{"title":"Pedal Deals","description":null,"products":[{"product_id":"strymon-flint-tremolo-reverb-pedal","title":"Strymon Flint Tremolo \u0026 Reverb Pedal","description":"\u003cp\u003eThe magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it's way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair.\u003cbr\u003e\u003cbr\u003eGiven this storied history, there was no doubt that Strymon wanted to develop a studio-class effects pedal that delivers this classic combination. They carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. The \u003cstrong\u003eStrymon Flint Tremolo and Reverb\u003c\/strong\u003e pedal harnesses the complete power of a SHARC DSP to authentically exhibit these details.\u003cbr\u003e\u003cbr\u003eFlint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb.\u003cbr\u003e\u003cbr\u003eWith eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449513701479,"sku":"31368","price":254.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon-flint-cream-knob_31368_1.jpg?v=1787089270"},{"product_id":"lotus-pedals-red-overdrive-pedal","title":"Lotus Pedals Red Overdrive Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eRed Overdrive\u003c\/strong\u003e is a dark and dirty overdrive circuit using the same JRC-4558 op-amp as the original TS-808 Tube Screamer, but Lotus’ circuit is quite different from your standard 808 clone. \u003cbr\u003e\u003cbr\u003e Each gain stage of the JRC-4558 is individually voiced like a vintage two-knob studio preamp, giving both gain stages unique overdrive characteristics for a truly monstrous tone. Like the White Overdrive, the Red circuit foregoes a tone control for optimum touch sensitivity, leaving dynamics and tone up to your fingers and those knobs on your guitar. \u003cbr\u003e\u003cbr\u003e We think the Red Overdrive dishes up gobs of gain that cause a good tube amp to deliver vintage as well as modern overdriven tones, and, when paired with Lotus’ White Overdrive, cover the gamut of Rawkin’ big amp tones from a little 18-Watt studio amp\u003c\/p\u003e","brand":"Lotus Pedals","offers":[{"title":"Default Title","offer_id":44449514127463,"sku":"31335","price":73.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lotus_red_overdrive_front_b67c5352-934d-4f5b-8ef2-2240c3ad0bbd.jpg?v=1787089272"},{"product_id":"abovegroundfx-rebote-delay-pedal","title":"AboveGroundFX Rebote Delay Pedal","description":"\u003cp\u003eDelay pedal sounds are defined by the technology behind them—warm analog delays, sterile digital delays or tape echoes with warmth and wobbliness. In the boutique pedal universe, users are accustomed to seeing anachronistic technology like discreet germanium transistors brought back from the dead because, well, if the tone you want is a geranium fuzz, nothing really does it like the real thing. As the old Bulgarian proverb says,  “If you wish to drown, why torture yourself with shallow water?”\u003c\/p\u003e\r\n\u003cp\u003eThat’s why the hip players cling to analog delays and crusty tape echoes. With digital delays, the repeated notes are exact copies of the original, whereas bucket-brigade analog is forced to use stronger noise filtering on the repeats causing high frequency content loss on each repeat. Whilst technically abhorrent, this creates the warm sound players dig. Tape echoes are even freakier in the way they mutate repeats by introducing analog distortion and pitch shift plus a key musical artifact—each repeat is increasingly lower fidelity than the previous, making the repeats distinct among themselves as well.\u003c\/p\u003e\r\n\u003cp\u003eSince this whole boutique thing is supposed to be about thinking outside the box, Peña figured he could use a PT-2399 delay chip to do the signal delay in an efficient fashion, without the noise, power consumption and expense of hard to acquire analog chips.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eRebote Delay\u003c\/strong\u003e circuit takes the dry signal to the output maintaining signal bandwidth integrity, then each repeat is filtered with analog circuitry that resembles tape technology. When pushing the limits of Rebote’s delay time, the quality of the repeats degrades allowing distinct tone between the dry signal and the repeats. The results are responsive rhythmic echoes that sound musical and decay naturally, from slap back echo to 560ms of delay.\u003c\/p\u003e\r\n\u003cp\u003eThe results speak for themselves. Rebote Delay pumps out gobs of deliciously warm echoes that go straight to whatever part of our animal brain that goes goofy over good delay sound. The Rebote Delay’s tones have some sort of psycho acoustic effect that we find hard to describe with mere words. Its repeats have a soothing yet weird underwater quality that is more pleasantly drifting than panic drowning. Rebote Delay is fantastic for any style of playing where delay is integral to the tone—from Rockabilly to spacey epic Pink Floyd style solos.\u003c\/p\u003e","brand":"AboveGroundFX","offers":[{"title":"Default Title","offer_id":44449516978279,"sku":"31445","price":71.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/aboveground_fx_rebote_delay_front_1a5318f9-55f5-4ac9-8f25-189c8ae42ffb.jpg?v=1787089283"},{"product_id":"mission-engineering-vm-pro-volume-pedal-black-demo-deal","title":"Mission Engineering VM-Pro Volume Pedal - Black (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMission VM-PRO \u003c\/strong\u003eis the most sophisticated volume pedal ever made. Using quality components and designed to exacting specifications, the VM-PRO introduces several innovative features never seen before in a volume pedal to meet the needs of the professional musician. Together these resolve many of the common issues with volume pedals that cause tone sucking and other mismatching problems. Whether you are using electric, electro-acoustic guitar, or bass, the VM-PRO will work for you. Using an acoustic instrument like acoustic guitar or stand-up bass? No problem. The VM-PRO-PZ version is the only volume pedal in the world specifically designed to work with Piezo Electric pickups.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe VM-PRO features high quality onboard buffers. Buffers help maintain the frequency response of your pickups when using long cable runs and multiple stomp boxes. In other words: No tone suck! If you’ve ever experienced reduced top end and a general loss of sparkle from your instrument plugged into a pedal board, then a good quality buffer at the start of your signal chain can help. The Mission buffer is a top of the line audio circuit and being integrated right into the volume pedal, you can avoid having to use a separate device, reducing the cable count and saving space and weight on your pedal board.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVM-PRO is designed for flexibility, and includes switchable options that let you tune it to your specific requirements. A selectable output impedance lets you use the volume pedal with vintage fuzz and other devices that would normally be incompatible with a volume pedal. A switchable gain stage lets you set the pedal for use with high output active pickups without clipping, and the unique Mission Sparkle switch restores some of the top end brightness that's typically lost as you roll back the volume.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLast but by no means least is is completely isolated tuner output that won’t cause any signal loss as often happens with in line tuners. The tuner out remains active independent of pedal position so you can tune silently, at full volume, or anywhere in between.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe VM-PRO is powered by an included 9V internal battery accessible from a battery door on the bottom plate for easy changing. It can also be powered by an external power supply. The power circuit is very flexible and can accept between 9 and 18VDC supplies. Using a higher output supply will increase the headroom which may be useful for very high level inputs. The VM-PRO uses a standard barrel connector and is protected against reverse voltage.\u003c\/p\u003e","brand":"Mission Engineering","offers":[{"title":"Default Title","offer_id":44449640448103,"sku":"39282","price":151.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mission_engineering_vm_pro_1_1_1_920cc0c4-1780-42c7-ad18-c773c0a33f1c.jpg?v=1787089793"},{"product_id":"strymon-brigadier-dbucket-delay-pedal-demo-deal","title":"Strymon Brigadier dBucket Delay Pedal (Demo Deal)","description":"\u003cp\u003eIn setting out to design Brigadier, Strymon decided to take a super-powerful SHARC DSP and dedicate all of it’s horsepower to doing one thing and one thing only—delivering the best analog bucket brigade sound ever. They've utilized every last drop of DSP power, allowing Brigadier to deliver every minute detail and nuance that makes an analog delay special. Strymon's hand crafted, processor-intense dBucket algorithm delivers all of the sonic complexities of analog bucket delays. No stone has been left unturned.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eStrymon Brigadier\u003c\/strong\u003e gives you all of the tone and none of the noise of regular old bucket brigade chips, unless of course you choose to add it back with Strymon's exclusive Bucket Loss control! Go from warm and clean repeats all the way to noisy, saturated delays. Couple that with dedicated modulation and filter controls, tap tempo, and assignable expression pedal input, and you have yourself a versatile delay powerhouse.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449652539495,"sku":"38008","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon_brigadier_back_angle_1_f80db02c-8bf9-4c3f-82da-2ffaad330e97.jpg?v=1787089848"},{"product_id":"menatone-vk-edition-howie-pedal","title":"Menatone VK Edition Howie Pedal","description":"\u003cp\u003eVintage King is proud to offer a new and improved version of the groundbreaking Howie pedal from Menatone. We are long time fans of the original Howie pedal introduced in 1999 and the subsequent iterations that followed it. We talked Brian Mena into creating a souped-up version based on the original design.\u003c\/p\u003e\r\n\u003cp\u003eThe VK Edition Howie pedal starts with an original concept but has a lot more up its sleeve. The Howie was originally based on the elusive work of a master amp designer\/builder based in California who was famous his \"clean\" gain, touch sensitivity, and incredibly expensive prices. Mena borrowed 5 of these amps from different eras and began to discern what he liked and disliked about each one.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eVK Edition Upgraded Parts\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1\/2 watt carbon resistors\u003c\/li\u003e\r\n\u003cli\u003eHigh voltage rolled polyester and silver mica caps\u003c\/li\u003e\r\n\u003cli\u003eAudio grade elecrolytics\u003c\/li\u003e\r\n\u003cli\u003eFull sized CTS pots\u003c\/li\u003e\r\n\u003cli\u003eSilver plated, teflon coated wire\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003ePlus - a charged pump power supply tripling the voltage internally for more headroom and unsurpassed dynamic range.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eOne and a half channel amp\u003c\/h3\u003e\r\n\u003cp\u003eThink of the Menatone VK Edition Howie as a one and a half channel amp. The GAIN, TREBLE, MID, BASS, PRESENCE and MASTER are always active. The Overdrive process is engaged by the drive foot-switch. Its controls are LEVEL and RATIO in the drive section. The LEVEL adjusts the amount of signal introduced into the Overdrive Process and determines the character of compression and distortion dynamics. The RATIO sets the overall boost of the Overdrive process.\u003c\/p\u003e\r\n\u003cp\u003eThe Clean section will take you from a beautifully, sparkly clean to an edge of breakup American grit. The Drive section will guide you from a simple lead-boost to unprecedented amounts of compression and sustain.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 4 3\/4\" x 5 3\/4\" x 2 1\/2\"\u003c\/p\u003e","brand":"Menatone","offers":[{"title":"Default Title","offer_id":44449690157159,"sku":"41902","price":234.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/menatone_howie_vk_edition_1_4870e77f-6ff7-4da5-8d71-f279bf15a5ca.jpg?v=1787089999"},{"product_id":"third-man-records-bumble-buzz-guitar-pedal-black-demo-deal","title":"Third Man Records Bumble Buzz Guitar Pedal - Black (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eThird Man Records Bumble Buzz Pedal\u003c\/strong\u003e, hand-made by Chris Young of Union Tube \u0026amp; Transistor (who built the pedal used for Jack White's guitar sounds on \"Sixteen Saltines\" and the vocals on \"I'm Shakin'\" off of 2012's Blunderbuss), is ready for buzzing around and stinging sounds. Designed by Third Man Creative Hive. \u003cbr\u003e\u003cbr\u003eInput impedance: Zin @ 1KHz 30K \/ Output impedance: Zout @ 1KHz: 33K.\u003cbr\u003e\u003cbr\u003ePower requirements: 9Vdc 10mA. The Unit runs off a standard center negative 9v DC 2.1mm Boss style adapter or a single 9v battery.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWarranty Info\u003c\/strong\u003e\u003cbr\u003eKeep the unit away from water, honey, and other liquids, and use only with a 9V battery or center negative 9V DC adapter. Avoid using adapters which output AC, or are center positive, as they will cause damage to the unit. Avoid adapters of questionable origin, as they are suspect form the get-go. We recommend a Boss 120T, Voodoo Lab Pedal Power, Trex or similar. We recommend avoiding switching adapters such as the Boss 120S, Godlyke Power All, and the One Spot. If you experience unwanted noise or are in doubt, please test with a 9V battery. Warranty includes parts and labour for problems unrelated to normal wear and tear in the first year. All warranty repairs will be performed - less the cost of shipping - by Union Tube \u0026amp; Transistor. Please retain proof of purchase for warranty and email info@unionpedals.com to attain a return authorization number and shipping information.\u003c\/p\u003e","brand":"Union Tube and Transistor","offers":[{"title":"Default Title","offer_id":44449757003879,"sku":"50713","price":170.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/bumble_buzz_front_1_1_16e49c21-8066-4f44-970e-9a830dc95259.jpg?v=1787090282"},{"product_id":"walrus-audio-vanguard-dual-phase-pedal","title":"Walrus Audio Vanguard Dual Phase Pedal","description":"\u003cp\u003eThe \u003cstrong\u003eWalrus Audio Vanguard\u003c\/strong\u003e was designed to create evolving beds of sound; from thick and sweeping harmonics to symphonic tidal waves. It operates as a series phaser system – two phasers working together to give unimaginable texture. The user has three selectable modes to shape the series phaser, sending your signal through a single 10-stage phaser with the option to pass through a second phaser. The second phaser, found on the second row of rotary controls, offers three different phaser voicings at the flip of a toggle switch; 10-stage with regeneration, 4-stage with pitch bend, and 6-stage with filter. This generates anything from slow phased foothills to untamed and violent sweeps.\u003cbr\u003e\u003cbr\u003eThe Vanguard gives you eight controls in total. Though it offers many options, it is simple and intuitive to use. If you desire to use only one of the four phasers on the Vanguard (one main phaser with the top controls and three selectable phaser voicings on the bottom row of controls), simply set the undesired phaser’s controls to zero and set the desired phaser’s controls to your unique setting. On the topside of the Vanguard the user can run one input (stereo with TRS-Y cable), two outputs, expression control, and a Remote input to use of an auxiliary momentary switch to both switch the pedal on\/off and\/or save presets. If you already have a crowded pedal board, you can set your Vanguard at the back of the board and run a small footprint dual SPST switch to the front of the board so you don’t lose valuable real estate. The Remote input requires a TRS cable to be used. The expression pedal control works with most on-the-shelf expression pedals. This feature allows the user to set the high and low parameters for any control and then fade between those settings by moving your foot up or down on the expression pedal.\u003cbr\u003e\u003cbr\u003eThe Vanguard comes in a copper colored enclosure featuring original artwork of two patrol men on horseback in a post-apocalyptic world. They are stuck between two phases: humanity’s past and humanity’s future. 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It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. Each algorithm is so detailed it requires the entire processor.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eStrymon TimeLine\u003c\/strong\u003e provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449828175975,"sku":"54818","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon_timeline_angle1000_1_d88eef15-bc17-4d2d-9615-74a22eacc9d1.jpg?v=1787090594"},{"product_id":"strymon-flint-tremolo-reverb-pedal-demo-deal","title":"Strymon Flint Tremolo \u0026 Reverb Pedal (Demo Deal)","description":"\u003cp\u003eThe magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it's way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair.\u003cbr\u003e\u003cbr\u003eGiven this storied history, there was no doubt that Strymon wanted to develop a studio-class effects pedal that delivers this classic combination. They carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. The \u003cstrong\u003eStrymon Flint Tremolo and Reverb\u003c\/strong\u003e pedal harnesses the complete power of a SHARC DSP to authentically exhibit these details.\u003cbr\u003e\u003cbr\u003eFlint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb.\u003cbr\u003e\u003cbr\u003eWith eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44449857044583,"sku":"55622","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon_flint_600angle_1_83dbc2c6-9660-46fe-bc4a-dfc3cffe9bca.jpg?v=1787090716"},{"product_id":"joe-gore-filth-interactive-fuzz","title":"Joe Gore Filth Fuzz","description":"\u003cp\u003eThe downside of complex fuzzes is that they’re a little too wide-ranging, with to many settings you’ll probably never use. It’s easy to waste 20 minutes tweaking knobs without ever nailing the perfect tone. This is what inspired the \u003cstrong\u003eJoe Gore Filth Interactive Fuzz\u003c\/strong\u003e. It has only four controls, but it’s a cornucopia of cool, quirky, and usable fuzz flavors.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e  \u003c\/p\u003e\u003cp\u003eThe drive and level controls do what you’d expect. But unlike many fuzz drive controls, this one sounds great throughout its range. Extreme settings are molten-lava thick. Lower settings are like slightly cooled lava, maybe?\u003c\/p\u003e\r\n\r\n\u003cp\u003eBut the real action is in the two sliders. They're tone controls of a sort, but not in the usual way. Most fuzz tone controls are tone-sucking passive circuits situated downstream from the fuzz effect. But here, the sliders alter the voltages at the transistors, radically changing not only the tone, but also the timbre and response. They profoundly alter the fuzz’s core character.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHow to use:\u003c\/strong\u003e Set desired gain and output levels. Move the sliders till it sounds awesome.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCautions:\u003c\/strong\u003e Filth sounds best before any buffered effects. It usually works best at or near the front of your effect chain.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFilth Joystick Fuzz was created in San Francisco and is built in Michigan by skilled craftspeople earning a fair wage.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eReviews and Testimonials\u003c\/h3\u003e\r\n\r\n\r\n\u003cp\u003e“Amazing sustain, sweetly aggro tones, and just enough sonic weirdness to turn peoples’ heads. Bravo!\" \u003cbr\u003e\r\n- \u003cstrong\u003eGuitar Player magazine\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e“Filth is pretty f’in great!” \u003cbr\u003e— \u003cstrong\u003eJoe Barresi\u003c\/strong\u003e, producer (Queens of the Stone Age, Soundgarden, Slipknot, Melvins, Bad Religion)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"I’ve been looking for six months to find a sound I heard in my head, and I’ve been trying every pedal I can. Filth is it—within three minutes of missing around, I realized it had everything I’ve ben looking for. It can do every sound from the Stones’ ‘Satisfaction' to Tom Waits' 'Cold Water' to synth-sounding stuff. It scratches me right where I itch!”\u003cbr\u003e\r\n  - \r\n\u003cstrong\u003eDan Vickrey\u003c\/strong\u003e (Counting Crows)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e“Filth is exceptional AND sonically flexible. Joe works in a number of different musical situations and has developed an extraordinarily flexible and musical fuzz. Last year my friend David Torn went on a fuzz bender. i joined in on the pedals that he strongly recommended i check out. But nothing comes close to this in terms of timbral diversity, response, and joy.” \u003cbr\u003e\r\n- \u003cstrong\u003eMatte Henderson\u003c\/strong\u003e (John Medeski, Natalie Merchant, Screaming Headless Torsos, Mick Karn, solo artist)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e“Holy shit! What a pedal! It's such a thrill to be able to go straight to insane tonal meltdown and then taper it back to a sputtering, fried mosquito yelp. This pedal can go between brutal and beautiful all within the push of either of the two sliders. 10 outta 10. F*** yeah!!!”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Matt Wallace, producer\u003c\/strong\u003e (Maroon 5, Faith No More, the Replacements, REM) \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“This is an absurdly versatile fuzz pedal despite its simple layout. You can easily dial in classic fuzz tones and get some newer tweaky-type sounds. The X and Y controls are very interactive, allowing you to obtain endless amounts of filthy fuzz. Tight or loose, stable or sputter, whippet-thin or morbidly obese—it’s in there! This is a great fuzz for those looking for some Kevin Shields My Bloody Valentine-type tones and some good old Big Muff type tones. I LOVE IT!!!” \u003cbr\u003e\r\n- \u003cstrong\u003eFuzz Box Girl\u003c\/strong\u003e (Guitar effects blogger)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e“Filth is amazing—I love it. So many, many sounds. I dig the way they feel, and how changeable that feel is.”\u003cbr\u003e\r\n- \u003cstrong\u003eDavid Torn\u003c\/strong\u003e (solo artist, David Bowie, k.d. lang, John Legend, Madonna, Tori Amos, Jeff Beck)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Do you know about Joe Gore? He builds amazing pedals. We used a few pedals of his, and the Filth Fuzz in particular. If you’re looking for a killer fuzz pedal, check him out.”\r\n\u003cbr\u003e\r\n— \u003cstrong\u003ePete Loeffler\u003c\/strong\u003e (Chevelle)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"I love this pedal. It makes me feel so dirty.\" \u003cbr\u003e— \u003cstrong\u003eMark Goldenberg\u003c\/strong\u003e (Jackson Browne, Bonnie Raitt, Chris Isaak, Linda Ronstadt, Hugh Laurie, Waylon Jennings, solo artist)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eHere's an unsolicited but utterly awesome demo David Torn shared on SoundCloud:\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/258334768\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Joe Gore","offers":[{"title":"Default Title","offer_id":44449915043943,"sku":"57523","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joe-gore-filth_57523_1_1_2b9d0b57-b8bd-4550-abe5-2511d6a2790b.jpg?v=1787090937"},{"product_id":"joe-gore-cult-germanium-overdrive","title":"Joe Gore Cult Germanium Overdrive","description":"\u003cp\u003eWhen Joe Gore delved into the germanium primitive booster designs of the 1960s, he was astonished. How the hell did these electrifying, supremely dynamic circuits fall into disuse? He says he became so obsessed with the circuits that felt like he’d joined some weird germanium cult. That’s why he calls his own take on those circuits Cult.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eHowever, the \u003cstrong\u003eJoe Gore Cult Germanium Overdrive\u003c\/strong\u003e is no ’60s clone: It departs dramatically from the original ’60s circuits, providing fatter lows, fewer piercing highs, and more responsive dynamics. It just seems to “gush” more.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eYou probably know that 90% of today’s overdrives are related to a pedal whose name rhymes with Lube Reamer. These pedals employ an IC chip rather a discrete transistor. They compress your signal, making note attacks less prominent and limiting your dynamic range. The results are smooth and consistent—nothing wrong with that!\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eBut Cult goes in the opposite direction, dramatically expanding your dynamic range. Note attacks crack like knuckles. Your phrases have an electrifying presence that seems to lunge from the speakers. When you hit the input hard, the bold, harmonically rich distortion maintains its edge, even in crowded musical contexts. Cult doesn't go “squish.” It barks.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe dynamic response is simply astounding - you can go from crystalline to meltdown by touch and guitar knob settings alone. With your guitar volume rolled back, the tone is nearly indistinguishable from bypass, so you can literally leave Cult on all night and conjure a huge range of overdrive\/distortion tones directly from your guitar.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eCult isn’t for everyone. If you’re looking for an overdrive to smooth out your sound for consistent, predictable results, run away! But if you’re the sort of player who likes sculpting sounds via touch and dynamics, or if you enjoy tones that walk the tightrope between clean and distorted, Cult can be a revelation.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eCult was created in San Francisco and is built in Michigan by skilled craftspeople earning a fair wage.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eReviews and Testimonials\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“The most dynamic overdrive we’ve heard.” \u003cbr\u003e\u003cstrong\u003e- Guitar Player magazine\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“The Cult Germanium Overdrive caught my fancy with its elegant simplicity, gutsy tones, and extreme dynamic response. Seriously, the Cult’s dynamic range is freakin’ ridiculous! It does sparkling, mostly clean sounds as well as vicious, full-throated bark and everything in between. If you have a close relationship with your guitar’s volume knob and a hankering for something new and different, Cult will prove to be a very inspiring musical companion.”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Tone Report\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"What an awesome pedal. I don't have anything that sounds quite like it. It literally growls, in a totally musically useful way!” \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Dylan Thomas (The Dickies, 45 Grave, King Cotton)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Every once in awhile I come across a pedal that just blows me away. The Cult pedal by Joe Gore is indeed one of those. This is the first overdrive I’ve heard in a long while that has its own voice, yet is rooted in familiarity. It pushes your amp in the perfect way. It’s more expressive than anything else I’ve encountered. It responds like a great amp. Clean to nasty just by how much attack you use. So I don’t even need to go to my volume knob. Incredibly expressive, and it’s voiced beautifully. Definitely the type of thing you can leave on all night and simply make a good amp great. Is this the perfect overdrive? No, that doesn’t exist, but it’s the closest thing I’ve found. I can see this being one of my “must bring” pedals for all scenarios for many years to come. It’s instantly become an essential part of my tone. Well done!” \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Richard Fortus\u003c\/strong\u003e (Guns N’ Roses, Crystal Method, Pink, BT, Dead Daisies)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"I’m always searching for interesting sounds, and I hit the bullseye. I love Cult, which I used on ‘Earthquake Driver’ and ‘Elvis Goes to Hollywood’ from the latest Counting Crows album, Somewhere Under Wonderland.. I love Joe’s ethos of simplicity. That’s the way I like it too.\" \u003cbr\u003e\u003cstrong\u003e- Dan Vickrey\u003c\/strong\u003e (Counting Crows)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Damn,this thing packs a wallop! Once you turn it on, you basically want to keep it on.  I you turn it off and after having it on for a while, you'll hear how starved and shriveled your original tone is. It's extra responsive to volume adjustments too.”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Avi Bortnik\u003c\/strong\u003e (John Scofield band, solo artist)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“I don’t think I could describe Cult in one word (other than, you know,\u003cbr\u003ebitchin'), but if I had two words, I’d pick ‘huge’ and ‘musical.’ It doesn’t alter the sonic personalities of my guitars. My Strat still sounds like a Strat. My PRS still sounds like God. Cult provides what so many of us are looking for: the ability to go from full-toned clean sounds to harmonically rich distortion with a simple nudge of the guitar’s volume knob. My first reaction: Why would you turn it off?” \r\n\u003cbr\u003e \r\n\u003cstrong\u003e- Tom Wheeler\u003c\/strong\u003e (longtime Editor-in-Chief of Guitar Player magazine and author of The Soul of Tone: Celebrating 60 Years of Fender Amps and American Guitars: An Illustrated History)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Joe Gore has made a pedal that is exactly like he is: unassuming, self-effacing, and quietly virtuosic. You plug this thing in and the qualities you look for in a stompbox—uniqueness of tone, responsiveness to your own playing, robustness of build—are immediately felt. There is nuance to its breadth of tone, and you will be seduced.” \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Tony Berg\u003c\/strong\u003e, producer and session guitarist (Peter Gabriel, Weezer, Aimee Mann, Michael Penn, X, Squeeze, P.I.L., Wendy \u0026amp; Lisa, Lisa Loeb, Cracker)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“This pedal has changed my life and given me a whole new tone that I have been looking for. I can get a nice fat tone with plenty of bite and no mud. I can’t even think of plugging in my guitar without the Cult pedal.\" \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Greg Ingraham\u003c\/strong\u003e, Avengers guitarist and O.G. punk-rock god (Joe’s description, not Greg’s. He’s way too modest to talk like that.)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“The Cult pedal is an incredible addition to my tonal arsenal. I have a vintage Ampeg Jet, and this pedal turned my rig into a screamer. It also has a great tonal roll-off that changes character in a very musical way. Level boost and tone madness—love it!\" \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Dave LeBolt\u003c\/strong\u003e, composer and session musician (David Bowie, Billy Joel, Foreigner, Julian Lennon), and former general manager of Avid\/Digidesign\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Sometimes you come across pedals that just work right. It's not just how they sound – it's also how they make you feel when playing them. To me Cult is one of those pedals. It's got that sound I've been looking for for years now. To me it hits that classic late-’60s, early-’70s fuzz that I'd hear on records, but I never could find. Now I got it. So happy I plugged into this one!”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Brent Paschke\u003c\/strong\u003e (Pharrell Williams's longtime guitarist)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"Playing guitar through Joe Gore’s Cult fuzz pedal is like being inside Billy Gibbons’ lucid dream. I’d describe the sounds as 'impossibly hot'. Ever left a cast-iron skillet on the stove too long? It’s like that. Anything you add will sizzle and steam. With my gear—an 1964 Gibson ES-335 and a ’63 brownface Fender Deluxe amp— Cult brought danger to the sonics. My amp has never caught fire. However, with the Cult engaged, it sounds as I imagine it would sound just before spontaneous combustion. The entire frequency range feels juiced up, yet the tone is still very true to what my guitar sounds and feels like with no effects at all. Miraculous! In the upper register (above the 7th fret on the high E string), I started to hear hints of sub-octaves below the notes I was fretting. Super cool! I’m drinking this Kool-Aid.\" \u003cbr\u003e— \u003cstrong\u003eAdam Levy\u003c\/strong\u003e (Norah Jones, Ani DeFranco, Amos Lee, Allan Toussaint, Tracy Chapman, solo artist, and Chair of the Guitar Department at Los Angeles College of Music)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\"If it can be said that \"tone is really in the hands,\" then what better for the hands-on guitarist than a pedal that channels your every volume knob roll, pick adjustment, and sudden right-hand 'thwack' into suitably dynamic peals of vivid, punchy and clarion-clear vintage germanium overdrive. The exact opposite of those ultra-smooth \"beer commercial\" tone clones, Cult's colors are both edgy and musical, but like some psychic reader, the results are all about what's lurking in your own subconscious, not what some corporate pedal designer thinks you should sound like. I believe I shall ruffle some feathers with this Cult; and I couldn't be more pleased at being initiated. Thank you, Joe!” —\u003cstrong\u003eJames Rotondi\u003c\/strong\u003e (Air, Mr. Bungle, Hundred Hounds)\u003c\/p\u003e","brand":"Joe Gore","offers":[{"title":"Default Title","offer_id":44449915109479,"sku":"57522","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joe-gore-cult_57522_1_1_43e433a8-0ab8-4d67-9675-a6010f76ca4d.jpg?v=1787090937"},{"product_id":"4ms-company-tremulus-lune","title":"4ms Company Tremulus Lune","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Tremulus\u003c\/strong\u003e is a compact tremolo effect pedal.\u003c\/p\u003e     \u003ch3\u003eSpecs\u003c\/h3\u003e  \u003cp\u003e: * True-bypassed with LED indicator (3PDT stomp) * Die-cast 4\"x3\"x2\" aluminum box\u003c\/p\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921466471,"sku":"57695","price":153.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-company-tremulous-lune_57695_1_new_afb52bc8-bc82-4999-a9e4-495e1c71883b.jpg?v=1787090962"},{"product_id":"4ms-company-stereo-panneur","title":"4ms Company Stereo Panneur","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Stereo Panneur\u003c\/strong\u003e is a full featured tremolo guitar pedal with stereo functionality.\u003c\/p\u003e     \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eBypass stomp with LED indicator (3PDT stomp)\u003c\/li\u003e \u003cli\u003eSeparate true-bypassing stomps optional\u003c\/li\u003e \u003cli\u003eTwo LEDs flash to the tempo of each LFO\u003c\/li\u003e \u003cli\u003eJacks: Left\/mono input, Right input, Left output, Right output\u003c\/li\u003e \u003cli\u003eDie-cast 7\"x4\"x2\" aluminum box. 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The \u003cstrong\u003eJoe Gore Pedals Duh Remedial Fuzz\u003c\/strong\u003e isn't one of them.\u003cbr\u003e\r\n\u003cbr\u003e\r\nDuh is an aggressive one-knob fuzz that doesn't merely bludgeon your amp with gain, but adds a distinctive, harmonically rich character. There's high-end sizzle and low-end mass, but both are carefully sculpted - think \"fat but fit.\" Unlike most ultra-high-gain fuzzes, it boasts extraordinary dynamic sensitivity, providing high-contrast tones in response to guitar-knob adjustments. Result: far more colors than you’d expect from a one-knob box.\u003cbr\u003e\r\n\u003cbr\u003eThis fuzz is voiced for great results with anything from a sizzling Strat bridge pickup to a fat-ass neck humbucker. Its tones are less scooped than on most retro fuzzes, though the low-mids are manicured to emphasize airy, sparkling highs. \r\nSingle-note lines and solos sing with rich sustain. Chords sound massive, yet they retain definition, even with complex voicings that would dissolve into mush with most fuzzes. \u003cbr\u003e\u003cbr\u003e\r\nDuh is a distant descendant of the two-transistor “Brand X” fuzz pedals of the '60s, though it doesn't sound like any of them. Its gain is actually lower than on most fuzzes, which paradoxically makes it sound bigger in the mix by preserving playing dynamics and crisp note attack. \u003cbr\u003e\r\n\u003cbr\u003eSkeptical about whether a one-knob box can suit many different guitars and amps? You may be in for a surprise. \u003cbr\u003e\u003cbr\u003eDuh was created in San Francisco and is built in Michigan by skilled craftspeople earning a fair wage. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow to use:\u003c\/strong\u003e Turn the knob to make it louder. Duh.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eReviews and Testimonials\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\"Remarkable ... responsive dynamics and simultaneously fierce and expressive tones. This is a pedal that doesn't give up even one less-than-spectacular sound. It reminds me of '60s records where the fuzz sound jumped right out of the grooves and changed my world.\"\u003cbr\u003e\r\n  \u003cstrong\u003e- Guitar Player magazine\u003c\/strong\u003e (Editors Pick Award)\u003cbr\u003e\u003cbr\u003e\r\n\"The best, most musical, most dynamic fuzz ever.\"\u003cbr\u003e\r\n\u003cstrong\u003e- David Baerwald\u003c\/strong\u003e, producer\/guitarist (Sheryl Crow, Joni Mitchell, David \u0026amp; David)\u003cbr\u003e\u003cbr\u003e\r\n\"I love it. Charles [aka Frank Black] loves it!\"\u003cbr\u003e\r\n\u003cstrong\u003e- Joey Santiago\u003c\/strong\u003e (Pixies)\r\n\r\n\u003cbr\u003e\u003cbr\u003e\"I just finished a fairly in-depth test of the Joe Gore Duh Remedial Fuzz, and wow! This is an amazing fuzz\/distortion\/overdrive box! It's deceivingly simple, but with infinite variations. Depending on the amp used, you'll get tons of great fuzz, overdrive, and distortion tones. At first I thought it would work best in live settings, since it seems to be EQed with more highs and mids than a standard Big Muff-type pedal. But I now realize it's great in the studio too. I found many great tone variations just by using the guitar volume to increase or decrease the input gain level. I am super impressed.\" \u003cbr\u003e\u003cstrong\u003e- Corky James\u003c\/strong\u003e, session guitarist (Katy Perry, Demi Lovato, Glen Campbell, Meat Loaf, LeAnn Rimes, Liz Phair, Avril Lavigne, Kelly Clarkson, Nick Lachey)\r\n\r\n\u003cbr\u003e\u003cbr\u003e\r\n\"As you might expect with a former Guitar Player editor, current Premier Guitar editor, and guitarist with Tom Waits, PJ Harvey, and Tracy Chapman, Gore has an educated ear when it comes to tone. Duh's gain is on the lower end of the fuzz range, but it still offers plenty of sustain and gorgeous harmonic overtones. Even at full guitar volume Duh is more articulate than its name might suggest. Manipulation of the instrument’s volume and tone controls, and\/or switching the pickup selector brought out a surprising variety of sounds. It is always a good sign when you don't want to stop playing when exploring a new piece of gear, and I found the Duh hard to shut off - the term 'inspiring' kept coming to mind.\" \u003cbr\u003e\r\n\u003cstrong\u003e- Michael Ross\u003c\/strong\u003e, Guitar Moderne magazine\r\n\r\n\u003c\/p\u003e\u003cp\u003e\"It gets one extra-meaty sound, with a large volume control so you can work it with your foot. It's got a lot of low-end thump and articulation, which matches very well with bridge and single-coil pickups.\"\u003cbr\u003e\r\n  \u003cstrong\u003e- Avi Bortnik\u003c\/strong\u003e (John Scofield Band, solo artist)\u003cbr\u003e\u003cbr\u003e\r\n  \"A deceivingly simple overdrive\/heavy fuzz box with tons of variation. You turn the knob to make it louder (yes,\"duh\") but the art is in the nuance. Slight adjustments will delight you as you move through the dynamic range. Fat, chunky lows, an airy midsection, and sparkling highs make this retro fuzz really special. Plus, it just looks cool. Check it out.\"\u003cbr\u003e\r\n  \u003cstrong\u003e- Truth in Shredding\u003c\/strong\u003e (truthinshredding.com)\r\n\u003c\/p\u003e","brand":"Joe Gore","offers":[{"title":"Default Title","offer_id":44450026258535,"sku":"63650","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joe-gore-duh_37895_1a_1_1a67e5de-a54c-49e4-afc4-ad04a0eeed05.jpg?v=1787091381"},{"product_id":"electro-harmonix-big-muff-pi-classic-demo-deal","title":"Electro-Harmonix Big Muff Pi - Classic (Demo Deal)","description":"\u003cp\u003eThe NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the \u003cstrong\u003eElectro-Harmonix Big Muff Pi\u003c\/strong\u003e has been defining the sound of rock guitar. 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If you have a close relationship with your guitar’s volume knob and a hankering for something new and different, Cult will prove to be a very inspiring musical companion.”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Tone Report\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"What an awesome pedal. I don't have anything that sounds quite like it. It literally growls, in a totally musically useful way!” \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Dylan Thomas (The Dickies, 45 Grave, King Cotton)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Every once in awhile I come across a pedal that just blows me away. The Cult pedal by Joe Gore is indeed one of those. This is the first overdrive I’ve heard in a long while that has its own voice, yet is rooted in familiarity. It pushes your amp in the perfect way. It’s more expressive than anything else I’ve encountered. It responds like a great amp. Clean to nasty just by how much attack you use. So I don’t even need to go to my volume knob. Incredibly expressive, and it’s voiced beautifully. Definitely the type of thing you can leave on all night and simply make a good amp great. Is this the perfect overdrive? No, that doesn’t exist, but it’s the closest thing I’ve found. I can see this being one of my “must bring” pedals for all scenarios for many years to come. It’s instantly become an essential part of my tone. Well done!” \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Richard Fortus\u003c\/strong\u003e (Guns N’ Roses, Crystal Method, Pink, BT, Dead Daisies)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"I’m always searching for interesting sounds, and I hit the bullseye. I love Cult, which I used on ‘Earthquake Driver’ and ‘Elvis Goes to Hollywood’ from the latest Counting Crows album, Somewhere Under Wonderland.. I love Joe’s ethos of simplicity. That’s the way I like it too.\" \u003cbr\u003e\u003cstrong\u003e- Dan Vickrey\u003c\/strong\u003e (Counting Crows)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Damn,this thing packs a wallop! Once you turn it on, you basically want to keep it on.  I you turn it off and after having it on for a while, you'll hear how starved and shriveled your original tone is. It's extra responsive to volume adjustments too.”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Avi Bortnik\u003c\/strong\u003e (John Scofield band, solo artist)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“I don’t think I could describe Cult in one word (other than, you know,\u003cbr\u003ebitchin'), but if I had two words, I’d pick ‘huge’ and ‘musical.’ It doesn’t alter the sonic personalities of my guitars. My Strat still sounds like a Strat. My PRS still sounds like God. Cult provides what so many of us are looking for: the ability to go from full-toned clean sounds to harmonically rich distortion with a simple nudge of the guitar’s volume knob. My first reaction: Why would you turn it off?” \r\n\u003cbr\u003e \r\n\u003cstrong\u003e- Tom Wheeler\u003c\/strong\u003e (longtime Editor-in-Chief of Guitar Player magazine and author of The Soul of Tone: Celebrating 60 Years of Fender Amps and American Guitars: An Illustrated History)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Joe Gore has made a pedal that is exactly like he is: unassuming, self-effacing, and quietly virtuosic. You plug this thing in and the qualities you look for in a stompbox—uniqueness of tone, responsiveness to your own playing, robustness of build—are immediately felt. There is nuance to its breadth of tone, and you will be seduced.” \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Tony Berg\u003c\/strong\u003e, producer and session guitarist (Peter Gabriel, Weezer, Aimee Mann, Michael Penn, X, Squeeze, P.I.L., Wendy \u0026amp; Lisa, Lisa Loeb, Cracker)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“This pedal has changed my life and given me a whole new tone that I have been looking for. I can get a nice fat tone with plenty of bite and no mud. I can’t even think of plugging in my guitar without the Cult pedal.\" \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Greg Ingraham\u003c\/strong\u003e, Avengers guitarist and O.G. punk-rock god (Joe’s description, not Greg’s. He’s way too modest to talk like that.)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“The Cult pedal is an incredible addition to my tonal arsenal. I have a vintage Ampeg Jet, and this pedal turned my rig into a screamer. It also has a great tonal roll-off that changes character in a very musical way. Level boost and tone madness—love it!\" \r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Dave LeBolt\u003c\/strong\u003e, composer and session musician (David Bowie, Billy Joel, Foreigner, Julian Lennon), and former general manager of Avid\/Digidesign\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Sometimes you come across pedals that just work right. It's not just how they sound – it's also how they make you feel when playing them. To me Cult is one of those pedals. It's got that sound I've been looking for for years now. To me it hits that classic late-’60s, early-’70s fuzz that I'd hear on records, but I never could find. Now I got it. So happy I plugged into this one!”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Brent Paschke\u003c\/strong\u003e (Pharrell Williams's longtime guitarist)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"Playing guitar through Joe Gore’s Cult fuzz pedal is like being inside Billy Gibbons’ lucid dream. I’d describe the sounds as 'impossibly hot'. Ever left a cast-iron skillet on the stove too long? It’s like that. Anything you add will sizzle and steam. With my gear—an 1964 Gibson ES-335 and a ’63 brownface Fender Deluxe amp— Cult brought danger to the sonics. My amp has never caught fire. However, with the Cult engaged, it sounds as I imagine it would sound just before spontaneous combustion. The entire frequency range feels juiced up, yet the tone is still very true to what my guitar sounds and feels like with no effects at all. Miraculous! In the upper register (above the 7th fret on the high E string), I started to hear hints of sub-octaves below the notes I was fretting. Super cool! I’m drinking this Kool-Aid.\" \u003cbr\u003e— \u003cstrong\u003eAdam Levy\u003c\/strong\u003e (Norah Jones, Ani DeFranco, Amos Lee, Allan Toussaint, Tracy Chapman, solo artist, and Chair of the Guitar Department at Los Angeles College of Music)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\"If it can be said that \"tone is really in the hands,\" then what better for the hands-on guitarist than a pedal that channels your every volume knob roll, pick adjustment, and sudden right-hand 'thwack' into suitably dynamic peals of vivid, punchy and clarion-clear vintage germanium overdrive. The exact opposite of those ultra-smooth \"beer commercial\" tone clones, Cult's colors are both edgy and musical, but like some psychic reader, the results are all about what's lurking in your own subconscious, not what some corporate pedal designer thinks you should sound like. I believe I shall ruffle some feathers with this Cult; and I couldn't be more pleased at being initiated. Thank you, Joe!” —\u003cstrong\u003eJames Rotondi\u003c\/strong\u003e (Air, Mr. Bungle, Hundred Hounds)\u003c\/p\u003e","brand":"Joe Gore","offers":[{"title":"Default Title","offer_id":44450241216615,"sku":"98323","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joe-gore-cult_57522_1_1_1_021a7ce4-cc0f-4645-a05a-d439ef058bd7.jpg?v=1787092275"},{"product_id":"joe-gore-filth-fuzz-demo-deal","title":"Joe Gore Filth Fuzz (Demo Deal)","description":"\u003cp\u003eThe downside of complex fuzzes is that they’re a little too wide-ranging, with to many settings you’ll probably never use. It’s easy to waste 20 minutes tweaking knobs without ever nailing the perfect tone. This is what inspired the \u003cstrong\u003eJoe Gore Filth Interactive Fuzz\u003c\/strong\u003e. It has only four controls, but it’s a cornucopia of cool, quirky, and usable fuzz flavors.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e  \u003c\/p\u003e\u003cp\u003eThe drive and level controls do what you’d expect. But unlike many fuzz drive controls, this one sounds great throughout its range. Extreme settings are molten-lava thick. Lower settings are like slightly cooled lava, maybe?\u003c\/p\u003e\r\n\r\n\u003cp\u003eBut the real action is in the two sliders. They're tone controls of a sort, but not in the usual way. Most fuzz tone controls are tone-sucking passive circuits situated downstream from the fuzz effect. But here, the sliders alter the voltages at the transistors, radically changing not only the tone, but also the timbre and response. They profoundly alter the fuzz’s core character.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHow to use:\u003c\/strong\u003e Set desired gain and output levels. Move the sliders till it sounds awesome.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e  \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCautions:\u003c\/strong\u003e Filth sounds best before any buffered effects. It usually works best at or near the front of your effect chain.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFilth Joystick Fuzz was created in San Francisco and is built in Michigan by skilled craftspeople earning a fair wage.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003eReviews and Testimonials\u003c\/h3\u003e\r\n\r\n\r\n\u003cp\u003e“Amazing sustain, sweetly aggro tones, and just enough sonic weirdness to turn peoples’ heads. Bravo!\" \u003cbr\u003e\r\n- \u003cstrong\u003eGuitar Player magazine\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e“Filth is pretty f’in great!” \u003cbr\u003e— \u003cstrong\u003eJoe Barresi\u003c\/strong\u003e, producer (Queens of the Stone Age, Soundgarden, Slipknot, Melvins, Bad Religion)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"I’ve been looking for six months to find a sound I heard in my head, and I’ve been trying every pedal I can. Filth is it—within three minutes of missing around, I realized it had everything I’ve ben looking for. It can do every sound from the Stones’ ‘Satisfaction' to Tom Waits' 'Cold Water' to synth-sounding stuff. It scratches me right where I itch!”\u003cbr\u003e\r\n  - \r\n\u003cstrong\u003eDan Vickrey\u003c\/strong\u003e (Counting Crows)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e“Filth is exceptional AND sonically flexible. Joe works in a number of different musical situations and has developed an extraordinarily flexible and musical fuzz. Last year my friend David Torn went on a fuzz bender. i joined in on the pedals that he strongly recommended i check out. But nothing comes close to this in terms of timbral diversity, response, and joy.” \u003cbr\u003e\r\n- \u003cstrong\u003eMatte Henderson\u003c\/strong\u003e (John Medeski, Natalie Merchant, Screaming Headless Torsos, Mick Karn, solo artist)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e“Holy shit! What a pedal! It's such a thrill to be able to go straight to insane tonal meltdown and then taper it back to a sputtering, fried mosquito yelp. This pedal can go between brutal and beautiful all within the push of either of the two sliders. 10 outta 10. F*** yeah!!!”\r\n\u003cbr\u003e\r\n\u003cstrong\u003e- Matt Wallace, producer\u003c\/strong\u003e (Maroon 5, Faith No More, the Replacements, REM) \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“This is an absurdly versatile fuzz pedal despite its simple layout. You can easily dial in classic fuzz tones and get some newer tweaky-type sounds. The X and Y controls are very interactive, allowing you to obtain endless amounts of filthy fuzz. Tight or loose, stable or sputter, whippet-thin or morbidly obese—it’s in there! This is a great fuzz for those looking for some Kevin Shields My Bloody Valentine-type tones and some good old Big Muff type tones. I LOVE IT!!!” \u003cbr\u003e\r\n- \u003cstrong\u003eFuzz Box Girl\u003c\/strong\u003e (Guitar effects blogger)\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e“Filth is amazing—I love it. So many, many sounds. I dig the way they feel, and how changeable that feel is.”\u003cbr\u003e\r\n- \u003cstrong\u003eDavid Torn\u003c\/strong\u003e (solo artist, David Bowie, k.d. lang, John Legend, Madonna, Tori Amos, Jeff Beck)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Do you know about Joe Gore? He builds amazing pedals. We used a few pedals of his, and the Filth Fuzz in particular. If you’re looking for a killer fuzz pedal, check him out.”\r\n\u003cbr\u003e\r\n— \u003cstrong\u003ePete Loeffler\u003c\/strong\u003e (Chevelle)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"I love this pedal. It makes me feel so dirty.\" \u003cbr\u003e— \u003cstrong\u003eMark Goldenberg\u003c\/strong\u003e (Jackson Browne, Bonnie Raitt, Chris Isaak, Linda Ronstadt, Hugh Laurie, Waylon Jennings, solo artist)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eHere's an unsolicited but utterly awesome demo David Torn shared on SoundCloud:\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/258334768\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Joe Gore","offers":[{"title":"Default Title","offer_id":44450241249383,"sku":"98322","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joe-gore-filth_57523_1_1_3_2ab7fe3f-8999-487d-9879-1e6a7a9f6372.jpg?v=1787092274"},{"product_id":"electro-harmonix-key9-electric-piano-machine-demo-deal","title":"Electro-Harmonix Key9 Electric Piano Machine (Demo Deal)","description":"\u003cp\u003eCompleting the powerful trilogy forged by the B9 and C9 Organ Machines, the \u003cstrong\u003eElectro-Harmonix Key9 \u003c\/strong\u003e emulates the world’s most coveted electric pianos and more. With 9 presets, you can transform your axe and lay down a cool “Riders on the Storm” style groove or some hot funk ala “What’d I Say!”\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTransforms the tone of your guitar or keyboard\u003c\/li\u003e\r\n\u003cli\u003e9 presets that were carefully crafted to emulate classic Wurlitzer® and Rhodes® sounds, plus more\u003c\/li\u003e\r\n\u003cli\u003ePresets provide control of the fundamental parameters that help define that instrument’s sound\u003c\/li\u003e\r\n\u003cli\u003eMany presets include adjustable modulation such as tremolo, phaser and chorus\u003c\/li\u003e\r\n\u003cli\u003eUse it with the B9 and C9 Organ Machines to create your own powerful keyboard rig\u003c\/li\u003e\r\n\u003cli\u003eFast and flawless tracking\u003c\/li\u003e\r\n\u003cli\u003eEHX 9.6DC -200 PSU included\u003c\/li\u003e\r\n\u003cli\u003eDimensions in inches: 4.0 (w) x 4.75 (l) x 2.25 (h)\u003c\/li\u003e\r\n\u003cli\u003eDimensions in mm: 102 (w) x 121 (l) x 89 (h)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWurlitzer is a registered trademark of Gibson\/Baldwin. Rhodes is a registered trademark of Joseph Brandstetter.\u003c\/p\u003e","brand":"Electro-Harmonix","offers":[{"title":"Default Title","offer_id":44450260910183,"sku":"99383","price":177.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/electroharmonix_key9_1_3c816b89-fa53-488b-add4-c0d319460393.jpg?v=1787092359"},{"product_id":"strymon-sunset-dual-overdrive-pedal-demo-deal","title":"Strymon Sunset Dual Overdrive Pedal (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStrymon Sunset\u003c\/strong\u003e gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. Strymon studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put their takes on all six of them into a single two-channel unit.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTWO PEDALS AT ONCE\u003c\/h3\u003e\r\n\u003cp\u003eSunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the best places in between.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eHOLY GRAIL TONE, MINUS THE QUEST\u003c\/h3\u003e\r\n\u003cp\u003eWe are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. Strymon did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. They applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eSIX CLASSIC CIRCUITS\u003c\/h3\u003e\r\n\u003cp\u003eSunset utilizes an all-analog JFET gain stage coupled with custom-voiced, precision-crafted DSP algorithms to capture the nuances and character of each circuit type.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL A OVERDRIVE CIRCUITS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Ge overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-mid range frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.\u003c\/p\u003e\r\n\u003cp\u003eThe Texas overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased – perfect for playing the blues or just fattening up your sound with a signature mid range bump.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL A BOOST CIRCUIT\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Treble type is a treble booster that removes the low frequencies as the Tone knob is turned up – great for tightening up an overdriven amp, or driving another gain pedal that’s a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all-around boost.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL B OVERDRIVE CIRCUITS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe 2stage overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.\u003c\/p\u003e\r\n\u003cp\u003eThe Hard overdrive uses a single-stage hard-clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCHANNEL B BOOST CIRCUIT\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe JFET type is a clean boost that subtly beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. This is a great option when your amp just “needs a little extra.”\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eOPTIMIZED STACKING\u003c\/h3\u003e\r\n\u003cp\u003eSince the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. Sunset eliminates the guesswork.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eDIGITAL OR ANALOG? OR BOTH?\u003c\/h3\u003e\r\n\u003cp\u003eSunset’s input features an ultra low noise, discrete, Class A JFET circuit providing up to 20 dB of pure analog gain. With Strymon's hybrid approach you get the best of both analog and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you’ll want to hear.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eConfig Switch: Sunset’s three-position Config switch gives you powerful control over signal flow when you stack two drive circuits. You can run whichever two drive circuits you choose in series, reverse series, or parallel, all with the flip of a switch and no recabling. Coming up with great sounding drive and signal flow combinations is fast and easy.\u003c\/li\u003e\r\n\u003cli\u003eBright Switch: Sunset’s three-position Bright switch is custom voiced to perfectly tailor the highest frequencies of your output signal. Minus (-) smooths the top end to work well with amps or speakers that have a brighter voice. Neutral (center) provides a balanced top end that works with a variety of amps and speakers. Plus (+) delivers extended high end detail to the warmest amps.\u003c\/li\u003e\r\n\u003cli\u003eNoise Reduction: Sunset has an optional, variable-threshold noise reduction feature to tame hum, buzz, and system noise when you’re not playing. A downward expander with advanced signal detection techniques creates a seamless transition to noise reduced silence with all types of input signal dynamics, including staccato bursts and slowly decaying sustained notes.\u003c\/li\u003e\r\n\u003cli\u003eFavorite: Sunset allows you to save and recall your favorite settings. Just connect an optional MiniSwitch or other external latching footswitch with a TRS cable to store and recall your Favorite setting.\u003c\/li\u003e\r\n\u003cli\u003eExpression: Connect an expression pedal, and enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal. Sunset becomes part of your musical instrument, an extension of your musical voice, an active part of your performance.\u003c\/li\u003e\r\n\u003cli\u003eVolume Mode: The Expression pedal jack can be set up in Volume Mode, which provides a logarithmic taper for smooth volume control, even when Sunset is in bypass mode. 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Connect Strymon's MIDI EXP Cable to the Expression pedal jack to access these features.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44450261401703,"sku":"99358","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/strymon-sunset_77795_1_1_393486a5-c6f5-4a3b-96b3-713365063cb2.jpg?v=1787092360"},{"product_id":"stone-deaf-fig-fumb-parametric-fuzz-w-noise-gate-demo-deal","title":"Stone Deaf Fig Fumb Parametric Fuzz w Noise Gate (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStone Deaf Fig Fumb\u003c\/strong\u003e is an anagram of that famous Muff we all know and love. With some tweaks to the fuzz circuit and some refined control of the tone, this ripper of a fuzz pedal has enough gain to take out your windows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt's not all about the gain though. In the past, these types of circuits have been unruly and hard to handle to get that lovely Muff tone nailed down to a T for recording or just cutting through the mix. With our parametric EQ, we achieve this like no other Muff on the market. The Fig Fumb has a full spectrum parametric filter centered around a unique cut boost para-centric function. It also has a built in noise gate to lock down any unruly feedback and noise. You do have the ability to roll back the Balance knob and the fuzz knob for lesser fuzzier tone which can be great for more of a distortion based fuzz. 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Switches can be used individually or in conjunction for a total of sixteen different tonal variations.\u003c\/p\u003e  \u003ch3\u003eSwitchable Tones:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSw1: Increases gain to add slight overdrive to the output transistor\u003c\/li\u003e \u003cli\u003eSw2: Slightly lowers the filters center frequency and reduces the bandwidth for a more nasal wah sound\u003c\/li\u003e \u003cli\u003eSw3: Significantly lowers the center of the filter band for a bass heavy wah\u003c\/li\u003e \u003cli\u003eSw4: Slightly reduces gain and increases bandwidth for a cleaner sound\u003c\/li\u003e \u003c\/ul\u003e","brand":"Mission Engineering","offers":[{"title":"Default Title","offer_id":44450281357415,"sku":"101229","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mission-engineering-rewah-pro_99070_1_1_0b1ecfde-37ee-417e-9203-234156ae31e0.jpg?v=1787092440"},{"product_id":"intellijel-pedal-i-o-7u-case-adapter","title":"Intellijel Pedal I\/O 7U Case Adapter","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel Pedal I\/O 7U Case Adapter\u003c\/strong\u003e is an adapter allowing you to use the rear audio jacks on Intellijel 7U cases with up to two Pedal I\/O 1U interfaces.  It eliminates the need for the Pedal I\/O JACKS 1U module.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450281750631,"sku":"101223","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-pedal-io-7u_101223_1_e161ff98-d2bd-469f-8093-fd149ca8119c.jpg?v=1787092442"},{"product_id":"joe-gore-porkolator","title":"Joe Gore Porkolator","description":"\u003ch3\u003eBuzzy, fuzzy, and totally badass\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eBack in the 1970s, Interfax, a small effect company in Milwaukee, Wisconsin, created the Harmonic Percolator. It was a weird distortion pedal whose enclosure had all the visual charm of a 1987 PC (think: beige) No one cared, and the Percolator soon vanished. That is, until Chicago guitarist\/engineer Steve Albini rediscovered it years later. It became his secret weapon. Eventually the Percolator became a popular DIY project, and several manufacturers have created near-exact clones. But Porkolator isn’t one of those. Yeah, it swipes some ideas from the original circuit, but it sharpens the core tone and vastly expands the range.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eTotally Not Tubular\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe Percolator’s distortion was edgy and aggressive. Some describe it tone as “tube-like,” but they must be deaf — it sounds nothing like tube distortion. When tubes get hot, note attacks get softer and high frequencies get rounded off. But on the Percolator, note attack remains crisp and defined, even at high gain. It sounds more like overdriving the input of a funky tape recorder. The tones also have sharp resonant peaks, perfect for cutting through onstage or in a mix. Because the pedal emphasizes a guitar’s particular resonant peaks, the Porkolator’s color varies from instrument to instrument.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe two-transistor circuit is bizarre: It’s got one negative-ground silicon transistor and one positive-ground germanium transistor. Joe Gore kept that basic architecture, but took it in new directions. (even after auditioning the rare transistors used in the originals, these alternatives sound way better.)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003ePerk vs. Pork\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe original had a single gain control and a passive master volume. It wasn’t particularly loud. Here, though, there are two gain stages, one at the input and one mid-circuit. They’re highly interactive, and they’re fastidiously scaled to yield great tones throughout the entire ranges of their knobs. The IN knob sets your input capacitance — think of it as a “fat vs. crisp control.” GAIN slathers on the distortion. OUT is a master volume control.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eInstead of a passive volume control, there’s a JFET-driven gain stage. At low settings, you get something like the original output, but with airier highs and clearer low-mids. When you crank it, you get Götterdammerung. But you can also get tough tones at modest levels.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eDespite all its gain, Porkolator has extraordinary dynamic response. If you’re the sort of guitarist who uses your volume control to get varying shades of distortion, you’ll be in hog heaven.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003ePorkolator runs on standard 9-volt batteries or power supplies. It was created in San Francisco by Joe Gore and is built in Michigan by skilled craftspeople paid a fair wage. It comes with a lifetime warranty.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eTO USE\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThink of IN and GAIN as separate but interactive distortion controls. With IN set high and GAIN set low, you get fat, bottom-heavy sounds. With IN low and GAIN high, there’s crisper attack and leaner lows. Explore — there are many cool combinations. You can get many more shades by adjusting your guitar’s volume control. Set your final level with OUT.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003chr\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eReviews and Testimonials:\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"Few Harmonic Percolator-inspired pedals have felt as full of possibilities as Joe Gore’s Porkolator. It lives in gaps that many distortions leave empty, adding dynamic range, character by the baleful, and a colorful, detailed overtone signature that makes guitars sound alive and thrilling, even when you’re not running the pedal wide open. It makes even simple chords more than a sum of their parts. Porkolator’s bark sounds absolutely awesome when you strum with ferocity. You can play first-position folk chords at screaming gain levels without losing a trace of overtone detail. And when you attenuate your guitar volume, the same chords take on a brash, ringing quality  perfect for particularly potent power pop, and melodic lines have peaky excitement that makes leads leap from a mix. Its dynamic range is a delight to work with. If you’ve grown weary of the overdrive, fuzz, and distortion flavors offered via most classic dirt circuits, you might end up re-energized by the many unexpected textures Porkolator puts at your fingertips.\"\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e- \u003cstrong\u003ePremier Guitar\u003c\/strong\u003e Editors Pick Award \u003ca href=\"https:\/\/www.premierguitar.com\/articles\/27788-joe-gore-porkolator-review\" target=\"_blank\"\u003e(read full review here)\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\"Devastatingly magnificent. My reaction upon plugging it in was, 'Oh! That's what it's supposed to sound like.\"\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e- \u003cstrong\u003eEric McFadden\u003c\/strong\u003e (George Clinton, Eric Burdon, T.E.N., solo artist and session player)\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e“Loosely based on the Harmonic Percolator of the ’70s, it’s a weird distortion\/fuzz with tons of attitude. It’s awesomely inspirational. All of Joe’s pedals are.”\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e- \u003cstrong\u003eRichard Fortus\u003c\/strong\u003e (Guns N’ Roses, Crystal Method, Pink, BT, Dead Daisies)\u003c\/p\u003e","brand":"Joe Gore","offers":[{"title":"Default Title","offer_id":44450290303079,"sku":"102305","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/joe-gore-pedals-porkolator_102305_1_3602ee4c-ee1c-4f94-8d28-2b658100d76d.jpg?v=1787092476"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/pedal-deals.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}