{"title":"Overstayer","description":null,"products":[{"product_id":"overstayer-saturator-nt-02a","title":"Overstayer Saturator NT-02A Harmonics Processor","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer Saturator NT-02A \u003c\/strong\u003e is the ultimate studio harmonics and distortion processor. Overstayer brings a fresh approach to mix coloring, opening up a new world of sonic possibilities. Great for coloring just about anything, like drums, loops, synths, bass, vocals or even an entire mix. The Saturator’s comprehensive controls can dial in anything from subtle tape compression effects to extreme distortion, making it an indispensible tool in the digital world.\u003c\/p\u003e\r\n\u003cp\u003eThe Overstayer Saturator features a 100% analog signal path with tone shaping filters and multiple amplifiers for a wide of array of character, from subtle thickening to extreme distortion, balanced to taste with an integrated blend control.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLOW CUT: A bypass-able 12 dB (2-pole) high pass filter with resonance control.  Wide range sweepable from 30 Hz to 4.7 kHz. This Low Cut helps define the shape of the distortion and harmonics from the stages that follow.\u003c\/li\u003e\r\n\u003cli\u003eRES: The Resonance control for the Low Cut.  Controls the amount of peaking introduced at the cutoff frequency.  With high resonant peaks dialed in at low frequencies, the filter can add huge amounts of low end while cutting sub frequencies below the Low Cut selection.  At max setting the resonance can be driven into oscillation.  This oscillation can be used to tune the resonance to desired frequency and backed off when found.  Monstrous kick drums, giant Dub-style basses, telephone filter effects and self-oscillating harmonics are all possible with the Saturator’s filter section.\u003c\/li\u003e\r\n\u003cli\u003eBOOST: Adds a fixed amount of clean gain to raise low signal levels and\/or overdrive the next stage engaged.  It also engages a pad after the Gain amp to compensate for the added gain.  Functions like a clean boost pedal on the front end of a guitar amplifier.\u003c\/li\u003e\r\n\u003cli\u003eSATURATION: Controls the amount of non-linear amp saturation and soft clipping, ranging from subtle harmonic sweetening to extreme analog saturation.  The Saturation section can be bypassed, while still allowing access to filters and the Shape 3 circuit.\u003c\/li\u003e\r\n\u003cli\u003eHIGH CUT: Fixed 6 dB lowpass filter at 6 kHz can be engaged to tame high frequencies especially in high gain circumstances.\u003c\/li\u003e\r\n\u003cli\u003eGAIN: Discrete op-amp primarily provides clean gain, but can be clipped via Boost or high gain settings.\u003c\/li\u003e\r\n\u003cli\u003eSHAPE 3: Activates a Pre and Post emphasis filter to shape the distortion response of the entire circuit, adding 3rd order harmonic saturation.  This functions similarly to tape saturation and can be used in conjunction with the Saturation section or independently.\u003c\/li\u003e\r\n\u003cli\u003eBLEND: This controls the balance between the source signal and the processed signal.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT: This sets the final output level post-Blend.\u003c\/li\u003e\r\n\u003cli\u003eIN: Master bypass for both channels.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44449514389607,"sku":"31340","price":1795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer_saturator_front_ab5359bf-8cf0-4442-9a13-a231b798f6a7.jpg?v=1787089273"},{"product_id":"overstayer-ampeq-02-channel-strip","title":"Overstayer AMPEQ-02 Channel Strip","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer AMPEQ-02\u003c\/strong\u003e combines a world-class discrete mic preamp, line amp, and DI, with proprietary harmonics processing and ultra-smooth two-band vintage-style passive EQ.  This collection of features allows users to bring a veritable palette of analog colors into the clinical digital recording realm. \u003cbr\u003e\u003cbr\u003e More than just another preamp\/EQ combo, the AMPEQ-02's integrated harmonics section allows the user to dial in exactly how much color and character is desired on any source.  Whether adding punch to drums, giving apparent loudness to guitars, crunching out basses and synths, or even subtly shaping the mix bus, the AMPEQ-02's simple controls can harness the tonal complexity of just about anything.  \u003cbr\u003e\u003cbr\u003e LINE\/MIC\u003cbr\u003e Selects between LINE (button in) and MIC (button out) input. Inserting a 1\/4\" plug into the DI jack automatically switches the source to DI regardless of the setting. \u003cbr\u003e\u003cbr\u003e PAD\u003cbr\u003e Engages a 20 dB pad on the MIC or LINE input. \u003cbr\u003e\u003cbr\u003e POL\u003cbr\u003e Flips the polarity of the signal on the MIC or LINE input. \u003cbr\u003e\u003cbr\u003e GAIN\u003cbr\u003e Sets the amount of gain of the MIC\/LINE amplifier. \u003cbr\u003e\u003cbr\u003e OUTPUT\u003cbr\u003e Attenuator sets the final output level. \u003cbr\u003e\u003cbr\u003e HARM\u003cbr\u003e The Harmonics circuitry allows the pre to have 3 different characters. Harmonics out is the cleanest, with the most headroom and lowest harmonic distortion. HARM 2 creates stronger 2nd-order harmonic. HARM 3 creates stronger 3rd-order harmonic.  Both modes soft clip and can reduce peaks while increasing apparent volume. \u003cbr\u003e\u003cbr\u003e LF BOOST\u003cbr\u003e Sets the amount of low boost at the selected frequency (30, 60, or 100 Hz). \u003cbr\u003e\u003cbr\u003e LF ATTEN\u003cbr\u003e Sets the amount of low frequency attenuation at the selected frequency (50 Hz or 100 Hz), can be used in conjunction with the LF BOOST to create mid band cuts. \u003cbr\u003e\u003cbr\u003e HF BOOST\u003cbr\u003e Sets the amount of high boost at the selected frequency (4 KHz, 8 KHz, or 12 KHz). Pulling this control out BYPASSES the EQ. \u003cbr\u003e\u003cbr\u003e PHANT\u003cbr\u003e Engages phantom power to the microphone input.\u003c\/p\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44449514455143,"sku":"31341","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer_ampeq_front_1_68046b35-a497-48aa-bb0f-c53aacbdfab5.jpg?v=1787089273"},{"product_id":"overstayer-saturator-nt-02a-nto2a1052-used","title":"Overstayer Saturator NT-02A #NTO2A1052 (Used)","description":"The \u003cb\u003eSaturator NT-02A by Overstayer Recording Equipment\u003c\/b\u003e is the ultimate studio harmonics and distortion processor. Overstayer brings a fresh approach to mix coloring, opening up a new world of sonic possibilities. Great for coloring just about anything, like drums, loops, synths, bass, vocals or even an entire mix. The Saturator’s comprehensive controls can dial in anything from subtle tape compression effects to extreme distortion, making it an indispensible tool in the digital world.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLow Cut\u003c\/b\u003e\u003cbr\u003eA bypass-able 12dB (2-pole) high pass filter with resonance control. Wide range sweepable from 30Hz to 4.7KHz. This Low Cut helps define the shape of the distortion and harmonics from the stages that follow.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRES\u003c\/b\u003e\u003cbr\u003eThe Resonance control for the Low Cut. Controls the amount of peaking introduced at the cutoff frequency. With high resonant peaks dialed in at low frequencies, the filter can add huge amounts of low end while cutting sub frequencies below the Low Cut selection. At max setting the resonance can be driven into oscillation. This oscillation can be used to tune the resonance to desired frequency and backed off when found. Monstrous kick drums, giant Dub-style basses, telephone filter effects and self-oscillating harmonics are all possible with the Saturator’s filter section.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBoost\u003c\/b\u003e\u003cbr\u003eAdds a fixed amount of clean gain to raise low signal levels and\/or overdrive the next stage engaged. It also engages a pad after the Gain amp to compensate for the added gain. Functions like a clean boost pedal on the front end of a guitar amplifier.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSaturation\u003c\/b\u003e\u003cbr\u003eControls the amount of non-linear amp saturation and soft clipping, ranging from subtle harmonic sweetening to extreme analog saturation. The Saturation section can be bypassed, while still allowing access to filters and the Shape 3 circuit.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHigh Cut\u003c\/b\u003e\u003cbr\u003eA fixed 6dB lowpass filter at 6KHz can be engaged to tame high frequencies especially in high gain circumstances.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGain\u003c\/b\u003e\u003cbr\u003eA Discrete op-amp primarily provides clean gain, but can be clipped via Boost or high gain settings.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eShape 3\u003c\/b\u003e\u003cbr\u003eShape 3 activates a Pre and Post emphasis filter to shape the distortion response of the entire circuit, adding 3rd order harmonic saturation. This functions similarly to tape saturation and can be used in conjunction with the Saturation section or independently.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBlend\u003c\/b\u003e\u003cbr\u003eThis controls the balance between the source signal and the processed signal.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOutput\u003c\/b\u003e\u003cbr\u003eThis sets the final output level post-Blend.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIn\u003c\/b\u003e\u003cbr\u003eThe master bypass for both channels.","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44449561509991,"sku":"34257","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_overstayer_saturator_nt-02a__nto2a1052_cat_74540e0d-0d13-48ff-8fd5-2f2c2da27e02.jpg?v=1787089467"},{"product_id":"overstayer-ampeq-02-demo-deal","title":"Overstayer AMPEQ-02 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer AMPEQ-02\u003c\/strong\u003e combines a world-class discrete mic preamp, line amp, and DI, with proprietary harmonics processing and ultra-smooth two-band vintage-style passive EQ.  This collection of features allows users to bring a veritable palette of analog colors into the clinical digital recording realm. \u003cbr\u003e\u003cbr\u003e More than just another preamp\/EQ combo, the AMPEQ-02's integrated harmonics section allows the user to dial in exactly how much color and character is desired on any source.  Whether adding punch to drums, giving apparent loudness to guitars, crunching out basses and synths, or even subtly shaping the mix bus, the AMPEQ-02's simple controls can harness the tonal complexity of just about anything.  \u003cbr\u003e\u003cbr\u003e LINE\/MIC\u003cbr\u003e Selects between LINE (button in) and MIC (button out) input. Inserting a 1\/4\" plug into the DI jack automatically switches the source to DI regardless of the setting. \u003cbr\u003e\u003cbr\u003e PAD\u003cbr\u003e Engages a 20 dB pad on the MIC or LINE input. \u003cbr\u003e\u003cbr\u003e POL\u003cbr\u003e Flips the polarity of the signal on the MIC or LINE input. \u003cbr\u003e\u003cbr\u003e GAIN\u003cbr\u003e Sets the amount of gain of the MIC\/LINE amplifier. \u003cbr\u003e\u003cbr\u003e OUTPUT\u003cbr\u003e Attenuator sets the final output level. \u003cbr\u003e\u003cbr\u003e HARM\u003cbr\u003e The Harmonics circuitry allows the pre to have 3 different characters. Harmonics out is the cleanest, with the most headroom and lowest harmonic distortion. HARM 2 creates stronger 2nd-order harmonic. HARM 3 creates stronger 3rd-order harmonic.  Both modes soft clip and can reduce peaks while increasing apparent volume. \u003cbr\u003e\u003cbr\u003e LF BOOST\u003cbr\u003e Sets the amount of low boost at the selected frequency (30, 60, or 100 Hz). \u003cbr\u003e\u003cbr\u003e LF ATTEN\u003cbr\u003e Sets the amount of low frequency attenuation at the selected frequency (50 Hz or 100 Hz), can be used in conjunction with the LF BOOST to create mid band cuts. \u003cbr\u003e\u003cbr\u003e HF BOOST\u003cbr\u003e Sets the amount of high boost at the selected frequency (4 KHz, 8 KHz, or 12 KHz). Pulling this control out BYPASSES the EQ. \u003cbr\u003e\u003cbr\u003e PHANT\u003cbr\u003e Engages phantom power to the microphone input.\u003c\/p\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44449652277351,"sku":"40909","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer_ampeq_front_1_1_dea02cd5-f4e9-4841-8bc4-25e2d7bff7c6.jpg?v=1787089846"},{"product_id":"overstayer-saturator-nt-02a-1008-used","title":"Overstayer Saturator NT-02A #1008 (Used)","description":"The \u003cstrong\u003eSaturator NT-02A by Overstayer Recording Equipment\u003c\/strong\u003e is the ultimate studio harmonics and distortion processor. Overstayer brings a fresh approach to mix coloring, opening up a new world of sonic possibilities. Great for coloring just about anything, like drums, loops, synths, bass, vocals or even an entire mix. The Saturator’s comprehensive controls can dial in anything from subtle tape compression effects to extreme distortion, making it an indispensible tool in the digital world.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLow Cut\u003c\/strong\u003e\u003cbr\u003eA bypass-able 12dB (2-pole) high pass filter with resonance control. Wide range sweepable from 30Hz to 4.7KHz. This Low Cut helps define the shape of the distortion and harmonics from the stages that follow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRES\u003c\/strong\u003e\u003cbr\u003eThe Resonance control for the Low Cut. Controls the amount of peaking introduced at the cutoff frequency. With high resonant peaks dialed in at low frequencies, the filter can add huge amounts of low end while cutting sub frequencies below the Low Cut selection. At max setting the resonance can be driven into oscillation. This oscillation can be used to tune the resonance to desired frequency and backed off when found. 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The Saturation section can be bypassed, while still allowing access to filters and the Shape 3 circuit.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Cut\u003c\/strong\u003e\u003cbr\u003eA fixed 6dB lowpass filter at 6KHz can be engaged to tame high frequencies especially in high gain circumstances.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003eA Discrete op-amp primarily provides clean gain, but can be clipped via Boost or high gain settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShape 3\u003c\/strong\u003e\u003cbr\u003eShape 3 activates a Pre and Post emphasis filter to shape the distortion response of the entire circuit, adding 3rd order harmonic saturation. 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More color, more harmonics, more tone. It gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit.\u003c\/p\u003e\r\n\u003cp\u003eThe limiting nature of the M-A-S stages rounds and bends peaks resulting in increased apparent volume, without the timing artifacts associated with compression. Its integrated pushbutton High and Low EQ presets, High Pass Filter and Emphasis circuits help further shape the harmonic content of source material.  Rotary switch controls for Mix and Output make settings easy to recall.\u003c\/p\u003e\r\n\u003cp\u003eUse it on the individual tracks for cumulative (console to tape like) benefits. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. 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Each of its multiple stages can add its character and harmonics, cumulatively transforming the signal in a way not normally possible within a single device.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe integrated blend control allows even aggressive settings to be balanced tastefully. 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Each of its multiple stages can add its character and harmonics, cumulatively transforming the signal in a way not normally possible within a single device.\u003c\/p\u003e\u003cp\u003eThe integrated blend control allows even aggressive settings to be balanced tastefully. 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It gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit.\u003c\/p\u003e \u003cp\u003eThe limiting nature of the M-A-S stages rounds and bends peaks resulting in increased apparent volume, without the timing artifacts associated with compression. Its integrated pushbutton High and Low EQ presets, High Pass Filter and Emphasis circuits help further shape the harmonic content of source material.  Rotary switch controls for Mix and Output make settings easy to recall.\u003c\/p\u003e \u003cp\u003eUse it on the individual tracks for cumulative (console to tape like) benefits. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. Used on a full mix, the added harmonic content can energize, and add cohesiveness and detail. 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Great for coloring just about anything, like drums, loops, synths, bass, vocals or even an entire mix. The Saturator’s comprehensive controls can dial in anything from subtle tape compression effects to extreme distortion, making it an indispensible tool in the digital world.\u003c\/p\u003e \u003cp\u003eThe Overstayer Saturator features a 100% analog signal path with tone shaping filters and multiple amplifiers for a wide of array of character, from subtle thickening to extreme distortion, balanced to taste with an integrated blend control.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eCONTROLS:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eLOW CUT: A bypass-able 12 dB (2-pole) high pass filter with resonance control. Wide range sweepable from 30 Hz to 4.7 kHz. This Low Cut helps define the shape of the distortion and harmonics from the stages that follow.\u003c\/li\u003e \u003cli\u003eRES: The Resonance control for the Low Cut. Controls the amount of peaking introduced at the cutoff frequency. With high resonant peaks dialed in at low frequencies, the filter can add huge amounts of low end while cutting sub frequencies below the Low Cut selection. At max setting the resonance can be driven into oscillation. This oscillation can be used to tune the resonance to desired frequency and backed off when found. Monstrous kick drums, giant Dub-style basses, telephone filter effects and self-oscillating harmonics are all possible with the Saturator’s filter section.\u003c\/li\u003e \u003cli\u003eBOOST: Adds a fixed amount of clean gain to raise low signal levels and\/or overdrive the next stage engaged. It also engages a pad after the Gain amp to compensate for the added gain. Functions like a clean boost pedal on the front end of a guitar amplifier.\u003c\/li\u003e \u003cli\u003eSATURATION: Controls the amount of non-linear amp saturation and soft clipping, ranging from subtle harmonic sweetening to extreme analog saturation. The Saturation section can be bypassed, while still allowing access to filters and the Shape 3 circuit.\u003c\/li\u003e \u003cli\u003eHIGH CUT: Fixed 6 dB lowpass filter at 6 kHz can be engaged to tame high frequencies especially in high gain circumstances.\u003c\/li\u003e \u003cli\u003eGAIN: Discrete op-amp primarily provides clean gain, but can be clipped via Boost or high gain settings.\u003c\/li\u003e \u003cli\u003eSHAPE 3: Activates a Pre and Post emphasis filter to shape the distortion response of the entire circuit, adding 3rd order harmonic saturation. This functions similarly to tape saturation and can be used in conjunction with the Saturation section or independently.\u003c\/li\u003e \u003cli\u003eBLEND: This controls the balance between the source signal and the processed signal.\u003c\/li\u003e \u003cli\u003eOUTPUT: This sets the final output level post-Blend.\u003c\/li\u003e \u003cli\u003eIN: Master bypass for both channels.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44451105833063,"sku":"214939","price":1629.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-saturator-nt-02a-harmonics-processor-nt02a1324-used_214939_1.jpg?v=1787095859"},{"product_id":"overstayer-saturator-nt-02a-harmonics-processor-1279-used","title":"Overstayer Saturator NT-02A Harmonics Processor #1279 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer Saturator NT-02A \u003c\/strong\u003e is the ultimate studio harmonics and distortion processor. Overstayer brings a fresh approach to mix coloring, opening up a new world of sonic possibilities. Great for coloring just about anything, like drums, loops, synths, bass, vocals or even an entire mix. The Saturator’s comprehensive controls can dial in anything from subtle tape compression effects to extreme distortion, making it an indispensible tool in the digital world.\u003c\/p\u003e \u003cp\u003eThe Overstayer Saturator features a 100% analog signal path with tone shaping filters and multiple amplifiers for a wide of array of character, from subtle thickening to extreme distortion, balanced to taste with an integrated blend control.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eCONTROLS:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eLOW CUT: A bypass-able 12 dB (2-pole) high pass filter with resonance control.  Wide range sweepable from 30 Hz to 4.7 kHz. This Low Cut helps define the shape of the distortion and harmonics from the stages that follow.\u003c\/li\u003e \u003cli\u003eRES: The Resonance control for the Low Cut.  Controls the amount of peaking introduced at the cutoff frequency.  With high resonant peaks dialed in at low frequencies, the filter can add huge amounts of low end while cutting sub frequencies below the Low Cut selection.  At max setting the resonance can be driven into oscillation.  This oscillation can be used to tune the resonance to desired frequency and backed off when found.  Monstrous kick drums, giant Dub-style basses, telephone filter effects and self-oscillating harmonics are all possible with the Saturator’s filter section.\u003c\/li\u003e \u003cli\u003eBOOST: Adds a fixed amount of clean gain to raise low signal levels and\/or overdrive the next stage engaged.  It also engages a pad after the Gain amp to compensate for the added gain.  Functions like a clean boost pedal on the front end of a guitar amplifier.\u003c\/li\u003e \u003cli\u003eSATURATION: Controls the amount of non-linear amp saturation and soft clipping, ranging from subtle harmonic sweetening to extreme analog saturation.  The Saturation section can be bypassed, while still allowing access to filters and the Shape 3 circuit.\u003c\/li\u003e \u003cli\u003eHIGH CUT: Fixed 6 dB lowpass filter at 6 kHz can be engaged to tame high frequencies especially in high gain circumstances.\u003c\/li\u003e \u003cli\u003eGAIN: Discrete op-amp primarily provides clean gain, but can be clipped via Boost or high gain settings.\u003c\/li\u003e \u003cli\u003eSHAPE 3: Activates a Pre and Post emphasis filter to shape the distortion response of the entire circuit, adding 3rd order harmonic saturation.  This functions similarly to tape saturation and can be used in conjunction with the Saturation section or independently.\u003c\/li\u003e \u003cli\u003eBLEND: This controls the balance between the source signal and the processed signal.\u003c\/li\u003e \u003cli\u003eOUTPUT: This sets the final output level post-Blend.\u003c\/li\u003e \u003cli\u003eIN: Master bypass for both channels.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44451108028519,"sku":"340617","price":1629.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-saturator-nt-02a-harmonics-processor-1279-used_340617_1_6ca7edbc-fd75-43c2-9786-c19d77ccb137.jpg?v=1787095870"},{"product_id":"overstayer-stereo-field-effect-stereo-fet-compressor-11098-used","title":"Overstayer Stereo Field Effect Stereo FET Compressor #11098 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer Stereo Field Effect FET Compressor\u003c\/strong\u003e is an evolution of Overstayer’s passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.\u003cbr\u003e\u003cbr\u003eClassic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44451108061287,"sku":"214986","price":2110.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-stereo-field-effect-stereo-fet-compressor-11098-used_214986_1.jpg?v=1787095870"},{"product_id":"overstayer-m-a-s-2-channel-harmonics-processor-mas81169-used","title":"Overstayer M-A-S 2-Channel Harmonics Processor #MAS81169 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer M-A-S\u003c\/strong\u003e was designed to be an analog ‘more’ control. More color, more harmonics, more tone. It gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit.\u003c\/p\u003e \u003cp\u003eThe limiting nature of the M-A-S stages rounds and bends peaks resulting in increased apparent volume, without the timing artifacts associated with compression. Its integrated pushbutton High and Low EQ presets, High Pass Filter and Emphasis circuits help further shape the harmonic content of source material.  Rotary switch controls for Mix and Output make settings easy to recall.\u003c\/p\u003e \u003cp\u003eUse it on the individual tracks for cumulative (console to tape like) benefits. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. Used on a full mix, the added harmonic content can energize, and add cohesiveness and detail. The Mix control allows the character to be balanced to taste.\u003c\/p\u003e \u003cp\u003eBring harmonics and tone to your bass, synths, drum machines and samplers with the integrated front panel high impedance input.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44451228745831,"sku":"476073","price":1689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-m-a-s-2-channel-harmonics-processor-mas81169-used_476073_1.jpg?v=1787096384"},{"product_id":"overstayer-saturator-nt-02a-harmonics-processor-1298-used","title":"Overstayer Saturator NT-02A Harmonics Processor #1298 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer Saturator NT-02A \u003c\/strong\u003e is the ultimate studio harmonics and distortion processor. Overstayer brings a fresh approach to mix coloring, opening up a new world of sonic possibilities. Great for coloring just about anything, like drums, loops, synths, bass, vocals or even an entire mix. The Saturator’s comprehensive controls can dial in anything from subtle tape compression effects to extreme distortion, making it an indispensible tool in the digital world.\u003c\/p\u003e \u003cp\u003eThe Overstayer Saturator features a 100% analog signal path with tone shaping filters and multiple amplifiers for a wide of array of character, from subtle thickening to extreme distortion, balanced to taste with an integrated blend control.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eCONTROLS:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eLOW CUT: A bypass-able 12 dB (2-pole) high pass filter with resonance control.  Wide range sweepable from 30 Hz to 4.7 kHz. This Low Cut helps define the shape of the distortion and harmonics from the stages that follow.\u003c\/li\u003e \u003cli\u003eRES: The Resonance control for the Low Cut.  Controls the amount of peaking introduced at the cutoff frequency.  With high resonant peaks dialed in at low frequencies, the filter can add huge amounts of low end while cutting sub frequencies below the Low Cut selection.  At max setting the resonance can be driven into oscillation.  This oscillation can be used to tune the resonance to desired frequency and backed off when found.  Monstrous kick drums, giant Dub-style basses, telephone filter effects and self-oscillating harmonics are all possible with the Saturator’s filter section.\u003c\/li\u003e \u003cli\u003eBOOST: Adds a fixed amount of clean gain to raise low signal levels and\/or overdrive the next stage engaged.  It also engages a pad after the Gain amp to compensate for the added gain.  Functions like a clean boost pedal on the front end of a guitar amplifier.\u003c\/li\u003e \u003cli\u003eSATURATION: Controls the amount of non-linear amp saturation and soft clipping, ranging from subtle harmonic sweetening to extreme analog saturation.  The Saturation section can be bypassed, while still allowing access to filters and the Shape 3 circuit.\u003c\/li\u003e \u003cli\u003eHIGH CUT: Fixed 6 dB lowpass filter at 6 kHz can be engaged to tame high frequencies especially in high gain circumstances.\u003c\/li\u003e \u003cli\u003eGAIN: Discrete op-amp primarily provides clean gain, but can be clipped via Boost or high gain settings.\u003c\/li\u003e \u003cli\u003eSHAPE 3: Activates a Pre and Post emphasis filter to shape the distortion response of the entire circuit, adding 3rd order harmonic saturation.  This functions similarly to tape saturation and can be used in conjunction with the Saturation section or independently.\u003c\/li\u003e \u003cli\u003eBLEND: This controls the balance between the source signal and the processed signal.\u003c\/li\u003e \u003cli\u003eOUTPUT: This sets the final output level post-Blend.\u003c\/li\u003e \u003cli\u003eIN: Master bypass for both channels.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44451336912999,"sku":"470810","price":1529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-saturator-nt-02a-harmonics-processor-1298-used_470810_1.jpg?v=1787096843"},{"product_id":"overstayer-8776a-imperial-channel","title":"Overstayer 8776A Imperial Channel","description":"\u003cp\u003eThe \u003cstrong\u003eOverstayer 8776A Imperial Channel\u003c\/strong\u003e is an analog channel strip designed for recording, mixing, and creative sound shaping. Combining microphone, line, and instrument inputs with filters, equalization, FET limiting, and harmonic saturation, the 8776A delivers a highly interactive signal chain inspired by late-1960s British solid-state consoles. The unit is self-powered and can operate independently or as part of a larger modular recording system. The module can be mounted vertically in dual, quad, or a 10 space rack-mountable chassis (5RU high).\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eVINTAGE-INSPIRED ANALOG CHARACTER\u003c\/h3\u003e\r\n\u003cp\u003eThe Imperial Channel’s preamp and drive stages are based on classic late-60s English console designs, offering a broad sweet spot with rich low-order harmonics and forgiving nonlinear behavior before clipping. Multiple gain stages distribute harmonic coloration throughout the signal path, allowing users to move from subtle warmth to aggressive analog distortion while maintaining musicality and depth.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eINTEGRATED PROCESSING CHAIN\u003c\/h3\u003e\r\n\u003cp\u003eThe 8776A combines several analog processing tools into a single compact vertical module, including resonant filters, a four-band equalizer, FET limiting, and Overstayer’s MAS harmonic circuitry. The equalizer features high and low shelving bands alongside two fully sweepable midrange bands with proportional-Q behavior, allowing both corrective and highly creative tonal shaping. The integrated FET limiter includes sidechain filtering and selectable attack and release characteristics for flexible dynamic control.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eFLEXIBLE ROUTING AND PARALLEL PROCESSING\u003c\/h3\u003e\r\n\u003cp\u003eExtensive rear-panel patch points provide access to each processing stage individually, enabling custom routing configurations and external processing integration. Separate inputs and outputs are available for the preamp, EQ, limiter, and harmonic sections, allowing simultaneous recording of multiple signal paths or insertion of external effects such as pedals and processors. Independent dry and wet output faders further support advanced parallel processing workflows.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003ePROFESSIONAL CONNECTIVITY\u003c\/h3\u003e\r\n\u003cp\u003eThe 8776A features transformer-coupled microphone and line inputs, balanced outputs, and dedicated instrument input connectivity. Additional controls include polarity reversal, phantom power, pad switching, and multi-segment metering for both signal level and gain reduction monitoring.\u003c\/p\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":44451389735015,"sku":"101966","price":1695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/overstayer-8776a_101966_1.jpg?v=1787097053"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/overstayer.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}