{"title":"AD\/DA Converters","description":null,"products":[{"product_id":"lavry-4496-21-2-ch-a-d-2-ch-mic-pre-2-ch-d-a","title":"Lavry 2 Ch A\/D \u0026 2 Ch Mic Pre \u0026 2 Ch D\/A (4496-21)","description":"\u003cp\u003eThe \u003cstrong\u003eMicPre\u003c\/strong\u003e provides state of the art noise performance that accommodates even the weakest microphone signals , and a wide input range for the strongest mic signals. Ultra-low distortions across the complete audio frequency band insure maximum signal transparency at all gain settings. The unit is designed to yield a superior dynamic range even for high source resistance microphones. The transformer free input provides pure and transparent bass, yet it features state of the art in common mode rejection (for elimination of hum and interference pickup) exceeding transformer based units. Phantom power per channel is ultra-low noise double shunt regulated for minimum noise and channel separation. Each channel accommodates up to 21-70dB of gain in 1dB steps. The precision gain setting is solid and reliable (not based on the use of archaic rotary switch technology).\u003c\/p\u003e\r\n\u003cp\u003eIncluded is a 10dB pad for lower voltage analog interfaces. Activating the pad yields 11-60dB gain. Outside, the no-nonsense controls are extremely user-friendly. Each channel is equipped with a 2-digit gain setting display and up\/down switch. The last gain settings are stored and will reappear at next use. A Gain Pad switch (per stereo pair) changes the gain range from 21-70dB to 11-60dB, for higher level inputs.\u003c\/p\u003e\r\n\u003cp\u003eEach stereo pair has a microphone selection switch (Condenser, Dynamic or Ribbon), for microphone load optimization. Setting to “condenser” activates the phantom power. Internal jumpers allow change from balanced to unbalanced outputs, and for disabling of the phantom for powered vintage mics.\u003c\/p\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449255784551,"sku":"4683","price":3498.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-4496-21_4683_1.jpg?v=1787088336"},{"product_id":"crane-song-hedd-192","title":"Crane Song HEDD-192","description":"\u003cp\u003eHEDD, short for harmonically enhanced digital device, is a technological breakthrough in signal processing.  HEDD is engineered to be musically transparent while providing the capability of generating tube\/analog sounds in the digital domain. \u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eCrane Song HEDD \u003c\/strong\u003egives any user who works with digital the ability to sound less digital and more analog. \u003cbr\u003e\u003cbr\u003eApplications include: CD preparation, work station input and output, DAT machine A\/D and D\/A convertor replacement and effects generation (warming or changing sounds in the digital domain).  HEDD 192 can be used in tracking, mixing or mastering. \u003c\/p\u003e","brand":"Crane Song","offers":[{"title":"Default Title","offer_id":44449256865895,"sku":"207","price":3999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/crane_song_hedd-192_3.jpg?v=1787088341"},{"product_id":"universal-audio-2192","title":"Universal Audio 2192","description":"The \u003cb\u003eUniversal Audio 2192\u003c\/b\u003e Master Digital Audio Interface is the first product to combine Universal Audio's long history of creating high-quality, vintage analog gear with its advanced digital technology. While features like sample rates up to 192K, real-time transcoding between AES\/EBU, S\/PDIF and ADAT and support for single and dual-wire AES modes are sure to impress, what really sets the 2192 apart is its Class-A analog circuitry, which provides luscious detail and clarity while retaining the warmth and character of the original source - features not typically found in digital units. \u003cp\u003e\u003c\/p\u003e \u003cp\u003eThe 2192 offers tremendous flexibility in signal routing and monitoring. You can, for example, run signal into the analog inputs at sample rates ranging from 44.1K to 192K and simultaneously output it to AES\/EBU (single or dual-wire), S\/PDIF and ADAT (with industry standard S-MUX interleaving for sample rates above 48kHz). The selectable output monitor allows you to monitor any of the digital inputs or the analog input with no interruption of the transcoding.\u003c\/p\u003e \u003cp\u003eThe UA 2192 also serves as an extremely high-quality digital-to-analog and analog-to-digital converter. If, for example, you're working on a digital console or workstation that utilizes higher sample rates, the 2192 can dramatically improve your monitoring environment and\/or the quality of your analog masters. 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The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449263681639,"sku":"2774","price":8236.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_61.jpg?v=1787088360"},{"product_id":"apogee-rosetta-800-192k","title":"Apogee Rosetta 800-192k","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eConnect the Apogee Rosetta 200 or Rosetta 800 directly to your Symphony System, Pro Tools HD, or to any Native DAW via the X-Symphony, X-HD or X-FireWire card\u003c\/span\u003e\u003cbr\u003eThe Rosetta Series gives you two channels or eight channels of superior AD\/DA conversion at sample rates of up to 192k, Apogee's “SoftLimit”, “UV22HR”, and our advanced “Intelliclock.”  The result is a premium digital recording solution that is built for the professional recording facility yet economical enough for the project studio.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eLegendary Apogee Conversion in High-Definition\u003c\/strong\u003e\u003cbr\u003e The most crucial process in the digital recording environment is high-quality analog to digital conversion and the most trusted and desirable converters are made by Apogee.  With up to 192k standard sample rates, the Rosetta Series combines Apogee’s legendary conversion quality with flexibility that complements any digital audio workstation.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSymphony Connection\u003c\/span\u003e\u003cbr\u003e Either with the Symphony PCIe card and the extremely powerful Mac Pro or the Symphony Mobile card with the portable yet powerful Mac Book Pro, the Rosetta Series will make a great front end for your Symphony system when only a few channels of I\/O are needed.  The great thing is that you can expand later by adding another Rosetta, or by adding from the AD-16X and DA-16X series converters.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePro Tools HD or Native FireWire connection\u003c\/strong\u003e\u003cbr\u003e Like the all new generation Apogee hardware, the Rosetta Series has an expansion card slot that accommodates all Apogee X-Series cards.  This gives the Rosetta Series outstanding connection capability to Pro Tools HD with the “X-HD” card, or connect to any native DAW using the “X-FireWire\" card.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003e Intelliclock: Dual Stage Jitter Reduction\u003c\/span\u003e\u003cbr\u003e Another essential for outstanding digital recording is maintaining an ultra-low-jitter clock signal.  To accomplish this, Rosetta Series utilizes Apogee’s Intelliclock. 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The LavryBlue system is suited for applications ranging from two-channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. This unit is configured with six AD converters and two DA converters.\u003c\/p\u003e\r\n\u003cp\u003eA\/D cards allow the selection of various word lengths, analog or digital soft saturation and acoustic bit correction, dither and noise shaping. Other features include LED metering, reference meter bridge, peak detection and front panel gain control. Conversion may use internal crystals or externally lock to word clock or AES signal.\u003c\/p\u003e\r\n\u003cp\u003eThe D\/A is easy to use. It automatically detects and displays the input data rate. 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Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. 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To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AES AES3 Digital I\/O module\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. 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The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270104167,"sku":"5376","price":11235.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_64.jpg?v=1787088379"},{"product_id":"prism-ada-8xr-pt-aes","title":"Prism ADA-8XR-PT-AES","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270136935,"sku":"5377","price":12220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_65.jpg?v=1787088379"},{"product_id":"prism-ada-8xr-mdsd","title":"Prism ADA-8XR MDSD","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270169703,"sku":"5378","price":13158.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_55.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-mdsd-aes","title":"Prism ADA-8XR MDSD-AES","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270202471,"sku":"5379","price":13965.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_56.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-mdsd-pt","title":"Prism ADA-8XR MDSD-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270235239,"sku":"5380","price":13794.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_57.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd","title":"Prism ADA-8XR DSD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-DSD DSD I\/O modules\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270268007,"sku":"5382","price":10575.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_44.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd-pt","title":"Prism ADA-8XR DSD-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270300775,"sku":"5383","price":12570.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_46.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd-aes","title":"Prism ADA-8XR DSD-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DSD DSD I\/O module\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AES AES3 Digital I\/O module\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270333543,"sku":"5381","price":11375.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_45.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-dsd-pthd","title":"Prism ADA-8XR DSD-PTHD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DSD DSD I\/O module\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface module\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270366311,"sku":"5384","price":11135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_47.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-fw","title":"Prism ADA-8XR FW","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-FW FireWire I\/O modules\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270399079,"sku":"5385","price":9898.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_50.jpg?v=1787088380"},{"product_id":"prism-ada-8xr-fw-aes","title":"Prism ADA-8XR FW-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-FW FireWire I\/O module\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AES AES3 Digital I\/O module\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270431847,"sku":"5386","price":10998.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_51.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-fw-pthd","title":"Prism ADA-8XR FW-PTHD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-FW FireWire I\/O module\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface module\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270464615,"sku":"5387","price":10700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_54.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-fw-dsd","title":"Prism ADA-8XR FW-DSD","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-FW FireWire I\/O module\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DSD DSD I\/O module\u003c\/strong\u003e: The 8C-DSD DSD I\/O Module type PREV039\/9\/1 provides eight channels of ‘Direct Stream Digital’ input and output for the ADA-8XR. The DSD interface format carries an over-sampled one-bit representation of the audio signal as delivered on Super Audio CDs (SACDs). The DSD I\/O Module can transact the DSD data in either SDIF 2 (sometimes known as DSD RAW) or SDIF 3 formats, using coaxial cables via a breakout squid, and optionally in the MAC DSD \/ SuperMAC format using a CAT5E cable. When combined with the ADA-8XR’s Analog Line Input and Output modules, the DSD I\/O Module provides eight channels of analog-to-DSD and DSD-to-analog conversion. The Module also allows for PCM to DSD and DSD to PCM conversion where a PCM-type I\/O Module is fitted, such as an AES3 I\/O Module. In this case, PCM synchronous sample rate conversion can also be performed between the PCM input and output for all eight channels. When used in conjunction with a dedicated workstation I\/O Module, such as a Pro Tools HD I\/O Module, the DSD I\/O Module allows DSD audio sources and destinations to be connected to the workstation directly. Whilst the DSD format uses a fixed sample rate of 2.8224 MHz the ADA-8XR’s DSD I\/O Module allows the user to run DSD-connected Paths with any of the ADA-8XR's sample rate and sync options\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270497383,"sku":"5388","price":10850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_52.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-fw-mdsd","title":"Prism ADA-8XR FW-MDSD","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270530151,"sku":"5389","price":13994.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_53.jpg?v=1787088381"},{"product_id":"mytek-digital-8x192-adda","title":"Mytek Digital 8X192 ADDA","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMytek 8X192 AD\/DA\u003c\/span\u003e offers PCM A\/D and D\/A conversion for all sampling rates from 44.1k to 192k. Optional DSD firmware provides DSD (standard 64x) and hi-speed 128x DSD. \u003c\/p\u003e\u003cp style=\"font-weight: bold;\"\u003eIn addition to analog-digital-analog conversion 8X192 features the following:\u003c\/p\u003e \u003col type=\"1\"\u003e\n\u003cli\u003eDigital format conversion between AES and any of two optional DIO Cards installed (sold separately)\u003c\/li\u003e\n\u003cli\u003eTrue precision mastering grade 1dB per step stepped attenuator \u003c\/li\u003e\n\u003cli\u003eAnalog mix buss assignable to 4 pairs of stereo channels or 8 mono channels \u003c\/li\u003e\n\u003cli\u003eAdditional to 8 analog outputs, 2 XLR outputs which can be assigned to any pair of channels or Mix Buss output \u003c\/li\u003e\n\u003cli\u003eHi-current (500 mA), hi-speed, low distortion transparent headphone amplifier \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449274200167,"sku":"5946","price":2795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_8x192_adda_1.jpg?v=1787088395"},{"product_id":"rme-adi-2-ad-da-converter","title":"RME ADI-2 AD\/DA Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-2\u003c\/span\u003e is a both compact and extremely flexible 2-channel Hi-End AD\/DA-converter. The small 9.5\" unit offers top notch AD\/DA-conversion from\/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is – simply get connected! \u003cp\u003eKey features of this extraordinary flexible converter are balanced inputs and outputs, monitoring via headphone out, SteadyClock for optimal converter quality, 3-stage hardware input and output level control, and it's capability to run on a wide range of power supplies. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eThe ADI-2 is equipped with a balanced stereo line input via two Neutrik XLR\/phones combo jacks, a balanced stereo line output with XLR plus separate and simultaneously active phone jacks, as well as an adjustable headphone output. \u003c\/p\u003e\u003cp\u003eThe analog inputs and outputs use the same circuit design as RME's famous ADI-8, guaranteeing outstandingly low noise and distortion. Three different settings for the input and output levels each provide perfect compatibility on analog domain. A further highlight is SteadyClock, a proprietary clock technology for maximum jitter suppression. SteadyClock guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 uses the latest generation of AD\/DA-converters capable of up to 192 kHz sampling frequency at a S\/N ratio of 110 dB. \u003c\/p\u003e\u003cp\u003eBut the ADI-2 has more to offer than tremendous sound, it also gives you exciting digital connectivity. Its transformer-balanced coaxial (RCA) SPDIF I\/O has switchable Channel Status to make it fully AES\/EBU compatible. The optical TOSLINK I\/Os can handle up to 192 kHz and also serve as ADAT I\/Os with up to 96 kHz sample rate. You can even use SPDIF input and ADAT output or vice versa in AD\/DA mode. The clear layout and the distinct labeling of the front panel with its functional buttons, the informative status displays, a 6 LED level meter as well as the tidy functional back panel make it easy to operate the unit right out of the box. Protective rack handles and a strain-relief for power cord and audio cables are further useful details that make the ADI-2 even more unique. \u003c\/p\u003e\u003cp\u003e\u003cb\u003ePower to this unit!\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eFollowing the 'Universal Power Supply' philosophy of RME's Digiface, Multiface, QuadMic und OctaMic, the ADI-2 comes with an external switching power supply. Its additional internal switching power supply has been specially designed and optimized for audio applications. It accepts any voltage from 7 to 30 V, be it AC or DC, and even runs on batteries and rechargeable batteries. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274953831,"sku":"6038","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi2_1.jpg?v=1787088399"},{"product_id":"prism-ada-8xr-dio-fw","title":"Prism ADA-8XR DIO-FW","description":"Firewire I\/O module for ADA-8XR systems","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449277378663,"sku":"6575","price":1130.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada-8xr_dio-fw_module.jpg?v=1787088408"},{"product_id":"lynx-studio-technology-aurora-8","title":"Lynx Studio Technology Aurora 8","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAurora 16 and Aurora 8\u003c\/span\u003e are 16 and 8-channel 24 bit\/192 kHz analog-to-digital\/digital-to-analog converters in a single-space rack-mount case. Representing Lynx Studio Technology’s first rack-mount product, Aurora was developed using the next generation of Lynx acclaimed conversion technology and rock-solid digital interface circuitry. Both units are identical in features and specifications except for the number of I\/O channels.\u003c\/p\u003e\n\u003cp\u003eAurora provides professional I\/O interfaces for ease of installation in most studios and live sound applications. The analog I\/O is electronically balanced and supports both +4dBU and –10dBV nominal levels. The AES digital I\/O is transformer coupled and is capable of driving 500 feet of cable at 192kHz. Both dual and single-wire AES channel modes are supported.\u003c\/p\u003e\n\u003cp\u003eAurora’s ergonomically designed front panel provides easy access to important controls and signal status. Unique to this product class, Aurora also offers extensive remote control capability. All front panel features as well as other low-level options can be controlled from the Lynx AES16 digital interface card on Windows and Macintosh platforms; a Pocket PC or laptop via infrared; MIDI; or an LSlot interface card. Multiple remote set-up configurations can be stored and recalled.\u003c\/p\u003e\n\u003cp\u003eThe on-board 32-channel digital mixer provides extensive routing and mixing options. Acting as a powerful patch bay style digital router, Aurora can easily route signals between analog and digital inputs on a channel-by-channel basis. Mixing capability on each output also provides flexible zero latency monitoring.\u003c\/p\u003e\n\u003cp\u003eThe LSlot expansion port accepts cards that provide compatibility with current and emerging digital interface standards, including ADAT and others.\u003c\/p\u003e\n\u003cp\u003eLynx’s proprietary SynchroLock™ jitter reduction technology, from the AES16, is also included. This exclusive feature provides extreme jitter reduction of up to 3000:1, allowing Aurora to output an extremely clean clock output for driving the digital audio system.\u003c\/p\u003e\n\u003cp\u003eAll analog and digital connections use DB25 connectors with industry standard pin-outs which are compatible with off-the-shelf cables Lynx as well as from manufacturers such as Mogami, ProCo, Hosa and others.\u003c\/p\u003e","brand":"Lynx Studio Technology","offers":[{"title":"Default Title","offer_id":44449285177447,"sku":"7224","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lynx_aurora_8_front.jpg?v=1787088434"},{"product_id":"lynx-studio-technology-aurora-16","title":"Lynx Studio Technology Aurora 16","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLynx Aurora 16 and Aurora 8\u003c\/span\u003e AD\/DA converters provide world-class analog to digital and digital to analog conversion in a compact one-rack space format. With sample rates up to 192 kHz, Aurora offers wide, open, uncompressed and unequalized audio for studios, mastering facilities, remote recording, broadcast and production. Lynx’s exclusive SynchroLock word clock offers extreme jitter reduction, providing clean digital audio signals for Aurora and other digital devices in the studio.\u003cbr\u003e\u003cbr\u003eAurora also avoids some of the limitations that other pro level converters have. Aurora does not have a noisy fan, does not lose channel count at higher sample rates and does not require costly analog and digital modules to achieve the unit’s full channel count.\u003cbr\u003e\u003cbr\u003eAurora can be used with any audio content. Equalization and limiting functions, which can color or alter the sound, have not been added. Lynx’s design provides accurate conversion, clear clean audio, wide imaging – the sound you put into Aurora is the sound that you get out of Aurora.\u003cbr\u003e\u003cbr\u003eSeveral interfaces allow Aurora to be used in a number of different configurations. LT-HD allows Aurora to be recognized by and controlled from a Digidesign® ProTools|HD® system. FireWire access is easy using the LT-FW. 16 channels of ADAT Lightpipe I\/O is made available with the LT-ADAT. And Lynx AES16 and AES16e allow interface with a wide range of Windows and Macintosh computers.\u003cbr\u003e\u003cbr\u003eThe Aurora 16 was nominated for a TEC award in 2005. Aurora with LT-HD has been nominated for a 2007 TEC award.\u003c\/p\u003e","brand":"Lynx Studio Technology","offers":[{"title":"Default Title","offer_id":44449285210215,"sku":"7225","price":2695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lynx_aurora_16_front.jpg?v=1787088434"},{"product_id":"ssl-delta-link-madi-hd","title":"SSL Delta Link MADI HD","description":"The \u003cb\u003eXLogic Delta Link MADI HD\u003c\/b\u003e is a professional MADI to Pro Tools HD® converter for Studio, Live and Broadcast Applications. \u003cbr\u003e\u003cbr\u003e With XLogic Delta Link MADI HD, Multichannel Audio Digital Interface audio equipment like routers, digital mixing consoles and converters can now be directly interfaced with Pro Tools HD®, providing simplified interconnectivity and significant cost reductions, eliminating the need for complicated format conversion workarounds.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e MADI HD Reduces Costs \u003cbr\u003e \u003c\/b\u003e A single Delta Link MADI HD can take the place of up to four Digi 192® Digital I\/O’s, delivering dual feeds of 64 channels of digital audio interconnection from a single hardware interface. MADI HD further reduces cost by using an efficient single cable interconnect system. It also occupies significantly less physical rack space than equivalent systems. Simpler system setup and integration \u003cbr\u003e\u003cbr\u003e Direct connectivity between Pro Tools® DSP cards and MADI cards means efficient simple system configuration. Fibre Optic MADI allows distances up to 1000 m between the Pro Tools system and other MADI equipment. Remote audio routing to and from Pro Tocols is possible in conjunction with MADI routing equipment. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eMain Features\u003c\/b\u003e \u003cul\u003e \u003cli\u003e2 Primary port interfaces (32 channel each) to a Digidesign Pro Tools|HD® card \u003c\/li\u003e\n\u003cli\u003e2 optical MADI ports delivering duplicate 64 channel feeds \u003c\/li\u003e\n\u003cli\u003eEach MADI port offers 56 or 64 MADI digital inputs \u0026amp; outputs at up to 48kHz, 28 or 32 MADI digital inputs and outputs at up to 96kHz, 14 or 16 MADI digital inputs and outputs at up to 192kHz \u003c\/li\u003e\n\u003cli\u003eWord\/SuperClock input \u003c\/li\u003e\n\u003cli\u003eAll input and output channels can be used simultaneously in any configuration. 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All front panel features as well as other low-level options can be controlled from the Lynx AES16 digital interface card on Windows and Macintosh platforms; a Pocket PC or laptop via infrared; MIDI; or an LSlot interface card. Multiple remote set-up configurations can be stored and recalled.\u003c\/p\u003e\n\u003cp\u003eThe on-board 32-channel digital mixer provides extensive routing and mixing options. Acting as a powerful patch bay style digital router, Aurora can easily route signals between analog and digital inputs on a channel-by-channel basis. Mixing capability on each output also provides flexible zero latency monitoring.\u003c\/p\u003e\n\u003cp\u003eThe LSlot expansion port accepts cards that provide compatibility with current and emerging digital interface standards, including ADAT and others.\u003c\/p\u003e\n\u003cp\u003eLynx’s proprietary SynchroLock™ jitter reduction technology, from the AES16, is also included. 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AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFull remote controllable via USB or Ethernet\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control.  The remote control interface is RS-422 and can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe DADman control utilities, \u003c\/strong\u003e\u003cstrong\u003eprovides various control interfaces for MAC and PC\u003cbr\u003e \u003c\/strong\u003eThis enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eModular Interface structure\u003c\/strong\u003e\u003cbr\u003e All DAD-I\/O modules are available for AX24 providing interfacing for the most used PCM formats up-to 96 kHz.  Additionally the eight-channel AES3 module can interface 192 kHz and 384 kHz on a multiple wire interface.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe MADI interface\u003c\/strong\u003e\u003cbr\u003e Supports all the sampling formats of the AX24, and is an extremely powerful and capable interface MADI which input and output all the PCM rates up-to 192 kHz as well as DSD and DXD.  The interface can be configured to operate in a daisy chain for connecting more converters to the same MADI link.  The MADI interface and the converter can be set to access any of the up-to 64 MADI channels in any configuration in blocks of 8 consecutive channels.  All \"unused\" channels are linked trough the interface with very low latency of only a few samples. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eExternal synchronization \u003c\/strong\u003e\u003cstrong\u003eto AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM)\u003c\/strong\u003e\u003cbr\u003e The built-in PLL circuit is able to correct for minor variations in the external sync clock signal, giving a very stable adaptation to the external synchronization signal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSync alarm\u003c\/strong\u003e\u003cbr\u003e If a digital output is chosen with the DA source button, and the digital input for some reason is out of synchronization, the red Sync alarm LED will blink.  This function is available to secure that the whole recording system is synchronized.  The function can be turned off in the system menu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449318076519,"sku":"11979","price":11569.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_front_1_28.jpg?v=1787088533"},{"product_id":"dad-ax24-8-line-a-d-2-d-a-dsd","title":"DAD AX24 8 Line A\/D \u0026 2 D\/A - DSD","description":"\u003cp\u003eAX24 allows you to config the number of line and Mic channels that you need at the sample rate currently used.  Analog in and output channels can be expanded in pairs of two.  Especially configurations like two or four analog input channels and six analog output channels are very suitable for mastering or multi-track productions where only few analog input channels are used simultaneously but monitoring in 5.1. is essential. \u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 bit PCM sample rates up to 384 kHz\u003c\/strong\u003e, \u003cstrong\u003eDXD and DSD\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is based on the Digital Audio Denmark high quality multi bit converter and modulator design, using a 5 bit delta sigma modulator.  AX24 offers A\/D and D\/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 128fs and DXD at a sample-rate of 352.8 kHz.  AX24 covers applications for music recording as well as mastering and monitoring in DSD. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic pre with analog gain\u003c\/strong\u003e in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design.  The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. 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