{"title":"Format \/ Sampling Rate Converters","description":null,"products":[{"product_id":"prism-dream-ad-2","title":"Prism Dream AD-2","description":"The \u003cb\u003ePrism Sound Dream AD-2\u003c\/b\u003e is the definitive music A\/D converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The AD-2 conversion system provides an audio stream of such exceptional quality that it will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. It offers a wealth of sophisticated features as well as high-performance, multi-rate A\/D conversion for the most exacting applications in sound recording, mastering and broadcast. \u003cp\u003e\u003cb\u003ePerformance\u003c\/b\u003e\u003cbr\u003eConverter performance is pushed ever-nearer the limit: Dynamic range reaches a massive 130dB, THD+n at full scale is raised to 108dB (0.0005%). Clock stability, and rejection of incoming reference jitter are also improved. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFlexibility\u003c\/b\u003e\u003cbr\u003eThe AD-2 is like two separate A\/D converters, plus a digital processor, all in one: it can generate two entirely separate output signals simultaneously. These can have different sampling rates, different word-lengths - even use different noise-shapers. For example, you can output a 96kHz \/ 24-bit signal and a 44.1kHz \/ 16-bit noise-shaped signal at the same time. \u003cbr\u003e\u003cbr\u003eApart from its breathtaking performance, the analogue front-end of the AD-2 includes many new features: Analogue input sensitivity (and inter-channel balance) is software-programmable over the entire range with 0.05dB resolution. Just as with the AD-1, the inputs are transformerless, electronically balanced and galvanically isolated (fully floating), to ensure freedom from noise pick-up and crosstalk. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eDigital to Digital Sample Rate Conversion\u003c\/b\u003e\u003cbr\u003eThe 'D-D' (digital-to-digital) path, first provided in the AD-1, has been improved still further in the AD-2: It still offers re-dithering, noise-shaping and DRE encoding \/ decoding, but now it has synchronous sample-rate-conversion (SRC) as well. So you can re-process your 96kHz, 24-bit masters to 44.1kHz 16-bit streams for CD, or you can up-sample low-rate recordings for post-processing at a higher rate... in fact, you can convert between any two standard sampling-rates - synchronously. Synchronous sample-rate-conversion, if correctly performed, is free of the distortion artifacts associated with conventional 'variable-rate' SRCs. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eNoise Shaping\u003c\/b\u003e\u003cbr\u003eThe four tried and tested Super-Noise-Shaping ('SNS') curves are extended to include optimal shaping for the higher sampling rates. The SNS process gives greatly-improved small-signal performance for limited word-lengths, such as CD, and is completely compatible with existing D\/A converter products (including consumer and professional CD players). \u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Last Word\u003c\/b\u003e\u003cbr\u003eWe've been very busy since our first generation converters came out in 1994. Take a long look at the AD-2 and DA-2 and you'll see why. We have compromised on nothing: these converters quite simply redefine the state-of-the-art. \u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449256898663,"sku":"213","price":9850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ad2_1.jpg?v=1787088341"},{"product_id":"prism-dream-da-2","title":"Prism Dream DA-2","description":"The \u003cspan style=\"font-weight: bold;\"\u003ePrism Sound Dream DA-2\u003c\/span\u003e is the definitive music D\/A converter, providing the most accurate rendition of an audio event whether it be early music, classical, jazz, big band, a club mix or hard rock. The DA-2 conversion system provides an audio stream of such exceptional quality that will be relied upon for years to come as the definitive source for productions on CD, DVD, Super Audio CD or other formats as they become available. \u003cp\u003e\u003cb\u003ePerformance\u003c\/b\u003e\u003cbr\u003eThe Prism Sound DA-2, 96kHz, 24-bit D\/A converter provides ultimate-quality monitoring of digital audio signals. Its exceptional linearity and rock-steady clock generation and recovery ensure the highest conversion precision available for recording and mastering applications. \u003c\/p\u003e\u003cp\u003eThe DA-2 combines truly state-of-the-art audio performance with the advanced features needed by the professional to provide the most revealing, most transparent and most flexible digital to analog conversion unit available. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMusicality\u003c\/b\u003e\u003cbr\u003eOf particular importance is the ability of the DA-2 to avoid the unpleasant effects of jitter: The exceptionally stable PLL has high jitter-attenuation, and the DA-2's digital outputs can provide a de-jittered digital feed-through for reliable digital transfers. The DA-2 also has a unique 'master clock' mode in which the effects of incoming clock jitter are eliminated completely. \u003c\/p\u003e\u003cp\u003eThe DA-2 will interface easily with other digital audio equipment; it features both high-speed and two-wire interfacing options at input and output for 88.2kHz and 96kHz rates. \u003c\/p\u003e\u003cp\u003eThe DA-2 analogue output offers simplicity and high performance with its fully-floating, electronically balanced format with precision attenuators offering an operating range that covers both professional and consumer voltage levels. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eCompatible with all wordlengths from 16 to 24 bits\u003c\/b\u003e\u003cbr\u003eThe DA-2 is fully compatible with recordings made at any wordlength up to 24-bits, with or without noise shaping. No adjustment is needed for sources driving only 16 bits on the interface. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eMonitor the new high-rate (e.g. 96kHz) digital interface formats\u003c\/b\u003e\u003cbr\u003eThe DA-2 provides support for both two-wire and double-speed AES variants now in use for higher-rate recording projects (typically 96kHz 24-bit). \u003c\/p\u003e\u003cp\u003e\u003cb\u003eUse the DA-2 as the basis of a studio monitoring system\u003c\/b\u003e\u003cbr\u003eThe 7-way input selector and feed-through output (for example: driving a digital PPM) of the DA-2 can be used as the heart of your digital audio monitoring system. \u003c\/p\u003e\u003cp\u003eEasy transfer between tape and disk The DA-2 can act as a format converter and jitter attenuator using its array of input formats and its digital outputs. For example, it can convert between AES3 and SDIF-2 or from TOSLINK optical to AES3. It can also convert from double speed AES (typically 96kHz) to the two-wire interface format. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eUse the DA-2 as your studio clock reference\u003cbr\u003e\u003c\/b\u003eThe DA-2 can operate in Master Clock mode where the D\/A converter timing is generated internally from a precision reference, by-passing the synchronizing PLL system altogether. If your external equipment supports it, you can use the DA-2 in this mode for the ultimate in D\/A conversion quality.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449257029735,"sku":"216","price":10845.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_da2_1.jpg?v=1787088341"},{"product_id":"lavry-le3000s","title":"Lavry 3000S Digital Optimizer","description":"\u003cp\u003eThe \u003cstrong\u003eLavry 3000S Digital Optimizer\u003c\/strong\u003e is a powerful multi-function digital audio processor for sample rate\/word length conversion, monitoring, and measurement. It includes multiple dither and noise shaping settings, and reference quality metering. This unit is a boon to any high-throughput mastering studio - saving time and increasing quality.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449266008167,"sku":"4692","price":5200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_3000s_front.jpg?v=1787088369"},{"product_id":"weiss-sfc2","title":"Weiss SFC2","description":"Standard sampling frequency converter chips continuously measure the input frequency and then generate the output frequency and the filter specifications accordingly. This results in coefficient \"jitter\" because the input signal sampling frequency jitter modulates the cutoff frequency of the digital filter. The \u003cb\u003eWeiss SFC2\u003c\/b\u003e uses a fixed-ratio scheme where the output is directly derived from the input sampling frequency - therefore no coefficient \"jitter\", no filter modulation, more transparency. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eWeiss SFC2\u003c\/b\u003e won the Studio Sound magazine SSAIRA award for the year 2000 in the Converters category! \u003cbr\u003e\u003cbr\u003eThe main function of the SFC2 will be integrating playback or outboard equipment into an environment that either runs at double- or standard-sampling frequency. To allow this equipment to be positioned anywhere in the processing chain, the SFC2 features two completely independent two-channel sampling frequency converters to simultaneously down- and up-sample a signal. Alternatively, it can also be used to convert the sampling frequency and reduce the wordlength of any two arbitrary audio signals at the same time. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures are:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e24bit single wire high-speed AES\/EBU interfaces \u003c\/li\u003e\n\u003cli\u003e20 \/ 16bit wordlength reduction auto-blacking for dither noise \u003c\/li\u003e\n\u003cli\u003e40bit floating point \/ 32bit fixed point processing \u003c\/li\u003e\n\u003cli\u003e44.1 \/ 48 \/ 88.2 \/ 96kHz sampling frequencies supported \u003c\/li\u003e\n\u003cli\u003eStandalone 1hu 19\" rackmount chassis\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449271709799,"sku":"5509","price":5095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_sfc2_front.jpg?v=1787088386"},{"product_id":"weiss-hydra","title":"Weiss HYDRA","description":"\u003cp\u003e\u003cstrong\u003eThe Double Sampling Standard Changer \u003cbr\u003e\u003c\/strong\u003e The \u003cstrong\u003eWeiss Hydra\u003c\/strong\u003e takes care of the arising problem to interface various double sampling   (88.2kHz \/ 96kHz) digital audio equipment. Some manufacturers equip   their units with two AES\/EBU connectors for a double sampling link, i.e.   each connector carries one audio channel at normal frame rate, while   other manufacturers prefer the single connector solution at twice the   frame rate. \u003cbr\u003e\u003cbr\u003e Both methods are standardized in the AES3-1992 Amendement 3-1999 document. \u003cbr\u003e\u003cbr\u003e The Hydra allows to interface between those two formats. A switch selects the conversion direction, i.e.: \u003cbr\u003e\u003cbr\u003e A) single connector to double connector B) double connector to single   connector C) bypass, i.e. one input connector is fed to both output   connectors \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e The Hydra is available in three different versions: \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e - \u003cstrong\u003eHYDRA\u003c\/strong\u003e for ordinary format conversion. \u003cbr\u003e\u003cbr\u003e - \u003cstrong\u003eHYDRA-X\u003c\/strong\u003e as the HYDRA, but with a reclocking feature for jitter reduction based on a VCXO PLL. Reclocking works in bypass mode as well. \u003cbr\u003e\u003cbr\u003e -\u003cstrong\u003e HYDRA-C \u003c\/strong\u003efor   reclocking (jitter reduction) without any format conversion. Two   AES\/EBU signals of up to 96kHz can be reclocked simultaneously. The two   signals must be in phase, i.e. same sampling frequency, same \"preamble   start\" phase. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFrontpanel elements are:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA total of four XLR connectors \u003c\/li\u003e\n\u003cli\u003eMode switch to select modes A), B) or C) \u003c\/li\u003e\n\u003cli\u003ePower on LED \u003c\/li\u003e\n\u003cli\u003ePLL locked LED \u003c\/li\u003e\n\u003cli\u003ePower connector to connect an external +12V\/400mA wall type power supply.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449271808103,"sku":"5511","price":1400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_hydra_front.jpg?v=1787088386"},{"product_id":"weiss-hydra-x","title":"Weiss HYDRA X","description":"\u003cp\u003e\u003cstrong\u003eThe Double Sampling Standard Changer \u003cbr\u003e\u003c\/strong\u003e The \u003cstrong\u003eWeiss Hydra\u003c\/strong\u003e takes care of the arising problem to interface various double sampling   (88.2kHz \/ 96kHz) digital audio equipment. Some manufacturers equip   their units with two AES\/EBU connectors for a double sampling link, i.e.   each connector carries one audio channel at normal frame rate, while   other manufacturers prefer the single connector solution at twice the   frame rate. \u003cbr\u003e\u003cbr\u003e Both methods are standardized in the AES3-1992 Amendement 3-1999 document. \u003cbr\u003e\u003cbr\u003e The Hydra allows to interface between those two formats. A switch selects the conversion direction, i.e.: \u003cbr\u003e\u003cbr\u003e A) single connector to double connector B) double connector to single   connector C) bypass, i.e. one input connector is fed to both output   connectors \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e The Hydra is available in three different versions: \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e - \u003cstrong\u003eHYDRA\u003c\/strong\u003e for ordinary format conversion. \u003cbr\u003e\u003cbr\u003e - \u003cstrong\u003eHYDRA-X\u003c\/strong\u003e as the HYDRA, but with a reclocking feature for jitter reduction based on a VCXO PLL. Reclocking works in bypass mode as well. \u003cbr\u003e\u003cbr\u003e -\u003cstrong\u003e HYDRA-C \u003c\/strong\u003efor   reclocking (jitter reduction) without any format conversion. Two   AES\/EBU signals of up to 96kHz can be reclocked simultaneously. The two   signals must be in phase, i.e. same sampling frequency, same \"preamble   start\" phase. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFrontpanel elements are:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA total of four XLR connectors \u003c\/li\u003e\n\u003cli\u003eMode switch to select modes A), B) or C) \u003c\/li\u003e\n\u003cli\u003ePower on LED \u003c\/li\u003e\n\u003cli\u003ePLL locked LED \u003c\/li\u003e\n\u003cli\u003ePower connector to connect an external +12V\/400mA wall type power supply.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449271742567,"sku":"5512","price":1895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_hydra_rear_2.jpg?v=1787088386"},{"product_id":"rme-adi-648-madi-adat-converter","title":"RME ADI-648 MADI-ADAT Converter","description":"This Multichannel Audio Digital Interface offers format conversion from MADI to ADAT and vice-versa. The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-648\u003c\/span\u003e thus combines the world's most successful multi-channel interface with the professionals' exclusive high-end interface. MADI offers 64 channels of 24 bit audio at up to 48 kHz sample rate, and 32 channels at up to 96 kHz. Transmission happens over a single line, either coaxial (BNC) or fiber optic (network). In both cases the cable length can be more than 100 meters. \u003cp\u003eThe MADI channels are transferred from and to 8 ADAT optical inputs and 8 outputs via TOSLINK. Furthermore, the ADI-648 contains an easy-configurable 8-channel 16x16 Matrix Router. Any of the outputs, which are divided into 8-channel blocks, can be fed from any 8-channel input block, both on the ADAT and the MADI side. With this, there is not only free routing within the M-A and the A-M conversion, but also splitting and routing within the same format. An 8-channel input block can be routed to any number of output blocks in parallel. Some application examples: \u003c\/p\u003e\u003cul\u003e \u003cli\u003eManaging long distances with a single cable \u003c\/li\u003e\n\u003cli\u003eADAT breakout box for devices with MADI interface \u003c\/li\u003e\n\u003cli\u003eConnecting MADI-based equipment to RME's Hammerfall series \u003c\/li\u003e\n\u003cli\u003eADAT optical patchbay and router \u003c\/li\u003e\n\u003cli\u003eMADI coaxial \/ optical or vice-versa converter and splitter \u003c\/li\u003e\n\u003cli\u003eMADI redistributor, patchbay and router \u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eThe ADI-648 is compatible to all forms of increasing the sample rate (Double Speed). It supplies word clock in single or double speed, distributes 96 kHz signals in Double Wire mode into the MADI data stream, or per Sample Split (S\/MUX) to the ADAT ports, but is also capable of double MADI rate (96k Frame). The ADI-648 thus also represents an ideal MADI front-end for the Hammerfall and Hammerfall DSP series. \u003c\/p\u003e\u003cp\u003eSyncAlign® and SyncCheck®, technologies known from and proven by other RME products, allow for perfect sync between all channels and easy notification of error states. And of course multiple devices can be cascaded and synchronized sample-accurate using word clock. The ADI-648 accepts 56 channels, 64 channels and 96k frame at its input, and can be set to generate those formats at its output. This way the ADI-648 even serves as perfect interface between otherwise incompatible MADI devices! \u003c\/p\u003e\u003cp\u003eThe compact device with 19\" width and 1HU has numerous further outstanding features, like Intelligent Clock Control (ICC) and storing of the settings. It's even possible to transmit 16 MIDI channels in parallel to all 64 audio channels. A fully automatic input selection between optical and coaxial input offers a useful redundancy mode for critical applications. Extensive status displays give information about Lock and Sync states, audio content and the physical quality of the incoming signal. A digital PLL, designed especially for the ADI-648, allows for operation without an additional word clock line. The reference clock is then extracted from the MADI signal itself. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449273938023,"sku":"5889","price":2749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_648_1.jpg?v=1787088395"},{"product_id":"rme-adi-192-dd-aes-adat-converter","title":"RME ADI-192 DD AES-ADAT Converter","description":"\u003cp class=\"style2\"\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-192 DD\u003c\/span\u003e is the successor to the highly successful \u003ca href=\"http:\/\/www.synthax.com\/rmeadi8dd.html\"\u003eADI-8 DD\u003c\/a\u003e. The completely re-engineered device was designed to be the best format and sample rate converter ever. Hence the ADI-192 DD not only features considerable improvements compared to the ADI-8 DD, but also adds a number of new and unique features.\u003c\/p\u003e \u003cul\u003e \u003cli class=\"style2\"\u003eSupports 192 kHz with ADAT, TDIF und AES \u003c\/li\u003e\n\u003cli class=\"style2\"\u003e8-channel sample rate conversion up to 192kHz \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSample Rate Conversion can be selected for AES, TDIF or ADAT \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSample Rate Conversion supports levels of up to +6 dBFS \u003c\/li\u003e\n\u003cli class=\"style2\"\u003e8-channel Sample Rate Conversion without phase deviation (sub-sample synchronous) \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSteadyClock for maximum jitter suppression and clock regeneration \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eComplete triple format converter AES\/TDIF\/ADAT with added SPDIF TOSLINK I\/O \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eDirect support for Double and Quad Wire, S\/MUX and Double\/Quad Line \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eAlso when using SRC \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSpecial TDIF word clock output \u003c\/li\u003e\n\u003cli class=\"style2\"\u003eSimplified and easy-to-use user interface\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274069095,"sku":"5895","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_192_dd_1.jpg?v=1787088395"},{"product_id":"mytek-digital-stereo192-src","title":"Mytek Digital Stereo192 SRC","description":"\u003cp\u003eStereo192 SRC is a two channel hi-end Sample Rate Converter recording and mastering applications. The main feature of this converter is its outstanding sound quality which makes it suitable for the most demanding projects when preserving the original signal quality is a required. The sonic transparency of this unit far exceeds most of the software SRC algorithms.\u003c\/p\u003e \u003cp\u003eThe unit can operate in two modes;\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSynchronous SRC- where the output clock is synchronized to input clock. This mode is recommended for Digital to Digital transfers. \u003c\/li\u003e\n\u003cli\u003eAsynchronous SRC- where the output clock is generated by internal clock generator. This mode is recommended for Digital to Analog transfers where the SRC proceeds a D\/A converter in order to upsample the signal and provide 100% jitter immunity and removal. \u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44449274331239,"sku":"5972","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_stereo_192_src_1.jpg?v=1787088396"},{"product_id":"rme-adi-642-madi-aes-converter","title":"RME ADI-642 MADI-AES Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-642\u003c\/span\u003e, an 8-channel format converter from MADI to AES and vice versa, is the latest addition to RME's successful MADI series. Amongst other applications, the unit can serve as ideal AES\/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24 bit are supported. Its most outstanding feature is an easy-to-use 72x72 routing matrix, which can assign an individual input channel to every single output channel, allowing free configuration of all 64 MADI channels and the 8 AES channels. Additional features include: \u003cul\u003e \u003cli\u003eNative support for AES Double and Quad Wire \u003c\/li\u003e\n\u003cli\u003eNative support for MADI Double and Quad Wire \u003c\/li\u003e\n\u003cli\u003eDirect conversion between these formats \u003c\/li\u003e\n\u003cli\u003eAutomatic Delay Compensation when using more than one unit \u003c\/li\u003e\n\u003cli\u003eAnalog stereo monitor output, up to 192 kHz \u003c\/li\u003e\n\u003cli\u003eDetailed status display for MADI and AES \u003c\/li\u003e\n\u003cli\u003eCompletely remote controlable via MIDI \u003c\/li\u003e\n\u003cli\u003eTransfer of MIDI data via MADI \u003c\/li\u003e\n\u003cli\u003eSteadyClock for maximum jitter reduction and clock regeneration\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eThe compact unit with 19\" width and 1 unit height serves as format converter MADI to\/from AES . MADI handles 64 channels of 24 bit audio at sampling frequencies up to 48kHz, 32 channels up to 96kHz, and 16 channels up to 192kHz. All channels are transferred across a single cable, either coaxial (BNC) or optical network cable. In both cases, cable lengths of more than 100 meters can be achieved. The AES\/EBU channels are provided via 4 XLR inputs and outputs, respectively. The ADI-642 accepts 56 channels and 64 channels as well as 96k and 192k frame at its input, and can be set to generate those formats at its output. This way the ADI-642 even serves as perfect interface between otherwise incompatible MADI devices.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274921063,"sku":"6033","price":2749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_642_1.jpg?v=1787088401"},{"product_id":"rme-adi-2-ad-da-converter","title":"RME ADI-2 AD\/DA Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-2\u003c\/span\u003e is a both compact and extremely flexible 2-channel Hi-End AD\/DA-converter. The small 9.5\" unit offers top notch AD\/DA-conversion from\/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is – simply get connected! \u003cp\u003eKey features of this extraordinary flexible converter are balanced inputs and outputs, monitoring via headphone out, SteadyClock for optimal converter quality, 3-stage hardware input and output level control, and it's capability to run on a wide range of power supplies. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eThe ADI-2 is equipped with a balanced stereo line input via two Neutrik XLR\/phones combo jacks, a balanced stereo line output with XLR plus separate and simultaneously active phone jacks, as well as an adjustable headphone output. \u003c\/p\u003e\u003cp\u003eThe analog inputs and outputs use the same circuit design as RME's famous ADI-8, guaranteeing outstandingly low noise and distortion. Three different settings for the input and output levels each provide perfect compatibility on analog domain. A further highlight is SteadyClock, a proprietary clock technology for maximum jitter suppression. SteadyClock guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 uses the latest generation of AD\/DA-converters capable of up to 192 kHz sampling frequency at a S\/N ratio of 110 dB. \u003c\/p\u003e\u003cp\u003eBut the ADI-2 has more to offer than tremendous sound, it also gives you exciting digital connectivity. Its transformer-balanced coaxial (RCA) SPDIF I\/O has switchable Channel Status to make it fully AES\/EBU compatible. The optical TOSLINK I\/Os can handle up to 192 kHz and also serve as ADAT I\/Os with up to 96 kHz sample rate. You can even use SPDIF input and ADAT output or vice versa in AD\/DA mode. The clear layout and the distinct labeling of the front panel with its functional buttons, the informative status displays, a 6 LED level meter as well as the tidy functional back panel make it easy to operate the unit right out of the box. Protective rack handles and a strain-relief for power cord and audio cables are further useful details that make the ADI-2 even more unique. \u003c\/p\u003e\u003cp\u003e\u003cb\u003ePower to this unit!\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eFollowing the 'Universal Power Supply' philosophy of RME's Digiface, Multiface, QuadMic und OctaMic, the ADI-2 comes with an external switching power supply. Its additional internal switching power supply has been specially designed and optimized for audio applications. It accepts any voltage from 7 to 30 V, be it AC or DC, and even runs on batteries and rechargeable batteries. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274953831,"sku":"6038","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi2_1.jpg?v=1787088399"},{"product_id":"rme-adi-4-dd-converter","title":"RME ADI-4 DD Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-4 DD\u003c\/span\u003e is a simplified and highly cost-efficient smaller version of the renowned ADI-8 DD. Built into a space-saving half-rack space enclosure, the ADI-4 DD includes all of the advanced technology of the ADI-8 DD, except for sample rate conversion and TDIF ports. The actual states of incoming and outgoing signals and ongoing operations within the unit are displayed by LEDs in an easily overseeable way. SyncCheck®, already found in other RME products, not only shows if an input signal is locked, but also if multiple inputs are in synchronicity. Furthermore RME's SyncAlign® technology prevents accidental errors of ± 1 sample misalignment between the AES\/EBU inputs. The AES output signal can be set to Professsional or Consumer subcode. Channel 1\/2 can optionally be received and output optically (TOSLINK). \u003cp\u003eRME's SteadyClock™ technology guarantees an excellent performance in all clock modes. Its highly efficient jitter suppression enables the ADI-4 DD to refresh and clean up any clock signal, and to provide the clock signal as reference clock at the word clock output. Additionally, our Intelligent Clock Control (ICC) will maintain the last sample rate detected as valid in case of fault and loss of input signal. The device can be stacked without limit, all devices will be sample synchronous by using word clock. All settings are stored at power-off. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eConnectivity\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eThe device basically consists of two converters: four AES-3 inputs to double ADAT outputs, and double ADAT inputs to four AES-3 outputs. The double ADAT ports enable full 8 channel support, from 32 kHz up to 96 kHz (S\/MUX). The unit provides one XLR I\/O directly. A DB-25 connector allows for a use of industry standard AES-3 I\/O breakout cables. Setting an internal connector easily changes the DB-25 connector to meet the pinout of Tascam, Yamaha and Euphonix cables. \u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449274986599,"sku":"6039","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_4_dd_1.jpg?v=1787088399"},{"product_id":"rme-adi-8-ds","title":"RME ADI-8 DS","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-8 DS\u003c\/span\u003e is nearly identical to the ADI-8 PRO. Additional features include 88.2 and 96 kHz sample rate and Dither. \u003cp\u003eDS stands for Double Speed, meaning double sample rate. As ADAT® optical does not support sample rates higher than 48 kHz the DS mode requires two channels to transmit the data of one channel. The used method called Sample Split is compatible to S\/MUX, and also found in the Hammerfall and Hammerfall Light. The combination Hammerfall\/ADI-8 DS allows DVD-compatible Hi-End recordings (up to 8 channel @ 96 kHz), at an astonishing low price. \u003c\/p\u003e\u003cp\u003eThe ADI-8 DS is an 8 channel AD\/DA converter with reference approach. The compact 19\" 1U rackmount enclosure includes several outstanding features, like Intelligent Clock Control (ICC), SyncCheck®, SyncAlign®, TDIF\/ADAT converter and Bit Splitter. AD- and DA-circuit automatically operate either independently or linked. The latest 24 bit converters with 128 times oversampling achieve 117 dBA true dynamic range. All digital inputs and outputs operate at full 24-bit resolution. If you have been waiting for a flexible, fully professional yet affordable multi-channel converter - the wait is over. \u003c\/p\u003e\u003cp\u003eUse the following feature list to compare our ADI-8 DS with all other multitrack converters, and you will agree: The ADI-8 DS has the best price\/performance ratio! \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cli\u003e8 channel AD-converter, completely symmetrical and DC-coupled audio path, 117 dBA SNR AD \u003c\/li\u003e\u003cli\u003e8 channel DA-converter, balanced output, 112 dBA DA \u003c\/li\u003e\u003cli\u003eADAT optical inputs, 24 bit, based on RME's unsurpassed Bitclock PLL for sample accurate lock \u003c\/li\u003e\u003cli\u003eADAT optical outputs, 24 bit, fully compatible to all ADAT optical inputs \u003c\/li\u003e\u003cli\u003eTDIF-1 interface, 24 bit, Low Jitter PLL, Emphasis support, DA-88 compatible \u003c\/li\u003e\u003cli\u003eBit Split\/Combine, Yamaha 02R compatible technique to record 24 bit data onto 16 bit machines \u003c\/li\u003e\u003cli\u003eCopy Mode adds a unique 24 bit ADAT to\/from TDIF converter \u003c\/li\u003e\u003cli\u003eBit Split\/Combine, Copy Mode, ADAT and TDIF usable in all combinations \u003c\/li\u003e\u003cli\u003eDigital Patchbay operation, allows to copy, duplicate and distribute the digital input signals \u003c\/li\u003e\u003cli\u003eDither available, for full compatibility to 16 bit even at 96 kHz \u003c\/li\u003e\u003cli\u003eSyncCheck, unique technology to check clock synchronisation \u003c\/li\u003e\u003cli\u003eVirtual Sample Buffer, allows to use the internal Low Jitter Clock (quarz crystal) even for DA-conversion \u003c\/li\u003e\u003cli\u003eAutomatic storage of all settings \u003c\/li\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449275019367,"sku":"6040","price":1899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_8_ds_1.jpg?v=1787088399"},{"product_id":"rme-adi-6432-madi-aes-converter","title":"RME ADI-6432 MADI-AES Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-6432\u003c\/span\u003e offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore, or one unit used as AES\/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24 bit are supported. Built with 2 units height there is enough space for all connectors and control elements. Of course the unit includes lots of typical RME-features: \u003cp\u003e \u003c\/p\u003e\u003cli\u003eSupport for up to 192 kHz with MADI and AES \u003c\/li\u003e\u003cli\u003eUnique status displays for MADI and AES \u003c\/li\u003e\u003cli\u003eSteadyClock for maximum jitter reduction and clock regeneration \u003c\/li\u003e\u003cli\u003eCompletely remote controlable via MIDI \u003c\/li\u003e\u003cli\u003eTransfer of MIDI data via MADI \u003c\/li\u003e\u003cli\u003eTransfer of RS232 data via MADI \u003cp\u003eThe compact unit with 19\" width and 2 unit height serves as format converter MADI to\/from AES. MADI handles 64 channels of 24 bit audio at sampling frequencies up to 48 kHz, 32 channels up to 96 kHz, and 16 channels up to 192 kHz. All channels are transferred across a single cable, either coaxial (BNC) or optical network cable. In both cases, cable lengths of more than 100 meters can be achieved. The AES\/EBU channels are provided as 32 AES\/EBU inputs and outputs via D-sub connectors. The ADI-6432 accepts 56 channels and 64 channels as well as 96k frame at its input, and can be set to generate those formats at its output. \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFeatures \u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003eRME's SteadyClock™ lets the ADI-6432 use MADI without an additional word clock connection, and guarantees excellent clock quality in every situation. Due to the highly efficient jitter reduction, any clock signal - even AES and word clock - can be improved and refreshed, and subsequently be used as reference clock at the word clock output. Intelligent Clock Control (ICC) will retain the last valid sample frequency in case of a loss of the input signal. \u003c\/p\u003e\n\u003cp\u003eThe ADI-6432 supplies word clock in Single, Double und Quad Speed, distributes Double Wire 96 kHz signals into the MADI data stream, and even supports the double MADI sample rate (96K frame). The SyncAlign® and SyncCheck® technologies known from other RME products ensure perfect synchronization and clear detection of errors. Also multiple units can be stacked and operated sample-aligned, using word clock. All settings are stored when the unit is switched off. \u003c\/p\u003e\n\u003cp\u003eA fully automatic input selection between optical and coaxial input offers a useful redundancy mode for critical applications. Extensive status displays give information about lock and sync states, audio content and the physical quality of the incoming signal. \u003c\/p\u003e\n\u003cp\u003eThe front panel features an exciting and detailed Sync and Audio State display with 97 LEDs. Furthermore there are lots of buttons with clear LED function display. Especially in a professional application, exact display and control of all incoming and outgoing signals, including MIDI and RS232, becomes indispensable. Errors can be detected at a glance. The control keys can be locked to prevent accidental changing of settings.\u003c\/p\u003e\n\u003c\/li\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294188647,"sku":"7944","price":4099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_6432_1.jpg?v=1787088444"},{"product_id":"rme-madi-converter","title":"RME MADI Converter","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME\u003c\/span\u003e \u003cb\u003eMADI Converter\u003c\/b\u003e converts MADI digital audio streams from optical format to coaxial and from coaxial to optical. The compact 19\" housing with 1 unit height contains six fully independent bi-directional converters.\u003cbr\u003e\u003cbr\u003eThe MADI converter is an ideal companion to RME's \u003ca href=\"https:\/\/vintageking.com\/New-Brands\/RME\/RME-MADI-Bridge\"\u003e\u003cb\u003eMADI Bridge\u003c\/b\u003e\u003c\/a\u003e. Its six coaxial inputs and outputs can be converted to optical, which is advantageous in live and installed setups, and for longer cable lengths. The device can be placed underneath the MADI Bridge ideally; the coaxial in- and outputs of the two devices will be right next to each other vertically, and can be connected with short patch cables easily. \u003cp\u003e\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449294221415,"sku":"7945","price":2449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_madi_converter_1.jpg?v=1787088444"},{"product_id":"ssl-madi-to-coax-converter","title":"SSL MADI Opti-Coax Converter","description":"\u003cp\u003eMADI (multi-channel Audio Digital Interface) is an established standardized audio format that can carry up to 64 channels of audio in a single cable connection. MADI is available in two different cable\/connection formats; MADI Optical (Optical Fibre cable with SC type connectors) or MADI Coaxial (Coax’ cable with BNC connectors).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eSSL MADI to Coax Converter\u003c\/strong\u003e is a handy format converter box designed to convert up to 64 audio channels bi-directionally (64 in\/64 out) between the MADI Optical and MADI Coaxial formats. Its front panel is equipped with one set of MADI SC type optical input and output connectors and one set of MADI BNC coaxial input and output connectors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConversion takes place in real time with no latency and no audio degradation. In addition to simple format conversion MADI Opti Coax can be used to extend cable distance coverage from 50m for the MADI Coax format to 2km for the MADI Optical format. MADI Opti-Coax is housed within a rugged all metal case and is extremely simple to use.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44449298841703,"sku":"8624","price":699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-madi-opti-coax_8624_1.jpg?v=1787088456"},{"product_id":"rme-adi-8-ds-broadcast","title":"RME ADI-8 DS Broadcast","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRME ADI-8 DS\u003c\/span\u003e \u003cspan style=\"font-weight: bold;\"\u003eBroadcast\u003c\/span\u003e is nearly identical to the ADI-8 PRO. Additional features include 88.2 and 96 kHz sample rate and Dither. \u003cp\u003eDS stands for Double Speed, meaning double sample rate. As ADAT® optical does not support sample rates higher than 48 kHz the DS mode requires two channels to transmit the data of one channel. The used method called Sample Split is compatible to S\/MUX, and also found in the Hammerfall and Hammerfall Light. The combination Hammerfall\/ADI-8 DS allows DVD-compatible Hi-End recordings (up to 8 channel @ 96 kHz), at an astonishing low price. \u003c\/p\u003e\u003cp\u003eThe ADI-8 DS is an 8 channel AD\/DA converter with reference approach. The compact 19\" 1U rackmount enclosure includes several outstanding features, like Intelligent Clock Control (ICC), SyncCheck®, SyncAlign®, TDIF\/ADAT converter and Bit Splitter. AD- and DA-circuit automatically operate either independently or linked. The latest 24 bit converters with 128 times oversampling achieve 117 dBA true dynamic range. All digital inputs and outputs operate at full 24-bit resolution. If you have been waiting for a flexible, fully professional yet affordable multi-channel converter - the wait is over. \u003c\/p\u003e\u003cp\u003eUse the following feature list to compare our ADI-8 DS with all other multitrack converters, and you will agree: The ADI-8 DS has the best price\/performance ratio! \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cli\u003e8 channel AD-converter, completely symmetrical and DC-coupled audio path, 117 dBA SNR AD \u003c\/li\u003e\u003cli\u003e8 channel DA-converter, balanced output, 112 dBA DA \u003c\/li\u003e\u003cli\u003eADAT optical inputs, 24 bit, based on RME's unsurpassed Bitclock PLL for sample accurate lock \u003c\/li\u003e\u003cli\u003eADAT optical outputs, 24 bit, fully compatible to all ADAT optical inputs \u003c\/li\u003e\u003cli\u003eTDIF-1 interface, 24 bit, Low Jitter PLL, Emphasis support, DA-88 compatible \u003c\/li\u003e\u003cli\u003eBit Split\/Combine, Yamaha 02R compatible technique to record 24 bit data onto 16 bit machines \u003c\/li\u003e\u003cli\u003eCopy Mode adds a unique 24 bit ADAT to\/from TDIF converter \u003c\/li\u003e\u003cli\u003eBit Split\/Combine, Copy Mode, ADAT and TDIF usable in all combinations \u003c\/li\u003e\u003cli\u003eDigital Patchbay operation, allows to copy, duplicate and distribute the digital input signals \u003c\/li\u003e\u003cli\u003eDither available, for full compatibility to 16 bit even at 96 kHz \u003c\/li\u003e\u003cli\u003eSyncCheck, unique technology to check clock synchronisation \u003c\/li\u003e\u003cli\u003eVirtual Sample Buffer, allows to use the internal Low Jitter Clock (quarz crystal) even for DA-conversion \u003c\/li\u003e\u003cli\u003eAutomatic storage of all settings \u003c\/li\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44449319780455,"sku":"12213","price":1899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rme_adi_8_ds_broadcast.jpg?v=1787088539"},{"product_id":"weiss-sfc2-demo-deal","title":"Weiss SFC2 (Demo Deal)","description":"Standard sampling frequency converter chips continuously measure the input frequency and then generate the output frequency and the filter specifications accordingly. This results in coefficient \"jitter\" because the input signal sampling frequency jitter modulates the cutoff frequency of the digital filter. The \u003cb\u003eWeiss SFC2\u003c\/b\u003e uses a fixed-ratio scheme where the output is directly derived from the input sampling frequency - therefore no coefficient \"jitter\", no filter modulation, more transparency. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eWeiss SFC2\u003c\/b\u003e won the Studio Sound magazine SSAIRA award for the year 2000 in the Converters category! \u003cbr\u003e\u003cbr\u003eThe main function of the SFC2 will be integrating playback or outboard equipment into an environment that either runs at double- or standard-sampling frequency. To allow this equipment to be positioned anywhere in the processing chain, the SFC2 features two completely independent two-channel sampling frequency converters to simultaneously down- and up-sample a signal. Alternatively, it can also be used to convert the sampling frequency and reduce the wordlength of any two arbitrary audio signals at the same time. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures are:\u003c\/b\u003e \u003cul\u003e \u003cli\u003e24bit single wire high-speed AES\/EBU interfaces \u003c\/li\u003e\n\u003cli\u003e20 \/ 16bit wordlength reduction auto-blacking for dither noise \u003c\/li\u003e\n\u003cli\u003e40bit floating point \/ 32bit fixed point processing \u003c\/li\u003e\n\u003cli\u003e44.1 \/ 48 \/ 88.2 \/ 96kHz sampling frequencies supported \u003c\/li\u003e\n\u003cli\u003eStandalone 1hu 19\" rackmount chassis\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":44449368637543,"sku":"14019","price":4725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/weiss_sfc2_front_1.jpg?v=1787088738"},{"product_id":"fostex-uc-8-universal-format-converter-used","title":"Fostex UC-8 Universal Format Converter (Used)","description":null,"brand":"Fostex","offers":[{"title":"Default Title","offer_id":44449616396391,"sku":"37806","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_37806_1_acdd98b5-b33c-4277-912c-6416268df0e7.jpg?v=1787089709"},{"product_id":"rme-adi-6432-22587259-used","title":"RME ADI-6432 #22587259 (Used)","description":null,"brand":"RME","offers":[{"title":"Default Title","offer_id":44449673445479,"sku":"41928","price":1095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_41928_1_4f557524-51ea-438d-82e2-06e300c324cc.jpg?v=1787089935"},{"product_id":"weiss-int204","title":"Weiss Engineering INT204 USB to AES\/EBU or S\/PDIF Interface\/DSD to PCM Converter","description":"\u003cp\u003eIf your DAC lacks a USB input, reach for the \u003cstrong\u003eWeiss Engineering INT204\u003c\/strong\u003e to play back audio from your computer. It takes the USB audio input stream and outputs it as either AES\/EBU or S\/PDIF. Connect it to your DAC and enjoy the computer audio with pristine digital-to-analog conversion. The INT204 also handles DSD to PCM conversion, at the sample rate and wordlength of your choice.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eUSB CONNECTIVITY FOR YOUR DAC\u003c\/h3\u003e\r\n\u003cp\u003eThe INT204 allows you to play back audio from a USB-equipped computer through a non-USB-equipped DAC. It takes the incoming USB audio stream and outputs it in AES\/EBU or S\/PDIF formats. You can now enjoy audio from your computer through your DAC, even if it does not have a USB input.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eDSD TO PCM CONVERSION AND VOLUME CONTROL\u003c\/h3\u003e\r\n\u003cp\u003eYou can also convert DSD audio from the computer to PCM audio for your DAC. The INT204 makes your trusted D\/A converter DSD capable, with selectable sampling frequency and word length. With the optional remote control, it is possible to control the audio volume in the digital domain. The remote control is purchased separately.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCLOCKING AND POWER\u003c\/h3\u003e\r\n\u003cp\u003eTo ensure a high-quality transfer, the INT204 includes an internal clock generator for low-jitter performance. It uses dual power sources — both USB bus power from the computer and its own included power supply. This means the input and output sections can be separately powered and thus galvanically isolated for low-noise performance.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eSOFTWARE FEATURES\u003c\/h3\u003e\r\n\u003cp\u003eThe INT204 can do DSD to PCM conversion at selectable sampling frequencies and word-length (88.2 or 176.4 kHz and 16 or 24-bit). The DSD input is in the DoP format with a sampling frequency of DSD64 (2.8224 MHz) or DSD128 (5.6448 MHz).\u003c\/p\u003e\r\n\u003cp\u003eSupported PCM sampling frequencies are all standard frequencies between 44.1 kHz and 384 kHz. 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Perfect for bridging between digital consoles, power amplifiers or any other AES3-equipped audio equipment and any Dante network, RedNet D16R has SRC (Sample Rate Conversion) on each input pair allowing plug-and-play operation with any AES3 source. Word Clock I\/O and DARS (Digital Audio Reference Signal) connections allow synchronization with a wide range of external sources and hardware, while S\/PDIF I\/O allows the integration of equipment such as CD or solid state recorders\/players. The MP8R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy for maximum reliability. 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Thereby, the format conversion process does not only the necessary electrical conversion but also a real format conversion of the reference signals in compliance with the specifications standardized by the Audio Engineering Society (AES) and the International Electrotechnical Commission (IEC). This feature truly helps you to avoid incompatibility problems of the used signal formats between the connected devices during conversion. Thus, you can rely on professional conversions with help of the MC-1.1+ in all respects!\u003c\/p\u003e  \u003ch3\u003eOutstanding Flexibility\u003c\/h3\u003e  \u003cp\u003eVarious operation modes enable the use of the MC-1.1+ in many applications. Nearly every imaginable conversion between the involved formats is possible! Incoming digital audio signals are uni-directionally converted to four output formats at once, whereas every format offers two outputs for additional signal splittings. As for bidirectional format conversions, the MC-1.1+ provides real double circuitries which allow for the first time converting the formats of two signals even with different sampling rates at the same time. A special splitting mode offers to actively split four individual input signals to their respective double outputs simultaneously. The SCMS status of S\/P-DIF signals can be monitored and adapted in every operations mode. 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You can freely edit their numerous iconic sounds, such as the vocal line from \"I Won't Let You Down\" or the bass from \"The Writing's On the Wall,\" and arrange them to create your own music. Use the content to create your own version Ok GO’s infectious tunes, mix and match content with your own samples create remixes, or create entirely original sample-based music using the simple, step-based recording layout of the volca sample.\u003c\/p\u003e  \u003cp\u003e“This limited OK GO edition of Korg volca sample comes loaded with sounds from the album Hungry Ghosts. These are the sounds we used to make our album, and we encourage you to make your own music with them. The volca sample was designed by Tatsuya Takahashi and his team at Korg in Tokyo, and Taku Sakaguchi designed the graphics for this special edition of the instrument. We hope you find inspiration. 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What's more: you don't need any special crossover cables thanks to internal MDIX logic - any standard 1:1 Cat5 cable will do, no matter if you want to connect to your console or the stagebox.\u003c\/p\u003e","brand":"Appsys ProAudio","offers":[{"title":"Default Title","offer_id":44450467774567,"sku":"119409","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/appsys-mta-64-adapter-madi-tp_119409_1_fd9871ea-c723-4459-88ff-6dd9117a5155.jpg?v=1787093181"},{"product_id":"burl-audio-b16-mothership-bmb6-aes-ebu","title":"BURL Audio B16 Mothership AD\/DA Converter with BMB6 AES\/EBU Motherboard","description":"\u003cp\u003eThe \u003cstrong\u003eBURL Audio B16 Mothership\u003c\/strong\u003e is a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. 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The B16-BMB6 with a BAD4M and a BDA4M with switchable input and output transformers is an incredible 4 channel I\/O solution for mastering.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eDSUB25 AES\/EBU (Tascam format)\u003c\/li\u003e \u003cli\u003e8-channel IO at all sample rates\u003c\/li\u003e \u003cli\u003e1 BNC Word Clock input\u003c\/li\u003e \u003cli\u003e2 BNC Word Clock output\u003c\/li\u003e \u003c\/ul\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44450494677095,"sku":"126676","price":1499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b16-bmb6_126676_1_1_f8f4468b-6548-4e0d-9fdf-494a4a49e7c6.jpg?v=1787093290"},{"product_id":"klark-teknik-dn-30t-dante-audio-transmitter","title":"Klark Teknik DN 30T Dante Audio Transmitter","description":"\u003cp\u003eThe \u003cstrong\u003eKlark Teknik DN 30T Dante Audio Transmitter\u003c\/strong\u003e is a simple and convenient way for connecting any mic\/instrument or line-level source to a Dante network. Its compact size as well as the flexibility of its features and mounting options make it the perfect networking solution for hospitality and event spaces, performance and installed audio and so much more. The DN 30T can be connected to any Dante receiver via a standard CAT5e or CAT6 cable. This same connection can be used to power the device through Power over Ethernet or via a 24-volt DC input.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eSimple and Flexible\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe DN 30T can easily connect to any Dante equipped receiver such as the Klark Teknik DN 30R. Its high headroom design and 96 kHz Analog to Digital conversion ensures superior sound quality from any audio source. Balanced or unbalanced ¼\", RCA or stereo 1\/8\" cables are available for connecting to either a smartphone, tablet, microphone or instrument. Input levels can also be adjusted via the level knob.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCompact and Rugged\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe ultra-compact DN 30T is built to handle the rigors of life on the road via a thick and rugged aluminum extrusion that protects the electronics. The enclosure’s roadworthiness is further enhanced through the implementation of rubber corner bumpers. 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It features stereo AES3 digital audio inputs and outputs on Neutrik XLR connectors, and one Neutrik EtherCon connector for direct connection to a Dante AoIP network.\u003c\/p\u003e  \u003cp\u003eAll Sonifex DIO interfaces provide a simple, convenient, and elegant plug and play method of connecting legacy analog and digital audio equipment to the Dante AoIP audio network.\u003c\/p\u003e  \u003cp\u003eAll DIO products use Dante Controller for configuration and are powered by PoE (Power over Ethernet). They use rugged aluminum boxes with side slots for screw-mounting and contain superior audio circuitry for optimal audio performance. 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The AVB Tool has the same input stages as the first four channels of the 12Mic – successfully combining the components found in the Fireface UFX II and UFX+ into a new AD converter, extended with switchable High Impedance, balanced line level on the TRS, and two balanced line level outputs at the rear for monitoring.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003ePlug 'n' play - rapid user interaction\u003c\/h3\u003e\r\n\r\n\u003cp\u003eControl all device states directly from the front panel with an encoder and buttons for convenient, direct access to all features. RME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. 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The need for separate control applications and support for multiple operating system versions is eliminated with this approach, which allows simple user selection of network module and DN9650 settings, including AES50 and third party network domain sample rates, clock synchronisation for both domains and the ASRC bypass and bidirectional output clock inhibit functions.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eFront Panel Indication\u003c\/h3\u003e\r\n\u003cp\u003eDN9650 features status LED indicators for AES50 and network synchronization, Ethernet control port activity and the ASRC bypass and bidirectional output clock inhibit functions on the front panel for ‘at a glance’ status display, even at wide distances and viewing angles. 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Premium Neutrik etherCON and BNC connectors are used to ensure reliable network and clock connections, night after night.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_6\"\u003eAuto-ranging universal switch-mode power supply\u003c\/h3\u003e\r\n\u003cp\u003eDN9650 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.\u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":44450736930919,"sku":"149937","price":2599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/klark-teknik-dn9650_149937_1_77e98ec1-31f9-40a4-b6d7-2671caab3ccd.jpg?v=1787094312"},{"product_id":"waves-digigrid-mgr","title":"Waves DiGiGrid MGR MADI to SoundGrid Interface","description":"\u003cp\u003eThe \u003cstrong\u003eWaves DiGiGrid MGR\u003c\/strong\u003e is a premium rackmount MADI-to-SoundGrid interface for recording up to 128 channels at 96 kHz. Housed in a 1U chassis, with redundant power supplies and a built-in switch, ideal for all high-channel-count MADI recordings.\u003c\/p\u003e\r\n\u003cp\u003eExpanding on the DiGiGrid MGB and MGO audio interfaces, the MGR extends the MADI range.\u003c\/p\u003e\r\n\u003cp\u003eThe MGR ships as a Quad BNC MADI interface, and an optional optical MADI card can be fitted into the MGR, allowing complete compatibility with any MADI console, in any environment.\u003c\/p\u003e\r\n\u003cp\u003eThe built-in network switch provides both front and rear mounted SoundGrid ports, making redundant recordings possible without any additional hardware. You can also use the extra SoundGrid network port to connect to additional SoundGrid devices, such as additional interfaces and SoundGrid DSP servers to your network.\u003c\/p\u003e\r\n\u003cp\u003eFor mission-critical applications, the dual redundant PSU’s ensure uninterrupted operation and guaranteed performance, even in the most demanding situations. \u003c\/p\u003e","brand":"Waves Audio","offers":[{"title":"Default Title","offer_id":44450771304551,"sku":"167276","price":7999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/digigrid-mgr_167276_1_0c40da6c-0e51-4ab0-a61d-955bf5450d89.jpg?v=1787094472"},{"product_id":"ntp-technology-penta-721s-sdi","title":"NTP Technology Penta 721s-SDI Dual SDI to Dante Converter with SRC","description":"\u003cp\u003eThe \u003cstrong\u003eNTP Technology Penta 721s-SDI\u003c\/strong\u003e is a dual SDI embedder\/de-embedder with onboard sample rate converter, MADI, AES and Dante, which provides a versatile and flexible solution for signal distribution of embedded audio via AES\/EBU, MADI, as well as routing via IP Gigabit Ethernet and optical fibre networks.\u003c\/p\u003e\r\n\u003cp\u003ePenta 721s-SDI is a compact 1U digital audio interface with a dual set of 3G SDI input\/output ports, Pro|Mon and dual power supply. It provides embedding and de-embedding of 16 audio channels per port where sample rate conversion can be enabled if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll embedded channel can be routed to and from any of the digital interfaces on the unit. It comes with eight channel AES\/EBU input\/output channels, MADI and Dante IP Audio Ethernet in\/outs, as well as an optional mini-module slot with dual SFP MADI optical in\/out connection.\u003c\/p\u003e\r\n\u003cp\u003eThe Penta 721s-SDI includes:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFitted with 64 Dante\/AES67 Brooklyn 2 module\u003c\/li\u003e\r\n\u003cli\u003eExpansion slot fitted with Dual SDI Embedder\/De-Embedder\u003c\/li\u003e\r\n\u003cli\u003eDual MADI Option Slot\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_0\"\u003eSIGNAL ROUTING\u003c\/h3\u003e\r\n\u003cp\u003ePenta 721s-SDI include a 512x512 multiplexer, enabling all SDI audio and digital inputs and outputs to be routed in any combination; this enables the unit to also split signals for advanced signal distribution.\u003c\/p\u003e\r\n\u003cp\u003eThe multiplexer can be used to establish the static connections of the signal inputs and outputs. A 256x32 channel summing mixer is also available as a part of the matrix.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eCONTROL\u003c\/h3\u003e\r\n\u003cp\u003ePenta 721s-SDI is controlled via one or two Ethernet ports and the operation is done by using the DADman control software application or a Penta 615 Control panel. In larger router systems control can be made via the NTP RCCore Router control application.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIP AUDIO POWERED BY DANTE\u003c\/h3\u003e\r\n\u003cp\u003eThe Penta 721s-SDI IP Audio protocol is based on the robust tried-and-tested Dante digital audio networktechnology, and will interoperate with products of other brands that comply with Dante. The Dante IP Audio format provides fast, flexible, andeconomical audio routing via IP and is compatible with NTP PENTA 721 Digital I\/O and other Dante devices.\u003c\/p\u003e\r\n\u003cp\u003eThe IP Audio routing provides Low latency, tightly synchronized, transport of uncompressed audio over Gigabit IP Ethernet Layer 3 networks using off the shelf switches, and routers for audio routing via one or more sub-nets. A total of 512 channels can be routed on a 1 Gigabit network, and more if the network capacity is higher.\u003c\/p\u003e","brand":"NTP","offers":[{"title":"Default Title","offer_id":44450833760359,"sku":"176379","price":5099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ntp-penta-721s-sdi_176379_1_74a82950-95c1-478a-b60c-36c52e91ccc7.jpg?v=1787094719"},{"product_id":"ntp-technology-penta-721s-base-unit","title":"NTP Penta 721s Dante Multi-Format Converter and Router","description":"\u003cp\u003eThe \u003cstrong\u003eNTP Technology Penta 721s\u003c\/strong\u003e is a new generation audio router and audio distribution interface from NTP Technology, which provides a versatile and flexible interface for signal distribution of analog, and digital audio via AES\/EBU and MADI, as well as routing via IP Gigabit Ethernet and optical fibre networks including Dante. It has all the features of the Penta 721 with the addition of a card slot that can accept one of the 7 Penta interface cards to exactly match your I\/O requirements.\u003c\/p\u003e\r\n\u003cp\u003ePenta 721s is a compact 1U digital audio interface designed for stand-alone use in recording studios, radio stations and stage venues.\u003c\/p\u003e\r\n\u003cp\u003eIt comes standard with the following I\/O:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eEight channel AES\/EBU input\/output channels\u003c\/li\u003e\r\n\u003cli\u003eMADI in\/out\u003c\/li\u003e\r\n\u003cli\u003eTwo IP Audio Ethernet in\/outs connected to a 64-channel Dante interface, with support for AES67 with SAP \u0026amp; Dante Domain Manager\u003c\/li\u003e\r\n\u003cli\u003eCard slot for one of seven optional NTP I\/O and processing cards, and a slot for optional Dual MADI Module\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_0\"\u003eSIGNAL ROUTING\u003c\/h3\u003e\r\n\u003cp\u003ePenta 721s include a 512×512 multiplexer, enabling all analog and digital inputs and outputs to be routed in any combination; this enables the unit to also split signals for advanced signal distribution. The multiplexer can be used to establish the static connections of the signal inputs and outputs, and furthermore it incorporates soft switching with a fade down and fade up functionality of the signal level. Soft switching ensures that setting or changing a signal path can be made without any audible click or artifact.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eCONTROL\u003c\/h3\u003e\r\n\u003cp\u003ePenta 721s are TCP\/IP controlled via one or two Ethernet ports. Control and supervision can be made by the NTP RCCore control system, and the operation is done via the NTP VMC control software client applications. A simple dedicated software control application for Windows is available for controlling and setting up Penta 721s on a unit to unit basis when less advanced operation is required.\u003c\/p\u003e\r\n\u003cp\u003eThe IP Audio routing is for larger systems controlled by the NTP RCCore Router Control System, for easy and simple setting of connections on the Gigabit IP Ethernet. Penta 721s can also be controlled by the Dante IP Audio routing controller software.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIP AUDIO POWERED BY DANTE\u003c\/h3\u003e\r\n\u003cp\u003eThe Penta 721s IP Audio protocol is based on the robust tried-and-tested Dante digital audio network technology, and will interoperate with products of other brands that comply with Dante.\u003c\/p\u003e\r\n\u003cp\u003eThe Dante IP Audio format provides fast, flexible, and economical audio routing via IP and is compatible with NTP Penta 720 Modular I\/O and other Dante devices. The IP Audio routing provides Low latency, tightly synchronised, transport of uncompressed audio over Gigabit IP Ethernet Layer 3 networks using off the shelf switches, and routers for audio routing via one or more sub-nets. A total of 512 channels can be routed on a 1 Gigabit network, and more if the network capacity is higher.\u003c\/p\u003e","brand":"DAD by NTP","offers":[{"title":"Default Title","offer_id":44450833793127,"sku":"176378","price":3089.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ntp-penta-721s_176378_1_900b3bb6-01b5-4fe2-9baf-1b0562942118.jpg?v=1787094719"},{"product_id":"grimm-audio-vcc-video-to-word-clock-converter","title":"Grimm Audio VCC Video to Word Clock Converter","description":"\u003cp\u003eThe \u003cstrong\u003eGrimm Audio VCC Video to Word Clock Converter\u003c\/strong\u003e adds video-sync functionality to the CC1 or any other word clock receiving device. Although many postproduction facilities have selected word clock for all their synchronization needs, in some cases an audio system just has to synchronize to a video source. VCC offers a convenient add-on system that takes very little space.\u003c\/p\u003e  \u003cp\u003eVCC will slave to both PAL and NTSC. Its power light doubles as lock indicator. The rugged box and fixed power adapter connection make sure this vital function will perform reliable even in live setups.\u003c\/p\u003e  \u003cp\u003eMark that although the VCC can turn the word clock input of any device into a video clock input, it has no jitter attenuation of its own. For low jitter performance, please use the VCC with a Grimm CC1.\u003c\/p\u003e","brand":"Grimm Audio","offers":[{"title":"Default Title","offer_id":44450969583719,"sku":"203114","price":535.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/grimm-vcc_203114_1_451e8ef4-f06d-4ddc-b97e-c4222b04dc61.jpg?v=1787095306"},{"product_id":"blackmagic-design-micro-converter-bidirectional-sdi-hdmi-3g","title":"Blackmagic Design Micro Converter BiDirectional SDI\/HDMI 3G","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Micro Converter BiDirectional SDI\/HDMI 3G\u003c\/strong\u003e is the world’s smallest bidirectional broadcast quality converter! Convert SDI to HDMI and at the same time HDMI to SDI, even in different formats! Plus it supports camera control protocol conversion, so you can use Blackmagic Pocket Cinema Cameras with professional SDI live production switchers!\u003c\/p\u003e  \u003cp\u003eThe Blackmagic Design Micro Converter 3G models are incredibly tiny broadcast video converters that let you connect between consumer HDMI and professional SDI equipment. The rugged and miniaturized design makes them small enough to be used anywhere! You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed! Only Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003ePOCKET SIZED BROADCAST QUALITY CONVERTERS\u003c\/h3\u003e  \u003cp\u003eBlackmagic Micro Converters are so small you can use them anywhere! That means it’s always easy to keep a few available for any urgent conversion task! Because they are extremely high quality, you can trust them for all kinds of broadcast, live production and on set use. Use them for turning any computer display, television or video projector into high quality color calibrated broadcast monitoring. They're also perfect for converting the HDMI outputs of computers and consumer video cameras to high end SDI equipment. Imagine using a slide show running on a computer for high end broadcast quality titles in live production! You could even use them for extending long HDMI distances using SDI.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003ePRECISION ENGINEERED BROADCAST GRADE CONVERTERS\u003c\/h3\u003e  \u003cp\u003eUnlike other small SDI converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an incredibly strong metal enclosure. Each converter has industrial standard 3G-SDI and HDMI connections with strong high quality connectors. Blackmagic Micro Converters include a USB connection for power, as well as changing settings via the converter utility on Mac and Windows. Because the USB powers the converter, you can even power it from televisions or laptop computers. There are even LEDs for power and video status. You can also buy Blackmagic Micro Converters with an AC power supply including 4 adapters for international use.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eBIG CONVERTER QUALITY, MINIATURIZED!\u003c\/h3\u003e  \u003cp\u003eUnlike cheap converters, Blackmagic Micro Converters include the highest quality signal processing and deep bit depth video pipeline. Micro Converters have been engineered with precision electronics so you get very low SDI jitter, allowing you to extend SDI cables over long distances. That’s vital for live production where equipment such as cameras can be a long distance from switchers. Blackmagic Micro Converters work with both 8 and 10-bit video formats, in RGB or YUV, and in all SD and HD formats up to 1080p60. They even support 1080p24, 1080p47.95 and 1080p48 film rates! Plus you get fully embedded audio and timecode support.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eUPDATE AND CHANGE SETTINGS!\u003c\/h3\u003e  \u003cp\u003eYou can also change settings and update the converter software with the free converter utility that can be downloaded from the Blackmagic Design web site. This software connects to the USB connection on the Micro Converters and runs on both Mac and Windows computers. You can use the utility to change the converter name, which can be useful for identifying which converter is used for which task! When using the bidirectional converter, you can even set the camera number, so the converter knows when it’s being controlled from a live production switcher. You can also select between level A and level B on the 3G-SDI video output.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eMONITORING WITH 3D LUTS\u003c\/h3\u003e  \u003cp\u003eThe Micro Converter SDI to HDMI 3G model even includes a 3D LUT for color accurate monitoring! You can apply custom looks, color and gamma changes in real time for on set monitoring. LUTs can also be applied to the 3G‑SDI loop output, allowing you to use the converter as a 3D LUT processor! You can also use 3D LUTs to get a color calibrated grading monitor using a low cost computer monitor or TV! You can even use the DaVinci Resolve primary color corrector to create amazing looks and then save them as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs nothing to start creating a world of custom 3D LUTs for monitoring! Imagine reproducing old film stocks!\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eCONVERT WITH CAMERA CONTROL\u003c\/h3\u003e  \u003cp\u003eThe new Micro Converter BiDirectional SDI\/HDMI 3G model even supports camera control so you can use a Blackmagic Pocket Cinema Camera with an ATEM SDI switcher. ATEM switchers send camera control over SDI, and the converter can translate this to HDMI for the camera. Just connect SDI from the converter out to the switcher input, the switcher program out to the converter input, and then the HDMI converter input connects to the Pocket Cinema Camera. Now add a camera number in the converter utility and you'll get control of the camera color corrector, tally and even remote recording! It even works in reverse and you can connect and control an SDI camera from an HDMI switcher such as ATEM Mini!\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eINCLUDES HDMI TIMECODE SUPPORT\u003c\/h3\u003e  \u003cp\u003eThe new Micro Converter 3G models use a new Blackmagic Design custom hardware design so they're more advanced to better support the technical features that are critical to high end broadcast workflows. These features include support for HDMI and SDI timecode conversion. You even get full support for timecode in both standard definition and high definition video formats. This means if you have any HDMI device that supports timecode, you can convert it to SDI and get that timecode into larger broadcast systems. Blackmagic Micro Converters might be low cost, however they don't miss out on advanced features needed for high end film, television and post production work.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eSDI RE‑CLOCKING PERFECT FOR LONGER SDI CABLE LENGTHS\u003c\/h3\u003e  \u003cp\u003eBlackmagic Micro Converters include built in SDI re-clocking on the 3G-SDI output. The SDI re‑clocking will regenerate the SDI video, reduce SDI jitter and improve SDI eye pattern before the converter sends the signal to other equipment. This allows longer cable lengths because even degraded SDI signals can still be used. Other converters often leave out important features such as re-clocking so are not reliable for broadcast use. Blackmagic Micro Converters don’t suffer from these problems because they are a more technically advanced design. Blackmagic Micro Converters also fully comply with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, broadcast standards.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eWIDER RANGE OF VIDEO STANDARDS\u003c\/h3\u003e  \u003cp\u003eBlackmagic Micro Converter 3G models support SDI formats including 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. HDMI video standards include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94 and 1080i60. Plus 3G level A and B are supported.\u003c\/p\u003e  \u003ch3 id=\"toc_9\"\u003eUSB POWER\u003c\/h3\u003e  \u003cp\u003eThe Blackmagic Micro Converter 3G models are powered via the same USB-C connection that’s used on newer computers and smartphones so you can power the converter from the same television or computer you are converting the video for. \u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44450996617319,"sku":"208936","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/blackmagic-design-micro-converter-bi-sdi-hdmi_208936_1_2e40ce1f-b39c-425c-bb48-d77722c3cade.jpg?v=1787095419"}],"url":"https:\/\/vintageking1.myshopify.com\/collections\/recording-interfaces-and-digital-converters-format-sampling-rate-converters.oembed","provider":"VINTAGE KING AUDIO","version":"1.0","type":"link"}