tape looping mode - disable the Erase head to hold your loop, then switch off the Record head and layer your performance on top. For players who want the real thing, and then some.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EF-X3 Vintage Voice is available here in a desktop chassis with a vintage blue front panel, tolex covering, and a removable acrylic lid.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eALL THE WARMTH AND CHARACTER OF CLASSIC TAPE ECHOES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWow and Flutter controls use sample-and-hold random modulation, breathing life and unpredictability into your signal for that authentic, living-tape feel. The new LFO Mod adds RATE and DEPTH controls to control the speed and intensity of the modulation. The SHAPE knob blends seamlessly between a SINE waveform and a SAMPLE AND HOLD waveform. This allows you to dial in the exact amount of entropy to your echo repeats.\r\nAnalog spring reverb section voiced after beloved vintage units. An extended motor speed range delivers longer delay times and gloriously lo-fi repeats. Record\/Erase Off controls unlock a live tape looping mode. Disable the Erase head to hold your recorded loop, then switch off the Record head and layer your performance on top.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003e100% ANALOG BBD CHORUS AND ANALOG SPRING REVERB\u003c\/h3\u003e\r\n\r\n\u003cp\u003eExperience authentic old-school reverb with the EF‑X3’s analog spring tank. Just like the springs found in vintage guitar amps, organs, and retro studio gear, this fully analog effect sends audio through a set of metal springs and records the other end with a special transducer, adding a luscious sense of space with unique envelope and lingering tail. Blend it in with the echo and chorus to enhance the overall effect, or use it on its own to give dry signals such as guitars and vocals a bit of vintage flavor. The Echo Fix EF‑X3 also includes an Analog BBD Chorus that gives you that unmistakable warble and shimmer heard on so many classic records. Using a BBD (Bucket Brigade Delay) design, this fully analog effect can produce a range of tones from simple doubling effects to swirling, washy choruses using just the Chorus Rate and Chorus Depth controls. Combined with real tape delay or used on its own, the Echo Fix EF-X3's BBD Chorus adds even more versatility to this already mind-blowing device.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSAME TEAM, SAME PEACE OF MIND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFor nearly 15 years, Echo Fix been keeping tape echos alive. Rest assured that your machine will be the most capable, reliable tape echo on the market, supported by a team with some of the best customer service in the industry. On top of this, Echo Fix have implemented a new auto tape stop circuit to extend tape life. If you’ve been in a room with. Used as an effect, this tape echos simply makes everything sound better. But turn up the echo volume, dial in some feedback, and listen as it self-oscillates into life and becomes an instrument more than an effect. The EF-X3 will change the way you make music. \u003c\/p\u003e","brand":"Echo Fix","offers":[{"title":"Default Title","offer_id":44451395862631,"sku":"513479","price":3299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/echo-fix-ef-x3-vintage-voice-tolex_513479_1.jpg?v=1787097080"},{"product_id":"echo-fix-ef-x3-vintage-voice-echo-desktop","title":"Echo Fix EF-X3 Vintage Voice Tape Echo - Desktop","description":"\u003cp\u003eThe \u003cstrong\u003eEcho Fix EF-X3 Vintage Voiced Echo\u003c\/strong\u003e is built on the EF-X3 platform delivering the warmth and character of classic tape echo machines with hands-on control over every imperfection. Controls to introduce Wow and Flutter via sample-and-hold modulation to bring organic movement to your repeats, while an analog spring reverb section adds genuine vintage depth. An extended motor speed range allowing for slower delay times and introduces the lo-fi textures of aging tape. The Record\/Erase Off controls unlock a live tape looping mode - disable the Erase head to hold your loop, then switch off the Record head and layer your performance on top. For players who want the real thing, and then some.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EF-X3 Vintage Voice is available here in a desktop chassis with a vintage blue front panel and walnut wood sides.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eALL THE WARMTH AND CHARACTER OF CLASSIC TAPE ECHOES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWow and Flutter controls use sample-and-hold random modulation, breathing life and unpredictability into your signal for that authentic, living-tape feel. The new LFO Mod adds RATE and DEPTH controls to control the speed and intensity of the modulation. The SHAPE knob blends seamlessly between a SINE waveform and a SAMPLE AND HOLD waveform. This allows you to dial in the exact amount of entropy to your echo repeats.\r\nAnalog spring reverb section voiced after beloved vintage units. An extended motor speed range delivers longer delay times and gloriously lo-fi repeats. Record\/Erase Off controls unlock a live tape looping mode. Disable the Erase head to hold your recorded loop, then switch off the Record head and layer your performance on top.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003e100% ANALOG BBD CHORUS AND ANALOG SPRING REVERB\u003c\/h3\u003e\r\n\r\n\u003cp\u003eExperience authentic old-school reverb with the EF‑X3’s analog spring tank. Just like the springs found in vintage guitar amps, organs, and retro studio gear, this fully analog effect sends audio through a set of metal springs and records the other end with a special transducer, adding a luscious sense of space with unique envelope and lingering tail. Blend it in with the echo and chorus to enhance the overall effect, or use it on its own to give dry signals such as guitars and vocals a bit of vintage flavor. The Echo Fix EF‑X3 also includes an Analog BBD Chorus that gives you that unmistakable warble and shimmer heard on so many classic records. Using a BBD (Bucket Brigade Delay) design, this fully analog effect can produce a range of tones from simple doubling effects to swirling, washy choruses using just the Chorus Rate and Chorus Depth controls. Combined with real tape delay or used on its own, the Echo Fix EF-X3's BBD Chorus adds even more versatility to this already mind-blowing device.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSAME TEAM, SAME PEACE OF MIND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFor nearly 15 years, Echo Fix been keeping tape echos alive. Rest assured that your machine will be the most capable, reliable tape echo on the market, supported by a team with some of the best customer service in the industry. On top of this, Echo Fix have implemented a new auto tape stop circuit to extend tape life. If you’ve been in a room with. Used as an effect, this tape echos simply makes everything sound better. But turn up the echo volume, dial in some feedback, and listen as it self-oscillates into life and becomes an instrument more than an effect. The EF-X3 will change the way you make music. \u003c\/p\u003e","brand":"Echo Fix","offers":[{"title":"Default Title","offer_id":44451395895399,"sku":"513481","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/echo-fix-ef-x3-vintage-voiced-desktop_513481_1.jpg?v=1787097080"},{"product_id":"audeze-mm-520-manny-marroquin-signature-series-headphone","title":"Audeze MM-520 Manny Marroquin Signature Series Headphones","description":"\u003cp\u003eDeveloped in close collaboration with 18-time Grammy-winning mix engineer Manny Marroquin, the \u003cstrong\u003eAudeze MM-520\u003c\/strong\u003e is a purpose-built tool designed to deliver mixes that translate perfectly across any system. By incorporating SLAM technology, the MM-520 optimizes air pressure within the earcup to enhance low-frequency impact and soundstage transparency without sacrificing the mid-range neutrality that made the original MM-500 a studio staple.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003ePRECISION YOU CAN COUNT ON\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBuilt for and tested in the rigors of everyday studio life, the MM-520 is your reliable partner for everything from deep listening to recording on-the-fly. Transform your headphone listening with the accuracy of world-class monitors in a well-treated room. MM-520's planar magnetic drivers have been refined and perfected by Audeze in their Southern California workshop, integrating patent-pending SLAM technology to provide the low-end definition and midrange precision that engineers like Manny stake their work upon.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eEXPAND YOUR AUDIO HORIZONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eExplore and create with newfound levels of depth and subtlety when you put on MM-520. Work with the confidence that your choices will always translate well.  Enjoy luxurious comfort for marathon mix sessions from MM-520's upgraded memory foam earpads. 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The high-resolution screens keep you focused on the sound of your mix. Intuitive and efficient, Compact, Channel.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eWORLD-CLASS CONSOLE SOUND AND FEEL IN A COMPACT PACKAGE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eConsole 1 Compact gives you Channel Mk III capabilities in just half the size. Whether it’s your main unit or the unit you use when you’re on the go, Compact fits your workflow and your lifestyle. Just pack it up and go and everything will be waiting for you wherever you land. Compact features the same anodized aluminum, Nordic Night Sky finish, and robust build of Console 1 Channel and Fader Mk III. With its premium materials, Console 1 Compact outshines all others in its class. Every rotation of Compact’s touch-sensitive Analog Feel potentiometers gives you the sensation of the priciest outboard gear. With an increase of more than ten times the resolution over the Console 1 Mk II generation, the weighty and precise turn of these knobs highlights the immersive mixing experience of Compact.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eCORE MIXING SUITE: THE PERFECT CHANNEL STRIP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eConsole 1 Compact comes with the Core Mixing Suite software, which gives you the award-winning sounds of Tape, FET Compressor Mk II, Bus Processor, and more, in the versatile preamp, shape, equalization, and compression sections. Plus, an innovative drive section befitting Softube's reputation for saturation. A turn of a knob needs to feel right, and the action needs to be in harmony with the change in the sound. That's why Core Mixing Suite gives you more processing at your fingertips than most tracks will ever need.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCore Mixing Suite includes:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTape\/Preamp: tape drive model\u003c\/li\u003e\r\n\u003cli\u003eFilters: 6, 12, 18, 24, 48 dB included (default is 18 in bass and 12 on top\u003c\/li\u003e\r\n\u003cli\u003eShape: Dynamic Shaper, Panner, Dual Dynamics\u003c\/li\u003e\r\n\u003cli\u003e4 EQs: Modern, Vintage, Dynamic 2-band and Dynamic 4-band\u003c\/li\u003e\r\n\u003cli\u003e3 Compressors: FET Mk II, Opto and Bus Compressor\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Softube","offers":[{"title":"Default Title","offer_id":44451399663719,"sku":"510709","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/softube-console-1-compact_510709_1_022701e6-623a-473c-a621-6c4bb0ad8bfd.jpg?v=1787097096"},{"product_id":"manley-labs-dual-mid-band-eq","title":"Manley Labs Dual Mid Band EQ","description":"\u003cp\u003eThe \u003cstrong\u003eManley Dual Mid Band EQ\u003c\/strong\u003e provides mastering-grade midrange control with smooth, musical precision — shaping presence, clarity, and punch without harshness. A passive inductor-based EQ with high-voltage tube makeup gain and custom Manley Iron transformers, built for mix-bus work, mastering chains, and high-end tracking. Handcrafted in California, Manley's Dual Series was designed for recording, mixing, and mastering workflows. Its performance is thorough enough for mastering applications but equally useful on individual sources, stems, instrument buses, and mix buses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Dual Main EQ and Dual Mid Band EQ were designed together as a complete analog master-bus EQ system. The Dual Main EQ handles lows and highs; the Dual Mid Band EQ handles the midrange. Together they cover the full frequency spectrum with a coherent, matched character — and the Manley sound throughout.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE CURVE IS ONLY PART OF THE SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Dual Series combines passive filtering, tube makeup gain, custom transformers, and high-headroom analog operation into a complete signal path. The interaction of the filters, boost, and cut overlaps result in highly musical curves — but the components behind the scenes are why these equalizers sound substantial, dimensional, and composed in ways beyond their frequency behavior alone.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003ePASSIVE INDUCTOR-BASED EQUALIZATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Dual Series uses passive inductor-based networks rather than active gain stages inside the EQ circuit. This approach is less convenient and more expensive to execute well, but it remains one of the reasons passive equalizers continue to be valued by serious engineers. The curves are broad, natural, and interactive — encouraging decisions based on musical relationships rather than isolated frequency problems. The passive networks create tonal changes that remain integrated into the source. Large moves do not automatically sound heavy-handed, and small moves can change the perspective of a mix without calling attention to the tool. The result is equalization that tends to preserve depth, transient behavior, and musical continuity.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eTUBE MAKEUP GAIN AND MANLEY IRON TRANSFORMERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePassive EQ networks lose level by design. Restoring that level is central to their sound. The Dual Series uses Manley tube makeup gain stages that benefit from decades of experience building high-end tube equipment. The 5751 input stage and 12BH7 output contribute the dimensionality, harmonic structure, and authority that define the Manley sound. The in-house wound Manley transformers are central to the way these equalizers present low-frequency weight, transient density, and sonic authority. Custom input and output transformers, scrupulously developed and hand-selected for maximum euphonic performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eEXTENDED BANDWIDTH AND SERIOUS HEADROOM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOutput capability exceeding +30 dBu, 26 dB of output headroom referenced to +4 dBu, and frequency response flat within ±0.1 dB from 20 Hz to 22 kHz. Total response extends from 10 Hz to 70 kHz. Built for modern professional operating levels and the most demanding analog chains.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eMID\/SIDE READY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFront-panel labeling supports both Left\/Right stereo operation and Mid\/Side processing. No internal matrix is included — the unit integrates with external M\/S encoders and decoders, hardware (such as the Manley Mastering Backbone) or DAW-based, allowing independent equalization of the Mid and Side components of a stereo signal.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eMODERN MANLEY DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUpdated ergonomics, clearer layouts, and new logos to match. The Dual Series is the first Manley product line to feature the updated brand identity — refined for contemporary professional environments without compromising the circuits that made these designs truly exceptional. Serious mechanical construction, carefully chosen components, satisfying control feel, and a universal switchmode power supply that outperforms the best linear designs available — compatible with all mains voltages worldwide and contributing to the unit's extended headroom and low noise floor. Every Dual Series equalizer is hand-built in California.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44451401597031,"sku":"514797","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley-labs-dual-mid-band-eq_514797_1.jpg?v=1787097105"},{"product_id":"manley-labs-dual-main-eq","title":"Manley Labs Dual Main EQ","description":"\u003cp\u003eThe \u003cstrong\u003eManley Labs Dual Main EQ\u003c\/strong\u003e delivers authoritative low-end weight, open and musical highs, and dimensional depth — with perfectly matched stereo operation. A passive inductor-based EQ with high-voltage tube makeup gain and custom Manley Iron transformers, built for mix-bus work, mastering chains, and high-end tracking. Handcrafted in California, Manley's Dual Series was designed for recording, mixing, and mastering workflows. Its performance is thorough enough for mastering applications but equally useful on individual sources, stems, instrument buses, and mix buses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Dual Main EQ and Dual Mid Band EQ were designed together as a complete analog master-bus EQ system. The Dual Main EQ handles lows and highs; the Dual Mid Band EQ handles the midrange. Together they cover the full frequency spectrum with a coherent, matched character — and the Manley sound throughout.\u003c\/p\u003e\r\n\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE CURVE IS ONLY PART OF THE SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Dual Series combines passive filtering, tube makeup gain, custom transformers, and high-headroom analog operation into a complete signal path. The interaction of the filters, boost, and cut overlaps result in highly musical curves — but the components behind the scenes are why these equalizers sound substantial, dimensional, and composed in ways beyond their frequency behavior alone.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003ePASSIVE INDUCTOR-BASED EQUALIZATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Dual Series uses passive inductor-based networks rather than active gain stages inside the EQ circuit. This approach is less convenient and more expensive to execute well, but it remains one of the reasons passive equalizers continue to be valued by serious engineers. The curves are broad, natural, and interactive — encouraging decisions based on musical relationships rather than isolated frequency problems. The passive networks create tonal changes that remain integrated into the source. Large moves do not automatically sound heavy-handed, and small moves can change the perspective of a mix without calling attention to the tool. The result is equalization that tends to preserve depth, transient behavior, and musical continuity.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eTUBE MAKEUP GAIN AND MANLEY IRON TRANSFORMERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePassive EQ networks lose level by design. Restoring that level is central to their sound. The Dual Series uses Manley tube makeup gain stages that benefit from decades of experience building high-end tube equipment. The 5751 input stage and 12BH7 output contribute the dimensionality, harmonic structure, and authority that define the Manley sound. The in-house wound Manley transformers are central to the way these equalizers present low-frequency weight, transient density, and sonic authority. Custom input and output transformers, scrupulously developed and hand-selected for maximum euphonic performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eEXTENDED BANDWIDTH AND SERIOUS HEADROOM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOutput capability exceeding +30 dBu, 26 dB of output headroom referenced to +4 dBu, and frequency response flat within ±0.1 dB from 20 Hz to 22 kHz. Total response extends from 10 Hz to 70 kHz. Built for modern professional operating levels and the most demanding analog chains.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eMID\/SIDE READY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFront-panel labeling supports both Left\/Right stereo operation and Mid\/Side processing. No internal matrix is included — the unit integrates with external M\/S encoders and decoders, hardware (such as the Manley Mastering Backbone) or DAW-based, allowing independent equalization of the Mid and Side components of a stereo signal.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eMODERN MANLEY DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUpdated ergonomics, clearer layouts, and new logos to match. The Dual Series is the first Manley product line to feature the updated brand identity — refined for contemporary professional environments without compromising the circuits that made these designs truly exceptional. Serious mechanical construction, carefully chosen components, satisfying control feel, and a universal switchmode power supply that outperforms the best linear designs available — compatible with all mains voltages worldwide and contributing to the unit's extended headroom and low noise floor. Every Dual Series equalizer is hand-built in California.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44451401629799,"sku":"514796","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley-labs-dual-main-eq_514796_1.jpg?v=1787097105"},{"product_id":"shadow-hills-industries-mastering-compressor-class-a-vk-edition","title":"Shadow Hills Industries Mastering Compressor - Class A VK Edition","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hills Mastering Compressor - Class A VK Limited Edition\u003c\/strong\u003e is a limited-edition version of the Shadow Hills Mastering Compressor, featuring a Class A discrete gain-makeup section, Lundahl input transformers, and an exclusive copper faceplate with a matching PSU. Designed for mastering engineers, mix engineers, and tracking studios alike, the Class A VK Limited Edition delivers the sound and flexibility that made the original a modern classic, including separate VCA and optical compressor sections, switchable output transformers, stereo and dual-mono modes, a built-in switchable sidechain filter, and more. Limited to just 10 units worldwide, the Shadow Hills Mastering Compressor - Class A VK Limited Edition is both a collector’s item and a studio workhorse that will serve you for years to come.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eCLASS A CIRCUITRY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAside from the heavy-duty solid copper faceplate, the Shadow Hills Mastering Compressor - Class A VK Limited Edition introduces a number of technical upgrades as well. Under the hood, the updated Class A discrete gain makeup section delivers greater clarity and 3D qualities versus the already world-class sonics of the standard edition.  Carefully selected Lundahl input transformers offer improved noise rejection and openness. Plus, each unit has been hand-built with Mogami oxygen-free wire for long-lasting quality.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eEXCLUSIVE COPPER FACEPLATE AND PSU\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInspired by the brand’s limited-edition Mono GAMA Hammer Forged preamps, the Shadow Hills Mastering Compressor - Class A VK Limited Edition features a sleek copper faceplate and PSU, giving the unit a distinctive appearance. With a custom-engraved, art deco-inspired design, the Class A VK Limited Edition looks just as inspiring as it sounds.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eDISCRETE AND OPTICAL COMPRESSOR SECTIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Shadow Hills Industries Mastering Compressor - Class A VK Limited Edition features two compression sections, offering both optical and VCA-based gain reduction. Both sections can operate independently on each channel or be used in series. This two-stage design allows for flexible dynamics control, offering transparent leveling, precise adjustment, or a combination of both. Each compressor section includes a hardwire bypass to ensure your signal remains completely neutral when not engaged.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Optical Section focuses on smooth, program-dependent leveling inspired by a classic late-'60s optical compressor. With stepped Threshold and Gain controls, setting optimal levels is quick and easy. The Discrete Section incorporates a responsive VCA circuit with stepped controls for Ratio, Attack, and Release. This provides fast, accurate gain reduction suitable for tightening drum tracks, managing the peaks of percussive acoustic instruments, and refining transients for louder, more polished mixes. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eTHREE SWITCHABLE OUTPUT TRANSFORMERS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe output stage offers a selection of three switchable transformers, each delivering unique harmonic and tonal characteristics. The front-panel selector makes it easy to quickly audition each option and find the perfect setting for each track.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eNickel Transformer: The nickel transformer offers a balanced tonal profile with a tight punchy low end and a smooth high-frequency response. It adds depth and presence without harshness, making it ideal for lead vocals, acoustic instruments, and clean electric sounds.\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eIron Transformer: The iron transformer excels at delivering clear highs and a slight boost around 110 Hz for added weight. Its Class A output stage introduces musical even-order harmonic distortion, imparting a warm analog feel that helps instruments cut through dense mixes.\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003cli\u003eSteel Transformer: Finally, the steel transformer provides an open, detailed tonal character with a subtle 40 Hz lift, delivering a modern sound with a strong low-end. 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Built around the S17E, a newly developed edge-terminated version of the original S17 capsule, the Silver 17 adds a musical extension to Soyuz's flagship sound. Vocals sit forward without edge. Acoustic instruments breathe. Transients stay defined, but never rigid.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eWHERE WEIGHT MEETS AIR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Silver 17 is voiced to sound powerful while sitting naturally in a mix. It carries the same larger-than-life lows and rich midrange of its sibling, the 017 TUBE, but with a greater emphasis on the presence and clarity demanded for modern productions. The difference begins to shine in the upper range, where the Silver 17 remains open and expressive. The smooth lift highlights detail without exaggeration, while the controlled articulation helps vocals, guitars, keys, and other sources come through with less need for post-production sculpting.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eINSPIRED BY CLASSICS, BUILT AS AN ORIGINAL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe core of the Silver 17's sound comes from its custom, edge-terminated S17E capsule: a hand-machined, gold-sputtered, 34mm design developed entirely in-house. The original S17 was influenced by K67 geometry, the architecture behind some of the most recorded large-diaphragm condensers in history, and serves as the base of the 017 Series' dense low-end and midrange. For the Silver 17, the engineers at Soyuz built on that foundation, drawing inspiration from mics like the LOMO 19A18, a rare Soviet-era gem often compared to a C12 and prized for its airiness and top-end response.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis hybrid approach led to a complete redesign of the capsule with new acoustic resistance, new backplate mechanics, and new diaphragm tensioning. Where the original S17 routes its electrical charge through the center of the capsule, the Silver 17’s S17E applies the charge directly to the diaphragm and routes it through the mounting ring. With no center screw, there is no obstruction to the diaphragm's most sensitive area. The result is a capsule that responds more freely, giving the Silver 17 a smooth balance of color and excitement across the spectrum.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eHANDCRAFTED WITHOUT COMPROMISE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Silver 17, like every other Soyuz microphone, is an original design brought to life by Soyuz's master machinists and engineers. Bodies are hand-turned on the lathe. Capsule backplates are cut, polished, and individually tensioned by hand. Transformers are wound in-house. Every connection is true point-to-point wiring. 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The \u003cstrong\u003eHeritage Audio MIX BUDDY\u003c\/strong\u003e comes to solve all these problems while adding an additional set of features that turn this little box into a monster.\r\n \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eA WOLF IN SHEEP’S CLOTHING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith no-compromise tone as the main design rule, the MIX BUDDY has a staggering arsenal of no less than 19 inputs, which are themselves a masterclass of extremely low noise, high class audiophile grade JFET technology. Heavily based on the highly acclaimed Toshiba 2SK JFET series, Mix Buddy marks a new milestone in instrument amplification technology. Every single input was designed around one rule: the tone comes first. The MIX BUDDY doesn't raise the bar in instrument amplification technology. It redraws it entirely.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eINPUT CHANNEL SET:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe Hi Gain Inputs: (left side, marked ⚡) Eight channels (four stereo pairs) of Toshiba 2SK JFET 12dB gain buffers, slightly colored and specifically voiced to breathe life into organic instruments and lower level sources. Passive basses, vintage Rhodes, Moog Prodigy, Hofner Beatle bass… this is where they come alive. Push them harder and they reward you with creamy, musical JFET saturation that adds character rather than distortion.\u003c\/li\u003e\r\n\u003cli\u003eThe Unity Inputs: (right side) Six channels (three stereo pairs) of Toshiba 2SK JFET unity gain buffers, perfectly voiced for higher level sources that don't need coloration, just clarity. TR-808, TR-909, 90s samplers, active basses, modern synths… clean, fast and completely out of the way of your sound.\u003c\/li\u003e\r\n\u003cli\u003eThe Mic Preamp: One channel of ultra low noise JFET mic preamp with up to 70dB of gain. Your microphone fully processed without the need for external gear and yes, it’s beautifully routed into the AUX effects loop for vocal pedal processing.\u003c\/li\u003e\r\n\u003cli\u003eThe Balanced Line Inputs: (last channel on the right side) One stereo pair of balanced line level inputs for USB audio interfaces, computers or any line level source requiring a clean, professional, fully balanced, noise-free connection.\u003c\/li\u003e\r\n\u003cli\u003eThe FX Return: Stereo pair of low-noise balanced FX return input, sharing the same topology as the line inputs and conveniently doubling as an extra set of stereo inputs when needed. Inserting only the LEFT channel will automatically pan the signal to the center.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSTEREO\/THRU OPTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEvery instrument level channel on the MIX BUDDY (both Hi Gain and Unity) comes with a toggle between STEREO and MONO + THRU. A small switch with enormous consequences. Set to STEREO when using a stereo source that requires both INPUTs, LEFT and RIGHT. In MONO + THRU mode the instrument stays in your MIX BUDDY mix while simultaneously being sent out to any external destination: your amp, your favorite outboard processor, the front of house desk. The THRU output is completely transparent, preserving the instrument's natural impedance so whatever it receives it sees the source exactly as it would without the MIX BUDDY in the chain at all.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe applications are immediate and powerful. Send your bass to the stage amp while keeping it in the mix. Capture that perfect guitar DI tone while, at the same time, feeding your amp. Run all seven instrument channels in MONO + THRU simultaneously and you have your full mix in the MIX BUDDY plus seven independent outputs feeding external processors in parallel, opening up a world of parallel processing that would normally require a much more complex and expensive setup.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eTWO STEREO OUTPUTS, ONE SOLUTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MIX BUDDY features two independent master outputs, both balanced. Master Main Out runs through Heritage Audio's own 73 single-ended class A output stage DI circuit, the same transformer-balanced DNA that has made our DI boxes trusted tools in studios and stages worldwide. A pair of custom-wound 73 DI transformers sit at the heart of this output, adding that unmistakable layer of warmth and weight that only real iron can deliver. And with a switchable line level or mic level output, you can send the MIX BUDDY directly to a console, an interface or straight to front of house without a single adapter or compromise. Main Out 2 takes a different philosophy: transformerless, clean and fast. The purest possible representation of your mix, with nothing added and nothing colored.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRun Master Main Out to front of house. Run Main Out 2 to your monitors or in-ears mix. Record through one while performing through the other. No splitters. No extra gear. No compromises and each with its own independent LEVEL control. And then there is the headphone output. A powerful, independent headphone amplifier with dedicated volume control sits on the front panel of the MIX BUDDY, giving you a third independent listening path. Whether you are monitoring a live performance, checking a mix or simply listening back between takes, the headphone amp delivers the full character of the MIX BUDDY's mix with the same uncompromising clarity you would expect from everything else in this box.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eCREATIVITY WITH EFFECTS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MIX BUDDY's stereo (or mono) AUX send functions as a fully featured effects loop so you can integrate your favorite hardware effects processors directly into your mix. Each channel has its own AUX send knob to dial in exactly how much of that channel feeds the effects chain, with pre or post fader routing selectable per channel and a global FX on\/off switch for instant wet\/dry comparison. From subtle reverb or delay on a single synth to a fully processed send across your entire rig, the MIX BUDDY puts that control exactly where it belongs, at your fingertips. Switch the channels to PRE mode and the effects loop turns into a true parallel processor. Your dry signal stays untouched in the mix while the wet signal handles all the heavy lifting.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eA MICROPHONE PREAMP WHERE YOU LEAST EXPECT IT\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe MIX BUDDY includes a full microphone preamp, and all the new opportunities that come along with that. Feed any microphone directly into the MIX BUDDY and your voice becomes just another instrument in your mix, sitting alongside your synths, your drum machines, your samplers, all controlled from the same unit. But the real magic happens when you route that vocal signal through the AUX effects loop. Because the AUX is designed to work with instrument level hardware, your microphone signal can be sent directly to guitar effects pedals: Chorus, Delay, Reverb, Distortion, Octave, Looper… whatever lives on your pedalboard can now shape your voice in real time. Processed, blended and mixed back into your performance with the AUX return knob, pre or post fader, with the global FX on\/off switch giving you instant access to hear it with or without the effects. This is the workflow that artists and producers have been chasing for years, vocals through guitar pedals, live and in context, without complex routing, extra hardware, or compromise. The MIX BUDDY makes it as simple as plugging in a microphone.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eBUILT FOR THE STUDIO, READY FOR THE STAGE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhether you are producing in your home studio, performing live or recording a full synthesizer rig, the MIX BUDDY is the missing piece that brings everything together. Designed with Heritage Audio's uncompromising attention to signal quality and built to last a lifetime. This is not just a mixer, this is your creative command centre.\r\n \u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44451402023015,"sku":"515442","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/heritage-audio-mix-buddy_515442_1.jpg?v=1787097107"},{"product_id":"heritage-audio-tubestrip-all-tube-recording-channel-strip","title":"Heritage Audio TUBESTRIP All-Tube Recording Channel Strip","description":"\u003cp\u003eThe \u003cstrong\u003eHeritage Audio TUBESTRIP\u003c\/strong\u003e combines 4 essential top-notch processors into one convenient 3U ultimate all-tube recording channel. Packed with the best selection of tubes available, custom-made transformers and inductors you can certainly expect a very exciting and evocative sound that will bring your recordings to life. Drawing extensively from Heritage Audio’s deep engineering knowledge and from some of their most popular designs, the TUBESTRIP is not so much a collection of processors and features, but more of a coherent instrument, designed to work as one. The OUTPUT section handily provides an attenuator covering the range of -14 to +6 dB to perfectly adjust the levels flowing into the next piece of gear or your sound card, to avoid hitting them too hard or overloading them, even after intensive onboard processing.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTUBE PREAMP WITH MORPH\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe TUBESTRIP begins with a transformer-coupled tube-based amplifier offering up to 60 dB of voltage gain and unrivaled flexibility when it comes to initially shaping your signal. The clever MORPH section lets you choose and blend between different modes to essentially provide tons of distinct preamp personalities. Help emphasize the warmth and smoothness while in Triode mode or give the signal a bit more bite and attitude using the Pentode. While in UL, UltraLinear, you’ll have everything in between the two options. And with dBs to spare, you’ll be able to easily handle any signal you throw at it, being Microphone, LINE level or DI for instruments. And not to be overlooked there is an output attenuator directly after the preamp section permitting any desired adjustments before continuing on to the following processors or recording devices.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTYPE 69 EQUALIZER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe juicy inductor-based EQ section, inspired by an innovative and legendary English design of the late 60s and Peter’s all time favorite (Olympic Studios type 69 EQ), allows you to sweeten, soften, enlarge or focus any sound to the exact needs at hand. The clever layout gives you the tools to quickly sculpt the signal for any creative or technical requirement.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eVARI-MU COMPRESSOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe first one is the Vari-Mu compressor and it steps up to handle any and all dynamic control that may be needed. This is based off of the very popular LANG P.Lane (with the clever Seawell Mod) design that has the whole recording community in awe. This is great for thickening signals and giving them that extra excitement, incredibly maintaining transients and letting the signal breathe, even under heavy compression. Conveniently, there is also a button to switch the order between the EQ section and the Vari-Mu compressor.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eOPTICAL COMPRESSOR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe optical compressor section will help smooth out any take and avoid any unwanted peaks as well as provide that classic, lush density that suits vocals so very well. It can also helpfully be turned into a very organic and natural sounding de-esser with exact frequency adjustment for transparent and musical sibilance control to cover all singers.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eTHE NEW GOLD STANDARD FOR TRACKING AND SCULPTING ANY SOURCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFor decades, achieving apex results meant owning a room full of the right gear, knowing which unit to reach for on which source, and spending years learning how to make them work together. The TUBESTRIP changes that equation completely. Vocals, drums, guitars, bass, keys, room mics, acoustic instruments… whatever you place in front of it, the TUBESTRIP has the tools, the character and the intelligence to take it exactly where it needs to go. One unit. One signal path. Four processors working as one coherent instrument, each one drawn from some of the most respected designs in recording history. \u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44451402154087,"sku":"515441","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/heritage-audio-tubestrip_515441_1_3e7c7462-9acc-4779-8276-d65a95220231.jpg?v=1787097107"},{"product_id":"strymon-timeline-mx-workstation","title":"Strymon TimeLine MX Multi-Delay Pedal","description":"\u003cp\u003eThe most powerful delay pedal ever, the \u003cstrong\u003eStrymon TimeLine MX\u003c\/strong\u003e delivers stunning studio quality delays and a host of new professional features in an elegant and intuitive stage-ready design. Every sound is carefully tuned to react musically to your playing, and every control has been calibrated for an intuitive feel and response. From classic echoes dripping with vintage vibe to captivating and modern sounds that push the envelope, TimeLine MX is full of fresh inspiration.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTIME MACHINE FROM THE FUTURE\u003c\/h3\u003e\r\n\u003cp\u003eTimeLine MX delivers an extraordinary combination of premium features in a single pedal. TimeLine MX features new Oil Can, Spectral, Drum, Reverb and Multitap engines in addition to significant enhancements to the other classic TimeLine delay machines. Dual delays can be routed in Series, Parallel or Split modes, and individually panned per engine. In addition to 11 delay engines, a stellar new reverb engine is included, allowing TimeLine MX to be your all-in-one delay plus reverb pedal. TimeLine MX features an integrated Stereo Looper with selectable multi or 1-button looper modes. The looper can be placed before or after the delay effects, and in 1-button mode it can be used on the fly without switching to Looper mode.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eFULL MIDI CONTROL AND MORE\u003c\/h3\u003e\r\n\u003cp\u003eChange presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Access the looper controls (including reverse, redo and half speed) without entering Looper mode. Adjust controls via an expression pedal while you play. All this and more in an elegant and easy-to-use pedal. All jacks are TRS stereo providing selectable I\/O configurations for any professional setup, including stereo or mono effects send\/return, wet\/dry, and wet\/dry\/wet.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eRAW PROCESSING POWER\u003c\/h3\u003e\r\n\u003cp\u003eTimeline MX uses a high-performance tri-core 800 MHz ARM processor that delivers a staggering amount of computing power, all of which is fully dedicated to producing truly breathtaking delay (and reverb) sounds. That power means that every original behavioral quirk — from electro-mechanical variations to the analog circuits of classic digital technologies — was lovingly recreated.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eTWO EFFECTS AT ONCE\u003c\/h3\u003e\r\n\u003cp\u003eTimeLine MX allows you to use two engines at once for powerful sound design, intricate rhythms, or combining delay and reverb in a single preset. You can switch between delay engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen. For a more interactive experience, you can dedicate a footswitch to control each engine’s on\/off state if you desire.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eALL NEW REVERB\u003c\/h3\u003e\r\n\u003cp\u003eA luxurious new reverb engine provides everything from small rooms to expansive ambient soundscapes with beautiful long decays. This exceptionally smooth-sounding reverb also allows you to dial in Grit, to generate saturated and overdriven harmonics before and after the reverb tank. Taking inspiration from the Flint pedal, this reverb features optional tremolo on the wet signal with adjustable speed and depth.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eINTRODUCING SPECTRAL DELAY\u003c\/h3\u003e\r\n\u003cp\u003eThis original take on a granular delay has a uniquely musical response with controls that yield intriguing and delightful results. Use it to slice your signal into fragments and then apply pitch, reverse, time stretch or filter effects to create a montage of glitchy patterns or fascinating panoramas. All this plus adjustable Grain Shape means you can easily create a vast range of fascinating textures.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eBRAND NEW MULTITAP DELAY\u003c\/h3\u003e\r\n\u003cp\u003eLose yourself in complex rhythms with per-tap control over pan, level, feedback, filter type and cutoff frequency. An easy-to-use and intuitive UI ensures that this eight-tap delay provides ear-catching results. Choose from a variety of built-in patterns or create your own. Pair it with another delay type to lock in your rhythms in ways you might never have experienced before.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_7\"\u003eSWELL AND DUCK\u003c\/h3\u003e\r\n\u003cp\u003eThe original TimeLine included Swell and Duck as two separate delay machines. With TimeLine MX, Swell and Duck are now available for every delay engine. Swell applies a fade-in of the selected time to the repeats, providing a softer attack. Turn the Mix to full wet and turn up the repeats for ethereal ambient effects. Use Duck to keep delay repeats quieter while you’re playing, and then naturally fade up and get louder when you are not. Set the Duck amount and release time as desired.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44451405987943,"sku":"516212","price":679.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon-timeline-mx_516212_1.jpg?v=1787097120"},{"product_id":"novation-launchkey-88-mk4-88-key-keyboard-controller","title":"Novation Launchkey 88 MK4 88-Key Keyboard Controller","description":"\u003cp\u003eThe \u003cstrong\u003eNovation Launchkey 88 MK4\u003c\/strong\u003e is a powerful DAW controller with a suite of onboard creation tools. Every element has been designed to feel musical, expressive, and laser-focused on creative flow; from the semi-weighted keybed and 16 pads with polyphonic aftertouch, to the carefully laid out control surface with in-depth DAW integration. Play instruments and drums, launch clips and scenes, and get instant hands-on control of your DAW’s mixer, devices, and effects. Launchkey also has a unique, editable Arpeggiator, three Chord Modes to quickly create musical progressions, a Scale Mode that keep you in the right key, and a Chord Detector that shows what chord is currently being played on the OLED display.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eENHANCED DAW INTEGRATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLaunchkey supports all major DAWs right out the box, with seamless, custom integration for: Ableton Live, Logic, Cubase, FL Studio, Reason, Bitwig, and Ardour, With these, you get a hardware-powered workflow that gives you full control of transport functions, timeline navigation, mixing and EQ, clip launching, and instrument and effect parameters. And when using Ableton Live’s Session View or Logic’s Live Loops, the 16 drum pads double as Launchpad-style clip launchers with RGB backlights that perfectly match what you see on screen.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eNOVATION'S BEST-EVER KEYS AND PADS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLaunchkey 88’s upgraded keybed is sensitive enough for the most delicate passages, but it’s also built to last. Featuring 88 custom-designed, semi-weighted, waterfall-style keys, Launchkey gives you all the power of a software-based workflow with the feel of a premium hardware instrument. And for finger-drummers, Launchkey now sports Novation's patented, velocity-sensitive FSR drum pads with polyphonic aftertouch. Unlike standard pads, each one features a unique, radial sensor that increases sensitivity and improves consistency for even tighter performances.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eMORE POWERFUL CREATIVE TOOLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLaunchkey 88’s creative tools are built into the hardware itself, so they work the same way in your DAW, with your hardware synths, or on your mobile devices. Scale Modes now allow you to lock your keyboard to one of 30 different scales to eliminate wrong notes, or even map everything to just the white keys. Fixed Chord mode triggers full chords from a single key, and new Chord Maps take things further, allowing you to craft emotive progressions from Launchkey’s pads. And the latest iteration of the much-loved arpeggiator makes it easier than ever to twist and mutate your sequences for endless inspiration. Want to control more than one instrument at a time? You can split Launchkey 88’s keyboard into two zones and play one with each hand — or layer two MIDI channels across all 88 keys and send the same notes to both.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003ePLAY YOUR WAY WITH CUSTOM MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLaunchkey’s controls aren’t limited to their default assignments; just load up the free Components software in your browser, and configure them to behave exactly the way you want with your software or hardware. You can store up to four custom mappings each for Launchkey’s faders, pads, and encoders, and recall them instantly from the hardware to send your chosen notes, MIDI CCs, or program changes.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eGO BEYOND THE COMPUTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLaunchkey 88’s five-pin MIDI output makes it easy to hook up your hardware synthesizer — no DAW required. Together with Components and custom mappings, you can take control of all its most important functions directly from your keyboard. Launchkey is also USB-powered and class compliant, so it’s fully compatible with countless music-making apps for iPhone and iPad — including the free Novation Launchpad app.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eALL YOU NEED TO CREATE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLaunchkey 88 comes with everything you need to plug in and start making music right away. The included Ableton Live 12 Lite gives you the ability to record and perform with up to eight tracks of MIDI or audio, as well as a suite of instruments, effects, and creative tools — and it all works perfectly with Launchkey. You also get a selection of additional studio-grade effects and sounds from Novation and Focusrite.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eSPARK INSPIRATION WITH NOVATION PLAY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eNovation Play turns your controller into an inspiring instrument. This exclusive collaboration with Klevgrand features 80+ expertly designed basses, leads, pads, pianos, drum kits and more — all sampled from vintage Novation, Sequential, and Oberheim synthesizers. Step away from the screen and stay in the flow with pre-mapped encoders for sculpting each sound, four included Pad FX toggled via dedicated pads, and rapid preset switching from the encoder bank buttons. Play works standalone or as a VST\/AU plug-in in your DAW of choice.\u003c\/p\u003e","brand":"Novation","offers":[{"title":"Default Title","offer_id":44451405955175,"sku":"514799","price":449.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/novation-launchkey-88-mk4_514799_1.jpg?v=1787097120"},{"product_id":"gamechanger-audio-plus-pedal-ii-piano-style-sustain","title":"Gamechanger Audio Plus Pedal II Piano-Style Sustain","description":"\u003cp\u003eThe \u003cstrong\u003eGamechanger Audio PLUS Pedal II\u003c\/strong\u003e allows you to add piano-style sustain and sostenuto to any instrument — preserving guitar, vocals, wind, acoustic instruments, brass, strings, and experimental sound sources in stunning realism. Its new Spectral Sampling engine captures the true timbre, dynamics, harmonics, and character of any input, preserving the expressive nuances of your performance. Choose from 1 to 10 layers, or go infinite. Connect any instrument or vocal via the combo XLR\/TS input with built-in mic preamp. The PLUS Pedal II includes a smart SEND\/RETURN FX Loop with a three-position routing switch, letting you instantly move external effects to three positions: pre, inside, and post the effects engine without touching a cable. With a new gradual optical control system, the iconic brass pedal responds smoothly across its full range, closer than ever to the feel of a real piano damper.  Auto Layer Catch lets you simply press and play whilst the pedal’s engine detects and stacks new notes as you perform, without any manual catching\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eA NEW KIND OF SOUND ENGINE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBuilt around a completely new Spectral Sampling engine, PLUS Pedal II doesn't just hold notes. Unlike other sustain\/freeze pedal alternatives, it analyzes them at the spectral level, preserving the subtle harmonic and dynamic characteristics of every sound you play. Working alongside the original Real-time Audio Sampling technology, the result is an experience that feels both natural and instantly responsive, preserving the expressive nuances of your performance across any musical instrument or vocal, while seamlessly extending them into evolving sonic textures.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eAUTO LAYER CATCH\u003c\/h3\u003e\r\n\r\n\u003cp\u003eKeep your foot on the pedal and just play. PLUS Pedal II detects new note events, filters out noise, handles transitions, and stacks sounds with remarkable musical accuracy.\r\nThe result feels natural. Almost like playing a piano with a sustain pedal that simply works without any thought or without any technique. A new optical sensing system reads the brass pedal’s position across the whole movement range - allowing you to use your foot to control the volume and release curves of all sustain layers! You can use it to emulate the gentle behavior of a real piano pedal, or create all sorts of expressive volume swells by exploring the pedal’s full mechanical range.  \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eLAYER CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA dedicated LAYERS knob lets you choose exactly how many active layers the pedal maintains: \u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e1 layer — maximum clarity, clean sustain under a single note or chord\u003c\/li\u003e\r\n\u003cli\u003e2–10 layers — building rich harmonic structures, chord beds, and complex textures\u003c\/li\u003e\r\n\u003cli\u003eInfinite Mode — PLUS Pedal II continuously combines older layers for endless evolving soundscapes that never have to stop\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eEach active layer is represented on the circular LED halo display, giving you real-time visual feedback as your sound builds around you.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eCOMBO XLR\/TS INPUT + BUILT-IN MIC PREAMP\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePLUS Pedal II opens its doors wider than any sustain pedal before it. A combo XLR\/TS input with a built-in studio-grade microphone preamp and adjustable gain control makes it easy to connect microphones directly.  Connect guitars, vocals, microphones, and acoustic instruments directly. A standard ¼\" jack input bypasses the preamp completely and behaves like a traditional instrument input. A Kill Dry switch lets you use PLUS Pedal II for sustain layering only, while your instrument sounds naturally in the room.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eDUAL RESONATOR + DYNAMIC TONE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe built-in dual resonator engines continuously respond to the spectral content of each active layer, generating ever-shifting upper and lower resonances. Every new note changes the harmonic ecosystem, creating movement and organic complexity that feels alive — not like a static effect.  The TONE control applies a gradually evolving filter envelope to each layer individually, so sustained sounds breathe more like a real acoustic instrument rather than a static Tilt EQ.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eADVANCED CATCH, HOLD, RISE AND DECAY CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDeep control over how layers enter, sustain, and fade away. The CATCH switch determines how new notes enter the sustained layer pool:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eALL — every new note becomes a layer\u003c\/li\u003e\r\n\u003cli\u003eGROUP — only the selected number of layers is caught; play chords, then solo over them without lifting your foot\u003c\/li\u003e\r\n\u003cli\u003eSINGLE — add notes one at a time with surgical precision\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe HOLD switch controls what happens after layers are captured:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eALL — all layers remain sustained while the pedal is held\u003c\/li\u003e\r\n\u003cli\u003eFIRST — the first note stays held while new layers naturally decay\u003c\/li\u003e\r\n\u003cli\u003eNONE — all layers begin decaying immediately after capture\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eDedicated RISE and DECAY knobs shape how each layer fades in and out over time.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eSMART FX LOOP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe original PLUS Pedal featured an FX loop that processed only the sustained layers. Players quickly discovered how transformative this was. PLUS Pedal II takes that further with a first-of-its-kind three-position routing switch moves your external effects to three fundamentally different positions without touching a cable:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePRE - Before the PLUS Pedal II engines\u003c\/li\u003e\r\n\u003cli\u003eFX LOOP - Affecting the sustained layers only\u003c\/li\u003e\r\n\u003cli\u003ePOST - Add effects to the pedal’s output mix (the Dry Out output is not affected)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eA delay before PLUS creates rhythmic layered textures. A delay inside PLUS processes only the sustained layers. A delay after PLUS adds space to everything. Choruses, flangers, reverbs, pitch-shifters, and distortion units all work beautifully in the loop. Experiment freely. Three switches, three entirely different sounds.\u003c\/p\u003e","brand":"Gamechanger Audio","offers":[{"title":"Default Title","offer_id":44451406053479,"sku":"516217","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/gamechanger-plus-pedal-ii_516217_1.jpg?v=1787097120"},{"product_id":"warm-audio-dirty-boy-jr-fuzz-pedal","title":"Warm Audio Dirty Boy Jr. Fuzz Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eWarm Audio Dirty Boy Jr. Fuzz\u003c\/strong\u003e delivers vintage-style fuzz tones with rich sustain, dynamic cleanup, harmonic saturation, and expanded tonal flexibility from a six-position frequency selector. Premium all-analog circuitry with vintage-voiced components delivers touch-sensitive response and natural compression inspired by classic British “circular” fuzz pedals. Dedicated Volume and Fuzz controls shape everything from smooth overdrive tones to fully saturated fuzz textures, while the six-position frequency selector adjusts overall voicing from thick, low-end-heavy sounds to sharper, more cutting tones. Built with authentic Dirty Boy styling and true bypass operation, Jr. Fuzz delivers boutique-inspired fuzz tones in a compact, road-ready pedal format.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMODIFIED FUZZ WITH A BRAND NEW “FACE”\u003c\/h3\u003e  \u003cp\u003eThe Dirty Boy Jr. Fuzz was created in partnership between boutique builder Dirty Boy Pedals and Warm Audio, bringing the celebrated Dirty Boy Afro Fuzz circuit to more players in a compact format. Pairing the classic ‘fuzz’ and ‘level’ controls with the 6-position ‘freq’ control, Dirty Boy Jr. Fuzz delivers the builder’s modified take on one of the most revered fuzz formats of all time. Working closely with Dirty Boy owner Danny Gomez, Warm Audio carefully recreated the boutique-modified circular-style fuzz that made the original Dirty Boy Afro Fuzz pedal a favorite among discerning fuzz aficionados. Dirty Boy Jr. Fuzz delivers the authentic feel and sonic behavior of the original boutique pedal known for recreating star spangled fuzz tone with a key modification that adds versatility for any signal chain.  \u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003e6-POSITION FREQ CONTROL\u003c\/h3\u003e  \u003cp\u003eThe Dirty Boy Jr. Fuzz brings the key modification from the original hand-built, boutique pedal, a six-position frequency switch. Rotating the selector changes the overall voicing and frequency response of the fuzz circuit, ranging from thick, low-end-heavy tones to sharper, more cutting textures.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTRUE BYPASS, 100% ANALOG CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePremium all-analog circuitry delivers authentic vintage fuzz tones with true bypass operation for preserving your natural guitar and amp character. Like all Warm Audio gear, the Dirty Boy Jr. Fuzz is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA.\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":44451408216167,"sku":"512924","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/warm-audio-dirty-boy-jr-fuzz_512924_1_10fc9b82-8a7c-4979-ad88-6a77d72d90b7.jpg?v=1787097125"},{"product_id":"warm-audio-dirty-boy-jr-overdrive-pedal","title":"Warm Audio Dirty Boy Jr. Overdrive Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eWarm Audio Dirty Boy Jr. Overdrive\u003c\/strong\u003e delivers boutique overdrive, preamp, and all-analog amp simulation tones in a compact pedal format. Powered by proprietary T.A.E. (Tube Amp Emulation) technology developed by Danny Gomez, Overdrive delivers touch-sensitive response, tube-like harmonic saturation, and dynamic cleanup inspired by vintage British-style amplifiers. Dedicated Gain, Tone, Volume, and Variac controls shape everything from transparent boost tones to saturated breakup, compression, and voltage-starved fuzz textures. With speaker-emulated output voiced after a 4x12 cabinet, Dirty Boy Jr. Overdrive easily connects directly to interfaces, mixers, front of house systems, and FRFR speakers.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eAN OD, PREAMP, AND AMP-SIM - ALL IN ONE\u003c\/h3\u003e  \u003cp\u003eThe Dirty Boy Jr. Overdrive was created in partnership between boutique builder Dirty Boy Pedals and Warm Audio, bringing the celebrated Dirty Boy Preamp pedal circuit to more players in a compact format. Powered by all-analog proprietary T.A.E. (tube amp emulation) tech, the Dirty Boy Jr. Overdrive brings a faithful all-analog amp-simulator to any pedalboard. Working closely with Dirty Boy owner Danny Gomez, Warm Audio carefully recreated the amp-like tone, and boutique-style overdrive that made the original hand-built Dirty Boy Preamp pedal a favorite among players. Dirty Boy Jr. Overdrive delivers the authentic feel and sonic behavior of the original boutique pedal known for everything from all-analog amp simulation, all the way to lush overdrive tones. \u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eT.A.E. AND VARIAC CONTROL\u003c\/h3\u003e  \u003cp\u003eDirty Boy Jr. Overdrive’s emulated output allows the pedal to be used at line-level, as an all-analog amp simulator, making it easy to plug in directly to front of house, mixers, interfaces or FRFR speakers. The variac control introduces sag and compression via calibrated voltage reduction to simulate old tube amps at various stages of breakup.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTRUE BYPASS, 100% ANALOG CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePremium all-analog circuitry delivers authentic boutique OD \u0026amp; preamp tones with true bypass operation for preserving your natural guitar and amp character. Like all Warm Audio gear, the Dirty Boy Jr. Overdrive is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA.\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":44451408248935,"sku":"512923","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/warm-audio-dirty-boy-jr-overdrive_512923_1.jpg?v=1787097126"},{"product_id":"origin-effects-eq-deluxe-studio-equaliser-and-drive-pedal","title":"Origin Effects EQDELUXE Studio Equalizer and Drive Pedal","description":"\u003cp\u003eThe all-analog \u003cstrong\u003eOrigin Effects EQDELUXE\u003c\/strong\u003e doesn’t just shape your sound, it emphasises and enhances it. With huge low end and retro studio charm, this EQ is anything but a utility pedal. You’ll never want to turn it off!\r\nThe EQDELUXE is based on the 1950s Pultec EQP-1a studio EQ, a passive rack equalizer revered by high-end audio professionals for its musical EQ curves, subtle saturation, and the famous “Pultec Low-End Trick” that instantly adds weight in the bass frequencies. Pultecs are great for bass, but they also improve any signal chain just by being there. A must-have item in any serious studio. The EQDELUXE recreates this beloved studio piece for bass and guitar, with carefully chosen EQ frequencies, and a response and harmonic complexity that elevate it way beyond the humble status of an EQ.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE PULTEC TRICK\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Pultec EQP-1a is celebrated for how it handles the low end, and the EQDELUXE mimics this prized behavior in exact detail. By simultaneously using the BOOST and CUT controls on the Low Frequency Band, you can create a unique curve that adds weight in the bass frequencies, and improves midrange clarity at the same time. This effect is perfect for hefty bass tones, and it works great on guitars and other sources too.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eSTUDIO SATURATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe EQDELUXE also captures the Pultec’s ability to breathe life into any signal. The Pultec EQP-1a has a push-pull valve make-up amplifier at its output, which contributes to the “mojo” of this sought-after unit. Origin have recreated this output stage using carefully designed solid-state circuitry, delivering precisely controlled, valve-like saturation straight from a 1950s studio.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eVERSATILE VINTAGE EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIt’s not all about the bass frequencies. The Mid Frequency Band uses the EQDELUXE’s inductor-based circuitry to provide a range of mid boosts, with frequencies chosen specifically for bass and guitar. The High Frequency Band keeps things sounding warm and balanced, with a wide range of high-frequency attenuation that adds the finishing touch to your tone. Even at the most extreme settings, all three bands of the EQDELUXE sound natural, musical and inspiring. The EQDELUXE is at home in any bass or guitar rig, and its high-headroom circuitry makes it compatible with line-level signals in studio applications. Built to last using premium components, the EQDELUXE matches both the sound and the quality of one of history’s most respected studio pieces.\u003c\/p\u003e","brand":"Origin Effects","offers":[{"title":"Default Title","offer_id":44451408281703,"sku":"516776","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/origin-effects-eq-deluxe_516776_1.jpg?v=1787097126"},{"product_id":"warm-audio-dirty-boy-jr-booster-pedal","title":"Warm Audio Dirty Boy Jr. Booster Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eWarm Audio Dirty Boy Jr. Booster\u003c\/strong\u003e delivers boutique clean-to-mean boost tones with 10 dB of gain. Premium all-analog circuitry preserves touch sensitivity and dynamic response while pushing amps from articulate cleans into saturated British-style breakup, natural compression, and fuzz-inspired textures. Dedicated Gain, Treble, and Bass controls offer flexible tone shaping, while the H-M-L “Freq” switch adjusts low-end response for tighter rhythm tones or fuller lead sounds across a variety of guitars, amplifiers, and pedalboards. Built with authentic Dirty Boy styling and true bypass operation, Jr. Booster delivers boutique-inspired boost tones in a compact, road-ready pedal format.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCLEAN-TO-MEAN BOUTIQUE-STYLE BOOST\u003c\/h3\u003e  \u003cp\u003eThe Dirty Boy Jr. Booster was created in partnership between boutique builder Dirty Boy Pedals and Warm Audio, bringing the celebrated Dirty Boy boost circuit to more players in a compact format. With up to 10 dB of clean boost, added saturation and compression as the gain increases, and an H-M-L Freq control for flexible tone shaping, Dirty Boy Jr. delivers everything from articulate clean boost tones to rich, character-filled drive on any pedalboard. Working closely with Dirty Boy owner Danny Gomez, Warm Audio carefully recreated the touch sensitivity, dynamic response, gain character, and tonal flexibility that made the original Dirty Boy Ball Buster boost a favorite among players. Dirty Boy Jr. Booster delivers the authentic feel and sonic behavior of the original boutique pedal known for everything from transparent boost to saturated British-style breakup, compression, and fuzz-inspired textures.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eDETAILED FREQUENCY VERSATILITY\u003c\/h3\u003e  \u003cp\u003eWith the H-M-L “Freq” control on Booster, players can shape low-end response for tighter rhythms, balanced articulation, or thicker lead tones across different amps and guitars. The additional treble and bass controls allow for fine-tuning of EQ. This variety of boosting and EQ controls help maintain clarity and control in crowded pedalboards with mixed buffered effects, where boosts can sometimes alter frequencies unpredictably.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTRUE BYPASS, 100% ANALOG CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePremium all-analog circuitry delivers authentic boost tones with true bypass operation for preserving your natural guitar and amp character. Like all Warm Audio gear, the Dirty Boy Booster Jr. is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA.\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":44451408314471,"sku":"512922","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/warm-audio-dirty-boy-jr-booster_512922_1.jpg?v=1787097125"},{"product_id":"krk-v8-series-5-studio-monitor","title":"KRK V8 Series Five Active Studio Monitor - Single","description":"\u003cp\u003eKRK V-Series nearfield monitors have been trusted by professional mix engineers and producers for their accuracy, precision, and reliable mix translation. The \u003cstrong\u003eKRK V8 Series Five\u003c\/strong\u003e, the flagship of the fifth-generation lineup, pairs an 8-inch dual-layer woven Kevlar woofer with a 1-inch silk-dome tweeter, premium ESS converters, Analog Devices DSP, and dedicated Class D amplification to deliver transparent, reference-quality sound. New KRK Mesh wireless control lets you adjust EQ, levels, and system settings directly from your smartphone, providing modern convenience without compromising the V-Series' reputation for honest, dependable monitoring.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eKRK MESH AND CONTROL\u003c\/h3\u003e  \u003cp\u003eKRK Mesh technology allows users to wirelessly control settings on their KRK professional audio equipment from the KRK Control app. The V-Series Five Monitors can be controlled individually or grouped together in various configurations, from stereo to full Dolby ATMOS systems. Users can simultaneously control all functions of the monitors post-installation, A\/B compare different EQ settings, control level\/mute, and many other features with the app. Essentially, the KRK Control app is a wireless remote control for the V-Series monitors and other KRK pro audio equipment.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eENGINEERED FOR UNCOMPROMISING ACCURACY\u003c\/h3\u003e  \u003cp\u003eThe heartbeat of the V-Series Five is the electronics hardware system. KRK understands that your creative work is your passion, so KRK spared no expense on the V-Series Five. KRK monitors use industry best ESS converters, Analog Devices DSPs and Pascal Class D amplifier modules to ensure your production is reproduced accurately and truthfully. Experience the difference for yourself and elevate your audio production to new heights with the KRK Systems V-SERIES FIVE product line that caters to the diverse needs of mix engineers, producers, and musicians worldwide. Whether you’re working on a chart-topping hit, a film score, or a personal project, KRK Systems V-SERIES FIVE monitors provide the tools you need to capture every nuance of your sound with astonishing clarity.\u003c\/p\u003e","brand":"KRK","offers":[{"title":"Default Title","offer_id":44451408347239,"sku":"505040","price":1049.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/krk-v8-series-five_505040_1.jpg?v=1787097126"},{"product_id":"krk-v6-series-5-studio-monitor","title":"KRK V6 Series Five Active Studio Monitor - Single","description":"\u003cp\u003eKRK V-Series nearfield monitors have been trusted by professional mix engineers and producers for their accuracy, precision, and reliable mix translation. The \u003cstrong\u003eKRK V6 Series Five\u003c\/strong\u003e combines a 6.5-inch dual-layer woven Kevlarwoofer with a 1-inch silk-dome tweeter, premium ESS converters, Analog Devices DSP, and dedicated Class D amplification to deliver transparent, reference-quality sound. New KRK Mesh wireless control lets you adjust EQ, levels, and system settings directly from your smartphone, providing modern convenience while preserving the V-Series’ reputation for honest, dependable monitoring.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eKRK MESH AND CONTROL\u003c\/h3\u003e  \u003cp\u003eKRK Mesh technology allows users to wirelessly control settings on their KRK professional audio equipment from the KRK Control app. The V-Series Five Monitors can be controlled individually or grouped together in various configurations, from stereo to full Dolby ATMOS systems. Users can simultaneously control all functions of the monitors post-installation, A\/B compare different EQ settings, control level\/mute, and many other features with the app. Essentially, the KRK Control app is a wireless remote control for the V-Series monitors and other KRK pro audio equipment.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eENGINEERED FOR UNCOMPROMISING ACCURACY\u003c\/h3\u003e  \u003cp\u003eThe heartbeat of the V-Series Five is the electronics hardware system. KRK understands that your creative work is your passion, so KRK spared no expense on the V-Series Five. KRK monitors use industry best ESS converters, Analog Devices DSPs and Pascal Class D amplifier modules to ensure your production is reproduced accurately and truthfully. Experience the difference for yourself and elevate your audio production to new heights with the KRK Systems V-SERIES FIVE product line that caters to the diverse needs of mix engineers, producers, and musicians worldwide. 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Users can simultaneously control all functions of the monitors post-installation, A\/B compare different EQ settings, control level\/mute, and many other features with the app. Essentially, the KRK Control app is a wireless remote control for the V-Series monitors and other KRK pro audio equipment.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eENGINEERED FOR UNCOMPROMISING ACCURACY\u003c\/h3\u003e  \u003cp\u003eThe heartbeat of the V-Series Five is the electronics hardware system. KRK understands that your creative work is your passion, so KRK spared no expense on the V-Series Five. KRK monitors use industry best ESS converters, Analog Devices DSPs and Pascal Class D amplifier modules to ensure your production is reproduced accurately and truthfully. Experience the difference for yourself and elevate your audio production to new heights with the KRK Systems V-SERIES FIVE product line that caters to the diverse needs of mix engineers, producers, and musicians worldwide. 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The OC1 offers Optical compression, ideal for adding smooth, warm and natural-sounding dynamic control across all audio sources, but is particularly good for vocals and acoustic guitars. Output Gain control allows the compressed signal to be adjusted.  Comprehensive metering shows Gain Reduction, and a choice of Input or Output level on the VU meter. To complete the feature set, a hard-wire unit Bypass connects the input directly to the output without alteration. The OC-1 is designed and hand-built by Drawmer in the UK.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTOTAL CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUncommon in 500 series compressors, the OC-1 offers a full complement of features. Input\/Output gain, all the familiar Threshold, Ratio, Attack, and Release controls, as well as parallel compression capabilities with the Wet\/Dry Mix knob - all fully adjustable, and recallable through the 21-position detented high precision pots - allowing total control of dynamics.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eBIG AND AIR MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA high-end feature taken from the award winning 1973 multi-band studio compressor, the fully selectable BIG and AIR modes shape how the compressor responds to low and high frequencies, adding extra richness and warmth on the lows, and more sparkle and brightness on the highs. BIG reduces the side chain's sensitivity to low frequencies, creating the effect that the bass is louder or bigger. It also has the benefit of reducing the ducking and pumping effect that occurs due to highs being ‘pulled down’ by low-frequency dominance, helping to make mix compression much more affable.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAIR preserves high-frequency detail that is sometimes lost in the compression process. The result being that the treble sounds more intimate, detailed and transparent, but without making it sound harsh or introducing any noticeably unnatural artifacts, adding definition, particularly to the human voice and acoustic instruments. Cymbals appear more vibrant without becoming splashy, and vocals sound more open but without becoming sibilant.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eCRUSH SATURATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe OC-1 also includes the popular CRUSH harmonic feature. The effect varies with the level of input gain, and adds harmonic richness, subtle distortion, and that elusive analogue warmth that brings mixes to life. The low end fattens, the mids gain presence, and the top end sparkles with smooth shimmer. A PGM mode switch introduces a second, slower release time in proportion to the program material above the threshold. The effect is to reduce excessive 'pumping' and unnatural artifacts under heavy compression \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSTEREO LINKING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUsing the dedicated Link pin 6 on the 500 chassis, the Gain Reduction of compressor modules placed in adjacent slots can be linked together using the LINK button. This feature is ideal for linking multiple channel modules. The module requiring the highest gain reduction is master and trigger for all the other linked modules. The link feature includes the Big and Air, Threshold and Ratio controls.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":44451408445543,"sku":"515987","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/drawmer-oc-1_515987_1_2da2e6b2-23bf-4aa6-b9b5-9385c8ff71cd.jpg?v=1787097126"},{"product_id":"drawmer-fc-1-500-series-fet-compressor","title":"Drawmer FC-1 500 Series FET Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eDrawmer FC-1\u003c\/strong\u003e brings Drawmer compression to the 500 Series format. With a complete control set and advanced shaping tools, it delivers the precision, flexibility, and character you'd expect from a full Drawmer rack-mount unit in a single 500 Series slot. The FC1 is a FET compressor, ideal for adding punchy compression due to its fast attack and release times. Output Gain control allows the compressed signal to be adjusted. Comprehensive metering shows Gain Reduction, and a choice of Input or Output level on the VU meter. To complete the feature set, a hard-wire unit Bypass connects the input directly to the output without alteration.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTOTAL CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUncommon in 500 Series compressors, the FC-1 offers a full complement of features. Input\/Output gain, all the familiar Threshold, Ratio, Attack, and Release controls, as well as parallel compression capabilities with the Wet\/Dry Mix knob - all fully adjustable, and recallable through the 21-position detented high precision pots - allowing total control of dynamics.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eBIG AND AIR MODES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA high-end feature taken from the award winning 1973 multi-band studio compressor, the fully selectable BIG and AIR modes shape how the compressor responds to low and high frequencies, adding extra richness and warmth on the lows, and more sparkle and brightness on the highs\r\nBIG reduces the side chain's sensitivity to low frequencies, creating the effect that the bass is louder or bigger. It also has the benefit of reducing the ducking and pumping effect that occurs due to highs being ‘pulled down’ by low-frequency dominance, helping to make mix compression much more affable.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAIR preserves high-frequency detail that is sometimes lost in the compression process. The result being that the treble sounds more intimate, detailed and transparent, but without making it sound harsh or introducing any noticeably unnatural artifacts, adding definition, particularly to the human voice and acoustic instruments. Cymbals appear more vibrant without becoming splashy, and vocals sound more open but without becoming sibilant.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eCRUSH SATURATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe FC-1 also includes the popular CRUSH harmonic feature. The effect varies with the level of input gain, and adds harmonic richness, subtle distortion, and that elusive analogue warmth that brings mixes to life. The low end fattens, the mids gain presence, and the top end sparkles with smooth shimmer. A PGM mode switch introduces a second, slower release time in proportion to the program material above the threshold. The effect is to reduce excessive 'pumping' and unnatural artifacts under heavy compression \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSTEREO LINKING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUsing the dedicated Link pin 6 on the 500 chassis, the Gain Reduction of compressor modules placed in adjacent slots can be linked together using the LINK button. This feature is ideal for linking multiple channel modules. The module requiring the highest gain reduction is master and trigger for all the other linked modules. The link feature includes the Big and Air, Threshold and Ratio controls.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":44451408478311,"sku":"515986","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/drawmer-fc-1_515986_1.jpg?v=1787097127"},{"product_id":"ssl-odyssey-48-channel-analog-recording-console-with-center-rack-and-2-channel-racks","title":"Solid State Logic Odyssey 48-Channel Recording Console with Center Rack and 2 Channel Racks","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410804839,"sku":"517652","price":456000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-48-channel_517652_1.jpg?v=1787097137"},{"product_id":"ssl-odyssey-32-channel-analog-recording-console-with-center-rack-and-2-channel-racks","title":"Solid State Logic Odyssey 32-Channel Recording Console with Center Rack and 2 Channel Racks","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410870375,"sku":"517551","price":406000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-32-channel-2-channel-rack_517551_1.jpg?v=1787097137"},{"product_id":"ssl-odyssey-32-channel-analog-recording-console-with-center-rack-and-1-channel-rack","title":"Solid State Logic Odyssey 32-Channel Recording Console with Center Rack and 1 Channel Rack","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410837607,"sku":"517550","price":327000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-32-channel-1-channel-rack_517550_1.jpg?v=1787097137"},{"product_id":"ssl-odyssey-24-channel-analog-recording-console-with-center-rack-and-1-channel-rack","title":"Solid State Logic Odyssey 24-Channel Recording Console with Center Rack and 1 Channel Rack","description":"\u003cp\u003eThe \u003cstrong\u003eSolid State Logic Odyssey\u003c\/strong\u003e recording and mixing console is the culmination of everything SSL has learned about analog control, workflow, and sound, distilled into a single, uncompromising vision. Powered by SSL’s ActiveAnalogue technology, it takes the revolutionary philosophy of Instant Recall, first realized with Oracle, and expands it into a no-limits modular console where creativity moves at the speed of thought. For decades, the power of a traditional in-line analog console has been limited by a fundamental constraint: complex sessions take time to reset, revisit, compare, and revise. Odyssey removes that barrier. Complete analog console states can be restored, compared, revised, and switched in an instant, making full mix A\/Bs, alternate balances, artist-led changes, and revisions feel immediate rather than disruptive.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eCONSOLE SURFACE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s 8-channel bay layout is designed to empower operators at every stage of the production process. Each channel provides dedicated hands-on control of its analog toolset — Mic\/Input gain, Aux sends, Dynamics, four-band parametric EQ, High and Low Pass Filters, a 60 mm motorized Small Fader, and a 100 mm Large Fader — keeping critical moves immediately under hand, not buried in menus. Flexible surface control allows any channel settings to be accessed from a central listening position. Associated switches sit between the rotary controls for intuitive access to EQ band selection, Aux send on\/off, and other key functions, with additional routing and utility controls positioned to the left and right of each bay.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSSL IN-LINE CHANNEL STRIP ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s channel strip is based on classic SSL in-line architecture but evolved for the latest workflows. Each channel provides separate record and monitor paths, with independent input gain, output level control, and processing routing. Both paths feature independent, switchable, and moveable Insert points. Independent Direct Outputs on each path allow analog sources, processed signals, stems, or individual tracks to be captured directly into the DAW, preserving the full character of the signal chain while supporting lightning-fast hybrid workflows. Every channel features a complete suite of fully analog, recallable tools — PureDrive mic pres, dynamics, switchable E\/G Series EQ, and assignable Filters — placing SSL tone-shaping power directly under the engineer’s hands. A true in-line architecture with motorized Large and Small Faders provides immediate control of multiple signal paths, supporting fast, fluid movement throughout the production process.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eADVANCED PER-CHANNEL DYNAMICS WITH SIDECHAIN ROUTING\u003c\/h3\u003e  \u003cp\u003eOdyssey's channel processing includes fully featured, SSL style Dynamics processing, providing Compression and Expansion\/Gate capabilities that will be familiar to users of older SSL large format analog consoles. Taking the legendary SSL processing flexibility to the next level, Odyssey's Channel Dynamics has astounding routing flexibility including independent routing of Sidechain feed, with the ability to put EQ and\/or Filters into the Sidechain as well as use either the Small or Large fader Insert Returns as Sidechain sources. This allows the Compression to be used as a precise and powerful De-Esser. A Compression wet\/dry blend control allows per channel parallel compression.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eACTIVEANALOGUE CIRCUITRY\u003c\/h3\u003e  \u003cp\u003ePowered by SSL’s ultra-high-performance ActiveAnalogue circuitry, housed in dedicated processing racks, Odyssey delivers the sonic quality expected from a flagship analog SSL console. From pristine, reference-grade accuracy to warm, driven tones, Odyssey gives engineers a wide analog palette, capable of precise, transparent production as well as color and character when the music demands it.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eBUS ARCHITECTURE\u003c\/h3\u003e  \u003cp\u003eOdyssey’s bus architecture gives engineers exceptional routing flexibility for tracking, mixing, stems, cue mixes, parallel processing, and hybrid workflows. With 34 mix buses available to every channel, Odyssey provides 16 Track Buses, 10 Auxiliary Buses, and four stereo Main Mix Buses — Main A plus additional B, C, and D buses. Odyssey’s 10 Aux Buses can operate as individual mono sends or be linked in odd\/even pairs to create up to five stereo Aux Buses, ideal for foldback, effects sends, submixes, and stems. Each Large and Small Fader path can route independently or simultaneously to any combination of buses, allowing complex stem structures, alternate outputs, and parallel mixes to be built directly from the console. The four stereo Main Mix Buses provide flexible destination options, with B, C, and D available for independent mixes, alternate versions, or parallel processing before summing to Main A. Odyssey also integrates THE BUS+ within the center section.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCENTER SECTION\u003c\/h3\u003e  \u003cp\u003eOdyssey’s center section is the command hub for the entire production environment, bringing mix control, Stereo Groups, VCAs, bus processing, monitoring, foldback, communications, and DAW transport into one powerful workspace. From managing multiple Main Mix Buses and stereo group paths to shaping the final mix, building artist feeds, checking sources, controlling talkback, and switching monitor systems, it keeps the critical decisions of a session directly under hand. Flexible monitoring supports multiple speaker sets, external sources, foldback feeds, solo\/listen workflows, and third-party immersive systems such as a Dolby Aos renderer, allowing stereo and spatial productions to be controlled from the main listening position.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eCHANNEL AND CENTER SECTION RACKS  \u003c\/h3\u003e  \u003cp\u003eOdyssey racks can be located away from the surface, floor mounted, or rack mounted. They can also be mounted in the control room or a separate machine room. One rack is for the center section processing, while addition racks are used for the channels. A system could have one or two channel racks, depending on specification, to make a system total of two or three racks (Center + Ch Rack(s)). The racks are actively cooled, but are designed to have an acoustic noise floor below NR25.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eO-CONTROL APPLICATION SUITE\u003c\/h3\u003e  \u003cp\u003eThe O-Control Application Suite comprises the following set of applications:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eO-Setup: Manages the console settings\u003c\/li\u003e \u003cli\u003eO-Session: Manages the saving\/loading of Projects, Presets, Snapshots as well as control and inspection of console processing sections\u003c\/li\u003e \u003cli\u003eO-Overview: Shows an overview of the console channels, including metering, large and small fader positions and cut\/solo status\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe O-Control Application Suite provides online and offline configuration, control, and session management for Odyssey and Oracle consoles on Windows and macOS. Used connected to the console or stand-alone, it enables project information to be created, edited, updated, and prepared before the session begins — reducing setup time and bringing greater structure to busy studio workflows. O-Setup manages console settings, including all gain, routing, and processing. O-Session handles Projects, Presets, Snapshots, and processing-section control, and O-Overview provides channel-wide visibility of metering, Large and Small Fader positions, and cut\/solo status. Together, they give engineers and studio teams the tools to configure faster, manage sessions with efficiency, and keep complex productions clearly organized.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDAW CONTROL\u003c\/h3\u003e  \u003cp\u003eOdyssey integrates advanced DAW control into the architecture of the console, giving engineers hands-on command of both analog signal paths and workstation sessions from a single, unified surface. With the FOCUS key, each 8-channel bay can be independently switched between analog processing and DAW control, allowing analog and DAW workflows to sit side by side across the console. Engineers can ride DAW tracks, navigate large sessions, control key workstation functions, and shape analog channels without leaving the listening position or interrupting the mix. Powered by SSL 360°, Odyssey brings modern DAW control into a flagship analog console workflow — preserving the scale, feel, and purpose of the console while expanding what can be controlled from the surface.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451410903143,"sku":"517549","price":295000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-odyssey-24-channel_517549_1.jpg?v=1787097138"},{"product_id":"harrison-audio-d510r-500-series-rack-with-dante-card-bundle","title":"Harrison Audio D510R 500 Series Rack with Dante Card","description":"\u003cp\u003eThe \u003cstrong\u003eHarrison Audio D510R 500 Series Rack with Dante Card\u003c\/strong\u003e is an ultra-flexible ten-slot 500 Series rack system with an included Dante AoIP interface card. Built on a legacy that shaped the sound of legends like Michael Jackson, Led Zeppelin, and Steely Dan, Harrison continues to push the boundaries of music and audio production. Whether in the studio, on stage, or the big screen, Harrison’s design philosophy remains focused on delivering the sonic excellence and flexibility that modern artists, producers, and engineers need.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eD510DANTE AOIP INTERFACE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBuilt around 10-in\/14-out, high-performance A\/D and D\/A converters for pristine audio quality, the D510dante card brings the power of Dante AoIP to your Harrison 500 rack. Easily integrate 500 Series processing into your mix bus, subgroups, or channel inserts on a Dante-compatible live sound console. In a hybrid studio setup, take full advantage of Dante’s flexible routing matrix to send and receive audio seamlessly across your modules.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eHIGH-PERFORMANCE TRACKING RIG WITH ANALOG SUMMING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBring the depth and three-dimensional soundstage of Harrison’s analog summing to your studio or live sound console with the D510r rack and optional D510mx mixer card. Add eight 32Cpre+ 500 Series mic pre-modules and build the ultimate portable Harrison tracking rig or combine with EQ and Dynamics modules and create a custom eight-channel Harrison mixer, all in only 3U. Whether it’s a high-performance summing mixer for adding analog warmth to digital stems, summing together discrete outs from a drum machine and sampler, or accessing console-grade recoding performance in a portable tracking rig – the possibilities are endless and can grow with your production requirements one module at a time.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eBUILT TO PERFORM \u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe D510r is built to endure the demands of both touring and studio environments. Its rugged steel enclosure fits seamlessly into a standard 19” rack, ensuring durability on the road and reliability in the studio. With a built-in power supply that delivers 30% more power per module than the standard 500 Series specification, the D510r provides exceptional stability and ample headroom—allowing you to get the most out of your 500 Series modules. \u003c\/p\u003e","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":44451410935911,"sku":"517653","price":1799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/harrison-audio-d510r-dante_517653_1.jpg?v=1787097137"},{"product_id":"harrison-audio-d510r-500-series-rack-with-usb-adat-card","title":"Harrison Audio D510R 500 Series Rack with USB\/ADAT Card","description":"\u003cp\u003eThe \u003cstrong\u003eHarrison Audio D510R 500 Series Rack with USB\/ADAT Card\u003c\/strong\u003e delivers unmatched expandability, flexibility, and world-class audio performance. At its core, the D510r is a high-powered 10-slot 500 Series rack, ready to shape your sound in the studio or on the road. Add the D510ua USB + ADAT interface via the rear panel, and your D510r transforms into a professional-quality audio hub with up to 10 analog inputs, 14 analog outputs, and 16 channels of bi-directional ADAT I\/O, totaling 26 inputs and 30 outputs across analog and digital. \u003c\/p\u003e\r\n\r\n\u003cp\u003eWith high-performance A\/D and D\/A converters on every slot, plus four extra D\/A converters for the D510mx headphone mixes (when installed), the D510ua unlocks advanced hybrid workflows for tracking and mixing. Connect via USB for direct DAW integration, expand an existing setup with up to 16 channels of bi-directional ADAT, or do both simultaneously—the D510 500 Series system is Harrison flexibility at its finest.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eHIGH-PERFORMANCE TRACKING RIG WITH ANALOG SUMMING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBring the depth and three-dimensional soundstage of Harrison’s analog summing to your studio or live sound console with the D510r rack and optional D510mx mixer card. Add eight 32Cpre+ 500 Series mic pre-modules and build the ultimate portable Harrison tracking rig or combine with EQ and Dynamics modules and create a custom eight-channel Harrison mixer, all in only 3U. Whether it’s a high-performance summing mixer for adding analog warmth to digital stems, summing together discrete outs from a drum machine and sampler, or accessing console-grade recoding performance in a portable tracking rig – the possibilities are endless and can grow with your production requirements one module at a time.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eBUILT TO PERFORM \u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe D510r is built to endure the demands of both touring and studio environments. Its rugged steel enclosure fits seamlessly into a standard 19” rack, ensuring durability on the road and reliability in the studio. With a built-in power supply that delivers 30% more power per module than the standard 500 Series specification, the D510r provides exceptional stability and ample headroom—allowing you to get the most out of your 500 Series modules. \u003c\/p\u003e","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":44451410968679,"sku":"517654","price":1299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/harrison-audio-d510r-usb-adat_517654_1.jpg?v=1787097138"},{"product_id":"pittsburgh-modular-lifeforms-sv-2-synthesizer","title":"Pittsburgh Modular Lifeforms SV-2 Semi-Modular Analog Keyboard Synthesizer","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Lifeforms SV-2\u003c\/strong\u003e showcases new oscillators, new waveshapes, new overdrives, new filter character modes, new envelopes, and a new spring reverb inspired by the vibes of classic instruments but built with innovative and modern twists. The legendary designers of everyone’s favorite classic synthesizers used a handful of resistors and capacitors to establish the architectural foundations of signal flow and sound design. These concepts remain the cornerstone of Pittsburgh Modular’s development process, enabling them to push analog design forward through fresh ideas and new engineering. By standing on the shoulders of giants, the Lifeforms SV-2 offers an expanded palette of inspiring sounds and complex textures waiting to be explored.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eREIMAGINED TO THE CORE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBalancing the character of old-school \"East Coast\" synths with modern possibilities, the Lifeforms SV-2 reimagines the classic analog signal chain by building on the foundations of the past. The result is an instrument that offers the organic warmth and power of vintage analog alongside the expanded creative potential of modern ideas.\r\nPittsburgh Modular has redesigned its oscillator core to include Thru-zero FM and Phase Modulation. This allows the new triangle core oscillator to stay in tune even under extreme frequency modulation. To further expand the sound palette, the Pulse Symmetry waveform adds a second \"vertical\" dimension of modulation to pulse waves, enabling deeper and more evolving textures than standard pulse width modulation. Additionally, Pittsburgh Modular’s proprietary Blade Wave creates a sawtooth variant that offers a dense, natural chorus effect through the manipulation of harmonic content.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eALIVE WITH CHARACTER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Pittsburgh Filter is a critically acclaimed state-variable, multimode analog filter engineered to provide buttery smooth consistency across the frequency spectrum. Its architecture ensures that signal amplitude and harmonic warmth remain stable throughout the entire sweep, effectively eliminating the \"dead spots\" often found in traditional designs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhile the foundation of the Pittsburgh sound is built on precision and clarity, the Lifeforms SV-2 introduces a pair of unique Character modes and customized Overdrive to meet the demand for vintage-inspired grit and harmonic saturation. The Character modes recontextualize legacy signal-processing techniques to dynamically reshape the filtered waveforms. These modes are further enhanced by an integrated overdrive circuit designed to transition seamlessly from subtle thermal warmth to high-gain harmonic destruction. By combining these advanced processing tools, the SV-2 offers a comprehensive ecosystem for sophisticated sound sculpting, ranging from pristine analog textures to raw, industrial intensity.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eOVERDRIVE INJECTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eHarmonic saturation and overdrive are fundamental elements in defining the character and physical presence of an analog signal. While saturation provides a subtle enhancement of depth and structural weight, overdrive offers a more assertive application of harmonic power and sonic authority. The Lifeforms SV-2 integrates these essential processing capabilities directly into its personality, featuring six independent saturation and overdrive stages strategically distributed throughout the signal path. This comprehensive design allows for granular control over the harmonic profile of a sound, enabling precise sculpting from transparent warmth to aggressive distortion at multiple points in the synthesis chain.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eUNEXPLORED WORLDS\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePittsburgh Modular remains dedicated to moving analog forward, deliberately pushing beyond historical emulation to redefine the future of analog synthesis. The Lifeforms SV-2 embodies this philosophy, incorporating a suite of advanced synthesis utilities across every stage of its signal path. By fusing contemporary functional refinements with a classic analog architecture, the Lifeforms SV-2 broadens the creative scope of the semi-modular ecosystem. This instrument represents Pittsburgh Modular’s commitment to analog innovation by creating a new universe of musical expression and exploration.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eBUILDING ON AN OPEN ARCHITECTURE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Lifeforms SV-2 represents a complete architectural redesign of the original SV-1, an instrument that established the Pittsburgh Sound upon its debut in 2016. As one of Pittsburgh Modular’s most successful synthesizers, the Lifeforms SV-1 was a pioneering achievement, serving as the industry's first fully modular standalone voice. The Lifeforms SV-2 builds upon that prestigious legacy by refining its classic subtractive synthesis foundation. This updated iteration significantly expands the available toolset and sonic palette, augmenting the musical potential of the platform while maintaining the uncompromising power and unique character of the original instrument.\r\nLifeforms SV-2 has an internally defined signal path. Patch cables are not necessary to begin exploring. Plug the output into a speaker or DAW and Lifeforms SV-2 is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, an 84 point patch bay and Eurorack Expansion Bay open up a fully modular instrument with access to an even deeper set of features and tools.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003ePITTSBURGH MODULAR LIFEFORMS SV-2 FEATURES:\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOSCILLATOR\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTwo Thru-Zero Triangle Core Oscillators with Pulse Symmetry, Blade, Sine, Triangle, Saw, and Random waveforms, On Demand Tuning, Thru-Zero FM, Phase Modulation, Linear FM, and Hard Sync\u003c\/li\u003e\r\n\u003cli\u003eTwo voltage-controlled Triangle Core LFOs with Triangle, Saw, and Square waveforms, Linear FM, Reset, High\/Low Range Modes to cover low frequency and audio rate modulation. LFOs can also be used as a 3rd or 4th audio oscillator for very big sounds\u003c\/li\u003e\r\n\u003cli\u003eSquare wave Sub-Oscillator with -1 and -2 octave outputs\u003c\/li\u003e\r\n\u003cli\u003eAnalog White Noise\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFILTERS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTwo Classic Pittsburgh Filters extended with Character Modes and Overdrive\u003c\/li\u003e\r\n\u003cli\u003eState Variable Filter Core with Highpass, Bandpass, Lowpass, Combo, and Random filter responses\u003c\/li\u003e\r\n\u003cli\u003eWarped Character Mode modifies the shape of a waveform without modifying harmonic content\u003c\/li\u003e\r\n\u003cli\u003eWarped and Rectified Mode further changes the shape of a waveform by slicing the warped wave in half and rebuilding it based on the remaining wave. This has a vastly different effect on each waveform (Sine to double frequency sine, triangle to double frequency triangle, Saw to Triangle, varied Symmetry Pulse response)\u003c\/li\u003e\r\n\u003cli\u003eVariable overdrive offers up to 5x boost or 15dB of gain\u003c\/li\u003e\r\n\u003cli\u003eDual Cutoff Frequency Modulation inputs for flexible, complex filter modulation\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSATURATION AND OVERDRIVE\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe Dual Mixer has twin switchable saturation points to add warmth and soft compression to incoming waves\u003c\/li\u003e\r\n\u003cli\u003eVariable Preamp offers up to 30x boost or 28dB of gain\u003c\/li\u003e\r\n\u003cli\u003eA pair of Pre-Filter variable overdrives each offer up to 5x boost or 15dB of gain\u003c\/li\u003e\r\n\u003cli\u003eA saturation circuit in the spring Reverb leans into the vintage vibes of subtle distortion and heat\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSYNTHESIS TOOLS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMonophonic, one-button Paraphonic, and patchable Full Duophonic voicing\u003c\/li\u003e\r\n\u003cli\u003eComplex Arpeggiator with multiple responses, octaves, random, and more\u003c\/li\u003e\r\n\u003cli\u003eDual Mixer with Saturation works as a 5-channel Mixer, 4-channel Mixer with independent Preamp, independent 2-channel and 3-channel Mixers, a pair of independent 2-channel Mixers and independent Preamp\u003c\/li\u003e\r\n\u003cli\u003eFully patchable Sample and Hold with analog White Noise\u003c\/li\u003e\r\n\u003cli\u003ePatchable 2-channel audio or CV Mixer \/ Signal Splitter tool\u003c\/li\u003e\r\n\u003cli\u003eDual analog ADSR Envelope Generators featuring new response curves and 2 range Modes: short and plucky or long and relaxed\u003c\/li\u003e\r\n\u003cli\u003eDual independent VCAs\u003c\/li\u003e\r\n\u003cli\u003eSpring Reverb with custom Tonal Tilt EQ shaper, controlled feedback up to self-oscillation, and Preamp Saturation\u003c\/li\u003e\r\n\u003cli\u003eCustom-designed 37-key keybed with Pitch and Mod Wheels provides a responsive, vintage synthesizer feel\u003c\/li\u003e\r\n\u003cli\u003eDigital Modulation Tool with manual control, clock-sync'd LFO, Decay Envelope, and Random Level controllers\u003c\/li\u003e\r\n\u003cli\u003e24hp Eurorack Expansion Bay with 3 Power headers and an 84-point patch bay allow Eurorack modules to be integrated at any point of the signal path\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44451414442087,"sku":"519368","price":1499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh-modular-lifeforms-sv-2_519368_1.jpg?v=1787097152"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/new-releases.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}