{"title":"Pittsburgh Modular","description":null,"products":[{"product_id":"pittsburgh-modular-adsr","title":"Pittsburgh Modular ADSR","description":"\u003cp\u003eFour Stage Envelope Generator\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular ADSR\u003c\/strong\u003e is a four stage envelope generator with independently adjustable Attack, Decay, Sustain, and Release stages. This module does one thing amazingly well. The ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.\u003c\/p\u003e\r\n\u003cp\u003eThe functionality of the ADSR is simple. The incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the attack determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. Decay sets the amount of time needed to transition to the level set by the sustain knob. The sustain level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The release knob sets the time needed to close the envelope and return the ADSR output to 0 volts.\u003c\/p\u003e\r\n\u003cp\u003eADSR CONTROLS:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eATTACK Knob - Attack stage control.\u003c\/li\u003e\r\n\u003cli\u003eDECAY Knob - A=Decay stage control.\u003c\/li\u003e\r\n\u003cli\u003eSUSTAIN Knob - Sustain stage control.\u003c\/li\u003e\r\n\u003cli\u003eRELEASE Knob - Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eINPUT Jack - Gate or trigger input.\u003c\/li\u003e\r\n\u003cli\u003eRANGE Switch - Sets the range of the four stage controls.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT Jack - Envelope output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 6hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 35mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750941799,"sku":"50064","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_adsr_ed679b5c-318b-4965-8d51-ce199dbc7826.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-analog-replicator","title":"Pittsburgh Modular Analog Replicator","description":"\u003cp\u003eCleaner, dirtier, brighter, darker, and more versatile than any other analog BBD delay line effects unit available. The \u003cstrong\u003eAnalog Replicator\u003c\/strong\u003e is the astounding result of over a year of ambitious design and engineering.\u003c\/p\u003e\r\n\u003ch4\u003eA New Beginning\u003c\/h4\u003e\r\n\u003cp\u003eThe Analog Replicator was redesigned from scratch to be the finest analog delay available with a sound and feature set focused around the modular synthesizer.\u003c\/p\u003e\r\n\u003cp\u003eOur original Analog Delay module grew out of the circuitry of a guitar pedal. The new Analog Replicator module does not share the same stompbox lineage. Michael Johnsen, Pittsburgh Modular's analog engineer, created a modern BBD core fed by a unique clock source and proprietary signal processing circuits. The result is a flexible, more musical, eurorack delay module.\u003c\/p\u003e\r\n\u003ch3\u003eHow It Works\u003c\/h3\u003e\r\n\u003cp\u003eAt the heart of the Analog Replicator is a pair of 4,096 stage BBD chips. The name BBD stands for [B]ucket [B]rigade [D]evice in reference to a line of people passing buckets of water to quickly extinguish a fire.  Each stage of a BBD chip contains a single capacitor. Pairing two chips together creates a chain of 8,192 capacitors.  Like the water buckets, an audio signal is passed from capacitor to capacitor within the BBD chips once every clock step. A slower clock produces a longer delay and a faster clock produces a shorter delay.\u003c\/p\u003e\r\n\u003ch3\u003eMulti-Mode Delay\u003c\/h3\u003e\r\n\u003cp\u003eThe controls of the Analog Replicator can be used to produce a wide range of delay effects. The STAGES switch flips between 4,096 and 8,192 BBD stages. 4,096 uses a single BBD chip and 8,192 uses two. Using both BBD chips doubles the available delay time, perfect for echos and longer delays. Using a single BBD is useful for reverb and chorus effects. The SHORT\/LONG switch drastically adjusts the delay range. Using a single BBD, the SHORT range varies between 10ms and 175ms and the long range varies between 10ms and 1300ms. The SHORT mode produces bright, clean analog repeats. LONG mode is dark and grimy. Mud and clock noise (whine) begin to leak in and eventually take over as the Analog Replicator reaches the longest available delay time.\u003c\/p\u003e\r\n\u003ch3\u003eChorus and Reverb\u003c\/h3\u003e\r\n\u003cp\u003eThe design of the Analog Replicator allows it to mimic Chrous and Reverb effects. Setting the switches to 4,096 and SHORT, adjusting the TIME control to create shorter delays, and adding a small to medium amount of FEEDBACK, the Analog Replicator generates an analog reverb effect. Add modulation using the TIME CV IN to take advantage of a range of chrous like effects.\u003c\/p\u003e\r\n\u003ch3\u003eDelay Ranges\u003c\/h3\u003e\r\n\u003cp\u003e4,096 and SHORT Selected: 10ms to 175ms 8,192 and SHORT Selected: 20ms to 350ms\u003c\/p\u003e\r\n\u003cp\u003e4,096 and LONG Selected: 10ms to 1300ms (1.3 seconds) 8,192 and LONG Selected: 20ms to 2600ms (2.6 seconds)\u003c\/p\u003e\r\n\u003ch3\u003eAnalog Replicator Controls:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClock Controls: TIME Knob - Adjust the delay time.\u003c\/li\u003e\r\n\u003cli\u003eTIME CV IN Knob - CV attenuverter used to attenuate and\/or invert the incoming TIME CV signal.\u003c\/li\u003e\r\n\u003cli\u003e4,096 \/ 8,192 Switch - Select between 1 and 2 BBD chips. 8,192 doubles the amount of available delay range.\u003c\/li\u003e\r\n\u003cli\u003eSHORT \/ LONG Switch - Select between SHORT and LONG delay ranges. Short range is bright and clean, long range is dark and dirty.\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK Knob - Sets the number of repeats generated from the delay signal.\u003c\/li\u003e\r\n\u003cli\u003eINVERT POLARITY Switch - In the up position, the switch inverts the Feedback polarity. This setting has an interesting effect with shorter delay times.\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK CV IN Knob - CV attenuverter used to attenuate and\/or invert the incoming FEEDBACK CV signal.\u003c\/li\u003e\r\n\u003cli\u003eBYPASS Switch - Enable or disable the analog delay effect.\u003c\/li\u003e\r\n\u003cli\u003eSPILLOVER Switch - Enable or disable the analog delay effect. Feedback is allowed to trail off.\u003c\/li\u003e\r\n\u003cli\u003eINPUT DRIVE Knob - Audio signal input level contol.\u003c\/li\u003e\r\n\u003cli\u003eMIX CV IN Knob - CV attenuverter used to attenuate and\/or invert the incoming MIX CV signal.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT MIX Knob - Sets the signal mix sent to the MIX OUT jack.\u003c\/li\u003e\r\n\u003cli\u003eINPUT JACK - Audio signal input.\u003c\/li\u003e\r\n\u003cli\u003eTIME CV Input Jack - CV input used to modulate TIME (length of delay time).\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK (FBK) CV Input Jack - CV input used to modulate FEEDBACK amount.\u003c\/li\u003e\r\n\u003cli\u003eMIX CV Input Jack - CV input used to modulate the OUTPUT MIX.\u003c\/li\u003e\r\n\u003cli\u003eDELAY OUT Jack - Delayed signal only output.\u003c\/li\u003e\r\n\u003cli\u003eMIX OUT Jack - Mix of dry and delayed signal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 16hp\u003cbr\u003e Module depth: 35mm\u003cbr\u003e Power Usage: 45mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750876263,"sku":"50070","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_analog-replicator_0211c19f-c1b7-4c2a-b88f-70d645ad89c3.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-dual-vca","title":"Pittsburgh Modular Dual VCA","description":"\u003cp\u003eThe perfect voltage controlled amplifier for both audio and CV applications. The \u003cstrong\u003eDual VCA\u003c\/strong\u003e, high quality linear voltage controlled amplifiers with both offset gain, CV attenuation, and a mix out.\u003c\/p\u003e\r\n\u003cp\u003e2 Standalone VCAs Fully Buffered Mix Output CV Attenuator Knob Input Gain Knob CV Range: 0-5v\u003c\/p\u003e\r\n\u003ch3\u003eModule Controls\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA 1\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eCV IN 1 Jack - CV Input used to control the VCA. CV IN 1 Attenuator Knob - CV input attenuator. IN 1 - Signal Input PASSTHRU 1 Knob - Adjusts the passthru level of the input signal. OUT 1 - Signal Output\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eCV IN 2 Jack - CV Input used to control the VCA. CV IN 2 Knob - CV input attenuator. IN 2 - Signal Input PASSTHRU 2 Knob - Adjusts the passthru level of the input signal. OUT 2 - Signal Output MIX OUT - Fully Buffered mix of the VCA 1 and VCA 2 outputs.\u003c\/p\u003e\r\n\u003cp\u003eSize: 8hp\u003cbr\u003e Depth: 35mm\u003cbr\u003e Power Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750909031,"sku":"49989","price":119.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_dual-vca_2bb35c4b-e2da-459c-91c0-1a2929cdf610.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-crush","title":"Pittsburgh Modular Crush","description":"\u003cp\u003eThe \u003cstrong\u003eCrush\u003c\/strong\u003e is an audio destroyer; a voltage controlled, all analog sound decimator. A sonic laser designed to shatter waveforms into a million pieces. The sound of the Crush module is defined by three parameters, Sample Rate, Interpolation, and Mix. Sample Rate assigns the periodic voltage sample timing, breaking down an audio source into ever-larger static chunks. The Interpolate switch tries to rebuild the original waveform from the remaining pieces imprinting another layer of errors and unique artifacts on the output. The results are crushing.\u003c\/p\u003e\r\n\u003cp\u003eThe Crush wrecks audio without ever sounding harsh or thin. Compared to a digital bit crusher, the analog Crush sounds full and warm. Taking advantage of unlimited bit and sample rate resolutions, the Crush avoids lo-fi digital results by smoothly downsampling at infinite resolution.\u003c\/p\u003e\r\n\u003cp\u003eAn integrated voltage controlled mix circuit allows the perfect amount of destruction to be added to the audio. Manually set the mix or use a control voltage to sweep from squeaky clean to completely crushed.\u003c\/p\u003e\r\n\u003ch3\u003eCrush Controls:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSample Rate Control - Sample rate control.\u003c\/li\u003e\r\n\u003cli\u003eSample Rate CV In Control - Sample Rate CV input jack attenuator.\u003c\/li\u003e\r\n\u003cli\u003eInterpolate\/Step Mode Switch - Step mode offers true downsampling. Interpolate mode attempts to smooth the downsampled waveform.\u003c\/li\u003e\r\n\u003cli\u003eOutput Mix Control - Controls the signal mix of the Mix Out.\u003c\/li\u003e\r\n\u003cli\u003eMix CV In Control - Mix CV input jack attenuator.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCrush Patch Points:\u003c\/strong\u003e SR CV IN - CV input modulates the Sample Rate. MIX CV IN - CV input modulates the Output Mix. INPUT - Waveform Input. CRUSH OUT - Processed waveform output. OUTPUT - Mixed waveform output.\u003c\/p\u003e\r\n\u003cp\u003eSize: 8hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 45mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750974567,"sku":"50066","price":122.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_crush_1a649e84-63bd-44b4-b498-fd698c4acb78.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-envelope","title":"Pittsburgh Modular Envelope","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Envelope\u003c\/strong\u003e is a complex multi-stage envelope generator with voltage controllable attack and decay\/release. Using the sustain switch to toggle between modes, the Envelope functions as either a 2 stage attack-decay envelope or a 3 stage attack-sustain-release envelope.\u003c\/p\u003e\r\n\u003cp\u003eThe Envelope response for attack and decay\/release is continually adjustable between logarithmic, linear, and exponential allowing for precision envelope shaping. Cycle times range from .8ms or 1250Hz at the shortest to at the longest.\u003c\/p\u003e\r\n\u003cp\u003eThis module is incredibly versatile.  It can perform as a:\u003c\/p\u003e\r\n\u003cp\u003eVoltage Controlled Envelope Generator Voltage Controlled Slewing (Portamento) Envelope Follower VCO and Voltage Controlled LFO VC pulse delay VC wave shaper\u003c\/p\u003e\r\n\u003ch4\u003eTo Use the Envelope as an Envelope...\u003c\/h4\u003e\r\n\u003cp\u003eSet the Envelope to the default settings. Input a gate signal to the Input jack. Adjust the ATTACK knob to control the attack stage of the envelope. Use the SUSTAIN ON\/SUSTAIN OFF Switch to turn sustain on\/off. Left for off, right for on. Adjust the DECAY\/RELEASE control to adjust the decay\/release stages. When sustain is off, the DECAY\/RELEASE knob acts as a decay control. When sustain is on, the DECAY\/RELEASE knob acts as a release control.\u003c\/p\u003e\r\n\u003ch4\u003eTo Use the Envelope as a Voltage Controlled Envelope...\u003c\/h4\u003e\r\n\u003cp\u003eSet the Envelope to the default settings. Input a gate signal to the INPUT jack. Adjust the ATTACK knob to control the attack stage of the envelope. Adjust the SUSTAIN ON\/SUSTAIN OFF Switch to turn sustain on\/off. Left for off, right for on. Adjust the DECAY\/RELEASE control to adjust the decay\/release stages.\u003c\/p\u003e\r\n\u003cp\u003eThe top row of jacks (RISE CV, BOTH CV, FALL CV) are CV inputs that control the Attack stage, BOTH the Attack and Decay\/Release stage, and Decay\/Release stage respectively. The ATTACK NON-LINEARITY\/CV IN knob and the DECAY NON-LINEARITY\/CV IN knob are attenuverters that positively (turn the knob to the right of 12 0'clock) or negatively (turn the knob to the left of 12 o'clock) control the amount of CV applied to the Attack (RISE) or Decay\/Release (FALL) stages.\u003c\/p\u003e\r\n\u003ch4\u003eTo Adjust the Response Curve of the Rise and Fall Controls Individually...\u003c\/h4\u003e\r\n\u003cp\u003eThe ATTACK NON-LINEARITY\/CV IN and DECAY\/RELEASE NON-LINEARITY\/CV IN knobs each serve a dual function. The ATTACK and DECAY\/RELEASE control response can be adjusted from logarithmic to linear to exponential, or anything in between. The following example uses the Attack controls but the Decay\/Release works in the same way. Switch the Attack LINEAR\/NON-LINEAR switch to Non-Linear. This enables the ATTACK NON-LINEARITY\/CV IN control to control the response curve of the Attack. Turning the ATTACK NON-LINEARITY\/CV IN full counter-clockwise will set the Attack response to logarithmic. Turning the ATTACK NON-LINEARITY\/CV IN to 12 o'clock sets the response to linear. Turning the ATTACK NON-LINEARITY\/CV IN full right will set the Rise response to exponential.\u003c\/p\u003e\r\n\u003ch4\u003eTo Use the Envelope as an LFO or A Voltage Controlled LFO...\u003c\/h4\u003e\r\n\u003cp\u003eSet the Envelope to the default settings. Switch the CYCLE ON\/CYCLE OFF switch to on (up). The attack and decay\/release stages act as the waveshape and frequency controls. Turning the ATTACK and DECAY\/RELEASE knobs to the left creates a very high frequency triangle wave. Adjusting the the ATTACK and\/or DECAY\/RELEASE knobs to the right lower the frequency and modify the wave shape. The ATTACK knob controls the left side of the wave shape.  The DECAY\/RELEASE adjusts the right side of the waveform. Switching a LINEAR\/NON-LINEAR  switch to non-linear allows the corresponding NON-LINEARITY\/CV IN knob to further shape the waveforms.\u003c\/p\u003e\r\n\u003cp\u003eThe top row of jacks (RISE CV, BOTH CV, FALL CV) are CV inputs that control the Attack stage, BOTH the Attack and Decay\/Release stage, and Decay\/Release stage respectively. The ATTACK NON-LINEARITY\/CV IN knob and the DECAY NON-LINEARITY\/CV IN knob are attenuverters that positively (turn the knob to the right of 12 0'clock) or negatively (turn the knob to the left of 12 o'clock) control the amount of CV applied to the Attack (RISE) or Decay\/Release (FALL) stages. Using the BOTH CV input jack allows the Envelope module to function as a voltage controlled LFO.\u003c\/p\u003e\r\n\u003ch3\u003eEnvelope Controls:\u003c\/h3\u003e\r\n\u003cp\u003eLINEAR ATTACK \/ NON-LINEAR ATTACK SWITCH - Determines the response type of the attack portion of the envelope. Set to linear, the response is always linear. Set to non-linear, the response is assigned using the attack NON-LINEARITY\/CV IN attenuator. Full left offers a logarithmic response, setting the knob to 12 o'clock provides a linear response, and turning the knob full right results in an exponential response.\u003c\/p\u003e\r\n\u003cp\u003eATTACK CONTROL KNOB - Adjusts the attack time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eATTACK NON-LINEARITY\/CV IN ATTENUVERTER - Multifunction attenuverter used to attenuvert incoming attack CV. Turning the knob left of 12 o'clock results in attenuated inverted CV. At 12 o'clock, the CV response is off. Turning the knob to the right of 12 o'clock results in attenuated CV.\u003c\/p\u003e\r\n\u003cp\u003eSUSTAIN ON\/OFF SWITCH - Changes the envelope response. Set to off (left), the envelopes functions as an attack-decay envelope generator. Set to on (right), the envelope functions as an attack-sustain-release envelope generator.\u003c\/p\u003e\r\n\u003cp\u003eLINEAR DECAY\/RELEASE \/ NON-LINEAR DECAY\/RELEASE SWITCH -  Determines the response type of the decay\/release portion of the envelope. Set to linear, the response is always linear. Set to non-linear, the response is assigned using the decay\/release NON-LINEARITY\/CV IN attenuator. Full left offers a logarithmic response, setting the knob to 12 o'clock provides a linear response, and turning the knob full right results in an exponential response.\u003c\/p\u003e\r\n\u003cp\u003eDECAY\/RELEASE CONTROL KNOB - Adjusts the decay\/release time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eDECAY\/RELEASE NON-LINEARITY\/CV IN ATTENUVERTER - Multifunction attenuverter used to attenuvert incoming decay\/release CV. Turning the knob left of 12 o'clock results in attenuated inverted CV. At 12 o'clock, the CV response is off. Turning the knob to the right of 12 o'clock results in attenuated CV.\u003c\/p\u003e\r\n\u003cp\u003eCYCLE ON\/OFF SWITCH - Set to on (up), the envelope will retrigger the attack stage at the end of the decay\/release stage causing the Envelope module to cycle.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eENVELOPE PATCH POINTS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRISE CV IN - Attack CV input. * BOTH CV IN - Attack and decay\/release CV input.\u003c\/li\u003e\r\n\u003cli\u003eFALL CV IN - Decay\/release CV input. * SIGNAL INPUT - Main signal input.\u003c\/li\u003e\r\n\u003cli\u003eEND OF ATTACK OUT - Gate signal output. Signal goes high at end of attack stage.\u003c\/li\u003e\r\n\u003cli\u003eTRIGGER OUT - Trigger output. Trigger created at end of decay\/release stage.\u003c\/li\u003e\r\n\u003cli\u003eSIGNAL OUT - Main signal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 8hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 35mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751007335,"sku":"49988","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_envelope_c1a72a1d-aa53-4373-89d5-b766cf7f9597.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-filter","title":"Pittsburgh Modular Filter","description":"\u003cp\u003eThe \u003cstrong\u003eFilter\u003c\/strong\u003e is a voltage controlled, analog, state variable filter. The state variable topology was chosen because it allowed us to produce a very smooth and natural sounding filter, in addition to offering several other modes of operation, each with a unique sound and energy all their own.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eThere Is No Sweet Spot\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Filter defines the Jekyll and Hyde sound of Pittsburgh Modular. On the one hand, it offers a warm, organic sweep through the full frequency range.  The lowpass filter is gummy and relaxed while the highpass is clean and defined.  On the other hand, switching into oscillator mode turns the Filter into a howling beast capable of chunky walls of distortion and noise.  The goal was to produce a filter that does not have a single sweet spot. We worked to make every turn of a knob or flip of a switch offer something new and musically engaging.\u003c\/p\u003e\r\n\r\n\u003ch4\u003eFilter Responses\u003c\/h4\u003e\r\n\r\n\u003cp\u003eMultiple filter responses are available simultaneously including lowpass, highpass, and bandpass. The fourth filter response is a variable response that shifts between lowpass, notch, and highpass.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eControls:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eQ Pot: Adjusts the resonance (Q) of the filter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFREQ Pot: Adjusts the Frequency of the filter.\r\nL-H Pot: Sweeps between lowpass, notch, and highpass filters.\r\nQCV Pot and Jack: Resonance (Q) control voltage input and attenuverter.\r\nFCV Pot and Jack: Frequency control voltage input and attenuverter.\r\n1-Q Switch: Switch between Gain to 1 (VCA Mode) and Gain of Q (Standard Mode)\r\nF-O Switch: Switch between Filter and Oscillator Modes\r\nLOW Jack: Lowpass Output\r\nL-H Jack: Output based off of the L-H Pot\r\nHI Jack: Highpass Output\u003c\/p\u003e\r\n\r\n\u003ch4\u003eSwitch It Up\u003c\/h4\u003e\r\n\r\n\u003cp\u003eTwo switches, Gain and Mode, further expand the capabilities of the Filter. The Gain switch modifies the functionality of the Q while the Mode switch toggles between filter and oscillator modes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGain Switch (1-Q) Setting the Gain switch to \"1\" adds an inverted VCA response to the Q. Increasing the resonance (Q) decreases the output level of the Filter. An example patch would be to set the Gain switch to \"1\" and send a control voltage from an envelope generator to the QCV input.  Switching the Gain switch to \"Q\" returns the standard filter Q response.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Mode switch (F-O) switches between Filter and Oscillator modes. Set to (F)ilter, the Pittsburgh Modular Filter will not self oscillate, and operates as a clean, organic filter. Set to (O)scillator and without an incoming audio signal, the Filter produces a high quality voltage controlled sine wave. Adjusting the Q while in (O)scillator mode modifies the shape of the waveform.  Add an incoming audio signal to the (O)scillator mode and the output changes dramatically.  At normal settings the incoming signal modulates the self oscillating filter to produce complex sounds. At more extreme settings, where the Filter starts to struggle with self oscillation, the Q adds anything from ringing fuzz to heavy distortion to the incoming audio.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 12hp\r\nDepth: 35mm\r\nPower Usage: 31mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751040103,"sku":"49987","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_filter_cbd2fb28-741b-46b8-ae38-b2578268d658.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-foundation-3-1","title":"Pittsburgh Modular Foundation 3.1","description":"\u003ch2\u003eFire Breathing Dragon\u003c\/h2\u003e\r\n\u003cp\u003eNext Generation Modular Housed in our stunning new Move[104] Black road case and controlled with the feature packed Midi 3 module, the \u003cstrong\u003eFoundation 3.1 Synthesizer\u003c\/strong\u003e is the continuing evolution of a classic. 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Each game represents a different type of sequencing, from classic step sequencers, to unique multi-dimensional clock dividers, to chaotic gate generators. Individual sequencers in the Game System would make great standalone modules. Bundled together, they offer an entire arcade of sequencing options, with lots of room for creativity.\u003c\/p\u003e\r\n\u003ch3\u003eA Unique Set of Controls\u003c\/h3\u003e\r\n\u003cp\u003eThe Game System uses a thumb joystick and button press interface for fast and intuitive navigation of the sequencers. Joystick movements and button presses are voltage controllable, inviting external CV and gate signals to take control of the gaming experience. The Game System can also be computer controlled, freeing the sequencers to shift and morph with the zeros and ones.\u003c\/p\u003e\r\n\u003ch4\u003eGame 1: Meteor Shower\u003c\/h4\u003e\r\n\u003cp\u003eMeteor showers have inspired musicians since the dawn of time. The Game System transforms these celestial events into an 8x8 matrix filled with pixelated meteors, explosions, and one panicked spaceship. Pilot your unarmed ship through the matrix while dodging falling meteors. Explosion based gates and random control voltages react to the action and provide the perfect score to the amazing events taking place in the simulated night sky. God speed, fearless astronauts.\u003c\/p\u003e\r\n\u003ch4\u003eGame 2; Music Programmer (CV\/Gate Sequencer)\u003c\/h4\u003e\r\n\u003cp\u003eCreate your own musical masterpiece, a melody that defines a generation. Music Programmer is a classic 32 step CV and gate sequencer that is programmed with the joystick or auto generated using control voltages. Sequences can vary in length from 1 to 32 steps and can be played in forward, reverse, pendulum, or random order. CV output is quantized to 1 volt per octave to keep the resulting patterns well tempered.\u003c\/p\u003e\r\n\u003ch4\u003eGame 3: Percussion Programmer (4 Channel Gate Sequencer)\u003c\/h4\u003e\r\n\u003cp\u003eHmm.... Percussion can mean anything. A short (or long) burst of sound (or silence) used to create rhythmic patterns (or not) that drive (or don't) the beat of a song (or endless noodle). Regardless of the definition, the Percussion Programmer game features four channels of programmable gate sequencing that can be used for, um... anything. Rock and roll would probably assign the channels to kick, snare, high hat, and crash while EDM would go with something closer to kick, high hat, kick, and kick. Whatever gets you moving....\u003c\/p\u003e\r\n\u003ch4\u003eGame 4: Time Traveller (4 Channel Clock Divider)\u003c\/h4\u003e\r\n\u003cp\u003eA way to be in four places at once. Time Traveller is the first two dimensional clock divider. A game that shifts outputs freely within clock divisions and offsets. Using the idea of a time grid, clock divisions from 1 to 8 are laid out on the x axis allowing the y axis to be assigned to 8 steps of offset. The four outputs can be independently set to a static location, or allowed to freely roam the time grid creating unpredictable results. Time travel can be complicated; don't forget your towel.\u003c\/p\u003e\r\n\u003ch4\u003eGame 5: Probability Machine (2 Channel Chaotic Gate Generator)\u003c\/h4\u003e\r\n\u003cp\u003eThe real world is a crazy place and music should reflect that. The Probability Machine creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some multiple of the clock, allowing for stuttering but not disjointed patterns. The density of the gates is based on a two dimensional probability field. The X axis defines the potential of an event and the Y axis defines the the depth of the event while the joystick button adds additional layers of complexity to the outputs. Spaztastic!\u003c\/p\u003e\r\n\u003ch4\u003eGame 6: Euclidean Rhythms (Algorithmic Gate Sequencer)\u003c\/h4\u003e\r\n\u003cp\u003eImpress your friends by applying all that geometry you learned in school. Inspired by the paper by Godfried Toussaint, the Euclidean Rhythms game is an auto-generating gate pattern sequencer that organizes complexity. Mathematically, the Euclidean Rhythms sequencer works to evenly space the number of active beats over the length of the sequence. Musically, the Euclidean Rhythms effortlessly creates organic patterns steeped in both western and non-western musical philosophies. Add a bit of CV control to create sequences that evolve with the incoming voltages and suddenly math never sounded so good.\u003c\/p\u003e\r\n\u003cp\u003eSize: 10hp\u003cbr\u003e Depth: 36mm \u003cbr\u003ePower Usage: The Game System uses a lot of power. Depending on the number of LEDs lit, power consumption can vary from 60mA to 200mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751335015,"sku":"50067","price":224.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_game-system_c8622f4e-d5de-4e5a-9899-ef84c108a95f.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-lfo2","title":"Pittsburgh Modular LFO2","description":"\u003cp\u003eA utility \u003cstrong\u003eDual LFO\u003c\/strong\u003e module.  The module uses two different types of low frequency oscillator circuits to provide a variety of modulation options.\u003c\/p\u003e\r\n\u003ch4\u003eLFO 1 (top)\u003c\/h4\u003e\r\n\u003cp\u003eA triangle based low frequency oscillator that utilizes FREQUENCY and SHAPE controls to generate shifting waveforms.  Adjusting the SHAPE control varies the shape of the SHAPE output from sawtooth (full left)  to triangle (12 o'clock) to ramp (full right) and also adjusts the pulse width of the PULSE output.\u003c\/p\u003e\r\n\u003ch4\u003eLFO 2 (bottom)\u003c\/h4\u003e\r\n\u003cp\u003eA simple triangle based low frequency oscillator with FREQUENCY knob and RANGE switch to control the frequency of the TRIANGLE and SQUARE outputs.\u003c\/p\u003e\r\n\u003ch3\u003eModule Controls\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO 1\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY Knob - Adjust the frequency of LFO 1.\u003c\/li\u003e\r\n\u003cli\u003eShape Knob - Modifies the shape of the SHAPE and PULSE outputs.\u003c\/li\u003e\r\n\u003cli\u003eSHAPE Jack - Saw \/ Triangle \/ Ramp Wave Output\u003c\/li\u003e\r\n\u003cli\u003eRANGE Switch - Switches the frequency range of LFO 1.\u003c\/li\u003e\r\n\u003cli\u003ePULSE - Square \/ Pulse Wave Output\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY Knob - Adjust the frequency of LFO 2.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE Jack - Triangle Wave Output\u003c\/li\u003e\r\n\u003cli\u003eRANGE Switch - Switches the frequency range of LFO 2.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE Jack - Square Wave Output\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 6hp\u003cbr\u003e Depth: 35mm\u003cbr\u003e Power Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751433319,"sku":"49981","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_lfo2_ca8aac38-3e08-414c-a5df-2919921b6f4f.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-lopass-gate","title":"Pittsburgh Modular LoPass Gate","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Lopass Gate\u003c\/strong\u003e module is a new take on a classic. Our intention was not to clone but to reengineer and expand on the original idea. Our module includes an amazing new self-oscillating resonance circuit and a quieter vactrol based VCA circuit with true unity gain. Voltage control of the module is handled using an invertible, attenuated input and ping input. The ping input takes any gate or square wave and converts it into a very tight trigger used to ping the vactrol.\u003c\/p\u003e\r\n\u003cp\u003eIn lowpass filter mode, frequency sweeps are warm and buttery and resonance is smooth and controlled until it gets near self oscillation. At this point the Pittsburgh Modular LPG module turns into a shouting beast. High resonance creates an edgier, shattered, more direct sound. It never loses control but is always teetering on the edge. Having both the smooth and snarling responses available creates a filter that is perfect for almost any situation.\u003c\/p\u003e\r\n\u003cp\u003eIn VCA mode, we worked very hard to reduce the bleed associated with most lopass gate circuits without resorting to tricks like adding an a traditional VCA after the vactrol circuit. After considerable effort, we succeeded in creating a vactrol based VCA that is identical or better in performance to our 2164 based Dual VCA module.\u003c\/p\u003e\r\n\u003cp\u003eAll the work we did on the filter and VCA come together with the lopass gate mode. The buttery warmth of the filter teams with the best attributes of the vactrol based VCA to create an impressive take on the original lopass gate.\u003c\/p\u003e\r\n\u003ch3\u003eHistory \u0026amp; Theory Behind the Lopass Gate\u003c\/h3\u003e\r\n\u003cp\u003eThe lopass gate module is unique in the way that it simulates the characteristics of natural instruments. When used in lopass gate mode, louder sounds contain more harmonic content and quieter sounds contain less harmonic content. This is not the case when using a standard VCA such as the Pittsburgh Modular Dual VCA module. A standard VCA simply changes the loudness of the sound without changing the harmonic content. There is no reason that synthesizers need to simulate how acoustic instruments function but because of how it affects the harmonic content of sound, a lowpass gate sounds more organic or natural compared to a standard filter\/vca chain.\u003c\/p\u003e\r\n\u003cp\u003eThe circuitry behind the lopass gate has evolved over the years to include resonance and more complex modulation options but the ability to switch between voltage controlled amplifier, low pass filter, and a third mode which uses both the VCA and filter together remains at the core of the modules functionality. A lot of the characteristics associated with the lopass gate circuit come from the use of vactrols. A vactrol is an optoelectronic device consisting of an LED and light detector enclosed in a light tight package. The elements of the vactrol are optically coupled and electrically isolated from each other. When the LED within the vactrol turns on, the light detector reacts very quickly creating a very sharp attack, however, when the LED turns off, the light detector within the vactrol does not react as quickly and closes more slowly. That slow decay or ringing is the quality most associated with the lopass gate. Therefore, using a very short trigger to ping the vactrol will not result in a very short sound, instead the result is an organic percussive sound with an natural sounding decay.\u003c\/p\u003e\r\n\u003cp\u003eThe lopass gate uses a Sallen-Key filter. The Sallen-Key filter is a 2 pole 12db filter with a very buttery, natural sound. In addition to the lopass gate, the Sallen-Key filter was used as the core of Korg's classic MS-10 and MS-20 filters. Although the Korg filters are remembered for their biting growl, that has more to do with the resonance then with the filter itself.\u003c\/p\u003e\r\n\u003ch3\u003eLPG Controls\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Control Knob: In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/li\u003e\r\n\u003cli\u003eResonance Control knob: In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/li\u003e\r\n\u003cli\u003eMode Switch: Switch between the 3 module modes. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and FILTER position (down) enables low pass filter mode.\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV Input Control Knob, CV Input, and Invert Switch: CV input controls. The CV input knob attenuates the incoming cv signal. Invert switch inverts the incoming CV signal.\u003c\/li\u003e\r\n\u003cli\u003eInput Jack: Signal Input\u003c\/li\u003e\r\n\u003cli\u003ePing Jack: Gate or trigger input used to ping the vactrol and quickly modulate the frequency of the module.\u003c\/li\u003e\r\n\u003cli\u003eOutput Jack: Signal Output\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 8hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751367783,"sku":"49986","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_lpg_3443f576-7133-4b6c-8a74-31db8d2fefe9.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-mix-mult","title":"Pittsburgh Modular Mix Mult","description":"\u003cp\u003e3 Channel Mixer\r\n2 Passive Multiples\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eMix Mult\u003c\/strong\u003e is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and\/or attenuator and two sets of passive multiples.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe mixer\/attenuator section functions as a flexible, low-noise three channel mixer and\/or attenuator for audio and CV that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe bottom of the module contains two sets of passive multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWidth: 8hp\r\nModule depth with ribbon cable attached: 25mm\r\nPower Usage: 20mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751400551,"sku":"49985","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_mix_mult_1_4bb51941-80cc-4b17-a74b-a1318d3ef839.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-midi-3","title":"Pittsburgh Modular Midi 3","description":"\u003cp\u003eThe \u003cstrong\u003eMidi 3\u003c\/strong\u003e is our third generation Midi to CV converter packed with a robust list of features. It includes a complete set of mono and duophonic midi response modes, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, midi and external gate clock dividers, and multiple arpeggiator responses. This module is deep.\u003c\/p\u003e\r\n\u003cp\u003eA midi to cv module converts standard midi note messages into the analog control voltages used by modular and other analog synthesizers. This allows the synthesizer to be controlled by a midi keyboard, sequencer, or DAW. The two CV outputs on the Midi 3 can be used to control the pitch of an oscillator, cutoff frequency of a filter, or any other function that requires a control voltage signal. The set of Gate outputs on the Midi 3 can be used to trigger envelope generators or other modules expecting a gate or clock source.\u003c\/p\u003e\r\n\u003ch3\u003eThe Midi 3 Module has 3 Distinct Performance Modes:\u003c\/h3\u003e\r\n\u003cp\u003eMonophonic - Monophonic mode works great when using a modular as a single voice synthesizer patch. Channel 2 Gate and CV outputs mirror the outputs of Channel 1. Monophonic mode has several keyboard responses to choose from. Last note priority, low note priority, and high note priority. Each response is available with and without gate retriggering.\u003c\/p\u003e\r\n\u003cp\u003eDuophonic - The Midi 3 module uses the two sets of Gate and CV outputs to allow two notes to be played simultaneously. The first midi note is sent to Channel 1 Gate and CV outputs and the second is sent to Channel 2 Gate and CV outputs. Duophonic mode has three keyboard response modes to choose from. Unused channel and new note priority, unused channel and low note priority, and split keyboard priority. Duophonic mode is perfect when working with a two voice modular synthesizer patch.\u003c\/p\u003e\r\n\u003cp\u003eArpeggiator - The Midi 3 module includes a robust arpeggiator mode with multiple mono and duophonic responses to choose from. Available responses are monophonic response as played, double triggered monophonic response as played, random monophonic response, random monophonic with a random Channel 2 gate, and random duophonic response with dual random gates. The arpeggiator can be clocked using tap tempo, midi clock, or external gate.\u003c\/p\u003e\r\n\u003ch3\u003eThe Midi 3 Module has 3 Clock Modes:\u003c\/h3\u003e\r\n\u003cp\u003eInternal Clock - The internal Midi 3 clock utilizes the tap tempo button to modify the rate of the internal clock. The internal clock is used to clock the arpeggiator and is also output to the CLOCK jack.\u003c\/p\u003e\r\n\u003cp\u003eExternal Midi Clock - The external midi clock responds to midi start\/stop messages and midi tempo from an external midi clock source. The external midi clock is used to clock the arpeggiator and is also output to the CLOCK jack. In external midi clock mode, the tap tempo button cycles through five available clock divisions.\u003c\/p\u003e\r\n\u003cp\u003eExternal Gate Clock - The external gate clock responds to gate signals patched into the CLOCK jack. The external gate clock is used to clock the arpeggiator. In external gate clock mode, the tap tempo button cycles through six available clock divisions.\u003c\/p\u003e\r\n\u003ch3\u003eAdditional Features of the Midi 3:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAssignable Midi Channel - The Midi 3 can be assigned to respond to all channels or any individual midi channel.\u003c\/li\u003e\r\n\u003cli\u003eAssignable Pitch Bend Range - The range of pitch bend can be set to +\/- 2 notes, +\/- 5th, +\/- 1 octave, +\/- 2 octaves.\u003c\/li\u003e\r\n\u003cli\u003eControl Change Output - CC response of 0-5v.\u003c\/li\u003e\r\n\u003cli\u003eAssignable Control Change Channel Assign - Assign the midi CC channel the Midi 3 responds to.\u003c\/li\u003e\r\n\u003cli\u003eVelocity Output - Velocity response of 0-5v based on active note.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 6hp\u003cbr\u003e Depth: 35mm\u003cbr\u003e Power Usage: 50mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751498855,"sku":"49973","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_midi3_40fae534-3b9b-448b-8cbb-e752320cc7ca.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-mixer","title":"Pittsburgh Modular Mixer","description":"\u003cp\u003e4 Channel Mixer\r\n4 Independent Attenuators\r\n2 Attenuators and a 2 Channel Mixer\r\n1 Attenuator and a 3 Channel Mixer\u003c\/p\u003e\r\n\r\n\u003cp\u003eA flexible, low-noise four channel \u003cstrong\u003eMixer\u003c\/strong\u003e and\/or attenuator for audio and cv that can be used in several ways.  Three of the four channels have an output that removes the channel from the mixer circuit and allows it to become a standalone attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe pots are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePatching the output of channel 1, 2, or 3 will remove it from the mixer circuit.  Channel 4 can not be removed from the mixer circuit, however if channel 1, 2, and 3 are all being used as attenuators, channel 4 is the only input remaining in the mixer allowing it to be used as a buffered attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe power connector is mounted on the back horizontally.  +12v is located on the inside (or right) of the connector and -12v is on the left side (or edge) of the module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWidth: 8hp\r\nModule Depth 20mm with a power cable connected\r\nPower Usage: 20mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751466087,"sku":"49984","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_mixer_824e0e2f-34e1-4505-bc2a-18adfa753f98.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-oscillator-v2","title":"Pittsburgh Modular Oscillator V2","description":"\u003cp\u003eA wide range, compact, analog VCO with a simple but 100% useful feature set. The streamlined\u003cstrong\u003e Oscillator\u003c\/strong\u003e shares the same saw wave oscillator core circuitry as the larger Waveforms oscillator module providing it with massive analog triangle, saw, and pulse waves. The Oscillator offers 5 octaves of 1 volt per octave tracking, a frequency range starting as low as 7 seconds per cycle, allowing it to double as a reliable voltage controlled LFO, and an attenuated CV input that can be used for linear frequency modulation or pulse width modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSimultaneous Triangle, Saw, and Pulse Wave Outputs\r\nExcellent Logarithmic Conformance\r\nTemperature Compensated 1 Volt Per Octave Operation\r\nSawtooth Wave Based Oscillator Circuit\r\nLinear Frequency Modulation\r\nPWM Input: 5% to 95%\r\nLFO Below Audio Frequency Operation\u003c\/p\u003e\r\n\r\n\u003ch3\u003eOscillator Controls:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrequency and Fine Tune Controls - Full range sweeping coarse tune and limited range fine tune knobs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Input - Frequency modulation or pulse width modulation CV input and attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFM\/PW Switch - CV Input frequency modulation or pulse width modulation destination selector switch.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOscillator Patch Points:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1V\/O IN - One volt per octave CV input.\r\nTRIANGLE WAVE OUT - Triangle wave output.\r\nSAW WAVE OUT - Saw wave output.\r\nPULSE WAVE OUT - Pulse wave output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 6hp\r\nModule depth: 35mm\r\nPower Usage: 25mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751531623,"sku":"50063","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_osc_0a2c2741-50c8-4ef9-83fd-d5481b72afb8.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-outs","title":"Pittsburgh Modular Outs","description":"\u003cp\u003eThe best way to get sound out of a modular. \u003cstrong\u003eOuts\u003c\/strong\u003e is a dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\" line level outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLeft and Right inputs are available. If only the left input is used, it is sent to both the Left and Right outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 6hp\r\nDepth: 39mm\r\nPower Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751564391,"sku":"49990","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_outs_a36eebfa-7c40-485b-8250-cbfcda74729a.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-phase-shifter","title":"Pittsburgh Modular Phase Shifter","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Phase Shifter\u003c\/strong\u003e is a complex, 16 stage, analog effect module designed to expand on the classic swirls, rich swooshes, and doppler effects associated with the phaser.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Phase Shifter has a single 16 stage audio signal path to create a very rich, full sound. Phased audio outputs are tapped from stages 7, 8, 15, and 16.  Stages 8 and 16 each have a mix output that allow the phased signal to be mixed with an attenuvertable dry signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFour CV inputs, an onboard LFO, and multiple CV routing options allow for maximum flexibility and extremely deep modulation options. The CV inputs are split into 2 groups. The first group of CV inputs controls either all 16 stages or just stages 1-8. The second group of CV input controls stages 9-16 and is switchable on or off. All CV signals routed to stages 9-16 can be inverted. Resonance can be positive or negative and the module will self oscillate in either direction.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo modulate the phase shifter circuit, the module includes a wide range low frequency oscillator. The LFO range varies from 1 minute per cycle to well into audio range. The triangle wave of the LFO is hardwired to modulate the frequency of all 16 channels of the Phase Shifter. External modulation sources are handled using 2 sets of CV inputs. Each set includes an invertible, uni-polar CV input that accepts 0v to 5v modulation signals and a bi-polar CV input which accepts -5v to +5v signals. All of the modulation CV inputs can be used simultaneously and can be mixed with the internal LFO to create very complex frequency modulations. Stages 1-8 and 9-16 can be modulated together or independently using the available switches and CV inputs.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHistory and Theory Behind the Phase Shifter\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe origin of the phase shifter as an electronic effect starts with the studio tape technique of flanging. The technique involved playing identical copies of audio through two different tape machines simultaneously and pressing on the flange of one machine to slow down the tape. This action shifted the sound slightly out of sync to the first tape machine and created a moving notch filter effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronically, the effect is created using a series of all-pass filters. Each all-pass filter stage shifts the phase of the audio signal by 90°. Chaining a series of all-pass filters together creates a larger amount of shift and a richer sounding effect. Mixing the dry, unshifted signal with the wet, shifted signal produces a notch filter effect. The notch filter effect is caused by the interaction of the 2 waves. Some frequencies are canceled out and some are reinforced creating peaks and troughs in the frequency spectrum. For every 2 stages (180° of shift) another peak and trough is created. More notches in a notch filter the deeper the effect. The real magic of the phase shifter becomes apparent when the center frequency of each stage is modulated using an triangle wave or other modulation source to produce the signature sweeping sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePhase Shifter Control Descriptions\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrequency Control Knob: Adjusts the center frequency.\u003c\/p\u003e\r\n\r\n\u003cp\u003eResonance Control knob: Adjusts the amount of resonance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Frequency Control Knob: Adjusts the rate of the LFO.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Send Level: Adjusts the amount of LFO used to modulate the frequency. Full left is off.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Triangle Wave Out and Square Wave Out: Individual LFO waveform outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO Range Switch: Adjust the frequency range of the LFO.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs Uni-Polar CV In Control Knob, CV Input, and Invert Switch: Main uni-polar CV input for all 16 stages. Control knob adjusts the incoming CV level. Invert switch inverts the incoming CV signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs Bi-Polar CV In Control Knob and CV Input: Main bi-polar CV input for all 16 stages. Control knob adjusts the incoming CV level.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnable CV Inputs 9-16 Switch: Enables or disables CV Inputs 9-16 section. When enabled, external modulation for stages 9-16 uses the CV Inputs 9-16 section instead of the CV Inputs section.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInvert CV Stages 9-16 Switch: Invert switch inverts the modulation source for stages 9-16.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs 9-16 Uni-Polar CV In Control Knob, CV Input, and Invert Switch: Alternative uni-polar CV input for stages 9-16. Control knob adjusts the incoming CV level. Invert switch inverts the incoming CV signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Inputs 9-16 Bi-Polar CV In Control Knob and CV Input: Alternative bi-polar CV input for stages 9-16. Control knob adjusts the incoming CV level.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8 Stage Out Static Wave Blender Control Knob and Mix Output: Mix of the unphased dry signal and the output of the 8th stage of the Phase Shifter. The Static Wave Blender is an attenuverter for the dry signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 7 Output: Output of the 7th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 8 Output: Output of the 8th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003e16 Stage Out Static Wave Blender Control Knob and Mix Output: This is the main mix out. Mix of the unphased dry signal and the output of the 16th stage of the Phase Shifter. The Static Wave Blender is an attenuverter for the dry signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 15 Output: Output of the 15th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStage 16 Output: Output of the 16th stage of the Phase Shifter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput Drive Knob: Audio signal input level contol.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput Jack: Audio Signal Input\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 26hp\r\nDepth: 35mm\r\nPower Usage: 165mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751597159,"sku":"50069","price":369.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_phase-shifter_f0839436-170e-4b82-9c76-ad98e29dd534.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-sequencer","title":"Pittsburgh Modular Sequencer","description":"\u003cp\u003eThe \u003cstrong\u003eSequencer\u003c\/strong\u003e module is a compact, simple 8 step analog sequencer. It uses an external clock to cycle through 4, 6, or 8 steps. The output of the sequencer can be used control the pitch of an oscillator, modulate a filter, or manipulate any module with a CV input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComplex sequences can be created using a combination of the Reset, Hold, and Add inputs. The Reset input can be used to create odd or variable length loops while Hold pauses the movement of the sequencer. Voltage from the Add input is summed with the voltage created by the Sequencer transcribing the output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Sequencer module also makes a great sub-octave generator. Clocking the Sequencer at audio rates using the square wave of an Oscillator turns the Sequencer into a sub-octave waveform generator able to produce 1, 2, or 3 octaves below the frequency of the clock.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVariable Step Count of 4, 6, or 8 Steps\r\nReset CV Input\r\nHold CV Input\r\nTranspose CV Adder Input\r\nCV Range: 0-10v\r\nDual Outputs\u003c\/p\u003e\r\n\r\n\u003ch3\u003eModule Controls\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAssignable Voltage Knobs\r\nSets the output voltage from 0-10v for each of the 8 sequencer stages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVariable Step Count Switch (4 8 6)\r\nSets the number of steps the Sequencer module cycles through. 4, 8, or 6 steps can be selected.\u003c\/p\u003e\r\n\r\n\u003cp\u003eClock Input (CLOCK)\r\nClock source can be a square wave or gate signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReset Input (RESET)\r\nPositive voltage resets the Sequencer to the first step.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHold Input (HOLD)\r\nPositive voltage pauses the Sequencer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTranspose Input (ADD)\r\nControl Voltage Adder. Adds voltage of incoming signal to the output of the Sequencer. A simple way to transpose the output of the sequencer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutputs (OUT)\r\nDual buffered sequencer outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 14hp\r\nDepth: 25mm\r\nPower Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751629927,"sku":"50061","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_sequencer_98185ddb-366a-4e6c-96f9-d097cd95c7a9.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-synthesizer-box","title":"Pittsburgh Modular Synthesizer Box","description":"\u003cp\u003eWired for instant access to classic tones without needing a single patch cable, the \u003cstrong\u003ePittsburgh Modular Synthesizer Box\u003c\/strong\u003e is a modern, complete semi-modular, monophonic synthesizer module. The Synthesizer Box is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal paths. The Synthesizer Box was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Waveforms Oscillator, Lopass Gate, LFO, Envelope Generator, and VCA to be broken apart and used like standalone modules.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull Range, Complex Waveform Oscillator\u003c\/li\u003e\r\n\u003cli\u003eOscillator Waveform Mixer\u003c\/li\u003e\r\n\u003cli\u003eVoltage Controlled Multi-Mode Lowpass Gate\u003c\/li\u003e\r\n\u003cli\u003eWide Range Low Frequency Oscillator\u003c\/li\u003e\r\n\u003cli\u003eGlide Control for Portamento Effects\u003c\/li\u003e\r\n\u003cli\u003eADSR Envelope Generator\u003c\/li\u003e\r\n\u003cli\u003eHigh Quality, Linear Response, Voltage Controlled Amplifier\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eSynthesizer Box Module Components\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eWAVEFORMS\u003c\/strong\u003e (Complex Waveform Oscillator)\u003c\/p\u003e\r\n\u003cp\u003eThe Waveforms oscillator is the heart of the Synthesizer Box. Complex modulation, voltage controlled waveform morphing, and a sub oscillator allow for a deep tones and rich timbres.\u003c\/p\u003e\r\n\u003cp\u003eWaveforms Controls: Coarse and Fine Tune Frequency Controls\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSub Oscillator -\u003c\/strong\u003e Square wave pitched one octave below the core oscillator creates a huge bottom end for the Synthesizer Box. Switch adjusts between low volume \/ off \/ full volume\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFrequency Modulation (FM)\u003c\/strong\u003e - Used to modulate the pitch of the oscillator, The attenuated FM input can be switched between exponential and linear response. The FM input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the FM CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSaw \/ Blade Switch -\u003c\/strong\u003e Selects the type of saw wave sent to the mixer. The SAW wave is the core wave of the oscillator and is not effected by the MOD CV input. The BLADE wave is a unique, complex saw wave that can be modulated using the MOD CV input. Additional manipulation of the blade wave can be achieved using the BLADE IN jack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWaveform Modulation (MOD CV) -\u003c\/strong\u003e Attenuated MOD CV input controls the amount of waveform modulation. Waveform modulation effects the square wave and blade wave. The modulation effects each wave type differently. Pulse width modulation of the square wave and wave shape morphing of the blade wave. The MOD CV input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the MOD CV IN input jack.\u003c\/p\u003e\r\n\u003ch4\u003eOscillator Patch Points:\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1V\/O IN - One volt per octave input.\u003c\/li\u003e\r\n\u003cli\u003eBLADE IN - Blade wave manipulation input.\u003c\/li\u003e\r\n\u003cli\u003eFM CV IN - Frequency modulation input overrides internal routing to allow for external modulation.\u003c\/li\u003e\r\n\u003cli\u003eMOD CV IN - Waveform modulation input overrides internal routing to allow for external modulation.\u003c\/li\u003e\r\n\u003cli\u003eTRI OUT - Post mixer triangle wave output.\u003c\/li\u003e\r\n\u003cli\u003eS\/B OUT - Post mixer saw or blade wave output.\u003c\/li\u003e\r\n\u003cli\u003eSQR OUT - Post mixer square wave output.\u003c\/li\u003e\r\n\u003cli\u003eMIX OUT - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eLPG  (Voltage Controlled Lopass Gate)\u003c\/h3\u003e\r\n\u003cp\u003eThe LPG is a distinctive module that incorporates both a low pass filter and VCA. The lopass gate is unique in the way that it simulates the characteristics of natural instruments. When used in LPG mode, additional harmonic content is added to louder sounds while quieter sounds pass through unmodified. This behavior imparts a rich, organic quality on the sounds.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Controls:\u003c\/strong\u003e Frequency Modulation (MOD CV) - Attenuated MOD CV input controls the amount of lopass gate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eMod \/ Ping Switch - Determines how the lopass gate responds to frequency modulation. In MOD mode, the MOD CV is used to sweep the frequency range of the lopass gate. In PING mode, the MOD CV is converted to a short trigger used to ping or strike the lopass gate. The PING mode takes advantage of the lopass gates fast attack and slow decay to create organic percussive sounds with a natural decay. The MOD CV input is internally patched to the envelope generator output. This routing can be bypassed by patching into the LPG CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eFrequency Control - In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/p\u003e\r\n\u003cp\u003eResonance Control - In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/p\u003e\r\n\u003cp\u003eLPG Mode Switch - Switch between the 3 modes of the lopass gate. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and LOPASS position (down) enables low pass filter mode.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Patch Points: \u003c\/strong\u003e LPG CV IN - Frequency modulation input overrides internal routing to allow for external modulation. LPG IN - Signal input overrides internal routing. LFP OUT - Signal output.\u003c\/p\u003e\r\n\u003ch3\u003eLFO (Low Frequency Oscillator)\u003c\/h3\u003e\r\n\u003cp\u003eWide Range LFO is perfect for long sweeps or audio rate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eLFO Controls: Rate Knob - Selects the frequency of the low frequency oscillator.\u003c\/p\u003e\r\n\u003cp\u003eRange Switch - Determines the range of the rate knob. Switches between low range and high range.\u003c\/p\u003e\r\n\u003cp\u003eLFO Patch Points: TRI OUT - Triangle wave output. SQR OUT - Square wave output.\u003c\/p\u003e\r\n\u003ch3\u003eENVELOPE (ADSR)\u003c\/h3\u003e\r\n\u003cp\u003eFour stage envelope generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Controls:\u003c\/strong\u003e Attack Knob - The first stage of the envelope generator. The attack knob adjusts the rise time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eDecay Knob - The second stage of the envelope generator. The decay knob adjusts amount of time the envelope remains at the maximum level while the envelope input contains a signal.\u003c\/p\u003e\r\n\u003cp\u003eSustain Switch - The third stage of the envelope generator. The sustain knob sets the maximum output level of the envelope once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003eRelease Knob - The fourth stage of the envelope generator. The release knob adjusts the amount of time it takes for the envelope to turn off once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Patch Points:\u003c\/strong\u003e ENV IN - Envelope input. ENV OUT - Envelope output.\u003c\/p\u003e\r\n\u003ch3\u003eGLIDE (Portamento)\u003c\/h3\u003e\r\n\u003cp\u003eHardwired between the 1 Volt Per Octave Input (1V\/O IN) and the waveforms oscillator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGlide Controls:\u003c\/strong\u003e Time Knob - Adjusts the amount of time it takes to shift from one frequency to another.\u003c\/p\u003e\r\n\u003ch3\u003eMIXER (Waveforms Output Mixer)\u003c\/h3\u003e\r\n\u003cp\u003eWaveform mixer for oscillator outputs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Controls:\u003c\/strong\u003e Triangle Wave Attenuator - Adjust the level of the triangle wave sent to the TRI OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Wave Attenuator - Adjust the level of the saw \/ blade wave sent to the S\/B OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSquare Wave Attenuator - Adjust the level of the square wave sent to the SQR OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Patch Points:\u003c\/strong\u003e MIX OUT  (in waveforms section) - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch3\u003eVCA  (Voltage Controlled Amplifier)\u003c\/h3\u003e\r\n\u003cp\u003eHigh quality, linear voltage controlled amplifier.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Controls:\u003c\/strong\u003e CV Input Attenuator Knob - Adjusts the output level of the VCA.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Patch Points:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eVCA CV IN - CV input. The VCA CV IN input is internally patched to the ENV OUT output. This routing can be bypassed by patching into the VCA CV IN input jack. VCA IN - VCA signal input The VCA IN input is internally patched to the LPG OUT output. This routing can be bypassed by patching into the VCA IN input jack. VCA OUT - Signal output.\u003c\/p\u003e\r\n\u003cp\u003eSize: 28hp Module depth with ribbon cable attached: 36.5mm Power Usage: 120mA\u003c\/p\u003e\r\n\u003ch3\u003eSequencer\u003c\/h3\u003e\r\n\u003cp\u003e8 Step Assignable Voltage Sequencer Suggested Retail Price - $149\u003c\/p\u003e\r\n\u003cp\u003eThe Sequencer module is a compact, simple 8 step analog sequencer. It uses an external clock to cycle through 4, 6, or 8 steps. The output of the sequencer can be used control the pitch of an oscillator, modulate a filter, or manipulate any module with a CV input.\u003c\/p\u003e\r\n\u003cp\u003eComplex sequences can be created using a combination of the Reset, Hold, and Add inputs. The Reset input can be used to create odd or variable length loops while Hold pauses the movement of the sequencer. Voltage from the Add input is summed with the voltage created by the Sequencer transcribing the output.\u003c\/p\u003e\r\n\u003cp\u003eThe Sequencer module also makes a great sub-octave generator. Clocking the Sequencer at audio rates using the square wave of an Oscillator turns the Sequencer into a sub-octave waveform generator able to produce 1, 2, or 3 octaves below the frequency of the clock.\u003c\/p\u003e\r\n\u003cp\u003eVariable Step Count of 4, 6, or 8 Steps Reset CV Input Hold CV Input Transpose CV Adder Input CV Range: 0-10v Dual Outputs\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eModule Controls\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAssignable Voltage Knobs Sets the output voltage from 0-10v for each of the 8 sequencer stages.\u003c\/p\u003e\r\n\u003cp\u003eVariable Step Count Switch (4 8 6) Sets the number of steps the Sequencer module cycles through. 4, 8, or 6 steps can be selected.\u003c\/p\u003e\r\n\u003cp\u003eClock Input (CLOCK) Clock source can be a square wave or gate signal.\u003c\/p\u003e\r\n\u003cp\u003eReset Input (RESET) Positive voltage resets the Sequencer to the first step.\u003c\/p\u003e\r\n\u003cp\u003eHold Input (HOLD) Positive voltage pauses the Sequencer.\u003c\/p\u003e\r\n\u003cp\u003eTranspose Input (ADD) Control Voltage Adder. Adds voltage of incoming signal to the output of the Sequencer. A simple way to transpose the output of the sequencer.\u003c\/p\u003e\r\n\u003cp\u003eOutputs (OUT) Dual buffered sequencer outputs.\u003c\/p\u003e\r\n\u003cp\u003eSize: 14hp\u003cbr\u003e Depth: 25mm \u003cbr\u003ePower Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751662695,"sku":"50000","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_synthesizer-box_034cf36b-551e-4d15-bd9c-331975ebf210.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-system-10-1","title":"Pittsburgh Modular System 10.1","description":"\u003ch2\u003eMassively Small Modular\u003c\/h2\u003e\r\n\u003cp\u003eThe Pittsburgh Modular System 10.1 Synthesizer is huge sound hiding in a small case. Updated for 2015 to include the new extremely featured Midi 3 module, the System 10.1 offers direct access to a wide array of modern, analog monosynth sounds. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1 Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe System 10.1 Synthesizer features a complex waveforms oscillator. Standard triangle, square, and saw waves are available alongside a sub oscillator and our new blade wave. The blade wave is a rich, modulatable saw that can be controlled in several unique ways.\u003c\/p\u003e\r\n\u003cp\u003eThe System 10.1 Synthesizer also features our Lopass Gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and res’d out piercing leads to organic percussion. The Lopass Gate has 3 modes of operation: low pass filter, VCA, and lopass gate. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1 Synthesizer Components\u003c\/h3\u003e\r\n\u003ch4\u003eSynthesizer Box\u003c\/h4\u003e\r\n\u003cp\u003e(Complete, Fully Patchable, 2nd Generation Semi-Modular Synthesizer Voice)\u003c\/p\u003e\r\n\u003cp\u003eWired for instant access to classic tones without needing a single patch cable, the Synthesizer Box is a modern, complete semi-modular, monophonic synthesizer module. The Synthesizer Box is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal paths.\u003c\/p\u003e\r\n\u003cp\u003eThe Synthesizer Box was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Waveforms Oscillator, Lopass Gate, LFO, Envelope Generator, and VCA to be split apart and used like standalone modules.\u003c\/p\u003e\r\n\u003cp\u003eFull Range, Complex Waveform Oscillator Oscillator Waveform Mixer Voltage Controlled Multi-Mode Lowpass Gate Wide Range Low Frequency Oscillator Glide Control for Portamento Effects ADSR Envelope Generator High Quality, Linear Response, Voltage Controlled Amplifier\u003c\/p\u003e\r\n\u003cp\u003eSynthesizer Box Module Components\u003c\/p\u003e\r\n\u003ch4\u003eWAVEFORMS\u003c\/h4\u003e\r\n\u003cp\u003e(Complex Waveform Oscillator)\u003c\/p\u003e\r\n\u003cp\u003eThe Waveforms oscillator is the heart of the Synthesizer Box. Complex modulation, voltage controlled waveform morphing, and a sub oscillator allow for a deep tones and rich timbres.\u003c\/p\u003e\r\n\u003cp\u003eWaveforms Controls: Coarse and Fine Tune Frequency Controls\u003c\/p\u003e\r\n\u003cp\u003eSub Oscillator - Square wave pitched one octave below the core oscillator creates a huge bottom end for the Synthesizer Box. Switch adjusts between low volume \/ off \/ full volume\u003c\/p\u003e\r\n\u003cp\u003eFrequency Modulation (FM) - Used to modulate the pitch of the oscillator, The attenuated FM input can be switched between exponential and linear response. The FM input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the FM CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Switch - Selects the type of saw wave sent to the mixer. The SAW wave is the core wave of the oscillator and is not effected by the MOD CV input. The BLADE wave is a unique, complex saw wave that can be modulated using the MOD CV input. Additional manipulation of the blade wave can be achieved using the BLADE IN jack.\u003c\/p\u003e\r\n\u003cp\u003eWaveform Modulation (MOD CV) - Attenuated MOD CV input controls the amount of waveform modulation. Waveform modulation effects the square wave and blade wave. The modulation effects each wave type differently. Pulse width modulation of the square wave and wave shape morphing of the blade wave. The MOD CV input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the MOD CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eOscillator Patch Points: 1V\/O IN - One volt per octave input. BLADE IN - Blade wave manipulation input. FM CV IN - Frequency modulation input overrides internal routing to allow for external modulation. MOD CV IN - Waveform modulation input overrides internal routing to allow for external modulation. TRI OUT - Post mixer triangle wave output. S\/B OUT - Post mixer saw or blade wave output. SQR OUT - Post mixer square wave output. MIX OUT - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eLPG\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Lopass Gate)\u003c\/p\u003e\r\n\u003cp\u003eThe LPG is a distinctive module that incorporates both a low pass filter and VCA. The lopass gate is unique in the way that it simulates the characteristics of natural instruments. When used in LPG mode, additional harmonic content is added to louder sounds while quieter sounds pass through unmodified. This behavior imparts a rich, organic quality on the sounds.\u003c\/p\u003e\r\n\u003cp\u003eLPG Controls: Frequency Modulation (MOD CV) - Attenuated MOD CV input controls the amount of lopass gate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eMod \/ Ping Switch - Determines how the lopass gate responds to frequency modulation. In MOD mode, the MOD CV is used to sweep the frequency range of the lopass gate. In PING mode, the MOD CV is converted to a short trigger used to ping or strike the lopass gate. The PING mode takes advantage of the lopass gates fast attack and slow decay to create organic percussive sounds with a natural decay. The MOD CV input is internally patched to the envelope generator output. This routing can be bypassed by patching into the LPG CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eFrequency Control - In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/p\u003e\r\n\u003cp\u003eResonance Control - In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/p\u003e\r\n\u003cp\u003eLPG Mode Switch - Switch between the 3 modes of the lopass gate. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and LOPASS position (down) enables low pass filter mode.\u003c\/p\u003e\r\n\u003cp\u003eLPG Patch Points: LPG CV IN - Frequency modulation input overrides internal routing to allow for external modulation. LPG IN - Signal input overrides internal routing. LFP OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eLFO\u003c\/h4\u003e\r\n\u003cp\u003e(Low Frequency Oscillator) Wide Range LFO is perfect for long sweeps or audio rate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Controls:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRate Knob - Selects the frequency of the low frequency oscillator.\u003c\/li\u003e\r\n\u003cli\u003eRange Switch - Determines the range of the rate knob. Switches between low range and high range.\u003c\/li\u003e\r\n\u003cli\u003eLFO Patch Points: TRI OUT - Triangle wave output. SQR OUT - Square wave output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eENVELOPE\u003c\/h4\u003e\r\n\u003cp\u003e(ADSR)\u003c\/p\u003e\r\n\u003cp\u003eFour stage envelope generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Controls:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAttack Knob - The first stage of the envelope generator. The attack knob adjusts the rise time of the envelope.\u003c\/li\u003e\r\n\u003cli\u003eDecay Knob - The second stage of the envelope generator. The decay knob adjusts amount of time the envelope remains at the maximum level while the envelope input contains a signal.\u003c\/li\u003e\r\n\u003cli\u003eSustain Switch - The third stage of the envelope generator. The sustain knob sets the maximum output level of the envelope once the decay stage has completed.\u003c\/li\u003e\r\n\u003cli\u003eRelease Knob - The fourth stage of the envelope generator. The release knob adjusts the amount of time it takes for the envelope to turn off once the decay stage has completed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Patch Points:\u003c\/strong\u003e ENV IN - Envelope input. ENV OUT - Envelope output.\u003c\/p\u003e\r\n\u003ch4\u003eGLIDE\u003c\/h4\u003e\r\n\u003cp\u003e(Portamento)\u003c\/p\u003e\r\n\u003cp\u003eHardwired between the 1 Volt Per Octave Input (1V\/O IN) and the waveforms oscillator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGlide Controls:\u003c\/strong\u003e Time Knob - Adjusts the amount of time it takes to shift from one frequency to another.\u003c\/p\u003e\r\n\u003ch4\u003eMIXER\u003c\/h4\u003e\r\n\u003cp\u003e(Waveforms Output Mixer) Waveform mixer for oscillator outputs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Controls:\u003c\/strong\u003e Triangle Wave Attenuator - Adjust the level of the triangle wave sent to the TRI OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Wave Attenuator - Adjust the level of the saw \/ blade wave sent to the S\/B OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSquare Wave Attenuator - Adjust the level of the square wave sent to the SQR OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Patch Points:\u003c\/strong\u003e MIX OUT (in waveforms section) - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eVCA\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Amplifier)\u003c\/p\u003e\r\n\u003cp\u003eHigh quality, linear voltage controlled amplifier.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Controls:\u003c\/strong\u003e CV Input Attenuator Knob - Adjusts the output level of the VCA.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Patch Points:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCA CV IN - CV input. The VCA CV IN input is internally patched to the ENV OUT output. This routing can be bypassed by patching into the VCA CV IN input jack.\u003c\/li\u003e\r\n\u003cli\u003eVCA IN - VCA signal input The VCA IN input is internally patched to the LPG OUT output. This routing can be bypassed by patching into the VCA IN input jack.\u003c\/li\u003e\r\n\u003cli\u003eVCA OUT - Signal output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eMIX MULT\u003c\/h4\u003e\r\n\u003cp\u003e(Multifunction Utility Module)\u003c\/p\u003e\r\n\u003cp\u003e3 Channel Mixer 2 Passive Multiples\u003c\/p\u003e\r\n\u003cp\u003eThe Mix Mult is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and\/or attenuator and two sets of passive multiples.\u003c\/p\u003e\r\n\u003cp\u003eThe mixer\/attenuator section functions as a flexible, low-noise three channel mixer and\/or attenuator for audio and cv that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\u003cp\u003eThe bottom of the module contains two sets of passive multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once.\u003c\/p\u003e\r\n\u003ch4\u003eMIDI 3\u003c\/h4\u003e\r\n\u003cp\u003e(Extremely Full Featured MIDI to CV Converter)\u003c\/p\u003e\r\n\u003cp\u003eThe Midi 3 converts standard midi note messages into the analog control voltages used by modular synthesizers. This allows a modular synthesizer to be controlled by a midi keyboard, sequencer, or DAW.\u003c\/p\u003e\r\n\u003cp\u003eThe two sets of Gate (GT) outputs can be used to trigger envelope generators by providing a voltage of +5v. The Control Voltage (CV) outputs produce precisely 1volt per octave over a range of 10 octaves. Pitch bend, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, midi and external gate clock dividers, and multiple arpeggiator responses. This module is deep.\u003c\/p\u003e\r\n\u003ch4\u003eOUTS\u003c\/h4\u003e\r\n\u003cp\u003eThe simplest way to get sound out of a modular. Outs is a dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\" line level outputs.\u003c\/p\u003e\r\n\u003cp\u003eLeft and Right inputs are available. If only the left input is used, the signal is sent to both the Left and Right outputs.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1+ Synthesizer Specs\u003c\/h3\u003e\r\n\u003cp\u003ePittsburgh Modular Cell[90] DC Desktop Case 90hp Eurorack Desktop Case, with single row wood sides\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 19.5\" x 5.5\" x 2.5\"\u003c\/p\u003e\r\n\u003cp\u003eThe included Pittsburgh Modular DC power supply provides +12V @ 900mA, -12v @ 900mA, +5V @ 500mA of power. A custom flexible power rail delivers a full compliment of power and the eurorack bus system to the modules using standard 16 pin keyed power headers. The power board uses an external 15V DC 2.6A DC power adapter.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncluded:\u003c\/strong\u003e 6x Patch Cables\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751695463,"sku":"49969","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_system-10.1_top_a036bcba-ab4a-46ac-81c4-7593f879e31d.jpg?v=1787090258"},{"product_id":"pittsburgh-modular-toolbox","title":"Pittsburgh Modular Toolbox","description":"\u003cp\u003eThe \u003cstrong\u003eTool Box\u003c\/strong\u003e is a versatile module capable of performing 4 distinct jobs at once.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAdjustable Slew Control\u003c\/li\u003e\r\n\u003cli\u003eNoise Source\u003c\/li\u003e\r\n\u003cli\u003eSample \u0026amp; Hold\u003c\/li\u003e\r\n\u003cli\u003eVoltage Inverter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eModule Sections\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSlew (Portamento)\u003c\/li\u003e\r\n\u003cli\u003eSlew Amount Knob Controls the Amount of Glide\u003c\/li\u003e\r\n\u003cli\u003eN-SH (Noise - Sample \u0026amp; Hold)\u003c\/li\u003e\r\n\u003cli\u003eNoise Output (N) Sample \u0026amp; Hold Voltage Input (I) (Internally patched to Noise Output) Sample \u0026amp; Hold Hold Clock Input (H) Sample \u0026amp; Hold Voltage Output (O)\u003c\/li\u003e\r\n\u003cli\u003eINVERT (Basic Voltage Inverter Flips the incoming Voltage From Positive to Negative or Negative to Positive)\u003c\/li\u003e\r\n\u003cli\u003eVoltage Input (I) Voltage Output (O)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSize: 6hp\u003cbr\u003e Depth: 25mm\u003cbr\u003e Power Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751728231,"sku":"49983","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_tool-box_471e408e-95fa-4d60-8d67-45583337001b.jpg?v=1787090259"},{"product_id":"pittsburgh-modular-system-10-1-plus-synthesizer","title":"Pittsburgh Modular System 10.1 Plus Synthesizer","description":"\u003ch2\u003eStretching Small To The Limits\u003c\/h2\u003e\r\n\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular System 10.1+ Synthesizer\u003c\/strong\u003e is an expandable version of the System 10.1. Housed in our larger Cell[90] desktop case, the System 10.1+ has room to grow. The additional space allows a nearly infinite number of expansion options. The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean.\u003c\/p\u003e\r\n\u003cp\u003eJust like the System 10.1, the System 10.1+ offers direct access to a wide array of modern, analog monosynth sounds. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1+ Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe System 10.1+ Synthesizer features a complex waveforms oscillator. Standard triangle, square, and saw waves are available alongside a sub oscillator and our new blade wave. The blade wave is a rich, modulatable saw that can be controlled in several unique ways.\u003c\/p\u003e\r\n\u003cp\u003eThe System 10.1+ Synthesizer also features our new Lopass Gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and res’d out piercing leads to organic percussion. The Lopass Gate has 3 modes of operation: Low pass filter, VCA, and lopass gate. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1+ Synthesizer Components\u003c\/h3\u003e\r\n\u003ch4\u003eSynthesizer Box\u003c\/h4\u003e\r\n\u003cp\u003e(Complete, Fully Patchable, 2nd Generation Semi-Modular Synthesizer Voice)\u003c\/p\u003e\r\n\u003cp\u003eWired for instant access to classic tones without needing a single patch cable, the Synthesizer Box is a modern, complete semi-modular, monophonic synthesizer module. The Synthesizer Box is 100% analog and 100% Eurorack compatible with a complete set of patch points able to override the internal audio and CV signal paths.\u003c\/p\u003e\r\n\u003cp\u003eThe Synthesizer Box was designed to be the core of any modular system. Each major component is fully patchable and can function independent to the rest of the module. This allows the functionality of the Waveforms Oscillator, Lopass Gate, LFO, Envelope Generator, and VCA to be split apart and used like standalone modules.\u003c\/p\u003e\r\n\u003cp\u003eFull Range, Complex Waveform Oscillator Oscillator Waveform Mixer Voltage Controlled Multi-Mode Lowpass Gate Wide Range Low Frequency Oscillator Glide Control for Portamento Effects ADSR Envelope Generator High Quality, Linear Response, Voltage Controlled Amplifier\u003c\/p\u003e\r\n\u003ch3\u003eSynthesizer Box Module Components\u003c\/h3\u003e\r\n\u003ch4\u003eWAVEFORMS\u003c\/h4\u003e\r\n\u003cp\u003e(Complex Waveform Oscillator)\u003c\/p\u003e\r\n\u003cp\u003eThe Waveforms oscillator is the heart of the Synthesizer Box. Complex modulation, voltage controlled waveform morphing, and a sub oscillator allow for a deep tones and rich timbres.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWaveforms Controls:\u003c\/strong\u003e Coarse and Fine Tune Frequency Controls\u003c\/p\u003e\r\n\u003cp\u003eSub Oscillator - Square wave pitched one octave below the core oscillator creates a huge bottom end for the Synthesizer Box. Switch adjusts between low volume \/ off \/ full volume\u003c\/p\u003e\r\n\u003cp\u003eFrequency Modulation (FM) - Used to modulate the pitch of the oscillator, The attenuated FM input can be switched between exponential and linear response. The FM input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the FM CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Switch - Selects the type of saw wave sent to the mixer. The SAW wave is the core wave of the oscillator and is not effected by the MOD CV input. The BLADE wave is a unique, complex saw wave that can be modulated using the MOD CV input. Additional manipulation of the blade wave can be achieved using the BLADE IN jack.\u003c\/p\u003e\r\n\u003cp\u003eWaveform Modulation (MOD CV) - Attenuated MOD CV input controls the amount of waveform modulation. Waveform modulation effects the square wave and blade wave. The modulation effects each wave type differently. Pulse width modulation of the square wave and wave shape morphing of the blade wave. The MOD CV input is internally patched to the LFO triangle output. This routing can be bypassed by patching into the MOD CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOscillator Patch Points:\u003c\/strong\u003e 1V\/O IN - One volt per octave input. BLADE IN - Blade wave manipulation input. FM CV IN - Frequency modulation input overrides internal routing to allow for external modulation. MOD CV IN - Waveform modulation input overrides internal routing to allow for external modulation. TRI OUT - Post mixer triangle wave output. S\/B OUT - Post mixer saw or blade wave output. SQR OUT - Post mixer square wave output. MIX OUT - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eLPG\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Lopass Gate)\u003c\/p\u003e\r\n\u003cp\u003eThe LPG is a distinctive module that incorporates both a low pass filter and VCA. The lopass gate is unique in the way that it simulates the characteristics of natural instruments. When used in LPG mode, additional harmonic content is added to louder sounds while quieter sounds pass through unmodified. This behavior imparts a rich, organic quality on the sounds.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Controls:\u003c\/strong\u003e Frequency Modulation (MOD CV) - Attenuated MOD CV input controls the amount of lopass gate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003eMod \/ Ping Switch - Determines how the lopass gate responds to frequency modulation. In MOD mode, the MOD CV is used to sweep the frequency range of the lopass gate. In PING mode, the MOD CV is converted to a short trigger used to ping or strike the lopass gate. The PING mode takes advantage of the lopass gates fast attack and slow decay to create organic percussive sounds with a natural decay. The MOD CV input is internally patched to the envelope generator output. This routing can be bypassed by patching into the LPG CV IN input jack.\u003c\/p\u003e\r\n\u003cp\u003eFrequency Control - In filter mode, the frequency knob controls the center frequency of the filter. In VCA mode, the frequency knob controls the pass through signal level. In lopass gate mode, the frequency knob controls both the center frequency of the filter and the pass through signal level.\u003c\/p\u003e\r\n\u003cp\u003eResonance Control - In filter mode, the resonance knob controls the amount of resonance. In VCA mode and lopass gate mode, the resonance knob is not active.\u003c\/p\u003e\r\n\u003cp\u003eLPG Mode Switch - Switch between the 3 modes of the lopass gate. VCA position (up) enables VCA mode, LPG position (center) enables lopass gate mode, and LOPASS position (down) enables low pass filter mode.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLPG Patch Points: \u003c\/strong\u003e LPG CV IN - Frequency modulation input overrides internal routing to allow for external modulation. LPG IN - Signal input overrides internal routing. LFP OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eLFO\u003c\/h4\u003e\r\n\u003cp\u003e(Low Frequency Oscillator) Wide Range LFO is perfect for long sweeps or audio rate frequency modulation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Controls:\u003c\/strong\u003e Rate Knob - Selects the frequency of the low frequency oscillator.\u003c\/p\u003e\r\n\u003cp\u003eRange Switch - Determines the range of the rate knob. Switches between low range and high range.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO Patch Points: \u003c\/strong\u003e TRI OUT - Triangle wave output. SQR OUT - Square wave output.\u003c\/p\u003e\r\n\u003ch4\u003eENVELOPE\u003c\/h4\u003e\r\n\u003cp\u003e(ADSR)\u003c\/p\u003e\r\n\u003cp\u003eFour stage envelope generator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Controls:\u003c\/strong\u003e Attack Knob - The first stage of the envelope generator. The attack knob adjusts the rise time of the envelope.\u003c\/p\u003e\r\n\u003cp\u003eDecay Knob - The second stage of the envelope generator. The decay knob adjusts amount of time the envelope remains at the maximum level while the envelope input contains a signal.\u003c\/p\u003e\r\n\u003cp\u003eSustain Switch - The third stage of the envelope generator. The sustain knob sets the maximum output level of the envelope once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003eRelease Knob - The fourth stage of the envelope generator. The release knob adjusts the amount of time it takes for the envelope to turn off once the decay stage has completed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelope Patch Points:\u003c\/strong\u003e ENV IN - Envelope input. ENV OUT - Envelope output.\u003c\/p\u003e\r\n\u003ch4\u003eGLIDE\u003c\/h4\u003e\r\n\u003cp\u003e(Portamento)\u003c\/p\u003e\r\n\u003cp\u003eHardwired between the 1 Volt Per Octave Input (1V\/O IN) and the waveforms oscillator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGlide Controls:\u003c\/strong\u003e Time Knob - Adjusts the amount of time it takes to shift from one frequency to another.\u003c\/p\u003e\r\n\u003ch4\u003eMIXER\u003c\/h4\u003e\r\n\u003cp\u003e(Waveforms Output Mixer) Waveform mixer for oscillator outputs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMixer Controls:\u003c\/strong\u003e Triangle Wave Attenuator - Adjust the level of the triangle wave sent to the TRI OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSaw \/ Blade Wave Attenuator - Adjust the level of the saw \/ blade wave sent to the S\/B OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eSquare Wave Attenuator - Adjust the level of the square wave sent to the SQR OUT and MIX OUT.\u003c\/p\u003e\r\n\u003cp\u003eMixer Patch Points: MIX OUT  (in waveforms section) - Mixer output includes triangle, saw\/blade, square, and sub oscillator waveforms.\u003c\/p\u003e\r\n\u003ch4\u003eVCA\u003c\/h4\u003e\r\n\u003cp\u003e(Voltage Controlled Amplifier)\u003c\/p\u003e\r\n\u003cp\u003eHigh quality, linear voltage controlled amplifier.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Controls:\u003c\/strong\u003e CV Input Attenuator Knob - Adjusts the output level of the VCA.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVCA Patch Points: \u003c\/strong\u003e VCA CV IN - CV input. The VCA CV IN input is internally patched to the ENV OUT output. This routing can be bypassed by patching into the VCA CV IN input jack. VCA IN - VCA signal input The VCA IN input is internally patched to the LPG OUT output. This routing can be bypassed by patching into the VCA IN input jack. VCA OUT - Signal output.\u003c\/p\u003e\r\n\u003ch4\u003eMIX MULT\u003c\/h4\u003e\r\n\u003cp\u003e(Multifunction Utility Module)\u003c\/p\u003e\r\n\u003cp\u003e3 Channel Mixer 2 Passive Multiples\u003c\/p\u003e\r\n\u003cp\u003eThe Mix Mult is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and\/or attenuator and two sets of passive multiples.\u003c\/p\u003e\r\n\u003cp\u003eThe mixer\/attenuator section functions as a flexible, low-noise three channel mixer and\/or attenuator for audio and cv that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.\u003c\/p\u003e\r\n\u003cp\u003eThe bottom of the module contains two sets of passive multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once.\u003c\/p\u003e\r\n\u003ch4\u003eMIDI 3\u003c\/h4\u003e\r\n\u003cp\u003e(Extremely Full Featured MIDI to CV Converter)\u003c\/p\u003e\r\n\u003cp\u003eThe Midi 3 converts standard midi note messages into the analog control voltages used by modular synthesizers. This allows a modular synthesizer to be controlled by a midi keyboard, sequencer, or DAW.\u003c\/p\u003e\r\n\u003cp\u003eThe two sets of Gate (GT) outputs can be used to trigger envelope generators by providing a voltage of +5v. The Control Voltage (CV) outputs produce precisely 1volt per octave over a range of 10 octaves. Pitch bend, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, midi and external gate clock dividers, and multiple arpeggiator responses. This module is deep.\u003c\/p\u003e\r\n\u003ch4\u003eOUTS\u003c\/h4\u003e\r\n\u003cp\u003eThe simplest way to get sound out of a modular. Outs is a dual independent output module featuring a stereo 1\/4\" headphone amplifier output and dual mono 1\/4\" line level outputs.\u003c\/p\u003e\r\n\u003cp\u003eLeft and Right inputs are available. If only the left input is used, the signal is sent to both the Left and Right outputs.\u003c\/p\u003e\r\n\u003ch3\u003eSystem 10.1+ Synthesizer Specs\u003c\/h3\u003e\r\n\u003cp\u003ePittsburgh Modular Cell[90] DC Desktop Case      90hp Eurorack Desktop Case, with single row wood sides\u003c\/p\u003e\r\n\u003cp\u003eDimensions: 19.5\" x 5.5\" x 2.5\"\u003c\/p\u003e\r\n\u003cp\u003eThe included Pittsburgh Modular DC power supply provides +12V @ 900mA, -12v @ 900mA, +5V @ 500mA of power. A custom flexible power rail delivers a full compliment of power and the eurorack bus system to the modules using standard 16 pin keyed power headers. The power board uses an external 15V DC 2.6A DC power adapter.\u003c\/p\u003e\r\n\u003cp\u003eIncluded: 6x Patch Cables\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751760999,"sku":"50055","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_system-10.1plus_top_cd3de2e6-6727-48fd-a37c-b881336bb8ac.jpg?v=1787090259"},{"product_id":"pittsburgh-modular-verbtronic","title":"Pittsburgh Modular Verbtronic","description":"\u003cp\u003eReverb creates the illusion of space, adding another dimension to sound and offering a sense of time and distance. The \u003cstrong\u003eVerbtronic\u003c\/strong\u003e digital reverb module generates spaces large enough to overwhelm sounds and smear the audio spectrum with a wash of relentless reflections and echoes, building a tidal wave of never-ending feedback.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"Space...is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is.\" - Douglas Adams\u003c\/p\u003e\r\n\r\n\u003cp\u003eWe did not design the Verbtronic to mimic the real world; instead we have created a reverb full of lush, artificial spaces that blend perfectly with the electronic sounds of modular synthesis.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Verbtronic controls offer a full palette of reverberation effects. Tonal Tilt shifts the frequency emphasis from low and dark to high and bright, acting as a tone control for the reverberated signal. The Feedback knob sends a variable portion of the output signal back into the input, creating results similar to simultaneously adjusting both reverb density and decay time. The Verbtronic voltage controlled Mode switch flips between two unique reverbs: Verb mode is a shorter, more natural sounding reverb, perfect for augmenting leads and more fragile sounds; and Tronic mode creates a much larger, synthetic sounding reverb. The voltage controlled Output Mix knob smoothly shifts between the dry input signal and 100% reverb. Giant percussion drowning in feedback and alien soundscapes are just the beginning....Mix in a touch of reverb to add a sense of space or turn it up for full signal saturation. Dial in the perfect mix for any sound.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eVerbtronic Controls:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eTonal Tilt Control - Tone control affecting the reverberated signal. Shift the emphasis from low to flat to high.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeedback Control - Reverb signal feedback control. The effect is similar to reverb density and decay time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode Switch - Verb is a shorter, more natural sounding reverb. Tronic is a larger, electronic sounding reverb.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOutput Mix - Fade between dry signal and 100% reverb.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMix CV IN - CV attenuverter used to attenuate and\/or invert the incoming Mix CV Input signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVerbtronic Patch Points:\u003c\/strong\u003e\r\nMix CV Input - CV input used to modulate the Mix Output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInput - Audio signal input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode Gate Input - Flips the Mode switch from Tronic to Verb. Switch must be set to Tronic for incoming gate to have effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVerb Output - 100% reverb signal output only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMix Output - Mix of dry and reverb effect audio output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize - 10hp\r\nModule Depth with Ribbon Cable Attached - 36.5mm\r\nPower Usage - 65mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751793767,"sku":"50068","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_verbtronic_3eae18ee-8087-48f0-96b3-87f6c2348d4d.jpg?v=1787090259"},{"product_id":"pittsburgh-modular-waveforms","title":"Pittsburgh Modular Waveforms","description":"\u003cp\u003eA wide range, high quality, complex VCO designed to be the core of a modern, analog synthesizer. The \u003cstrong\u003eWaveforms module\u003c\/strong\u003e offers a full complement of standard waveforms including sine, triangle, saw, and pulse waves in addition to a sub octave generator and a unique modulatable blade wave. The oscillator offers 5 octaves of 1 volt per octave tracking, and a frequency range starting as low as 7 seconds per cycle, allowing it to double as an LFO. Additional features include oscillator reset for hard syncing, attenuated linear or exponential FM input, pulse width, and pulse width CV input.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eExcellent Logarithmic Conformance\u003c\/li\u003e\r\n\u003cli\u003eTemperature Compensated 1 Volt Per Octave Operation\u003c\/li\u003e\r\n\u003cli\u003eMultiple Simultaneous Waveform Outputs\u003c\/li\u003e\r\n\u003cli\u003eSawtooth Wave Based Oscillator Circuit\u003c\/li\u003e\r\n\u003cli\u003eUnique Modulatable Blade Waveform\u003c\/li\u003e\r\n\u003cli\u003eModulatable Square Wave Sub Oscillator\u003c\/li\u003e\r\n\u003cli\u003eLinear and Exponential Frequency Modulation\u003c\/li\u003e\r\n\u003cli\u003ePWM Input: 5% to 95%\u003c\/li\u003e\r\n\u003cli\u003eHard Sync Input\u003c\/li\u003e\r\n\u003cli\u003eLFO Below Audio Frequency Operation\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eThe centerpiece of our 2nd generation oscillator is the extreme amount of modulation options available. Frequency modulation is switchable between linear and exponential and pulse width modulation is augmented with a manual pulse width control in addition to a dedicated pulse width cv input attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe sub oscillator is a CMOS based square wave pitched one octave below the core frequency of the oscillator. It can be controlled using the pulse width controls to create 2 distinct effects. Using the pulse width CV input and attenuator creates a unique pulse width modulation effect.   Adjusting the manual pulse width control sets the range of the modulation. Setting the pulse width range control to the extreme left or right creates a gate effect on the sub oscillator allowing it to be switched on and off within the oscillator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe blade wave is a saw wave pitched one octave above the core frequency of the oscillator. What makes the blade wave unique is how many modulation options are available at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe shape of the blade wave can be controlled using the pulse width CV input and attenuator creating a sweeping or chorus effect on the wave. The manual pulse width control can be used to manually sweep the blade wave. When used in combination with the pulse width CV input and attenuator, the manual pulse width control sets the positive or negative starting point of the pulse width CV input and attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the pulse width controls, the blade wave has a dedicated modulation CV input and attenuator. Using the blade CV input and attenuator creates a shifting or pulsing effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe third option for blade wave modulation is the most extreme. The wave shape of the modulation source plugged into the Blade In jack directly defines the overall shape of the blade wave. Using a low frequency modulation source creates a square wave amplitude modulation effect. Using an audio rate modulation source creates waveshaping effects similar to ring modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsing any combination of the 3 modulation sources produces a living, breathing, evolving waveform that is still capable of tracking 1 volt per octave.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWaveforms Controls:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eCoarse and Fine Tune Frequency Controls - Full range sweeping coarse tune and limited range fine tune knobs.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePulse Width Modulation CV In - Pulse width modulation CV input attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePulse Width Modulation Control - Adjusts the width of the Pulse waveform.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrequency Modulation (FM) CV In - Attenuated CV input can be switched between exponential and linear response.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlade Wave Modulation CV In - Attenuated CV input controls the amount of blade waveform modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOscillator Patch Points:\u003c\/strong\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e1V\/O IN - One volt per octave CV input.\u003c\/li\u003e\r\n\u003cli\u003eRESET IN - Oscillator reset Gate input.\u003c\/li\u003e\r\n\u003cli\u003eBLADE IN - Blade wave manipulation input. 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SUB WAVE OUT - Sub Oscillator wave output.\u003c\/li\u003e\r\n\u003cli\u003eSINE WAVE OUT - Sine wave output.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE WAVE OUT - Triangle wave output.\u003c\/li\u003e\r\n\u003cli\u003eBLADE WAVE OUT - Blade wave output.\u003c\/li\u003e\r\n\u003cli\u003ePULSE WAVE OUT - Pulse wave output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eSize: 10hp\r\nModule depth with ribbon cable attached: 36.5mm\r\nPower Usage: 25mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751826535,"sku":"49978","price":186.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_wavefaorms_67c8aada-3b46-42a5-ba7c-d6c645cbf856.jpg?v=1787090259"},{"product_id":"pittsburgh-modular-patch-box-case","title":"Pittsburgh Modular Patch Box Case","description":"\u003cp\u003eAn epic shift in the definition of what a modular can be. The \u003cstrong\u003ePittsburgh Modular Patch Box\u003c\/strong\u003e redefines modular synthesis around the venerable stomp box. A monster performance device for guitarists and synthesists alike. A patchable, modular system designed to handle anything.\u003cbr\u003e\u003cbr\u003eA playground for unrestricted creativity, the Patch Box is a fully patchable, customizable effects pedal. The open architecture allows the patch box to create unique effects unattainable with standard, fixed signal path guitar pedals.\u003cbr\u003e\u003cbr\u003eThe Patch Box is not just another empty eurorack case. It ships packed with the functionality of five highly tuned modules integrated into the heavy duty steel enclosure.\u003cbr\u003e\u003cbr\u003eTo protect your instrument's tone, the unit uses true bypass switching. Once the Patch Box is engaged, the audio signal passes through a unique preamp with extremely high headroom and a pair of fully buffered outputs. 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With two independent, patchable footswitches, there are countless options for realtime signal routing.\u003cbr\u003e\u003cbr\u003eThe preamp has dual buffered outputs to allow for complex signal routing, but for patching a single modulation or audio source into two destinations, the patchable signal splitter is a perfect solution. Also known as a multiple, the signal splitter has one input and two outputs allowing any signal to be routed to two destinations.\u003cbr\u003e\u003cbr\u003eThe last stage of the Patch Box signal path is a master output level control. Adjust the output signal level to connect with a wide range of devices. \u003cbr\u003e\u003cbr\u003eThe Patch Box is available as an empty case, ready to customize with a huge selection of Pittsburgh Modular, Dwarfcraft, or other compatible eurorack format modules. 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A unique, low profile, heavy duty steel frame neatly houses up to 180hp of Eurorack format synthesizer modules. The Cell DC cases are a perfect solution for studio or desktop applications, yet more than tough enough to pack in a bag and take on the road.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCell DC cases are available in two sizes. The small case, Cell[48] DC, offers a compact 48hp and the larger case, Cell[90] DC, includes a full 90hp for Eurorack synthesizer modules. Modular by design, both the Cell[48] DC and the Cell[90] DC can be configured as single or double row systems. 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Cell[90] DC steel frame weighs 2.8lb.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePower Supply:\u003c\/h3\u003e\r\n\u003cp\u003eThe included Pittsburgh Modular DC power supply provides +12V @ 900mA, -12v @ 900mA, +5V @ 500mA of power. A custom flexible power rail delivers a full compliment of power and the Eurorack bus system to the modules using standard 16 pin keyed power headers. The power board uses an external 15V DC 2.6A DC power adapter.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449761788007,"sku":"50005","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cell_dc90_side_8f0fb617-ec85-4d47-8c45-9ea2715e0a0d.png?v=1787090301"},{"product_id":"pittsburgh-modular-cell-48-desktop-case","title":"Pittsburgh Modular Cell 48 Desktop Case","description":"\u003cp\u003eBuilt like a tank, the \u003cstrong\u003ePittsburgh Modular Cell DC Cases\u003c\/strong\u003e are expandable, eurorack format synthesizer cases. The cases include a custom universal DC power supply, flexible power rails, and single row hardwood sides. A unique, low profile, heavy duty steel frame neatly houses up to 180hp of eurorack format synthesizer modules. 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The power board uses an external 15V DC 2.6A DC power adapter.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449761820775,"sku":"50004","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dc48_4330449b-8a69-42af-9db6-7d2e81d3e6d1.png?v=1787090302"},{"product_id":"pittsburgh-modular-patch-box-fx1","title":"Pittsburgh Modular Patch Box FX1","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Patch Box FX1\u003c\/strong\u003e is a completely new type of multi-effects pedal offering direct access to both the audio and control voltage signal paths. The ability to reroute any signal with a push of a footswitch or by quickly repatching a cable creates an infinitely customizable sonic palate.\u003cbr\u003e\u003cbr\u003eThe Patch Box FX1 is stuffed with a complete set of our most popular effects modules, including the Analog Replicator, Filter, Crush, and LFO2. The Analog Replicator is a versatile delay that can be bright and clean or dark and dirty with an adjustable range and voltage controllable delay time, feedback, and wet\/dry mix. The Filter is a voltage controlled, analog, state variable filter offering creamy smooth lowpass, highpass, notch, and bandpass filters in addition to a chaotic self oscillation mode. Crush is an analog signal decimator. A voltage controlled bit crushing effect that breaks down an audio signal into larger and larger static chunks slowly turning any signal into noise.\u003cbr\u003e\u003cbr\u003eThe flow of the Patch Box FX1 audio path is not restricted to pedalboard layout. Effects can instantly be rerouted using the patchable footswitches and patch cables. The audio signal path can as simple or complex as needed.\u003cbr\u003e\u003cbr\u003eAccess to the control voltage signal path takes the Patch Box FX1 to a new level. Control voltages are used to automate module parameters using modulation or expression pedals. An expression pedal or the output of an LFO can be directly assigned to one or more parameters at a time creating powerful, expressive effects.\u003cbr\u003e\u003cbr\u003eThe Patch Box FX1 includes everything needed to start patching. A Patch Box enclosures, a full compliment of modules, and 12 high quality, Nazca Audio brand braided patch cables are included with each system. \u003cbr\u003e\u003cbr\u003eThe power of the FX1 does not live in the modules alone. The Patch Box enclosure is packed with the functionality of five highly tuned components integrated into the heavy duty steel enclosure.\u003cbr\u003e\u003cbr\u003eA custom designed preamp that adds everything from clean gain to sweet distortion without overdriving the modules within the Patch Box. \u003cbr\u003e\u003cbr\u003eDual, assignable expression pedal inputs allow the Patch Box to integrate 3rd party expression pedals anywhere into the signal path. This allows for realtime foot control of any voltage controllable parameter.\u003cbr\u003e\u003cbr\u003eDual, assignable A\/B footswitches expand signal routing options. 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The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.\u003c\/p\u003e  \u003cp\u003eTwo larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1 Pittsburg Modular has included their exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. 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The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable you to cover new sonic territory with an unprecedented level of control.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449801568359,"sku":"53230","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh-modular-lifeforms-system-301-modular-synth_53230_1_fc585974-10f0-4c55-9c04-cb3c97bf9d20.jpg?v=1787090479"},{"product_id":"pittsburgh-modular-lifeforms-system-201-modular-synth","title":"Pittsburgh Modular Lifeforms System 201 Modular Synth","description":"\u003cp\u003eInteractive inspiration machine. Touch to begin. 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Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.\u003c\/p\u003e  \u003cp\u003eTwo larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1, Pittsburg Modular have included their exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex, west coast synthesis style FM timbres.\u003c\/p\u003e  \u003cp\u003eThe true sonic character of the System 201 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.\u003c\/p\u003e  \u003cp\u003eA robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. 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Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.\u003c\/p\u003e  \u003cp\u003eA robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included MIDI to CV converter allows you to control it. 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Building on the sound and legacy of Pittsburg Modular's celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, they have stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, their legendary analog state-variable filter. The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample \u0026amp; hold.\u003c\/p\u003e  \u003ch3\u003eYour Sound, Your Way\u003c\/h3\u003e  \u003cp\u003ePre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, Pittsburg Modular's exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.\u003c\/p\u003e  \u003ch3\u003eA Team Player\u003c\/h3\u003e  \u003cp\u003eWe’ve designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.\u003c\/p\u003e  \u003ch3\u003eIntegrated Synthesizer Components:\u003c\/h3\u003e  \u003ch3\u003eMIDI\u003c\/h3\u003e  \u003cp\u003ePittsburg Modular started with the core of their rock solid MIDI 3 module then modified the source code to create a feature set specifically designed for the SV-1. This MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1. Volt per octave and gate outputs allow you to connect to your MIDI keyboard or DAW and take control of the SV-1 your way.\u003c\/p\u003e  \u003cp\u003eExtensive patch options give you access to glide, CC, and velocity. A digital clock-syncable LFO with triangle and quantized random voltage waveforms provides even more modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. A built-in arpeggiator provides all of the deep arpeggio responses from the MIDI 3, including as played, double triggered, random, and random with random gate. This unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.\u003c\/p\u003e  \u003ch3\u003eOscillator 1 and Oscillator 2\u003c\/h3\u003e  \u003cp\u003ePittsburg Modular's next-generation dual analog oscillator provides the sonic framework for massive synth sounds or deep exploration of west coast style frequency modulation. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. As a bonus, Oscillator 1 also contains their unique blade wave. The shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator 2 is normalled to the FM of Oscillator 1, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two modern, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.\u003c\/p\u003e  \u003ch3\u003eModulation and Tools\u003c\/h3\u003e  \u003cp\u003eA wide-range utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator 1’s core frequency. Analog noise and sample \u0026amp; hold finish out the Tools section — the hold function is initially pre-wired to MIDI clock, and equips you to create perfectly timed, random voltage steps.\u003c\/p\u003e  \u003ch3\u003eMixer\u003c\/h3\u003e  \u003cp\u003eThis versatile four channel mixer comes pre-wired for fast access to Oscillator 1’s sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1. The mixer can be split into two independent two channel mixers simply by patching into the top output.\u003c\/p\u003e  \u003ch3\u003eState Variable Filter\u003c\/h3\u003e  \u003cp\u003eRich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.\u003c\/p\u003e  \u003ch3\u003eFour Stage Envelope Generator\u003c\/h3\u003e  \u003cp\u003eDesigned specifically for the Lifeforms SV-1 with a plucky, organic feel, their four-stage analog ADSR allows you to generate envelopes with remarkable, precise control over each stage. Pre-patched to receive gate signals directly from MIDI, the gate input may be overridden by any available clock, trigger, or square wave source.\u003c\/p\u003e  \u003ch3\u003eVoltage Controlled Amplifier\u003c\/h3\u003e  \u003cp\u003eThe amplifier section not only controls the overall level of the output, but is voltage controllable. A clean, responsive VCA, capable of everything from transparent control to mild overdrive contours audio or CV signals. 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The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave adjustable, pressure sensitive keyboard complete with arpeggiator, step sequencer, four voltage memory pads and two trigger pads. Eleven outputs and a deep feature set enable you to explore new sonic territory with an unprecedented level of control.\u003c\/p\u003e  \u003cp\u003eMonophonic and Duophonic response modes with user-selectable note priority and retrigger options let you customize the KB-1 specifically to your needs. Octave buttons provide quick selection of one of seven available octaves for a wide sonic range. Monophonic mode allows you to perform soaring leads, buttery basslines with legato, or classic arpeggios. Or, take control of two separate oscillators in Duophonic mode to create rich soundscapes, complex drones and arps, lush pads, and thundering bass.\u003c\/p\u003e  \u003cp\u003eEasily program melodic sequences with maximum flexibility. Along with immersive keyboard features, there is also a powerful ten note arpeggiator and sixty-four note sequencer, each focused around playability, empowering you to craft inspiring melodies, or utilize the stepped voltage as control for other parameters, such as filter frequency or VCA control.\u003c\/p\u003e  \u003ch3\u003eThe Next Step\u003c\/h3\u003e  \u003cp\u003eThe Lifeforms KB-1 features a playable, ten note arpeggiator. This robust arpeggiator can cycle through one to three octaves. The arpeggiator in the Lifeforms KB-1 contains three different arpeggiator modes, including single or double note trigger, and random monophonic or duophonic note cycling with random gates . Probability gate burst mode can trigger additional random gates to add complexity to arpeggios. This feature, unique to the Lifeforms KB-1, enables you to have rolling pulses divided by the clock source, allowing for dramatic rhythmic variations of your sequence.\u003c\/p\u003e  \u003cp\u003eA feature-packed sixty-four step sequencer with multiple play modes gives you precise control over the cycling of your sequence. Sequences can be played forward, reverse, or random. Sequences are quickly created by step programming and each step can have one of six step modifiers: pitch bend, tie, single trigger, double trigger, quad trigger, and whole note. Once the sequence is complete, the first note of a sequence can be shifted back or forward, resulting in generating new sequences out of your initial performance. Probability gate burst mode is also available to sequences adding realtime complexity to a performance.\u003c\/p\u003e  \u003ch3\u003eExpress Yourself\u003c\/h3\u003e  \u003cp\u003eThe two assignable trigger buttons enable you to unleash your creative potential in new ways. Trigger 1 and trigger 2 can be independently assigned to one of six different trigger button modes including pressure sensitive pitch bend, gate, latch enable\/disable, trigger, pressure sensitive trigger burst generator, and a pressure sensitive clock divider.\u003c\/p\u003e  \u003ch3\u003ePreset Voltage Memories\u003c\/h3\u003e  \u003cp\u003eThe programmable voltage memory section can function as a four channel sequencer, cycling forward, reverse, or randomly; or the active channel can be selected manually allowing the section to function as a 4 channel voltage memory. Voltages are unquantized analog voltages between 0 and 5 volts. 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The cases include a custom universal DC power supply, flexible power rails, and single row hardwood sides. A unique, low profile, heavy duty steel frame neatly houses up to 180hp of Eurorack format synthesizer modules. The Cell DC cases are a perfect solution for studio or desktop applications, yet more than tough enough to pack in a bag and take on the road.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCell DC cases are available in two sizes. The small case, Cell[48] DC, offers a compact 48hp and the larger case, Cell[90] DC, includes a full 90hp for Eurorack synthesizer modules. Modular by design, both the Cell[48] DC and the Cell[90] DC can be configured as single or double row systems. 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The 1\/4\" mono output can be used as a line out for the modular or as an effects send that uses the input section for the effects return. The input section consists of a switched 25x\/75x preamp designed to amplify the audio from the 1\/4\" mono input to modular levels. Guitars, synthesizers, effects pedals, and line level audio can be inserted into the modular signal chain. The InOut is useful even without external patching. The two 1\/4\" jacks are normaled together so with no 1\/4\" return plugged in, the audio from the input is automatically routed through the amplifier to the output. 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The \u003cstrong\u003ePittsburgh Modular Detect\u003c\/strong\u003e is a utility envelope follower module that generates gate and envelope signals based on the overall level of an incoming signal. The attack and decay controls allow precise control over the response time of the envelope follower circuit, allowing for independent sharp to smooth control over both the rise and fall readings of the incoming waveform.\u003c\/p\u003e  \u003cp\u003eGate threshold sets the level that the incoming audio must exceed for the Detect to generate a gate signal. 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Voltage influence works differently than standard voltage control, it allows the incoming CV to mingle with the LFO waveforms in interesting ways, creating unique modulations and patterns. The output of each VILFO is a voltage controlled variable waveform that shifts from a triangle to square wave.\u003c\/p\u003e  \u003ch3\u003eThe Voltage Influence Circuit\u003c\/h3\u003e  \u003cp\u003eA typical Voltage controlled oscillator works by using a CV input to directly control the oscillation frequency. The more voltage sent to the CV input, the higher the frequency of the oscillator. The lower the voltage, the lower the frequency of the oscillator. Voltage Influence works by using the CV input to attenuate the frequency of the oscillator while at the same time injecting some of the voltage from influence CV input to the feedback loop of the oscillator. Results can vary from subtle to chaotic. Subtle results can be similar to tremolo, shuffle, or soft reset while more extreme settings produce glitchy, rhythmic, chaotic fluctuations in the frequency of the oscillator.\u003c\/p\u003e  \u003ch3\u003eA Chain Reaction\u003c\/h3\u003e  \u003cp\u003eThree of the modulation sources within the Chain Reactor are patched together using switched jacks to ceate complex modulations without needing to use patch cables. The output of LFO3 is patched to the influence CV input of VILFO2 and the output of VILFO2 is internally patched to the influence CV input of VILFO1. The fourth LFO is not prepatched but can be used to modulate the waveshape of VILFO1 or VILFO2. The internal routing between modulation sources within the Chain Reactor can be defeated by patching an external CV souce into the module.\u003c\/p\u003e  \u003ch3\u003eChain Reactor Controls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eVILFO1 Frequency Knob- Frequency control of VILFO1.\u003c\/li\u003e \u003cli\u003eVILFO1 Influence CV Knob - Influence CV input (INF CV 1) attenuator.\u003c\/li\u003e \u003cli\u003eVILFO1 Waveshape Knob - Output waveform control shifts from triangle (left) to square (right). Also functions as the Waveshape CV input (WS CV 1) attenuator.\u003c\/li\u003e \u003cli\u003eVILFO1 INF CV 1 Jack - Influence CV input. Normaled to the VILFO 2 output. 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Internal routing is bypassed when a patch cable is used.\u003c\/li\u003e \u003cli\u003eVILFO2 WS CV 1 Jack - VILFO2 ouput waveshape CV input.\u003c\/li\u003e \u003cli\u003eVILFO2 OUT 1 Jack - VILFO2 waveform output.\u003c\/li\u003e \u003cli\u003eLFO3 Frequency Knob - Frequency control of LFO3.\u003c\/li\u003e \u003cli\u003eLFO3 Shape 3 Switch - Waveform shape selector switch. Switch between triangle and square wave.\u003c\/li\u003e \u003cli\u003eLFO3 Range 3 Switch - LFO3 course frequency range switch. Switch between low frequency oscillator range and audio rate oscillator range.\u003c\/li\u003e \u003cli\u003eLFO3 Out 3 Jack - LFO3 waveform output.\u003c\/li\u003e \u003cli\u003eLFO4 Frequency Knob - Frequency control of LFO4.\u003c\/li\u003e \u003cli\u003eLFO4 Shape 4 Switch - Waveform shape selector switch. Switch between triangle and square wave.\u003c\/li\u003e \u003cli\u003eLFO4 Range 4 Switch - LFO4 course frequency range switch. 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Touch to begin. A complete modular performance synthesizer, the Pittsburgh Modular Lifeforms System 201 packs the Lifeforms SV-1 analog synthesizer voice and a Lifeforms KB-1 pressure sensitive keyboard controller into the Structure EP-96, pairing huge sonic potential with maximum control. Anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 201 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory and more.\u003c\/p\u003e  \u003cp\u003eOverflowing with sonic potential, the Lifeforms System 201 houses a refined analog synth engine ready to explore new aural territories. The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.\u003c\/p\u003e  \u003cp\u003eTwo larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1, Pittsburg Modular have included their exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex, west coast synthesis style FM timbres.\u003c\/p\u003e  \u003cp\u003eThe true sonic character of the System 201 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.\u003c\/p\u003e  \u003cp\u003eA robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable you to cover new sonic territory with an unprecedented level of control.\u003c\/p\u003e  \u003ch3\u003eHEADPHONES:\u003c\/h3\u003e  \u003cp\u003eThe Audio-Technica ATH-M30x professional monitor headphones combine modern engineering and high-quality materials to deliver a comfortable listening experience, with enhanced audio clarity and sound isolation. Tuned for highly detailed audio, with strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording.\u003c\/p\u003e  \u003ch3\u003eCABLES:\u003c\/h3\u003e  \u003cp\u003eWe know you need excellent, reliable cables that don't cost a fortune. That's why we designed our own line of premium Vintage King cabling, made right here in Detroit, Michigan. We teamed up with a local manufacturer to pick the very best cabling and components to build our rugged-tough cables, purposefully designed for the most demanding studio and performance applications. With our cables, you get better value without compromising sound or quality.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449951219815,"sku":"59118","price":1399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburg-modular-lifeforms-system-201-bundle_59118_1_0d0382e6-d87c-4ebb-8ae2-e0d7d1c8bddd.jpg?v=1787091075"},{"product_id":"pittsburgh-modular-lifeforms-system-301-bundle","title":"Pittsburgh Modular Lifeforms System 301 Bundle","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburg Modular Lifeforms System 301 Bundle\u003c\/strong\u003e includes:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003ePittsburgh Modular Lifeforms System 301 Modular Synth\u003c\/li\u003e \u003cli\u003eAudio Technica ATH-M30x Headphones\u003c\/li\u003e \u003cli\u003e8x Vintage King Premium Eurorack Patch Cable 6 Inch (Green)\u003c\/li\u003e \u003cli\u003e8x Vintage King Premium Eurorack Patch Cable 12 Inch (Red)\u003c\/li\u003e \u003cli\u003e8x Vintage King Premium Eurorack Patch Cable 24 Inch (Yellow)\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSYNTH:\u003c\/h3\u003e  \u003cp\u003eInteractive inspiration machine. Touch to begin. A complete modular performance synthesizer, the Pittsburgh Modular Lifeforms System 301 packs the Lifeforms SV-1 analog synthesizer voice and a Lifeforms KB-1 pressure sensitive keyboard controller into the Structure EP-208 professional Eurorack enclosure, pairing huge sonic potential with maximum control and room to grow. Anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 301 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory and more.\u003c\/p\u003e  \u003cp\u003eOverflowing with sonic potential, the Lifeforms System 301 houses a refined analog synth engine ready to explore new aural territories. The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.\u003c\/p\u003e  \u003cp\u003eTwo larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1 Pittsburg Modular has included their exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex west coast synthesis style FM timbres.\u003c\/p\u003e  \u003cp\u003eThe true sonic character of the System 301 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.\u003c\/p\u003e  \u003cp\u003eA robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable you to cover new sonic territory with an unprecedented level of control.\u003c\/p\u003e  \u003ch3\u003eHEADPHONES:\u003c\/h3\u003e  \u003cp\u003eThe Audio-Technica ATH-M30x professional monitor headphones combine modern engineering and high-quality materials to deliver a comfortable listening experience, with enhanced audio clarity and sound isolation. Tuned for highly detailed audio, with strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording.\u003c\/p\u003e  \u003ch3\u003eCABLES:\u003c\/h3\u003e  \u003cp\u003eWe know you need excellent, reliable cables that don't cost a fortune. That's why we designed our own line of premium Vintage King cabling, made right here in Detroit, Michigan. We teamed up with a local manufacturer to pick the very best cabling and components to build our rugged-tough cables, purposefully designed for the most demanding studio and performance applications. With our cables, you get better value without compromising sound or quality.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449951252583,"sku":"59119","price":1655.76,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburg-modular-lifeforms-system-301-bundle_59119_1_3fb4351e-f14e-4055-a900-a6d46547f583.jpg?v=1787091074"},{"product_id":"pittsburgh-modular-lifeforms-sv-1-blackbox-modular-synth","title":"Pittsburgh Modular Lifeforms SV-1 Blackbox - Modular Synth","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox\u003c\/strong\u003e is a complete dual oscillator synthesizer, designed to be the core of your Eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.\u003c\/p\u003e  \u003cp\u003eThe Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample \u0026amp; hold.\u003c\/p\u003e  \u003ch3\u003eYour Sound, Your Way\u003c\/h3\u003e  \u003cp\u003ePre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.\u003c\/p\u003e  \u003ch3\u003eA Team Player\u003c\/h3\u003e  \u003cp\u003eWe’ve designed the Lifeforms SV-1 to be the perfect centerpiece of any Eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing Eurorack compatible gear gives you truly infinite modulation and expansion options.\u003c\/p\u003e  \u003ch3\u003eMIDI\u003c\/h3\u003e  \u003cp\u003eWe started with the core of our rock solid MIDI 3 module then modified the source code to create a feature set specifically designed for the SV-1. This MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1. Volt per octave and gate outputs allow you to connect to your MIDI keyboard or DAW and take control of the SV-1 your way.\u003c\/p\u003e  \u003cp\u003eExtensive patch options give you access to glide, CC, and velocity. A digital clock-syncable LFO with triangle and quantized random voltage waveforms provides even more modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. A built-in arpeggiator provides all of the deep arpeggio responses from the MIDI 3, including as played, double triggered, random, and random with random gate. This unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.\u003c\/p\u003e  \u003ch3\u003eOscillator 1 and Oscillator 2\u003c\/h3\u003e  \u003cp\u003eOur next-generation dual analog oscillator provides the sonic framework for massive synth sounds or deep exploration of west coast style frequency modulation. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. As a bonus, Oscillator 1 also contains our unique blade wave. The shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator 2 is normalled to the FM of Oscillator 1, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two modern, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.\u003c\/p\u003e  \u003ch3\u003eModulation and 3Tools\u003c\/h3\u003e  \u003cp\u003eA wide-range utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator 1’s core frequency. Analog noise and sample \u0026amp; hold finish out the Tools section — the hold function is initially pre-wired to MIDI clock, and equips you to create perfectly timed, random voltage steps.\u003c\/p\u003e  \u003ch3\u003eMixer\u003c\/h3\u003e  \u003cp\u003eThis versatile four channel mixer comes pre-wired for fast access to Oscillator 1’s sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1. The mixer can be split into two independent two channel mixers simply by patching into the top output.\u003c\/p\u003e  \u003ch3\u003eState Variable Filter\u003c\/h3\u003e  \u003cp\u003eRich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate high-pass, low-pass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.\u003c\/p\u003e  \u003ch3\u003eFour Stage Envelope Generator\u003c\/h3\u003e  \u003cp\u003eDesigned specifically for the Lifeforms SV-1 with a plucky, organic feel, our four-stage analog ADSR allows you to generate envelopes with remarkable, precise control over each stage. Pre-patched to receive gate signals directly from MIDI, the gate input may be overridden by any available clock, trigger, or square wave source.\u003c\/p\u003e  \u003ch3\u003eVoltage Controlled Amplifier\u003c\/h3\u003e  \u003cp\u003eThe amplifier section not only controls the overall level of the output, but is voltage controllable. A clean, responsive VCA, capable of everything from transparent control to mild overdrive contours audio or CV signals. The ADSR is pre-patched to the level CV providing shape to the synthesizer audio.\u003c\/p\u003e  \u003ch3\u003eSplitters\u003c\/h3\u003e  \u003cp\u003eTwo unbuffered audio or CV splitter sections allow you duplicate your signal in creative ways, routing a single audio or CV source to multiple destinations.\u003c\/p\u003e  \u003ch3\u003eLine Level and Headphone Outputs\u003c\/h3\u003e  \u003cp\u003eHigh quality stereo headphone amplifier and monophonic line level outputs controlled by a master volume knob.\u003c\/p\u003e  \u003ch3\u003eModule Specifications\u003c\/h3\u003e  \u003cp\u003ePanel size: 48hp Depth: 35 mm Power Usage: +12v 230mA, -12v 200mA.  Does not require +5 V. Reversed power polarity protection.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449999093863,"sku":"60682","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh-blackbox_1_b998d239-3d21-4d9e-8bc2-aa346e3b8b0b.jpg?v=1787091265"},{"product_id":"pittsburgh-modular-lifeforms-percussion-sequencer","title":"Pittsburgh Modular Lifeforms Percussion Sequencer","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Lifeforms Percussion Sequencer\u003c\/strong\u003e is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. Eurorack drum programming has come to life.\u003c\/p\u003e  \u003ch3\u003eAnything is a Drum\u003c\/h3\u003e  \u003cp\u003eTraditionally, patching up a modular drum kit was constrained by the amount of envelope and VCA modules in a system, restricting the number and complexity of percussion voices in most systems. Another option was to use dedicated drum modules that offer a limited sonic palate and few modulation options. The Lifeforms Percussion Sequencer breaks through these barriers by including a percussion tuned analog envelope and VCA on each channel. Patching anything from a basic sine wave to heavily modulated and processed noise sources through the Lifeforms Percussion Sequencer will quickly create a distinctive drum kit that takes full sonic advantage of the unique synthesis options available in any system.\u003c\/p\u003e  \u003ch3\u003eThe Mind of a Modern Drum Machine\u003c\/h3\u003e  \u003cp\u003eAt the heart of the module is a 4 channel, 32 step beat sequencer designed for live performance. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Create and store up to 32 sequences using live performance or step mode recording with pattern lengths varying from 1 to 32 steps. Patterns can be copy and pasted to easily create multiple versions of a beat. The sequencer is driven by an internal tap tempo or external clock source. A dedicated clock in\/out jack syncs the sequencer with other modules.\u003c\/p\u003e  \u003ch3\u003eFour Integrated Analog Envelopes and VCAs\u003c\/h3\u003e  \u003cp\u003eInstead of limiting the drums to a few onboard voices or lo-fi samples, the Lifeforms Percussion Sequencer uses an analog envelope and VCA built into each channel to shape any audio source into a percussive instrument. The envelopes are designed with a razor sharp attack and variable decay\/release allowing for maximum control over the output of each channel. The envelopes can also be used externally. A short envelope creates a trigger while longer envelopes can be used as a modulation source for oscillators, filters, or anything at all.\u003c\/p\u003e  \u003ch3\u003e6 Adjustable Pattern Effects\u003c\/h3\u003e  \u003cp\u003eThe Lifeforms Percussion Sequencer includes 6 unique pattern effects to expand the musical possibilities of traditional grid style beat programming. Effects include everything from swing and beat shifters to glitch and generative algorithms designed to manipulate the sequencer pattern. Each channel can run a unique instance of one pattern effect at a time. A master pattern effect channel is also available that affects all 4 channels of the sequencer. The combination of the channel effect and the master effect allows for up to two effects at a time on each channel. Each effect has one parameter that can be adjusted to dial in the perfect response.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eShift Effect: Delays the trigger output of a channel by small divisions of the tempo. Use this effect to create half-step or stutter-step drum triggers. Effect knob controls the amount of channel shift. The range of shift is 1\/8th to 7\/8ths of a beat.\u003c\/li\u003e \u003cli\u003eGlitch Effect: Probability based glitch effect that creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some division of the clock, allowing for stuttering but not disjointed patterns. The probability is set using the effect knob. The range of the glitch effect is minimal to absolute chaos.\u003c\/li\u003e \u003cli\u003eDensity Effect: Sets the number and timing of triggers created for each active step. The result can be anything from a doubling of the trigger to a rolling effect. The effect knob controls the trigger density.\u003c\/li\u003e \u003cli\u003eMorph Effect: Create evolving patterns. The morph effect is a probability based algorithm that modifies an existing pattern by adding or removing active steps. The effect knob sets the probability that the pattern will morph.\u003c\/li\u003e \u003cli\u003eSwing Effect: A classic drum machine effect meant to mimic the feel of a real drummer by shifting the timing of every other step. The effect knob controls the amount of swing.\u003c\/li\u003e \u003cli\u003eAdd\/Drop Effect: Temporarily add or drop steps from a pattern. The results are similar to the morph effect but changes to the pattern are not compounded as the pattern plays allowing the resulting pattern to stay anchored to the original sequence. The effect knob sets the probability that a step will be modified.\u003c\/li\u003e \u003c\/ul\u003e      \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePanel size: 24hp\u003c\/li\u003e \u003cli\u003eDepth: 28 mm\u003c\/li\u003e \u003cli\u003ePower Usage: +12 V 100 mA, -12 V 15 mA - does not require +5 V -  reversed power polarity protection\u003c\/li\u003e \u003c\/ul\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44450005876839,"sku":"62798","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh-modular-lifeforms-percussion-sequencer-1_402d2989-eb04-45f2-bcb5-6b307666c1dc.jpg?v=1787091295"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/pittsburgh-modular.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}