{"title":"Phoenix Audio","description":null,"products":[{"product_id":"phoenix-audio-nicerizer-16-mk2-summing-mixer","title":"Phoenix Audio Nicerizer 16 MK2 Summing Mixer","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Nicerizer 16 v2\u003c\/strong\u003e was originally conceived because of the demand from customers for something that would “sweeten” the output from pro-tools and other DAW, and to make the final mix easier to distribute and handle.The Nicerizer 16 is designed to take the output out of the digital realm, and to add the Class A characteristics and feel before the final recording.The “Nicerizer 16” uses our well proven and loved Class A output stage, but also has our latest breakthrough in transformerless Class A, Discrete Line Input Technology.The Nicerizer 16 is a 2U 19″ rack mountable 16 – 2 Summing Mixer, that can be stacked and linked in any multiple and various configurations to give high quality, line-level, Class A, discrete buffering, summing and mixing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of our Class A, discrete, truly balanced transformerless input stage.\u003c\/li\u003e\r\n\u003cli\u003eOur proven and loved Class A, discrete, transformer balanced output stage (DSOP-2).\u003c\/li\u003e\r\n\u003cli\u003eIndividual pan control for each channel (16 x Pan pots)\u003c\/li\u003e\r\n\u003cli\u003e16 x Balanced Input XLR’s. Can accept balanced or unbalanced input with no -6dB loss.\u003c\/li\u003e\r\n\u003cli\u003e2 x mix busses (Stereo Mix Bus)\u003c\/li\u003e\r\n\u003cli\u003e1\/4″ TRS unbalanced Inserts on Busses (L + R Bus Insert points)\u003c\/li\u003e\r\n\u003cli\u003e+8dB Boost button on each channel.\u003c\/li\u003e\r\n\u003cli\u003eMaster mix bus output level control.\u003c\/li\u003e\r\n\u003cli\u003eStereo LED level monitoring.\u003c\/li\u003e\r\n\u003cli\u003eSwitchable for each channel and Main Output\u003c\/li\u003e\r\n\u003cli\u003eStereo\/mono External\/Headphone monitoring Output. Switchable to each channel, external input (via 2T Return), Auxiliary and Main output, includes monitoring of the mix bus. (L, R, and Stereo)\u003c\/li\u003e\r\n\u003cli\u003eMain Outputs on Balanced XLR’s\u003c\/li\u003e\r\n\u003cli\u003e1\/4″ TRS unbalanced Jacks for Auxillary outputs with front panel level control\u003c\/li\u003e\r\n\u003cli\u003e2 Track stereo mono inputs on 1\/4″ TRS balanced Jacks\u003c\/li\u003e\r\n\u003cli\u003eClass A Stereo Width control with Loss-less Bass. Pannable from mono through to +25% Wider + Width control Bypass switch.\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level of +26dB.\u003c\/li\u003e\r\n\u003cli\u003eHuge headroom available on all channels.\u003c\/li\u003e\r\n\u003cli\u003eAll units are wired with PTFE silver military grade cable.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eWant to hear the Nicerizer 16 in action?\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThis track was recorded live at the Grouse Lodge, Ireland in April 2012.\u003cbr\u003e\u003cbr\u003eArtist: Peter Doran\u003cbr\u003eSong: Knife Throwers Eyes\u003cbr\u003eRecorded by Filippo Gaetani, co produced and mixed with the artist. \u003ca href=\"http:\/\/www.filippogaetani.com\" target=\"_blank\"\u003ewww.filippogaetani.com\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.phoenixaudio.net\/site\/assets\/files\/1008\/kte_itb.mp3\" target=\"_blank\"\u003eKTE ITB Mix\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.phoenixaudio.net\/site\/assets\/files\/1008\/kte_nicerizer.mp3\" target=\"_blank\"\u003eKTE Nicerizer Mix\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449280229479,"sku":"6824","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-nicerizer-16-mk2_6824_1.jpg?v=1787088418"},{"product_id":"phoenix-audio-nicerizer-8-summing-mixer","title":"Phoenix Audio Nicerizer 8 Summing Mixer","description":"The Nicerizer was originally conceived because of the demand from customers for something that would \"sweeten\" the output from pro-tools and to make the final mix easier to distribute and handle. \u003cp\u003eThe Nicerizer is designed to take the output out of the digital realm, and to add the Class A characteristics and feel before the final recording.\u003c\/p\u003e \u003cp class=\"mainBody\"\u003eThe “Nicerizer” uses our well proven and loved Class A output stage, but also has our latest breakthrough in transformerless Class A, Discrete Line Input Technology.\u003c\/p\u003e \u003cp\u003eThe Nicerizer is a 2U 19\" rack mountable 8 channel unit, that can be stacked and linked in any multiple and various configurations to give high quality, line-level, Class A, discrete buffering.\u003c\/p\u003e \u003cp\u003eApplications range from \"digital sweetening\" to source routing, from studio to stadium.\u003c\/p\u003e\u003cbr\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449285111911,"sku":"7219","price":3249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_nicerizer_8_summing_mixer.jpg?v=1787088433"},{"product_id":"phoenix-audio-nice-class-a-stereo-di","title":"Phoenix Audio Nice Class A Stereo DI","description":"The Phoenix Audio (UK) Class A, all discrete, Stereo DI has been tested and used by many professionals in studio recording environments. And the comments are always the same…”This is the definitive DI!!!”. The DI’s characteristics are very noticeable on any input source, and is superb for “sweetening” the output from DAW or any other signal source. \u003cp\u003e The Phoenix Audio “Nice DI” is a high-quality, active, Stereo DI, with Class A, discrete, high-impedance inputs (10M), and Class A, discrete, transformer balanced outputs. It has been tested and used by many guitar professionals in studio recording environments, and the comments are always the same.....The overdrive is fantastic, the guitar sounds clean, clear, and un-restrained. This is the definitive DI!!!. The DI’s characteristics are very noticeable on any input source, and is superb for “sweetening” the output from DAW or any other signal source. \u003c\/p\u003e\u003cp\u003e The result is a brighter, clearer sound. A transformation of your instrument. And a STEREO unit for the price of many mono units.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449294647399,"sku":"8043","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_nice_di_front.jpg?v=1787088446"},{"product_id":"phoenix-audio-drs-1","title":"Phoenix Audio DRS-1","description":"Following on from the huge success of the DRS-2, 2 – channel microphone pre-amplifier\/DI, Phoenix Audio have released the single channel, half rack-width, mono Pre\/DI. \u003cbr\u003e\u003cbr\u003e The \u003cb\u003ePhoenix Audio DRS-1\u003c\/b\u003e Mic-Pre\/DI uses our well proven and loved Class A output stage (DSOP-2), but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. It also incorporates our high input impedance DI circuitry. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecifications:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e 1U half rack space unit: With 240V\/110V mains voltage input selector switch \u003c\/li\u003e\n\u003cli\u003e Class A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003e Output connections: XLR's and TSR 1\/4\" Jack on rear \u003c\/li\u003e\n\u003cli\u003e Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone inputs: XLR's on Front and Rear Panels \u003c\/li\u003e\n\u003cli\u003e Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone inputs: XLR's on Front and Rear Panels \u003c\/li\u003e\n\u003cli\u003e Individual Earth Lift: Push-button Switches \u003c\/li\u003e\n\u003cli\u003e Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader. \u003c\/li\u003e\n\u003cli\u003e Gain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003e High Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003e Gain Meter: LED Metering. (Green = 0dB, Red= +8dB, corresponding to “4” and “6” on a PPM Meter). \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switche \u003c\/li\u003e\n\u003cli\u003e High Pass Filter: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003e Phase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003e Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003e Frequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003e Typical Headroom: +24dB on Mic-Pre stage \u003c\/li\u003e\n\u003cli\u003e DI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449329676391,"sku":"13527","price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_drs_1.jpg?v=1787088578"},{"product_id":"phoenix-audio-drs-q4m","title":"Phoenix Audio DRS-Q4M MKII","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio DRS-Q4M mk2\u003c\/strong\u003e is a 4-band Gyratory-based Eq with  eleven selectable frequencies, and Mic, Line, and DI inputs. We know you  will be as pleased with it’s sonic qualities as we are. The DRS-Q4M mk2  has the advantages of more than 25 years experience in audio  engineering, today’s component and manufacturing technology, but still  retaining “that sound” uniquely achievable through Class A design.  Phoenix Audio is dedicated to the development of Class A discrete  technology used within high build-quality equipment. The DRS-Q4M mk2  uses our well proven and loved Class A output stage (DSOP-2) coupled  with our custom wound output transformer, but also has our latest  breakthrough in transformerless Class A, Discrete, truly-balanced Mic  Input Technology which gives a “valve-like” sound. It also incorporates  our high input impedance DI circuitry.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1U half rack space unit: With 240V\/110V mains voltage input selector switch\u003c\/li\u003e\r\n\u003cli\u003eClass A (DSOP-2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB,\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level: +26dBu @ 1kHz\u003c\/li\u003e\r\n\u003cli\u003eNoise: -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\r\n\u003cli\u003eOutput connections: XLR and TSR 1\/4″ Jack on rear\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio’s unique Class A, transformer-less, True balanced Mic input stage.\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio’s custom wound output transformer.\u003c\/li\u003e\r\n\u003cli\u003eMicrophone\/Line input: XLR on Rear Panel\u003c\/li\u003e\r\n\u003cli\u003eDI inputs: 1\/4\"” TSR Jack on Front Panel\u003c\/li\u003e\r\n\u003cli\u003eIndividual Earth Lift: Push-button Switches\u003c\/li\u003e\r\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.\u003c\/li\u003e\r\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input)\u003c\/li\u003e\r\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4″ Jack on front panel (no FETs)\u003c\/li\u003e\r\n\u003cli\u003eGain Meter: LED Metering. (Green = 0dB, Yellow = +8dB, corresponding to “4” and “6” on a PPM Meter).\u003c\/li\u003e\r\n\u003cli\u003ePhantom Power: Switchable phantom on Push-button Switch\u003c\/li\u003e\r\n\u003cli\u003eHigh Pass Filter: Roll-off starts at 120Hz @ 12dB per Octave.\u003c\/li\u003e\r\n\u003cli\u003ePhase Reverse: on Push-button Switch\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, – 0.5dB @ 25kHz\u003c\/li\u003e\r\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage\u003c\/li\u003e\r\n\u003cli\u003eGyratory-based  EQ Frequency Centers: (4 Bands) High – 15K, 10K, Hi Mid – 6K, 3K, 1K6,  Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz, 40Hz\u003c\/li\u003e\r\n\u003cli\u003eEQ Cut\/Boost Levels: 16dB Cut\/Boost Per Band\u003c\/li\u003e\r\n\u003cli\u003eEQ is stepped\/detented to 21 positions for easy recall settings\u003c\/li\u003e\r\n\u003cli\u003eDI Stage gain: Maximum of 20dB\u003c\/li\u003e\r\n\u003cli\u003eAll units are wired with PTFE silver military grade cable\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449329741927,"sku":"13530","price":1499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_drs_q4m.jpg?v=1787088578"},{"product_id":"phoenix-audio-drs-2","title":"Phoenix Audio DRS-2","description":"Phoenix Audio (UK) is dedicated to the development of Class A discrete technology used within high build-quality equipment designed for both the professional and the home studio environment. \u003cbr\u003e\u003cbr\u003e The \u003cb\u003ePhoenix Audio DRS-2\u003c\/b\u003e Mic-Pre\/DI uses our well proven and loved Class A output stage (DSOP-2), but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. It also incorporates our high input impedance DI circuitry. \u003cbr\u003e\u003cbr\u003e The DRS-2 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry. \u003cbr\u003e\u003cbr\u003e The DRS-2 was the first bespoke product to be launched by Phoenix Audio (UK) in the U.K. in November 1999, and has enjoyed an almost “cult” following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage \u003cbr\u003e\u003cbr\u003e The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design, while the discrete, Class A, high input-impedance DI stage delivers a clearer, stronger and more defined and open sound that captures all the nuances and subtleties of your instrument. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecifications:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e Stereo 1U unit: With 240V\/110V mains voltage input selector switch \u003c\/li\u003e\n\u003cli\u003e Class A Output specs. See our DSOP2 Specifications!! \u003c\/li\u003e\n\u003cli\u003e Outputs: XLR's and TSR 1\/4\" Jack on rear \u003c\/li\u003e\n\u003cli\u003e Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. \u003c\/li\u003e\n\u003cli\u003e Microphone inputs: XLR's on Front and Rear Panels \u003c\/li\u003e\n\u003cli\u003e Individual Earth Lift: Push-button switches \u003c\/li\u003e\n\u003cli\u003e Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader \u003c\/li\u003e\n\u003cli\u003e Gain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003e High Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003e Gain Meter: LED Metering \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable 48V phantom on Push-button Switches \u003c\/li\u003e\n\u003cli\u003e High Pass Filter: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003e Phase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003e Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003e Frequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003e Typical Headroom: +24dB on Mic-Pre stage \u003c\/li\u003e\n\u003cli\u003e DI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449329709159,"sku":"13528","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_drs_2.jpg?v=1787088577"},{"product_id":"phoenix-audio-drs-q4","title":"Phoenix Audio DRS-Q4 MKII Microphone Preamp\/EQ with DI","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio DRS-Q4 MKII\u003c\/strong\u003e is a 4-band, gyratory-based EQ with 11 selectable frequencies, and Mic, Line and DI inputs. The DRS-Q4 MKII is result of Phoenix's more than 25 years experience in audio engineering. Although it features today’s component and manufacturing technology, it still retains “that sound” uniquely achievable through Class A design. Phoenix Audio is dedicated to the development of Class A discrete technology used within high build-quality equipment. The DRS-Q4 mk2 uses the well proven and loved Class A output stage (DSOP-2) coupled with the custom wound output transformer, but also has the latest breakthrough in transformerless Class A, discrete, truly-balanced Mic Input Technology which gives it a distinctly “valve-like” sound. It also incorporates Phoenix's high-input impedance DI circuitry.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e1U unit: With 240 V\/110 V mains voltage input selector switch\u003c\/li\u003e\r\n\u003cli\u003eClass A (DSOP-2) Output specs\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 20 Hz to 20 kHz ±0.5 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level: +26 dBu @ 1 kHz\u003c\/li\u003e\r\n\u003cli\u003eNoise: -90 dB @ 20 Hz to 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eOutput connections: XLR and TSR 1\/4″ jack on rear\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, true balanced Mic input stage\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio’s custom wound output transformer\u003c\/li\u003e\r\n\u003cli\u003eMicrophone\/Line input: XLR on rear panel\u003c\/li\u003e\r\n\u003cli\u003eDI inputs: ¼” TSR Jack on front panel\u003c\/li\u003e\r\n\u003cli\u003eIndividual Earth Lift: Push-button switches\u003c\/li\u003e\r\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5 dB steps with 10 dB more available on the fader\u003c\/li\u003e\r\n\u003cli\u003eGain reduction: -30 dB push-button Mic\/Line switch (Mic input)\u003c\/li\u003e\r\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4″ jack on front panel (no FETs)\u003c\/li\u003e\r\n\u003cli\u003eGain Meter: LED metering (Green= 0 dB, Yellow= +8 dB, corresponding to “4” and “6” on a PPM Meter)\u003c\/li\u003e\r\n\u003cli\u003ePhantom Power: Switchable phantom on push-button switch\u003c\/li\u003e\r\n\u003cli\u003eHigh Pass Filter: Roll-off starts at 120 Hz @ 12 dB per octave\u003c\/li\u003e\r\n\u003cli\u003ePhase Reverse: Push-button switch\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4 dB @ 40 Hz, -0.3 dB @ 25 kHz\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response DI Input Stage: -0.3 dB @ 40 Hz, –0.5 dB @ 25 kHz\u003c\/li\u003e\r\n\u003cli\u003eTypical Headroom: +24 dB on mic-pre stage\u003c\/li\u003e\r\n\u003cli\u003eGyratory-based EQ Frequency Centers: (4 Bands) High – 15 K, 10 K, Hi Mid 6K, 3K, 1K6, Low Mid – 800 Hz, 400 Hz, 200 Hz, Low – 130 Hz, 80 Hz, 40 Hz\u003c\/li\u003e\r\n\u003cli\u003eEQ Cut\/Boost Levels: 16 dB cut\/boost per band with fully detented pots in 21 positions\u003c\/li\u003e\r\n\u003cli\u003eDI Stage gain: Maximum of 20 dB\u003c\/li\u003e\r\n\u003cli\u003eAll units are wired with PTFE silver military grade cable\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449329807463,"sku":"13529","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_drs_q4_front.jpg?v=1787088578"},{"product_id":"phoenix-audio-nice-class-a-stereo-di-demo-deal","title":"Phoenix Audio Nice Class A Stereo DI (Demo Deal)","description":"The Phoenix Audio (UK) Class A, all discrete, Stereo DI has been tested and used by many professionals in studio recording environments. And the comments are always the same…”This is the definitive DI!!!”. The DI’s characteristics are very noticeable on any input source, and is superb for “sweetening” the output from DAW or any other signal source. \u003cp\u003e The Phoenix Audio “Nice DI” is a high-quality, active, Stereo DI, with Class A, discrete, high-impedance inputs (10M), and Class A, discrete, transformer balanced outputs. It has been tested and used by many guitar professionals in studio recording environments, and the comments are always the same.....The overdrive is fantastic, the guitar sounds clean, clear, and un-restrained. This is the definitive DI!!!. The DI’s characteristics are very noticeable on any input source, and is superb for “sweetening” the output from DAW or any other signal source. \u003c\/p\u003e\u003cp\u003e The result is a brighter, clearer sound. A transformation of your instrument. And a STEREO unit for the price of many mono units.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449365917799,"sku":"15274","price":509.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_nice_class_a_stereo_di_1.jpg?v=1787088726"},{"product_id":"phoenix-audio-drs-8","title":"Phoenix Audio DRS-8","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePhoenix Audio DRS-8 Mic Pre\u003c\/span\u003e uses Phoenix's well proven and loved Class A output stage (DSOP-2), but also features their latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound.\u003cbr\u003e \u003cbr\u003e The DRS-8 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry.\u003cbr\u003e \u003cbr\u003e The DRS-8 is based on the first Phoenix unit the DRS2, which was launched by Phoenix Audio (UK) in the U.K. in November 1999 and has enjoyed an almost “cult” following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.\u003cbr\u003e \u003cbr\u003e The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e8 Channel 2U - 19” Rack-mount unit: With 240V\/110V mains voltage input selector switch Inputs\u003c\/li\u003e\n\u003cli\u003eConnections: Combo XLR\/1\/4” jack sockets on Rear Panel for Mic inputs, line inputs \u0026amp; DI inputs\u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel\u003c\/li\u003e\n\u003cli\u003eAdditional outputs: 25 pin “D” style connector on the rear panel (wired “Tascam” Standard)\u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.\u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. 5 LED Meter on each channel (with hysteresis)\u003c\/li\u003e\n\u003cli\u003ePhantom Power: Switchable 48V phantom on Push-button switch\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch (Roll-off -6dB per octave @ 120Hz)\u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch\u003c\/li\u003e\n\u003cli\u003eMute: On Push-button switch.\u003c\/li\u003e\n\u003cli\u003eMic\/Line Push-button switch: Enables Flexibility for input levels.\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Mic input stage.\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced Output on each channel: Driven by the Phoenix Audio Class A DSOP-2 fully discrete output stage\u003c\/li\u003e\n\u003cli\u003eClass A (DSOP-2) Output specs . Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum\u003c\/li\u003e\n\u003cli\u003eOutput = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449383317607,"sku":"17527","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_drs-8.jpg?v=1787088796"},{"product_id":"phoenix-audio-drs-1r-500","title":"Phoenix Audio DRS-1R 500 Series Microphone Preamp","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Phoenix Audio DRS-1R Mic Pre\/DI\u003c\/span\u003e uses their well proven and loved Class A output stage (DSOP-2), but also has Phoenix's latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. The DRS-1 also incorporates the Phoenix Audio high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +-0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Micinput stage. Microphone input: XLR'sRear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dbu, +4dbu \u0026amp; 0dBu, Yellow = +13dbu Red= +16dBu) \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch, 120hz 6db per octave \u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eMute : on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage\u003c\/li\u003e\n\u003cli\u003eDI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449383350375,"sku":"17522","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-drs-1r-500-23_17522_1.jpg?v=1787088796"},{"product_id":"phoenix-audio-drs-eq-500","title":"Phoenix Audio DRS-EQ 500 Series EQ","description":"\u003cspan style=\"font-weight: bold;\"\u003ePhoenix Audio DRS-EQ-500 Specifications:\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP-2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +26dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eNoise: -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, buffer DSblip stage.\u003c\/li\u003e\n\u003cli\u003eInput level range: -10dBu to +10dBu\u003c\/li\u003e\n\u003cli\u003eSelf-contained on-board “boost” PSU.\u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dB, +4dbu \u0026amp; +10dbu Yellow = +13dB, Red = +16dbu.\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: Roll-off starts at 80Hz @ 12dB per Octave.\u003c\/li\u003e\n\u003cli\u003eGyratory-based EQ Frequency Centres: (4 Bands) High – 15K, 10K, Hi  Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz,  40Hz\u003c\/li\u003e\n\u003cli\u003eEQ Cut\/Boost Levels: 16dB Cut\/Boost Per Band, all EQ bands are  stepped\/detented to 21 positions for easy recall \u0026amp; stereo operations  for mastering or the mix bus.\u003c\/li\u003e\n\u003cli\u003eDRS-EQ\/500 has an overall output level with 15db of additional  gain even when the EQ is in bypass, allows the output fader  to be used  to drive the output stage \u0026amp; transformer to color \u0026amp; saturate your  sound, again even when the EQ is in bypass.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449441677415,"sku":"20724","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_drs_500_eq_885992dc-181f-437a-b74b-4d2377a6ee75.jpg?v=1787088972"},{"product_id":"phoenix-audio-n90-drc-500-compressor","title":"Phoenix Audio N90-DRC 500 Series Compressor","description":"\u003cp\u003eIn a world now crowded with compressors—most of them emulating vintage designs, with the rest, it seems, dead set on destroying dynamics—the \u003cstrong\u003ePhoenix Audio N90-DRC\/500\u003c\/strong\u003e stands out as a decidedly musical compressor with a refreshingly unique design. Phoenix Audio developed this circuit over 20 years ago, and the thoughtful design reflects the subtler, more tasteful approach to compression from that bygone era. Though the N90 can be pushed to offer up wonderful sonic artifacts, it truly excels at the delicate (and increasingly rare) craft of transparent, musical dynamic control and gating.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA Forgiving and Intuitive Class-A Circuit\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe N90's 100% Class-A circuit is built around the wide-open sounding transfomerless input stage and beloved DSOP-2 output amplifier with a custom-wound DB694 output transformer. While appearing quite elaborate, using the compressor\/gate functions of the N90 is a forgiving and intuitive experience—especially given that this is a solid-state compressor. The ease of use is due to the gradual and progressive behavior of the N90's unique control circuit. Gain reduction begins well below, and continues beyond, the threshold, so you'll never hear a sudden \"grabby\" change in dynamics. Instead, you'll easily dial in fluid dynamic control while simultaneously picking up the rich, lush tone of the N90's discrete Class-A circuit.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBut You Can Still Push It\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith ratios ranging from 2:1 to 8:1, the N90 is clearly designed for mellow, transparent compression. However, the higher ratios do offer up a fair amount of \"limiter style\" artifacts, especially when you switch the attack to \"fast\" and begin to manually manipulate the compressor's release time. Further, by driving more signal into the N90, a wide range of tones can be derived from the DSOP-2 output stage—from crystal clean to warm, pure Class-A analog saturation. Perhaps most importantly, the N90 makes a smooth transition from transparent to more obvious compression andoutput stage saturation, meaning that it's never a fussy or sensitive task to dial in your desired sound. From the subtlest gain control to lush Class-A artifacts—not to mention the flexible gate circuit—the N90-DRC\/500 is one of the most versatile dynamic control units ever produced.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA Gate You'll Actually Use\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith the advent of digital's nearly inaudible noise floor, gating is something of a lost art. However, having been designed just before the industry largely abandoned analog tape, the N90 houses one of the most advanced, musical analog gates ever conceived. Similar to the compressor section, the N90's gate is intended to be subtle and musical. Its release function is actually a combination of a \"hold time\" followed by a \"fade time,\" making the N90's gate adept at everything from standard noise gating to even more subtle control of ambience levels relative to main signal. There is also an external key input, allowing you to trigger the gate with an external signal. With the N90's gate at your fingertips, you'll discover (or perhaps rediscover) the subtle art of analog gating.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLink Up To 8 Units\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUp to eight N90-DRC\/500s can be linked together, allowing the compressor and gate functions to be controlled from just one of the units. This link functionality opens up a whole world of possibilities, from simpler stereo set-ups to far more elaborate scenarios where multiple channels are triggered by external key inputs. Almost anything you can dream up can be done with multiple N90s on hand.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUnique design allows unit to run at 24v for true-to-form Class-A operation\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, electronically balanced buffer amp input stage\u003c\/li\u003e\r\n\u003cli\u003eClass-A, DSOP-2 output stage with custom-wound transformer Frequency response: 20 Hz to 20 kHz ±0.5 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output gain = +15 dBu @ 1 kHz, Noise = -90 dB @ 20 Hz to 20 kHz, maximum\u003c\/li\u003e\r\n\u003cli\u003eTypical Max Headroom: +26 dB on output stage\u003c\/li\u003e\r\n\u003cli\u003eInput connections: XLR input on rear of API compatible rack\u003c\/li\u003e\r\n\u003cli\u003eAbility to link multiple modules (up to 8)\u003c\/li\u003e\r\n\u003cli\u003eExternal input for gate section on TT Bantam connector\u003c\/li\u003e\r\n\u003cli\u003eCompression Meter: LED Metering (Green = -3 dbu, -6 dbu -10 dbu \u0026amp; -14 dBu, Red= -20 dBu and doubles as the Gate Active LED)\u003c\/li\u003e\r\n\u003cli\u003e24v built PSU\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449497579623,"sku":"30524","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-n90-drc-500_30524_1_824865db-0519-4291-be8a-be76288a3757.jpg?v=1787089208"},{"product_id":"phoenix-audio-drs-8-mk2","title":"Phoenix Audio DRS-8 MK2 8-Channel Microphone Preamp","description":"\u003cp\u003ePhoenix Audio is dedicated to the development of Class A discrete technology used within high build-quality equipment designed for both the professional and the home studio environment. The \u003cstrong\u003ePhoenix Audio DRS-8 Mic Pre\u003c\/strong\u003e uses a well proven and loved Class A output stage (DSOP-2) coupled with a custom wound transformer, but also has the latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a “valve-like” sound. The DRS-8 MK2 has been improved with a new PSU board and power transformer offering greater power and much improved overall noise performance. It has also become more flexible by offering detented output channel pots for easier recall. The preamp has also been redesigned for greater ease of use during recording by changing the HPF to 80hz from 120hz, and replaced the 30db pad with a 15db pad. The DRS-8 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry. The DRS-8 is based on the first Phoenix unit the DRS2, this bespoke product was launched by Phoenix Audio in November 1999, and has enjoyed an almost “cult” following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design.\u003c\/p\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449497514087,"sku":"30399","price":4150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-drs-8-mk2_30399_1_b5d55e98-b836-491c-a836-ff644f8b3afb.jpg?v=1787089208"},{"product_id":"phoenix-audio-drs-8-used","title":"Phoenix Audio DRS 8 (Used)","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePhoenix Audio DRS-8 Mic Pre\u003c\/span\u003e uses our well proven and loved Class A output stage (DSOP-2), but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound.\u003cbr\u003e \u003cbr\u003e The DRS-8 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry.\u003cbr\u003e \u003cbr\u003e The DRS-8 is based on the first Phoenix unit the DRS2, this bespoke product was launched by Phoenix Audio (UK) in the U.K. in November 1999, and has enjoyed an almost “cult” following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.\u003cbr\u003e \u003cbr\u003e The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e8 Channel 2U - 19” Rack-mount unit: With 240V\/110V mains voltage input selector switch Inputs\u003c\/li\u003e\n\u003cli\u003eConnections: Combo XLR\/1\/4” jack sockets on Rear Panel for Mic inputs, line inputs \u0026amp; DI inputs\u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel\u003c\/li\u003e\n\u003cli\u003eAdditional outputs: 25 pin “D” style connector on the rear panel (wired “Tascam” Standard)\u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.\u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. 5 LED Meter on each channel (with hysteresis)\u003c\/li\u003e\n\u003cli\u003ePhantom Power: Switchable 48V phantom on Push-button switch\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch (Roll-off -6dB per octave @ 120Hz)\u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch\u003c\/li\u003e\n\u003cli\u003eMute: On Push-button switch.\u003c\/li\u003e\n\u003cli\u003eMic\/Line Push-button switch: Enables Flexibility for input levels.\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Mic input stage.\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced Output on each channel: Driven by the Phoenix Audio Class A DSOP-2 fully discrete output stage\u003c\/li\u003e\n\u003cli\u003eClass A (DSOP-2) Output specs . Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum\u003c\/li\u003e\n\u003cli\u003eOutput = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449498529895,"sku":"30147","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_phoenix_drs_8_cat_0851a0e8-6951-4291-b917-b3e362ced82e.jpg?v=1787089214"},{"product_id":"phoenix-audio-drs-eq-500-demo-deal","title":"Phoenix Audio DRS-EQ 500 (Demo Deal)","description":"\u003cspan style=\"font-weight: bold;\"\u003ePhoenix Audio DRS-EQ-500 Specifications:\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP-2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +26dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eNoise: -90dB @ 20Hz to 20kHz.\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, buffer DSblip stage.\u003c\/li\u003e\n\u003cli\u003eInput level range: -10dBu to +10dBu\u003c\/li\u003e\n\u003cli\u003eSelf-contained on-board “boost” PSU.\u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dB, +4dbu \u0026amp; +10dbu Yellow = +13dB, Red = +16dbu.\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: Roll-off starts at 80Hz @ 12dB per Octave.\u003c\/li\u003e\n\u003cli\u003eGyratory-based EQ Frequency Centres: (4 Bands) High – 15K, 10K, Hi  Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz,  40Hz\u003c\/li\u003e\n\u003cli\u003eEQ Cut\/Boost Levels: 16dB Cut\/Boost Per Band, all EQ bands are  stepped\/detented to 21 positions for easy recall \u0026amp; stereo operations  for mastering or the mix bus.\u003c\/li\u003e\n\u003cli\u003eDRS-EQ\/500 has an overall output level with 15db of additional  gain even when the EQ is in bypass, allows the output fader  to be used  to drive the output stage \u0026amp; transformer to color \u0026amp; saturate your  sound, again even when the EQ is in bypass.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449503543399,"sku":"31011","price":509.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_drs_500_eq_1_72593599-f2a9-464e-8fdb-8b4bc63a0064.jpg?v=1787089233"},{"product_id":"phoenix-audio-drs-1r-500-demo-deal","title":"Phoenix Audio DRS-1R 500 (Demo Deal)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Phoenix Audio DRS-1R Mic Pre\/DI\u003c\/span\u003e uses their well proven and loved Class A output stage (DSOP-2), but also has Phoenix's latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. The DRS-1 also incorporates the Phoenix Audio high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +-0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Micinput stage. Microphone input: XLR'sRear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. 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We know you will be as pleased with it’s sonic qualities as we are. The DRS-Q4 mk2 has the advantages of more than 25 years experience in audio engineering, today’s component and manufacturing technology, but still retaining “that sound” uniquely achievable through Class A design. Phoenix Audio is dedicated to the development of Class A discrete technology used within high build-quality equipment. The DRS-Q4 mk2 uses our well proven and loved Class A output stage (DSOP-2) coupled with our custom wound output transformer, but also has our latest breakthrough in transformerless Class A, Discrete, truly-balanced Mic Input Technology which gives a “valve-like” sound. It also incorporates our high input impedance DI circuitry.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1U unit: With 240V\/110V mains voltage input selector switch\u003c\/li\u003e\n\u003cli\u003eClass A (DSOP-2) Output specs. 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The Nicerizer 16 is designed to take the output out of the digital realm, and to add the Class A characteristics and feel before the final recording. The “Nicerizer 16” uses our well proven and loved Class A output stage, but also has our latest breakthrough in transformerless Class A, Discrete Line Input Technology. 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The \u003cstrong\u003ePhoenix Audio DRS-8 Mic Pre\u003c\/strong\u003e uses a well proven and loved Class A output stage (DSOP-2) coupled with a custom wound transformer, but also has the latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a “valve-like” sound. The DRS-8 MK2 has been improved with a new PSU board and power transformer offering greater power and much improved overall noise performance. It has also become more flexible by offering detented output channel pots for easier recall. The preamp has also been redesigned for greater ease of use during recording by changing the HPF to 80hz from 120hz, and replaced the 30db pad with a 15db pad. The DRS-8 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry. The DRS-8 is based on the first Phoenix unit the DRS2, this bespoke product was launched by Phoenix Audio in November 1999, and has enjoyed an almost “cult” following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design.\u003c\/p\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450223063143,"sku":"97119","price":2689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-drs-8-mk2_30399_1_1_968abd65-3a1e-4d2c-8e8e-56c8d3495058.jpg?v=1787092195"},{"product_id":"phoenix-audio-nimbus-di","title":"Phoenix Audio Nimbus DI","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Nimbus DI\u003c\/strong\u003e is a high impedance active mono Class A Discrete DI for stage and studio use. 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Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class A tones — from bold clarity to vintage warmth, and everything in between.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe custom-wound DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70 db alone) and the -30 dB pad against the variable output fader (which provides an additional 10 dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePowerful variable high pass filter from 70 Hz to 400 Hz allowing you the ability to control and shapes tones of all types.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003chr\u003e\r\n\r\n\r\n\u003ch3\u003ePhoenix Ascent Gyrator EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePhoenix Audio's Ascent Gyrator EQ is one of today's most unique and musical EQs, allowing an incredible variety of sounds useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class A circuit saturation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix Ascent Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 15 kHz on down to a thumping 40 Hz. There's also a high pass filter at 80 Hz, which can eliminate rumble or be used \"against\" low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the Ascent Gyrator EQ's uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won't sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhoenix Audio's renowned DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By lowering the input attenuator and boosting the output signal, one can drive the DSOP-2 output stage for a wide variety of lush, Class A saturation. Or, do the opposite—back off on the output while boosting the input—and you'll get huge, clean, hi-fi tones. Many engineers even use the Ascent Gyrator EQ completely flat in order to simply add the musicality of the proprietary amplifier circuits.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Ascent Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class A EQs that just do \"their thing\" due to inherent distortion characteristics, the Ascent Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the Ascent Gyrator's straight-forward design and unerring musicality.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe sheen control brings life and vitality to your vocals and instruments by adding a super high frequency boost or cut and adding a sheen.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAscent Gyrator EQ Features:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 Bands of Gyrator EQ + High-Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eHigh – 15, 10, 25 kHz 'sheen band'\u003c\/li\u003e\r\n\u003cli\u003eHi Mid – 6, 3, 16 kHz\u003c\/li\u003e\r\n\u003cli\u003eLow Mid – 800, 400, 200 Hz\u003c\/li\u003e\r\n\u003cli\u003eLow – 130, 80, 40 Hz\u003c\/li\u003e\r\n\u003cli\u003eHigh Pass Filter at 80 Hz, 12 dB\/octave\u003c\/li\u003e\r\n\u003cli\u003eEQ Cut\/Boost Levels\u003c\/li\u003e\r\n\u003cli\u003e16 dB Cut\/Boost Per Band\u003c\/li\u003e\r\n\u003cli\u003eAll EQ bands are stepped\/detented to 21 positions for easy recall \u0026amp; stereo operations for mastering or the mix bus\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio's Class-A DSOP-2 Output Amplifier with custom-wound transformer\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450235613287,"sku":"97954","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-ascent-two-eq_97954_1_66bc8a52-99bb-492f-a63e-af5848af0fae.jpg?v=1787092250"},{"product_id":"phoenix-audio-ascent-two","title":"Phoenix Audio Ascent Two Dual-Mono Microphone Preamp","description":"\u003ch3\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Ascent One\u003c\/strong\u003e takes a modern approach to Class A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class A design. The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the Ascent Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eHi-Fi Transformerless Mic Input Stage\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class A tones — from bold clarity to vintage warmth, and everything in between.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eLegendary Transformer-Balanced Output Stage\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eUltra-High Impedance DI Circuit\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eEasy and Intuitive In The Studio\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70 db alone) and the -30 dB pad against the variable output fader (which provides an additional 10 dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eVari-Filter Control\u003c\/h3\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003ePowerful variable high pass filter from 70 Hz to 400 Hz allowing you the ability to control and shapes tones of all types.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450235646055,"sku":"97956","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-ascent-two_97956_1_ea04d6b9-ae15-4dd6-a479-24d7be51b423.jpg?v=1787092250"},{"product_id":"phoenix-audio-ascent-one-eq","title":"Phoenix Audio Ascent One EQ","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Ascent One EQ\u003c\/strong\u003e is a mono (1\/2RU) Gyrator EQ with the Phoenix Ascent Mic Preamp\/DI. It features a modern approach to Class A circuit design delivering a wide range of tones without sacrificing the beloved vibe of true Class A design.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePhoenix Ascent Mic Preamp\/DIs\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the Ascent Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class A tones — from bold clarity to vintage warmth, and everything in between.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe custom-wound DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70 db alone) and the -30 dB pad against the variable output fader (which provides an additional 10 dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePowerful variable high pass filter from 70 Hz to 400 Hz allowing you the ability to control and shapes tones of all types.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003chr\u003e\r\n\r\n\r\n\u003ch3\u003ePhoenix Ascent Gyrator EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePhoenix Audio's Ascent Gyrator EQ is one of today's most unique and musical EQs, allowing an incredible variety of sounds useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class A circuit saturation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix Ascent Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 15 kHz on down to a thumping 40 Hz. There's also a high pass filter at 80 Hz, which can eliminate rumble or be used \"against\" low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the Ascent Gyrator EQ's uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won't sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhoenix Audio's renowned DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By lowering the input attenuator and boosting the output signal, one can drive the DSOP-2 output stage for a wide variety of lush, Class A saturation. Or, do the opposite—back off on the output while boosting the input—and you'll get huge, clean, hi-fi tones. Many engineers even use the Ascent Gyrator EQ completely flat in order to simply add the musicality of the proprietary amplifier circuits.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Ascent Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class A EQs that just do \"their thing\" due to inherent distortion characteristics, the Ascent Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the Ascent Gyrator's straight-forward design and unerring musicality.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe sheen control brings life and vitality to your vocals and instruments by adding a super high frequency boost or cut and adding a sheen.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAscent Gyrator EQ Features:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 Bands of Gyrator EQ + High-Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eHigh – 15, 10, 25 kHz 'sheen band'\u003c\/li\u003e\r\n\u003cli\u003eHi Mid – 6, 3, 16 kHz\u003c\/li\u003e\r\n\u003cli\u003eLow Mid – 800, 400, 200 Hz\u003c\/li\u003e\r\n\u003cli\u003eLow – 130, 80, 40 Hz\u003c\/li\u003e\r\n\u003cli\u003eHigh Pass Filter at 80 Hz, 12 dB\/octave\u003c\/li\u003e\r\n\u003cli\u003eEQ Cut\/Boost Levels\u003c\/li\u003e\r\n\u003cli\u003e16 dB Cut\/Boost Per Band\u003c\/li\u003e\r\n\u003cli\u003eAll EQ bands are stepped\/detented to 21 positions for easy recall \u0026amp; stereo operations for mastering or the mix bus\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio's Class-A DSOP-2 Output Amplifier with custom-wound transformer\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450235678823,"sku":"97955","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-ascent-one-eq_97955_1.jpg?v=1787092251"},{"product_id":"phoenix-audio-ascent-one","title":"Phoenix Audio Ascent One Microphone Preamp\/DI","description":"\u003ch3\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Ascent One\u003c\/strong\u003e takes a modern approach to Class A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class A design. The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the Ascent Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHi-Fi Transformerless Mic Input Stage\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class A tones — from bold clarity to vintage warmth, and everything in between.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eLegendary Transformer-Balanced Output Stage\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eUltra-High Impedance DI Circuit\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEasy and Intuitive In The Studio\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70 db alone) and the -30 dB pad against the variable output fader (which provides an additional 10 dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eVari-Filter Control\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePowerful variable high pass filter from 70 Hz to 400 Hz allowing you the ability to control and shapes tones of all types.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450235711591,"sku":"97958","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-ascent-one_97958_1_a5b0b6ef-f7f0-4f48-97f7-05709ec34904.jpg?v=1787092251"},{"product_id":"phoenix-audio-drs-1r-500-1577-used","title":"Phoenix Audio DRS-1R 500 #1577 (Used)","description":"The\u003cstrong\u003e Phoenix Audio DRS-1R Mic Pre\/D\u003c\/strong\u003eI uses our well proven and loved Class A output stage (DSOP-2), but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. It also incorporates our high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone input: XLR's Rear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dbu, +4dbu \u0026amp; 0dBu, Yellow = +13dbu Red= +16dBu) \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch, 120hz 6db per octave \u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eMute : on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage \u003c\/li\u003e\n\u003cli\u003eDI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450257567847,"sku":"98149","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-drs-1r-500-1577-used_98149_1_00ff3f7c-ec5a-4a88-93f4-673fdf90c2bd.jpg?v=1787092346"},{"product_id":"phoenix-audio-drs-1r-500-1758-used","title":"Phoenix Audio DRS-1R 500 #1758 (Used)","description":"The\u003cstrong\u003e Phoenix Audio DRS-1R Mic Pre\/D\u003c\/strong\u003eI uses our well proven and loved Class A output stage (DSOP-2), but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. It also incorporates our high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone input: XLR's Rear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dbu, +4dbu \u0026amp; 0dBu, Yellow = +13dbu Red= +16dBu) \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch, 120hz 6db per octave \u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eMute : on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage \u003c\/li\u003e\n\u003cli\u003eDI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450259566695,"sku":"98501","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-drs-1r-500-1758-used_98501_1_7a3c7411-4ae1-433d-a28b-0f9bb791b7b1.jpg?v=1787092353"},{"product_id":"phoenix-audio-nimbus-di-demo-deal","title":"Phoenix Audio Nimbus DI (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Nimbus DI\u003c\/strong\u003e is a high impedance active mono Class A Discrete DI for stage and studio use. 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The \u003cstrong\u003ePhoenix Audio DRS-8 Mic Pre\u003c\/strong\u003e uses a well proven and loved Class A output stage (DSOP-2) coupled with a custom wound transformer, but also has the latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. The DRS-8 MK2 has been improved with a new PSU board and power transformer offering greater power and much improved overall noise performance. It has also become more flexible by offering detented output channel pots for easier recall. The preamp has also been redesigned for greater ease of use during recording by changing the HPF to 80hz from 120hz, and replaced the 30db pad with a 15db pad. The DRS-8 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry. The DRS-8 is based on the first Phoenix unit the DRS2, this bespoke product was launched by Phoenix Audio in November 1999, and has enjoyed an almost \"cult\" following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450357051495,"sku":"110003","price":2495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-drs-8-mk2-2068-used_110003_1_36a9699e-55ce-403a-bbab-bf1de6da59d8.jpg?v=1787092726"},{"product_id":"phoenix-audio-drs-8-mk2-b-stock","title":"Phoenix Audio DRS-8 MK2 (B-Stock)","description":"\u003cp\u003ePhoenix Audio is dedicated to the development of Class A discrete technology used within high build-quality equipment designed for both the professional and the home studio environment. The \u003cstrong\u003ePhoenix Audio DRS-8 MK2 Mic Pre\u003c\/strong\u003e uses a well proven and loved Class A output stage (DSOP-2) coupled with a custom wound transformer, but also has the latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a “valve-like” sound. The DRS-8 MK2 has been improved with a new PSU board and power transformer offering greater power and much improved overall noise performance. It has also become more flexible by offering detented output channel pots for easier recall. The preamp has also been redesigned for greater ease of use during recording by changing the HPF to 80hz from 120hz, and replaced the 30db pad with a 15db pad. The DRS-8 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry. The DRS-8 is based on the first Phoenix unit the DRS2, this bespoke product was launched by Phoenix Audio in November 1999, and has enjoyed an almost “cult” following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450373697639,"sku":"111040","price":3850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-drs-8-mk2-b-stock_111040_1_1a2baa2c-0676-40c4-9644-a2f0b87a9855.jpg?v=1787092797"},{"product_id":"phoenix-audio-gyrator-eq-500","title":"Phoenix Audio Gyrator EQ 500 Series 4-Band EQ","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Gyrator EQ 500\u003c\/strong\u003e is a highly versatile four-band inductor-style EQ. Modeled after the DRS EQ 500, the Gyrator features all new selectable frequency positions and a dedicated “sheen” control for boosting frequencies at 25 kHz. Equipped with a 24 V power supply, the Gyrator EQ delivers the same powerful sound as full-sized Phoenix Audio processors in a compact 500 series module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eINDUCTOR-STYLE EQUALIZATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOriginally introduced in the 1970s, gyrator EQs were known for their highly musical sound. Similar to active inductor designs from Neve and API, gyrator EQs feature a proportional bandwidth that narrows as the gain is increased. However, vintage gyrator EQs tended to be big, heavy, and noisy. The Phoenix Audio Gyrator EQ 500 utilizes a solid-state design that not only solves these issues, but also improves upon the original design.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFOUR-BAND FIXED DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEquipped with four bands, each with three selectable frequencies, the Gyrator EQ 500 is incredibly easy to use. The low band extends all the way down to 40 Hz for rich, booming lows. A switchable high-pass filter can be used to created unique Pultec-style EQ curves. Two mid bands are perfect for cutting muddiness in the low-mids, adding bark and bite to tracks, or taming harshness. The high band features a dedicated “sheen” control fixed at 25 kHz for adding presence to tracks—perfect for breathing new life into acoustic instruments.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFULL POWER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLike all of Phoenix Audio’s 500 series modules, the Gyrator EQ 500 is equipped with a 24 V step-up transformer to provide the true sound quality of the design without being limited by the 16 V Lunchbox design. This also enables the Gyrator EQ to deliver authentic analog saturation. At low levels, the Gyrator offers an ultra-clean, transparent sound, but crank up the dials to drive the output stage for fat, fully saturated tones.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450386149479,"sku":"114742","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-gyrator-eq-500_114742_1_fa738ecd-0934-45ec-a0b2-efa11a876138.jpg?v=1787092851"},{"product_id":"phoenix-audio-n90-drc-500-3045-used","title":"Phoenix Audio N90-DRC\/500 #3045 (Used)","description":"\u003cp\u003eThe \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003ePhoenix N90-DRC\/500 compressor\/gate is designed around a VCA control with Class A discrete input and Class A transformer balanced output. The N90-DRC\/500 is intended to be driven ‘by ear' .There are no optimum settings that would cover all situations. It is intended to be very musical and smooth and has quite a wide ranging effect. Musically the progressive curves are very kind - there is no sudden change on passing the threshold and audio processing is virtually \"seamless\". Technically the progressive curves are achieved using linear detection combined with logarithmic attenuation inside a closed control loop. \"Limiter sound\" is still provided by the higher ratios and there is a choice of attack times. The gate is more conventional but it's release time is composite with a hold time followed by a fade time. This makes the gate very versatile in that as well as basic noise reduction it can also provide quite subtle changes to ambience or background.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThis product was originally conceived 20 years ago by David Rees but was never fully released. Shaun Leveque (Phoenix lead designer) and David Rees worked hard to port this across for the increasingly popular API 'lunchbox' series. This product is a testament to David Rees's long career as an acclaimed audio designer, a career in which he has designed for various companies such as Cadac, Tweed Audio, Shep Associates, to name just a few, as well as being heavily involved in Cathedral audio sound system designs such as the system installed in Winchester cathedral. David was also the Technical manager at the revered Rupert Neve company in the 1960’s and 70’s where he was solely responsible for the legendary Neve 2254 \u0026amp; 2253 compressor which are still used and celebrated to this day, as well as having considerable input into many other well known products.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450400272487,"sku":"114750","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-n90-drc-500-3045-used_114750_1.jpg?v=1787092909"},{"product_id":"phoenix-audio-drs-1r-500-3372-used","title":"Phoenix Audio DRS-1R 500 #3372 (Used)","description":"The\u003cstrong\u003e Phoenix Audio DRS-1R Mic Pre\/D\u003c\/strong\u003eI uses our well proven and loved Class A output stage (DSOP-2), but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. It also incorporates our high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone input: XLR's Rear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dbu, +4dbu \u0026amp; 0dBu, Yellow = +13dbu Red= +16dBu) \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch, 120hz 6db per octave \u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eMute : on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage \u003c\/li\u003e\n\u003cli\u003eDI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450400305255,"sku":"114749","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-drs-1r-500-3372-used_114749_1_f26600d6-6ee0-4cec-abca-9b4497caa2e7.jpg?v=1787092909"},{"product_id":"phoenix-audio-n90-drc-500-3231-used","title":"Phoenix Audio N90-DRC\/500 #3231 (Used)","description":"\u003cp\u003eThe \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003ePhoenix N90-DRC\/500 compressor\/gate is designed around a VCA control with Class A discrete input and Class A transformer balanced output. The N90-DRC\/500 is intended to be driven ‘by ear' .There are no optimum settings that would cover all situations. It is intended to be very musical and smooth and has quite a wide ranging effect. Musically the progressive curves are very kind - there is no sudden change on passing the threshold and audio processing is virtually \"seamless\". Technically the progressive curves are achieved using linear detection combined with logarithmic attenuation inside a closed control loop. \"Limiter sound\" is still provided by the higher ratios and there is a choice of attack times. The gate is more conventional but it's release time is composite with a hold time followed by a fade time. This makes the gate very versatile in that as well as basic noise reduction it can also provide quite subtle changes to ambience or background.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThis product was originally conceived 20 years ago by David Rees but was never fully released. Shaun Leveque (Phoenix lead designer) and David Rees worked hard to port this across for the increasingly popular API 'lunchbox' series. This product is a testament to David Rees's long career as an acclaimed audio designer, a career in which he has designed for various companies such as Cadac, Tweed Audio, Shep Associates, to name just a few, as well as being heavily involved in Cathedral audio sound system designs such as the system installed in Winchester cathedral. David was also the Technical manager at the revered Rupert Neve company in the 1960’s and 70’s where he was solely responsible for the legendary Neve 2254 \u0026amp; 2253 compressor which are still used and celebrated to this day, as well as having considerable input into many other well known products.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450404040807,"sku":"114751","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-n90-drc-500-3231-used_114751_1_a348f8b6-2384-46d5-bcda-9d4a567b8df5.jpg?v=1787092925"},{"product_id":"phoenix-audio-gyrator-eq-500-demo-deal","title":"Phoenix Audio Gyrator EQ 500 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Gyrator EQ 500\u003c\/strong\u003e is a highly versatile four-band inductor-style EQ. Modeled after the DRS EQ 500, the Gyrator features all new selectable frequency positions and a dedicated “sheen” control for boosting frequencies at 25 kHz. Equipped with a 24 V power supply, the Gyrator EQ delivers the same powerful sound as full-sized Phoenix Audio processors in a compact 500 series module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eINDUCTOR-STYLE EQUALIZATION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOriginally introduced in the 1970s, gyrator EQs were known for their highly musical sound. Similar to active inductor designs from Neve and API, gyrator EQs feature a proportional bandwidth that narrows as the gain is increased. However, vintage gyrator EQs tended to be big, heavy, and noisy. The Phoenix Audio Gyrator EQ 500 utilizes a solid-state design that not only solves these issues, but also improves upon the original design.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFOUR-BAND FIXED DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eEquipped with four bands, each with three selectable frequencies, the Gyrator EQ 500 is incredibly easy to use. The low band extends all the way down to 40 Hz for rich, booming lows. A switchable high-pass filter can be used to created unique Pultec-style EQ curves. Two mid bands are perfect for cutting muddiness in the low-mids, adding bark and bite to tracks, or taming harshness. The high band features a dedicated “sheen” control fixed at 25 kHz for adding presence to tracks—perfect for breathing new life into acoustic instruments.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFULL POWER\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLike all of Phoenix Audio’s 500 series modules, the Gyrator EQ 500 is equipped with a 24 V step-up transformer to provide the true sound quality of the design without being limited by the 16 V Lunchbox design. This also enables the Gyrator EQ to deliver authentic analog saturation. At low levels, the Gyrator offers an ultra-clean, transparent sound, but crank up the dials to drive the output stage for fat, fully saturated tones.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450465251431,"sku":"124139","price":579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-gyrator-eq-500_114742_1_1_4da27ef4-f82b-4f9a-bed4-c81426b771e8.jpg?v=1787093169"},{"product_id":"phoenix-audio-nicerizer","title":"Phoenix Audio Nicerizer Summing Mixer","description":"\u003cp\u003eRecording software companies brag about their “mixer,” but discerning engineers won’t settle for in-the-box mixing when the dimension, punch, and articulation of analog summing can vastly improve their productions. The \u003cstrong\u003ePhoenix Audio Nicerizer\u003c\/strong\u003esumming mixer incorporates features and circuitry that have made it a legendary tone machine.\u003c\/p\u003e\r\n\u003cp\u003eThe distinction between a stereo mixer and a summing amplifier is important when considering your hybrid analog\/digital rig. In essence, a mixer incorporates a fuller range of features. The Nicerizer is decidedly a mixer, pulling crucial elements such as circuit overdrive and panning back into the analog realm where they truly outperform their digital emulations. Phoenix' dented pan-pots are unmatched for both precision stereo placement and ease of recall, and they are a key ingredient the huge, open sound of the Nicerizer.\u003c\/p\u003e\r\n\u003cp\u003eWith the Nicerizer, Phoenix takes a modern approach to Class-A circuit design. The unique transformer-less input stage delivers the full frequency spectrum with unrivaled clarity and punch. Transformers slow things down, which can be great in some cases, but if you’re stuck with transformers, then you’re stuck with slower transients (slew-rates), limiting the range of tonalities. The electronically balanced input stage can be driven modestly for ultra-clear hi-fi sound, or you can engage the drive switch on any of the 16 channel individually to drive the circuit for a fatter, more saturated sound that only Discrete Class A buffer amps and custom wound output transformers can deliver.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eLegendary Transformer-Balanced Output Stage\u003c\/h3\u003e\r\n\u003cp\u003eOnce mixed, the stereo signal hits a pair of the custom-wound DB694 output transformer, which have been coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is the result of Phoenix's head-designer David Rees’ forward-thinking solutions for upgrading vintage Neve consoles. Improve on Neve? Indeed, the DSOP-2 represents the pinnacle of Class-A output circuits, offering a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eExtra Features That Quickly Become Essentials\u003c\/h3\u003e\r\n\u003cp\u003eStereo Width Control—The Nicerizer’s width control uses elements of Mid\/Side processing to offer your mixes a narrower or wider image simply by turning a knob. Mix engineers who haven’t used a width control often don’t realize what they’re missing: a level of spacial manipulation that can unlock hidden dimensions or tighten up a sprawling production.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eBalanced, Unbalanced: No Problem\u003c\/h3\u003e\r\n\u003cp\u003eThe Nicerizer’s 16 individual inputs can accept both balanced and unbalanced signals without any of the gain loss typical on most mixer inputs. This is an increasingly useful feature as looping through guitar pedals and even recording midi-driven analog synths in real time while mixing are fast becoming standard practices.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eStereo Bus Insert\u003c\/h3\u003e\r\n\u003cp\u003eStrap any balanced or unbalanced gear onto the main mix bus for added control. A common practice today while mixing is to strap a bus compressor, and often an eq, onto the stereo bus, yet mastering engineers will also love this feature when working with stems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eIndependently Controlled Aux Output\u003c\/h3\u003e\r\n\u003cp\u003eJust before hitting the output transformers, Phoenix have grabbed an output signal and assigned it to its own front-panel level control. Drive external monitoring amps, or simple bypass the output stage for a transfomerless sound to your final capture device.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003e2T Return\u003c\/h3\u003e\r\n\u003cp\u003eAnother feature that makes the Nicerizer a true mixer is the 2-track input, allowing you to monitor an external output source through the onboard headphone amplifier.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eMonitor Select Switch\u003c\/h3\u003e\r\n\u003cp\u003eAn industry first, this switch allows you to monitor single pairs of channels (1-2, 3-4, etc), as well as any of the other stereo ports on the Nicerizer. Infinitely useful for a multitude of workflows, this switch is the sleeping giant of the mixer, ready to unleash all kinds of creative uses, from doing individual stem work to comparing reference mixes to allowing direct comparison of many analog sources.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_7\"\u003eMonitor Select Switch Toggle\u003c\/h3\u003e\r\n\u003cp\u003eOnce you’ve chosen which input pair you’d like to monitor via the Monitor Select Switch, the Toggle lets you monitor either the Left or Right channels in mono (sent to both channels) on the headphone amp, or to monitor in stereo. Forensic analysis of your audio signals has never been easier.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_8\"\u003eLED Meters\u003c\/h3\u003e\r\n\u003cp\u003eFollowing the Monitor Select Switch, the LED meter array will give you constant visual confirmation of your operating levels. Indispensable for managing gain as you finalize your productions.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450590654567,"sku":"140933","price":2599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-nicerizer_140933_1_f8c3c50a-8f8f-4359-a3d3-00f1268a09ab.jpg?v=1787093668"},{"product_id":"phoenix-audio-ascent-two-eq-demo-deal","title":"Phoenix Audio Ascent Two EQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Ascent Two EQ\u003c\/strong\u003e is a dual-mono (1RU) Gyrator EQ with the Phoenix Ascent Mic Preamp\/DI. It features a modern approach to Class A circuit design delivering a wide range of tones without sacrificing the beloved vibe of true Class A design.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePhoenix Ascent Mic Preamp\/DIs\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the Ascent Preamp\/DI a top-tier choice for engineers around the world and a modern day classic.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class A tones — from bold clarity to vintage warmth, and everything in between.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe custom-wound DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70 db alone) and the -30 dB pad against the variable output fader (which provides an additional 10 dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePowerful variable high pass filter from 70 Hz to 400 Hz allowing you the ability to control and shapes tones of all types.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003chr\u003e\r\n\r\n\r\n\u003ch3\u003ePhoenix Ascent Gyrator EQ\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePhoenix Audio's Ascent Gyrator EQ is one of today's most unique and musical EQs, allowing an incredible variety of sounds useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class A circuit saturation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix Ascent Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 15 kHz on down to a thumping 40 Hz. There's also a high pass filter at 80 Hz, which can eliminate rumble or be used \"against\" low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the Ascent Gyrator EQ's uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won't sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhoenix Audio's renowned DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By lowering the input attenuator and boosting the output signal, one can drive the DSOP-2 output stage for a wide variety of lush, Class A saturation. Or, do the opposite—back off on the output while boosting the input—and you'll get huge, clean, hi-fi tones. Many engineers even use the Ascent Gyrator EQ completely flat in order to simply add the musicality of the proprietary amplifier circuits.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Ascent Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class A EQs that just do \"their thing\" due to inherent distortion characteristics, the Ascent Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the Ascent Gyrator's straight-forward design and unerring musicality.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe sheen control brings life and vitality to your vocals and instruments by adding a super high frequency boost or cut and adding a sheen.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAscent Gyrator EQ Features:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 Bands of Gyrator EQ + High-Pass Filter\u003c\/li\u003e\r\n\u003cli\u003eHigh – 15, 10, 25 kHz 'sheen band'\u003c\/li\u003e\r\n\u003cli\u003eHi Mid – 6, 3, 16 kHz\u003c\/li\u003e\r\n\u003cli\u003eLow Mid – 800, 400, 200 Hz\u003c\/li\u003e\r\n\u003cli\u003eLow – 130, 80, 40 Hz\u003c\/li\u003e\r\n\u003cli\u003eHigh Pass Filter at 80 Hz, 12 dB\/octave\u003c\/li\u003e\r\n\u003cli\u003eEQ Cut\/Boost Levels\u003c\/li\u003e\r\n\u003cli\u003e16 dB Cut\/Boost Per Band\u003c\/li\u003e\r\n\u003cli\u003eAll EQ bands are stepped\/detented to 21 positions for easy recall \u0026amp; stereo operations for mastering or the mix bus\u003c\/li\u003e\r\n\u003cli\u003ePhoenix Audio's Class-A DSOP-2 Output Amplifier with custom-wound transformer\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450720579687,"sku":"158207","price":1669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-ascent-two-eq_97954_1_1_4619d28a-0179-4a61-a492-f0befb1b168f.jpg?v=1787094239"},{"product_id":"phoenix-audio-n-8-di-8-channel-microphone-preamp-demo-deal","title":"Phoenix Audio N-8 DI 8-Channel Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio N8-DI\u003c\/strong\u003e is the eight channel version of our ever popular Nice DI with the exact high quality, loved sound that incorporates our Class A discrete input design and our Class A discrete output amp and custom wound transformers that deliver a sweet sounding tone to your favourite instruments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe N8 was also designed to be compact, rugged and road worthy so making it an excellent companion for live touring, broadcast or for more traditional recording studios where you need excellent direct inputs. The unit features an external 24V PSU with lockable connector so can easily be portable wherever you go.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIts an excellent choice for guitar, bass or keyboards and many, many other instruments and the 10M ohm impedance means that you get the true \u0026amp; accurate sound of your instrument always without any sonic sacrifices.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eClass A multichannel (eight) DI Output specs.\u003c\/li\u003e\r\n\u003cli\u003eGain range : 30dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 20Hz to 20Khz +\/- 0.5dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output: +26dBu @ 1Khz\u003c\/li\u003e\r\n\u003cli\u003eNoise: –90dB @ 22Hz to 22KHz\u003c\/li\u003e\r\n\u003cli\u003eAdvantages: The Class A DI has a very high input impedance (10Mohm), without the use of FET’s. This means that the guitar pickups are not loaded as with a lower impedance input, and so allows every transient to be reproduced, making even a cheap guitar sound exceptional.\u003c\/li\u003e\r\n\u003cli\u003eInputs: 1\/4″ jack (TS) input on the front panel\u003c\/li\u003e\r\n\u003cli\u003eInputs: 1\/4″ jack (TS) through on the front panel\u003c\/li\u003e\r\n\u003cli\u003eOutput configuration: Transformer isolated, main balanced output (D-sub wired to Tascam DA88 standard) on the rear panel\u003c\/li\u003e\r\n\u003cli\u003eOutput configuration: Transformer isolated, monitor balanced output (D-sub wired to Tascam DA88 standard) on the rear panel that can be used in conjunction with main outputs.\u003c\/li\u003e\r\n\u003cli\u003eFully compliant external 24v @ 1amp PSU with lockable connector\u003c\/li\u003e\r\n\u003cli\u003ePad on every channel (15db) with illuminated switch\u003c\/li\u003e\r\n\u003cli\u003ePhase reverse on every channel with illuminated switch\u003c\/li\u003e\r\n\u003cli\u003eEarth ground lift on every channel with illuminated switch\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44450730606695,"sku":"159227","price":1169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_n8_di_front_1_b740dd93-f9d3-44bb-a21f-38e3f8d01f8b.jpg?v=1787094284"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/phoenix-audio.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}