{"title":"Digital to Analog Converters","description":null,"products":[{"product_id":"prism-dream-da-2","title":"Prism Dream DA-2","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePrism Sound Dream DA-2\u003c\/span\u003e is the definitive music D\/A converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The DA-2 conversion system provides an audio stream of such exceptional quality that will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. \u003cp\u003e\u003cb\u003ePerformance\u003c\/b\u003e\u003cbr\u003eThe Prism Sound DA-2, 96kHz, 24-bit D\/A converter provides ultimate-quality monitoring of digital audio signals. Its exceptional linearity and rock-steady clock generation and recovery ensure the highest conversion precision available for recording and mastering applications. \u003c\/p\u003e\u003cp\u003eThe DA-2 combines truly state-of-the-art audio performance with the advanced features needed by the professional to provide the most revealing, most transparent and most flexible digital to analog conversion unit available. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMusicality\u003c\/b\u003e\u003cbr\u003eOf particular importance is the ability of the DA-2 to avoid the unpleasant effects of jitter: The exceptionally stable PLL has high jitter-attenuation, and the DA-2's digital outputs can provide a de-jittered digital feed-through for reliable digital transfers. The DA-2 also has a unique 'master clock' mode in which the effects of incoming clock jitter are eliminated completely. \u003c\/p\u003e\u003cp\u003eThe DA-2 will interface easily with other digital audio equipment; it features both high-speed and two-wire interfacing options at input and output for 88.2kHz and 96kHz rates. \u003c\/p\u003e\u003cp\u003eThe DA-2 analogue output offers simplicity and high performance with its fully-floating, electronically balanced format with precision attenuators offering an operating range that covers both professional and consumer voltage levels. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eCompatible with all wordlengths from 16 to 24 bits\u003c\/b\u003e\u003cbr\u003eThe DA-2 is fully compatible with recordings made at any wordlength up to 24-bits, with or without noise shaping. No adjustment is needed for sources driving only 16 bits on the interface. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMonitor the new high-rate (e.g. 96kHz) digital interface formats\u003c\/b\u003e\u003cbr\u003eThe DA-2 provides support for both two-wire and double-speed AES variants now in use for higher-rate recording projects (typically 96kHz 24-bit). \u003c\/p\u003e\u003cp\u003e\u003cb\u003eUse the DA-2 as the basis of a studio monitoring system\u003c\/b\u003e\u003cbr\u003eThe 7-way input selector and feed-through output (for example: driving a digital PPM) of the DA-2 can be used as the heart of your digital audio monitoring system. \u003c\/p\u003e\u003cp\u003eEasy transfer between tape and disk The DA-2 can act as a format converter and jitter attenuator using its array of input formats and its digital outputs. For example, it can convert between AES3 and SDIF-2 or from TOSLINK optical to AES3. It can also convert from double speed AES (typically 96kHz) to the two-wire interface format. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eUse the DA-2 as your studio clock reference\u003cbr\u003e\u003c\/b\u003eThe DA-2 can operate in Master Clock mode where the D\/A converter timing is generated internally from a precision reference, by-passing the synchronizing PLL system altogether. If your external equipment supports it, you can use the DA-2 in this mode for the ultimate in D\/A conversion quality.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449257029735,"sku":"216","price":10845.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_da2_1.jpg?v=1787088341"},{"product_id":"benchmark-dac1-black-rackmount","title":"Benchmark DAC1 Black Rackmount","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBenchmark DAC1\u003c\/span\u003e is a reference-quality, two-channel 96 kHz 24-bit audio digital-to-analog converter featuring Benchmark’s UltraLock™ technology. The DAC1 is designed for maximum transparency and is well suited for critical playback in studio control rooms and in mastering rooms. A compact and rugged enclosure makes the DAC1 an excellent choice for location recording, broadcast facilities, and mobile trucks. The internal power supply supports all international voltages and has generous margins for over and under voltage conditions. Two ¼” headphone jacks are driven with Benchmark’s new HPA2™ headphone amplifier. The HPA2™ is a high-current amplifier that is capable of driving a wide variety of headphone loads while achieving less than 0.0003% distortion under load. The gain control sets the output level of the headphone jacks. It can also be used to control the output level of the balanced XLR and unbalanced RCA analog outputs. A rear-panel switch selects Variable or Calibrated output levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel, 24-bit, 96 kHz, D-to-A conversion\u003c\/li\u003e\n\u003cli\u003ePlays 96 kHz with 52-kHz analog bandwidth\u003c\/li\u003e\n\u003cli\u003eDirect connection to powered monitors\u003c\/li\u003e\n\u003cli\u003eTotal jitter immunity via UltraLock™ technology!\u003c\/li\u003e\n\u003cli\u003e116 dB signal-to-noise ratio @ 48-kHz, A weighted\u003c\/li\u003e\n\u003cli\u003eTHD+N = -107 dB (0.00045%) measured at\u003c\/li\u003e\n\u003cli\u003e-3 dBFS, any sample rate, any test frequency\u003c\/li\u003e\n\u003cli\u003eAES, S\/PDIF, and Toslink inputs\u003c\/li\u003e\n\u003cli\u003eDigital input source-selection switch\u003c\/li\u003e\n\u003cli\u003eVariable or preset output level controls\u003c\/li\u003e\n\u003cli\u003eBalanced Low-Z XLR outputs\u003c\/li\u003e\n\u003cli\u003eUnbalanced RCA outputs\u003c\/li\u003e\n\u003cli\u003eAutomatic de-emphasis for 44.1, 48, and\u003c\/li\u003e\n\u003cli\u003e96-kHz when pre-emphasis bit is set\u003c\/li\u003e\n\u003cli\u003eHeadphone amp = 0.0003% THD into 60 Ω\u003c\/li\u003e\n\u003cli\u003eOutput-off switch position for headphone-only use\u003c\/li\u003e\n\u003cli\u003eFront panel power and error indicating LEDs\u003c\/li\u003e\n\u003cli\u003eInternal low-radiation toroidal power supply\u003c\/li\u003e\n\u003cli\u003eInternational 120 - 240 input voltage range\u003c\/li\u003e\n\u003cli\u003e1\/2 wide, 1RU high chassis\u003c\/li\u003e\n\u003cli\u003eMachined aluminum front panel\u003c\/li\u003e\n\u003cli\u003eRack mount kit available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449262731367,"sku":"1672","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_dac1_black_rackmount_1_43b459bb-408c-463c-ad03-ef985209bb32.jpg?v=1787088356"},{"product_id":"lavry-4496-8-2-channel-d-a","title":"Lavry Engineering 4496-8 2-Channel DA Converter","description":"\u003cp\u003eThe \u003cstrong\u003eLavry Engineering 4496-8\u003c\/strong\u003e offers affordable high-end conversion and features. It is suited for applications ranging from two-channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, this system is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. This unit is outfitted with two channels of DA converters.\u003c\/p\u003e\r\n\u003cp\u003eThe DA is easy to use. It automatically detects and displays the input data rate. The user can optimize for minimum jitter by setting the D\/A to CrystalLock for stereo, narrow lock for multitrack applications and wide lock for non-standard frequencies.\u003c\/p\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265680487,"sku":"4676","price":1325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-4496-8_4676_1.jpg?v=1787088368"},{"product_id":"lavry-4496-9-4-channel-d-a","title":"Lavry (4496-9) 4 Channel D\/A","description":"\u003cp\u003eThe \u003cstrong\u003e\"LavryBlue\" Conversion System\u003c\/strong\u003e offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from 2 channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. 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The user can optimize for minimum jitter by setting the D\/A to CrystalLock for stereo, narrow lock for multitrack applications and wide lock for non standard frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInternal crystal modes: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e44.1kHz, 48kHz, 88.2kHz, 96kHz; All at +\/- 25ppm \u003c\/li\u003e\r\n\u003cli\u003eNarrow lock range: 44.1kHz, 48kHz, 88.2kHz, 96kHz ; All at +\/- 100ppm minimum (+\/- 150ppm typical) \u003c\/li\u003e\r\n\u003cli\u003eWide lock range: Low 37kHz - 52kHz, High 74kHz - 100kHz -  external sync input: word clock or AES - requires 2-5v amplitude into 75W, termination connected externally\u003c\/li\u003e\r\n\u003cli\u003eX2 switch enables generation of double sampling speeds (74kHz - 100kHz) from normal rates (37kHz -50kHz)\u003c\/li\u003e\r\n\u003cli\u003eAnalog DA outputs may be configured for balanced or unbalanced operation - this unit operates with AC power from 90 - 264 VAC, 50\/60 Hz\u003c\/li\u003e\r\n\u003cli\u003eBoth the AD and DA modules have only AES\/EBU digital I\/O - the analog section is all balanced XLR\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265778791,"sku":"4679","price":3850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-4496-11_4679_1.jpg?v=1787088368"},{"product_id":"lavry-gold-da924","title":"Lavry Gold DA924","description":"\u003cp\u003eThe \u003cstrong\u003eLavry Gold DA924\u003c\/strong\u003e is an absolutely unique converter showcasing the innovative designs of the Lavry Engineering Think Tank. 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The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-DA 8-channel Analog Line Output (D\/A converter) modules\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules:\u003c\/strong\u003e The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module.The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. 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Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-PTHD Pro Tools|HD compatible interface modules:\u003c\/strong\u003e The 8C-PTHD Pro Tools HD compatible interface Module provides eight channels of digital audio input and output for the ADA-8XR in a form compatible with Digidesign Pro Tools|HD workstations. The Pro Tools HD I\/O Module enables the ADA-8XR to replace a Digidesign 96 I\/O or 192 I\/O interface, providing superior audio performance and extra features. To the Pro Tools|HD software, an ADA-8XR fitted with a Pro Tools HD I\/O Module looks similar to a 192 I\/O and operates in a similar way, supporting sample rates up to 192 kHz.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449270661223,"sku":"5395","price":10550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_37.jpg?v=1787088382"},{"product_id":"weiss-dac1-mkii","title":"Weiss DAC1 MKII","description":"The \u003cb\u003eWeiss DAC1\u003c\/b\u003e is a stereo 24 bit \/ 96khz D\/A converter designed with the aim of keeping an absolutely uncompromised audio signal path. Much detail and thought was spent on the digital input as well as the analogue output stage. Both have in common the purest possible approach in audio design, aspiring for nothing less than excellence. This is coupled with an ergonomic design that gives the user immediate access to all necessary functions, while keeping an uncluttered and thus easy-to-use front panel. This combination makes a truly professional D\/A converter catering for the highest expectations.\u003cbr\u003e\u003cbr\u003e The \u003cb\u003eWeiss DAC1-MK2\u003c\/b\u003e is similar to the DAC1 except for the sampling frequency range it can accept. The DAC1 works at 44.1 \/ 48 \/ 88.2 and 96kHz, while the DAC1-MK2 can handle 176.4 and 192kHz in addition. 176.4 or 192kHz signals must be connected to inputs 1 and 2 of the DAC1-MK2 in the two wire AES\/EBU format. (The left channel goes to input 1, the right channel to input 2). If a valid two wire 176.4 or 192kHz signal is connected to the DAC1-MK2 and input number 1 is selected, then the unit will automatically detect such a signal and will light both input 1 and input 2 selection switches. DAC1 units can be upgraded to DAC1-MK2 by swapping two chips inside the unit.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures:\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e \u003cb\u003eInputs\u003c\/b\u003e\u003cbr\u003e There are three digital inputs on XLR connectors, and one on Toslink (optical). The accepted sampling frequencies are 44.1, 48, 88.2 and 96kHz. AES\/EBU signals on a single connector are used. Each XLR input is actively routed to a corresponding XLR digital output, allowing monitoring at multiple stages in a digital studio setup.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSynchronization\u003c\/b\u003e \u003cbr\u003e Several signal reclocking schemes are combined for extremely high jitter attenuation, making the DAC1 virtually immune to jitter over a very wide bandwidth.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eConverters\u003c\/b\u003e\u003cbr\u003e The correlation technique (using two converters per channel) which was already successfully employed in the ADC1 gives the DAC1 an edge over other D\/A converters with equal wordlength and sampling rate specifications, resulting in improved SNR and THD. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eOutputs\u003c\/b\u003e \u003cbr\u003e The discrete Class A outputs have a virtually zero Ohm output impedance, but still can drive large loads without stability problems. Output levels can be set between -infinity and +27dBu. The outputs are symmetrical, but do not have any sound degrading servo mechanisms built in. For asymmetrical operation only one leg of the XLR connector (plus ground) is used. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRemote\u003c\/b\u003e \u003cbr\u003e By hooking up an analog potentiometer or fader to the remote connector, the output level can be remote controlled. This level control happens in the digital domain. The input source selection can also be remote controlled.\u003cp\u003e\u003c\/p\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449271677031,"sku":"5508","price":12021.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_dac1_mkii_front.jpg?v=1787088386"},{"product_id":"mytek-digital-stereo96-series-dac","title":"Mytek Digital Stereo96 Series - DAC","description":"The \u003cspan style=\"font-weight: bold;\"\u003eMytek Stereo96\u003c\/span\u003e series consists of two 1\/3 rack units- the Stereo96 ADC and the Stereo 96 DAC. They are also a part of extended family of 1\/3 rack units which also includes 192kHz capable converters, SRC and Studio Clock. Stereo96 converters can be used as stand-alone devices for variety of studio applications such as mastering, recording and playback, whenever the highest quality conversion is required.\u003cbr\u003e\u003cbr\u003eUsers choose Mytek 8X96 converters primarily for their outstanding sound quality. The sound of Mytek converters can be described as \"transparent\". We design our converters to be as faithful to the signal as possible, rather than follow philosophy of some other manufacturers who offer \"analog\" or \"tube\" sounding converters. Mytek converters are closest to a straight wire, which is especially evident when used at full 24\/96 resolution. Sonically they are equal or better than the most expensive mastering converters. Even when used in 16 bit mode, the Stereo96 converters produce 20dB (10 times) less distortion than typical converters found in budget recording equipment. On Mytek website you can find and download various sound samples to evaluate Stereo96 series sound quality and compare it to the sound of other high end converter units.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eStereo96 DAC\u003c\/span\u003e\u003cbr\u003eStereo96 DAC is a two channel hi-end Digital to Analog converter for recording and mastering applications. The main feature of this converter is its outstanding sound quality which makes it suitable for the most demanding projects when preserving the original signal quality is a required.","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449274134631,"sku":"5947","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_stereo_96_dac_1.jpg?v=1787088396"},{"product_id":"lavry-black-da-10","title":"Lavry Black DA-10","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eLavryBlack DA10\u003c\/strong\u003e, a new stand alone stereo digital to analog converter. The half rack unit can receive AES or SPDIF digital audio on XLR, RCA and optical link.\u003c\/p\u003e\n\u003cp\u003eThe DA provides three Clock modes. The preferred modes are CrystalLock ™ and Narrow Lock modes, but the unit also offers a Wide lock mode based on an internal Sample rate conversion for listening at non standard sampling rates.\u003c\/p\u003e\n\u003cp\u003eThe level of the analog outputs (balanced or unbalanced) is controlled by an up–down switch and a two-digit display. The “potentiometer free” discrete analog attenuator provides up to 60dB very high precision volume control in 1 dB steps.\u003c\/p\u003e\n\u003cp\u003eA state of the art discrete headphone driver is capable of accommodating at ease even the lowest impedance headphones. The unit includes a polarity switch, and a stereo-mono switch, a feature aimed at mastering studios.\u003c\/p\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449276100711,"sku":"6325","price":1148.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_da_10_1.jpg?v=1787088403"},{"product_id":"prism-ada-8xr-16da-fw","title":"Prism ADA-8XR 16DA-FW","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-DA 8-channel Analog Line Output (D\/A converter) modules\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-FW FireWire I\/O modules:\u003c\/strong\u003e The 8C-FW FireWire I\/O Module type PREV039\/10\/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection. The FireWire I\/O Module enables the ADA-8 to be used as a high quality ‘soundcard’, or I\/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback. Each FireWire card caters for 8 simultaneous input and output channels at up to 96 kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192 kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96 kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96 kHz with two FireWire cards. For Windows XP PC applications a driver is supplied with the module, which makes the ADA-8(s) appear as Windows Driver Model and ASIO compliant audio device(s). For Macintosh OS X applications, the Operating System will automatically recognize the connected ADA-8s and make it available to applications as an OS X Core Audio device.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449293992039,"sku":"7926","price":10833.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_35.jpg?v=1787088443"},{"product_id":"crane-song-egret","title":"Crane Song Egret 8-Channel D\/A Converter","description":"\u003cp\u003eThe \u003cstrong\u003eCrane Song Egret \u003c\/strong\u003eis an eight-channel D\/A converter with a stereo mixer. The stereo mixer has level, cue send, and pan control on each channel. Each channel also contains a solo and mute button. Egret has a master level control, a master cue send control and a headphone output with its own level control. Each channel has a direct balanced output. The D\/A converters support sample rates up to 192K and have sample rate converters on each channel for input jitter reduction. There is a front panel switch to disable the SRC for cases where low latency is required. The converters can also be used independently even at different sample rates.\u003c\/p\u003e","brand":"Crane Song","offers":[{"title":"Default Title","offer_id":44449294352487,"sku":"7967","price":5999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/crane-song-egret.jpg?v=1787088445"},{"product_id":"weiss-upgrade-from-dac1-to-dac1-mkii","title":"Weiss Upgrade from DAC1 to DAC1 MKII","description":"The \u003cb\u003eWeiss DAC1\u003c\/b\u003e is a stereo 24 bit \/ 96khz D\/A converter designed with the aim of keeping an absolutely uncompromised audio signal path. Much detail and thought was spent on the digital input as well as the analogue output stage. Both have in common the purest possible approach in audio design, aspiring for nothing less than excellence. This is coupled with an ergonomic design that gives the user immediate access to all necessary functions, while keeping an uncluttered and thus easy-to-use front panel. This combination makes a truly professional D\/A converter catering for the highest expectations.\u003cbr\u003e\u003cbr\u003e The \u003cb\u003eWeiss DAC1-MK2\u003c\/b\u003e is similar to the DAC1 except for the sampling frequency range it can accept. The DAC1 works at 44.1 \/ 48 \/ 88.2 and 96kHz, while the DAC1-MK2 can handle 176.4 and 192kHz in addition. 176.4 or 192kHz signals must be connected to inputs 1 and 2 of the DAC1-MK2 in the two wire AES\/EBU format. (The left channel goes to input 1, the right channel to input 2). If a valid two wire 176.4 or 192kHz signal is connected to the DAC1-MK2 and input number 1 is selected, then the unit will automatically detect such a signal and will light both input 1 and input 2 selection switches. DAC1 units can be upgraded to DAC1-MK2 by swapping two chips inside the unit.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures:\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e \u003cb\u003eInputs\u003c\/b\u003e\u003cbr\u003e There are three digital inputs on XLR connectors, and one on Toslink (optical). The accepted sampling frequencies are 44.1, 48, 88.2 and 96kHz. AES\/EBU signals on a single connector are used. Each XLR input is actively routed to a corresponding XLR digital output, allowing monitoring at multiple stages in a digital studio setup.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSynchronization\u003c\/b\u003e \u003cbr\u003e Several signal reclocking schemes are combined for extremely high jitter attenuation, making the DAC1 virtually immune to jitter over a very wide bandwidth.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eConverters\u003c\/b\u003e\u003cbr\u003e The correlation technique (using two converters per channel) which was already successfully employed in the ADC1 gives the DAC1 an edge over other D\/A converters with equal wordlength and sampling rate specifications, resulting in improved SNR and THD. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eOutputs\u003c\/b\u003e \u003cbr\u003e The discrete Class A outputs have a virtually zero Ohm output impedance, but still can drive large loads without stability problems. Output levels can be set between -infinity and +27dBu. 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Digital Audio output on Firewire, XLR and RCA.\u003c\/li\u003e\n\u003cli\u003eSampling Rates, Wordlength: 44.1, 48, 88.2, 96, 176.4, 192 kHz at up to 24 Bits.\u003c\/li\u003e\n\u003cli\u003eSoftware: Drivers for Windows™ and OSX™ operating systems.\u003c\/li\u003e\n\u003cli\u003ePower Supply: A non-switching power supply is used. The mains voltage can be set to 100..120V or 200..240V.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449304707175,"sku":"9853","price":3125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_dac2_1.jpg?v=1787088480"},{"product_id":"dad-ax24-2-channel-d-a-192-khz","title":"DAD AX24 2 Channel D\/A - 192 kHz","description":"\u003cp\u003eAX24 allows you to config the number of line and Mic channels that you need at the sample rate currently used.  Analog in and output channels can be expanded in pairs of two.  Especially configurations like two or four analog input channels and six analog output channels are very suitable for mastering or multi-track productions where only few analog input channels are used simultaneously but monitoring in 5.1. is essential. \u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 bit PCM sample rates up to 384 kHz\u003c\/strong\u003e, \u003cstrong\u003eDXD and DSD\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is based on the Digital Audio Denmark high quality multi bit converter and modulator design, using a 5 bit delta sigma modulator.  AX24 offers A\/D and D\/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 128fs and DXD at a sample-rate of 352.8 kHz.  AX24 covers applications for music recording as well as mastering and monitoring in DSD. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic pre with analog gain\u003c\/strong\u003e in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design.  The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFull remote controllable via USB or Ethernet\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control.  The remote control interface is RS-422 and can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe DADman control utilities, \u003c\/strong\u003e\u003cstrong\u003eprovides various control interfaces for MAC and PC\u003cbr\u003e \u003c\/strong\u003eThis enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eModular Interface structure\u003c\/strong\u003e\u003cbr\u003e All DAD-I\/O modules are available for AX24 providing interfacing for the most used PCM formats up-to 96 kHz.  Additionally the eight-channel AES3 module can interface 192 kHz and 384 kHz on a multiple wire interface.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe MADI interface\u003c\/strong\u003e\u003cbr\u003e Supports all the sampling formats of the AX24, and is an extremely powerful and capable interface MADI which input and output all the PCM rates up-to 192 kHz as well as DSD and DXD.  The interface can be configured to operate in a daisy chain for connecting more converters to the same MADI link.  The MADI interface and the converter can be set to access any of the up-to 64 MADI channels in any configuration in blocks of 8 consecutive channels.  All \"unused\" channels are linked trough the interface with very low latency of only a few samples. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eExternal synchronization \u003c\/strong\u003e\u003cstrong\u003eto AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM)\u003c\/strong\u003e\u003cbr\u003e The built-in PLL circuit is able to correct for minor variations in the external sync clock signal, giving a very stable adaptation to the external synchronization signal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSync alarm\u003c\/strong\u003e\u003cbr\u003e If a digital output is chosen with the DA source button, and the digital input for some reason is out of synchronization, the red Sync alarm LED will blink.  This function is available to secure that the whole recording system is synchronized.  The function can be turned off in the system menu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449304903783,"sku":"9880","price":4010.76,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_front_1_5.jpg?v=1787088480"},{"product_id":"burl-audio-b2-bomber-dac","title":"BURL Audio B2 Bomber 2-Channel DA Converter","description":"\u003cp\u003eThe \u003cstrong\u003eBURL Audio B2 Bomber DAC\u003c\/strong\u003e is a neutral-sounding two-channel digital to analog converter designed for hyper-accurate monitoring. Equipped with Class A, discrete op-amps with passive filtering, the B2 Bomber DAC delivers deep lows, brilliant highs, and a spacious stereo spread.\u003c\/p\u003e\r\n\u003ch3\u003eHIGH-QUALITY COMPONENTS\u003c\/h3\u003e\r\n\u003cp\u003eYour sound is only as strong as the weakest link in your signal chain. Your mix may sound great but running it through a cheap DAC will color you mix, causing you to have to have to compensate in the box. For the best audio quality, you need a DAC designed to compliment the rest of your signal chain.\u003c\/p\u003e\r\n\u003cp\u003eThe B2 Bomber DAC utilizes unique Class A, discrete op-amps with passive filtering, making it the ideal monitoring solution for any project. Coupled with state-of-the-art conversion technology and incredibly low jitter clocking, the B2 Bomber DAC delivers unparalleled detail.\u003c\/p\u003e\r\n\u003ch3\u003eINTUITIVE INTERFACE\u003c\/h3\u003e\r\n\u003cp\u003eThe BURL B2 Bomber DAC offers flexible routing for connecting to an array of digital audio devices. In addition to standard XLR audio and BNC word clock outputs, the Bomber features connections for SPDIF, Toslink and two AES inputs.\u003c\/p\u003e\r\n\u003cp\u003eThe Bomber DAC features a clean, sleek, intuitive interface that looks great in any studio. Quickly select your desired output level using the audiophile-quality six-position attenuator. Keep an eye on your signal using the high-definition meter with simultaneous RMS and peak indication. Quickly toggle between five different input sources to A\/B different tracks.\u003c\/p\u003e\r\n\u003cp\u003eCouple the B2 ADC with the B2 DAC for the B2 Bomber Master Signal Chain—ideal for recording, mixing or mastering.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449306771559,"sku":"10460","price":3195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-da-25_10460_1.jpg?v=1787088488"},{"product_id":"lavry-black-da-11","title":"Lavry Black DA-11","description":"\u003cp\u003eIn keeping with the Lavry Engineering tradition of innovation in the pursuit of excellence, the \u003cspan style=\"font-weight: bold;\"\u003eLavryBlack DA11\u003c\/span\u003e combines customer requested features with a flexible approach to controlling the stereo image. The patent pending \u0026gt;PiC\u0026lt; Playback Image Control™ allows the listener to adjust their position within the stereo sound field in a way that is unique to the DA11. Applications include adjusting the stereo width to create a headphone listening experience more like listening in a room with speakers, or moving the “sweet spot” with asymmetrical speaker placement.\u003cbr\u003e\u003cbr\u003eA full compliment of USB, XLR, RCA, and optical digital audio inputs offer flexibility in using computer, network music, or stand alone CD player sources, as well as studio equipment. Balanced and unbalanced output options are provided for ease in connection to a wide range of HiFi as well as professional audio gear.\u003cbr\u003e\u003cbr\u003eWith the addition of infrared remote capability, the DA11 allows the listener to easily control important functions from the listening position with the added benefit of working with most universal remotes. The remote Mute function controls both headphone and main outputs, while a separate main output on\/off setting makes private headphone listening convenient.\u003cbr\u003e\u003cbr\u003eLike the highly acclaimed LavryBlack DA10, the DA11 offers extreme transparency and musicality in DA conversion with the ability to control speaker volume using digitally controlled analog volume circuitry. This allows the DA11 to be connected directly to a power amp or powered monitors without a preamp for the ultimate in “straight-wire” listening. With unparalleled precision in channel matching throughout the volume range, this feature allows the listener to easily reset the volume to a known level for consistent enjoyment with minimal signal degradation. Like all other programmable settings, the Volume setting is retained in memory when the power is turned off.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra low jitter mode to minimize source degradation\u003c\/li\u003e\n\u003cli\u003ePatent pending \u0026gt;PiC\u0026lt; Playback Image Control™\u003c\/li\u003e\n\u003cli\u003eAccepts input sample rates between 30kHz and 200kHz\u003c\/li\u003e\n\u003cli\u003ePotentiometer-free digitally controlled analog volume circuitry\u003c\/li\u003e\n\u003cli\u003eHigh power discrete headphone output\u003c\/li\u003e\n\u003cli\u003eXLR, USB, RCA (Coaxial) and optical (Toslink) digital inputs\u003c\/li\u003e\n\u003cli\u003eOptional infrared remote control\u003c\/li\u003e\n\u003cli\u003ePower on\/off muting protection on main and headphone outputs\u003c\/li\u003e\n\u003cli\u003eBalanced or unbalanced outputs with polarity inversion\u003c\/li\u003e\n\u003cli\u003eIncluded XLR to RCA adapters for easy connection to RCA inputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449308147815,"sku":"10963","price":1480.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_da11_front.jpg?v=1787088494"},{"product_id":"dad-ax24-8-channel-d-a-192-khz","title":"DAD AX24 8 Channel D\/A - 192 kHz","description":"\u003cp\u003eAX24 allows you to config the number of line and Mic channels that you need at the sample rate currently used.  Analog in and output channels can be expanded in pairs of two.  Especially configurations like two or four analog input channels and six analog output channels are very suitable for mastering or multi-track productions where only few analog input channels are used simultaneously but monitoring in 5.1. is essential. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFully Modular - 224 different configurations\u003c\/li\u003e\n\u003cli\u003eSample rates and I\/O structure can be upgraded\u003c\/li\u003e\n\u003cli\u003eFrom two to eight analog Line or Mic input channels\u003c\/li\u003e\n\u003cli\u003eFrom two to eight analog output channels\u003c\/li\u003e\n\u003cli\u003e24 bit PCM sample rates up to 384 kHz\u003c\/li\u003e\n\u003cli\u003eDXD sample-rate: 352.8 kHz\u003c\/li\u003e\n\u003cli\u003eDSD sample rates: 64fs \u0026amp; 128 fs \u003c\/li\u003e\n\u003cli\u003eDigital I\/O: MADI, AES3, TDIF, and ProTools\u003c\/li\u003e\n\u003cli\u003eDigital DSD formats compatible with MADI and SDIF-3\u003c\/li\u003e\n\u003cli\u003eIntegrated Mic pre with analog gain\u003c\/li\u003e\n\u003cli\u003eFull remote controllable via RS-422, USB or Ethernet\u003c\/li\u003e\n\u003cli\u003eMic pre controls can be represented on the channel strip of major consoles and work stations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e24 bit PCM sample rates up to 384 kHz\u003c\/strong\u003e, \u003cstrong\u003eDXD and DSD\u003cbr\u003e \u003c\/strong\u003eAX24 is based on the Digital Audio Denmark high quality multi bit converter and modulator design, using a 5 bit delta sigma modulator.  AX24 offers A\/D and D\/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 128fs and DXD at a sample-rate of 352.8 kHz.  AX24 covers applications for music recording as well as mastering and monitoring in DSD. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMic pre with analog gain\u003c\/strong\u003e in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design.  The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. 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This function is available to secure that the whole recording system is synchronized.  The function can be turned off in the system menu.\u003c\/p\u003e","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449318568039,"sku":"12000","price":7198.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_front_1_16.jpg?v=1787088534"},{"product_id":"jcf-audio-da8-v","title":"JCF Audio DA8-V","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eJCF Audio DA8-V \u003c\/span\u003eis a digital to analog converter like no other. \u003cbr\u003e\u003cbr\u003eThe DA8-V offers a unique combination of modern digital conversion and vintage analog line circuitry to provide a multi- channel output solution of irreproachable quality. Its robust design and top-notch Cinemag CM9600-T output iron gives the DA8-V an effortless clarity unsurpassed among converters. \u003cbr\u003e\u003cbr\u003eAs the picture suggests, the DA8-V yields a sound that must be weighed to be believed. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAmpex 351 inspired output stage \u003c\/li\u003e\n\u003cli\u003eSimple self-clocking operation at all frequencies \u003c\/li\u003e\n\u003cli\u003eOne additional courtesy turn-around DB25 AES port \u003c\/li\u003e\n\u003cli\u003e~20dB front panel calibration range control \u003c\/li\u003e\n\u003cli\u003eSensible output stage current for good \u003c\/li\u003e\n\u003cli\u003eperformance and long tube life \u003c\/li\u003e\n\u003cli\u003eCinemag CM9600-T output transformer \u003c\/li\u003e\n\u003cli\u003eUses common tubes 12AX7, 12AU7 \u003c\/li\u003e\n\u003cli\u003eShips with 5’ standard AES crossover cable \u003c\/li\u003e\n\u003cli\u003eOne year limited warranty \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JCF Audio","offers":[{"title":"Default Title","offer_id":44449326858343,"sku":"12837","price":6750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/jcf_da8-v_1.jpg?v=1787088566"},{"product_id":"antelope-audio-zodiac","title":"Antelope Audio Zodiac","description":"\u003cp\u003eChoosing \u003cspan style=\"font-weight: bold;\"\u003eAntelope Audio Zodiac\u003c\/span\u003e means you are taking a big step into a new world of digital sound clarity, where your listening experience will expand with warmth and detail.  Connect your PC, Mac, CD player or any other digital source and enjoy sublime performance from the high grade headphone amplifiers or analog outputs to your speakers.\u003cbr\u003e \u003cbr\u003e We consider our 64 bit Oven Clock the most important technology in delivering the signature Antelope sound.  While interfacing with common digital audio signal sources, Zodiac technology leaps ahead, resulting in pristine audio normally only obtained by professionals.  Custom circuit designs handle the digital audio to produce incredible results that have not been seen or heard before.\u003cbr\u003e \u003cbr\u003e Great sound is not something that goes out of fashion, so Zodiac is a DAC to be enjoyed for many years to come.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom USB chip streams audio up to 96kHz\u003c\/li\u003e\n\u003cli\u003eAntelope Oven Clock for supreme stability\u003c\/li\u003e\n\u003cli\u003e64 bit Acoustically Focused Clocking (AFC)\u003c\/li\u003e\n\u003cli\u003e129dB Dynamic Range\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.0004%\u003c\/li\u003e\n\u003cli\u003eUltra Linear, Dual Stage Headphone Amps\u003c\/li\u003e\n\u003cli\u003eAccurate Level Display for Main Volume\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eConnections\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2x S\/PDIF coaxial Inputs\u003c\/li\u003e\n\u003cli\u003e2x Optical TOSLINK inputs\u003c\/li\u003e\n\u003cli\u003eUSB on mini B type connector\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Outputs on XLR\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Outputs on RCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eOven Controlled Clock\u003c\/span\u003e\u003cbr\u003e Often overlooked, the quality of the clock is extremely important when high quality audio is desired.  The clock is housed in a shielded container where the temperature is kept constant, therefore bringing significant benefits to the detail, dynamics and stereo placement of the audio.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003e64 Bit Technology\u003c\/span\u003e\u003cbr\u003e Sophisticated 64 bit algorithms allow precise control over our Acoustically Focused Clocking (AFC) and Jitter Management; two critical components to improve audio via clocking.  The incoming digital signal is brought to life with this unique 64 bit technology, resulting in smooth and detailed audio whatever the method of digital connectivity.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAntelope Performance USB\u003c\/span\u003e\u003cbr\u003e Custom implementation of the USB chip leads to extreme audio performance and comprehensive support for your system.  There are user selectable modes tailored to suit both Mac and PC; and with a data transfer rate of 480Mbits flawless audio is achieved with native drivers.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSmooth Headphones\u003c\/span\u003e\u003cbr\u003e Ultra Linear, Dual Stage Headphone Amps deliver smooth sound at both high and low levels.  Custom designed for accurate monitoring with a wide range of headphone impedance's.  Controlled by a dedicated volume knob.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCutting-edge design\u003c\/span\u003e\u003cbr\u003e To preserve the full bit resolution of the DAC, volume adjustment is entirely in the analog domain.  Separate analog and digital power supplies eliminate digital cross-talk.  This is further enhanced by keeping analog and digital circuits on separate PCB’s.  These gold plated boards utilize large internal ground plains, canceling noise and voltage shifts.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eNuts and Bolts\u003c\/span\u003e\u003cbr\u003e All component decisions for Zodiac are based on a passion to produce something very special - technically, musically and aesthetically.  Built with many solid aluminum parts and also very cute on the eye, it will be your pride and joy just like it is our passion.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eIn the Box\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eZODIAC High Definition 192kHz D\/A converter\u003c\/li\u003e\n\u003cli\u003ePrinted documentation\u003c\/li\u003e\n\u003cli\u003eDC power supply\u003c\/li\u003e\n\u003cli\u003eIEC type power cable\u003c\/li\u003e\n\u003cli\u003eUSB cable\u003c\/li\u003e\n\u003cli\u003eOptical TOSLINK cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449338163303,"sku":"14955","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_zodiac.jpg?v=1787088612"},{"product_id":"antelope-audio-zodiac-1","title":"Antelope Audio Zodiac+","description":"\u003cp\u003eWhether you are a sound engineer orchestrating delicate mix or mastering sessions, an audiophile searching for superior sound, or simply monitoring a DAW at 192kHz, \u003cstrong\u003eAntelope Audio Zodiac+\u003c\/strong\u003e is especially designed to cross-link these worlds and allow you to enter a new realm of detail and satisfaction with your musical creation or listening experience.\u003cbr\u003e \u003cbr\u003e Zodiac+ wipes the virtual dust from your monitor speakers, widening the picture and adding more details, revealing extra dimension in the spectrum of music.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eProfessional Features\u003c\/strong\u003e\u003cbr\u003e Added flexibility for the professional user makes for a distinctly powerful device: AES Input, fine trimmers on the balanced outputs, mono button, mute select (soft \u0026amp; full), transparent analog inputs, BNC word clock input, 192kHz USB.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDe-Jittered Audio Output\u003c\/strong\u003e\u003cbr\u003e Digital outputs on AES\/EBU and S\/PDIF offer all the benefits of Antelope’s 64 bit Acoustically Focused Clocking, so external devices gain significant sonic advantages when connected to Zodiac+.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSource Switching\u003c\/strong\u003e\u003cbr\u003e With a number of different inputs available, you can monitor many sources such as CD, Laptop, DAW or Mixers and Keyboards. Balanced and unbalanced inputs at both +4db and -10db allows tremendous flexibility, while auto detection of connected devices means source selection is simple and convenient.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eOven Controlled Clock\u003c\/strong\u003e\u003cbr\u003e Often overlooked, the quality of the clock is extremely important when high quality audio is desired.  The clock is housed in a shielded container where the temperature is kept constant, therefore bringing significant benefits to the detail, dynamics and stereo placement of the audio.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e64-Bit Technology\u003c\/strong\u003e\u003cbr\u003e Sophisticated 64 bit algorithms allow precise control over our Acoustically Focused Clocking (AFC) and Jitter Management; two critical components to improve audio via clocking.  The incoming digital signal is brought to life with this unique 64 bit technology, resulting in smooth and detailed audio whatever the method of digital connectivity.\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e Antelope Performance USB\u003c\/strong\u003e\u003cbr\u003e Custom implementation of the USB chip leads to extreme audio performance and comprehensive support for your system.  There are user selectable modes tailored to suit both Mac and PC; and with a data transfer rate of 480Mbits flawless audio is achieved with native drivers.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSmooth Headphones\u003c\/strong\u003e\u003cbr\u003e Ultra Linear, Dual Stage Headphone Amps deliver smooth sound at both high and low levels.  Custom designed for accurate monitoring with a wide range of headphone impedance's.  Controlled by a dedicated volume knob.\u003cbr\u003e Cutting-edge design\u003cbr\u003e \u003cbr\u003e To preserve the full bit resolution of the DAC, volume adjustment is entirely in the analog domain.  Separate analog and digital power supplies eliminate digital cross-talk.  This is further enhanced by keeping analog and digital circuits on separate PCB’s.  These gold plated boards utilize large internal ground plains, canceling noise and voltage shifts.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eNuts and Bolts\u003c\/strong\u003e\u003cbr\u003e All component decisions for Zodiac+ are based on a passion to produce something very special - technically, musically and aesthetically.  Built with many solid aluminum parts and also very cute on the eye, it will be your pride and joy just like it is our passion.\u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAES\/EBU Digital Input\u003c\/li\u003e\n\u003cli\u003e2x S\/PDIF coaxial Inputs\u003c\/li\u003e\n\u003cli\u003e2x Optical TOSLINK inputs\u003c\/li\u003e\n\u003cli\u003eUSB on mini B type connector\u003c\/li\u003e\n\u003cli\u003eWord Clock Input on BNC\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Outputs on XLR\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Outputs on RCA\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Inputs on 1\/4” TRS\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Inputs on RCA\u003c\/li\u003e\n\u003cli\u003eDigital Outputs on AES\/EBU and S\/PDIF\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449338196071,"sku":"14956","price":2695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_zodiac__1.jpg?v=1787088612"},{"product_id":"benchmark-dac1-black","title":"Benchmark DAC1 Black","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eBenchmark DAC1\u003c\/span\u003e is a reference-quality, two-channel 96 kHz 24-bit audio digital-to-analog converter featuring Benchmark’s UltraLock™ technology. The DAC1 is designed for maximum transparency and is well suited for critical playback in studio control rooms and in mastering rooms. A compact and rugged enclosure makes the DAC1 an excellent choice for location recording, broadcast facilities, and mobile trucks. The internal power supply supports all international voltages and has generous margins for over and under voltage conditions. Two ¼” headphone jacks are driven with Benchmark’s new HPA2™ headphone amplifier. The HPA2™ is a high-current amplifier that is capable of driving a wide variety of headphone loads while achieving less than 0.0003% distortion under load. The gain control sets the output level of the headphone jacks. It can also be used to control the output level of the balanced XLR and unbalanced RCA analog outputs. A rear-panel switch selects Variable or Calibrated output levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel, 24-bit, 96 kHz, D-to-A conversion\u003c\/li\u003e\n\u003cli\u003ePlays 96 kHz with 52-kHz analog bandwidth\u003c\/li\u003e\n\u003cli\u003eDirect connection to powered monitors\u003c\/li\u003e\n\u003cli\u003eTotal jitter immunity via UltraLock™ technology!\u003c\/li\u003e\n\u003cli\u003e116 dB signal-to-noise ratio @ 48-kHz, A weighted\u003c\/li\u003e\n\u003cli\u003eTHD+N = -107 dB (0.00045%) measured at\u003c\/li\u003e\n\u003cli\u003e-3 dBFS, any sample rate, any test frequency\u003c\/li\u003e\n\u003cli\u003eAES, S\/PDIF, and Toslink inputs\u003c\/li\u003e\n\u003cli\u003eDigital input source-selection switch\u003c\/li\u003e\n\u003cli\u003eVariable or preset output level controls\u003c\/li\u003e\n\u003cli\u003eBalanced Low-Z XLR outputs\u003c\/li\u003e\n\u003cli\u003eUnbalanced RCA outputs\u003c\/li\u003e\n\u003cli\u003eAutomatic de-emphasis for 44.1, 48, and\u003c\/li\u003e\n\u003cli\u003e96-kHz when pre-emphasis bit is set\u003c\/li\u003e\n\u003cli\u003eHeadphone amp = 0.0003% THD into 60 Ω\u003c\/li\u003e\n\u003cli\u003eOutput-off switch position for headphone-only use\u003c\/li\u003e\n\u003cli\u003eFront panel power and error indicating LEDs\u003c\/li\u003e\n\u003cli\u003eInternal low-radiation toroidal power supply\u003c\/li\u003e\n\u003cli\u003eInternational 120 - 240 input voltage range\u003c\/li\u003e\n\u003cli\u003e1\/2 wide, 1RU high chassis\u003c\/li\u003e\n\u003cli\u003eMachined aluminum front panel\u003c\/li\u003e\n\u003cli\u003eRack mount kit available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449338228839,"sku":"14975","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_dac1_black_1.jpg?v=1787088612"},{"product_id":"benchmark-dac1-usb-black-rackmount","title":"Benchmark DAC1 USB Black Rackmount","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBenchmark DAC1 USB\u003c\/span\u003e (USB DAC)\n is a reference-quality, two-channel 96 kHz 24-bit digital-to-analog \naudio converter featuring Benchmark's Advanced USB Audio™ technology, \nUltraLock™ clock system, and HPA2™ headphone amplifier.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eEngage the Music with the DAC1 and DAC1\n USB\u003c\/span\u003e\u003cbr\u003e\nThe DAC1 USB is a mastering-quality, two-channel 96 kHz 24-bit \ndigital-to-analog audio converter. For more then 10 years, engineers and\n audiophiles have come to rely on Benchmark for critical digital audio \nconversion. They consistently find themselves engaged in the music in a \nway that is rarely achieved with digital converters.\u003cbr\u003e\n\u003cbr\u003e\nBenchmark has achieved unprecedented sonic purity in their converters \nthrough intelligent engineering, eliminating digital distortion \nartifacts, and maintaining a pristine analog delivery path. The DAC1 USB\n continues this tradition of excellence.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003ePreserving the Classic DAC1 Heritage\u003c\/span\u003e\u003cbr\u003e\nThe pristine audio path of the award-winning Classic DAC1 has made it \nthe 'Benchmark' of standalone D-to-A converters. The DAC1 USB preserves \nthe exact topology of the audio path of the Classic DAC1, while adding \nsome of the most frequently requested features.\u003cbr\u003e\n\u003cbr\u003e\nThe DAC1 and DAC1 USB both include Benchmark's jitter-immune UltraLock™ \nclock system and Benchmark's 0-ohm HPA2™ headphone amplifier. The DAC1 \nUSB features Benchmarks AdvancedUSB technology to ensure \nbit-transparent, high-resolution playback directly from your computer. \nThe DAC1 USB also includes a programmable mute function that \nautomatically mutes the main outputs upon insertion of a headphone plug.\n Other features that are exclusive to the DAC1 USB include a \nprogrammable headphone gain range, an automatic 'Standby' feature, and a\n high-current output stage designed to drive even the most difficult \nloads.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eJitter-Immune UltraLock™\u003c\/span\u003e\u003cbr\u003e\nDigital interconnect cables, electro-magnetic interference, and many \nother variables introduce jitter into the digital audio. Jitter presents\n a major problem to most D-to-A converters. Jitter is a type of clock \nerror that, if not properly addressed, can cause the D-to-A to misfire. \nThe result of these misfires is a non-musical, digital distortion.\u003cbr\u003e\n\u003cbr\u003e\nMany modern (and expensive) converters suffer from severe jitter-induced\n distortion. Jitter is NOT a problem for the DAC1 and DAC1 USB, which \nachieve jitter immunity by utilizing the proprietary UltraLock™ \nclock-recovery system.\u003cbr\u003e\n\u003cbr\u003e\nWith the UltraLock™ clock-recovery system, the digital-to-analog \nconversion-clock in the DAC1 and DAC1 USB is totally isolated from the \nclock of the digital audio input. This clock-recovery topology \noutperforms even the most well-designed two-stage PLL designs. Using \nstate-of-the-art Audio Precision testing equipment, no jitter-induced \nartifacts can be detected with the DAC1 or the DAC1 USB. Any signal that\n can be decoded by the USB or AES\/EBU receivers will be reproduced \nwithout the addition of any measurable jitter artifacts. The bottom line\n is this: Benchmark converters will consistently and faithfully deliver \ntruthful audio with no jitter-induced artifacts, no matter what \nvariables are present.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eAdvancedUSB Audio Technology\u003c\/span\u003e\u003cbr\u003e\nThe USB interface of the DAC1 USB features Benchmark's unique \nAdvancedUSB technology. This USB interface is completely \nbit-transparent. In other words, every sample of digital audio is \ntransferred from the computer to the DAC1 USB without modification. The \nDAC1 USB is natively compatible with Windows 7\/Vista\/XP\/2000 and Mac OS \nX. As a native device, there are no drivers or other invasive software \nrequired to install or configure. The DAC1 USB is a true plug-and-play \nDAC USB, and is designed to begin playback immediately after the unit is\n connected to a USB port for the first time.\u003cbr\u003e\n\u003cbr\u003e\nUnlike previous native USB audio interfaces, Benchmark's AdvancedUSB \nAudio technology supports 24-bit audio at sample-rates up to 96 kHz. It \nis very important to have a 24-bit USB path, even for 16-bit playback, \nbecause certain computer-related functions can increase 16-bit audio to \n24 bits. If a 16-bit USB DAC is used, 8 bits of every digital audio \nsample would be truncated. Truncating digital audio causes severe, \nnon-musical digital distortion. Benchmark's AdvancedUSB interface \nensures a full 24-bit digital audio path to avoid truncation distortion.\u003cbr\u003e\n\u003cbr style=\"font-weight: bold;\"\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHPA2™ Headphone Amplifier\u003c\/span\u003e\u003cbr\u003e\nThe DAC1 and DAC1 USB feature the HPA2™ - Benchmark's signature \nhigh-current, 0-Ohm headphone amplifier. The HPA2™ is arguably the \nultimate reference headphone amplifier. It will deliver the full rated \nperformance of the DAC1 and DAC1 USB to the headphones. The HPA2™ \nmaintains less than 0.0003% THD+N under full load. The DAC1 and the DAC1\n USB both have two 1\/4\" headphone jacks on the front panel. The \nperformance of the HPA2™ remains consistent even when two headphones are\n being driven simultaneously.","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449338294375,"sku":"14977","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_dac1_usb_rackmount_1.jpg?v=1787088612"},{"product_id":"benchmark-dac1-hdr-black","title":"Benchmark DAC1 HDR Black","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBenchmark DAC1 HDR\u003c\/span\u003e is an all-in-one reference-quality stereo pre-amplifier. This stereo pre-amp brings together all the best features and performance of the award-winning DAC1 family with the convenience of an intelligent remote control solution. The DAC1 HDR combines some of Benchmark's finest engineering accomplishments into one device: the DAC1 digital-to-analog audio converter with UltraLockTM clock system, AdvancedUSBTM computer audio playback (USB DAC) interface, and the legendary HPA2TM headphone amplifier. The unique remote control solution of the DAC1 HDR is built around Benchmark's new HDR-VCTM (high dynamic range volume control).\u003cbr\u003e \u003cbr\u003e Benchmark's product designs have achieved unprecedented sonic purity due to an uncompromising engineering philosophy: eliminate digital distortion artifacts, establish a pristine analog path, and maintain sonic integrity regardless of external factors. The DAC1 HDR continues this tradition of excellence.\u003cbr\u003e \u003cbr\u003e The remote control solution of the DAC1 HDR has an intelligent implementation of dimming and muting. The 'Dim' (quiet) and 'Soft-Mute' settings of the remote control can be easily adjusted independent of the normal volume setting. The DAC1 HDR remembers and recalls your specified 'Dim' setting. This feature is ideal for HDTV users, as it allows you to set your preferred 'Dim' level for commercials, etc. The 'Soft-Mute' function fades down the volume to the 'Dim' level before muting and smoothly raises the volume to the normal level after unmuting. With a generous offering of inputs and outputs, the DAC1 HDR serves as the heart of expansive media and entertainment systems, optimizing the signal path from the various sources to the amplifier. The DAC1 HDR will enhance the audio performance of your digital television, digital cable box, DVD\/CD player, computer, music\/media server, satellite radio, and any other device with a digital audio output. Also, the HDR-VCTM will control the pristine path for an analog source, such as a phono stage, FM tuner, iPod, VCR, tape deck, etc.\u003cbr\u003e \u003cbr\u003e All digital inputs on the DAC1 HDR (including the USB) feature Benchmark's jitter-immune UltraLockTM clock system. The USB interface operates with Benchmark's AdvancedUSBTM native 24-bit, 96 kHz USB technology. The DAC1 HDR features a high-current output stage designed to drive even the most difficult loads. Other features include selectable headphone gain ranges and an auto-mute function for muting the main outputs when headphones are being used.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHDR-VCTM High Dynamic Range Volume Control\u003c\/span\u003e\u003cbr\u003e The DAC1 HDR features Benchmark's HDR-VCTM (High Dynamic Range Volume Control). The HDR-VCTM is achieved with a custom-built motorized Alps potentiometer. The DAC1 HDR's motor-driven volume control maintains the dynamic range of the converter and audio output. In contrast, digital volume controls reduce dynamic range, and analog volume IC's introduce distortion and noise.\u003cbr\u003e \u003cbr\u003e The acclaimed DAC1 D-to-A conversion system\u003cbr\u003e Recording studios, mastering engineers and audiophiles have grown to rely on Benchmark for critical digital audio conversion for more than 10 years. The superior performance of the award-winning DAC1 has made it the 'Benchmark' of D-to-A converters. With the DAC1 HDR, this built-in state-of-the-art converter will improve the sonic performance of your digital audio sources, including your computer.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eJitter-Immune UltraLock Clock System\u003c\/span\u003e\u003cbr\u003e Benchmark's proprietary UltraLock clock system achieves an unprecedented immunity to jitter. Many modern (and expensive) converters suffer from significant jitter-induced distortion, generating non-musical sideband tones and digital distortion. Benchmark's highly-regarded UltraLock clock system ensures that jitter is never a problem, even under extreme conditions.\u003cbr\u003e \u003cbr\u003e Even in the presence of extremely high input jitter, no jitter-induced artifacts can be detected on the outputs of the DAC1 HDR (using state-of-the-art testing equipment by Audio Precision). UltraLockTM will block more then 12.5 UI of jitter (@ 1 kHz). The UltraLock clock system easily outperforms even the best-designed two-stage PLL designs.\u003cbr\u003e \u003cbr\u003e The bottom line is this: Benchmark converters will consistently and faithfully deliver truthful audio without jitter-induced artifacts, no matter what variables are present.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAdvancedUSB Audio Technology\u003c\/span\u003e\u003cbr\u003e The USB interface of the DAC1 HDR operates with Benchmark's unique AdvancedUSB technology. Unlike many USB-equipped D\/A converters, Benchmark's AdvancedUSB technology supports 24-bit audio at sample rates up to 96 kHz without the installation ofany drivers or other special software. Benchmark's UltraLockTM clock system isolates the converter from the high levels of jitter that are found on USB interfaces. The DAC1 HDR achieves transparent, audiophile-quality playback through a true plug-and-play solution. Audio streamed via USB is subject to significant amounts of jitter. The AdvancedUSB interface utilizes the UltraLockTM clock system. Consequently, the performance of the USB input is equal to the performance of the other inputs, regardless of the jitter present.\u003cbr\u003e \u003cbr\u003e The DAC1 HDR is natively compatible with Windows 7\/Vista\/XP\/2000 and Mac OS X. As a native device, there are no drivers or other software required to install or configure.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHPA2TM Headphone Amplifier\u003c\/span\u003e\u003cbr\u003e The DAC1 HDR includes the HPA2TM - Benchmark's signature high-current, 0-Ohm headphone amplifier. The HPA2TM is the ultimate reference headphone amplifier. It will deliver the full rated performance of the DAC1 to the headphones. The HPA2TM maintains less than 0.0003% THD+N under a full load from two sets of headphones. The DAC1 HDR has two 1\/4\" headphone jacks on the front panel.","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449338327143,"sku":"14978","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_dac1_hdr_black_1.jpg?v=1787088612"},{"product_id":"dad-ax24-192-phd-8-d-a-192-khz","title":"DAD AX24 192 | PHD 8 D\/A - 192 kHz","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eDigital Audio Denmark (DAD) AX24 | 192 PHD\u003c\/span\u003e is a dedicated model of the AX24 Converter system family.  AX24 | 192 PHD comes complete with an interface card connecting directly to the Avid Pro Tools digital audio workstation connected via standard DigiLink.  Cables to HD Core or Accel Core cards.  Pro Tools recognizes the AX24 | 192 PHD converter and controls all input and output functions, clocking, routing and other settings.  One AX24 | 192 PHD can provide up to eight channels of analog to digital and digital to analog conversion.  Up to four AX24 | 192 PHD converters can be connected via the DigiLink expansion port for a total of 32 channels of analog to digital and digital to analog conversion.  Additional control of the AX24 | 192 PHD, e.g. gain setting of the optional build in mic preamps, is provided via the DADman control applications which runs on all MAC OSX and Windows platforms.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirect connection to Pro Tools HD™\u003c\/li\u003e\n\u003cli\u003eSupports full channel count at sample rates up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eAllows daisy-chaining of multiple AX24 converters and other DigiLink devices via the Expansion port\u003c\/li\u003e\n\u003cli\u003eOne primary and one expansion DigiLink port\u003c\/li\u003e\n\u003cli\u003e24 bit\/192kHz \u003c\/li\u003e\n\u003cli\u003eInterfaces with HD system using standard DigiLink\u003c\/li\u003e\n\u003cli\u003eDADI\/O-PHD module Firmware can be upgraded\u003c\/li\u003e\n\u003cli\u003eAllows I\/O functions for parameter control to be controlled and monitored within ProTools\u003c\/li\u003e\n\u003cli\u003eFull remote controllable via RS-422, USB or Ethernet\u003c\/li\u003e\n\u003cli\u003eBuilt in optional high quality Mic Pre amps with analog gain\u003c\/li\u003e\n\u003cli\u003eRemote controlled via the DADman Application for MAC OSX and Windows platforms\u003c\/li\u003e\n\u003cli\u003eDADman interfaces as Pro Tools PRE and EuCon control via MIDI and TCP\/IP\u003c\/li\u003e\n\u003cli\u003eSample rates and I\/O structure can be upgraded \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAX24 | 192 PHD is a truly plug and play system which provides you with the legendary natural DAD converter sound for your Pro Tools rig.  AX24 | 192 PHD automatically provides signal latency identical to that of the AVID 192 I\/O™ for accurate delay compensation within ProTools - no manual delay adjustments are required.\u003cbr\u003e \u003cbr\u003e The AX24 | 192 PHD contains one Primary and one Expansion DigiLink port.  AX24 | 192 PHD supports full channel count at sample rates up to 192 kHz.  You do not lose half of your channels at higher sample rates.  Pro Tools users can now benefit from the precise internal master clock of the AX24 converter for very low jitter and low distortion of digital signals\u003cbr\u003e \u003cbr\u003e Mic pre with analog gain in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design.  The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market.\u003cbr\u003e \u003cbr\u003e Full remote controllable via USB or Ethernet.  AX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control.  The remote control interface is RS-422 nad can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe following five dedicated models are available\u003c\/span\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 Line AD and 8 DA analog I\/O\u003c\/li\u003e\n\u003cli\u003e8 Mic\/Line AD and 8 DA analog I\/O\u003c\/li\u003e\n\u003cli\u003e8 Line AD analog inputs\u003c\/li\u003e\n\u003cli\u003e8 Mic\/Line AD analog inputs\u003c\/li\u003e\n\u003cli\u003e8 DA analog outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe models are limited to the 192 kHz sample rate, and to have only one digital interface - the DADI\/O-PHD module.  If more digital I\/O modules are needed like MADI or AES3 or if the sample rate need to be 384 Khz, the unit can be license upgraded to a standard AX24.\u003cbr\u003e \u003cbr\u003e The DADI\/O-PHD module can be installed in an existing AX24 converter system unit.  Additionally the two internal Firmware EPROM's of the AX24 basis unit have to be changed to version 2.20 in order to recognize the card.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe DADman control\u003c\/span\u003e utilities, provides various control interfaces for MAC and PC.  This enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eExternal synchronization\u003c\/span\u003e to AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM).  The built-in PLL circuit is able to correct for minor variations in the external sync clock signal, giving a very stable adaptation to the external synchronisation signal.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSync alarm.\u003c\/span\u003e If a digital output is chosen with the DA source button, and the digital input for some reason is out of synchronisation, the red Sync alarm LED will blink. This function is available to secure that the whole recording system is synchronised.  The function can be turned off in the system menu.\u003c\/p\u003e","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449341472871,"sku":"15620","price":5399.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_front_1.jpg?v=1787088626"},{"product_id":"weiss-dac1-mkii-fw","title":"Weiss DAC1 MKII-FW","description":"The \u003cb\u003eWeiss DAC1-MK2-FW\u003c\/b\u003e is similar to the DAC1 except for the sampling frequency range it can accept. The DAC1 works at 44.1 \/ 48 \/ 88.2 and 96kHz, while the DAC1-MK2 can handle 176.4 and 192kHz in addition. 176.4 or 192kHz signals must be connected to inputs 1 and 2 of the DAC1-MK2 in the two wire AES\/EBU format. (The left channel goes to input 1, the right channel to input 2). If a valid two wire 176.4 or 192kHz signal is connected to the DAC1-MK2 and input number 1 is selected, then the unit will automatically detect such a signal and will light both input 1 and input 2 selection switches. DAC1 units can be upgraded to DAC1-MK2 by swapping two chips inside the unit.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e Firewire Interface\u003cbr\u003e The Firewire interface allows to connect the DAC1-MK2 to PC or MAC computers. The features of the Firewire interface are the same as those of the INT202 interface as shown here.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eInputs\u003c\/b\u003e\u003cbr\u003e There are three digital inputs on XLR connectors, and one on Toslink (optical). The accepted sampling frequencies are 44.1, 48, 88.2 and 96kHz. AES\/EBU signals on a single connector are used. Each XLR input is actively routed to a corresponding XLR digital output, allowing monitoring at multiple stages in a digital studio setup.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSynchronization\u003c\/b\u003e \u003cbr\u003e Several signal reclocking schemes are combined for extremely high jitter attenuation, making the DAC1 virtually immune to jitter over a very wide bandwidth.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eConverters\u003c\/b\u003e\u003cbr\u003e The correlation technique (using two converters per channel) which was already successfully employed in the ADC1 gives the DAC1 an edge over other D\/A converters with equal wordlength and sampling rate specifications, resulting in improved SNR and THD. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eOutputs\u003c\/b\u003e \u003cbr\u003e The discrete Class A outputs have a virtually zero Ohm output impedance, but still can drive large loads without stability problems. Output levels can be set between -infinity and +27dBu. The outputs are symmetrical, but do not have any sound degrading servo mechanisms built in. For asymmetrical operation only one leg of the XLR connector (plus ground) is used. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRemote\u003c\/b\u003e \u003cbr\u003e By hooking up an analog potentiometer or fader to the remote connector, the output level can be remote controlled. This level control happens in the digital domain. The input source selection can also be remote controlled.","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449351368807,"sku":"16274","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_dac1_mkii_front_1.jpg?v=1787088663"},{"product_id":"weiss-upgrade-from-dac1-mk2-to-dac1-mk2-fw","title":"Weiss Upgrade from DAC1-MK2 to DAC1-MK2-FW","description":"The DAC1-MK2 D\/A Converter is now available in a Firewire version. Earlier units can be upgraded. The Firewire interface allows to connect the DAC1-MK2 to PC or MAC computers. The features of the Firewire interface are the same as those of the INT202 interface\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eWeiss DAC1\u003c\/b\u003e is a stereo 24 bit \/ 96khz D\/A converter designed with the aim of keeping an absolutely uncompromised audio signal path. Much detail and thought was spent on the digital input as well as the analogue output stage. Both have in common the purest possible approach in audio design, aspiring for nothing less than excellence. This is coupled with an ergonomic design that gives the user immediate access to all necessary functions, while keeping an uncluttered and thus easy-to-use front panel. This combination makes a truly professional D\/A converter catering for the highest expectations.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eWeiss DAC1-MK2\u003c\/b\u003e is similar to the DAC1 except for the sampling frequency range it can accept. The DAC1 works at 44.1 \/ 48 \/ 88.2 and 96kHz, while the DAC1-MK2 can handle 176.4 and 192kHz in addition.\u003cbr\u003e\u003cbr\u003e176.4 or 192kHz signals must be connected to inputs 1 and 2 of the DAC1-MK2 in the two wire AES\/EBU format. (The left channel goes to input 1, the right channel to input 2). If a valid two wire 176.4 or 192kHz signal is connected to the DAC1-MK2 and input number 1 is selected, then the unit will automatically detect such a signal and will light both input 1 and input 2 selection switches.\u003cbr\u003eDAC1 units can be upgraded to DAC1-MK2 by swapping two chips inside the unit.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInputs\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThere are three digital inputs on XLR connectors, and one on Toslink (optical). The accepted sampling frequencies are 44.1, 48, 88.2 and 96kHz. AES\/EBU signals on a single connector are used. Each XLR input is actively routed to a corresponding XLR digital output, allowing monitoring at multiple stages in a digital studio setup.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSynchronization\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSeveral signal reclocking schemes are combined for extremely high jitter attenuation, making the DAC1 virtually immune to jitter over a very wide bandwidth.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eConverters\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe correlation technique (using two converters per channel) which was already successfully employed in the ADC1 gives the DAC1 an edge over other D\/A converters with equal wordlength and sampling rate specifications, resulting in improved SNR and THD.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOutputs\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe discrete Class A outputs have a virtually zero Ohm output impedance, but still can drive large loads without stability problems. Output levels can be set between -infinity and +27dBu. The outputs are symmetrical, but do not have any sound degrading servo mechanisms built in. For asymmetrical operation only one leg of the XLR connector (plus ground) is used.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRemote\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBy hooking up an analog potentiometer or fader to the remote connector, the output level can be remote controlled. This level control happens in the digital domain. The input source selection can also be remote controlled.\u003cinput name=\"storedetaileddescription\" value=\"The \u0026lt;B\u0026gt;Weiss DAC1\u0026lt;\/B\u0026gt; is a stereo 24 bit \/ 96khz D\/A converter designed with the aim of keeping an absolutely uncompromised audio signal path. Much detail and thought was spent on the digital input as well as the analogue output stage. Both have in common the purest possible approach in audio design, aspiring for nothing less than excellence. This is coupled with an ergonomic design that gives the user immediate access to all necessary functions, while keeping an uncluttered and thus easy-to-use front panel. This combination makes a truly professional D\/A converter catering for the highest expectations.\u0026lt;BR\u0026gt;\u0026lt;BR\u0026gt; The \u0026lt;B\u0026gt;Weiss DAC1-MK2\u0026lt;\/B\u0026gt; is similar to the DAC1 except for the sampling frequency range it can accept. The DAC1 works at 44.1 \/ 48 \/ 88.2 and 96kHz, while the DAC1-MK2 can handle 176.4 and 192kHz in addition. 176.4 or 192kHz signals must be connected to inputs 1 and 2 of the DAC1-MK2 in the two wire AES\/EBU format. (The left channel goes to input 1, the right channel to input 2). If a valid two wire 176.4 or 192kHz signal is connected to the DAC1-MK2 and input number 1 is selected, then the unit will automatically detect such a signal and will light both input 1 and input 2 selection switches. DAC1 units can be upgraded to DAC1-MK2 by swapping two chips inside the unit.\u0026lt;BR\u0026gt;\u0026lt;BR\u0026gt; \u0026lt;B\u0026gt;Features:\u0026lt;\/B\u0026gt; \u0026lt;BR\u0026gt;\u0026lt;BR\u0026gt; \u0026lt;B\u0026gt;Inputs\u0026lt;\/B\u0026gt;\u0026lt;BR\u0026gt; There are three digital inputs on XLR connectors, and one on Toslink (optical). The accepted sampling frequencies are 44.1, 48, 88.2 and 96kHz. AES\/EBU signals on a single connector are used. Each XLR input is actively routed to a corresponding XLR digital output, allowing monitoring at multiple stages in a digital studio setup.\u0026lt;BR\u0026gt;\u0026lt;BR\u0026gt; \u0026lt;B\u0026gt;Synchronization\u0026lt;\/B\u0026gt; \u0026lt;BR\u0026gt; Several signal reclocking schemes are combined for extremely high jitter attenuation, making the DAC1 virtually immune to jitter over a very wide bandwidth.\u0026lt;BR\u0026gt;\u0026lt;BR\u0026gt; \u0026lt;B\u0026gt;Converters\u0026lt;\/B\u0026gt;\u0026lt;BR\u0026gt; The correlation technique (using two converters per channel) which was already successfully employed in the ADC1 gives the DAC1 an edge over other D\/A converters with equal wordlength and sampling rate specifications, resulting in improved SNR and THD. \u0026lt;BR\u0026gt;\u0026lt;BR\u0026gt; \u0026lt;B\u0026gt;Outputs\u0026lt;\/B\u0026gt; \u0026lt;BR\u0026gt; The discrete Class A outputs have a virtually zero Ohm output impedance, but still can drive large loads without stability problems. Output levels can be set between -infinity and +27dBu. The outputs are symmetrical, but do not have any sound degrading servo mechanisms built in. For asymmetrical operation only one leg of the XLR connector (plus ground) is used. \u0026lt;BR\u0026gt;\u0026lt;BR\u0026gt; \u0026lt;B\u0026gt;Remote\u0026lt;\/B\u0026gt; \u0026lt;BR\u0026gt; By hooking up an analog potentiometer or fader to the remote connector, the output level can be remote controlled. This level control happens in the digital domain. The input source selection can also be remote controlled.\" type=\"hidden\"\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449351434343,"sku":"15418","price":1878.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_dac1_mkii_front_3.jpg?v=1787088663"},{"product_id":"apogee-da-16x-demo-deal","title":"Apogee DA-16X (Demo Deal)","description":"The \u003cb\u003eApogee AD-16X and the DA-16X\u003c\/b\u003e, Apogee’s latest and most advanced conversion systems, take the legendary quality of Apogee a huge step forward. Features such as a redesigned power supply, standard 192kHz sampling rates, the C777 clocking technology found in Big Ben, and optional Pro Tools HD and FireWire expansion cards, make the AD \u0026amp; DA-16X the most powerful and flexible conversion combination ever. And, not only does the X-Series hardware offer unequaled, groundbreaking technology but it makes it available at a fraction of the cost associated with previous, premium Apogee gear. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eAdvanced High-Definition Conversion\u003c\/b\u003e\u003cbr\u003e The most critical component in the digital recording environment is proper, high-quality conversion and since the dawn of digital recording the most desired converters have been made by Apogee. With up to 192k standard sample rates, the AD \u0026amp; DA-16X combine Apogee’s legendary conversion quality with the very latest in high-definition digital to provide unrivaled flexibility and quality. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRedesigned Power Supply\u003c\/b\u003e\u003cbr\u003e Enabling optimum conversion requires a state of the art power supply. The fully redesigned power system of the AD \u0026amp; DA-16X incorporates a specially designed Synchronous Switching power supply that works in conjunction with Apogee’s very stable low jitter clock and filtering technology to provide superior heat and noise performance and an improved transient response over our previous linear power supply. This creates a power system that delivers total efficiency and provides an ideal environment for premium conversion. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eRedesigned Analog Section\u003c\/b\u003e\u003cbr\u003e Incorporated in the AD \u0026amp; DA-16X are the very latest developments in Apogee’s groundbreaking analog circuit design. Through sophisticated implementation and optimal configuration, the selection of premium, contemporary opamps allows the X-Series to deliver conversion performance never before heard, while maintaining the signature Apogee sound: Clear, transparent, focused and punchy. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eC777 Clocking used by Big Ben\u003c\/b\u003e\u003cbr\u003e The AD \u0026amp; DA 16-X use Apogee’s C777 clocking technology. Famous for keeping Big Ben on time, the C777 utilizes an entirely digital process that Apogee has developed with the most advanced Direct Digital Synthesis (DDS) technology and DSP-based digital filtering. With a stable, crystal based digital PLL handling the clocking, AD-16X and DA-16X are able to intelligently manipulate incoming signals and adapt to them accordingly. The result? The most aggressive jitter reduction ever and an astonishing and noticeable difference in sound quality. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eConnect Directly to Pro Tools HD or any FireWire Enabled Computer\u003c\/b\u003e\u003cbr\u003e Like their cousin the Rosetta 800, the AD \u0026amp; DA-16X offer an expansion card slot that greatly increases connectivity possibilities. Add an optional X-Series HD card and connect AD \u0026amp; DA-16X directly to your computer via your HD Core Card. Using Logic, Nuendo or any of the many native DAW’s? Add an X-FireWire card to your X-Series hardware and enjoy a direct, extremely low latency connection that supports FireWire 800 standards and has backwards compatibility with 400 standards. And, if you are buying multiple units, you can daisy chain up to a whopping 120 channels with incredibly low latency. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSoftLimit: Maximize Levels, Minimize Overs\u003c\/b\u003e\u003cbr\u003e One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. Soft Limit is an analog peak limiter that enables the capture of an additional 4-6 dB of level without going into an ‘over’ condition. Short of purchasing a very expensive stand-alone compressor\/limiter, there is currently no product on the market that handles this process better than SoftLimit. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eUV22HR: Dither Down with 24-bit Detail\u003c\/b\u003e\u003cbr\u003e UV22HR is Apogee´s industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the CD mastering. UV22HR is also being employed to produce dramatically improved internet and computer audio content without increased file sizes or data rates. It is estimated that 8 out of 10 hit records are mastered using Apogee’s UV22HR technology. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eHigh Performance Output\u003c\/b\u003e\u003cbr\u003e The DA-16X uses Apogee’s newly developed electronically balanced line drivers. Originally designed for the Mini-DAC, these line drivers are able to simulate true transformer behavior. The circuitry is an ultra low output impedance, high current driver, capable of running levels up to 26 dBu to the most complex or low impedance loads. Recording studios utilizing vintage audio-equipment will find this particularly valuable. Ultimately, the output performance of the DA-16X achieves perfect symmetry when used in balanced mode (even with an unsymmetrical load) and no increased distortion when used unbalanced.","brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":44449360543847,"sku":"13904","price":2764.55,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/apogee_da-16x_2.jpg?v=1787088704"},{"product_id":"benchmark-dac1-usb-black-rackmount-demo-deal","title":"Benchmark DAC1 USB Black Rackmount (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBenchmark DAC1 USB\u003c\/span\u003e (USB DAC)\n is a reference-quality, two-channel 96 kHz 24-bit digital-to-analog \naudio converter featuring Benchmark's Advanced USB Audio™ technology, \nUltraLock™ clock system, and HPA2™ headphone amplifier.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eEngage the Music with the DAC1 and DAC1\n USB\u003c\/span\u003e\u003cbr\u003e\nThe DAC1 USB is a mastering-quality, two-channel 96 kHz 24-bit \ndigital-to-analog audio converter. For more then 10 years, engineers and\n audiophiles have come to rely on Benchmark for critical digital audio \nconversion. They consistently find themselves engaged in the music in a \nway that is rarely achieved with digital converters.\u003cbr\u003e\n\u003cbr\u003e\nBenchmark has achieved unprecedented sonic purity in their converters \nthrough intelligent engineering, eliminating digital distortion \nartifacts, and maintaining a pristine analog delivery path. The DAC1 USB\n continues this tradition of excellence.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003ePreserving the Classic DAC1 Heritage\u003c\/span\u003e\u003cbr\u003e\nThe pristine audio path of the award-winning Classic DAC1 has made it \nthe 'Benchmark' of standalone D-to-A converters. The DAC1 USB preserves \nthe exact topology of the audio path of the Classic DAC1, while adding \nsome of the most frequently requested features.\u003cbr\u003e\n\u003cbr\u003e\nThe DAC1 and DAC1 USB both include Benchmark's jitter-immune UltraLock™ \nclock system and Benchmark's 0-ohm HPA2™ headphone amplifier. The DAC1 \nUSB features Benchmarks AdvancedUSB technology to ensure \nbit-transparent, high-resolution playback directly from your computer. \nThe DAC1 USB also includes a programmable mute function that \nautomatically mutes the main outputs upon insertion of a headphone plug.\n Other features that are exclusive to the DAC1 USB include a \nprogrammable headphone gain range, an automatic 'Standby' feature, and a\n high-current output stage designed to drive even the most difficult \nloads.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eJitter-Immune UltraLock™\u003c\/span\u003e\u003cbr\u003e\nDigital interconnect cables, electro-magnetic interference, and many \nother variables introduce jitter into the digital audio. Jitter presents\n a major problem to most D-to-A converters. Jitter is a type of clock \nerror that, if not properly addressed, can cause the D-to-A to misfire. \nThe result of these misfires is a non-musical, digital distortion.\u003cbr\u003e\n\u003cbr\u003e\nMany modern (and expensive) converters suffer from severe jitter-induced\n distortion. Jitter is NOT a problem for the DAC1 and DAC1 USB, which \nachieve jitter immunity by utilizing the proprietary UltraLock™ \nclock-recovery system.\u003cbr\u003e\n\u003cbr\u003e\nWith the UltraLock™ clock-recovery system, the digital-to-analog \nconversion-clock in the DAC1 and DAC1 USB is totally isolated from the \nclock of the digital audio input. This clock-recovery topology \noutperforms even the most well-designed two-stage PLL designs. Using \nstate-of-the-art Audio Precision testing equipment, no jitter-induced \nartifacts can be detected with the DAC1 or the DAC1 USB. Any signal that\n can be decoded by the USB or AES\/EBU receivers will be reproduced \nwithout the addition of any measurable jitter artifacts. The bottom line\n is this: Benchmark converters will consistently and faithfully deliver \ntruthful audio with no jitter-induced artifacts, no matter what \nvariables are present.\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eAdvancedUSB Audio Technology\u003c\/span\u003e\u003cbr\u003e\nThe USB interface of the DAC1 USB features Benchmark's unique \nAdvancedUSB technology. This USB interface is completely \nbit-transparent. In other words, every sample of digital audio is \ntransferred from the computer to the DAC1 USB without modification. The \nDAC1 USB is natively compatible with Windows 7\/Vista\/XP\/2000 and Mac OS \nX. As a native device, there are no drivers or other invasive software \nrequired to install or configure. The DAC1 USB is a true plug-and-play \nDAC USB, and is designed to begin playback immediately after the unit is\n connected to a USB port for the first time.\u003cbr\u003e\n\u003cbr\u003e\nUnlike previous native USB audio interfaces, Benchmark's AdvancedUSB \nAudio technology supports 24-bit audio at sample-rates up to 96 kHz. It \nis very important to have a 24-bit USB path, even for 16-bit playback, \nbecause certain computer-related functions can increase 16-bit audio to \n24 bits. If a 16-bit USB DAC is used, 8 bits of every digital audio \nsample would be truncated. Truncating digital audio causes severe, \nnon-musical digital distortion. Benchmark's AdvancedUSB interface \nensures a full 24-bit digital audio path to avoid truncation distortion.\u003cbr\u003e\n\u003cbr style=\"font-weight: bold;\"\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHPA2™ Headphone Amplifier\u003c\/span\u003e\u003cbr\u003e\nThe DAC1 and DAC1 USB feature the HPA2™ - Benchmark's signature \nhigh-current, 0-Ohm headphone amplifier. The HPA2™ is arguably the \nultimate reference headphone amplifier. It will deliver the full rated \nperformance of the DAC1 and DAC1 USB to the headphones. The HPA2™ \nmaintains less than 0.0003% THD+N under full load. The DAC1 and the DAC1\n USB both have two 1\/4\" headphone jacks on the front panel. The \nperformance of the HPA2™ remains consistent even when two headphones are\n being driven simultaneously.","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449361297511,"sku":"16325","price":1050.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_dac1_usb_rackmount_1_1.jpg?v=1787088707"},{"product_id":"burl-audio-b2-bomber-dac-demo-deal","title":"Burl Audio B2 Bomber DAC (Demo Deal)","description":"The \u003cb\u003eBurl B2 Bomber DAC\u003c\/b\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an DAC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your DAC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube mic pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering. The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber DAC, the most significant piece of gear in your studio. \u003cul\u003e \u003cli\u003e44.1k Hz to 192k Hz, 24 bit, 2 channel ADC \u003c\/li\u003e\n\u003cli\u003eProprietary, high definition, BURL Audio BX1 transformer input \u003c\/li\u003e\n\u003cli\u003eAll class A, discrete transistors signal path with zero feedback, zero caps \u003c\/li\u003e\n\u003cli\u003eAudiophile quality 6 position attenuator with standard headroom settings \u003c\/li\u003e\n\u003cli\u003eHigh definition metering with simultaneous RMS and peak indication \u003c\/li\u003e\n\u003cli\u003eTwo AES and one SPDIF output with dual AES wire support \u003c\/li\u003e\n\u003cli\u003eBNC word clock input with two outputs of extremely low jitter clock \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 48kHz sample rate is 12Hz to 22kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 96kHz sample rate is 15Hz to 46kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 192kHz sample rate is 18Hz to 94kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003e120dB Dynamic Range (A- weighted), 117dB (no weighting) \u003c\/li\u003e\n\u003cli\u003e-100dB THD+N (+4dBU = -15dBFs) \u003c\/li\u003e\n\u003cli\u003e-94 dB THD+N (+18dBU = -1dBFs) \u003c\/li\u003e\n\u003cli\u003eRugged, Made in USA design\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361625191,"sku":"15736","price":2849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-da-25_10460_1_1.jpg?v=1787088709"},{"product_id":"lavry-black-da-11-demo-deal","title":"Lavry Black DA-11 (Demo Deal)","description":"In keeping with the Lavry Engineering tradition of innovation in the pursuit of excellence, the \u003cspan style=\"font-weight: bold;\"\u003eLavryBlack DA11\u003c\/span\u003e combines customer requested features with a flexible approach to controlling the stereo image. The patent pending \u0026gt;PiC\u0026lt; Playback Image Control™ allows the listener to adjust their position within the stereo sound field in a way that is unique to the DA-11. Applications include adjusting the stereo width to create a headphone listening experience more like listening in a room with speakers, or moving the “sweet spot” with asymmetrical speaker placement.\u003cbr\u003e\u003cbr\u003eA full compliment of USB, XLR, RCA, and optical digital audio inputs offer flexibility in using computer, network music, or stand alone CD player sources, as well as studio equipment. Balanced and unbalanced output options are provided for ease in connection to a wide range of HiFi as well as professional audio gear.\u003cbr\u003e\u003cbr\u003eWith the addition of infrared remote capability, the DA 11 allows the listener to easily control important functions from the listening position with the added benefit of working with most universal remotes. The remote Mute function controls both headphone and main outputs, while a separate main output On\/Off setting makes private headphone listening convenient.\u003cbr\u003e\u003cbr\u003eLike the highly acclaimed LavryBlack DA10, the DA11 offers extreme transparency and musicality in DA conversion with the ability to control speaker volume using digitally controlled ANALOG volume circuitry. This allows the DA11 to be connected directly to a power amp or powered monitors without a preamp for the ultimate in “straight-wire” listening. With unparalleled precision in channel matching throughout the volume range, this feature allows the listener to easily reset the volume to a known level for consistent enjoyment with minimal signal degradation. Like all other programmable settings, the Volume setting is retained in memory when the power is turned “off.”\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eLavry DA11 Features:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUltra low jitter mode to minimize source degradation.\u003c\/li\u003e\n\u003cli\u003ePatent Pending \u0026gt;PiC\u0026lt; Playback Image Control™.\u003c\/li\u003e\n\u003cli\u003eAccepts input sample rates between 30kHz and 200kHz\u003c\/li\u003e\n\u003cli\u003ePotentiometer-free digitally controlled analog volume circuitry.\u003c\/li\u003e\n\u003cli\u003eHigh power discrete headphone output.\u003c\/li\u003e\n\u003cli\u003eXLR, USB, RCA (Coaxial) and Optical (Toslink) digital inputs.\u003c\/li\u003e\n\u003cli\u003eOptional Infrared Remote control\u003c\/li\u003e\n\u003cli\u003ePower On\/Off muting protection on Main and Headphone outputs\u003c\/li\u003e\n\u003cli\u003eBalanced or unbalanced outputs with Polarity Inversion\u003c\/li\u003e\n\u003cli\u003eIncluded XLR to RCA adapters for easy connection to RCA inputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449363886183,"sku":"15987","price":1375.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_da11_1_1.jpg?v=1787088718"},{"product_id":"mytek-digital-stereo96-series-dac-demo-deal","title":"Mytek Digital Stereo96 Series - DAC (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eMytek Stereo96\u003c\/span\u003e series consists of two 1\/3 rack units- the Stereo96 ADC and the Stereo 96 DAC. They are also a part of extended family of 1\/3 rack units which also includes 192kHz capable converters, SRC and Studio Clock. Stereo96 converters can be used as stand-alone devices for variety of studio applications such as mastering, recording and playback, whenever the highest quality conversion is required.\u003cbr\u003e\u003cbr\u003eUsers choose Mytek 8X96 converters primarily for their outstanding sound quality. The sound of Mytek converters can be described as \"transparent\". We design our converters to be as faithful to the signal as possible, rather than follow philosophy of some other manufacturers who offer \"analog\" or \"tube\" sounding converters. Mytek converters are closest to a straight wire, which is especially evident when used at full 24\/96 resolution. Sonically they are equal or better than the most expensive mastering converters. Even when used in 16 bit mode, the Stereo96 converters produce 20dB (10 times) less distortion than typical converters found in budget recording equipment. On Mytek website you can find and download various sound samples to evaluate Stereo96 series sound quality and compare it to the sound of other high end converter units.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eStereo96 DAC\u003c\/span\u003e\u003cbr\u003eStereo96 DAC is a two channel hi-end Digital to Analog converter for recording and mastering applications. The main feature of this converter is its outstanding sound quality which makes it suitable for the most demanding projects when preserving the original signal quality is a required.","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449364869223,"sku":"16850","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_stereo_96_dac_1_1.jpg?v=1787088722"},{"product_id":"weiss-dac2-d-a-converter-demo-deal","title":"Weiss DAC2 D\/A Converter (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eWeiss DAC2\u003c\/span\u003e is a high performance stereo Firewire based digital to analog and digital to digital converter for usage either standalone or in conjunction with a PC or MAC computer.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe DAC2 supports the following conversions:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFirewire to analog\u003c\/li\u003e\n\u003cli\u003eAES\/EBU to analog\u003c\/li\u003e\n\u003cli\u003eFirewire to AES\/EBU\u003c\/li\u003e\n\u003cli\u003eAES\/EBU to Firewire\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures of the DAC2:\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInputs: Digital Audio inputs on Firewire (two connectors), XLR, RCA and Toslink.\u003c\/li\u003e\n\u003cli\u003eOutputs: Stereo analog output on XLR and RCA. Digital Audio output on Firewire, XLR and RCA.\u003c\/li\u003e\n\u003cli\u003eSampling Rates, Wordlength: 44.1, 48, 88.2, 96, 176.4, 192 kHz at up to 24 Bits.\u003c\/li\u003e\n\u003cli\u003eSoftware: Drivers for Windows™ and OSX™ operating systems.\u003c\/li\u003e\n\u003cli\u003ePower Supply: A non-switching power supply is used. The mains voltage can be set to 100..120V or 200..240V.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449368604775,"sku":"13963","price":1695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_dac2_1_1.jpg?v=1787088738"},{"product_id":"antelope-audio-zodiac-gold-w-remote","title":"Antelope Audio Zodiac Gold w\/Remote","description":"\u003cspan style=\"font-weight: bold;\"\u003eAntelope Zodiac Gold\u003c\/span\u003e is anadvanced digital audio converter engineered to deliver pristine audiowith keenly articulated pitch and a spectacular soundstage. This uniquesound is based on Antelope's 64-bit clocking technology used by theworld’s top audio engineers. A custom designed USB controller chipstreams digital audio at 480 Mbits, supporting sample rates up to 384kHz with native drivers. As a preamp, the device allows up to 8 inputsources with auto-detection of active channels with ease and flexibilityto connect to virtually any device. A dual-stage headphone driverarchitecture unveils every sonic detail, while the relay based volumecontrol assures superb stereo imaging at any listening level. Forenhanced user experience your Zodiac comes with aluminum remote controland friendly PC\/Mac software panel.\u003cbr\u003e\u003cbr\u003eA sophisticated and powerful DAC, Pre-Amp and Headphone Amp for most refined tastes.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eUnibody machined aluminum Remote Control\u003c\/li\u003e\n\u003cli\u003eCustom USB chip streams audio up to 384kHz\u003c\/li\u003e\n\u003cli\u003eMatched to 0.05 dB Relay Volume Attenuator\u003c\/li\u003e\n\u003cli\u003eAntelope Oven Clock for supreme stability\u003c\/li\u003e\n\u003cli\u003e64-bit Acoustically Focused Clocking (AFC)\u003c\/li\u003e\n\u003cli\u003eUltra Linear, Dual Stage Headphone Amps\u003c\/li\u003e\n\u003cli\u003eSwitchable (120 or 0 Ohm) HP amp impedance\u003c\/li\u003e\n\u003cli\u003eDe-jittered, re-clocked Digital Audio Outputs\u003c\/li\u003e\n\u003cli\u003e129dB Dynamic Range\u003c\/li\u003e\n\u003cli\u003eAccurate level display for Main volume\u003c\/li\u003e\n\u003cli\u003eMono summing function\u003c\/li\u003e\n\u003cli\u003eMute (soft dim \u0026amp; full mute)\u003c\/li\u003e\n\u003cli\u003ePC\/Mac Software Control Panel\u003c\/li\u003e\n\u003cli\u003eAudiophile Double-linear Power Supply option\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eConnections\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e2x Headphone Outputs on 1\/4” TRS\u003c\/li\u003e\n\u003cli\u003eTrim-able balanced Analog Outputs on XLR\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Outputs on RCA\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Inputs on 1\/4” TRS\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Inputs on RCA\u003c\/li\u003e\n\u003cli\u003eAES\/EBU Digital Input\u003c\/li\u003e\n\u003cli\u003e2x S\/PDIF coaxial Inputs\u003c\/li\u003e\n\u003cli\u003e2x Optical TOSLINK inputs\u003c\/li\u003e\n\u003cli\u003eUSB on standard B type connector\u003c\/li\u003e\n\u003cli\u003eWord Clock Input on BNC\u003c\/li\u003e\n\u003cli\u003eDe-jittered AES\/EBU Output\u003c\/li\u003e\n\u003cli\u003eDe-jittered 2x S\/PDIF Outputs\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003e\u003c\/span\u003e \u003cspan style=\"font-weight: bold;\"\u003eUp to 384 kHz Sampling Rate\u003c\/span\u003e\u003cbr\u003eAntelope Audio is one of the first to offer 384kHz capability. In doingso, we hope to match and exceed the expectations of even the mostcritical of ears. Now audiophiles can enjoy the highest bandwidth that aUSB 2.0 interface can provide for audio.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eStepped Relay Volume Attenuator\u003c\/span\u003e\u003cbr\u003eWhen adjusting volumes, it’s imperative that the stereo image remaincompletely intact. The Zodiac Gold achieves this by incorporatingstepped relays that are matched to 0,05 dB to maintain the most accuratestereo balance at all volume levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePC\/MAC Software Control Panel\u003c\/span\u003e\u003cbr\u003eComputer-based audio sources have become more and more popular in theaudiophile community. To enhance the use of the Zodiac with USB, wedesigned a Software Control Panel that improves the interaction betweencomputer and converter. Antelope’s Intuitive software helps combinegreat sound with ease of use.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRemote Control\u003c\/span\u003e\u003cbr\u003eThe stylish champagne colored Zodiac Gold is matched perfectly to it’selegant aluminum unibody remote control. This isn’t just another remotecontrol to toss under a coffee table, it’s a beautifully crafted devicethat will enhance the experience of owning a Zodiac Gold.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eProfessional features\u003c\/span\u003e\u003cbr\u003eAdded flexibility for the professional user makes for a distinctlypowerful device: AES Input, fine trimmers on the balanced outputs, monobutton, mute select (soft \u0026amp; full), transparent analog inputs, BNCword clock input, 384kHz USB.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eDe-Jittered Audio Output\u003c\/span\u003e\u003cbr\u003eDigital outputs on AES\/EBU and S\/PDIF offer all the benefits ofAntelope’s 64-bit Acoustically Focused Clocking, so external devicesgain significant sonic advantages when connected to Zodiac Gold.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSource Switching\u003c\/span\u003e\u003cbr\u003eWith a number of different inputs available, you can monitor manysources such as CD, Laptop, DAW or Mixers and Keyboards. Balanced andunbalanced inputs at both +4db and -10db allows tremendous flexibility,while auto detection of connected devices means source selection issimple and convenient.\u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eOven Controlled Clock\u003c\/span\u003e\u003cbr\u003eOften overlooked, the quality of the clock is extremely important whenhigh quality audio is desired. The clock is housed in a shieldedcontainer where the temperature is kept constant, therefore bringingsignificant benefits to the detail, dynamics and stereo placement of theaudio.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e64-Bit Technology\u003c\/span\u003e\u003cbr\u003eSophisticated 64-bit algorithms allow precise control over ourAcoustically Focused Clocking (AFC) and Jitter Management; two criticalcomponents to improve audio via clocking. The incoming digital signal isbrought to life with this unique 64-bit technology, resulting in smoothand detailed audio whatever the method of digital connectivity.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAntelope Performance USB\u003c\/span\u003e\u003cbr\u003eCustom implementation of the USB chip leads to extreme audio performanceand comprehensive support for your system. There are user selectablemodes tailored to suit both Mac and PC; and with a data transfer rate of480Mbits flawless audio is achieved with native drivers.\u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eSmooth Headphones\u003c\/span\u003e\u003cbr\u003eUltra Linear, Dual Stage Headphone Amps deliver smooth sound at bothhigh and low levels. Custom designed for accurate monitoring with a widerange of headphone impedances. Controlled by a dedicated volume knob.For different sound texture the amplifier impedance is switchablebetween 120 and 0 Ohm.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eCutting-edge design\u003c\/span\u003e\u003cbr\u003eTo preserve the full bit resolution of the DAC, volume adjustment isentirely in the analog domain. Separate analog and digital powersupplies eliminate digital cross-talk. This is further enhanced bykeeping analog and digital circuits on separate PCB’s. These gold platedboards utilize large internal ground plains, canceling noise andvoltage shifts.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eNuts and Bolts\u003c\/span\u003e\u003cbr\u003eAll component decisions for Zodiac Gold are based on a passion toproduce something very special - technically, musically andaesthetically. Built with many solid aluminum parts and also very cuteon the eye, it will be your pride and joy just like it is our passion.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAudiophile Power Supply (Optional)\u003c\/span\u003e\u003cbr\u003eUltra-low noise, triple regulated analog PSU offered separately orbundled provides a piece of mind that the noise, spikes and distortionfrom the power grid won’t make their way to your high-end audio system.Because we’re not just protecting the Zodiac Gold, but also your amp,your speakers and most importantly, your ears.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIn the box\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eZodiac Gold HD Audiophile 384kHz D\/A converter\u003c\/li\u003e\n\u003cli\u003eRemote Control\u003c\/li\u003e\n\u003cli\u003ePrinted Documentation\u003c\/li\u003e\n\u003cli\u003eMobile DC Power Supply\u003c\/li\u003e\n\u003cli\u003eIEC type power cable\u003c\/li\u003e\n\u003cli\u003eUSB cable\u003c\/li\u003e\n\u003cli\u003eOptical TOSLINK cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449381580903,"sku":"14957","price":3895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_zodiac_gold_w_remote.jpg?v=1787088788"},{"product_id":"antelope-audio-zodiac-with-voltikus-power-supply","title":"Antelope Audio Zodiac+ with Voltikus Power Supply","description":"Whether you are a sound engineer orchestrating delicate mix or masteringsessions, an audiophile searching for superior sound, or simplymonitoring a DAW at 192kHz, \u003cspan style=\"font-weight: bold;\"\u003eAntelope Zodiac+\u003c\/span\u003eis especially designed to cross-link these worlds and allow you toenter a new realm of detail and satisfaction with your musical creationor listening experience.\u003cbr\u003e \u003cbr\u003e Zodiac+ wipes the virtual dust from your monitor speakers, widening thepicture and adding more details, revealing extra dimension in thespectrum of music.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eProfessional features\u003c\/span\u003e\u003cbr\u003e Added flexibility for the professional user makes for a distinctlypowerful device: AES Input, fine trimmers on the balanced outputs, monobutton, mute select (soft \u0026amp; full), transparent analog inputs, BNCword clock input, 192kHz USB.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eDe-Jittered Audio Output\u003c\/span\u003e\u003cbr\u003e Digital outputs on AES\/EBU and S\/PDIF offer all the benefits ofAntelope’s 64-bit Acoustically Focused Clocking, so external devicesgain significant sonic advantages when connected to Zodiac+.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSource Switching\u003c\/span\u003e\u003cbr\u003e With a number of different inputs available, you can monitor manysources such as CD, Laptop, DAW or Mixers and Keyboards. Balanced andunbalanced inputs at both +4db and -10db allows tremendous flexibility,while auto detection of connected devices means source selection issimple and convenient.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eOven Controlled Clock\u003c\/span\u003e\u003cbr\u003e Often overlooked, the quality of the clock is extremely important whenhigh quality audio is desired. The clock is housed in a shieldedcontainer where the temperature is kept constant, therefore bringingsignificant benefits to the detail, dynamics and stereo placement of theaudio.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003e64-Bit Technology\u003c\/span\u003e\u003cbr\u003e Sophisticated 64-bit algorithms allow precise control over ourAcoustically Focused Clocking (AFC) and Jitter Management; two criticalcomponents to improve audio via clocking. The incoming digital signal isbrought to life with this unique 64-bit technology, resulting in smoothand detailed audio whatever the method of digital connectivity.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAntelope Performance USB\u003c\/span\u003e\u003cbr\u003e Custom implementation of the USB chip leads to extreme audio performanceand comprehensive support for your system. There are user selectablemodes tailored to suit both Mac and PC; and with a data transfer rate of480Mbits flawless audio is achieved with native drivers.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eSmooth Headphones\u003c\/span\u003e\u003cbr\u003e Ultra Linear, Dual Stage Headphone Amps deliver smooth sound at bothhigh and low levels. Custom designed for accurate monitoring with a widerange of headphone impedance's. Controlled by a dedicated volume knob.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCutting-edge design\u003c\/span\u003e\u003cbr\u003e To preserve the full bit resolution of the DAC, volume adjustment isentirely in the analog domain. Separate analog and digital powersupplies eliminate digital cross-talk. This is further enhanced bykeeping analog and digital circuits on separate PCB’s. These gold platedboards utilize large internal ground plains, canceling noise andvoltage shifts.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eNuts and Bolts\u003c\/span\u003e\u003cbr\u003e All component decisions for Zodiac+ are based on a passion to producesomething very special - technically, musically and aesthetically. Builtwith many solid aluminum parts and also very cute on the eye, it willbe your pride and joy just like it is our passion.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eCustom USB chip streams audio up to 192kHz\u003c\/li\u003e\n\u003cli\u003eAntelope Oven Clock for supreme stability\u003c\/li\u003e\n\u003cli\u003e64-bit Acoustically Focused Clocking (AFC)\u003c\/li\u003e\n\u003cli\u003e129dB Dynamic Range\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.0004%\u003c\/li\u003e\n\u003cli\u003eUltra Linear, Dual Stage Headphone Amps\u003c\/li\u003e\n\u003cli\u003eDe-jittered, re-clocked Digital Audio Outputs\u003c\/li\u003e\n\u003cli\u003ePrecision Trim Pots for Balanced Analog Outs\u003c\/li\u003e\n\u003cli\u003eAccurate Level Display for Main Volume\u003c\/li\u003e\n\u003cli\u003eMute (soft dim \u0026amp; full mute)\u003c\/li\u003e\n\u003cli\u003eMono summing function\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eConnections\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eAES\/EBU Digital Input\u003c\/li\u003e\n\u003cli\u003e2x S\/PDIF coaxial Inputs\u003c\/li\u003e\n\u003cli\u003e2x Optical TOSLINK inputs\u003c\/li\u003e\n\u003cli\u003eUSB on mini B type connector\u003c\/li\u003e\n\u003cli\u003eWord Clock Input on BNC\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Outputs on XLR\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Outputs on RCA\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Inputs on 1\/4” TRS\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Inputs on RCA\u003c\/li\u003e\n\u003cli\u003eDigital Outputs on AES\/EBU and S\/PDIF\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449381613671,"sku":"17296","price":3595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_zodiac__1_1_8bf74939-e11a-4393-8c11-c4788af4ea3d.jpg?v=1787088788"},{"product_id":"mytek-digital-stereo192-dsd-dac-silver-preamp-version","title":"Mytek Digital Stereo192-DSD DAC Silver Preamp Version","description":"\u003cp\u003eThe \u003cstrong\u003eMytek Digital Stereo192-DSD-DAC\u003c\/strong\u003e is not just another USB DAC. It’s the next generation DAC with computer interface. It includes all the latest of both interface and conversion technology: asynchronous operation with ultra stable jitter free internal clock, 192k and DSD playback capability, the newest, high performance Sabre(tm) DAC in 8 mono channel to two stereo configuration, high performance hardware upsampling, new design of ultra transparent analog attenuator and high current, high slew rate headphone amp. All this assembled with hand-picked high quality metal film resistors, solid and low impedance capacitors and other selected parts. Most importantly, countless listening comparisons lead to this design resulting in sonic detail and transparency superior not only to the competition but also to Mytek's own best designs to date.\u003cbr\u003e\u003cbr\u003eStereo192-DSD-DAC is designed to provide easy intuitive access to all of its features. Unique to the industry is a choice of several computer interfaces that provide flexibility and ease of use whether quick plug and play or sophisticated native DSD or 192k operation is required. Both Mac and Windows Operating Systems are supported with future firmware updates available on the Mytek website for downloads.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStereo192-DSD-DAC Silver Preamp Version\u003c\/strong\u003e\u003cbr\u003eThis version is intended for computer audiophiles who prefer a minimalistic look with not too many lights and is intended for both computer audiophile playback and mastering\/professional audio monitoring. A pair of unbalanced analog inputs can be selected in addition to all available digital inputs. As with other inputs, it can be routed via the analog stepped attenuator to both main outputs and headphones. The “Silver Pre” version has the same functionality, specs, sound quality and firm- ware as the “Black Pre” version with the exception of the black front panel and the presence of LED level meters. Functionality, technical specs and sound quality are the same for all 3 versions with the exception of the analog vs. SDIF DSD inputs, color of panel and presence of LED level meters.\u003c\/p\u003e","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449387348071,"sku":"18436","price":1495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_stereo192-dsd-dac_preamp_silver.jpg?v=1787088811"},{"product_id":"dad-ax24-6-channel-d-a-dsd","title":"DAD AX24 6 Channel D\/A - DSD","description":"\u003cb style=\"font-weight: bold;\"\u003eThe DAD AX24 Converter System\u003c\/b\u003e\u003cspan style=\"font-weight: bold;\"\u003e is Musical, Correct, and Flexible\u003c\/span\u003e\u003cbr\u003e AX24 allows you to config the number of line and Mic channels that you need at the sample rate currently used. Analog in and output channels can be expanded in pairs of two. Especially configurations like 2 or 4 analog input channels and 6 analog output channels are very suitable for mastering or multi-track productions where only few analog input channels are used simultaneously but monitoring in 5.1. is essential. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eFully Modular - 224 different configurations\u003c\/li\u003e\n\u003cli\u003eSample rates and I\/O structure can be upgraded\u003c\/li\u003e\n\u003cli\u003eFrom 2 to 8 analog Line or Mic input channels\u003c\/li\u003e\n\u003cli\u003eFrom 2 to 8 analog output channels\u003c\/li\u003e\n\u003cli\u003e24 bit PCM sample rates up to 384 kHz\u003c\/li\u003e\n\u003cli\u003eDXD sample-rate: 352.8 kHz\u003c\/li\u003e\n\u003cli\u003eDSD sample rates: 64fs \u0026amp; 128 fs \u003c\/li\u003e\n\u003cli\u003eDigital I\/O: MADI, AES3, TDIF, and ProTools\u003c\/li\u003e\n\u003cli\u003eDigital DSD formats compatible with MADI and SDIF-3\u003c\/li\u003e\n\u003cli\u003eIntegrated Mic pre with analog gain\u003c\/li\u003e\n\u003cli\u003eFull remote controllable via RS-422, USB or Ethernet\u003c\/li\u003e\n\u003cli\u003eMic pre controls can be represented on the channel strip of major consoles and work stations\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003e24 bit PCM sample rates up to 384 kHz\u003c\/b\u003e, \u003cb\u003eDXD and DSD\u003cbr\u003e \u003c\/b\u003eAX24 is based on the Digital Audio Denmark high quality multi bit converter and modulator design, using a 5 bit delta sigma modulator. AX24 offers A\/D and D\/A conversion in PCM up-tp 384 kHz, DSD at 64fs or 128fs and DXD at a sample-rate of 352.8 kHz. AX24 covers applications for music recording as well as mastering and monitoring in DSD. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eMic pre with analog gain\u003c\/b\u003e in 3 dB steps and digital gain with 0.25 dB accuracy is available for AX24 providing a sonically very transparent integrated Mic pre and ADC design. The Dynamic range is between 118 \u0026amp; 121 dB and the Mic pre equivalent noise floor is at -130 dB. AX24 offers an impressive dynamic range , making it the quietest and most transparent converter on the market. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFull remote controllable via USB or Ethernet\u003cbr\u003e \u003c\/b\u003eAX24 is ideally suited for stage box applications or machine room environment, due to the powerful remote control. The remote control interface is RS-422 and can be adapted to USB, Ethernet or other data formats providing a very flexible control structure. \u003cbr\u003e\u003cbr\u003e\u003cb style=\"font-weight: bold;\"\u003eThe DADman control utilities,\u003c\/b\u003e\u003cspan style=\"font-weight: bold;\"\u003e provides various control interfaces for MAC and PC\u003cbr\u003e \u003c\/span\u003eThis enables the Mic pre controls can be represented on the channel strip of major consoles, and various DAW including ProTools HD \u003cbr\u003e\u003cbr\u003e\u003cb\u003eModular Interface structure\u003c\/b\u003e\u003cbr\u003e All DAD-I\/O modules are available for AX24 providing interfacing for the most used PCM formats up-to 96 kHz. Additionally the 8 channel AES3 module can interface 192 kHz and 384 kHz on a multiple wire interface.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe MADI interface\u003c\/b\u003e\u003cbr\u003e Supports all the sampling formats of the AX24, and is an extremely powerful and capable interface MADI which input and output all the PCM rates up-to 192 kHz as well as DSD and DXD. The interface can be configured to operate in a daisy chain for connecting more converters to the same MADI link. The MADI interface and the converter can be set to access any of the up-to 64 MADI channels in any configuration in blocks of 8 consecutive channels. All \"unused\" channels are linked trough the interface with very low latency of only a few samples. \u003cbr\u003e\u003cbr\u003e\u003cb style=\"font-weight: bold;\"\u003eExternal synchronization\u003c\/b\u003e\u003cspan style=\"font-weight: bold;\"\u003e to AES 11, Word Clock, Super clock or video (PAL, NTSC, SECAM)\u003c\/span\u003e\u003cbr\u003e The built-in PLL circuit is able to correct for minor variations in the external sync clock signal, giving a very stable adaptation to the external synchronization signal. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eSync alarm\u003c\/b\u003e\u003cbr\u003e If a digital output is chosen with the DA source button, and the digital input for some reason is out of synchronization, the red Sync alarm LED will blink. This function is available to secure that the whole recording system is synchronized. The function can be turned off in the system menu.","brand":"Digital Audio Denmark","offers":[{"title":"Default Title","offer_id":44449415331943,"sku":"18120","price":6890.28,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dad_ax24_6channel_da_61cdfbab-8643-4a94-89cc-6c61dde8d84d.jpg?v=1787088906"},{"product_id":"black-lion-audio-sparrow-dac-red","title":"Black Lion Audio Sparrow DAC - Red","description":"\u003cp\u003eBlack Lion Audio proudly offers the \u003cspan style=\"font-weight: bold;\"\u003eSparrow DAC\u003c\/span\u003e.  Designed around the 32 bit capable ESS9012 chip, the Sparrow D\/A  features wide dynamic range and detailed, musical conversion that's as  functional in the project studio as it is in the mastering facility.\u003c\/p\u003e\n\u003cp\u003eThe Sparrow D\/A features user selectable AES, coax SPDIF, and optical  SPDIF for input connectivity. Output connections include both balanced  XLR for pro studio, consumer level RCA for home stereo, and a high  current Walt Jung-inspired headphone output. Two mute buttons allow for  independent control of line or headphone signals. Front panel volume  control governs headphone outputs, and line output level is fixed.\u003c\/p\u003e\n\u003cp\u003eThe Sparrow D\/A converter is available in two platforms: red and  white. The red model offers similar performance to our FM192 converter's  D\/A. The white Sparrow D\/A features our most advanced clocking  architecture, and is designed to be the counterpart to our white Sparrow  mk2 A\/D converter.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449440563303,"sku":"22259","price":1599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/black_lion_sparrow_dac_red_000d4e16-4838-40be-a6f2-971de6ad757d.jpg?v=1787088967"},{"product_id":"antelope-audio-zodiac-gold-w-remote-voltikus-power-supply","title":"Antelope Audio Zodiac Gold w\/Remote \u0026 Voltikus Power Supply","description":"\u003cspan style=\"font-weight: bold;\"\u003eAntelope Zodiac Gold\u003c\/span\u003e is an   advanced digital audio converter engineered to deliver pristine audio   with keenly articulated pitch and a spectacular soundstage. This unique   sound is based on Antelope's 64-bit clocking technology used by the   world’s top audio engineers. A custom designed USB controller chip   streams digital audio at 480 Mbits, supporting sample rates up to 384   kHz with native drivers. As a preamp, the device allows up to 8 input   sources with auto-detection of active channels with ease and flexibility   to connect to virtually any device. A dual-stage headphone driver   architecture unveils every sonic detail, while the relay based volume   control assures superb stereo imaging at any listening level. For   enhanced user experience your Zodiac comes with aluminum remote control   and friendly PC\/Mac software panel.\u003cbr\u003e  \u003cbr\u003e  A sophisticated and powerful DAC, Pre-Amp and Headphone Amp for most refined tastes.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eUnibody machined aluminum Remote Control\u003c\/li\u003e\n\u003cli\u003eCustom USB chip streams audio up to 384kHz\u003c\/li\u003e\n\u003cli\u003eMatched to 0.05 dB Relay Volume Attenuator\u003c\/li\u003e\n\u003cli\u003eAntelope Oven Clock for supreme stability\u003c\/li\u003e\n\u003cli\u003e64-bit Acoustically Focused Clocking (AFC)\u003c\/li\u003e\n\u003cli\u003eUltra Linear, Dual Stage Headphone Amps\u003c\/li\u003e\n\u003cli\u003eSwitchable (120 or 0 Ohm) HP amp impedance\u003c\/li\u003e\n\u003cli\u003eDe-jittered, re-clocked Digital Audio Outputs\u003c\/li\u003e\n\u003cli\u003e129dB Dynamic Range\u003c\/li\u003e\n\u003cli\u003eAccurate level display for Main volume\u003c\/li\u003e\n\u003cli\u003eMono summing function\u003c\/li\u003e\n\u003cli\u003eMute (soft dim \u0026amp; full mute)\u003c\/li\u003e\n\u003cli\u003ePC\/Mac Software Control Panel\u003c\/li\u003e\n\u003cli\u003eAudiophile Double-linear Power Supply option\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eConnections\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003e2x Headphone Outputs on 1\/4” TRS\u003c\/li\u003e\n\u003cli\u003eTrim-able balanced Analog Outputs on XLR\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Outputs on RCA\u003c\/li\u003e\n\u003cli\u003eBalanced Analog Inputs on 1\/4” TRS\u003c\/li\u003e\n\u003cli\u003eUnbalanced Analog Inputs on RCA\u003c\/li\u003e\n\u003cli\u003eAES\/EBU Digital Input\u003c\/li\u003e\n\u003cli\u003e2x S\/PDIF coaxial Inputs\u003c\/li\u003e\n\u003cli\u003e2x Optical TOSLINK inputs\u003c\/li\u003e\n\u003cli\u003eUSB on standard B type connector\u003c\/li\u003e\n\u003cli\u003eWord Clock Input on BNC\u003c\/li\u003e\n\u003cli\u003eDe-jittered AES\/EBU Output\u003c\/li\u003e\n\u003cli\u003eDe-jittered 2x S\/PDIF Outputs\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003e\u003c\/span\u003e \u003cspan style=\"font-weight: bold;\"\u003eUp to 384 kHz Sampling Rate\u003c\/span\u003e\u003cbr\u003e   Antelope Audio is one of the first to offer 384kHz capability. In  doing  so, we hope to match and exceed the expectations of even the most   critical of ears. Now audiophiles can enjoy the highest bandwidth that  a  USB 2.0 interface can provide for audio.\u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight: bold;\"\u003eStepped Relay Volume Attenuator\u003c\/span\u003e\u003cbr\u003e   When adjusting volumes, it’s imperative that the stereo image remain   completely intact. The Zodiac Gold achieves this by incorporating   stepped relays that are matched to 0,05 dB to maintain the most accurate   stereo balance at all volume levels.\u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight: bold;\"\u003ePC\/MAC Software Control Panel\u003c\/span\u003e\u003cbr\u003e   Computer-based audio sources have become more and more popular in the   audiophile community. To enhance the use of the Zodiac with USB, we   designed a Software Control Panel that improves the interaction between   computer and converter. Antelope’s Intuitive software helps combine   great sound with ease of use.\u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight: bold;\"\u003eRemote Control\u003c\/span\u003e\u003cbr\u003e   The stylish champagne colored Zodiac Gold is matched perfectly to it’s   elegant aluminum unibody remote control. This isn’t just another  remote  control to toss under a coffee table, it’s a beautifully crafted  device  that will enhance the experience of owning a Zodiac Gold.\u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight: bold;\"\u003eProfessional features\u003c\/span\u003e\u003cbr\u003e   Added flexibility for the professional user makes for a distinctly   powerful device: AES Input, fine trimmers on the balanced outputs, mono   button, mute select (soft \u0026amp; full), transparent analog inputs, BNC   word clock input, 384kHz USB.\u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight: bold;\"\u003eDe-Jittered Audio Output\u003c\/span\u003e\u003cbr\u003e   Digital outputs on AES\/EBU and S\/PDIF offer all the benefits of   Antelope’s 64-bit Acoustically Focused Clocking, so external devices   gain significant sonic advantages when connected to Zodiac Gold.\u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight: bold;\"\u003eSource Switching\u003c\/span\u003e\u003cbr\u003e   With a number of different inputs available, you can monitor many   sources such as CD, Laptop, DAW or Mixers and Keyboards. Balanced and   unbalanced inputs at both +4db and -10db allows tremendous flexibility,   while auto detection of connected devices means source selection is   simple and convenient.\u003cbr\u003e \u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAntelope Voltikus\u003c\/span\u003e is a sleek  heavy-duty Power Supply Unit (PSU) designed to perfectly match your  Zodiac DAC. Carefully tailored to deliver uncompromised power, Voltikus  helps Zodiac achieve the punch and sonic richness of deep lows, a full  range of mids, and tightly defined highs. This degree of performance is  accomplished by incorporating a hefty, custom-wound, electrostatically  shielded toroidal transformer followed by a unique concept of three  cascaded power regulators. A precision laser-trimmed voltage reference  (LT1021) serves as the backbone of this discrete design, achieving the  stability impossible with off-the-shelf voltage regulators. Voltikus is a  true engineering breakthrough from Antelope's respected team of  high-end audio experts. \u003cbr\u003e    \u003cbr\u003e    \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e  \u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eAudiophile grade PSU perfectly matching Zodiac DACs in aesthetics and performance\u003c\/li\u003e\n\u003cli\u003eUnique multi-stage linear regulator topology achieves vastly superior stability\u003c\/li\u003e\n\u003cli\u003eToroidal transformer with custom electrostatic shield suppresses power line disturbances\u003c\/li\u003e\n\u003cli\u003eGround \/ Lift switch helps eliminate hum and buzz caused by ground loops\u003c\/li\u003e\n\u003cli\u003eWide (90-250V) input voltage range ensures dependable operation under varying line conditions\u003c\/li\u003e\n\u003cli\u003eAdvanced discrete design dispenses with the need for noisy off-the-shelf voltage regulators\u003c\/li\u003e\n\u003cli\u003eRobust sturdy construction with custom machined aluminum front panel \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449440596071,"sku":"17123","price":4495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_zodiac_gold_remote_psu_38baa698-1044-470e-84ec-de07392d7bd3.jpg?v=1787088967"},{"product_id":"black-lion-audio-sparrow-dac-white","title":"Black Lion Audio Sparrow DAC - White","description":"\u003cp\u003eBlack Lion Audio proudly offers the \u003cspan style=\"font-weight: bold;\"\u003eSparrow DAC\u003c\/span\u003e.  Designed around the 32 bit capable ESS9012 chip, the Sparrow D\/A  features wide dynamic range and detailed, musical conversion that's as  functional in the project studio as it is in the mastering facility.\u003c\/p\u003e\n\u003cp\u003eThe Sparrow D\/A features user selectable AES, coax SPDIF, and optical  SPDIF for input connectivity. Output connections include both balanced  XLR for pro studio, consumer level RCA for home stereo, and a high  current Walt Jung-inspired headphone output. Two mute buttons allow for  independent control of line or headphone signals. Front panel volume  control governs headphone outputs, and line output level is fixed.\u003c\/p\u003e\n\u003cp\u003eThe Sparrow D\/A converter is available in two platforms: red and  white. The red model offers similar performance to our FM192 converter's  D\/A. The white Sparrow D\/A features our most advanced clocking  architecture, and is designed to be the counterpart to our white Sparrow  mk2 A\/D converter.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":44449440661607,"sku":"22260","price":1799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/black_lion_sparrow_dac_white_148dc71d-d5bb-4674-ac5a-a6e233cd1df9.jpg?v=1787088968"},{"product_id":"benchmark-dac1-pre-used","title":"Benchmark DAC1 Pre (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eBenchmark DAC1 Pre\u003c\/strong\u003e features 5 digital inputs and two relay-selected analog inputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBenchmark's award-winning DAC1 has become a standard in the finest recording studios and mastering rooms.  Audio engineers rely of the accurate, uncolored, and precise sound of Benchmark DAC1 converters. The DAC1 is free from digital artifacts and its sound has a true analog character that eliminates the fatigue caused by many digital devices. All DAC1 converters are designed for professional applications, but many audiophiles have discovered the smooth and detailed sound of the DAC1. Benchmark's professional DAC1 converters have become a centerpiece in may home listening rooms.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DAC1 PRE is a reference-quality professional converter that is equally suited for the finest audiophile systems.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFEATURES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe DAC1 PRE preserves the exact topology and sound of the audio path in the classic DAC1, while adding some of the most frequently requested features.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DAC1 PRE has all of the features of the DAC1 plus:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eRelay-selected analog inputs\u003c\/li\u003e\r\n\u003cli\u003eUSB Audio 1.1 interface (96 kHz, 24 bits)\u003c\/li\u003e\r\n\u003cli\u003e1 additional digital input for a total of 3 coaxial, 1 optical, and 1 USB\u003c\/li\u003e\r\n\u003cli\u003eRotary input selector\u003c\/li\u003e\r\n\u003cli\u003eHigh-quality gold-plated machined RCA connectors\u003c\/li\u003e\r\n\u003cli\u003eConcealed calibration trimmers (to prevent tampering)\u003c\/li\u003e\r\n\u003cli\u003eProgrammable headphone gain with 3 settings (0 dB, -10 dB, and -20 dB)\u003c\/li\u003e\r\n\u003cli\u003eProgrammable mute switch on left headphone jack\u003c\/li\u003e\r\n\u003cli\u003eMade in the USA\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Benchmark","offers":[{"title":"Default Title","offer_id":44449449148519,"sku":"22280","price":855.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/benchmark_dac_pre_main_08cba073-e95c-4d43-acb2-abde09a1f838.jpg?v=1787088997"},{"product_id":"prism-ada-8xr-analogue-output-card-used","title":"Prism ADA-8XR Analogue Output Card (Used)","description":"The Analogue Line Output Module type PREV039\/5\/1 provides eight electronically-balanced\u003cbr\u003eanalogue output channels from the ADA-8, on eight male XLR connectors.\u003cbr\u003eOutput line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to\u003cbr\u003e0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.\u003cbr\u003eControl of the output line-up level and trim is via menus which are present in the ADA-8 Menu\u003cbr\u003eSystem if the Module is present.","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449453899879,"sku":"19547","price":575.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_prism_ada-8xr_analogue_output_card_e837111d-434e-4430-9919-8eb77e0ca187.jpg?v=1787089018"},{"product_id":"schoeps-mini-da42","title":"Schoeps Mini-DA42","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSchoeps Mini-DA42\u003c\/span\u003e serves for  powering digital microphones (especially the SuperCMIT) and for  converting their output signals to analog. It allows to operate digital  microphones at devices which only offer analog inputs.\u003cbr\u003e \u003cbr\u003e \u003cul\u003e\n\u003cli\u003eInputs: AES42, Mode 1 (XLR-3F, 110 Ohms, black label)\u003c\/li\u003e\n\u003cli\u003eOutputs (available through included Sub-D breakout cable):\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eAES3 (XLR-3M, 110 Ohms, blue label)\u003c\/li\u003e\n\u003cli\u003e2 × analog (XLR-3M, yellow and red label), balanced, referring to ground, maximum cable length: 300 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eIndicators: Green LED for power; red LED for \"unlocked\" (turns off  when a digital microphone is connected and the circuitry of the  Mini-DA42 locks on to that signal).\u003c\/li\u003e\n\u003cli\u003ePower: DC 12 - 18 V \/ 200 - 500 mA, available through included AC  adapter (type designation: VMS-DCW) for 100 - 240 V, 50 \/ 60 Hz with  HIROSE plug.\u003c\/li\u003e\n\u003cli\u003eOperation is also possible with other AC adapter models or batteries \/ rechargeable batteries.\u003c\/li\u003e\n\u003cli\u003eDynamic range of the Mini-DA42:\u003c\/li\u003e\n\u003cli\u003e112 dB (A, RMS), \u0026gt;98dB (CCIR, q-peak)\u003c\/li\u003e\n\u003cli\u003eDynamic range of the SuperCMIT with the Mini-DA42:\u003c\/li\u003e\n\u003cli\u003e\u0026gt;107 dB (A, RMS), \u0026gt;96dB (CCIR, q-peak)\u003c\/li\u003e\n\u003c\/ul\u003e Includes 15-pin to (4) XLR-3 cable, AES-42 In, AES-3 and (2) analog outs","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":44449466024039,"sku":"18605","price":988.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/shoeps_mini_da42_top_c5025a2a-00ce-404e-9772-665fd2d8e4c4.jpg?v=1787089058"},{"product_id":"mytek-digital-stereo96-series-dac-used","title":"Mytek Digital Stereo96 Series - DAC (Used)","description":"The Mytek Stereo96 series consists of two 1\/3 rack units- the Stereo96 ADC and the Stereo 96 DAC. They are also a part of extended family of 1\/3 rack units which also includes 192kHz capable converters, SRC and Studio Clock. Stereo96 converters can be used as stand-alone devices for variety of studio applications such as mastering, recording and playback, whenever the highest quality conversion is required.\n\nUsers choose Mytek 8X96 converters primarily for their outstanding sound quality. The sound of Mytek converters can be described as \"transparent\". We design our converters to be as faithful to the signal as possible, rather than follow philosophy of some other manufacturers who offer \"analog\" or \"tube\" sounding converters. Mytek converters are closest to a straight wire, which is especially evident when used at full 24\/96 resolution. Sonically they are equal or better than the most expensive mastering converters. Even when used in 16 bit mode, the Stereo96 converters produce 20dB (10 times) less distortion than typical converters found in budget recording equipment. On Mytek website you can find and download various sound samples to evaluate Stereo96 series sound quality and compare it to the sound of other high end converter units.\n\nStereo96 DAC\nStereo96 DAC is a two channel hi-end Digital to Analog  converter for recording and mastering applications. The main feature of this converter is its outstanding sound quality which makes it suitable for the most demanding projects when preserving the original signal quality is a required.","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449474936935,"sku":"15236","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_15236_1_56f527f0-4e6a-43d2-95a1-9dd4bb948026.jpg?v=1787089096"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-interfaces-and-digital-converters-digital-to-analog-converters.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}