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Conversion may use internal crystals or externally lock to word clock or AES signal.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInternal crystal modes: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e44.1kHz, 48kHz, 88.2kHz, 96kHz; All at +\/- 25ppm \u003c\/li\u003e\r\n\u003cli\u003eNarrow lock range: 44.1kHz, 48kHz, 88.2kHz, 96kHz ; All at +\/- 100ppm minimum (+\/- 150ppm typical) \u003c\/li\u003e\r\n\u003cli\u003eWide lock range: Low 37kHz - 52kHz, High 74kHz - 100kHz External sync input: Word clock or AES - requires 2-5v amplitude into 75W, termination connected externally\u003c\/li\u003e\r\n\u003cli\u003eX2 switch enables generation of double sampling speeds (74kHz - 100kHz) from normal rates (37kHz -50kHz)\u003c\/li\u003e\r\n\u003cli\u003eAnalog A\/D inputs and D\/A outputs may be configured for balanced or unbalanced operation - this unit operates with AC power from 90 - 264 VAC, 50\/60 Hz.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265614951,"sku":"4674","price":3440.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry-4496-6_4674_1.jpg?v=1787088368"},{"product_id":"lavry-4496-7-8-channel-a-d","title":"Lavry (4496-7) 8 Channel A\/D","description":"\u003cp\u003eThe \u003cstrong\u003e\"LavryBlue\" Conversion System \u003c\/strong\u003eoffers affordable high-end conversion and features. 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Conversion may use internal  crystals or externally lock to Word Clock or AES signal.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265811559,"sku":"4684","price":880.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_2chad.jpg?v=1787088369"},{"product_id":"lavry-msync-kit","title":"Lavry MSync Kit","description":"\u003cp\u003eThe \u003cstrong\u003e\"LavryBlue\" Conversion System\u003c\/strong\u003e offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from two-channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies.\u003c\/p\u003e\r\n\u003cp\u003eA\/D cards allow the selection of various word lengths, Analog or Digital soft saturation and acoustic bit correction, dither and noise shaping. Other features include LED metering, reference meter bridge, peak detection and front panel gain control. Conversion may use internal crystals or externaly lock to word clock or AES signal.\u003c\/p\u003e\r\n\u003cp\u003eThe D\/A is easy to use. It automatically detects and displays the input data rate. 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Installation of the M-DA 824 module into the LavryBlue chassis is a simple operation which can be done by the user with common tools.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSuitable For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTracking\u003c\/li\u003e\n\u003cli\u003eLocation Recording\u003c\/li\u003e\n\u003cli\u003eMixing\u003c\/li\u003e\n\u003cli\u003eOverdubs\u003c\/li\u003e\n\u003cli\u003eMastering\u003c\/li\u003e\n\u003cli\u003eBroadcast\u003c\/li\u003e\n\u003cli\u003eLive\/Location Sound\u003c\/li\u003e\n\u003cli\u003ePost Production\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lavry Engineering","offers":[{"title":"Default Title","offer_id":44449265877095,"sku":"4685","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/lavry_2chda.jpg?v=1787088369"},{"product_id":"lavry-ad122-96-mkiii","title":"Lavry AD122 96-MKIII","description":"\u003cp\u003eThe \u003cstrong\u003eLavry AD122-96MKIII \u003c\/strong\u003econverts analog signals to a true 24-bit digital audio data stream. Consistently used for many of today's top recordings, the AD122-96MKIII features -127 dB dynamic range (unweighted), providing optimum musical results. \u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003eAchieving 20 or more bits of resolution places a heavy demand on the linearity and noise of analog signals prior to the A\/D conversion.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLinearity\u003c\/strong\u003e\u003cbr\u003e Linearity problems (typically associated with larger signals) should be avoided to prevent overall signal distortions. Proper circuit design places non-linear devices inside a negative feedback path, thus allowing the transfer function to depend on a few linear components (such as resistor ratio). Closer examination reveals that the effectiveness of negative feedback is limited by the open loop gain of the amplifier (the available gain prior to the feedback action). Constructing a 10 dB gain stage out of, say, a 50 dB open loop amplifier provides 40 dB of feedback; thus circuit nonlinearities are corrected for by a factor of 100. A 1% nonlinearity reduces to a .01% level. The same stage, when set to a gain of 20 dB, yields only 50-20=30 dB of \"linearizing power\"; thus the same 1% circuit nonlinearity is corrected to 1\/31.6 = .03%. The \"obvious\" solution of increasing circuit open loop gain is riddled with problems ranging from impulse response settling time to loss of bandwidth. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr\u003e The quantization (A\/D conversion) of analog noise causes loss of fine signal detail. The quantized noise introduces time varying signal dependent distortions. Such sample by sample deviation can not be compared to the seemingly \"constant\" analog background noise. The interaction between the noise and the quantization process effects the sonic detail at much higher amplitude than the noise level itself. The source material may have its own noise level, but the A\/D manufacturer is in no position to decide which part of the material is signal and which part is noise. (Is it undesirable noise or is it the intentional recording of the wind blowing through the trees?) Thus, any signal must be reproduced accurately. All we can do, and all we should do amounts to avoiding additional A\/D noise. A\/D noise consists of two parts: analog noise (prior to quantization), and quantization noise. The quantization noise level is \"fixed\" by the converter itself. Model AD122-96 MKIII quantization noise relative full scale is about 122 dBFS. Keeping complete system noise level at 122 dBFS requires careful treatment of the analog path. Each circuit component (especially resistors and semiconductors) generates its own noise. The complex electron motion within the various materials adds up to a cumulative noise. Intentional amplification of signals yields undesirable amplification of noise. Once again, each dB of added gain takes away a dB from the available dynamic range. \u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eAD122-96 MKIII Input Range\u003c\/strong\u003e\u003cbr\u003e You may suspect by now that our aim is to provide you with an A\/D converter and leave the problem of providing a \"hot\" signal at the hands of microphone and mic- preamplifier manufacturers. 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