{"title":"USB Audio Interfaces","description":null,"products":[{"product_id":"lexicon-alpha-usb-audio-interface","title":"Lexicon Alpha USB Audio Interface","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLexicon Alpha™ Desktop Recording Studio\u003c\/span\u003e is extremely compact, yet it gives you the features needed to get professional recording results anywhere! Designed with many of the same features found in professional studios, Alpha Studio is your complete recording solution: a USB powered I\/O mixer with Cubase® LE, the popular recording production suite from Steinberg®, and our acclaimed Lexicon® Pantheon™ VST® reverb plug-in. A dual-input, two-bus, two-output USB I\/O mixer with extra high-impedance instrument input and separate headphone output gives you the freedom to not only record but also mix anywhere. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFour Inputs: Record up to two tracks at once! \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo line inputs for keyboards, drum machines or analog output of a CD\/MP3 player\u003c\/li\u003e\r\n\u003cli\u003eRF-filtered TRS active-balanced inputs accept either balanced or unbalanced signals \u003c\/li\u003e\r\n\u003cli\u003eLow-noise mic preamp with balanced XLR inputs\u003c\/li\u003e\r\n\u003cli\u003eHigh-impedance front panel input for electric guitar or bass\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures: \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSeparate mic and line level input controls with individual peak indicators\u003c\/li\u003e\r\n\u003cli\u003eMonitor mix control for balancing an audio source between live input and playback mix level while recording - can be switched to stereo or mono\u003c\/li\u003e\r\n\u003cli\u003eHigh-powered headphone amp offers ultra-clear fidelity while delivering ample power for any type of headphones\u003c\/li\u003e\r\n\u003cli\u003eRF-filtered and TRS balanced Line outputs for speaker monitoring\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eUSB Powered\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eConnect to your computer with the included USB cable. No need for a power supply…so you can record anywhere you can take your laptop. \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Lexicon","offers":[{"title":"Default Title","offer_id":44449306673255,"sku":"10536","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lexicon_alpha_1.jpg?v=1787088488"},{"product_id":"lexicon-i-onix-u22-usb-2-0-audio-midi-interface","title":"Lexicon IO22 USB 2.0 Audio \/ MIDI Interface","description":"\u003cp\u003eBrilliantly designed, the I·O Desktop Recording Series is compatible  with any DAW, including Pro Tools 9 and 10. Now this innovative hardware  design meets the software capability of any creative passion.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eFeaturing newly designed dbx® 60V high-voltage, ultra-low noise mic  preamps on both channels, the I-O|22 is more than equipped to provide  professional recordings that keep your music sounding its best. The  preamps run on a high-voltage supply to guarantee stability and provide  you with a superior recording across a wide dynamic range. Performance  driven A\/D – D\/A converters ensure pristine 24-bit\/96kHz audio to  capture every subtle detail of your performance.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe I-O|22 can record two tracks at once and includes 2 combi-jack  mic\/line inputs with +48V phantom power, 2 TRS balanced line outputs, a  hi-Z instrument input, a 1\/4\" high power headphone output, and MIDI I\/O.  Dedicated knobs and meters offer easy access to input and output levels  and locking combi-jacks make sure that a connection is not lost in the  middle of a performance.\u003c\/p\u003e","brand":"Lexicon","offers":[{"title":"Default Title","offer_id":44449307885671,"sku":"10903","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lexicon_io22_side.jpg?v=1787088493"},{"product_id":"lexicon-i-onix-u42s-usb-2-0-audio-midi-interface","title":"Lexicon IO42 USB 2.0 Audio \/ MIDI Interface","description":"\u003cp\u003eBrilliantly designed, the I·O Desktop Recording Series is compatible  with any DAW, including Pro Tools 9 and 10. Now this innovative hardware  design meets the software capability of any creative passion.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eFeaturing newly designed dbx® 60V high-voltage, ultra-low noise mic  preamps on all 4 channels, the I-O|42 is more than equipped to provide  professional recordings that keep your music sounding its best. The  preamps run on a high-voltage supply to guarantee stability and provide  you with a superior recording across a wide dynamic range. Performance  driven A\/D – D\/A converters ensure pristine 24-bit\/96kHz audio to  capture every subtle detail of your performance.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe I-O|42 can record four tracks at once and includes 4 combi-jack  mic\/line inputs with +48V phantom power, 2 TRS balanced line outputs, 2  hi-Z instrument inputs, 2 high power 1\/4\" headphone outputs, S\/PDIF and  MIDI I\/O. Dedicated knobs and meters offer easy access to input and  output levels and locking combi-jacks make sure that a connection is not  lost in the middle of a performance.\u003c\/p\u003e","brand":"Lexicon","offers":[{"title":"Default Title","offer_id":44449307852903,"sku":"10902","price":329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lexicon_io42_front.jpg?v=1787088493"},{"product_id":"lexicon-i-onix-u82s-usb-2-0-audio-midi-interface","title":"Lexicon IO82 USB 2.0 Audio \/ MIDI Interface","description":"\u003cp\u003eBrilliantly designed, the I·O Desktop Recording Series is compatible  with any DAW, including Pro Tools 9. Now this innovative hardware design  meets the software capability of any creative passion.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eFeaturing newly designed dbx® 60V high-voltage, ultra-low noise mic  preamps on all 8 channels, the I-O|82 is more than equipped to provide  professional recordings that keep your music sounding its best. The  preamps run on a high-voltage supply to guarantee stability and provide  you with a superior recording across a wide dynamic range. Performance  driven A\/D – D\/A converters ensure pristine 24-bit\/96kHz audio to  capture every subtle detail of your performance.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe I-O|82 can record eight tracks at once and includes 8 combi-jack  mic\/line inputs with +48V phantom power, 2 TRS balanced line outputs, 2  hi-Z instrument inputs, 2 high power 1\/4\" headphone outputs, S\/PDIF and  MIDI I\/O. Dedicated knobs and meters offer easy access to input and  output levels and locking combi-jacks make sure that a connection is not  lost in the middle of a performance.\u003c\/p\u003e","brand":"Lexicon","offers":[{"title":"Default Title","offer_id":44449307918439,"sku":"10904","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lexicon_io82_front.jpg?v=1787088493"},{"product_id":"m-audio-midisport-4x4","title":"M-Audio Midisport 4X4 USB MIDI Interface","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eM-Audio Midisport 4X4\u003c\/span\u003e is M-Audio's most flexible bus-powered multi-port interface. You get 64 x 64 channel addressing to accommodate lots of gear, and bus-powered architecture provides the option of totally mobile operation.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4-in\/4-out MIDI interface\u003c\/li\u003e\r\n\u003cli\u003e64 discrete MIDI input channels\u003c\/li\u003e\r\n\u003cli\u003e64 discrete MIDI output channels\u003c\/li\u003e\r\n\u003cli\u003eBus-powered—requires no external power supply\u003c\/li\u003e\r\n\u003cli\u003eCompact and lightweight for mobile or desktop use\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"M-Audio","offers":[{"title":"Default Title","offer_id":44449307983975,"sku":"10913","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/m-audio_usb4x4_1.jpg?v=1787088494"},{"product_id":"rme-fireface-uc","title":"RME Fireface UC USB 2.0 Audio Interface","description":"The compact \u003cspan style=\"font-weight: bold;\"\u003eRME Fireface UC\u003c\/span\u003e has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.\u003cbr\u003e \u003cbr\u003e Under both Operating Systems the available latencies* are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance previously not available from USB audio interfaces. \u003cbr\u003e \u003cbr\u003e The new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true.\u003cbr\u003e \u003cbr\u003e The Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I\/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIntegrated DSP mixer\u003c\/span\u003e\u003cbr\u003e All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAnalog I\/O\u003c\/span\u003e\u003cbr\u003e Eight analog inputs and outputs (all balanced, except outputs 7\/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo\/HiGain), realized discretely in the analog domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003ePreamps\u003c\/span\u003e\u003cbr\u003e The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDigital I\/O\u003c\/span\u003e\u003cbr\u003e One ADAT I\/O provides digital connection to mixers and converters. In combination with an ADI-8 DS\/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I\/O (up to 192 kHz) is fully AES\/EBU compatible. SPDIF can also be accessed through the optical I\/O.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eWord Clock \u0026amp; MIDI\u003c\/span\u003e\u003cbr\u003e A Word Clock input and output plus two MIDI I\/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMore Features\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eSample rates up to 192 kHz on all I\/Os (including 2 ADAT channels with SMUX4)\u003c\/li\u003e\n\u003cli\u003eTwo digitally controlled Mic Preamps in high-end quality\u003c\/li\u003e\n\u003cli\u003eTwo balanced universal inputs for line and instrument signals\u003c\/li\u003e\n\u003cli\u003eSteadyClock for maximum jitter suppression and clock refresh\u003c\/li\u003e\n\u003cli\u003eEnhanced stand-alone operation with rotary encoder and front panel display\u003c\/li\u003e\n\u003cli\u003eTotalMix: 648-channel mixer with 42-bit internal resolution\u003c\/li\u003e\n\u003cli\u003e54 Level Meter Peak\/RMS, hardware-calculated\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e \u003cfont size=\"1\"\u003e\u003cspan style=\"font-style: italic;\"\u003e* Minimal latencies are not guaranteed as they depend on the specific computer and application.\u003c\/span\u003e\u003c\/font\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449331445863,"sku":"13835","price":1399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_fireface_uc_1.jpg?v=1787088585"},{"product_id":"apogee-quartet","title":"Apogee Quartet USB 2.0 Audio Interface","description":"\u003cp\u003e\u003cstrong\u003eApogee Quartet \u003c\/strong\u003eis the ultimate desktop audio interface and studio control center for professional recording on Mac and iPad. Made for the musician, producer and engineer that wants the ultimate sound quality and studio control in a compact desktop form factor, Quartet features legendary Apogee AD\/DA conversion, 4 world-class microphone preamps, USB MIDI I\/O, ESS Sabre32 DAC technology and monitor controls. Take advantage of Quartet’s low latency USB connection and powerful native Mac processing to join the ranks of top engineers and producers who count on Apogee to deliver hit after hit.\u003c\/p\u003e  \u003cp\u003eWith Quartet’s 4 Combo inputs you can connect microphones, guitars, keyboards or line level devices such as external mic preamps or a mixing board. Expand your system with 8 additional inputs via Quartets optical (ADAT\/SMUX) digital IN. Quartet also includes 8 analog outputs - 6 1\/4” balanced outputs for connection to speakers or outboard equipment and a separate, independently controlled 1\/4” stereo headphone output. You can control up to 3 pairs of speakers or set Quartet up for 5.1 surround monitoring.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eWindows 10 Compatibility\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWindows 10 compatibility is now standard for the latest generations of ONE, Duet and Quartet USB audio interfaces. Customers who purchase the latest generation of these products will be able to register and download a Windows 10 compatible software installer from Apogee’s website. Existing customers will also have access to the download.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Windows software installers will include a firmware update for the hardware, custom Apogee ASIO audio driver and PC compatible version of Apogee’s Maestro application for controlling audio interface settings and low latency monitoring. All the same functionality currently available to Mac and iOS users will be available to Windows 10 users and the same interface can be used on either Mac, PC or iOS.\u003c\/p\u003e\r\n\r\n   \u003cp\u003e \u003c\/p\u003e     \u003cp\u003e \u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449473003623,"sku":"29270","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_quartet_357eb467-3749-437b-95cf-cefe81f7dcdb.jpg?v=1787089087"},{"product_id":"prism-sound-lyra-1","title":"Prism Sound Lyra 1 Reference-Grade USB Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Lyra 1\u003c\/strong\u003e represents the pinnacle of compact audio interfaces. Packing Prism Sounds trusted, uncompromising AD\/DA conversion into a compact chassis perfect for use in the studio or on the road. Based on the Orpheus’ audio path and clock circuitry, Lyra is ideal for those who don’t require a large I\/O count but do demand the highest quality and most transparent AD\/DA available.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eRENOWNED AD\/DA CONVERSION\u003c\/h3\u003e\r\n\u003cp\u003eLyra cuts no corners in its design and boasts the same trusted Prism Sound converters used on countless hit records. It’s ultra-transparent characteristic means what you put into the Lyra is exactly what you get out of it.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003ePRISTINE PRE-AMPLIFICATION\u003c\/h3\u003e\r\n\u003cp\u003eFeaturing a single class-A microphone preamp, Lyra 1 guarantees superbly clean, detailed recordings that capture a performance the way it was intended.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eSOFT-CLIP LIMITING (OVERKILLER)\u003c\/h3\u003e\r\n\u003cp\u003eLyra’s analogue input channels include a switchable Prism Sound 'Overkiller' circuit. This soft-clip limiter gently absorbs transients and allows signal levels to be pushed to their limits without risk.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eQUALITY SUPPORT\u003c\/h3\u003e\r\n\u003cp\u003ePrism Sound's reputation for audio excellence has been matched only by its top-quality after-sales support and technical advice. The longevity of a Prism Sound product is a testament to the dedicated team behind it.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eSOFTWARE\u003c\/h3\u003e\r\n\u003cp\u003eLyra’s hardware front panel gives a continuous visual indication of the unit’s main settings and levels, but in-depth control is managed from the Lyra control panel. This runs on the host computer, and can be brought into view whenever adjustments are needed. The upper area of the control panel shows a panel of ‘Global’ settings for the entire group of connected interfaces and a panel of ‘Unit’ settings which is assignable to each connected unit in turn, using the enclosed drop-list. These settings are concerned with general parameters such as sync source and sample rate selection, metering and buffering modes. An ‘Identify’ button causes all the LEDs on the selected box to light, to assist with identification in multi-unit systems. To the right, there are large buttons for loading and saving setups, and for on-line help.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eVERIFILE\u003c\/h3\u003e\r\n\u003cp\u003eVerifile is a radical new proprietary technology exclusive to Prism Sound which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. The Verifile process is entirely invisible and inaudible to the user, so using it is simplicity itself.\u003c\/p\u003e\r\n\u003cp\u003eDeveloped to meet the needs of our audio archiving clients where even the most minute, inaudible error is completely unacceptable. Verifile can quickly identify and detect any such imperfection making it also the ideal choice for mastering \u0026amp; mix engineers.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449478246503,"sku":"29707","price":2699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism-sound-lyra-1_29707_1_86796563-f679-4190-9ee0-a60cc69008e5.jpg?v=1787089110"},{"product_id":"prism-sound-lyra-2","title":"Prism Sound Lyra 2 Reference-Grade USB Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Lyra 2\u003c\/strong\u003e is a two channel, ultra high quality USB interface. 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Its special circuitry is optimized to make the amps and effects in any guitar or music creation app sound their best. For the beginner or the most seasoned guitar player, JAM delivers inspiring tone for practicing, recording or just jamming.\u003c\/p\u003e\r\n\u003cp\u003eIntroduced in 2011, the original JAM became the standard iOS mobile recording device for both aspiring and professional artists. Redesigned for the future, the new JAM 96k delivers unsurpassed recording quality and even better tone. 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The Atlas features a -20 dB pad on each mic channel to accommodate high sound pressure level (SPL) applications such as drums or close-miked guitars or brass. Prism's low-noise, low-distortion, extremely neutral mic preamp design has gained a cult popularity amongst existing Prism Sound users and we are pleased to be able to offer a single box 8-channel solution for producers, artists and engineers demanding high-quality front-end with the added benefits of Prism Sound A\/D and D\/A conversion.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eUNSURPASSED CLOCKING AND JITTER REJECTION\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePrism Sounds history in developing test and measurement equipment for the audio industry has allowed our engineers to get a much deeper understanding of digital clocking and its associated issues.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eDIGITAL MIXER WITH FLEXIBLE MONITORING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAtlas has a powerful built-in digital mixer that can be configured to provide a multitude of ultra-low latency feeds, Including foldback to performers, stereo and surround outputs.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eMIC PREAMPS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Atlas boasts 8 ultra-clean, low-noise microphone preamps that perfectly complement its transparent A\/D conversion (with software-controllable phantom power, -20 dB pad and Overkiller limiter switches on each channel.)\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eFUTURE PROOF CONNECTIVITY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith a standard USB connection, Atlas can connect to the widest range of computers today and for the foreseeable future. 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With massive bandwidth, Thunderbolt allows you to connect displays, hard drives, and other peripherals to your computer, along with the 828x, up to six devices total (with the 828x at the end of the chain), and the Thunderbolt bus won't even break a sweat. Thunderbolt combines plug-and-play convenience with massive bandwidth and low latency for truly professional audio interface performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eHi-speed USB 2.0\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs Thunderbolt becomes more widely adopted, Hi-speed USB 2.0 provides across-the-board compatibility with virtually all laptops and desktops on both Mac and Windows. Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 828x interface is a future-proof investment in your studio.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003e28 inputs and 30 outputs\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMOTU pack it in, like no one else can: two combo-style mic\/guitar inputs with preamps, 8 balanced analog in\/out, XLR main outs, 16 channels of ADAT optical (8 channels at 96 kHz), plus S\/PDIF, word clock and MIDI. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eRecording up to 192 kHz\u003c\/h3\u003e\r\n\r\n\u003cp\u003eNow in its fifth generation, the 828 has become a benchmark for the industry, setting the bar by which others are judged. How has this level of respect been earned? Through consistent design integrity and intelligent use of current-generation parts and design technologies.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eStudio-grade mic channels\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDo you work with outboard EQs and compressors? Each 828x mic input offers a pre-converter send for mono or stereo mic channel outboard processing. The 828x's unique V-Limit hardware limiter employs a proprietary design to offer an additional 12 dB of headroom over digital zero with no digital clipping or harsh artifacts, for that added protection in dynamic recording situations. The 828x's preamps are clean and neutral, allowing you to use your favorite plug-ins and host software to color the sound just the way you want for each recording application.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eStand-alone operation as a mixer\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAfter programming the on-board mixing in the studio, unplug the 828x from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eSolid metal chassis\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLike all MOTU interfaces, the 828x's aluminum alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and road. In a world awash with cheap plastic, the cool feeling of the 828x's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eSupport for Mac OS X and Windows\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 828x provides time-tested drivers for Mac OS X and Windows (8, 7 and Vista) for cross-platform compatibility with virtually all audio software via WDM, ASIO, and Core Audio drivers.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":44449588215911,"sku":"36054","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/motu-828x_36054_1_1727a897-be85-46f0-b0e7-a294d844098d.jpg?v=1787089586"},{"product_id":"rme-madiface-usb","title":"RME MADIface USB","description":"\u003cp\u003eThe compact \u003cstrong\u003eRME MADIface USB\u003c\/strong\u003e provides MADI I\/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I\/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality.\u003c\/p\u003e\n\u003cp\u003eIts sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix and a straight routing mode.\u003c\/p\u003e\n\u003cp\u003eThe option Disable TotalMix completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data is going straight to record\/coming from playback, with no mixing or routing involved. In this mode the outputs are mirrored, carrying the same signal.\u003c\/p\u003e\n\u003cp\u003eIn 64 Channel Mix mode TotalMix shows 64 input, playback and output channels. All settings in TotalMix use the data from one MADI input port, and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog.\u003c\/p\u003e\n\u003cp\u003eThe option AutoSelect activates an automatic input selection. Using both inputs at the same time, AutoSelect puts the device into Seamless Redundancy mode. The MADIface USB will switch to the other input in real-time if the current one fails.\u003c\/p\u003e\n\u003cp\u003eIn 128 Channel Mix mode record and playback is still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available through TotalMix, and the output signal is not mirrored, but separated, with TotalMix having 128 output channels. Applications like independent mix output, monitoring and serial pass-through of the second source are just a few clicks away.\u003c\/p\u003e\n\u003cp\u003eSteadyClock as well as RME's well known MADI compatibility ensure hassle-free operation with other devices. MIDI over MADItechnology may be used to remote-control other MADI devices. DIGICheck, an included complete audio analyzing suite, supports the user under Mac OS X and Windows.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInputs\/Outputs:2 x MADI I\/O, optical and coaxial (BNC)\u003c\/li\u003e\n\u003cli\u003eMIDI input and output: via virtual MIDI port\u003c\/li\u003e\n\u003cli\u003eClock modes: master (internal) and slave (MADI input)\u003c\/li\u003e\n\u003cli\u003eSample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/DDS)\u003c\/li\u003e\n\u003cli\u003eJitter: \u0026lt; 1 ns, internal and all inputs\u003c\/li\u003e\n\u003cli\u003eJitter sensitivity: PLL operates even at 100 ns Jitter\u003c\/li\u003e\n\u003cli\u003eSeamless Redundancy operation with both inputs\u003c\/li\u003e\n\u003cli\u003eTotalMix: 2048 channel mixer with 48-bit internal resolution\u003c\/li\u003e\n\u003cli\u003eTotalMix: latency-free submixes and perfect ASIO Direct Monitoring\u003c\/li\u003e\n\u003cli\u003eInterface: USB 2.0, bus-powered\u003c\/li\u003e\n\u003cli\u003eComes with DIGICheck, RME's ultimate measurement, analysis and test tool\u003c\/li\u003e\n\u003cli\u003eDrivers:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eWindows Vista\/7\/8 (Multi-Client operation of ASIO 2.3 and WDM)\u003c\/li\u003e\n\u003cli\u003eMac OS X (10.6 or up, Core Audio, Core MIDI)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449632125031,"sku":"33490","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_madiface_usb_38e8d95d-4393-4e20-94c9-5fb7e9338b09.jpg?v=1787089766"},{"product_id":"rme-fireface-802-usb-firewire-audio-interface","title":"RME Fireface 802 USB \/ Firewire Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eRME Fireface 802\u003c\/strong\u003e renews RME's reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:\u003c\/p\u003e\r\n\u003cp\u003eUltra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. 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An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAD, Line In 1-8, rear\u003c\/p\u003e\r\n\u003cp\u003eResolution AD: 24 bit\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSignal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/li\u003e\r\n\u003cli\u003eFrequency response at 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\r\n\u003cli\u003eFrequency response at 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz\u003c\/li\u003e\r\n\u003cli\u003eFrequency response at 192 kHz, -1 dB: 5 Hz - 92 kHz\u003c\/li\u003e\r\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0.00032 percent\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 percent\u003c\/li\u003e\r\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\r\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eInput sensitivity: 8 kOhm unbalanced, 12 kOhm balanced\u003c\/li\u003e\r\n\u003cli\u003eInput sensitivity switchable to Lo Gain, +4 dBu, -10 dBV\u003c\/li\u003e\r\n\u003cli\u003eInput level for 0 dBFS at Lo Gain: +19 dBu\u003c\/li\u003e\r\n\u003cli\u003eInput level for 0 dBFS at +4 dBu: +13 dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eMicrophone In 9-12, front\u003c\/p\u003e\r\n\u003cp\u003eAs AD, but:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\r\n\u003cli\u003eInput impedance: 3.4 kOhm\u003c\/li\u003e\r\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA\u003c\/li\u003e\r\n\u003cli\u003eGain range: 54 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum input level, Gain +6 dB: +10 dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eInstrument In 9-12, front\u003c\/p\u003e\r\n\u003cp\u003eAs AD, but:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\r\n\u003cli\u003eInput impedance: 800 kOhm\u003c\/li\u003e\r\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\r\n\u003cli\u003eMaximum input level, Gain +6 dB: +21 dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eDA, Line Out 1-8, rear\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\r\n\u003cli\u003eFrequency response at 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\r\n\u003cli\u003eFrequency response at 96 kHz, -0.5 dB: 5 Hz - 45 kHz\u003c\/li\u003e\r\n\u003cli\u003eFrequency response at 192 kHz, -1 dB: 5 Hz - 89 kHz\u003c\/li\u003e\r\n\u003cli\u003eTHD: -104 dB, \u0026lt; 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Highly important but easily forgotten are the smooth-tension aluminum input level knobs for precise level adjustments. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe UH-7000 microphone preamp and audio interface enables composers, musicians and recording engineers to produce music in their private quarters at a level only reached in professional studios. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Requirements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWindows: Compatible OS - Windows XP(32-bit SP3), Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e* Windows Vista and Windows XP 64-bit are not supported.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMacintosh: Compatible OS - Mac OS X Snow Leopard(10.6), OS X Lion(10.7), OS X Mountain Lion(10.8), OS X Mavericks(10.9)\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":44449667580007,"sku":"41746","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tascam_uh_7000_front_fcc14a03-ea4d-4211-b997-430b2c93e859.jpg?v=1787089911"},{"product_id":"apogee-jam-96k-demo-deal","title":"Apogee Jam 96K (Demo Deal)","description":"\u003cp\u003ePerfect tone anywhere - Capture the warmth and richness of your guitar’s tone with digital purity using one simple ‘take-anywhere’ device, \u003cstrong\u003eApogee JAM 96k\u003c\/strong\u003e. 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The INT204 also handles DSD to PCM conversion, at the sample rate and wordlength of your choice.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUSB CONNECTIVITY FOR YOUR DAC\u003c\/h3\u003e\r\n\u003cp\u003eThe INT204 allows you to play back audio from a USB-equipped computer through a non-USB-equipped DAC. It takes the incoming USB audio stream and outputs it in AES\/EBU or S\/PDIF formats. You can now enjoy audio from your computer through your DAC, even if it does not have a USB input.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDSD TO PCM CONVERSION AND VOLUME CONTROL\u003c\/h3\u003e\r\n\u003cp\u003eYou can also convert DSD audio from the computer to PCM audio for your DAC. The INT204 makes your trusted D\/A converter DSD capable, with selectable sampling frequency and word length. With the optional remote control, it is possible to control the audio volume in the digital domain. The remote control is purchased separately.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCLOCKING AND POWER\u003c\/h3\u003e\r\n\u003cp\u003eTo ensure a high-quality transfer, the INT204 includes an internal clock generator for low-jitter performance. It uses dual power sources — both USB bus power from the computer and its own included power supply. This means the input and output sections can be separately powered and thus galvanically isolated for low-noise performance.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eSOFTWARE FEATURES\u003c\/h3\u003e\r\n\u003cp\u003eThe INT204 can do DSD to PCM conversion at selectable sampling frequencies and word-length (88.2 or 176.4 kHz and 16 or 24-bit). The DSD input is in the DoP format with a sampling frequency of DSD64 (2.8224 MHz) or DSD128 (5.6448 MHz).\u003c\/p\u003e\r\n\u003cp\u003eSupported PCM sampling frequencies are all standard frequencies between 44.1 kHz and 384 kHz. The sampling frequency of 352.8 kHz is automatically converted to 176.4 kHz and the sampling frequency of 384 kHz is converted to 192 kHz as the AES\/EBU or S\/PDIF formats do not support sampling frequencies higher than 192 kHz.\u003c\/p\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449692483687,"sku":"42359","price":1860.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss-int204-22_42359_1_3bd20c3c-1427-4f05-9a13-1896a6d75049.jpg?v=1787090009"},{"product_id":"arturia-audiofuse","title":"Arturia AudioFuse Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eArturia AudioFuse\u003c\/strong\u003e is a revolutionary audio interface that sets a new standard in audio quality and workflow. Enjoy the superior sound of high-end studio consoles from a compact and carefully-built chassis. Explore the expansive connectivity AudioFuse brings: all the major connection types are supported. Take control over your sound and instantly access your audio streams through the well thought-out interface. This is AudioFuse. You are in command. You are free.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3 class=\"zerg\"\u003eThe Sound\u003c\/h3\u003e\r\n\u003cp class=\"zerg\"\u003eWhether you work from home or are on the road recording, you want the sound a professional studio delivers. AudioFuse is built on a fully symmetrical audio chain. Every stage has been carefully designed, resulting in unrivalled sonic purity. The two DiscretePRO microphone preamps combine the best of yesterday’s vintage consoles with today’s technology, resulting in a design circuit that offers superior audio performance.\u003c\/p\u003e\r\n\u003cp\u003eThe latest generation of Analog to Digital converters delivers sterling quality audio with amazing transparency. In conjunction with our advanced clocking system, AudioFuse guarantees stable and extremely accurate timing. Yes, Arturia takes sound quality very seriously.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3 class=\"full-width \"\u003eTHE WORK FLOWS\u003c\/h3\u003e\r\n\u003cp class=\"zerg\"\u003eAudioFuse was developed with the musician’s workflow in mind. Want to adjust gain on channel 1? Turn the knob. Need to switch monitors? Press a button. If you want more level in one of the headphones, just turn up the dedicated knob. There is no menu in AudioFuse. Nothing is buried, every control is at your fingertips, the creative flow never stops.\u003c\/p\u003e\r\n\u003cp class=\"zerg\"\u003e \u003c\/p\u003e\r\n\u003ch3 class=\"full-width \"\u003eTHE CONNECTIVITY\u003c\/h3\u003e\r\n\u003cp class=\"zerg\"\u003eWant to connect gear? AudioFuse works with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, tablets, even iOS and Android phones. With a round-trip latency as low as 3 milliseconds.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3 class=\"full-width \"\u003eTHE QUALITY\u003c\/h3\u003e\r\n\u003cp class=\"zerg\"\u003eAt home, in the studio, or on the road, wherever creativity strikes – you want to capture the moment. AudioFuse has a robust, solid aluminum chassis you can trust. And the quality of AudioFuse goes far beyond its good looks. Every single unit has to pass rigorous testing before it can be packed and shipped. It will even come with a test specification printout of your particular unit. Designed for the most demanding musicians and audio purists, AudioFuse keeps the sound, work and inspiration flows intact, and that’s revolutionary.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"col-md-12\"\u003e\r\n\r\n\u003c\/div\u003e\r\n","brand":"Arturia","offers":[{"title":"Default Title","offer_id":44449693925479,"sku":"43895","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/arturia-audiofuse_top_979efc91-a7ec-4dbc-b33d-d4bcb1ba0dc9.jpg?v=1787090015"},{"product_id":"motu-ultralite-avb","title":"MOTU UltraLite USB \/ AVB Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eMOTU UltraLite AVB\u003c\/strong\u003e is an 18-input, 18-output audio interface with DSP mixing, wi-fi control, AVB audio networking and best-in-class analog audio quality for on-the-go mobile audio recording. You get 2 mic inputs, 2 guitar inputs, 6 line inputs, 8 line outputs, headphone out and 8-channel optical I\/O for a total of 18 inputs and 18 outputs, simultaneously. The optical ports also support stereo TOSLink (optical S\/PDIF).\u003c\/p\u003e\r\n\u003cp\u003eThe UltraLite AVB now includes renowned ESS Sabre32 DAC technology, delivering 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248. Renowned drivers deliver rock-solid performance and industry-leading low latency.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUniversal connectivity\u003c\/h3\u003e\r\n\u003cp\u003eThe UltraLite AVB connects to your computer with audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS) for across-the-board compatibility now and in the future. Alternately, if you have a Mac running OS X Yosemite (10.10) or later, you can use a standard Ethernet cable for operation as an audio interface. Either way, the UltraLite AVB is compatible with all audio software.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDSP-powered mixing\u003c\/h3\u003e\r\n\u003cp\u003eThe mixer in the UltraLite AVB is a complete departure from earlier models. In fact, it's identical to the mixer found in MOTU's flagship 1248 and 16A interfaces. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eModeled analog EQ and compression\u003c\/h3\u003e\r\n\u003cp\u003eBritish analog mixing consoles are renowned for their musical EQ profiles. The UltraLite AVB meticulously models these classic EQs to give you the very same, magical EQ response found on these coveted desks. Each input channel also provides a classic compressor with peak\/RMS operation.\u003c\/p\u003e\r\n\u003cp\u003eGroups and the Main Mix bus are equipped with MOTU's Leveler, an accurate model of the legendary Teletronix LA-2A optical leveling amplifier, known for its highly sought-after Automatic Gain Control (AGC) characteristics.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eWeb app control from any device\u003c\/h3\u003e\r\n\u003cp\u003eThe software that you use to control the UltraLite AVB doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the UltraLite AVB on-board DSP, mixing, device settings, and network audio routing from your favorite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eTouch Console\u003c\/h3\u003e\r\n\u003cp\u003eDesigned specifically for touchscreen operation, Touch Console delivers a whole new mixing experience. Access Touch Console from your tablet or smartphone to effortlessly control the powerful 48-channel mixer and effects in the UltraLite AVB. With large targets for your fingers, multi-touch operation and intuitive design, you can tap, swipe and pinch your way to a perfect mix, every time.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_5\"\u003eStand-alone mixing with wireless control\u003c\/h3\u003e\r\n\u003cp\u003eConnect an Apple Airport or other Wi-Fi router directly to the UltraLite with a standard Ethernet cable and control the UltraLite AVB's powerful mixing and DSP effects from your smartphone or tablet, without a computer. Great for live sound mixing!\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eMac System Requirements:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1 GHz Intel-based Mac or faster\u003c\/li\u003e\r\n\u003cli\u003e2 GB RAM; 4 GB or more recommended\u003c\/li\u003e\r\n\u003cli\u003eMac OS X version 10.11 or later\u003c\/li\u003e\r\n\u003cli\u003eAvailable high-speed USB 2.0 or AVB Ethernet port\u003c\/li\u003e\r\n\u003cli\u003eA large hard drive (at least 500 GB for recording)\u003c\/li\u003e\r\n\u003cli\u003eAVB Ethernet audio interface operation requires OS X Yosemite\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_7\"\u003eWindows System Requirements:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1 GHz Pentium-based PC compatible or faster\u003c\/li\u003e\r\n\u003cli\u003e2 GB RAM; 4 GB or more recommended\u003c\/li\u003e\r\n\u003cli\u003eWindows 7, 8 or 10\u003c\/li\u003e\r\n\u003cli\u003eAvailable USB 2.0 or 3.0 port\u003c\/li\u003e\r\n\u003cli\u003eAvailable Ethernet port for firmware updates\u003c\/li\u003e\r\n\u003cli\u003eA large hard drive (at least 500 GB for recording)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_8\"\u003eWeb App Support:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAny web client platform: Mac, Windows, Linux, iOS, Android\u003c\/li\u003e\r\n\u003cli\u003eAny web browser: Safari, Firefox, Chrome, Opera, Explorer, etc.\u003c\/li\u003e\r\n\u003cli\u003eWeb client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_9\"\u003eIncluded Software:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMOTU Discovery App for Mac \u0026amp; PC (finds connected MOTU interfaces)\u003c\/li\u003e\r\n\u003cli\u003eMOTU Discovery App for iOS (available from Apple App Store)\u003c\/li\u003e\r\n\u003cli\u003eMOTU Pro Audio Control web app (served from the hardware itself)\u003c\/li\u003e\r\n\u003cli\u003eMOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer)\u003c\/li\u003e\r\n\u003cli\u003eAudioDesk 4.0 for Mac \u0026amp; PC (separate download)\u003c\/li\u003e\r\n\u003cli\u003eOperating Systems\u003c\/li\u003e\r\n\u003cli\u003eFor computer audio I\/O: Mac OS X 10.11 or later; Windows 7 or later\u003c\/li\u003e\r\n\u003cli\u003eFor web app control: Mac, Windows, Linux, iOS, Android\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":44449698644071,"sku":"44370","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/motu-ultralite-avb_44370_1_3995e9be-861e-4d6b-8bfd-013d0972e987.jpg?v=1787090036"},{"product_id":"focusrite-scarlett-2i2-usb-2-0-audio-interface","title":"Focusrite Scarlett 2i2 USB Audio Interface","description":"\u003cp\u003eThe \u003cstrong\u003eFocusrite Scarlett 2i2\u003c\/strong\u003e is a 2 in \/ 2 out USB 2.0 audio interface delivering a high quality audio signal path inside a very attractive and robust anodized aluminum unibody casing. Including two award winning Focusrite microphone preamplifiers, Scarlett 2i2 is perfect for musicians new to recording as well as those who require a high quality yet compact interface.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAnalog Input Performance\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eMic\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: -100dB (minimum gain, -1 dBFS input with 20 Hz - 20 kHz filter)\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Input Noise(EIN):-127 dB: measured at maximum gain with 150 Ohm termination (20 Hz - 20 kHz\u003c\/li\u003e\r\n\u003cli\u003efilter)\u003c\/li\u003e\r\n\u003cli\u003eGain Range: -4 dB to + 46 dB\u003c\/li\u003e\r\n\u003cli\u003eMax Input Level: +4dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLine\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1dB\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: -91dB (measured at minimum gain with -1 dBFS input and 20 Hz - 20 kHz filter)\u003c\/li\u003e\r\n\u003cli\u003eNoise: -104 dBu (measured at minimum gain, with a 20 Hz - 20 kHz filter)\u003c\/li\u003e\r\n\u003cli\u003eSignal to Noise Ratio: \u0026gt; 100dB\u003c\/li\u003e\r\n\u003cli\u003eGain Range: -21 dB to +29 dB\u003c\/li\u003e\r\n\u003cli\u003eMax Input Level: +20dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eInstrument\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.1dB\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: -72dB (measured at minimum gain with -1dBFS signal and 20 Hz - 20 kHz filter)\u003c\/li\u003e\r\n\u003cli\u003eNoise: -87dBu (20Hz\/20kHz bandpass filter)\u003c\/li\u003e\r\n\u003cli\u003eGain Range: -4dB to +46 dB\u003c\/li\u003e\r\n\u003cli\u003eMax Input Level: +4dBu\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eAnalog Output Performance\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNominal Output Level: 0dBFS = 10dBu, balanced\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 20Hz - 20kHz +\/- 0.2dB\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: -100dB (measured with -1dBFS input and 20Hz - 20 kHz filter, unweighted)\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: \u0026lt; 10Ω\u003c\/li\u003e\r\n\u003cli\u003ePower Output into 150Ω: 15mW\u003c\/li\u003e\r\n\u003cli\u003ePower Output into 50Ω: 30mW\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eDigital Performance\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClock sources: Internal clock only\u003c\/li\u003e\r\n\u003cli\u003eA-D Dynamic Range: 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB\u003c\/li\u003e\r\n\u003cli\u003eD-A Dynamic Range: 104dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB\u003c\/li\u003e\r\n\u003cli\u003eSupported sample rates: 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eCrosstalk\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInput to Input: Better than 90dB\u003c\/li\u003e\r\n\u003cli\u003eOutput to Output: Better than 90dB\u003c\/li\u003e\r\n\u003cli\u003eInput to Output: Better than 85dB\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eInput Metering\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRing LED lit Green Signal present (-24 dBFS)\u003c\/li\u003e\r\n\u003cli\u003eRing LED lit Red Signal overload (0dBFS), peak held for approximately 1 second\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eWeight and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHeight 45 mm \/ 1 ¾ “\u003c\/li\u003e\r\n\u003cli\u003eWidth 175 mm \/ 7”\u003c\/li\u003e\r\n\u003cli\u003eDepth 100 mm \/ 4”\u003c\/li\u003e\r\n\u003cli\u003eWeight 580 g \/ 1.3 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003ch3\u003eSoftube Time and Tone Bundle\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. 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The 10 MHz input, enabling connectivity to Antelope’s legendary 10M Atomic Clock and its successor 10MX, makes Orion 32+ crystal oscillator remarkably precise, emphasizing the signature Antelope sound. The two word clock outputs make Orion 32+ a great fit in any setup, not only as an interface, but a master clock as well.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEnhanced Orion 32+ desktop application for even smoother studio workflow\u003c\/h3\u003e\r\n\r\n\u003cp\u003eControl all Orion 32+ features and functions from its freshly redesigned desktop app. OS X and Windows compatible, the control panel follows Antelope Audio’s networking control concept, meaning you can now access the interface from multiple computers in the same network. 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With a dedicated high- impedance switch, a separate headphones jack and phantom power supply, this portable 2-in\/2-out device is the perfect choice for mobile musicians, touring DJs and everyone in between.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eWhy UR\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith Steinberg’s line of USB 2.0 connectivity interfaces, you’ve got it all covered: the UR range comprises a 19” rack-mounted studio solution, a desktop production interface, an ultra-compact mobile unit and an advanced portable production studio — all engineered and crafted to meet the most exacting standards.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eTechnology\u003c\/h3\u003e\r\n\r\n\u003cp\u003e Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. 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Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eBundled software: Cubase AI\u003c\/li\u003e\r\n\u003cli\u003eConnection type: USB 2.0\u003c\/li\u003e\r\n\u003cli\u003eDesign: Desktop (1\/3 19“, 1HU)\u003c\/li\u003e\r\n\u003cli\u003eUSB-powered: Yes\u003c\/li\u003e\r\n\u003cli\u003eAD\/DA: 24-Bit\u003c\/li\u003e\r\n\u003cli\u003eMaximum sample rate: 192 kHz\u003c\/li\u003e\r\n\u003cli\u003eFrequency range: 20 Hz to 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eDynamic range input: 95 dB (A-weighted)\u003c\/li\u003e\r\n\u003cli\u003eClass compliant mode: No\u003c\/li\u003e\r\n\u003cli\u003eLoopback function: No\u003c\/li\u003e\r\n\u003cli\u003eMac OS X: 10.7\/10.8\/10.9\/10.10\u003c\/li\u003e\r\n\u003cli\u003eWindows: 7\/8\/8.1\/10\u003c\/li\u003e\r\n\u003cli\u003eIntel dual core CPU   Intel or AMD dual core CPU\u003c\/li\u003e\r\n\u003cli\u003e2 GB RAM\u003c\/li\u003e\r\n\u003cli\u003e4 GB of free HD space\u003c\/li\u003e\r\n\u003cli\u003eDisplay resolution of 1280 x 800 recommended\u003c\/li\u003e\r\n\u003cli\u003eCD-ROM drive\u003c\/li\u003e\r\n\u003cli\u003eUSB 2.0\/3.0* port\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 158.6 x 45.4 x 158.3 mm, 998 g\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eTested with the USB 3.0 host controller on the Intel chipset. 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Wherever your travels take you, whenever your creative muse calls, your AudioBox iTwo interface will be ready to help you compose and record your masterpiece.\u003c\/p\u003e\u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. 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Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. 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Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. 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Set gain levels, control output levels, toggle between various inputs and outputs and more using the intuitive controls. 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Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate\u003c\/li\u003e\r\n\u003cli\u003eAnalog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLine Inputs 1 \u0026amp; 2\u003c\/li\u003e\r\n\u003cli\u003eJack Type (combo mic\/line balanced inputs) Female ¼” TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 117.5 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 117.5 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –108 dBFS\u003c\/li\u003e\r\n\u003cli\u003eCommon-Mode Rejection Ratio (CMRR) Greater than 60 dB (10’ cable)\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance 10K Ohms\u003c\/li\u003e\r\n\u003cli\u003eGain Range +10 dB to +65 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain)18 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain) –37 dBV\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMicrophone Inputs 1 \u0026amp; 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type (combo mic\/line balanced inputs) Female XLR Balanced (pin 2 positive)\u003c\/li\u003e\r\n\u003cli\u003ePhantom Power (switchable per input) +48V\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –110 dBFS\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Input Noise –127 dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eCommon-Mode Rejection Ratio (CMRR) Greater than 70 dB (10’ cable)\u003c\/li\u003e\r\n\u003cli\u003eDefault Input Impedance 5.4K Ohms (variable via Unison preamp model)\u003c\/li\u003e\r\n\u003cli\u003eGain Range +10 dB to +65 dB\u003c\/li\u003e\r\n\u003cli\u003ePad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHi-Z Input\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type Female ¼” TS Unbalanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 117 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 117 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –101 dBFS\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance 1M Ohms\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain) 10 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain) –45 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eLine Outputs 3 \u0026amp; 4\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –107 dBFS\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 120 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 600 Ohms\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level 18 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor Outputs 1 \u0026amp; 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 115 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 115 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –105 dBFS\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 118 dB\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 600 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput Gain Range –96 dB to 0 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level 18 dBV\u003c\/li\u003e\r\n\u003cli\u003eOperating Reference Level +14 dBu, +20 dBu (selectable)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eStereo Headphones Output\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Stereo (unbalanced)\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 113 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 113 dB\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 110 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –101 dBFS\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.11 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 10 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput Gain Range –INF to 0 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Power 80 milliwatts into 600 Ohms\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eDigital I\/O\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eS\/PDIF\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eConnector Type Optical TOSLINK JIS F05 (shared with ADAT)\u003c\/li\u003e\r\n\u003cli\u003eFormat IEC958\u003c\/li\u003e\r\n\u003cli\u003eSupported Sample Rates (kHz) 44.1, 48, 88.2, 96\u003c\/li\u003e\r\n\u003cli\u003eS\/PDIF Input Channels Two (Stereo L\/R)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eADAT\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eConnector Type Optical TOSLINK JIS F05 (shared with S\/PDIF)\u003c\/li\u003e\r\n\u003cli\u003eFormat ADAT Digital Lightpipe with S\/MUX\u003c\/li\u003e\r\n\u003cli\u003eSupported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S\/MUX)\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S\/MUX)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eClock Synchronization Sources\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInternal, S\/PDIF, ADAT (digital clock sync source conditional per selected digital input type)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eElectrical\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePower Supply External AC to DC\u003c\/li\u003e\r\n\u003cli\u003eAC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)\u003c\/li\u003e\r\n\u003cli\u003eAC Requirements 100V – 240V AC, 50 – 60 Hz\u003c\/li\u003e\r\n\u003cli\u003eDC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive\u003c\/li\u003e\r\n\u003cli\u003eDC Requirements 12 VDC, ±5%\u003c\/li\u003e\r\n\u003cli\u003eMaximum Power Consumption 12 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmental\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eOperating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)\u003c\/li\u003e\r\n\u003cli\u003eStorage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)\u003c\/li\u003e\r\n\u003cli\u003eOperating Humidity Range 20% to 80%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eMechanical\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWidth 6.31”\u003c\/li\u003e\r\n\u003cli\u003eHeight 2.60”\u003c\/li\u003e\r\n\u003cli\u003eDepth, Chassis Only 5.86”\u003c\/li\u003e\r\n\u003cli\u003eDepth, Including Knob \u0026amp; Jack Protrusions 6.20”\u003c\/li\u003e\r\n\u003cli\u003eShipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eWeight\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eShipping Weight (with box \u0026amp; accessories) 3.85 pounds\u003c\/li\u003e\r\n\u003cli\u003eWeight (bare unit) 2.35 pounds\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003ePackage Contents\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eApollo Twin USB DUO Unit\u003c\/li\u003e\r\n\u003cli\u003eExternal Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China\u003c\/li\u003e\r\n\u003cli\u003eURL Card\u003c\/li\u003e\r\n\u003cli\u003eSuperSpeed USB 3.0 cable\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default 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Expand your system by connecting additional 8pres or other MOTU audio interfaces.\u003c\/p\u003e  \u003cp\u003eUse the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I\/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I\/O at any sample rate up to 96kHz.\u003c\/p\u003e  \u003cp\u003eConnect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8pre’s main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. 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