{"title":"Analog to Digital Converters","description":null,"products":[{"product_id":"prism-ada-8xr-16ad-pt","title":"Prism ADA-8XR 16AD-PT","description":"The \u003cb\u003ePrism Sound Dream ADA-8XR\u003c\/b\u003e converter provides eight channels of high-quality 24-bit, 192kHz A\/D AND D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realised in a multi-channel, 192kHz-capable format. \u003cul\u003e \u003cli\u003eEight channels of high-quality 24-bit, 192kHz, A\/D AND D\/A conversion (or 16 channels of A\/D or D\/A) Flexible digital interfacing options: \u003cul\u003e \u003cli\u003eAES3 - 2-speed or 2-wire, also handles S\/PDIF \u003c\/li\u003e\n\u003cli\u003eFireWire - for direct connection to DAW software on PC or Mac \u003c\/li\u003e\n\u003cli\u003ePro Tools|HD - direct connection of up to 32 inputs and outputs per card \u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO \u003c\/li\u003e\n\u003cli\u003eDSD - for SACD production, with SDIF2\/3 and optional MAC-DSD (Cat5) interface; also allows sample-rate-conversion between any PCM rates\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate 16-bit \u0026amp; 20-bit reductions \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media \u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' function gives 24-bit performance on 16-bit media WITHOUT sacrificing tracks \u003c\/li\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue AND digital line outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels \u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up \u003c\/li\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths \u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs' \u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings \u003c\/li\u003e\n\u003cli\u003eVersatile eight-channel LED bargraph \/ status monitor can access all points in A\/D or D\/A signal paths \u003c\/li\u003e\n\u003cli\u003eExpandable DSP 'processing' module in each path \u003c\/li\u003e\n\u003cli\u003eAll signal processing functions can be also be carried out in 'D-D' mode, including conversion between different interface formats \u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards \u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the ADA-8XR;\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449237794919,"sku":"5391","price":12895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_32.jpg?v=1787088262"},{"product_id":"prism-ada-8xr-16ad-fw","title":"Prism ADA-8XR 16AD-FW","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-FW FireWire I\/O modules\u003c\/strong\u003e: The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449237860455,"sku":"7925","price":11658.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_31.jpg?v=1787088262"},{"product_id":"prism-ada-8xr-16ad-aes","title":"Prism ADA-8XR 16AD-AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules:\u003c\/strong\u003e The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module.The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449237893223,"sku":"5390","price":11658.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_30.jpg?v=1787088262"},{"product_id":"prism-dream-ad-2","title":"Prism Dream AD-2","description":"The \u003cb\u003ePrism Sound Dream AD-2\u003c\/b\u003e is the definitive music A\/D converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The AD-2 conversion system provides an audio stream of such exceptional quality that it will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. It offers a wealth of sophisticated features as well as high-performance, multi-rate A\/D conversion for the most exacting applications in sound recording, mastering and broadcast. \u003cp\u003e\u003cb\u003ePerformance\u003c\/b\u003e\u003cbr\u003eConverter performance is pushed ever-nearer the limit: Dynamic range reaches a massive 130dB, THD+n at full scale is raised to 108dB (0.0005%). Clock stability, and rejection of incoming reference jitter are also improved. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFlexibility\u003c\/b\u003e\u003cbr\u003eThe AD-2 is like two separate A\/D converters, plus a digital processor, all in one: it can generate two entirely separate output signals simultaneously. These can have different sampling rates, different word-lengths - even use different noise-shapers. For example, you can output a 96kHz \/ 24-bit signal and a 44.1kHz \/ 16-bit noise-shaped signal at the same time. \u003cbr\u003e\u003cbr\u003eApart from its breathtaking performance, the analogue front-end of the AD-2 includes many new features: Analogue input sensitivity (and inter-channel balance) is software-programmable over the entire range with 0.05dB resolution. Just as with the AD-1, the inputs are transformerless, electronically balanced and galvanically isolated (fully floating), to ensure freedom from noise pick-up and crosstalk. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eDigital to Digital Sample Rate Conversion\u003c\/b\u003e\u003cbr\u003eThe 'D-D' (digital-to-digital) path, first provided in the AD-1, has been improved still further in the AD-2: It still offers re-dithering, noise-shaping and DRE encoding \/ decoding, but now it has synchronous sample-rate-conversion (SRC) as well. So you can re-process your 96kHz, 24-bit masters to 44.1kHz 16-bit streams for CD, or you can up-sample low-rate recordings for post-processing at a higher rate... in fact, you can convert between any two standard sampling-rates - synchronously. Synchronous sample-rate-conversion, if correctly performed, is free of the distortion artifacts associated with conventional 'variable-rate' SRCs. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eNoise Shaping\u003c\/b\u003e\u003cbr\u003eThe four tried and tested Super-Noise-Shaping ('SNS') curves are extended to include optimal shaping for the higher sampling rates. The SNS process gives greatly-improved small-signal performance for limited word-lengths, such as CD, and is completely compatible with existing D\/A converter products (including consumer and professional CD players). \u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Last Word\u003c\/b\u003e\u003cbr\u003eWe've been very busy since our first generation converters came out in 1994. Take a long look at the AD-2 and DA-2 and you'll see why. We have compromised on nothing: these converters quite simply redefine the state-of-the-art. \u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449256898663,"sku":"213","price":9850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ad2_1.jpg?v=1787088341"},{"product_id":"lavry-4496-4-2-channel-a-d","title":"Lavry (4496-4) 2 Channel A\/D","description":"\u003cp\u003eThe\u003cstrong\u003e \"LavryBlue\" Conversion System\u003c\/strong\u003e offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from two-channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. This unit is configured with two AD converters.\u003c\/p\u003e\r\n\u003cp\u003eA\/D cards allow the selection of various word lengths, analog or digital soft saturation and Acoustic Bit Correction, dither and noise shaping. Other features include LED metering, reference meter bridge, peak detection and front panel gain control. Conversion may use internal crystals or externally lock to word clock or AES signal.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInternal crystal modes: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e44.1kHz, 48kHz, 88.2kHz, 96kHz; All at +\/- 25ppm \u003c\/li\u003e\r\n\u003cli\u003eNarrow lock range: 44.1kHz, 48kHz, 88.2kHz, 96kHz ; All at +\/- 100ppm minimum (+\/- 150ppm typical) \u003c\/li\u003e\r\n\u003cli\u003eWide lock range: Low 37kHz - 52kHz, High 74kHz - 100kHz  - external sync input: word clock or AES - requires 2-5v amplitude into 75W, termination connected externally\u003c\/li\u003e\r\n\u003cli\u003eX2 switch enables generation of double sampling speeds (74kHz - 100kHz) from normal rates (37kHz -50kHz)\u003c\/li\u003e\r\n\u003cli\u003eAnalog A\/D inputs and D\/A outputs may be configured for balanced or unbalanced operation - this unit operates with AC power from 90 - 264 VAC, 50\/60 Hz.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265549415,"sku":"4672","price":1650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-4496-4_4672_1.jpg?v=1787088367"},{"product_id":"lavry-4496-5-4-channel-a-d","title":"Lavry (4496-5) 4 Channel A\/D","description":"\u003cp\u003eThe \u003cstrong\u003e\"LavryBlue\" Conversion System\u003c\/strong\u003e offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from two-channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. This unit is configured with four AD converters.\u003c\/p\u003e\r\n\u003cp\u003eA\/D cards allow the selection of various word lengths, analog or digital soft saturation and acoustic bit correction, dither and noise shaping. Other features include LED metering, reference meter bridge, peak detection and front panel gain control. Conversion may use internal crystals or externally lock to word clock or AES signal.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInternal crystal modes: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e44.1kHz, 48kHz, 88.2kHz, 96kHz; All at +\/- 25ppm \u003c\/li\u003e\r\n\u003cli\u003eNarrow lock range: 44.1kHz, 48kHz, 88.2kHz, 96kHz ; All at +\/- 100ppm minimum (+\/- 150ppm typical) \u003c\/li\u003e\r\n\u003cli\u003eWide lock range: Low 37kHz - 52kHz, High 74kHz - 100kHz   - external sync input: Word clock or AES - requires 2-5v amplitude into 75W, termination connected externally\u003c\/li\u003e\r\n\u003cli\u003eX2 switch enables generation of double sampling speeds (74kHz - 100kHz) from normal rates (37kHz -50kHz)\u003c\/li\u003e\r\n\u003cli\u003eAnalog A\/D inputs and D\/A outputs may be configured for balanced or unbalanced operation - this unit operates with AC power from 90 - 264 VAC, 50\/60 Hz.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265582183,"sku":"4673","price":2560.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-4496-5_4673_1.jpg?v=1787088368"},{"product_id":"lavry-4496-6-6-channel-a-d","title":"Lavry (4496-6) 6 Channel A\/D","description":"\u003cp\u003eThe \u003cstrong\u003e\"LavryBlue\" Conversion System\u003c\/strong\u003e offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from two-channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. This unit is configured with six AD converters.\u003c\/p\u003e\r\n\u003cp\u003eA\/D cards allow the selection of various word lengths, analog or digital soft saturation and acoustic bit correction, dither and noise shaping. Other features include LED metering, reference meter bridge, peak detection and front panel gain control. Conversion may use internal crystals or externally lock to word clock or AES signal.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInternal crystal modes: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e44.1kHz, 48kHz, 88.2kHz, 96kHz; All at +\/- 25ppm \u003c\/li\u003e\r\n\u003cli\u003eNarrow lock range: 44.1kHz, 48kHz, 88.2kHz, 96kHz ; All at +\/- 100ppm minimum (+\/- 150ppm typical) \u003c\/li\u003e\r\n\u003cli\u003eWide lock range: Low 37kHz - 52kHz, High 74kHz - 100kHz External sync input: Word clock or AES - requires 2-5v amplitude into 75W, termination connected externally\u003c\/li\u003e\r\n\u003cli\u003eX2 switch enables generation of double sampling speeds (74kHz - 100kHz) from normal rates (37kHz -50kHz)\u003c\/li\u003e\r\n\u003cli\u003eAnalog A\/D inputs and D\/A outputs may be configured for balanced or unbalanced operation - this unit operates with AC power from 90 - 264 VAC, 50\/60 Hz.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265614951,"sku":"4674","price":3440.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-4496-6_4674_1.jpg?v=1787088368"},{"product_id":"lavry-4496-7-8-channel-a-d","title":"Lavry (4496-7) 8 Channel A\/D","description":"\u003cp\u003eThe \u003cstrong\u003e\"LavryBlue\" Conversion System \u003c\/strong\u003eoffers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from two-channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. This unit is configured with eight AD converters.\u003c\/p\u003e\r\n\u003cp\u003eA\/D cards allow the selection of various word lengths, analog or digital soft saturation and acoustic bit correction, dither and noise shaping. Other features include LED metering, reference meter bridge, peak detection and front panel gain control. 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Consistently used for many of today's top recordings, the AD122-96MKIII features -127 dB dynamic range (unweighted), providing optimum musical results. \u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003eAchieving 20 or more bits of resolution places a heavy demand on the linearity and noise of analog signals prior to the A\/D conversion.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLinearity\u003c\/strong\u003e\u003cbr\u003e Linearity problems (typically associated with larger signals) should be avoided to prevent overall signal distortions. Proper circuit design places non-linear devices inside a negative feedback path, thus allowing the transfer function to depend on a few linear components (such as resistor ratio). Closer examination reveals that the effectiveness of negative feedback is limited by the open loop gain of the amplifier (the available gain prior to the feedback action). Constructing a 10 dB gain stage out of, say, a 50 dB open loop amplifier provides 40 dB of feedback; thus circuit nonlinearities are corrected for by a factor of 100. A 1% nonlinearity reduces to a .01% level. The same stage, when set to a gain of 20 dB, yields only 50-20=30 dB of \"linearizing power\"; thus the same 1% circuit nonlinearity is corrected to 1\/31.6 = .03%. The \"obvious\" solution of increasing circuit open loop gain is riddled with problems ranging from impulse response settling time to loss of bandwidth. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr\u003e The quantization (A\/D conversion) of analog noise causes loss of fine signal detail. The quantized noise introduces time varying signal dependent distortions. Such sample by sample deviation can not be compared to the seemingly \"constant\" analog background noise. The interaction between the noise and the quantization process effects the sonic detail at much higher amplitude than the noise level itself. The source material may have its own noise level, but the A\/D manufacturer is in no position to decide which part of the material is signal and which part is noise. (Is it undesirable noise or is it the intentional recording of the wind blowing through the trees?) Thus, any signal must be reproduced accurately. All we can do, and all we should do amounts to avoiding additional A\/D noise. A\/D noise consists of two parts: analog noise (prior to quantization), and quantization noise. The quantization noise level is \"fixed\" by the converter itself. Model AD122-96 MKIII quantization noise relative full scale is about 122 dBFS. Keeping complete system noise level at 122 dBFS requires careful treatment of the analog path. Each circuit component (especially resistors and semiconductors) generates its own noise. The complex electron motion within the various materials adds up to a cumulative noise. Intentional amplification of signals yields undesirable amplification of noise. Once again, each dB of added gain takes away a dB from the available dynamic range. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eAD122-96 MKIII Input Range\u003c\/strong\u003e\u003cbr\u003e You may suspect by now that our aim is to provide you with an A\/D converter and leave the problem of providing a \"hot\" signal at the hands of microphone and mic- preamplifier manufacturers. 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Stereo96 converters can be used as stand-alone devices for variety of studio applications such as mastering, recording and playback, whenever the highest quality conversion is required.\u003cbr\u003e\u003cbr\u003eUsers choose Mytek 8X96 converters primarily for their outstanding sound quality. The sound of Mytek converters can be described as \"transparent\". We design our converters to be as faithful to the signal as possible, rather than follow philosophy of some other manufacturers who offer \"analog\" or \"tube\" sounding converters. Mytek converters are closest to a straight wire, which is especially evident when used at full 24\/96 resolution. Sonically they are equal or better than the most expensive mastering converters. Even when used in 16 bit mode, the Stereo96 converters produce 20dB (10 times) less distortion than typical converters found in budget recording equipment. On Mytek website you can find and download various sound samples to evaluate Stereo96 series sound quality and compare it to the sound of other high end converter units. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eMytek Stereo96 ADC features include:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e44.1, 48, 88.2 and 96kHz internal sampling frequencies \u003c\/li\u003e\n\u003cli\u003eExt. wordclock sync 25-100kHz or 256x Superclock(tm) \u003c\/li\u003e\n\u003cli\u003e120dB Dynamic Range \u003c\/li\u003e\n\u003cli\u003e24 bit resolution \u003c\/li\u003e\n\u003cli\u003eHigh performance SuperShaper-HR™ psychoacoustic noise-shaping algorithm for 16 bit output \u003c\/li\u003e\n\u003cli\u003eSwitchable precision 10 turn-trimpots or input gain knob \u003c\/li\u003e\n\u003cli\u003eWordclock output can be used as a hi-end house clock. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449269743719,"sku":"5174","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_stereo_96_adc_1.jpg?v=1787088377"},{"product_id":"mytek-digital-stereo192-series-adc","title":"Mytek Digital Stereo192 Series - ADC","description":"This unit is designed for the best sound quality to take full advantage of high sampling rates. 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The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface modules\u003c\/strong\u003e: The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270562919,"sku":"5392","price":11425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_33.jpg?v=1787088381"},{"product_id":"prism-ada-8xr-ad-analog-input-module","title":"Prism ADA-8XR AD Analog Input Module","description":"A\/D converter, 8-channel, line input for Prism ADA-8XR","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270693991,"sku":"5397","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_analog_input_module.jpg?v=1787088382"},{"product_id":"weiss-adc2","title":"Weiss ADC2","description":"The \u003cb\u003eWeiss ADC2\u003c\/b\u003e is the successor of our renowned two channel ADC1-MK2 A\/D Converter. \u003cbr\u003e\u003cbr\u003e The ADC2 uses state of the art A\/D chips in our proven “correlation technique” configuration, which lowers converter imperfections. \u003cbr\u003e\u003cbr\u003e The analog input stages are kept balanced from the input connectors throughout to the converter chips. A high quality microphone preamplifier is built in as a standard feature. \u003cbr\u003e\u003cbr\u003e Supported sampling frequencies are 44.1, 48, 88.2, 96, 176.4 and 192 kHz. \u003cbr\u003e\u003cbr\u003e Output formats are AES\/EBU in one or two wire technique, S\/PDIF as well as Firewire for a direct connection to computers. \u003cbr\u003e\u003cbr\u003e Synchronization can be internal or external through AES\/EBU or BNC (Wordclock). \u003cbr\u003e\u003cbr\u003e The built in digital peak limiter allows for setting a generous headroom on the analog inputs and still get a full scale signal at the converter’s output. \u003cbr\u003e\u003cbr\u003e A large bar graph shows the level to the A\/D input, the output level and the gain reduction in the aforementioned Limiter. \u003cbr\u003e\u003cbr\u003e The output word-length can be reduced from 24 to 16 bits with the built in POW-R dithering. It is even possible to have one output running at 24 bits and another one at 16 bits. 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AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFull remote controllable via USB or Ethernet\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control.  The remote control interface is RS-422 and can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe DADman control utilities, \u003c\/strong\u003e\u003cstrong\u003eprovides various control interfaces for MAC and PC\u003cbr\u003e \u003c\/strong\u003eThis enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eModular Interface structure\u003c\/strong\u003e\u003cbr\u003e All DAD-I\/O modules are available for AX24 providing interfacing for the most used PCM formats up-to 96 kHz.  Additionally the eight-channel AES3 module can interface 192 kHz and 384 kHz on a multiple wire interface.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe MADI interface\u003c\/strong\u003e\u003cbr\u003e Supports all the sampling formats of the AX24, and is an extremely powerful and capable interface MADI which input and output all the PCM rates up-to 192 kHz as well as DSD and DXD.  The interface can be configured to operate in a daisy chain for connecting more converters to the same MADI link.  The MADI interface and the converter can be set to access any of the up-to 64 MADI channels in any configuration in blocks of 8 consecutive channels.  All \"unused\" channels are linked trough the interface with very low latency of only a few samples. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eExternal synchronization \u003c\/strong\u003e\u003cstrong\u003eto AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM)\u003c\/strong\u003e\u003cbr\u003e The built-in PLL circuit is able to correct for minor variations in the external sync clock signal, giving a very stable adaptation to the external synchronization signal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSync alarm\u003c\/strong\u003e\u003cbr\u003e If a digital output is chosen with the DA source button, and the digital input for some reason is out of synchronization, the red Sync alarm LED will blink.  This function is available to secure that the whole recording system is synchronized.  The function can be turned off in the system menu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449318273127,"sku":"11992","price":5939.01,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_front_1_17.jpg?v=1787088533"},{"product_id":"dad-ax24-8-mic-line-a-d-dsd","title":"DAD AX24 8 Mic\/Line A\/D - DSD","description":"\u003cp\u003eAX24 allows you to config the number of line and Mic channels that you need at the sample rate currently used.  Analog in and output channels can be expanded in pairs of two.  Especially configurations like two or four analog input channels and six analog output channels are very suitable for mastering or multi-track productions where only few analog input channels are used simultaneously but monitoring in 5.1. is essential. \u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 bit PCM sample rates up to 384 kHz\u003c\/strong\u003e, \u003cstrong\u003eDXD and DSD\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is based on the Digital Audio Denmark high quality multi bit converter and modulator design, using a 5 bit delta sigma modulator.  AX24 offers A\/D and D\/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 128fs and DXD at a sample-rate of 352.8 kHz.  AX24 covers applications for music recording as well as mastering and monitoring in DSD. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic pre with analog gain\u003c\/strong\u003e in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design.  The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. 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AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFull remote controllable via USB or Ethernet\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control.  The remote control interface is RS-422 and can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe DADman control utilities, \u003c\/strong\u003e\u003cstrong\u003eprovides various control interfaces for MAC and PC\u003cbr\u003e \u003c\/strong\u003eThis enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eModular Interface structure\u003c\/strong\u003e\u003cbr\u003e All DAD-I\/O modules are available for AX24 providing interfacing for the most used PCM formats up-to 96 kHz.  Additionally the eight-channel AES3 module can interface 192 kHz and 384 kHz on a multiple wire interface.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe MADI interface\u003c\/strong\u003e\u003cbr\u003e Supports all the sampling formats of the AX24, and is an extremely powerful and capable interface MADI which input and output all the PCM rates up-to 192 kHz as well as DSD and DXD.  The interface can be configured to operate in a daisy chain for connecting more converters to the same MADI link.  The MADI interface and the converter can be set to access any of the up-to 64 MADI channels in any configuration in blocks of 8 consecutive channels.  All \"unused\" channels are linked trough the interface with very low latency of only a few samples. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eExternal synchronization \u003c\/strong\u003e\u003cstrong\u003eto AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM)\u003c\/strong\u003e\u003cbr\u003e The built-in PLL circuit is able to correct for minor variations in the external sync clock signal, giving a very stable adaptation to the external synchronization signal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSync alarm\u003c\/strong\u003e\u003cbr\u003e If a digital output is chosen with the DA source button, and the digital input for some reason is out of synchronization, the red Sync alarm LED will blink.  This function is available to secure that the whole recording system is synchronized.  The function can be turned off in the system menu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449318371431,"sku":"11995","price":7391.63,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_front_1_18.jpg?v=1787088534"},{"product_id":"dad-ax24-2-mic-line-a-d-dsd","title":"DAD AX24 2 Mic\/Line A\/D - DSD","description":"\u003cp\u003eAX24 allows you to config the number of line and Mic channels that you need at the sample rate currently used.  Analog in and output channels can be expanded in pairs of two.  Especially configurations like two or four analog input channels and six analog output channels are very suitable for mastering or multi-track productions where only few analog input channels are used simultaneously but monitoring in 5.1. is essential. \u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 bit PCM sample rates up to 384 kHz\u003c\/strong\u003e, \u003cstrong\u003eDXD and DSD\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is based on the Digital Audio Denmark high quality multi bit converter and modulator design, using a 5 bit delta sigma modulator.  AX24 offers A\/D and D\/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 128fs and DXD at a sample-rate of 352.8 kHz.  AX24 covers applications for music recording as well as mastering and monitoring in DSD. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic pre with analog gain\u003c\/strong\u003e in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design.  The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFull remote controllable via USB or Ethernet\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control.  The remote control interface is RS-422 and can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe DADman control utilities, \u003c\/strong\u003e\u003cstrong\u003eprovides various control interfaces for MAC and PC\u003cbr\u003e \u003c\/strong\u003eThis enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eModular Interface structure\u003c\/strong\u003e\u003cbr\u003e All DAD-I\/O modules are available for AX24 providing interfacing for the most used PCM formats up-to 96 kHz.  Additionally the eight-channel AES3 module can interface 192 kHz and 384 kHz on a multiple wire interface.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe MADI interface\u003c\/strong\u003e\u003cbr\u003e Supports all the sampling formats of the AX24, and is an extremely powerful and capable interface MADI which input and output all the PCM rates up-to 192 kHz as well as DSD and DXD.  The interface can be configured to operate in a daisy chain for connecting more converters to the same MADI link.  The MADI interface and the converter can be set to access any of the up-to 64 MADI channels in any configuration in blocks of 8 consecutive channels.  All \"unused\" channels are linked trough the interface with very low latency of only a few samples. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eExternal synchronization \u003c\/strong\u003e\u003cstrong\u003eto AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM)\u003c\/strong\u003e\u003cbr\u003e The built-in PLL circuit is able to correct for minor variations in the external sync clock signal, giving a very stable adaptation to the external synchronization signal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSync alarm\u003c\/strong\u003e\u003cbr\u003e If a digital output is chosen with the DA source button, and the digital input for some reason is out of synchronization, the red Sync alarm LED will blink.  This function is available to secure that the whole recording system is synchronized.  The function can be turned off in the system menu.\u003c\/p\u003e","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449318404199,"sku":"11996","price":5591.93,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_front_1_14.jpg?v=1787088534"},{"product_id":"dad-ax24-2-line-a-d-dsd","title":"DAD AX24 2 Line A\/D - DSD","description":"\u003cp\u003eAX24 allows you to config the number of line and Mic channels that you need at the sample rate currently used.  Analog in and output channels can be expanded in pairs of two.  Especially configurations like two or four analog input channels and six analog output channels are very suitable for mastering or multi-track productions where only few analog input channels are used simultaneously but monitoring in 5.1. is essential. \u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 bit PCM sample rates up to 384 kHz\u003c\/strong\u003e, \u003cstrong\u003eDXD and DSD\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is based on the Digital Audio Denmark high quality multi bit converter and modulator design, using a 5 bit delta sigma modulator.  AX24 offers A\/D and D\/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 128fs and DXD at a sample-rate of 352.8 kHz.  AX24 covers applications for music recording as well as mastering and monitoring in DSD. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic pre with analog gain\u003c\/strong\u003e in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design.  The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFull remote controllable via USB or Ethernet\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control.  The remote control interface is RS-422 and can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe DADman control utilities, \u003c\/strong\u003e\u003cstrong\u003eprovides various control interfaces for MAC and PC\u003cbr\u003e \u003c\/strong\u003eThis enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eModular Interface structure\u003c\/strong\u003e\u003cbr\u003e All DAD-I\/O modules are 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can be either analogue or digital, software or hardware based. At some point in the signal path, a high quality A\/D converter is required, which faithfully reproduces analogue signals in the digital domain. Step up to the new \u003cspan style=\"font-weight: bold;\"\u003eDrawmer A2D2\u003c\/span\u003e…\u003cbr\u003e\u003cbr\u003eThe A2D2 is a stereo A\/D converter giving simultaneous dual stereo outputs at different selectable sample rates from 44.1kHz to 192kHz - so it is possible to have a main output at, say 192kHz with another at 44.1kHz as a low resolution copy.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":44449321943143,"sku":"12398","price":1599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/drawmer_a2d2_1.jpg?v=1787088548"},{"product_id":"benchmark-adc1-usb-black-rackmount","title":"Benchmark ADC1 USB Black Rackmount","description":"\u003cp\u003eThe barrier between analog and digital should not limit the listening experience.  Benchmark's digital converter technology maintains the sense of musical engagement that was originally present when the sounds were created.  The life of the music is never lost in a quagmire of digital artifacts. The depth is never hidden, the image is never smeared. Benchmark converters always deliver faithfully, and consistently exceed expectations.  The \u003cspan style=\"font-weight: bold;\"\u003eBenchmark ADC1 USB\u003c\/span\u003e continues a tradition of excellence.\u003cbr\u003e \u003cbr\u003e The ADC1 USB is a two-channel 24bit\/192-kHz analog-to-digital audio converter with an unprecedented feature set.  This converter was designed to consistently deliver reference quality conversion in 'real-world' conditions. It features Benchmark's jitter-immune UltraLock™(tm) clock system and an extraordinary analog front-end.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eJitter-immune UltraLock™\u003c\/span\u003e\u003cbr\u003e The UltraLock™(tm) system delivers consistent, high-quality conversion even when slaved to a poor quality external clock.  The performance of the ADC1 USB will not degrade when slaved to an external clock - a claim very few converters can make. Enjoy the convenience of a clock input that automatically recognizes AES\/EBU, S\/PDIF, Word Clock, or Super Clock sources - all with the unsurpassed jitter immunity of Benchmark's UltraLock™(tm) clock-isolation system.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eBenchmark's Precision Analog Circuitry\u003c\/span\u003e\u003cbr\u003e Benchmark has a long tradition of building ultra-high performance analog circuits that are designed for maximum transparency.  The ADC1 USB extends this tradition by pushing performance to the limits of today's technology.  The analog front-end delivers low-noise low-distortion high-bandwidth performance over a wide gain range (45dB).  Precise gain and calibration controls allow for accurate channel matching. Capture exact imaging, difficult transients, and subtle details with stunning realism.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIntelligent Meters\u003c\/span\u003e\u003cbr\u003e The nine-segment dual-range, digital LED meters enable high-precision level monitoring.  Meter response times are matched to the response of the human eye so that every peak is clearly visible.  All metering is fully-digital and is not subject to calibration errors.  A peak hold function allows an infinite hold to verify that an over has not occurred.  Dual ranges allow signal presence monitoring, or precise headroom indication.  The meters even use an upsampling technique to detect and display inter-sample peak overloads.  This upsampled metering warns of potential overloads that may not be detected by conventional digital meters.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFlexible Digital Outputs\u003c\/span\u003e\u003cbr\u003e The ADC1 USB has a total of 5 digital outputs (1-XLR, 2-coax, 1-optical, and 1-USB).  These can operate simultaneously at up to three independent sample rates. One of the coaxial outputs can be configured for 16-bit TPDF dithered output.  This unique flexibility allows simultaneous recording to a CDR, while recording high-resolution to a digital recorder and a DAW. For example the CDR may operate at 44.1\/16 while the DAW operates at 88.2\/24 while the digital recorder operates at 192\/24.   Backup and\/or reference recordings can be created with ease while high-resolution outputs are fed to primary recording devices. The optical output supports AES or ADAT formats at resolutions up to 192\/24.  In ADAT mode, high sample rates are supported using SMUX2 and SMUX4.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eBenchmark's AdvancedUSB\u003c\/span\u003e\u003cbr\u003e Benchmark's AdvancedUSB solution provides a bit-transparent computer interface that is capable of streaming at rates up to 24 bit\/96 kHz without installing any drivers. This reduces CPU loading, eliminates driver compatibility issues, and greatly improves the reliability of the data transfer.  Benchmark's unique driver-less AdvancedUSB(tm) solution is compatible with Mac OSX and Windows 2000, XP, and Vista. Benchmark's UltraLock™(tm) clock system insures the audio will never be contaminated with jitter-induced artifacts from a poor-quality computer-based clock. With the Benchmark ADC1, the performance of the USB interface matches the quality of the AES and ADAT interfaces. The convenience of a direct computer interface no longer comes with a performance penalty!\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eConsistent Performance\u003c\/span\u003e\u003cbr\u003e Often specifications only indicate how a product will perform under the most optimal conditions.  The ADC1 USB is designed to deliver consistent performance - even in adverse conditions. The ADC1 USB is fully specified at all gain settings, all sample rates, through all digital outputs, and even when locked to a high-jitter clock signal. This performance insures reliable and predictable results in the 'real world'.\u003c\/p\u003e","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449338425447,"sku":"14982","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_adc1_usb_1.jpg?v=1787088613"},{"product_id":"weiss-adc2-fw","title":"Weiss ADC2-FW","description":"The \u003cb\u003eWeiss ADC2\u003c\/b\u003e is the successor of the renowned two channel ADC1-MK2 A\/D Converter. \u003cbr\u003e\u003cbr\u003e The ADC2 uses state of the art A\/D chips in our proven “correlation technique” configuration, which lowers converter imperfections. \u003cbr\u003e\u003cbr\u003e The analog input stages are kept balanced from the input connectors throughout to the converter chips. A high quality microphone preamplifier is built in as a standard feature. \u003cbr\u003e\u003cbr\u003e Supported sampling frequencies are 44.1, 48, 88.2, 96, 176.4 and 192 kHz. \u003cbr\u003e\u003cbr\u003e Output formats are AES\/EBU in one or two wire technique, S\/PDIF as well as Firewire for a direct connection to computers. \u003cbr\u003e\u003cbr\u003e Synchronization can be internal or external through AES\/EBU or BNC (Wordclock). \u003cbr\u003e\u003cbr\u003e The built in digital peak limiter allows for setting a generous headroom on the analog inputs and still get a full scale signal at the converter’s output. \u003cbr\u003e\u003cbr\u003e A large bar graph shows the level to the A\/D input, the output level and the gain reduction in the aforementioned Limiter. \u003cbr\u003e\u003cbr\u003e The output word-length can be reduced from 24 to 16 bits with the built in POW-R dithering. It is even possible to have one output running at 24 bits and another one at 16 bits. This feature comes handy when a safety copy to e.g. a DAT has to be made. \u003cbr\u003e\u003cbr\u003e The analog input sensitivity can be set in 6dB steps via a relais controlled attenuator. An additional gain control is implemented in the DSP chip in the digital domain. \u003cbr\u003e\u003cbr\u003e Both channel 1 and channel 2 are fully independent, except for the sampling rate and for the dither settings. \u003cbr\u003e\u003cbr\u003e The AES\/EBU sync input can be used as a digital audio input. This allows to limit and \/ or dither digital audio signals. The peak hold feature can be used to monitor a transfer and check for overloads which may have occurred.","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449344815207,"sku":"9005","price":16328.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_adc2_1_1.jpg?v=1787088639"},{"product_id":"benchmark-adc16","title":"Benchmark ADC16","description":"\u003cp\u003eBenchmark’s philosophy is very clear: digital converters should preserve all of the glorious nuances of the source so that the listener can simply engage with the music.  Benchmark’s converters are world-renowned for fulfilling this mandate.\u003cbr\u003e \u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eBenchmark ADC16\u003c\/span\u003e is, yet again, another successful actualization of this philosophy.  With the ADC16, Benchmark’s storied sonic purity can span across an entire multi-track recording session.  This 16-channel A\/D converter conquers the digital demons that plague so many converters on the market.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo DB25 connectors for transformerless balanced analog input\u003c\/li\u003e\r\n\u003cli\u003e16 channels of analog-to-digital conversion\u003c\/li\u003e\r\n\u003cli\u003eInput gain trimpots for each channel provide high-performance over 20 dB range\u003c\/li\u003e\r\n\u003cli\u003e+8 dBu to +28 dBu input sensitivity range (at 0 dBFS)\u003c\/li\u003e\r\n\u003cli\u003eBenchmark’s 9-segment dual-range digital LED meters with ‘peak-hold’\u003c\/li\u003e\r\n\u003cli\u003eConversion at standard sample-rates (44.1, 48, 88.2, 96, 176.4, and 192 kHz) and will also lock to non-standard rates (anything between 28 kHz and 200 kHz)\u003c\/li\u003e\r\n\u003cli\u003eMultifunction clock input with autorecognition of AES, SPDIF, Word Clock, or Super Clock\u003c\/li\u003e\r\n\u003cli\u003eWord clock output\u003c\/li\u003e\r\n\u003cli\u003eTotal jitter-immunity with Benchmark’s, phase-accurate UltraLockDDS™ technology\u003c\/li\u003e\r\n\u003cli\u003eFour sets of digital outputs (Balanced AES, coax, optical, Firewire [optional])\u003c\/li\u003e\r\n\u003cli\u003eIndependently controlled sourcing (A\/D or DAW) for each set of digital outputs\u003c\/li\u003e\r\n\u003cli\u003eAES\/EBU, ADAT, and ADAT S\/MUX2, and ADAT S\/MUX4 optical output formats\u003c\/li\u003e\r\n\u003cli\u003eTHD+N = -104 dB, 0.00063% @ -3 dBFS input, SNR 121 dB A-weighted\u003c\/li\u003e\r\n\u003cli\u003eReliable and consistent performance under all operating conditions\u003c\/li\u003e\r\n\u003cli\u003eInternal 90-264 VAC, 47-63 Hz international power supply with very wide operating range\u003c\/li\u003e\r\n\u003cli\u003eMeets FCC Class B and CE emissions requirements \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe ADC16 delivers the industry’s ‘Benchmark’ for performance in a package that is simultaneously full-featured, functionally flexible, intuitive, aesthetically alluring, and surprisingly affordable.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFlexibility across DAW's\u003c\/span\u003e\u003cbr\u003e The ADC16 has a slot for an optional Firewire card. With a Firewire connection to the computer, the ADC16 can operate as the sole interface to native DAW’s, including Pro Tools 9, without the need for any other hardware.  Moreover, The ADC16 is completely compatible with the digital I\/O interfaces of the Avid\/Digidesign interfaces and other interfaces with AES, coaxial, and\/or optical inputs.\u003cbr\u003e \u003cbr\u003e The ADAT mode of the optical outputs makes the ADC16 a perfect companion for older Pro Tools LE interfaces, as well as other digital interfaces with ADAT and coaxial inputs, as it can fulfill the entire digital-input capability of the interface with state-of-the-art A\/D performance.\u003cbr\u003e \u003cbr\u003e This type of flexibility means the ADC16 can work perfectly with DAW setups from the past and the future.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFlexibility at the I\/O ports\u003c\/span\u003e\u003cbr\u003e The ADC16 features 16-channels of transformerless balanced analog inputs.  The analog front-end continues Benchmark’s tradition of exceptionally pristine, award-winning analog circuitry – a 27 year legacy.\u003cbr\u003e \u003cbr\u003e Each channel of analog input has a gain control (via a trim-pot) that has a 20 dB range.  At 0 dB of gain, it can accept 28 dBu at the input without clipping. At max-gain, an 8 dB input-signal will drive the converters to full-scale.\u003cbr\u003e \u003cbr\u003e The ADC16 features very flexible I\/O routing solutions.  The control panel allows the user to dictate the source (A\/D or DAW) for each of the AES, coaxial, and optical digital outputs.  This is very useful when the ADC16 is used in a studio with an analog console.  The digital audio from the A\/D chips can be sent directly to the digital outputs to a multichannel D\/A to feed the console – completely bypassing the DAW.  This reduces latency and DAW artifacts in real-time monitoring.\u003cbr\u003e \u003cbr\u003e The eight optical outputs on the ADC16 can be operated in SPDIF or ADAT mode at sample-rates up to 192 kHz (ADAT has SMUX2 and SMUX4 functionality).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eUltraLock DDS™ - Jitter-immunity without a catch\u003c\/span\u003e\u003cbr\u003e The performance of the ADC16 never varies – another core philosophy of Benchmark products.\u003cbr\u003e \u003cbr\u003e Benchmark’s new UltraLockDDS™ clock system utilizes the latest low-jitter clock technology developed for high-frequency RF communications systems.  The master oscillator is a low phase-noise, temperature-compensated, fixed-frequency crystal oscillator with a +\/- 2 PPM frequency accuracy.  This oscillator drives a 500 MHz Direct Digital Synthesis (DDS) system that generates a 3072 x WC system clock.  This high-frequency clock is divided by 6 and distributed directly to the A\/D converters using a high-speed PECL clock distribution chip.  Each of the eight converters are driven directly from a dedicated, matched-impedance transmission line.\u003cbr\u003e \u003cbr\u003e Jitter attenuation is achieved with digital filters in a custom FPGA that controls the DDS system.  All jitter-induced distortion artifacts are well below audibility under all operating conditions. Jitter-induced distortion is always at least 135 dB below the level of the music.  The jitter-performance of UltralLockDDS™ meets or exceeds the performance of Benchmark’s UltraLock™ system, but does not use asynchronous sample rate conversion (ASRC).  The elimination of the ASRC processing significantly reduces system latency and provides the most direct path from the A\/D to the digital interface.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFlexibility at the Core\u003c\/span\u003e\u003cbr\u003e Benchmark’s UltraLockDDS™ system is frequency agile. It can lock to any sample rate between 28 kHz and 200 kHz, and it can do so in a few milliseconds. Special pull-up and pull-down sample rates for film to video transfers are no problem.  Best of all, jitter is always attenuated to levels that are well below audibility. Jitter performance is identical in all modes of operation.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003ePrecise, detailed metering\u003c\/span\u003e\u003cbr\u003e The ADC16 features nine-segment meters for each channel.  These meters are single-sample accurate, so that even the shortest peaks are registered.  The meters can be set to display in 6 dB increments (48 dB range) or 1 dB increments (20 dB range).  In both cases, the meters can be put in ‘peak-hold’ mode, which will hold the highest-valued sample until the ‘peak-hold’ mode is reset.\u003c\/p\u003e","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449349828711,"sku":"16978","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_adc_16_1.jpg?v=1787088657"},{"product_id":"jcf-audio-ad8","title":"JCF Audio AD8","description":"\u003cp\u003eThe \u003cstrong\u003eJCF Audio AD8 \u003c\/strong\u003eeight-channel analog to digital converter with PEP has absolutely no active electronics in the audio path. None. Zero. A carefully crafted Cinemag input transformer retains the floating input and high common-mode rejection figures essential for the modern recording environment.\u003cbr\u003e\u003cbr\u003eThe AD8 is the first platform for new PEP technology. After carefully studying attributes of various recording media, Power Equalization Processing was created to counteract a fundamental sonic dilemma that is ubiquitous in the digital recording era. PEP accomplishes this with no measured steady-state distortion, noise or net change in frequency response whatsoever.\u003cbr\u003e\u003cbr\u003eThe AD8 returns musicality to multi-channel tracking and paves the way for the future of recorded music; just add some PEP.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCF Audio","offers":[{"title":"Default Title","offer_id":44449350910055,"sku":"16413","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jcf_audio_ad8.jpg?v=1787088661"},{"product_id":"genelec-ad9200a-single","title":"Genelec AD9200A A\/D Converter","description":"The Genelec AD9200A provides access to the benefits of Genelec’s DSP and SE™ DSP monitoring systems is made easier than ever with the AD9200A Analog to Digital converter. The Genelec AD9200A allows using the 7200 Series DSP subwoofers with analog signal sources, bringing the full potential of Genelec’s DSP monitoring systems to all applications.\u003cbr\u003e\u003cbr\u003eThe Genelec AD9200A converter outputs AES3 format with 24 bit word length and 192 kHz sample rate, providing the same consistent high quality found on our 8200 DSP products. Eight-channel balanced analog input is delivered via a 25-pin DB25 connector wired to the Tascam\/ProTools industry standard pinout. Digital output consists of four XLR connections, each carrying two channels of AES\/EBU audio. The 19\"\/1U high chassis is delivered with a separate 12V power supply.","brand":"Genelec","offers":[{"title":"Default Title","offer_id":44449355694183,"sku":"12569","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/genelec_ad9200a_1.jpg?v=1787088683"},{"product_id":"burl-audio-b2-bomber-adc-demo-deal","title":"Burl Audio B2 Bomber ADC (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBurl B2 Bomber ADC\u003c\/strong\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet.  You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside.  You will see high quality components like tubes, large transformers and high quality capacitors.  Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface.  Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone.  For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings.  We try using tube mic pres and great compressors, but there is still something missing.  There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process.  By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings.  And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design.  With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.  The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for.  And don’t be afraid to run the B2 Bomber hot, it only sounds better.  Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361657959,"sku":"16602","price":2259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-ad-25_10459_1_1.jpg?v=1787088709"},{"product_id":"lavry-4496-5-4-channel-a-d-demo-deal","title":"Lavry (4496-5) 4 Channel A\/D (Demo Deal)","description":"The \"LavryBlue\" Conversion System offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from 2 channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. This unit is configured with four (4) AD converters. \u003cp\u003e A\/D cards allow the selection of various word lengths, Analog or Digital soft saturation and Acoustic Bit Correction, dither and noise shaping. Other features include LED metering, Reference meter bridge, Peak detection and front panel gain control. Conversion may use internal crystals or externally lock to Word Clock or AES signal. \u003c\/p\u003e\u003cp\u003e Internal crystal modes: \u003cbr\u003e 44.1kHz, 48kHz, 88.2kHz, 96kHz; All at +\/- 25ppm \u003cbr\u003e Narrow lock range: 44.1kHz, 48kHz, 88.2kHz, 96kHz ; All at +\/- 100ppm minimum (+\/- 150ppm typical) \u003cbr\u003e Wide lock range: Low 37kHz - 52kHz, High 74kHz - 100kHz External sync input: Word clock or AES, Requires 2-5v amplitude into 75W, termination connected externally. \u003cbr\u003e X2 switch enables generation of double sampling speeds (74kHz - 100kHz) from normal rates (37kHz -50kHz) \u003c\/p\u003e\u003cp\u003e Analog A\/D inputs and D\/A outputs may be configured for balanced or unbalanced operation. This unit operates with AC power from 90 - 264 VAC, 50\/60 Hz.\u003c\/p\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449363820647,"sku":"13941","price":2200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_4496-5_1.jpg?v=1787088718"},{"product_id":"lavry-ad122-96-mkiii-demo-deal","title":"Lavry AD122 96-MKIII (Demo Deal)","description":"The\u003cb\u003e Lavry AD122-96MKIII \u003c\/b\u003econverts analog signals to a true 24-bit digital audio data stream. Consistently used for many of today's top recordings, the AD122-96MKIII features -127dB dynamic range (unweighted), providing optimum musical results. \u003cbr\u003e\u003cbr\u003e Achieving 20 or more bits of resolution places a heavy demand on the linearity and noise of analog signals prior to the A\/D conversion. \u003cp\u003e\u003c\/p\u003e\u003cp\u003e \u003cb\u003eLinearity\u003c\/b\u003e\u003cbr\u003e Linearity problems (typically associated with larger signals) should be avoided to prevent overall signal distortions. Proper circuit design places non linear devices inside a negative feedback path, thus allowing the transfer function to depend on a few linear component (such as resistor ratio). Closer examination reveals that the effectiveness of negative feedback is limited by the open loop gain of the amplifier (the available gain prior to the feedback action). Constructing a 10dB gain stage out of, say, a 50dB open loop amplifier provides 40dB of feedback; thus circuit nonlinearities are corrected for by a factor of 100. A 1% nonlinearity reduces to a .01% level. The same stage, when set to a gain of 20dB, yields only 50-20=30dB of \"linearizing power\"; thus the same 1% circuit nonlinearity is corrected to 1\/31.6 = .03%. The \"obvious\" solution of increasing circuit open loop gain is riddled with problems ranging from impulse response settling time to loss of bandwidth. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eNoise\u003c\/b\u003e\u003cbr\u003e The quantization (A\/D conversion) of analog noise causes loss of fine signal detail. The quantized noise introduces time varying signal dependent distortions. Such sample by sample deviation can not be compared to the seemingly \"constant\" analog background noise. The interaction between the noise and the quantization process effects the sonic detail at much higher amplitude than the noise level itself. The source material may have its own noise level, but the A\/D manufacturer is in no position to decide which part of the material is signal and which part is noise. (Is it undesirable noise or is it the intentional recording of the wind blowing through the trees?) Thus, any signal must be reproduced accurately. All we can do, and all we should do amounts to avoiding additional A\/D noise. A\/D noise consists of two parts: analog noise (prior to quantization), and quantization noise. The quantization noise level is \"fixed\" by the converter itself. Model AD122-96 MKIII quantization noise relative full scale is about 122dBFS. Keeping complete system noise level at 122dBFS requires careful treatment of the analog path. Each circuit component (especially resistors and semiconductors) generates its own noise. The complex electron motion within the various materials adds up to a cumulative noise. Intentional amplification of signals yields undesirable amplification of noise. Once again, each dB of added gain takes away a dB from the available dynamic range. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eAD122-96 MKIII Input Range\u003c\/b\u003e\u003cbr\u003e You may suspect by now that our aim is to provide you with an A\/D converter and leave the problem of providing a \"hot\" signal at the hands of microphone and mic- preamplifier manufacturers. Like many A\/D's, Model AD122-96 MKIII provides limited gain (0-11.5dB).\u003c\/p\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449363853415,"sku":"15740","price":6900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-ad122-96-mkiii_4690_1_1.jpg?v=1787088718"},{"product_id":"mytek-digital-stereo96-series-adc-demo-deal","title":"Mytek Digital Stereo96 Series - ADC (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eMytek Stereo96\u003c\/span\u003e series consists of two 1\/3 rack units- the Stereo96 ADC and the Stereo 96 DAC. They are also a part of extended family of 1\/3 rack units which also includes 192kHz capable converters, SRC and Studio Clock. Stereo96 converters can be used as stand-alone devices for variety of studio applications such as mastering, recording and playback, whenever the highest quality conversion is required.\u003cbr\u003e\u003cbr\u003eUsers choose Mytek 8X96 converters primarily for their outstanding sound quality. The sound of Mytek converters can be described as \"transparent\". We design our converters to be as faithful to the signal as possible, rather than follow philosophy of some other manufacturers who offer \"analog\" or \"tube\" sounding converters. Mytek converters are closest to a straight wire, which is especially evident when used at full 24\/96 resolution. Sonically they are equal or better than the most expensive mastering converters. Even when used in 16 bit mode, the Stereo96 converters produce 20dB (10 times) less distortion than typical converters found in budget recording equipment. On Mytek website you can find and download various sound samples to evaluate Stereo96 series sound quality and compare it to the sound of other high end converter units. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eMytek Stereo96 ADC features include:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e44.1, 48, 88.2 and 96kHz internal sampling frequencies \u003c\/li\u003e\n\u003cli\u003eExt. wordclock sync 25-100kHz or 256x Superclock(tm) \u003c\/li\u003e\n\u003cli\u003e120dB Dynamic Range \u003c\/li\u003e\n\u003cli\u003e24 bit resolution \u003c\/li\u003e\n\u003cli\u003eHigh performance SuperShaper-HR™ psychoacoustic noise-shaping algorithm for 16 bit output \u003c\/li\u003e\n\u003cli\u003eSwitchable precision 10 turn-trimpots or input gain knob \u003c\/li\u003e\n\u003cli\u003eWordclock output can be used as a hi-end house clock. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449364836455,"sku":"14120","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_stereo_96_adc_1_1.jpg?v=1787088722"},{"product_id":"lavry-black-ad-11","title":"Lavry Black AD-11","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLavry Black AD11\u003c\/span\u003e stereo A to D converter offers USB connectivity, ideal for portable recording systems. Other features include built-in microphone preamplifiers with phantom power, large wide-range LED meters, and Lavry’s exclusive Digital Tape Saturation Emulation (“Soft Saturation”). All settings are controllable from the AD11’s front panel using a system similar to that of the companion D to A converter- the DA11. \u003cbr\u003e\u003cbr\u003eBuilding on Lavry’s long established reputation of making the most accurate AD converters available, the AD11’s no-compromise design offers substantial value at an affordable price. With converter and microphone preamplifier performance that exceeds other manufacturer’s stand-alone units, the AD11 combines musicality with functionality. The USB output is available in parallel with both XLR and RCA AES\/SPDIF digital audio outputs, so more than one recording or monitoring device can be fed directly from the AD converter. The MicPre function and phantom power are selectable on each channel, as well as the Soft Saturation and +4\/-10 level functions.\u003cbr\u003e\u003cbr\u003eLike the previous LavryBlack model AD10, the AD11 has “XLR-TRS combo jacks” for the analog inputs. When a balanced or unbalanced ¼” plug is inserted, 12 dB’s of fixed gain is automatically added to the front panel adjustable gain, to boost “-10” consumer level signals to “+4” professional level. Front panel line level input gain adjustment is available for each channel in 12 precise one dB steps. Additional gain in the range of 20 to 65 dB’s is provided for balanced low-impedance sources (typically microphone).\u003cbr\u003e\u003cbr\u003eThis makes it possible to record the “direct” signal from a guitar effects unit or keyboard at the same time as a vocal mic, with no more than the AD11 and a laptop! In addition to “dual monaural” recording; extremely precise matching between channels makes the AD11 equally well suited to high quality stereo Mastering applications or “true” stereo recording. Whether it’s home, on location, or professional studio- the AD11 is the right tool for the job!\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecording at 44.1, 48, 88.2 or 96 kHz with 24 bit wordlength\u003c\/li\u003e\n\u003cli\u003eSuper-stable internal clock\u003c\/li\u003e\n\u003cli\u003eExternal clocking via word clock or AES sync\u003c\/li\u003e\n\u003cli\u003eBNC Word Clock output for synchronizing other gear to the AD11\u003c\/li\u003e\n\u003cli\u003eDigital output format selectable between AES\/EBU and IEC (SPDIF)\u003c\/li\u003e\n\u003cli\u003ePeak hold selectable on large wide range LED meters\u003c\/li\u003e\n\u003cli\u003eSoft Saturation for peak level control without time constants (allows signal to be compressed or limited without undesirable interaction due to different attack and release times)\u003c\/li\u003e\n\u003cli\u003eOptional rack mount kit (can be used to mount any combination of two Lavry Black units) \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449382432871,"sku":"17125","price":1680.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_black_ad-11_c355166f-d077-4229-8397-2539c87b3aa8.jpg?v=1787088792"},{"product_id":"black-lion-audio-sparrow-adc-mkii-black","title":"Black Lion Audio Sparrow ADC MKII - Black","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBlack Lion Audio Sparrow MKII - Black\u003c\/span\u003e (black faceplate) represents a portion of research into delta sigma conversion and clocking architecture.  Instead of using one converter for stereo conversion, it employs two converters in a parallel-balanced circuit to drastically boost converter dynamic range.  Add to this its unique approach to converter configuration, the 220\/270SP master clock with wide Q third harmonic crystal oscillators, advanced PLL recovery, and a low noise analog path, and all of these elements together will yield the richest, clearest and fattest sounding A\/D converter. \u003c\/p\u003e\n\u003cp\u003eBlack Lion's Sparrow mk2 is housed in a 1u 1\/2 rack chassis, featuring XLR and ¼\" balanced inputs, LED metering, BNC word clock I\/O, AES output, coax \u0026amp; optical S\/PDIF output, and user selectable signal calibration accommodating nominal input signal levels from +11dBu down to -10dBV.  It features sampling rates from 44.1kHz -192kHz, with a clocking architecture that features low jitter and wide Q third harmonic crystal oscillators, and because of the quality of the clock multiplier and PLL recovery stages, performance will not degrade should the converter be synched to a lower quality word clock reference.\u003cbr\u003e\u003cbr\u003eThe A\/D conversion process is a tricky beast to tame. Because conversion requires so much current movement, there are plenty of places for unwanted noise to be created, both within the signal chain and in the power supply. This unwanted noise manifests itself within the audio signal as a grainy distortion, and often resides in the upper frequencies.\u003c\/p\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e Dynamic range: 120dB Black and Red Sparrow Unweighted. 122dB for the White Sparrow Unweighted. (124dB A-Weighted)\u003c\/li\u003e\n\u003cli\u003e Max analog input before digital clipping: \u0026gt;+24dBu\u003c\/li\u003e\n\u003cli\u003e Inputs: balanced analog = TRS and XLR Clock = 75 Ohm BNC\u003c\/li\u003e\n\u003cli\u003e Outputs: SPDIF = coaxial (75 Ohm) and optical, AES-EBU (110 Ohm) word clock = 75 Ohm BNC word clock lock = indicator LED\u003c\/li\u003e\n\u003cli\u003e Sampling rates: 44.1kHz - 192kHz\u003c\/li\u003e\n\u003cli\u003e Bit rate: 24 bit\u003c\/li\u003e\n\u003cli\u003e Latency: ≤ 65\/Fs\u003c\/li\u003e\n\u003cli\u003e Digital audio output level indicator: bi-color LED (green\/amber\/red)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWord on the Street\u003c\/h3\u003e\n\u003cp\u003e\"\u003cspan\u003eIf you’re looking for bang-for-the-buck in your conversion, then Black Lion Audio’s White Sparrow delivers outstanding quality for about half the price of their competitors. Highly recommended!\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFutureMusic.com\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449387053159,"sku":"18088","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/black_lion_sparrow_black_1.jpg?v=1787088810"},{"product_id":"black-lion-audio-sparrow-adc-mkii-red","title":"Black Lion Audio Sparrow ADC MKII - Red","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBlack Lion Audio Sparrow MKII Red\u003c\/span\u003e (red faceplate) represents a portion of research into delta sigma conversion and clocking architecture.  Instead of using one converter for stereo conversion, it employs two converters in a parallel-balanced circuit to drastically boost converter dynamic range.  Add to this its unique approach to converter configuration, the 220\/270SP master clock with wide Q third harmonic crystal oscillators, advanced PLL recovery, and a low noise analog path, and all of these elements together will yield the richest, clearest and fattest sounding A\/D converter. \u003c\/p\u003e\n\u003cp\u003eBlack Lion's Sparrow mk2 is housed in a 1u 1\/2 rack chassis, featuring XLR and ¼\" balanced inputs, LED metering, BNC word clock I\/O, AES output, coax \u0026amp; optical S\/PDIF output, and user selectable signal calibration accommodating nominal input signal levels from +11dBu down to -10dBV.  It features sampling rates from 44.1kHz -192kHz, with a clocking architecture that features low jitter and wide Q third harmonic crystal oscillators, and because of the quality of the clock multiplier and PLL recovery stages, performance will not degrade should the converter be synched to a lower quality word clock reference.\u003cbr\u003e\u003cbr\u003eThe A\/D conversion process is a tricky beast to tame. Because conversion requires so much current movement, there are plenty of places for unwanted noise to be created, both within the signal chain and in the power supply. This unwanted noise manifests itself within the audio signal as a grainy distortion, and often resides in the upper frequencies.\u003c\/p\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e Dynamic range: 120dB Black and Red Sparrow Unweighted. 122dB for the White Sparrow Unweighted. (124dB A-Weighted)\u003c\/li\u003e\n\u003cli\u003e Max analog input before digital clipping: \u0026gt;+24dBu\u003c\/li\u003e\n\u003cli\u003e Inputs: balanced analog = TRS and XLR Clock = 75 Ohm BNC\u003c\/li\u003e\n\u003cli\u003e Outputs: SPDIF = coaxial (75 Ohm) and optical, AES-EBU (110 Ohm) word clock = 75 Ohm BNC word clock lock = indicator LED\u003c\/li\u003e\n\u003cli\u003e Sampling rates: 44.1kHz - 192kHz\u003c\/li\u003e\n\u003cli\u003e Bit rate: 24 bit\u003c\/li\u003e\n\u003cli\u003e Latency: ≤ 65\/Fs\u003c\/li\u003e\n\u003cli\u003e Digital audio output level indicator: bi-color LED (green\/amber\/red)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWord on the Street\u003c\/h3\u003e\n\u003cp\u003e\"\u003cspan\u003eIf you’re looking for bang-for-the-buck in your conversion, then Black Lion Audio’s White Sparrow delivers outstanding quality for about half the price of their competitors. Highly recommended!\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFutureMusic.com\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449387118695,"sku":"18089","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/black_lion_sparrow_adc_mkii_red.jpg?v=1787088810"},{"product_id":"black-lion-audio-sparrow-adc-mkii-white","title":"Black Lion Audio Sparrow ADC MKII - White","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBlack Lion Audio Sparrow mkII - White\u003c\/span\u003e (white faceplate) represents a portion of research into delta sigma conversion and clocking architecture.  Instead of using one converter for stereo conversion, it employs two converters in a parallel-balanced circuit to drastically boost converter dynamic range.  Add to this its unique approach to converter configuration, the 220\/270SP master clock with wide Q third harmonic crystal oscillators, advanced PLL recovery, and a low noise analog path, and all of these elements together will yield the richest, clearest and fattest sounding A\/D converter. \u003c\/p\u003e\r\n\u003cp\u003eBlack Lion's Sparrow mk2 is housed in a 1u 1\/2 rack chassis, featuring XLR and ¼\" balanced inputs, LED metering, BNC word clock I\/O, AES output, coax \u0026amp; optical S\/PDIF output, and user selectable signal calibration accommodating nominal input signal levels from +11dBu down to -10dBV.  It features sampling rates from 44.1kHz -192kHz, with a clocking architecture that features low jitter and wide Q third harmonic crystal oscillators, and because of the quality of the clock multiplier and PLL recovery stages, performance will not degrade should the converter be synched to a lower quality word clock reference.\u003cbr\u003e\u003cbr\u003eThe A\/D conversion process is a tricky beast to tame. Because conversion requires so much current movement, there are plenty of places for unwanted noise to be created, both within the signal chain and in the power supply. This unwanted noise manifests itself within the audio signal as a grainy distortion, and often resides in the upper frequencies.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e Dynamic range: 120dB Black and Red Sparrow Unweighted. 122dB for the White Sparrow Unweighted. (124dB A-Weighted)\u003c\/li\u003e\r\n\u003cli\u003e Max analog input before digital clipping: \u0026gt;+24dBu\u003c\/li\u003e\r\n\u003cli\u003e Inputs: balanced analog = TRS and XLR Clock = 75 Ohm BNC\u003c\/li\u003e\r\n\u003cli\u003e Outputs: SPDIF = coaxial (75 Ohm) and optical, AES-EBU (110 Ohm) word clock = 75 Ohm BNC word clock lock = indicator LED\u003c\/li\u003e\r\n\u003cli\u003e Sampling rates: 44.1kHz - 192kHz\u003c\/li\u003e\r\n\u003cli\u003e Bit rate: 24 bit\u003c\/li\u003e\r\n\u003cli\u003e Latency: ≤ 65\/Fs\u003c\/li\u003e\r\n\u003cli\u003e Digital audio output level indicator: bi-color LED (green\/amber\/red)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWord on the Street\u003c\/h3\u003e\r\n\u003cp\u003e\"\u003cspan\u003eIf you’re looking for bang-for-the-buck in your conversion, then Black Lion Audio’s White Sparrow delivers outstanding quality for about half the price of their competitors. Highly recommended!\"\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFutureMusic.com\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449387151463,"sku":"18090","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/black_lion_sparrow_adc_mkii_white.jpg?v=1787088811"},{"product_id":"weiss-adc2-fw-demo-deal","title":"Weiss ADC2-FW (Demo Deal)","description":"The \u003cb\u003eWeiss ADC2\u003c\/b\u003e is the successor of the renowned two channel ADC1-MK2 A\/D Converter. \u003cbr\u003e\u003cbr\u003e The ADC2 uses state of the art A\/D chips in our proven “correlation technique” configuration, which lowers converter imperfections. \u003cbr\u003e\u003cbr\u003e The analog input stages are kept balanced from the input connectors throughout to the converter chips. A high quality microphone preamplifier is built in as a standard feature. \u003cbr\u003e\u003cbr\u003e Supported sampling frequencies are 44.1, 48, 88.2, 96, 176.4 and 192 kHz. \u003cbr\u003e\u003cbr\u003e Output formats are AES\/EBU in one or two wire technique, S\/PDIF as well as Firewire for a direct connection to computers. \u003cbr\u003e\u003cbr\u003e Synchronization can be internal or external through AES\/EBU or BNC (Wordclock). \u003cbr\u003e\u003cbr\u003e The built in digital peak limiter allows for setting a generous headroom on the analog inputs and still get a full scale signal at the converter’s output. \u003cbr\u003e\u003cbr\u003e A large bar graph shows the level to the A\/D input, the output level and the gain reduction in the aforementioned Limiter. \u003cbr\u003e\u003cbr\u003e The output word-length can be reduced from 24 to 16 bits with the built in POW-R dithering. It is even possible to have one output running at 24 bits and another one at 16 bits. This feature comes handy when a safety copy to e.g. a DAT has to be made. \u003cbr\u003e\u003cbr\u003e The analog input sensitivity can be set in 6dB steps via a relais controlled attenuator. An additional gain control is implemented in the DSP chip in the digital domain. \u003cbr\u003e\u003cbr\u003e Both channel 1 and channel 2 are fully independent, except for the sampling rate and for the dither settings. \u003cbr\u003e\u003cbr\u003e The AES\/EBU sync input can be used as a digital audio input. This allows to limit and \/ or dither digital audio signals. The peak hold feature can be used to monitor a transfer and check for overloads which may have occurred.","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449472479335,"sku":"9163","price":7695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_adc2_1_1_1_bf88a586-aa2b-495e-b4a0-921c61573f5b.jpg?v=1787089085"},{"product_id":"lavry-black-ad-11-demo-deal","title":"Lavry Black AD-11 (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLavry Black AD11\u003c\/span\u003e stereo A to D converter offers USB connectivity, ideal for portable recording systems. Other features include built-in microphone preamplifiers with phantom power, large wide-range LED meters, and Lavry’s exclusive Digital Tape Saturation Emulation (“Soft Saturation”). All settings are controllable from the AD11’s front panel using a system similar to that of the companion D to A converter- the DA11. \u003cbr\u003e\u003cbr\u003eBuilding on Lavry’s long established reputation of making the most accurate AD converters available, the AD11’s no-compromise design offers substantial value at an affordable price. With converter and microphone preamplifier performance that exceeds other manufacturer’s stand-alone units, the AD11 combines musicality with functionality. The USB output is available in parallel with both XLR and RCA AES\/SPDIF digital audio outputs, so more than one recording or monitoring device can be fed directly from the AD converter. The MicPre function and phantom power are selectable on each channel, as well as the Soft Saturation and +4\/-10 level functions.\u003cbr\u003e\u003cbr\u003eLike the previous LavryBlack model AD10, the AD11 has “XLR-TRS combo jacks” for the analog inputs. When a balanced or unbalanced ¼” plug is inserted, 12 dB’s of fixed gain is automatically added to the front panel adjustable gain, to boost “-10” consumer level signals to “+4” professional level. Front panel line level input gain adjustment is available for each channel in 12 precise one dB steps. Additional gain in the range of 20 to 65 dB’s is provided for balanced low-impedance sources (typically microphone).\u003cbr\u003e\u003cbr\u003eThis makes it possible to record the “direct” signal from a guitar effects unit or keyboard at the same time as a vocal mic, with no more than the AD11 and a laptop! In addition to “dual monaural” recording; extremely precise matching between channels makes the AD11 equally well suited to high quality stereo Mastering applications or “true” stereo recording. Whether it’s home, on location, or professional studio- the AD11 is the right tool for the job!\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecording at 44.1, 48, 88.2 or 96 kHz with 24 bit wordlength\u003c\/li\u003e\n\u003cli\u003eSuper-stable internal clock\u003c\/li\u003e\n\u003cli\u003eExternal clocking via word clock or AES sync\u003c\/li\u003e\n\u003cli\u003eBNC Word Clock output for synchronizing other gear to the AD11\u003c\/li\u003e\n\u003cli\u003eDigital output format selectable between AES\/EBU and IEC (SPDIF)\u003c\/li\u003e\n\u003cli\u003ePeak hold selectable on large wide range LED meters\u003c\/li\u003e\n\u003cli\u003eSoft Saturation for peak level control without time constants (allows signal to be compressed or limited without undesirable interaction due to different attack and release times)\u003c\/li\u003e\n\u003cli\u003eOptional rack mount kit (can be used to mount any combination of two Lavry Black units) \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449472610407,"sku":"17775","price":1450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_black_ad-11_1_21d28bd4-9e8e-418a-a2f5-6b8909ee19a2.jpg?v=1787089086"},{"product_id":"apogee-psx-100-used","title":"Apogee PSX-100 (Used)","description":"2 channel A\/D converter. The PSX 100 offers 24-bit resolution at 88.2 and 96kHz sampling rates in addition to 44.1 and 48 kHz. \u003cbr\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449474904167,"sku":"8482","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_8482_1_499b0811-f50f-4357-b956-8c151aa118bf.jpg?v=1787089096"},{"product_id":"black-lion-audio-sparrow-adc-mkii-red-demo-deal","title":"Black Lion Audio Sparrow ADC MKII - Red (Demo Deal)","description":"\u003cdiv\u003e\n\u003cp\u003eThe \u003cstrong\u003eBlack Lion Audio Sparrow mk2 Red\u003c\/strong\u003e (red faceplate) represents a portion of research into delta sigma conversion and clocking architecture.  Instead of using one converter for stereo conversion, it employs two converters in a parallel-balanced circuit to drastically boost converter dynamic range.  Add to this its unique approach to converter configuration, the 220\/270SP master clock with wide Q third harmonic crystal oscillators, advanced PLL recovery, and a low noise analog path, and all of these elements together will yield the richest, clearest and fattest sounding A\/D converter. \u003c\/p\u003e\n\u003cp\u003eBlack Lion's Sparrow mk2 is housed in a 1u 1\/2 rack chassis, featuring XLR and ¼\" balanced inputs, LED metering, BNC word clock I\/O, AES output, coax \u0026amp; optical S\/PDIF output, and user selectable signal calibration accommodating nominal input signal levels from +11dBu down to -10dBV.  It features sampling rates from 44.1kHz -192kHz, with a clocking architecture that features low jitter and wide Q third harmonic crystal oscillators, and because of the quality of the clock multiplier and PLL recovery stages, performance will not degrade should the converter be synched to a lower quality word clock reference.\u003cbr\u003e\u003cbr\u003eThe A\/D conversion process is a tricky beast to tame. Because conversion requires so much current movement, there are plenty of places for unwanted noise to be created, both within the signal chain and in the power supply. This unwanted noise manifests itself within the audio signal as a grainy distortion, and often resides in the upper frequencies.\u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range: 120dB Black and Red Sparrow Unweighted. 122dB for the White Sparrow Unweighted. (124dB A-Weighted)\u003c\/li\u003e\n\u003cli\u003eMax analog input before digital clipping: \u0026gt;+24dBu\u003c\/li\u003e\n\u003cli\u003eInputs: balanced analog = TRS and XLR Clock = 75 Ohm BNC\u003c\/li\u003e\n\u003cli\u003eOutputs: SPDIF = coaxial (75 Ohm) and optical, AES-EBU (110 Ohm) word clock = 75 Ohm BNC word clock lock = indicator LED\u003c\/li\u003e\n\u003cli\u003eSampling rates: 44.1kHz - 192kHz\u003c\/li\u003e\n\u003cli\u003eBit rate: 24 bit\u003c\/li\u003e\n\u003cli\u003eLatency: ≤ 65\/Fs\u003c\/li\u003e\n\u003cli\u003eDigital audio output level indicator: bi-color LED (green\/amber\/red)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449484144743,"sku":"30036","price":1175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/black_lion_sparrow_adc_mkii_red_2_f2ca57df-2eef-4149-a4e7-0b5c645bf091.jpg?v=1787089135"},{"product_id":"apogee-rosetta-200-used","title":"Apogee Rosetta 200 (Used)","description":"\u003cp\u003eConnect the Rosetta Series  or Rosetta 800 directly to your Symphony System, Pro Tools HD, or to any  Native DAW via the X-Symphony, X-HD or X-FireWire card\u003cbr\u003e\u003cbr\u003eThe  Rosetta Series gives you two channels or eight channels of superior  AD\/DA conversion at sample rates of up to 192k, Apogee's \"SoftLimit\",  \"UV22HR\", and our advanced \"Intelliclock\". The result is a premium  digital recording solution that is built for the professional recording  facility yet economical enough for the project studio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFEATURES :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 channels of premium 24-bit AD\/DA conversion\u003c\/li\u003e\n\u003cli\u003e Sample rates up to 192kHz with Apogee's \"Intelliclock\"\u003c\/li\u003e\n\u003cli\u003e 2 channels of AES, S\/PDIF (coax \u0026amp; optical), and ADAT\/SMUX I\/O\u003c\/li\u003e\n\u003cli\u003e MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e Optional FireWire expansion card for compatibility with OS X, and Windows XP (X-FireWire card)\u003c\/li\u003e\n\u003cli\u003e Optional expansion card for direct connection to Pro Tools HD \u0026amp; Mix systems (X-HD card, X-Digi-Mix card)\u003c\/li\u003e\n\u003cli\u003e \"Soft Limit\" for maximum digital level without overs\u003c\/li\u003e\n\u003cli\u003e “CODA”: The “Aptomizer” Level Normalizer, Sample Rate Conversion (SRC),  and Apogee’s “UV22HR” for superior dither to 16-bit\u003c\/li\u003e\n\u003cli\u003e Full channel metering\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eINPUTS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog In 1-2: Balanced, XLR connectors\u003c\/li\u003e\n\u003cli\u003e AES in: x 2, transformer balanced, XLR connectors\u003c\/li\u003e\n\u003cli\u003e S\/ PDIF In: Toslink and Coax\u003c\/li\u003e\n\u003cli\u003e ADAT\/SMUX In: Toslink\u003c\/li\u003e\n\u003cli\u003e WC In: BNC 75 ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOUTPUTS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog Out 1-2: Balanced, XLR connector.\u003c\/li\u003e\n\u003cli\u003e AES Out: x 2, transformer balanced, XLR connector\u003c\/li\u003e\n\u003cli\u003e S\/ PDIF Out: Toslink and Coax\u003c\/li\u003e\n\u003cli\u003e ADAT\/SMUX Out: Toslink\u003c\/li\u003e\n\u003cli\u003e WC Out: BNC 75 ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSPECS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSample rates: 44.1 - 48k, 88.2 - 96k, 176.4 - 192k (+\/-10%);\u003c\/li\u003e\n\u003cli\u003e Frequency response: 10 - 20k (+\/- 0.2 dB) at 44.1k\u003c\/li\u003e\n\u003cli\u003e Analog max levels are adjustable between +2 dBu and +26 dBu\u003c\/li\u003e\n\u003cli\u003e Dynamic range: 114 dB A weighted (AD + DA)\u003c\/li\u003e\n\u003cli\u003e THD+N: -105 dB (AD), -103 dB (DA)\u003c\/li\u003e\n\u003cli\u003e Power: 90-250 VAC, 50-60Hz, 45Watt\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449492893799,"sku":"9449","price":950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_9449_1_fac54569-1c7b-44b9-be9a-8457af5c6d42.jpg?v=1787089182"},{"product_id":"mytek-digital-stereo96-series-adc-used","title":"Mytek Digital Stereo96 Series - ADC (Used)","description":"The \u003cspan style=\"font-weight: bold; \"\u003eMytek Stereo96\u003c\/span\u003e series  consists of two 1\/3 rack units- the Stereo96 ADC and the Stereo 96 DAC.  They are also a part of extended family of 1\/3 rack units which also  includes 192kHz capable converters, SRC and Studio Clock. Stereo96  converters can be used as stand-alone devices for variety of studio  applications such as mastering, recording and playback, whenever the  highest quality conversion is required.\u003cbr\u003e\u003cbr\u003eUsers choose Mytek 8X96  converters primarily for their outstanding sound quality. The sound of  Mytek converters can be described as \"transparent\". We design our  converters to be as faithful to the signal as possible, rather than  follow philosophy of some other manufacturers who offer \"analog\" or  \"tube\" sounding converters. Mytek converters are closest to a straight  wire, which is especially evident when used at full 24\/96 resolution.  Sonically they are equal or better than the most expensive mastering  converters. Even when used in 16 bit mode, the Stereo96 converters  produce 20dB (10 times) less distortion than typical converters found in  budget recording equipment. On Mytek website you can find and download  various sound samples to evaluate Stereo96 series sound quality and  compare it to the sound of other high end converter units.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold; \"\u003eStereo96 DAC\u003c\/span\u003e\u003cbr\u003eStereo96  DAC is a two channel hi-end Digital to Analog  converter for recording  and mastering applications. The main feature of this converter is its  outstanding sound quality which makes it suitable for the most demanding  projects when preserving the original signal quality is a required.","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449498824807,"sku":"21419","price":535.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_21419_1_9e7126e5-5bc0-42e4-b66a-fd3712ba6ab6.jpg?v=1787089214"},{"product_id":"lavry-blue-4496-4-2-ch-a-d-used","title":"Lavry Blue 4496-4 2-Ch. A\/D (Used)","description":"The \"LavryBlue\" Conversion System offers affordable high-end conversion   and features. The LavryBlue system is suited for applications ranging   from 2 channel recording and mastering to multitrack workstations, and   surround sound applications. Versatile and flexible, the LavryBlue is   field expandable as more tracks or capabilities are desired. This   versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling   frequencies. This unit is configured with two (2) AD converters.\u003cbr\u003e\u003cbr\u003eA\/D   cards allow the selection of various word lengths, Analog or Digital   soft saturation and Acoustic Bit Correction, dither and noise shaping.   Other features include LED metering, Reference meter bridge, Peak   detection and front panel gain control. Conversion may use internal   crystals or externally lock to Word Clock or AES signal.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eInternal crystal modes: \u003cbr\u003e44.1kHz, 48kHz, 88.2kHz, 96kHz; All at +\/- 25ppm\u003cbr\u003e  \u003cbr\u003eNarrow lock range: 44.1kHz, 48kHz, 88.2kHz, 96kHz ; All at +\/- 100ppm minimum (+\/- 150ppm typical) \u003cbr\u003e\u003cp\u003eWide lock range: Low 37kHz - 52kHz, High 74kHz - 100kHz \u003cbr\u003e\u003c\/p\u003eExternal sync input: Word clock or AES, requires 2-5v amplitude into 75W, termination connected externally. \u003cbr\u003e\u003cbr\u003eX2 switch enables generation of double sampling speeds (74kHz - 100kHz) from normal rates (37kHz -50kHz)\u003cbr\u003e\u003cbr\u003eAnalog   A\/D inputs and D\/A outputs may be configured for balanced or  unbalanced  operation. This unit operates with AC power from 90 - 264  VAC, 50\/60  Hz.","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449499054183,"sku":"30398","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_lavry_blue_4496-4_2-ch_ad_cat_8f011192-0546-4f8e-957f-a5e2ebd19ffe.jpg?v=1787089215"},{"product_id":"black-lion-audio-sparrow-adc-mkii-white-used","title":"Black Lion Audio Sparrow DAC - White (Used)","description":"Black Lion Audio proudly offers the Sparrow DAC. Designed around the 32 bit capable ESS9012 chip, the Sparrow D\/A features wide dynamic range and detailed, musical conversion that's as functional in the project studio as it is in the mastering facility.\n\nThe Sparrow D\/A features user selectable AES, coax SPDIF, and optical SPDIF for input connectivity. Output connections include both balanced XLR for pro studio, consumer level RCA for home stereo, and a high current Walt Jung-inspired headphone output. Two mute buttons allow for independent control of line or headphone signals. Front panel volume control governs headphone outputs, and line output level is fixed.\n\nThe Sparrow D\/A converter is available in two platforms: red and white. The red model offers similar performance to our FM192 converter's D\/A. The white Sparrow D\/A features our most advanced clocking architecture, and is designed to be the counterpart to our white Sparrow mk2 A\/D converter.","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449499709543,"sku":"29399","price":1295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_29399_1_875b2639-f88b-4fac-a01d-cad2b124ebc3.jpg?v=1787089218"},{"product_id":"apogee-ad-16x-w-hd-card-0723-used","title":"Apogee AD-16X w\/HD Card #0723 (Used)","description":"The AD-16X and the DA-16X, Apogee’s latest and most advanced conversion systems, take the legendary quality of Apogee a huge step forward. Features such as a redesigned power supply, standard 192kHz sampling rates, the C777 clocking technology found in Big Ben, and optional Pro Tools HD and FireWire expansion cards, make the AD \u0026amp; DA-16X the most powerful and flexible conversion combination ever.","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449500266599,"sku":"26100","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_apogee_ad-16x_with_hd_card_0723_front_d1c32777-be2c-49cc-8dea-226312c06b4d.jpg?v=1787089219"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-interfaces-and-digital-converters-analog-to-digital-converters.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}