{"title":"Prism Sound","description":null,"products":[{"product_id":"prism-ada-8xr-16ad-pt","title":"Prism ADA-8XR 16AD-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449237794919,"sku":"5391","price":12895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_32.jpg?v=1787088262"},{"product_id":"prism-ada-8xr-16ad-fw","title":"Prism ADA-8XR 16AD-FW","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-FW FireWire I\/O modules\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449237860455,"sku":"7925","price":11658.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_31.jpg?v=1787088262"},{"product_id":"prism-ada-8xr-16ad-aes","title":"Prism ADA-8XR 16AD-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules:\u003c\/strong\u003e The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module.The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449237893223,"sku":"5390","price":11658.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_30.jpg?v=1787088262"},{"product_id":"prism-sound-maselec-mma-4xr-four-channel-mic-pre","title":"Prism Sound Maselec MMA-4XR Four Channel Mic Pre","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Maselec MMA-4\u003c\/strong\u003e is an audiophile microphone pre-amplifier offering the highest standards of performance. Design objectives included consistently good sound over the whole range of gain settings, a high level of transparency and ultra-low noise and distortion.\u003c\/p\u003e\n\u003cp\u003eIn the race for ever better audio performance and processing, the advantages of analogue technology can easily be overlooked. Analogue signal processors have an elusive sound quality that is hard to capture in the digital domain. This is partly why the MMA-4 mic pre-amp frequency response extends well beyond the basic 20kHz audio band. And, compatibility with 96kHz sampling is built-in! Many of the world's top music acts still prefer the sound of analogue 1\/2-inch tape and demand analogue processing prior to editing and CD mastering. Creative Power The MMA-4 features unique signal path and delivers a very special sound - without side-effects. The clear and straightforward presentation of Maselec Master Series products with their precision stepped controls provides the raw creative power you need - and nothing else.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449247199335,"sku":"6578","price":3940.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_mma4xr_1.jpg?v=1787088297"},{"product_id":"prism-sound-over-killer-soft-knee-limiter-barrel","title":"Prism Sound Over-Killer Soft-Knee Limiter Barrel","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePrism Sound Over-Killer\u003c\/span\u003e, with its unique super soft clip circuit, stays soft even when large overloads are present and does not become hard like less sophisticated systems. \u003cp\u003eThe clip level is carefully set so that peak modulation is very close to the nominal maximum level. Many similar units lop off up to 1.25dB when switched into a circuit. With the flexibility of having the Over-Killer as an external unit, A\/D input sensitivity can be separately trimmed to push even closer to peak code. \u003c\/p\u003e \u003cp\u003eOrder a pair of Over-Killer barrels now and turn up the heat on your new cuts! Over- Killers are supplied as a set of two barrels suitable for use with balanced stereo analogue signals. \u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449256931431,"sku":"218","price":306.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/1prism-overkiller_218_1_12467eb8-beab-4d59-9dcb-c96fd377c531.jpg?v=1787088341"},{"product_id":"prism-dream-ad-2","title":"Prism Dream AD-2","description":"The \u003cb\u003ePrism Sound Dream AD-2\u003c\/b\u003e is the definitive music A\/D converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The AD-2 conversion system provides an audio stream of such exceptional quality that it will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. It offers a wealth of sophisticated features as well as high-performance, multi-rate A\/D conversion for the most exacting applications in sound recording, mastering and broadcast. \u003cp\u003e\u003cb\u003ePerformance\u003c\/b\u003e\u003cbr\u003eConverter performance is pushed ever-nearer the limit: Dynamic range reaches a massive 130dB, THD+n at full scale is raised to 108dB (0.0005%). Clock stability, and rejection of incoming reference jitter are also improved. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFlexibility\u003c\/b\u003e\u003cbr\u003eThe AD-2 is like two separate A\/D converters, plus a digital processor, all in one: it can generate two entirely separate output signals simultaneously. These can have different sampling rates, different word-lengths - even use different noise-shapers. For example, you can output a 96kHz \/ 24-bit signal and a 44.1kHz \/ 16-bit noise-shaped signal at the same time. \u003cbr\u003e\u003cbr\u003eApart from its breathtaking performance, the analogue front-end of the AD-2 includes many new features: Analogue input sensitivity (and inter-channel balance) is software-programmable over the entire range with 0.05dB resolution. Just as with the AD-1, the inputs are transformerless, electronically balanced and galvanically isolated (fully floating), to ensure freedom from noise pick-up and crosstalk. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eDigital to Digital Sample Rate Conversion\u003c\/b\u003e\u003cbr\u003eThe 'D-D' (digital-to-digital) path, first provided in the AD-1, has been improved still further in the AD-2: It still offers re-dithering, noise-shaping and DRE encoding \/ decoding, but now it has synchronous sample-rate-conversion (SRC) as well. So you can re-process your 96kHz, 24-bit masters to 44.1kHz 16-bit streams for CD, or you can up-sample low-rate recordings for post-processing at a higher rate... in fact, you can convert between any two standard sampling-rates - synchronously. Synchronous sample-rate-conversion, if correctly performed, is free of the distortion artifacts associated with conventional 'variable-rate' SRCs. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eNoise Shaping\u003c\/b\u003e\u003cbr\u003eThe four tried and tested Super-Noise-Shaping ('SNS') curves are extended to include optimal shaping for the higher sampling rates. The SNS process gives greatly-improved small-signal performance for limited word-lengths, such as CD, and is completely compatible with existing D\/A converter products (including consumer and professional CD players). \u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Last Word\u003c\/b\u003e\u003cbr\u003eWe've been very busy since our first generation converters came out in 1994. Take a long look at the AD-2 and DA-2 and you'll see why. We have compromised on nothing: these converters quite simply redefine the state-of-the-art. \u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449256898663,"sku":"213","price":9850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ad2_1.jpg?v=1787088341"},{"product_id":"prism-dream-da-2","title":"Prism Dream DA-2","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePrism Sound Dream DA-2\u003c\/span\u003e is the definitive music D\/A converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The DA-2 conversion system provides an audio stream of such exceptional quality that will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. \u003cp\u003e\u003cb\u003ePerformance\u003c\/b\u003e\u003cbr\u003eThe Prism Sound DA-2, 96kHz, 24-bit D\/A converter provides ultimate-quality monitoring of digital audio signals. Its exceptional linearity and rock-steady clock generation and recovery ensure the highest conversion precision available for recording and mastering applications. \u003c\/p\u003e\u003cp\u003eThe DA-2 combines truly state-of-the-art audio performance with the advanced features needed by the professional to provide the most revealing, most transparent and most flexible digital to analog conversion unit available. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMusicality\u003c\/b\u003e\u003cbr\u003eOf particular importance is the ability of the DA-2 to avoid the unpleasant effects of jitter: The exceptionally stable PLL has high jitter-attenuation, and the DA-2's digital outputs can provide a de-jittered digital feed-through for reliable digital transfers. The DA-2 also has a unique 'master clock' mode in which the effects of incoming clock jitter are eliminated completely. \u003c\/p\u003e\u003cp\u003eThe DA-2 will interface easily with other digital audio equipment; it features both high-speed and two-wire interfacing options at input and output for 88.2kHz and 96kHz rates. \u003c\/p\u003e\u003cp\u003eThe DA-2 analogue output offers simplicity and high performance with its fully-floating, electronically balanced format with precision attenuators offering an operating range that covers both professional and consumer voltage levels. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eCompatible with all wordlengths from 16 to 24 bits\u003c\/b\u003e\u003cbr\u003eThe DA-2 is fully compatible with recordings made at any wordlength up to 24-bits, with or without noise shaping. No adjustment is needed for sources driving only 16 bits on the interface. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMonitor the new high-rate (e.g. 96kHz) digital interface formats\u003c\/b\u003e\u003cbr\u003eThe DA-2 provides support for both two-wire and double-speed AES variants now in use for higher-rate recording projects (typically 96kHz 24-bit). \u003c\/p\u003e\u003cp\u003e\u003cb\u003eUse the DA-2 as the basis of a studio monitoring system\u003c\/b\u003e\u003cbr\u003eThe 7-way input selector and feed-through output (for example: driving a digital PPM) of the DA-2 can be used as the heart of your digital audio monitoring system. \u003c\/p\u003e\u003cp\u003eEasy transfer between tape and disk The DA-2 can act as a format converter and jitter attenuator using its array of input formats and its digital outputs. For example, it can convert between AES3 and SDIF-2 or from TOSLINK optical to AES3. It can also convert from double speed AES (typically 96kHz) to the two-wire interface format. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eUse the DA-2 as your studio clock reference\u003cbr\u003e\u003c\/b\u003eThe DA-2 can operate in Master Clock mode where the D\/A converter timing is generated internally from a precision reference, by-passing the synchronizing PLL system altogether. If your external equipment supports it, you can use the DA-2 in this mode for the ultimate in D\/A conversion quality.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449257029735,"sku":"216","price":10845.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_da2_1.jpg?v=1787088341"},{"product_id":"prism-ada-8xr-standard-aes","title":"Prism ADA-8XR Standard AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449263681639,"sku":"2774","price":8236.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_61.jpg?v=1787088360"},{"product_id":"prism-ada-8xr-dio-dsd","title":"Prism ADA-8XR DIO-DSD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism ADA-8XR DIO-DSD\u003c\/strong\u003e provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs).\u003c\/p\u003e\r\n\u003cp\u003eThe DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable.\u003c\/p\u003e\r\n\u003cp\u003eWhen combined with the ADA-8XR’s Analogue Line Input and Output modules, the DSD I\/O Module provides eight channels of analogue-to-DSD and DSD-to-analogue conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels.\u003c\/p\u003e\r\n\u003cp\u003eWhen used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly.\u003c\/p\u003e\r\n\u003cp\u003eWhilst the DSD format uses a fixed sample rate of 2.8224MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449266204775,"sku":"4718","price":2005.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism-ada-8xr-dio-dsd_1.jpg?v=1787088370"},{"product_id":"prism-ada-8xr-standard-pthd-aes","title":"Prism ADA-8XR Standard PTHD-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface module\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AES AES3 Digital I\/O module\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449268990055,"sku":"4972","price":10825.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_62.jpg?v=1787088374"},{"product_id":"prism-ada-8xr-pthd","title":"Prism ADA-8XR PTHD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface modules\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449269579879,"sku":"5112","price":9950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_58.jpg?v=1787088377"},{"product_id":"prism-ada-8xr-standard-pthd-mdsd","title":"Prism ADA-8XR Standard PTHD-MDSD","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270071399,"sku":"5375","price":13794.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_63.jpg?v=1787088379"},{"product_id":"prism-ada-8xr-pt","title":"Prism ADA-8XR-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270104167,"sku":"5376","price":11235.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_64.jpg?v=1787088379"},{"product_id":"prism-ada-8xr-pt-aes","title":"Prism ADA-8XR-PT-AES","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270136935,"sku":"5377","price":12220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_65.jpg?v=1787088379"},{"product_id":"prism-ada-8xr-mdsd","title":"Prism ADA-8XR MDSD","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270169703,"sku":"5378","price":13158.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_55.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-mdsd-aes","title":"Prism ADA-8XR MDSD-AES","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270202471,"sku":"5379","price":13965.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_56.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-mdsd-pt","title":"Prism ADA-8XR MDSD-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270235239,"sku":"5380","price":13794.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_57.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd","title":"Prism ADA-8XR DSD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-DSD DSD I\/O modules\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270268007,"sku":"5382","price":10575.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_44.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd-pt","title":"Prism ADA-8XR DSD-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270300775,"sku":"5383","price":12570.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_46.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd-aes","title":"Prism ADA-8XR DSD-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DSD DSD I\/O module\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AES AES3 Digital I\/O module\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270333543,"sku":"5381","price":11375.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_45.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd-pthd","title":"Prism ADA-8XR DSD-PTHD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DSD DSD I\/O module\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface module\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270366311,"sku":"5384","price":11135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_47.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-fw","title":"Prism ADA-8XR FW","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-FW FireWire I\/O modules\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270399079,"sku":"5385","price":9898.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_50.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-fw-aes","title":"Prism ADA-8XR FW-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-FW FireWire I\/O module\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AES AES3 Digital I\/O module\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270431847,"sku":"5386","price":10998.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_51.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-fw-pthd","title":"Prism ADA-8XR FW-PTHD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-FW FireWire I\/O module\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface module\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270464615,"sku":"5387","price":10700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_54.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-fw-dsd","title":"Prism ADA-8XR FW-DSD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-FW FireWire I\/O module\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DSD DSD I\/O module\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270497383,"sku":"5388","price":10850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_52.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-fw-mdsd","title":"Prism ADA-8XR FW-MDSD","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. 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The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface modules\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270562919,"sku":"5392","price":11425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_33.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-16da-aes","title":"Prism ADA-8XR 16DA-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-DA 8-channel Analog Line Output (D\/A converter) modules\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules:\u003c\/strong\u003e The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module.The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270595687,"sku":"5393","price":10998.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_34.jpg?v=1787088382"},{"product_id":"prism-ada-8xr-16da-pt","title":"Prism ADA-8XR 16DA-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270628455,"sku":"5394","price":11895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_36.jpg?v=1787088382"},{"product_id":"prism-ada-8xr-ad-analog-input-module","title":"Prism ADA-8XR AD Analog Input Module","description":"A\/D converter, 8-channel, line input for Prism ADA-8XR","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270693991,"sku":"5397","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_analog_input_module.jpg?v=1787088382"},{"product_id":"prism-ada-8xr-da-analog-output-module","title":"Prism ADA-8XR DA Analog Output Module","description":"D\/A converter, 8-channel, line output for Prism ADA-8XR","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270726759,"sku":"5398","price":1665.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_analog_output_module.jpg?v=1787088382"},{"product_id":"prism-ada-8xr-16da-pthd","title":"Prism ADA-8XR 16DA-PTHD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-DA 8-channel Analog Line Output (D\/A converter) modules\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface modules:\u003c\/strong\u003e The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270661223,"sku":"5395","price":10550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_37.jpg?v=1787088382"},{"product_id":"prism-ada-8xr-dio-aes","title":"Prism ADA-8XR DIO-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism ADA-8XR DIO-AES\u003c\/strong\u003e provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources, and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module.\u003c\/p\u003e\r\n\u003cp\u003eThe module can accommodate extended sample rates (up to 192kHz) in Split96 (two-wire) or high-speed (one-wire) modes and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270988903,"sku":"5431","price":1150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism-ada-8xr-dio-aes_1.jpg?v=1787088383"},{"product_id":"prism-ada-8xr-dio-pt","title":"Prism ADA-8XR DIO-PT","description":"\u003cp\u003eThe 8C-PT Pro Tools I\/O interface module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools 24|MIX workstations.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Pro Tools I\/O Module enables the ADA-8XR to replace Digidesign 888|24 or 882 interfaces, providing superior audio performance and extra features.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTo Pro Tools, an ADA-8XR fitted with a Pro Tools I\/O Module looks the same as an 888|24 and it can be remote-controlled in the same way.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449271021671,"sku":"5432","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_protools_module_2.jpg?v=1787088383"},{"product_id":"prism-ada-8xr-dio-pthd","title":"Prism ADA-8XR DIO-PTHD","description":"\u003cp\u003eThe 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTo the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192kHz.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449271087207,"sku":"5433","price":1060.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_protools_hdmodule_1.jpg?v=1787088383"},{"product_id":"prism-ada-8xr-dio-fw","title":"Prism ADA-8XR DIO-FW","description":"Firewire I\/O module for ADA-8XR systems","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449277378663,"sku":"6575","price":1130.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada-8xr_dio-fw_module.jpg?v=1787088408"},{"product_id":"prism-ada-8xr-16da-fw","title":"Prism ADA-8XR 16DA-FW","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-DA 8-channel Analog Line Output (D\/A converter) modules\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-FW FireWire I\/O modules:\u003c\/strong\u003e The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449293992039,"sku":"7926","price":10833.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_35.jpg?v=1787088443"},{"product_id":"prism-sound-orpheus","title":"Prism Sound Orpheus","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Orpheus\u003c\/strong\u003e is a FireWire interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers. Orpheus is ideal for music and sound recording, production \u0026amp; monitoring, stem-based mastering and analogue summing. \u003cbr\u003e\u003cbr\u003eOrpheus provides Prism Sound's renowned performance and sound quality in a dedicated FireWire unit compatible with Windows XP \u0026amp; Vista and MAC OS X 10.4x (Intel \u0026amp; PPC). \u003cbr\u003e\u003cbr\u003eOrpheus has line, microphone and instrument inputs, good foldback and stereo or surround monitoring capabilities, ADAT and SPDIF digital I\/O plus support for external MIDI devices. Microphone inputs include MS matrix processing and high-performance digital sampling-rate conversion (SRC) is available for digital inputs or outputs. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOrpheus signal path\u003c\/strong\u003e\u003cbr\u003eEight analogue input channels and up to 10 digital input channels are available (SPDIF on RCA\/coax plus ADAT optical) as DAW inputs through the host's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 22 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc) can be driven with an individual local mix of any selection of inputs through the controller applet. All inputs are electronically balanced with automatic unbalanced operation. Outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded. \u003cbr\u003e\u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eNo-compromise, full Prism Sound audio quality\u003c\/strong\u003e \u003cbr\u003e Orpheus makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers. \u003cbr\u003e\u003cbr\u003e Orpheus The Orpheus design brief was: Get Prism Sound quality conversion and mic preamps into a 1U box at a more accessible price point. Sound quality just wasn't negotiable. Orpheus has the same no-compromise analogue front and back ends, with the same fully-balanced-throughout architecture, the same isolation barriers protecting the analogue from digital and computer interference. \u003cbr\u003e\u003cbr\u003e Orpheus draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Orpheus is well-behaved both as a computer peripheral and an audio processor. \u003cbr\u003e\u003cbr\u003e Reliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. \u003cbr\u003e\u003cbr\u003e The design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. \u003cbr\u003e\u003cbr\u003e It is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Orpheus noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eStandards compliant FireWire interface\u003c\/strong\u003e\u003cbr\u003e Increasing standardisation is leading to more choice for those wishing to \"mix and match\" editing and production software with various audio interfaces. Prism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. \u003cbr\u003e\u003cbr\u003e Prism Sound is probably best known for A\/D and D\/A converters, not least the ADA-8XR, which already provides a solution for those needing a FireWire interface. However, the flexibility and versatility of the ADA-8XR comes with a higher price tag, reflecting the fact that no other interface provides such exceptional audio performance or can work directly into Pro Tools Core\/Processing cards, as well as running a concurrent DSD processor or FireWire interface. \u003cbr\u003e\u003cbr\u003e The solution was to create a unit that is dedicated as a FireWire interface and is compatible with Windows PC and Apple Mac computers. \u003cbr\u003e\u003cbr\u003e Orpheus is easy to connect to your computer and to your outboard gear. For Windows XP or Vista users ASIO and WDM drivers are provided, while for Mac OS X 10.4 or later, Orpheus interfaces directly to Core Audio. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Orpheus controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eOrpheus Flexible Inputs and Outputs\u003c\/strong\u003e\u003cbr\u003e Our customers told us that, along with FireWire connectivity, many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Orpheus offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Orpheus a maximum capability of 18 concurrent input and output channels plus stereo headphones. \u003cbr\u003e\u003cbr\u003e Orpheus' eight analogue inputs support various capabilities. Orpheus has four really good mic amps with software-controlled gain in 1dB steps, individually-switchable phantom power - and very low noise and distortion. These inputs are auto-sensing, and support microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two of these inputs also support direct injection (DI) instrument connections with quarter-inch jacks on the front panel. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003cbr\u003e\u003cbr\u003e The co-axial digital I\/O port can be switched in the Orpheus controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adapter leads that provide external XLR connections for AES3 devices. Other connections include MIDI in and out and wordclock sync I\/O. \u003cbr\u003e\u003cbr\u003e Orpheus can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Orpheus controller applet, the unit can be disconnected from the host computer and used independently. Orpheus will retain its settings when powered down so even if it is switched off, Orpheus can be re-powered and stand-alone operation can continue with the automatically-stored settings. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eDigital Mixer\u003c\/strong\u003e\u003cbr\u003e Our customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Orpheus has a powerful built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. \u003cbr\u003e\u003cbr\u003e The question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Orpheus provides 'console quality' local mixing - every output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. \u003cbr\u003e\u003cbr\u003e There is a very small residual delay through the A\/D and D\/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A\/D and D\/A path is only 0.5ms and is significantly less at higher sampling rates. This is generally reckoned to be small enough not to be problematic. \u003cbr\u003e\u003cbr\u003e Although the unit's outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or stem-based mastering. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eOrpheus Flexible Monitoring\u003c\/strong\u003e\u003cbr\u003e Professional users demand more sophisticated monitoring capabilities and are getting used to surround sound with HDTV and DVD, so it is becoming important to support surround monitoring setups. \u003cbr\u003e\u003cbr\u003e As well as wanting great analogue recording channels, the DAW user also needs top-quality monitoring. The eight analogue outputs on Orpheus allow monitor setups from multi-stereo up to 7.1 surround. Orpheus has a real volume knob which can be assigned to any or all of the analogue or digital outputs for use as a control room monitor control. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSample Rate Conversion and Noise Shaping\u003c\/strong\u003e\u003cbr\u003e The digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion, allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronized or wrong-rate digital inputs, Orpheus can also generate, say, a live 44.1kHz output from a 96kHz session. Since Orpheus also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits at mastering-house quality. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eUnsurpassed Jitter Rejection\u003c\/strong\u003e\u003cbr\u003e In the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. So whether it's providing a high-quality master clock for the rest of the room, or dealing with a jittery clock from outside, Orpheus is as rock-steady as its forbears. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSupport\u003c\/strong\u003e\u003cbr\u003e Over the years, Prism Sound's reputation for audio quality has been matched by its reputation for after-sales support and technical advice. Orpheus has the benefit of that support and customers have access to one of the best technical teams in the business. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eThe Last Word\u003c\/strong\u003e\u003cbr\u003e We believe that Orpheus delivers exactly what our personal studio customers have asked for - all the performance of a Prism Sound product in a dedicated FireWire unit that handles line, microphone and instrument inputs with good foldback and monitoring capabilities, yet at a more accessible price tag. We are confident that customers using the new Orpheus converter will agree that it sounds as good as it looks.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449299038311,"sku":"8712","price":4495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_orpheus_1.jpg?v=1787088457"},{"product_id":"prism-sound-maselec-mma-4xr-four-channel-mic-pre-demo-deal","title":"Prism Sound Maselec MMA-4XR Four Channel Mic Pre (Demo Deal)","description":"The \u003cb\u003ePrism Sound Maselec MMA-4\u003c\/b\u003e is an audiophile microphone pre-amplifier offering the highest standards of performance. Design objectives included consistently good sound over the whole range of gain settings, a high level of transparency and ultra-low noise and distortion.\u003cp\u003e In the race for ever better audio performance and processing, the advantages of analogue technology can easily be overlooked. Analogue signal processors have an elusive sound quality that is hard to capture in the digital domain. This is partly why the MMA-4 mic pre-amp frequency response extends well beyond the basic 20kHz audio band. And, compatibility with 96kHz sampling is built-in! Many of the world's top music acts still prefer the sound of analogue 1\/2-inch tape and demand analogue processing prior to editing and CD mastering. Creative Power The MMA-4 features unique signal path and delivers a very special sound - without side-effects. The clear and straightforward presentation of Maselec Master Series products with their precision stepped controls provides the raw creative power you need - and nothing else.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449366081639,"sku":"13858","price":3938.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_mma4xr_1_1.jpg?v=1787088726"},{"product_id":"prism-sound-over-killer-demo-deal","title":"Prism Sound Over-Killer Soft-Knee Limiter Barrel (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePrism Sound Over-Killer\u003c\/span\u003e, with its unique super soft clip circuit, stays soft even when large overloads are present and does not become hard like less sophisticated systems. \u003cp\u003eThe clip level is carefully set so that peak modulation is very close to the nominal maximum level. Many similar units lop off up to 1.25dB when switched into a circuit. With the flexibility of having the Over-Killer as an external unit, A\/D input sensitivity can be separately trimmed to push even closer to peak code. \u003c\/p\u003e \u003cp\u003eOrder a pair of Over-Killer barrels now and turn up the heat on your new cuts! Over- Killers are supplied as a set of two barrels suitable for use with balanced stereo analogue signals. \u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449366179943,"sku":"13995","price":195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_overkiller_1.jpg?v=1787088727"},{"product_id":"prism-sound-orpheus-demo-deal","title":"Prism Sound Orpheus (Demo Deal)","description":"The \u003cb\u003ePrism Sound Orpheus\u003c\/b\u003e is a FireWire interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers. Orpheus is ideal for music and sound recording, production \u0026amp; monitoring, stem-based mastering and analogue summing. \u003cbr\u003e\u003cbr\u003eOrpheus provides Prism Sound's renowned performance and sound quality in a dedicated FireWire unit compatible with Windows XP \u0026amp; Vista and MAC OS X 10.4x (Intel \u0026amp; PPC). \u003cbr\u003e\u003cbr\u003eOrpheus has line, microphone and instrument inputs, good foldback and stereo or surround monitoring capabilities, ADAT and SPDIF digital I\/O plus support for external MIDI devices. Microphone inputs include MS matrix processing and high-performance digital sampling-rate conversion (SRC) is available for digital inputs or outputs. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eOrpheus signal path\u003c\/b\u003e\u003cbr\u003eEight analogue input channels and up to 10 digital input channels are available (SPDIF on RCA\/coax plus ADAT optical) as DAW inputs through the host's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 22 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc) can be driven with an individual local mix of any selection of inputs through the controller applet. All inputs are electronically balanced with automatic unbalanced operation. Outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded. \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cb\u003eNo-compromise, full Prism Sound audio quality\u003c\/b\u003e \u003cbr\u003e Orpheus makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers. \u003cbr\u003e\u003cbr\u003e Orpheus The Orpheus design brief was: Get Prism Sound quality conversion and mic preamps into a 1U box at a more accessible price point. Sound quality just wasn't negotiable. Orpheus has the same no-compromise analogue front and back ends, with the same fully-balanced-throughout architecture, the same isolation barriers protecting the analogue from digital and computer interference. \u003cbr\u003e\u003cbr\u003e Orpheus draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Orpheus is well-behaved both as a computer peripheral and an audio processor. \u003cbr\u003e\u003cbr\u003e Reliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. \u003cbr\u003e\u003cbr\u003e The design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. \u003cbr\u003e\u003cbr\u003e It is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Orpheus noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eStandards compliant FireWire interface\u003c\/b\u003e\u003cbr\u003e Increasing standardisation is leading to more choice for those wishing to \"mix and match\" editing and production software with various audio interfaces. Prism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. \u003cbr\u003e\u003cbr\u003e Prism Sound is probably best known for A\/D and D\/A converters, not least the ADA-8XR, which already provides a solution for those needing a FireWire interface. However, the flexibility and versatility of the ADA-8XR comes with a higher price tag, reflecting the fact that no other interface provides such exceptional audio performance or can work directly into Pro Tools Core\/Processing cards, as well as running a concurrent DSD processor or FireWire interface. \u003cbr\u003e\u003cbr\u003e The solution was to create a unit that is dedicated as a FireWire interface and is compatible with Windows PC and Apple Mac computers. \u003cbr\u003e\u003cbr\u003e Orpheus is easy to connect to your computer and to your outboard gear. For Windows XP or Vista users ASIO and WDM drivers are provided, while for Mac OS X 10.4 or later, Orpheus interfaces directly to Core Audio. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Orpheus controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eOrpheus Flexible Inputs and Outputs\u003c\/b\u003e\u003cbr\u003e Our customers told us that, along with FireWire connectivity, many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Orpheus offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Orpheus a maximum capability of 18 concurrent input and output channels plus stereo headphones. \u003cbr\u003e\u003cbr\u003e Orpheus' eight analogue inputs support various capabilities. Orpheus has four really good mic amps with software-controlled gain in 1dB steps, individually-switchable phantom power - and very low noise and distortion. These inputs are auto-sensing, and support microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two of these inputs also support direct injection (DI) instrument connections with quarter-inch jacks on the front panel. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003cbr\u003e\u003cbr\u003e The co-axial digital I\/O port can be switched in the Orpheus controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adapter leads that provide external XLR connections for AES3 devices. Other connections include MIDI in and out and wordclock sync I\/O. \u003cbr\u003e\u003cbr\u003e Orpheus can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Orpheus controller applet, the unit can be disconnected from the host computer and used independently. Orpheus will retain its settings when powered down so even if it is switched off, Orpheus can be re-powered and stand-alone operation can continue with the automatically-stored settings. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eDigital Mixer\u003c\/b\u003e\u003cbr\u003e Our customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Orpheus has a powerful built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. \u003cbr\u003e\u003cbr\u003e The question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Orpheus provides 'console quality' local mixing - every output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. \u003cbr\u003e\u003cbr\u003e There is a very small residual delay through the A\/D and D\/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A\/D and D\/A path is only 0.5ms and is significantly less at higher sampling rates. This is generally reckoned to be small enough not to be problematic. \u003cbr\u003e\u003cbr\u003e Although the unit's outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or stem-based mastering. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eOrpheus Flexible Monitoring\u003c\/b\u003e\u003cbr\u003e Professional users demand more sophisticated monitoring capabilities and are getting used to surround sound with HDTV and DVD, so it is becoming important to support surround monitoring setups. \u003cbr\u003e\u003cbr\u003e As well as wanting great analogue recording channels, the DAW user also needs top-quality monitoring. The eight analogue outputs on Orpheus allow monitor setups from multi-stereo up to 7.1 surround. Orpheus has a real volume knob which can be assigned to any or all of the analogue or digital outputs for use as a control room monitor control. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSample Rate Conversion and Noise Shaping\u003c\/b\u003e\u003cbr\u003e The digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion, allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronized or wrong-rate digital inputs, Orpheus can also generate, say, a live 44.1kHz output from a 96kHz session. Since Orpheus also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits at mastering-house quality. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eUnsurpassed Jitter Rejection\u003c\/b\u003e\u003cbr\u003e In the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. So whether it's providing a high-quality master clock for the rest of the room, or dealing with a jittery clock from outside, Orpheus is as rock-steady as its forbears. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSupport\u003c\/b\u003e\u003cbr\u003e Over the years, Prism Sound's reputation for audio quality has been matched by its reputation for after-sales support and technical advice. Orpheus has the benefit of that support and customers have access to one of the best technical teams in the business. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe Last Word\u003c\/b\u003e\u003cbr\u003e We believe that Orpheus delivers exactly what our personal studio customers have asked for - all the performance of a Prism Sound product in a dedicated FireWire unit that handles line, microphone and instrument inputs with good foldback and monitoring capabilities, yet at a more accessible price tag. 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It’s ultra-transparent characteristic means what you put into the Lyra is exactly what you get out of it.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003ePRISTINE PRE-AMPLIFICATION\u003c\/h3\u003e\r\n\u003cp\u003eFeaturing a single class-A microphone preamp, Lyra 1 guarantees superbly clean, detailed recordings that capture a performance the way it was intended.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eSOFT-CLIP LIMITING (OVERKILLER)\u003c\/h3\u003e\r\n\u003cp\u003eLyra’s analogue input channels include a switchable Prism Sound 'Overkiller' circuit. This soft-clip limiter gently absorbs transients and allows signal levels to be pushed to their limits without risk.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eQUALITY SUPPORT\u003c\/h3\u003e\r\n\u003cp\u003ePrism Sound's reputation for audio excellence has been matched only by its top-quality after-sales support and technical advice. The longevity of a Prism Sound product is a testament to the dedicated team behind it.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eSOFTWARE\u003c\/h3\u003e\r\n\u003cp\u003eLyra’s hardware front panel gives a continuous visual indication of the unit’s main settings and levels, but in-depth control is managed from the Lyra control panel. This runs on the host computer, and can be brought into view whenever adjustments are needed. The upper area of the control panel shows a panel of ‘Global’ settings for the entire group of connected interfaces and a panel of ‘Unit’ settings which is assignable to each connected unit in turn, using the enclosed drop-list. These settings are concerned with general parameters such as sync source and sample rate selection, metering and buffering modes. An ‘Identify’ button causes all the LEDs on the selected box to light, to assist with identification in multi-unit systems. To the right, there are large buttons for loading and saving setups, and for on-line help.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eVERIFILE\u003c\/h3\u003e\r\n\u003cp\u003eVerifile is a radical new proprietary technology exclusive to Prism Sound which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. The Verifile process is entirely invisible and inaudible to the user, so using it is simplicity itself.\u003c\/p\u003e\r\n\u003cp\u003eDeveloped to meet the needs of our audio archiving clients where even the most minute, inaudible error is completely unacceptable. 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